It was dark and cold in Stockholm at that time of year. All the time I was in Sweden it didn't stop snowing; not heavily most of the time, but there was a continual fall of fine powder from leaden-grey clouds as though God up there was operating a giant flour sifter. I was booked into the Grand, which was warm enough, and after I had made my call to Henty I looked out over the frozen Strommen to the Royal Palace. Edward VII didn't like Buckingham Palace, and called it 'that damned factory'. It's not on record if he said anything about the Palace in Stockholm, but that afternoon it looked like a dark satanic mill.
There were swans on the Strommen, walking uneasily on the ice and cuddling in clusters as though to keep warm. One was on an ice floe and drifting towards Riddarfjarden; I watched it until it went out of sight under the Strom bridge, then turned away feeling suddenly cold in spite of the central heating. Sweden in winter has that effect on me.
Henty arrived and we swapped credentials. 'We don't have much to do with your mob,' he commented as he handed back my card. He had a raw colonial accent.
'We don't move out of the UK much,' I said. 'Most of our work is counterespionage. This one is a bit different. If you can take me to George Ashton I'll buy you a case of Foster's.'
Henty blinked. 'Good beer, that. How did you know I'm Australian? I've not been back for twenty years. Must have lost the accent by now.'
I grinned. 'Yes, you've learned to speak English very well. Where's Ashton?'
He went to the window and pointed at the Royal Palace. 'On the other side of that. In Gamla Stan.'
Gamla Stan-the Old Town. A warren of narrow streets threading between ancient buildings and the 'in' place to live in Stockholm. Cabinet ministers live there, and film directors-if they can afford it. The Royal Palace is No. 1, Gamla Stan. I said, 'How did you find him?'
'I got a couple of crummy pictures from London, and the day I got them I walked slam-bang into this character on the Vasabron.' Henty shrugged. 'So it's a coincidence.'
'By the laws of statistics we've got to get lucky some time,' I observed.
'He has a flat just off Vasterlanggatan. He's passing himself off as a Russian called Fyodr Koslov-which is a mistake.'
'Why?'
Henty frowned. 'It's a tip-off-enough to make me take the pictures and send them back. There's something funny about the way he speaks Russian-doesn't sound natural.'
I thought about that. After thirty years of non-use Ashton's Russian would be rusty; it's been known for men to forget completely their native language. 'And Benson is with him in the flat?'
'Benson? Is that who he is? He calls himself Williams here. An older man; looks a bit of a thug. He's definitely British.'
'How can I get a look at them?'
Henty shrugged. 'Go to Gamla Stan and hang around outside the flat until they come out-or go in.'
I shook my head. 'Not good enough. They know me and I don't want to be seen. What's your status here?'
'Low man on the bloody totem,' said Henty wryly. 'I'm junior partner in an import-export firm. I have a line into the Embassy, but that's for emergency use only. The diplomats here don't like boys like us, they reckon we cause trouble.'
'They could be right,' I said dryly. 'Who do I see at the Embassy?'
'A Second Secretary called Cutler. A toffee-nosed bastard.' The iron seemed to have entered Henty's soul.
'What resources can you draw on apart from the Embassy?'
'Resources!' Henty grinned. 'You're looking at the resources-me. I just have a watching brief-we're not geared for action.'
'Then it will have to be the Embassy.'
He coughed, then said, 'Exactly who is Ashton?' I looked at him in silence until he said, 'If it's going to be like that…'
'It always is like that, isn't it?'
'I suppose so,' he said despondently. 'But I wish, just for once, that I knew why I'm doing what I'm doing.'
I looked at my watch. 'There's just time to see Cutler. In the meantime you pin down Ashton and Benson. Report to me here or at the Embassy. And there's one very important thing-don't scare them.'
'Okay-but I don't think you'll get very much change out of Cutler.'
I smiled. 'I wouldn't want either you or Cutler to bet on that one.'
The Embassy was on Skarpogatan, and Cutler turned out to be a tall, slim, fair-haired man of about my age, very English and Old School Tie. His manner was courteous but rather distant as though his mind was occupied by other, and more important, considerations which a non-diplomat could not possibly understand. This minor Metternich reminded me strongly of a shop assistant in one of the more snob London establishments.
