CHAPTER XI

WE participate in a tragedy; at a comedy we only look. The tragic author feels himself into his personages; and so, from the other side, does the reader or listener. But in pure comedy there is no identification between creator and literary creature, between spectator and spectacle. The author looks, judges and records, from the outside; and from the outside his audience observes what he has recorded, judges as he has judged and, if the comedy is good enough, laughs. Pure comedy cannot be kept up for very long. That is why so many of the greatest comic writers have adopted the impure form, in which there is a constant transition from outwardness to inwardness, and back again. At one moment we merely see and judge and laugh; the next, we are made to sympathize and even to identify ourselves with one who, a few seconds before, was merely an object. Every figure of fun is potentially an Amiel or a Bashkirtseff; and every tormented author of confessions or an intimate journal can be seen, if we so desire, as a figure of fun.

Jeanne des Anges was one of those unfortunate human beings who consistently invite the outward approach, the purely comic treatment. And this in spite of the fact that she wrote confessions, which were intended to evoke the reader’s heartfelt sympathy with her very considerable sufferings. That we can read these confessions and still think of the poor Prioress as a comic figure is due to the fact that she was supremely an actress; and that, as an actress, she was almost always external even to herself. The “I” who does her confessing is sometimes a pastiche of St. Augustine, sometimes the queen of the demoniacs, sometimes the second St. Teresa—and sometimes, giving the whole show away, a shrewd and momentarily sincere young woman, who knows precisely who she is and how she is related to these other, more romantic personages. Without, of course, desiring to turn herself into a figure of fun, Sœur Jeanne employs all the devices of the comic writer—the sudden shift from mask to absurd face; the emphasis, the excessive protestations; the pious verbiage that so naïvely rationalizes some all too human wish below the surface.

Moreover, Sœur Jeanne wrote her confessions without reflecting that her readers might have other sources of information about the facts therein recorded. Thus, from the official record of the counts upon which Grandier was condemned, we know that the Prioress and several other nuns were overpowered by remorse at what they had done and tried to withdraw a testimony which they knew, even in the paroxysms of hysteria, to be completely false. Sœur Jeanne’s autobiography abounds in the conventional avowals of vanity, of pride, of lukewarmness. But of her greatest offence—the systematic lying which had brought an innocent man to the question and the flames—she makes no mention. Nor does she ever refer to the only creditable episode in the whole hideous story—her repentance and the public confession of her guilt. On second thoughts she preferred to accept the cynical assurances of Laubardemont and the Capuchins: her contrition was a trick of the devils, her lies were gospel truth. Any account of this episode, even the most favourable, would inevitably have spoiled her portrait of the authoress as a victim of the devil, miraculously rescued by God. Suppressing the strange and tragic facts, she chose to identify herself with an essentially bookish fiction. This sort of thing is the very stuff of comedy.

In the course of his life Jean-Joseph Surin thought, wrote and did many foolish, ill-judged and even grotesque things. But for anyone who has read his letters and his memoirs he must always remain an essentially tragic figure, in whose sufferings (however odd and however, in a certain sense, well-deserved) we always participate. We know him as he knew himself—from inside and without disguise. The “I” who does his confessing is always Jean-Joseph, never someone else, more romantic, never, as with the poor Prioress, that other, spectacular personage, who invariably ends by letting the cat out of the bag and so transforming the would-be sublime into the comic, the downright farcical.

The beginnings of Surin’s long tragedy have already been described. An iron will, directed by the highest ideal of spiritual perfection and by erroneous notions as to the relations between Absolute and relative, between God and nature, had overdriven a weak constitution, a temperament in unstable equilibrium. He was a sick man even before he came to Loudun. There, though he tried to mitigate the Manichaean excesses of the other exorcists, he became the victim of a too close and intense preoccupation with the idea and the apparent fact of radical Evil. The devils derived their strength from the very violence of the campaign which was waged against them. Strength in the nuns, and strength in their exorcists. Under the influence of an organized obsession with evil, the normally latent tendencies (tendencies to licence and blasphemy, to which, by induction, a strict religious discipline always gives rise) came rushing to the surface. Lactance and Tranquille died in convulsions, “hand and foot in Belial’s gripe.” Surin underwent the same self-inflicted ordeal, but survived.

While working at Loudun, Surin found time, between the exorcisms and his own seizures, to write many letters. But except to his indiscreet friend, Father d’Attichy, he made no confidences. Meditation, mortification, purity of heart—these are the ordinary themes of his letters. The devils and his own trials are scarcely mentioned.

“In regard to your mental prayer,” he writes to one of his cloistered correspondents, “I do not take it as a bad sign that you should be unable, as you tell me, to keep your mind fixed on some particular subject, which you have prepared in advance. I advise you not to pin yourself down to any specific topic, but to go to your prayers with the same freedom of heart, with which, in the past, you used to go to Mother d’ Arrérac’s room, to talk with her and help her to pass the time. To these meetings you did not bring an agenda of carefully studied subjects for discussion; for that would have put an end to the pleasure of your conversation. You went to her with a general disposition to foment and cultivate your friendship. Go to God in the same way.”

“Love the dear God,” he writes to another of his friends, “and permit Him to do as He likes. Where He works, the soul should give up its own coarse way of acting. Do this, and remain exposed to the will of Love, and to its power. Lay aside your busy practices, which are mingled with many imperfections that need to be purified.”

And what is this divine Love, to whose will and power the soul is required to expose itself? “Love’s work is to ravage, to destroy, to abolish, and then to make new, to set up again, to resuscitate. It is marvellously terrible and marvellously sweet; and the more terrible, the more desirable, the more attractive. To this Love we must resolutely give ourselves. I shall not be happy until I have seen it triumph over you, to the point of consuming and annihilating you.”

In Surin’s case the process of annihilation was only just beginning. During the greater part of 1637 and the first months of 1638 he was a sick man, but a sick man with intervals of health. His malady consisted of a series of departures from a state that was still tolerably normal.

“This obsession,” he wrote twenty-five years later in La Science Expérimentale des choses de I’autre vie,[54] “was accompanied by extraordinary mental vigour and cheerfulness, which helped him to bear this burden not merely with patience, but with contentment.” True, sustained concentration was already out of the question; he could not study. But he could make use of the fruits of earlier studies in astonishing improvisations. Inhibited, not knowing what he was going to say, or whether he would be able to open his mouth, he would climb up into the pulpit with the feelings of a condemned criminal mounting the scaffold. Then, suddenly he would feel “a dilatation of the interior sense and the heat of so strong a grace that he would discharge his heart like a trumpet, with a mighty power of voice and thought, as if he had been another man…. A pipe had been opened, disgorging into his mind an abundance of strength and knowledge.”

Then came a sudden change. The pipe was stopped; the torrent of inspiration dried up. The sickness took a new form, and was no longer the spasmodic obsession of a relatively normal soul in touch with its God, but a total deprivation of light, accompanied by a diminution and degradation of the whole man into something less than himself. In a series of letters, written for the most part in 1638, and addressed to a nun who had passed through experiences similar to his own, Surin describes the first beginnings of that new phase of his malady.

