NINE

FOR A LONG TIME SHE HUNG ACROSS WALT’S BACK, HIS PACE SLOW AND rhythmic. They didn’t speak. She was drunk and he was dead. He placed her on a small sofa. Her face stuck to the cushion. My legs are too long, she cried, but he had gone. She smiled and nodded at a policeman. It was one of the few things her mother had taught her, to smile and nod at the police. But never seek them out, never call that kind of attention to yourself, no matter what has happened. She taught her that, too.

All the chairs were being taken out of her classroom. Students she didn’t recognize hoisted them, seats down, on their heads and carried them off. She made a barrier with her arms and legs in the doorway but they passed right through her. Fran passed through, too, reading aloud from a yellow sheet of paper, though there was only one word on it: Mom. All the while there was this tugging at her mind that she had forgotten something, but when she strained to remember, the feeling disappeared. For a long stretch of time she dreamt only of the word blunt, the b and the u and the n, a sort of visual onomatopoeia, she decided, over and over.

There was pain in her hip, her shoulder; her lungs were sore and she could only take in shallow breaths. She smelled grass. She was in her bedroom with the fading buttercup wallpaper and her mother was handing her a book. “I just got it out of the library. It’s about a woman who gets—” Vida knew what she was going to say next and lunged, smashing her hand against something hard.

She is walking down an unfamiliar street, searching for clues to where she is. Ahead is a sign but everything is blurred. She hears a voice, a Cockney accent. She’s in London. London! But she can’t see it, and she’s waited so long to get here. Someone takes her arm. It is Carol. Carol who finally read all her notes has forgiven her. They are walking swiftly now, through a huge house full of people. Carol leads her upstairs and down a corridor to a long narrow room. She shoves her in and shuts the door. Her vision clears. In the window a boy is hanging from a necktie. It is Peter. The thing she’s been trying to remember. She is flooded with the pleasure of remembering. Peter. He is dead, but she has remembered him.

“Poor Tess,” someone says behind her.

“Tess? That’s not Tess. That’s my son, Angel.”

She is aware, occasionally, of a door slamming, of a shoulder beneath her, of darkness but not silence. For a few minutes at a time she is lucid. She is in the backseat of a car, her car. She recognizes the roof, the pinpricked vinyl. She remembers Walt’s grave, the countertop at O’Shea’s. Someone must be driving her home from there. Her heart races. When he stops the car he will expect something for his trouble. She returns eagerly to the buttercup wallpaper, the thin curtains rolling in the breeze. She is on her stomach reading. It is a Saturday and no one is home but her and there is a big bowl of peanuts on the table beside her. She eats them one by one, sucking off the salt first, then biting gently so it splits, then letting the halves nestle in either side of her mouth before chewing. It is morning and she can stay up here all day. Downstairs a door slams. He is on her before she registers his feet on the stairs, his weight pressing the air out of her chest, his arms knocking the book from her fingers. She has no air to scream with. She is overwhelmed by the familiarity of the act, the belt, the grunts, the blood in her mouth, as if it has happened not once before but hundreds of times. It is not anger or sadness or fear that she feels, just a habitual acquiescence. Yes, this is what happens to me, her body seems to be saying. When he is done he thanks her. She is not surprised by the voice or the thin ponytail resting on the collar of his jacket as he turns to go.

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