When I gave him my card-the special one-his lips tightened and he said coolly, 'You seem to be off your beat, Mr. Jaggard. What can we do for you?' He sounded as though he believed there was nothing he could possibly do for me. I said pleasantly, 'We've mislaid a bit of property and we'd like it back-with your help. But tact is the watchword.' I told him the bare and minimum facts about Ashton and Benson.
When I'd finished he was a shade bewildered. 'But I don't see how…' He stopped and began again. 'Look, Mr. Jaggard, if this man decides to leave England with his manservant to come to Sweden and live under an assumed name I don't see what we can do about it. I don't think it's a crime in Swedish law to live under another name; it certainly isn't in England. What exactly is it that you want?'
'A bit of manpower,' I said. 'I want Ashton watched. I want to know what he does and why he does it.'
'That's out of the question,' said Cutler. 'We can't spare men for police work of that nature. I really fail to see what your interest is in the man on the basis of what you've told me.'
'You're not entitled to know more,' I said bluntly. 'But take it from me-Ashton is a hot one.'
'I'm afraid I can't do that,' he said coldly. 'Do you really think we jump when any stranger walks in off the street with an improbable story like this?'
I pointed to my card which was still on the blotter in front of him. 'In spite of that?'
'In spite of that,' he said, but I think he really meant because of it. 'You people amaze me. You think you're James Bonds, the lot of you. Well, I don't think I'm living in the middle of a highly coloured film, even if you do.'
I wasn't going to argue with him. 'May I use your telephone?' He frowned, trying to think of a good reason for denial, so I added, 'I'll pay for the call.'
'That won't be necessary,' he said shortly, and pushed his telephone across the desk.
One of our boffins once asked me what was the biggest machine in the world. After several abortive answers I gave up, and he said, 'The international telephone system. There are 450 million telephones in the world, and 250 million of them are connected by direct dialling-untouched by hand in the exchanges.' We may grouse about the faults of local systems, but in under ninety seconds I was talking to Ogilvie.
I said, 'We have Ashton but there's a small problem. There's only one of Henty, and I can't push in too close myself.'
'Good. Get on to the Embassy for support. We want him watched. Don't approach him yourself.'
'I'm at the Embassy now. No support forthcoming.'
'What's the name of the obstruction?'
'Cutler-Second Secretary.'
'Wait a moment.' There was a clatter and I heard the rustle of papers in distant London. Presently Ogilvie said, 'This will take about half an hour. I'll dynamite the obstruction. For God's sake, don't lose Ashton now.'
'I won't,' I said, and hung up. I stood up and picked my card from Cutler's blotter. 'I'm at the Grand. You can get me there.'
'I can't think of any circumstances in which I should do so,' he said distantly.
I smiled. 'You will.' Suddenly I was tired of him. 'Unless you want to spend the next ten years counting paper clips in Samoa.'
Back at the hotel there was a curt note from Henty: 'Meet me at the Moderna Museet on Skeppsholmen.' I grabbed a taxi and was there in five minutes. Henty was standing outside the main entrance, his hands thrust deep into his pockets and the tip of his nose blue with cold. He jerked his head at the gallery. 'Your man is getting a bit of culture.'
This had to be handled carefully. I didn't want to bump into Ashton face to face. 'Benson there too?'
'Just Ashton.'
'Right. Nip in and locate him-then come back here.'
Henty went inside, no doubt glad to be in the warm. He was back in five minutes. 'He's studying blue period Picassos.' He gave me a plan of the halls and marked the Picasso Gallery.
I went into the Museum, moving carefully. There were not many people in the halls on the cold winter's afternoon, which was a pity because there was no crowd to get lost in. On the other hand there were long unobstructed views. I took out my handkerchief, ready to muffle my face in case of emergency, turned a corner and saw Ashton in the distance. He was contemplating a canvas with interest and, as he turned to move on to the next one, I had a good sight of his face.
To my relief this was Ashton. There would have been a blazing row if I had goosed Cutler to no purpose.