In part, at least, his sufferings were physical. There were days and weeks when a low, but almost unremitting, fever kept him in a state of extreme weakness. At other times he suffered from a kind of partial paralysis. He still had some control over his limbs; but every movement cost him an enormous effort and was often accompanied by pain. The smallest actions were torturing ordeals, and every task, the most trifling and ordinary, was a labour of Hercules. It would take him two or three hours to unfasten the hooks on his cassock. As for completely undressing, it was a physical impossibility. For nearly twenty years, Surin slept in his clothes. Once a week, however, it was necessary (if he was to remain free of vermin, “for which I had a great aversion”) to change his shirt. “I suffered so enormously from this change of linen that sometimes I would spend almost the whole of the night from Saturday to Sunday in taking off the soiled shirt and putting on the clean one. Such was the pain involved that, if ever I seemed to find some gleam of happiness, it was always before Thursday, whereas from Thursday onward I suffered the greatest anguish, thinking of my change of shirt; for this was a torture from which, if I could have had my choice, I would have ransomed myself by almost any other kind of suffering.”

Eating was almost as bad as dressing and undressing. Shirts were changed only once a week. But these Sisyphean cuttings of meat, these raisings of forks to mouth, these laborious graspings and tiltings of the glass, were daily ordeals, all the more unbearable because of a total lack of appetite and the diner’s knowledge that he would probably throw up everything he had eaten or, if he did not, would suffer from excruciating indigestion.

The doctors did their best for him. He was bled, he was purged, he was made to take warm baths. Nothing did any good. The symptoms were physical, no doubt; but their cause was to be sought, not in the patient’s corrupted blood and peccant humours, but in his mind.

That mind had ceased to be possessed. The struggle was no longer between Leviathan and a soul that, in spite of him, was tranquilly conscious of the presence of God. It was between a certain notion of God and a certain notion of nature, with Surin’s divided spirit fighting on both sides and getting the worst of every encounter.

That the infinite must include the finite and must therefore be totally present at every point of space, every instant of time, seems sufficiently evident. To avoid this obvious conclusion and to escape its practical consequences, the older and more rigorous Christian thinkers expended all their ingenuity, the severer Christian moralists all their persuasions and coercions.

This is a fallen world, proclaimed the thinkers, and nature, human and subhuman, is radically corrupt. Therefore, said the moralists, nature must be fought on every front—suppressed within, ignored and depreciated without.

But it is only through the datum of nature that we can hope to receive the donum of Grace. It is only by accepting the given, as it is given, that we may qualify for the Gift. It is only through the facts that we can come to the primordial Fact. “Do not hunt after the truth,” advises one of the Zen masters, “only cease to cherish opinions.” And the Christian mystics say substantially the same thing—with this difference, however, that they have to make an exception in favour of the opinions known as dogmas, articles of faith, pious traditions and the like. But at best these are but signposts; and if we “take the pointing finger for the Moon,” we shall certainly go astray. The Fact must be approached through the facts; it cannot be known by means of words, or by means of phantasies inspired by words. The heavenly kingdom can be made to come on earth; it cannot be made to come in our imagination or in our discursive reasonings. And it cannot come even on earth, so long as we persist in living, not on the earth as it is actually given, but as it appears to an ego obsessed by the idea of separateness, by cravings and abhorrences, by compensatory phantasies and by ready-made propositions about the nature of things. Our kingdom must go before God’s can come. There must be a mortification, not of nature, but of our fatal tendency to set up something of our own contriving in the place of nature. We have to get rid of our catalogue of likes and dislikes, of the verbal patterns to which we expect reality to conform, of the fancies into which we retire, when the facts do not come up to our expectation. This is the “holy indifference” of St. François de Sales; this is de Caussade’s “abandonment,” the conscious willing, moment by moment, of what actually happens; this is that “refusal to prefer” which, in Zen phraseology, is the mark of the Perfect Way.

On authority and because of certain experiences of his own, Surin believed that God could be known directly, in a transfiguring union of the soul with the divine Ground of its own and the world’s being. But he also cherished the opinion that, because of our first parents’ sin, nature is totally depraved, and that this depravity sets a great gulf between the Creator and the creature. Given these notions about God and the universe (notions idolatrously regarded as interchangeable with facts and the primordial Fact), Surin felt that it was only logical to attempt the eradication from his mind-body of every element of nature that could be uprooted without actually causing death. In his old age he recognized that he had made a mistake. “For it must be remarked that, several years before he went to Loudun, the Father” (Surin is writing of himself in the third person) “had held himself exceedingly tight (s’était extrêmement serré) for reasons of mortification, and in an effort to remain unceasingly in the presence of God; and though there was in this some commendable zeal, there were also great excesses in the reserve and constraint of his mind. For this reason he was in a condition of cramped contraction (rétrécissement), which was assuredly blameworthy, though well meant.” Because he cherished the opinion that the infinite is somehow outside the finite, that God is in some way opposed to His creation, Surin had tried to mortify, not his egotistic attitude towards nature, not the fancies and notions which he had set up in the place of nature, but nature itself, the given facts of embodied existence among human beings on this particular planet.

“Hate nature,” is his advice, “and let it suffer the humiliations God wills for it.” Nature has been “condemned and sentenced to death,” and the sentence is just; that is why we must “allow God to flay and crucify us at His pleasure.” That it was His pleasure, Surin knew by the bitterest experience. Cherishing the opinion of nature’s total depravity, he had transformed the world-weariness, which is so common a symptom of neurosis, into a loathing for his own humanity, an abhorrence for his environment—a loathing and an abhorrence all the more intense because he still had cravings, because creatures, though disgusting, were still a source of temptation. In one of his letters he states that, for some days past, he has had some business to transact. To his sick nature the occupation brings a certain relief. He feels a little less miserable, until the moment comes when he realizes that the improvement was due to the fact that “every moment had been filled with infidelities.” His misery returns, aggravated by a sense of guilt, a conviction of sin. He feels a chronic remorse. But it is a remorse which does not spur him to action; for he finds himself incapable of action, incapable even of confession, so that he has to “swallow his sins like water, to feed on them as though on bread.” He lives in a paralysis of the will and the faculties, but not of the sensibilities. For though he cannot do anything, he can still suffer. “The more one is stripped, the more acutely does one feel the blows.” He is in “the void of death.” But this void is more than a mere absence; it is nothingness with a vengeance, “hideous and horrible, it is an abyss, where there can be no help or relief from any creature,” and where the Creator is a tormentor, for whom the victim can feel only hatred. The new Master demands to reign alone; that is why He is making His servant’s life utterly unlivable; that is why nature has been hunted down to its last retreat and is being slowly tortured to death. Nothing remains of the personality but its most repulsive elements. Surin can no longer think, or study, or pray, or do good works, or lift up his heart to his Maker in love and gratitude; but “the sensual and animal side of his nature” is still alive and “plunged in crime and abomination.” And so are the criminally frivolous cravings for diversion, so are pride and self-love and ambition. Annihilated from within by neurosis and his rigorist opinions, he resolves to accelerate the destruction of nature by mortifying himself from without. There are still certain occupations that bring him a little relief from his miseries. He gives them up; for it is necessary, he feels, to “join outward emptiness to inward emptiness.” By this means the very hope of external support will be removed, and nature will be left, utterly defenceless, to the mercy of God. Meanwhile the doctors have ordered him to eat plenty of meat; but he cannot bring himself to obey. God has sent him this sickness as a means of purgation. If he tries to get well prematurely, he will be thwarting the divine will.

