Chapter 35

POSSE

Buddy had left more out of embarrassment than anger. Now, as he sat in the Blazer under the porte-cochere of the Four Seasons with the engine idling, he was stuck for his next move. The sour-sweet taste was there again, filling the back of his mouth like sewer runoff; he was staggered by an unfathomable sense of loneliness so vast and full of self-hate that it pressed against him like a fateful warning.

His accumulated list of personal negatives was mind-boggling. He was a coward and a drug addict. He had no commitment to himself or to his craft. He had not one single relationship in his life that he valued or cared to maintain. All of his "intimate" associations were bought and paid for, professional friends who circled him like airliners stacked above a foggy field, waiting for his instructions, not one of them willing to give him a moment of unselfish concern. Buddy knew that it was his fault. He had constructed a world that was only about him. Buddy suspected that the hateful truth was that to gain respect, it was also necessary to give it. If he continued to focus everything inward, he would be nourished by nothing. Now, as the Blazer's engine idled, he had no place to go. He could not pick a new course of action. He only knew that he was through hiding; if he did not choose the right path, he would sacrifice what was left of himself.

He began grasping for solutions. Maybe he should call the Pelican, he thought.

Anthony Pelicano had been on his payroll on and off for almost fifteen years. The L. A. private eye had managed to get several actors and directors out of tight spots and drug busts while they were working on Buddy's pictures. Pelicano flushed more Hollywood toilets than the Polo Lounge bathroom attendant. Buddy had first employed the detective during his divorce. The Pelican had managed to turn up Tova's one lesbian affair, which Buddy hung over her like a sword of damnation during the property settlement negotiations. Pelicano would know what to do.

Buddy was startled by a tapping at his passenger window. He snapped his head around and saw a doorman in a high-collared braided coat, faintly reminiscent of his old Scientology uniform.

"Would you like me to park your car again for you, sir?" the attendant asked, smiling professionally.

Buddy shook his head and put the car in gear, pulling out from under the heavy stone awning into the shimmering Texas heat.

"I don't give a fuck what his office told you. Tell him it's critical I speak to him," Buddy screamed at Alicia Profit, who had just informed him, after ten minutes on hold, that the Pelican was in New Mexico getting one of Dick Zanuck's stars unhooked from a mescaline bust.

"They said he'll call you back," Alicia repeated, holding her ground like a Prussian general.

He could picture his beautiful assistant in his palatial Paramount office, standing behind his Ping-Pong-table-sized executive desk, flipping her black hair in stylish exasperation as he screamed at her over the speakerphone. He had spent more than one hapless night trying to talk her into the sack, but she had eluded him like an NFL running back, always leaving with both her honor and his grudging respect. Still, Buddy screamed at her endlessly.

"Is Rayce around?"

"Yes. He's in with Marty."

"Get him on the phone," Buddy snapped.

Then he was on hold again, listening to a recorded selection of his movie themes. After a moment he heard Rayce Walker; it was a comfortable, upholstered voice, soft and deep, like expensive furniture.

"How's it goin', pard?" the stuntman said in his Arizona-New Mexico drawl.

"Rayce, I need your help," Buddy answered. "I'm sending the G-III to get you. Get four or five guys who can handle themselves… like Billy Seal, and that crazy fucking Indian we used on Sheriff of Apache Canyon, Little Boy, whatever-the one who drove the burning pickup into the lake."

"John Little Bear," Rayce corrected.

"Right. And go to the Malibu house and collect up some firepower outta my gun case. I have the Dominator and the two pistols from the plane with me now. Get your ass to Fort Worth. I need you fast," he said.

"What's up, Mr. B.?"

"We gotta go kick some ass," Buddy said, trying to sound macho, but feeling weak and foolish. "Also tell Alicia I need her to come with you to handle details. Tell her to call Rob at the business manager's, and clear all my credit cards. Also tell her that I want her to line me up a motor home I can rent in Fort Worth-bill the studio location scouting account. Make it at least thirty-seven feet long, roomy, with a big engine. We're gonna be traveling. I'll need cellphones and booze. Bring some white lady and a bag or two of grass. I'm down to seeds and stems."

"Yes, sir," Rayce said. "What's going on?"

Buddy didn't answer, just hung up. He'd been driving aimlessly down a Fort Worth street with no destination. Now he pulled the Blazer over and parked it by the side of the road. His hands were shaking and he needed something. At first he thought it was a zoot of cocaine, a pick-me-up that would blur the edges and lift his spirits, but as he reached for the shaving kit, he stopped. He realized it wasn't dope he wanted. What was it? It wasn't something he had; it was something he was missing. A new craving much harder to recognize. His mind ran down a list of physical needs, but he could check none of the mental boxes. And then, like a TV uplink that finally locked on the right satellite, the picture became clear.

As Buddy Brazil sat in the heat of his rented Blazer on the side of a road in Fort Worth, he realized what he craved more than anything else was his own self-respect.

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