Health is rejected, business and recreation are rejected. But there are still those flashy products of his talents and learning—the sermons, the theological treatises, the homilies, the devotional poems, at which he has worked so hard and of which he is still so wickedly vain. After long and torturing indecision, he feels a strong impulse to destroy everything he has ever written. The manuscripts of several books, together with many other papers, are torn up and burned. He is now “despoiled of everything and abandoned stark naked to his sufferings.” He is “in the hands of the Workman who (I assure you) presses on with His work forcing me to travel by hard roads, which my nature revolts against taking.”

A few months later the road had become so hard that Surin was physically and mentally incapable of describing it. From 1639 to 1657 there is a great gap in his correspondence, a total blank. During all this time he suffered from a kind of pathological illiteracy, and was incapable either of writing or reading. At moments it was difficult for him even to speak. He was in solitary confinement, cut off from all communication with the outside world. Exile from humanity was bad enough; but it was as nothing to that exile from God to which he was now condemned. Not long after his return from Annecy, Surin came to be convinced (and the conviction endured for many years) that he was already damned. Nothing now remained for him but to wait, in utter despair, for a death which was predestined to be the passage from hell on earth to an infinitely more terrible hell in hell.

His confessor and his superiors assured him that God’s mercy is boundless and that, so long as there is life, there can be no certainty of damnation. One learned theologian proved the point by syllogisms; another came to the infirmary loaded with folios and proved it by the authority of the Doctors of the Church. It was all in vain. Surin knew that he was lost and that the devils, over whom he had so recently triumphed, were gleefully preparing a place for him among the everlasting fires. Men might talk as they liked; but facts and his own deeds spoke louder than any words. Everything that happened, everything he felt and was inspired to do, confirmed him in his conviction. If he sat near the fire, a burning ember (the symbol of eternal damnation) was sure to jump out at him. If he entered a church, it was always at the moment when some phrase about God’s justice, some denunciation of the wicked, was read or sung—for him. If he listened to a sermon, he would invariably hear the preacher affirm that there was a lost soul in the congregation—it was his. Once, when he had gone to pray at the bedside of a dying brother, the conviction came to him that, like Urbain Grandier, he was a sorcerer and had the power to command devils to enter the bodies of innocent persons. And that was what he was doing now—putting a spell upon the dying man. Ordering Leviathan, the demon of pride, to enter into him. Summoning Isacaaron, the demon of lust, Balaam, the spirit of buffoonery, Behemoth, the lord of all blasphemies. A man was standing on the brink of eternity, ready to take the last, decisive step. If, when he took that step, his soul were full of love and faith, all would go well with him. If not… Surin could actually smell the sulphur, could hear the howling and the gnashing of teeth—and yet, against his will (or was he doing it voluntarily?) he kept calling on the devils, he kept hoping that they would show themselves. All at once the sick man stirred uneasily in his bed and began to talk—not as he had done before, of resignation to God’s will, not of Christ and Mary, not of the divine mercy and the joys of paradise, but incoherently of the flapping of black wings, of assailing doubts and unspeakable terrors. With an overpowering sense of horror, Surin realized that it was perfectly true: he was a sorcerer.

To these external and inferential proofs of his damnation were added the inward assurances inspired in his mind by some alien and evidently supernatural power. “He who speaks of God,” he wrote, “speaks of a sea of rigours and (if I dare say it) of severities, passing all measure.” In those long hours of helplessness, while he lay pinned to his bed by a paralysis of the will, an alternate collapse and cramping of the muscles, he received “impressions of God’s fury so great that there is no pain in the world to compare with it.” Year followed year, and one kind of suffering was succeeded by another; but the sense of God’s enmity never wavered within him. He knew it intellectually; he felt it as an enormous weight, pressing upon him—the weight of divine judgment. Et pondus ejus ferre non potui. He could not bear it, and yet there it always was.

To reinforce this felt conviction, there were repeated visions—so vivid, so substantial, that he was hard put to it to decide whether he had seen them with the eyes of the mind or with those of the body. They were visions, for the most part, of Christ. Not of Christ the Redeemer, but of Christ the Judge. Not of Christ teaching or Christ suffering, but of Christ on the Last Day, Christ as the unrepentant sinner sees Him at the moment of death, Christ as He appears to the damned souls in the pit of hell, Christ wearing “an insupportable look” of anger, of abhorrence, of vengeful hatred. Sometimes Surin saw Him as an armed man in a scarlet cloak. Sometimes, floating in the air at the height of a pike, the vision would stand guard at church doors, forbidding the sinner to enter. Sometimes, as a visible and tangible something, Christ seemed to radiate from the Sacrament and was experienced by the sick man as a current of loathing so powerful that, on one occasion, it actually knocked him off a ladder, from which he was watching a religious procession. (At other times—such is the intensity of the doubt which honest faith creates, by induction, in the mind of the believer—he knew for a certainty that Calvin was right and that Christ was not really present in the Sacrament. The dilemma admitted of no passage between its horns. When he knew, by direct experience, that Christ was in the consecrated wafer, he knew, by direct experience, that Christ had damned him. But he was no less certainly damned when he knew with the heretics that the doctrine of the real presence was untrue.)

Surin’s visions were not of Christ alone. Sometimes he saw the Blessed Virgin, frowning at him with an expression of disgust and indignation. Raising her hand, she would discharge a bolt of avenging lightning, an his whole being, mental and physical, would feel the pain of it. Sometimes other saints rose up before him, each with his “insupportable look” and thunderbolt. Surin would see them in his dreams and wake up with a start and in agony, as the lightning struck him. The most unlikely saints made their appearance. One night, for example, he was transfixed by a bolt from the hand of “St. Edward, King of England.” Was this Edward the Martyr? Or can it have been poor Edward the Confessor? In any case, St. Edward displayed a “horrible anger against me; and I am convinced that this [throwing of thunderbolts by saints] is what happens in hell.”

At the beginning of his long exile from heaven and the world of men, Surin was still capable, at least on his good days, of trying to re-establish contact with his surroundings. “I was always running after my superiors and the other Jesuits in order to pour into their ears an account of what was going on in my soul.” In vain. (One of the chief horrors of mental derangement, as of extreme physical disability, consists in the fact that “between us and you there is a great gulf fixed.” The state of the catatonic, for example, is incommensurable with the state of the normal man or woman. The universe inhabited by the paralysed is radically different from the world known to those who have the full use of their bodies. Love may build a bridge, but cannot abolish the gulf; and where there is no love, there is not even a bridge.) Surin ran after his superiors and his colleagues; but they understood nothing of what he told them; they did not even wish to sympathize. “I recognized the truth of what St. Teresa said: that there is no pain more unbearable than that of falling into the hands of a confessor who is too prudent.” Impatiently, they moved away from him. He caught them by the sleeve and tried, yet again, to explain what was happening to him. It was all so simple, so obvious, so unutterably terrible! They smiled contemptuously and tapped their foreheads. The man was mad and, what was more, he had brought his madness on himself. God, they assured him, was punishing him for his pride and his singularity—for wanting to be more spiritual than other people, for imagining that he could go to perfection by some eccentric, un-Jesuit road of his own choosing. Surin protested against their judgment. “That natural common sense, on which our faith is built, fortifies us so strongly against the objects of the other life that, so soon as a man asserts that he is damned, other people treat the idea as though it were an expression of madness.” But the follies of the melancholy and the hypochondriacal are of quite another kind—to imagine, for example, that “one is a jug, or a cardinal”, or (if one is actually a cardinal, like Alphonse de Richelieu) that one is God the Father. To believe that one is damned, Surin insisted, was never a sign of madness; and to prove his point, he cited the cases of Henry Suso, of St. Ignatius, of Blosius, of St. Teresa, of St. John of the Cross. At one time or another all of these had believed themselves to be damned; and all of them had been both sane and eminently holy. But the prudent ones either refused to listen, or if they did hear him out (with what an undisguised impatience!) were not convinced.

Their attitude deepened Surin’s already enormous misery and drove him yet further along the road to despair. On the 17th of May 1645, at the little Jesuit house at Saint-Macaire, near Bordeaux, he tried to commit suicide. All the preceding night he had wrestled with the temptation to self-murder and most of the morning was spent in prayer before the Holy Sacrament. “A little before dinner time he went up to his room. Entering it, he saw that the window was open, went to it and, after looking down at the precipice which had inspired this mad instinct in his mind [the house was built on a rocky eminence above the river] withdrew into the middle of the room, still facing the window. There he lost all consciousness and suddenly, as if he had been asleep, without any knowledge of what he was doing, he was hurled out of the window.” The body fell, bounced on a projection of the rock and came to rest at the water’s edge. The thigh bone was broken; but there were no internal injuries. Prompted by his inveterate passion for the miraculous, Surin rounds off the account of his tragedy with an almost comic postscript. “At the very moment of this accident, and at the very place where the fall took place, a Huguenot came down to the river, and while being ferried across he made jokes about the occurrence. Once over, he remounted and, in the meadow, on a perfectly smooth road, his horse threw him and he broke his arm, and he himself said that God had punished him because he had laughed at the Father for trying to fly, and he, from a much smaller height, had fallen into the same mishap. Now, the height from which the Father fell is great enough to be fatal; for less than a month since a cat, which was trying to catch a sparrow, fell from the same place, and was killed, though these animals, being light and adroit, ordinarily fall without hurting themselves.”

Surin’s leg was set and, after some months, he was able to walk, though always, thenceforward, with a limp. The mind, however, was not to be cured so easily as the body. The temptation to despair persisted for years. High places continued to hold a fearful fascination. He could not look at a knife or a rope without an intense desire to hang himself or cut his own throat.

And the urge to destruction was directed outward as well as inward. There were times when Surin found himself filled with an almost irresistible desire to set fire to the house in which he was living. The buildings and their human occupants, the library with all its treasures of wisdom and devotion, the chapel, the vestments, the crucifixes, the Blessed Sacrament itself—all should be reduced to ashes. Only a fiend could harbour such malice. But that precisely was what he was—a damned soul, a devil incarnate, hated by God and hating in return. For him, this kind of wickedness would be entirely in order. And yet, lost though he knew himself to be, there was still a part of him that rejected the evil which it was his duty, as one of the damned, to think and feel and do. The temptations to suicide and arson were strong; but he struggled against them. And meanwhile those all too prudent persons who surrounded him were taking no chances. After his first attempt at self-murder he was either watched by a lay brother, or actually tied with ropes to his bed. For the next three years Surin was subjected to that systematic inhumanity which our fathers reserved for the insane.

By those who get a kick out of this sort of thing (and they are very numerous) inhumanity is enjoyed for its own sake, but often, none the less, with a bad conscience. To allay their sense of guilt, the bullies and the sadists provide themselves with creditable excuses for their favourite sport. Thus, brutality towards children is rationalized as discipline, as obedience to the Word of God—“he that spareth the rod, hateth his son.” Brutality towards criminals is a corollary of the Categorical Imperative. Brutality towards religious or political heretics is a blow for the True Faith. Brutality towards members of an alien race is justified by arguments drawn from what may once have passed for Science. Once universal, brutality towards the insane is not yet extinct—for the mad are horribly exasperating. But this brutality is no longer rationalized, as it was in the past, in theological terms. The people who tormented Surin and the other victims of hysteria or psychosis did so, first, because they enjoyed being brutal and, second, because they were convinced that they did well to be brutal. And they believed that they did well, because, ex hypothesi, the mad had always brought their troubles upon themselves. For some manifest or obscure sin, they were being punished by God, who permitted devils to besiege or obsess them. Both as God’s enemies and as temporary incarnations of radical evil, they deserved to be maltreated. And maltreated they were—with a good conscience and a heart-warming sense that the divine will was being done on earth, as in heaven. The Bedlamite was beaten, starved, chained up in the filthiest of dungeons. If he was visited by a minister of religion, it was to be told that it was all his own fault and that God was angry with him. To the general public he was a mixture between a baboon and a mountebank, with some of the characteristics of a condemned criminal thrown in. On Sundays and holidays one took the children to see the insane, as one takes them now to the zoo or the circus. And there were no rules against teasing the animals. On the contrary, the animals being what they were, the enemies of God, tormenting them was not merely permissible; it was a duty. The sane person who is treated as a lunatic and subjected to every kind of insult and practical joke—this is a favourite theme of sixteenth- and seventeenth-century dramatists and storytellers. One thinks of Malvolio, one thinks of Lasca’s Dr. Manente, one thinks of the wretched victim in Grimmelshausen’s Simplicissimus. And the facts are even more unpleasant than the fictions.

Louise du Tronchay has left an account of her experiences in the great Parisian madhouse of the Salpêtrière, to which she was committed, in 1674, after being found in the streets, screaming and laughing to herself, and followed by large numbers of stray cats. These cats aroused a vehement suspicion that, as well as mad, she was a witch. At the hospital, she was chained up in a cage for the public amusement. Through the bars visitors would poke her with their walking sticks and make jokes about the cats and the punishment reserved for witches. That dirty straw she was lying on—what a fine blaze it would make when she was brought to execution! Every few weeks new straw was provided and the old was burned in the courtyard. Louise would be brought to look at the flames and hear the gleeful shouts of “Fire for the witch!” One Sunday she was made to listen to a sermon, of which she herself was the subject. The preacher exhibited her to his congregation as an awful example of the way in which God punishes sin. In this world it was a cage in the Salpêtrière; in the next it would be hell. And while the wretched victim sobbed and shuddered, he expatiated with relish on the flames, the stench, the draughts of boiling oil, the scourges of red-hot wire—for ever and ever, Amen.

Under this regimen Louise, very naturally, grew worse and worse. That she finally recovered was due to the common decency of one man—a visiting priest who treated her kindly and had the charity to teach her to pray.

Surin’s experiences were essentially similar. True, he was spared the mental and physical tortures of life in a public madhouse. But even in the infirmary of a Jesuit college, even among the highly educated scholars and dedicated Christians who were his colleagues, there were horrors enough. The lay brother, who acted as his attendant, beat him unmercifully. The schoolboys, if ever they caught a glimpse of the crazed Father, would hoot and jeer. Of such actors such actions were only to be expected. They were not to be expected of grave and learned priests, his brothers, his fellow apostles. And yet how crassly insensitive, how totally without the bowels of compassion they proved themselves to be! There were the bluff and hearty ones, the Muscular Christians, who assured him that there was nothing wrong with him, who forced him to do all the things it was impossible for him to do, and then laughed when he cried out in pain and told him it was all imagination. There were the malignant moralists who came and sat at his bedside and told him, at enormous length and with evident satisfaction, that he was only getting what he had so richly deserved. There were the priests who visited him out of curiosity and to be amused, who talked nonsense to him as though he were a child or a cretin, who showed off their wit, their priceless sense of humour, by being waggish at his expense, by making derisive jokes which they assumed, because he could not answer, that he could not understand. On one occasion “a Father of some importance came to the infirmary, where I was all alone, sitting on my bed, looked at me fixedly for a long time and then, though I had done him no harm and had no wish to do him any, gave me a well aimed slap in the face; after which he went out.”

Surin did his best to turn these brutalities to the profit of his soul. God desired that he should be humiliated by being thought mad and treated as an outlaw, with no right to men’s respect, no right even to their pity. He resigned himself to what was happening; he went further and actively willed his own humiliation. But this conscious effort to reconcile himself to his fate was not enough, of itself, to effect a cure. As in the case of Louise du Tronchay, the healing agent was another’s kindness. In 1648 Father Bastide, the only one of his colleagues who had persistently argued that Surin was not irretrievably mad, was appointed to the rectorship of the college of Saintes. He asked for permission to take the invalid with him. It was granted. At Saintes, for the first time in ten years, Surin found himself treated with sympathy and consideration—as a sick man undergoing a spiritual ordeal, not as a kind of criminal undergoing punishment at the hands of God and therefore deserving of yet more punishment at the hands of men. It was still all but impossible for him to leave his prison and communicate with the world; but now the world was moving in and trying to communicate with him.

The patient’s first responses to this new treatment were physical. For years, chronic anxiety had kept his breathing so shallow that he seemed to be living always on the brink of asphyxiation. Now, almost suddenly, his diaphragm started to move; he breathed deeply, he was able to fill his lungs with life-giving air. “All my muscles had been locked tight, as though with clasps, and now one clasp was opened, then another, with extraordinary relief.” He was experiencing in his body an analogue of spiritual liberation. Those who have suffered from asthma or hay fever know the horror of being physically cut off from the cosmic environment, and the bliss, when they recover, of being restored to it. On the spiritual level most human beings suffer from the equivalent of asthma, but are only very obscurely and fitfully aware that they are living in a state of chronic asphyxiation. A few, however, know themselves for what they are—non-breathers. Desperately they pant for air; and if at last they contrive to fill their lungs, what an unspeakable blessedness!

In the course of his strange career, Surin was alternately strangled and released, locked up in stifling darkness and transported to a mountain top in the sun. And his lungs reflected the state of his soul—cramped and rigid when the soul was stifled, dilated when it drew breath. The words serré, bandé, rétréci, and their antithesis, dilaté, recur again and again in Surin’s writings. They express the cardinal fact of his experience—a violent oscillation between the extremes of tension and release, of a contraction into less than self and a letting go into more abundant Life. It was an experience of the same kind as that which is so minutely described in Maine de Biran’s diary, as that which finds its most powerfully beautiful expression in certain poems of George Herbert and Henry Vaughan—an experience made up of a succession of incommensurables.

In Surin’s case psychological release was sometimes accompanied by an altogether extraordinary degree of thoracic dilatation. During one period of ecstatic self-abandonment he found that his leather waistcoat, which was laced up the front, like a boot, had to be let out five or six inches. (As a young man, St. Philip Neri experienced an ecstatic dilatation so extreme that his heart became permanently enlarged and he broke two ribs. In spite, or because, of which, he lived to a ripe old age, working prodigiously to the very end.)

Surin was always conscious that there was an actual, as well as a merely etymological connection between breath and spirit. He lists four types of breathing—a breath of the devil, of nature, of grace and of glory—and assures us that he has had experience of each. Unfortunately he does not elaborate on his statement and we are left in ignorance of what he actually discovered in the field of pranayana.

Thanks to Father Bastide’s kindness, Surin had recovered the sense of being a member of the human race. But Bastide could speak only for men and not for God—or, to be more accurate, for Surin’s cherished notion of God. The invalid could breathe again; but it was still impossible for him to read or write or say Mass, to walk, or eat, or undress without discomfort or even acute pain. These disabilities were all related to Surin’s enduring conviction that he was damned. It was a source of terror and despair, from which the only effective distractions were pain and acute illness. To feel better mentally he had to feel worse physically.[55]

The strangest feature of Surin’s malady is the fact that there was a part of his mind which was never ill. Unable to read or write, unable to perform the simplest actions without excruciating and disabling pain, convinced of his own damnation, haunted by compulsions to suicide, to blasphemy, to impurity, to heresy (at one moment he was a convinced Calvinist, at another a believing and practising Manichee), Surin retained, during the whole of his long ordeal, an unimpaired capacity for literary composition. During the first ten years of his madness, he composed mainly in verse. Setting new words to popular tunes, he converted innumerable ballads and drinking songs into Christian canticles. Here are some lines about St. Teresa and St. Catherine of Genoa, from a ballad entitled Les Saints enivrés d’Amour to the tune of J’ai rencontré un Allemand.

J’aperçus d’un autre côté,

Une vierge rare en beauté,

Qu’on appelle Thérèse;

Son visage tout allumé

Montrait bien qu’elle avait humé

De ce vin à son aise.

Elle me dit: “Prends-en pour toi,

Bois-en et chantes avec moi:

Dieu, Dieu, Dieu, je ne veux que Dieu:

Tout le reste me pèse.”

Une Génoise, dont le cœur

Etait plein de cette liqueur,

Semblait lui faire escorte:

Elle aussi rouge qu’un charbon

S’écriait: “Que ce vin est bon….”

That the verses are feeble and the taste atrocious was due to a want, not of health, but of talent. Surin’s poetry was as poor when he was sane as when he was out of his wits. His gift (and it was considerable) was for the clear and exhaustive exposition of a subject in prose. And this precisely was what, during the second half of his illness, he actually undertook. Composing in his head and dictating every evening to an amanuensis, he produced, between 1651 and 1655, his greatest work, Le Catéchisme Spirituel. This is a treatise comparable in scope and in intrinsic merit to the Holy Wisdom of its author’s English contemporary, Augustine Baker. In spite of its great length of more than a thousand duodecimo pages, the Catechism remains a very readable book. True, the surface texture of the writing is somewhat uninteresting; but this is not the fault of Surin, whose pleasantly old-fashioned style has been corrected, in the modern editions of the book, by what his nineteenth-century editor calls, with unconscious irony, “a friendly hand.” Luckily, the friendly hand could not spoil the book’s essential qualities of simplicity even in the subtlest analyses, of matter-of-factness even when it deals with the sublime.

At the time he composed his Catechism, Surin was incapable of consulting books of reference, or of going back over his own manuscript. And yet, in spite of this, the references to other authors are copious and apt, and the work itself is admirably well organized in a series of returns to the same themes, which are treated on each occasion from a different viewpoint, or with a graduated increase of elaboration. To compose such a book under such handicaps required a prodigious memory and exceptional powers of concentration. But Surin, though somewhat better than he had been at his worst, was still generally regarded (and not without reason) as a lunatic.

To be mad with lucidity and in complete possession of one’s intellectual faculties—this, surely, must be one of the most terrible of experiences. Unimpaired, Surin’s reason looked on helplessly, while his imagination, his emotions and his autonomic nervous system comported themselves like an alliance of criminal maniacs, bent on his destruction. It was a struggle, in the last analysis, between the active person and the victim of suggestion, between Surin the realist, doing his best to cope with actual facts, and Surin the verbalist, converting words into hideous pseudo-realities, in regard to which it was only logical to feel terror and despair.

Surin’s was merely an extreme case of the universal human predicament. “In the beginning was the word.” So far as human history is concerned, the statement is perfectly true. Language is the instrument of man’s progress out of animality, and language is the cause of man’s deviation from animal innocence and animal conformity to the nature of things into madness and diabolism. Words are at once indispensable and fatal. Treated as working hypotheses, propositions about the world are instruments, by means of which we are enabled progressively to understand the world. Treated as absolute truths, as dogmas to be swallowed, as idols to be worshipped, propositions about the world distort our vision of reality and lead us into all kinds of inappropriate behaviour. “Wishing to entice the blind,” says Dai-o Kokushi, “the Buddha playfully let words escape from his golden mouth. Heaven and earth have been filled, ever since, with entangling briars.” And the briars have not been exclusively of Far Eastern manufacture. If Christ came “not to send peace on earth, but a sword,” it was because He and His followers had no choice but to embody their insights in words. Like all other words, these Christian words were sometimes inadequate, sometimes too sweeping, and always imprecise—therefore always susceptible of being interpreted in many different ways. Treated as working hypotheses—as useful frames of reference, within which to organize and cope with the given facts of human existence—propositions made up of these words have been of inestimable value. Treated as dogmas and idols, they have been the cause of such enormous evils as theological hatred, religious wars and ecclesiastical imperialism, together with such minor horrors as the orgy at Loudun and Surin’s self-suggested madness.

Moralists harp on the duty of controlling the passions; and of course they are quite right to do so. Unhappily most of them have failed to harp on the no less essential duty of controlling words and the reasoning based upon them. Crimes of passion are committed only in hot blood, and blood is only occasionally hot. But words are with us all the time, and words (owing, no doubt, to the conditioning of early childhood) are charged with a suggestive power so prodigious as to justify, in some sort, the belief in spells and magic formulas. Far more dangerous than crimes of passion are the crimes of idealism—the crimes which are instigated, fostered and moralized by hallowed words. Such crimes are planned when the pulse is normal and committed in cold blood and with unwavering perseverance over a long course of years. In the past, the words which dictated the crimes of idealism were predominantly religious; now they are predominantly political. The dogmas are no longer metaphysical, but positivistic and ideological. The only things that remain unchanged are the idolatrous superstition of those who swallow the dogmas, and the systematic madness, the diabolic ferocity, with which they act upon their beliefs.

Transferred from the laboratory and the study to the church, the parliament and the council chamber, the notion of working hypotheses might liberate mankind from its collective insanities, its chronic compulsions to wholesale murder and mass suicide. The fundamental human problem is ecological: men must learn how to live with the cosmos on all its levels, from the material to the spiritual. As a race, we have to discover how a huge and rapidly increasing population can go on existing satisfactorily on a planet of limited size and possessed of resources, many of which are wasting assets that can never be renewed. As individuals, we have to find out how to establish a satisfactory relationship with that infinite Mind, from which we habitually imagine ourselves to be isolated. By concentrating our attention on the datum and the donum we shall develop, as a kind of by-product, satisfactory methods of getting on with one another. “Seek ye first the Kingdom, and all the rest shall be added.” But instead of that, we insist on first seeking all the rest—the all too human interests born of self-centred passion on the one hand and idolatrous word-worship on the other. The result of this is that our basic ecological problems remain unsolved and insoluble. Concentration on power politics makes it impossible for organized societies to improve their relationship with the planet. Concentration on idolatrously worshipped word-systems makes it impossible for individuals to improve their relations with the primordial Fact. Seeking first all the rest, we lose not only it, but the Kingdom as well, and the earth on which alone the Kingdom can come.

In Surin’s case certain of the propositions he had been taught to worship as dogmas drove him out of his mind by creating occasions for terror and despair. But fortunately there were other propositions, more encouraging and equally dogmatic.

On 12th October 1655 one of the fathers at the College of Bordeaux (to which, by this time, Surin had returned) came to his room to hear his confession and prepare him for Communion. The only grave sin of which the sick man could accuse himself was that of not having behaved sufficiently wickedly; for, since God had already damned him, it was only right that he should live up to his damnation by wallowing in all the vices, whereas in fact he always tried to be virtuous. “To say that a Christian ought to feel scruples in regard to doing good will seem ridiculous to the reader, as it now does to me.” These words were written in 1663. In 1655 Surin still felt that it was his duty, as a lost soul, to be wholly bad. But, in spite of this duty, he found it morally impossible to be anything but good. In this, he was convinced, he had committed a sin more enormous than that of premeditated murder. It was this sin which he now confessed, “not as a man living on the earth, for whom there is still hope, but as one of the damned.” The confessor, who was evidently a kindly, sensible man, well acquainted with Surin’s weakness for the extraordinary, assured his penitent that, though not at all prone to this kind of thing, he had often felt a strong impression, call it an inspiration, that all would finally be well. “You will recognize your mistake, you will be able to think and act like other men, you will die in peace.” The words made a profound impression on Surin’s mind, and from that moment the suffocating cloud of fear and misery began to lift. God had not rejected him; there was still hope. Hope for recovery in this world, hope for salvation in the next.

With hope came a slow return to health. One by one the physical inhibitions and paralyses disappeared. The first to go was the inability to write. One day, in 1657, after eighteen years of enforced illiteracy, he picked up a pen and was able to scrawl three pages of thoughts on the spiritual life. The characters were “so confused that they seemed scarcely human”; but that did not matter. What mattered was that his hand had at last been able to co-operate, however inadequately, with his mind.

Three years later he recovered the ability to walk. It happened while he was staying in the country, at the house of a friend. At the beginning of his stay, he had to be carried by two footmen from his bedroom to the dining-room, “for I could not take a step without great pain. These pains were not like the pains of paralytics; they were pains which tended towards a shrinking and contraction of the stomach, and at the same time I used to feel a great violence in my bowels.” On 27th October 1660 one of his relatives called to see him and, when the time came for him to go, Surin painfully dragged himself to the door to say goodbye. Standing there, after the visitor’s departure, he looked out into the garden “and began to study, with a certain distinctness, the objects that were in it, a thing which, on account of an extreme debility of the nerves, I had not been able to do for fifteen years.” Feeling, instead of the familiar pains, “a certain suavity,” he went down the five or six steps into the garden and looked about him for a little while longer. Looked at the black mould and the shiny green of the box hedges, looked at the lawns and the Michaelmas daisies and the alley of pleached hornbeams. Looked at the low hills in the distance with their autumnal woods, fox-brown under the pale sky, in the almost silvery sunlight. There was no wind, and the silence was like an enormous crystal, and everywhere was a living mystery of colours merging, of forms distinct and separate, of the innumerable and the one, of passing time and the presence of eternity.

Next day Surin ventured out again into the universe he had almost forgotten; and, the day after that, his voyage of rediscovery took him as far as the well—and it did not invite him to suicide. He even left the garden and walked, ankle-deep in the dead leaves, through the little wood that lay beyond the walls. He was cured.

Surin accounts for his unawareness of the external world by an “extreme debility of the nerves.” But this debility never prevented him from concentrating his attention on theological notions and the phantasies to which those notions gave rise. Actually it was his obsession with these images and abstractions which so disastrously cut him off from the natural world. Long before the onset of his illness he had forced himself to live, at one remove from the given facts, in a world where words and reactions to words were more important than things and lives. With the sublime insanity of one who carries a faith to its logical conclusions, Lallemant had taught that “we ought not to see or wonder at anything on this earth except the Holy Sacrament. If God were capable of wonder, He would wonder only at this mystery, and that of the Incarnation…. After the Incarnation, we ought not to wonder at anything.” In neither seeing nor wondering at anything in the given world, Surin was merely acting on his master’s injunctions. Hoping to deserve the donum, he ignored the datum. But the highest Gift is by means of the given. The Kingdom of God comes on earth and through the perception of earth as it is in itself, and not as it appears to a will distorted by self-centred cravings and revulsions, to an intellect distorted by ready-made beliefs.

As a rigorist theologian, convinced of the total depravity of a fallen world, Surin agreed with Lallemant that there was nothing in nature worth looking or wondering at. But his theories were not in accord with his immediate experience. “Sometimes,” he writes in Le Catéchisme Spirituel, “the Holy Spirit enlightens the soul successively and by degrees; and then He takes advantage of everything that presents itself to consciousness—animals, trees, flowers or anything else in creation—in order to instruct the soul in the great truths and to teach her secretly what she must do for the service of God.” And here is another passage in the same vein. “In a flower, in a tiny insect, God makes manifest to souls all the treasures of His wisdom and goodness; and there needs no more to provoke a new conflagration of love.” Writing directly of himself, Surin records that “on a number of occasions my soul was invested with these states of glory, and the sunlight seemed to grow incomparably brighter than usual, and yet was so soft and bearable that it seemed to be of another kind than natural sunlight. Once when I was in this state, I went out into the garden of our college at Bordeaux; and so great was this light that I seemed to myself to be walking in paradise.” Every colour was more “intense and natural,” every form more exquisitely distinct than at ordinary times. Spontaneously and by a kind of blessed accident, he had entered that infinite and eternal world, which we would all inhabit if only, in Blake’s words, “the doors of perception were cleansed.” But the glory departed and, through all the years of his illness, never returned. “Nothing remains to me but the memory of a very great thing, surpassing in beauty and grandeur all that I have experienced in this world.”

That a man for whom the Kingdom had actually manifested itself upon earth should yet subscribe to the rigorist’s wholesale dismissal of all created things, is a melancholy tribute to the obsessive power of mere words and notions. He had had experiences of God in nature; but instead of making a systematic devotional use of these experiences, as Traherne was to do in his Centuries of Meditation, Surin chose to revert, after each theophany, to the old insane refusal to see or wonder at anything in creation. Instead, he concentrated all his attention on the more dismal propositions in his creed and on his own emotional and imaginative reactions to those propositions. No more certain way of shutting out the infinite goodness could possibly have been devised.

Each time Antaeus touched the earth, he received a new accession of strength. That was why Hercules had to lift him up and strangle him in mid-air. Simultaneously the giant and the hero, Surin both experienced the healing which comes from a contact with nature and, by sheer will power, raised himself from the ground and wrung his own neck. He had aspired to liberation; but because he conceived of union with the Son as a systematic denial of the essential divinity of nature, he had realized only the partial enlightenment of union with the Father apart from the manifested world, together with union with the Spirit in all kinds of psychic experiences. In its opening phase, Surin’s cure was not a passage from darkness into that “sober certainty of waking bliss,” which comes when mind permits Mind to know itself, through a finite consciousness, for what it really is; it was rather the exchange of a profoundly abnormal condition for another condition of opposite sign, in which “extraordinary graces” became as ordinary as extraordinary desolations had been before. It should be remarked that, even in the worst times of his malady, Surin had experienced brief flashes of joy, ephemeral convictions that, in spite of his damnation, God was eternally with him. These flashes were now multiplied, these convictions, from being momentary, became lasting. Psychic experience succeeded psychic experience, and every vision was luminous and encouraging, every feeling was one of bliss. But “to honour Our Lord as He deserves to be honoured, you should disentangle your heart from all attachment to spiritual delights and perceptible graces. You should in no wise depend upon these things. Faith alone should be your support. It is faith which raises us to God in purity; for it leaves the soul in emptiness, and it is this emptiness which is filled by God.” So Surin had written, more than twenty years before, to one of the nuns who asked him for advice. And it was in the same vein that Father Bastide—the man to whose charity he owed the first inception of his cure—now spoke to Surin. However elevated they may be, however consoling, psychic experiences are not enlightenment, not even the means to enlightenment. And Bastide did not say these things on his own authority. He had all the accredited mystics of the Church behind him, he could quote St. John of the Cross. For some time Surin did his best to follow Bastide’s advice. But his extraordinary graces came crowding in upon him, incessantly, insistently. And when he rejected them, they changed their sign once more, and turned into aridities and desolations. God seemed now to have withdrawn again and left him on the brink of the old despair. In spite of Bastide, in spite of St. John of the Cross, Surin went back to his visions, his locutions, his ecstasies, his inspirations. In the course of the ensuing controversy the two disputants and their Superior, Father Anginot, appealed to Jeanne des Anges. Would she kindly ask her Good Angel what he thought about extraordinary graces? The Good Angel began by favouring Bastide’s cause. Surin protested, and after the exchange of many letters between Sœur Jeanne and the three Jesuits, the Angel announced that both disputants were in the right, inasmuch as each was doing his best to serve God in his own way. Surin was fully satisfied and so was Anginot. Bastide, however, stuck to his guns and even went so far as to suggest that it was time for Sœur Jeanne to break off communications with the heavenly counterpart of M. de Beaufort. Nor was he the only one to raise objections. In 1659, Surin informed the Prioress that an eminent ecclesiastic had complained “that you have set up a kind of shop for finding out from your Angel all the things people press you to ask of him, that you have a regular information bureau for marriages, lawsuits and other things of the kind.” This sort of thing must be stopped immediately—not, as Father Bastide had suggested, by breaking off relations with the Angel, but by consulting him only for spiritual purposes.

Time passed. Surin was well enough now to visit the sick, to hear confessions, to preach, to write, to direct souls by word of mouth or by letter. His behaviour was still somewhat odd, and his superiors thought it necessary to censor all his letters, incoming and outgoing, for fear that they might contain unorthodoxies or at least embarrassing extravagances. Their suspicions were groundless. The man who had dictated Le Catéchisme Spirituel, while (to all appearances) out of his mind, could be relied on to display an equal prudence now that he was well.

In 1663 he wrote the Science Expérimentale, with its history of the possession and its account of his own subsequent trials. Louis XIV was already well embarked on his disastrous career; but Surin was not interested in “public affairs and the schemes of the great.” He had the sacraments, he had the gospels to read and ruminate, he had his experiences of God; these were enough. In certain respects, indeed, they were more than enough; for he was growing old, he was losing his strength, “and love does not go too well with weakness; for it requires a stout vessel to resist the pressure of its workings.” The almost manic well-being of a few years before had gone; the regular and easy succession of extraordinary graces was a thing of the past. But he had something else, something better. To Sœur Jeanne he writes that “God has recently given me some slight knowledge of His love. But what a difference there is between the depth of the soul and its faculties! For in effect the soul is often rich in its depths and actually glutted with the supernatural treasures of grace, while its faculties are in a state of utter poverty. In her depths, as I say, the soul has a very high, very delicate, very fruitful sense of God, accompanied by a most comforting love and a wondrous dilatation of the heart, without, however, being able to communicate any of these things to other people. Outwardly, persons in this state give the impression of being without any taste (for the things of religion), devoid of all talent and reduced to an extremity of indigence…. There is an exceedingly great distress when the soul is unable, if the expression may be permitted, to disgorge herself through her faculties; the overplus within her causes an oppression more painful than can be imagined. What is happening in the soul’s depths is like the banking up of great waters, whose mass, for lack of an issue by which to escape, overwhelms her with an unbearable weight and causes a deathly exhaustion.” In some impossibly paradoxical way, a finite being contains the infinite and is almost annihilated by the experience. But Surin does not complain. It is a blessed anguish, a death devoutly to be desired.

In the midst of his ecstasies and visions, Surin had been on a track that led, no doubt, through very picturesque country, but towards a luminous dead end. Now that the extraordinary graces were over, now that he was free to be aware of the proximity of total Awareness, he had achieved the possibility of enlightenment. For now at last he was living “in faith,” precisely as Bastide had urged him to do. Now at last he was standing in intellectual and imaginative nakedness before the given facts of the world and his own life—empty that he might be filled, poor that he might be made supremely rich. “I am told,” he writes two years before his death, “that there are pearl fishers, who have a pipe that goes from the sea floor to the surface, where it is buoyed up with corks, and that through this pipe they breathe—and are yet at the bottom of the sea. I do not know if this be true; but in any case it expresses very well what I have to say; for the soul has a pipe that goes to heaven, a channel, says St. Catherine of Genoa, that leads to the very heart of God. Through it she breathes wisdom and love, and is sustained. While the soul is here, fishing for pearls at the bottom of the earth, she speaks with other souls, she preaches, she does God’s business; and all the time there is a pipe that goes to heaven to draw down eternal life and consolation…. In this state the soul is at once happy and wretched. And yet I think she is really happy…. For without vision or ecstasies or suspensions of the senses, in the midst of the ordinary miseries of earthly life, in weakness and many-sided impotency, our Lord gives something that passes all understanding and all measure…. This something is a certain wound of love which, without any visible outward effect, pierces the soul and keeps it incessantly longing for God.”

And so, fishing for pearls at the bottom of the earth, his pipe between his teeth, his lungs dilated by the air from another world, the old man advanced towards his consummation. A few months before he died, Surin finished the last of his devotional writings, Questions sur l’ Amour de Dieu. Reading certain passages of this book, we divine that the last barrier had now gone down and that, for one more soul, the Kingdom had come on earth. Through that channel to the very heart of God had flowed “a peace that is not merely a calm, like the lull of the sea, or the tranquil flow of mighty rivers; but it enters into us, this divine peace and repose, like a flooding torrent; and the soul, after so many tempests, feels, as it were, an inundation of peace; and the relish of divine repose not only enters the soul, not only takes her captive, but comes upon her, like the onrush of a multitude of waters.

“We find that, in the Apocalypse, the Spirit of God makes mention of a music of harps and lutes that is like thunder. Such are the marvellous ways of God—to make a thunder like well-tuned lutes and a symphony of lutes like thunder. Likewise, who will ever believe or imagine that there can be torrents of peace, which sweep away the dykes, which breach the levees and shatter the sea walls? And yet this is what actually happens, and it is the nature of God to make assaults of peace and silences of love…. God’s peace is like a river, whose course was in one country and has been diverted into another by the breaking of a dyke. This invading peace does things which do not seem proper to the nature of peace; for it comes with a rush, it comes with impetuosity; and this belongs only to the peace of God. Only the peace of God can march in such equipage, like the noise of the rising tide as it comes, not to ravage the land, but to fill the bed prepared for it by God. It comes as though fiercely, it comes with a roaring, even though the sea be calm. This roaring is caused only by the abundance of the waters, and not by their fury; for the moving of the waters is not by a tempest, but by the waters themselves, in all their native calm, when there is not a breath of wind. The sea in its fullness comes to visit the earth and to kiss the shores assigned for its limits. It comes in majesty and in magnificence. Even so it is in the soul when, after long suffering, the immensity of peace comes to visit her—and not a breath of wind to make a ripple on its surface. This is a divine peace, which brings with it the treasures of God and all the wealth of His Kingdom. It has its harbingers, the halcyons and heralding birds that announce its approach; these are the visits of angels which precede it. It comes like an element of the other life, with a sound of celestial harmony and with such swiftness that the soul is utterly overthrown, not because she has made any resistance to the blessing, but because of its very abundance. This abundance does no violence except to the obstacles in the way of its benediction; and all the animals that are not peaceable take flight before the onset of this peace. And with peace come all the treasures promised to Jerusalem—cassia and amber and the other rarities upon her shores. Even so comes this divine peace—comes with abundance, comes with a wealth of blessings, comes with all the precious treasures of grace.”

More than thirty years before, at Marennes, Surin had often watched the calm, irresistible mounting of the Atlantic tides; and now the memory of that everyday marvel was the means by which this consummated soul was able, at last, to “disgorge herself” in a not inadequate expression of the experienced Fact. Tel qu’en Lui-même enfin l’éternité le change, he had come to the place where, without knowing it, he had always been; and when, in the spring of 1665, death overtook him, there was, as Jacob Boehme had said, “no necessity for him to go anywhere”: he was already there.

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