The Genocides

EPILOGUE The Extinction of the Species

Just as a worm passing through an apple may suppose that the apple, its substance and quality, consists merely of those few elements which have passed through his own meager body, while in fact his whole being is enveloped in the fruit and his passage has scarcely diminished it, so Buddy and Maryann and their child, Blossom and Orville, emerging from the earth after a long passage through the labyrinthine windings of their own, purely human evils, were not aware of the all-pervading presence of the larger evil that lies without, which we call reality. There is evil everywhere, but we can only see what is in front of our noses, only remember what has passed through our bellies.

The gray basketballs, pumped full of the pulp of the fruit, had risen from an earth that was no longer green. Then, like primitives clearing their lands, the machines that served the alien farmers turned that earth into a pyre. The towering stalks of the great Plants were consumed, and the sight had all the grandeur of a civilization falling to ruins. The few humans who remained retreated into the earth one more time. When they re-emerged, the pall that hung over the scorched earth made them welcome the total eclipse of night.

Then a wind moved in from the lake, and the pall thinned to reveal the heavy cumulus above. The rains came. The pure water cleared the skies and washed the months’ encrustations from their bodies and soaked into the black earth.

Out came the sun and dried the rain, and their bodies gloried in its tenuous April warmth. Though the earth was black, the sky was blue, and at night there were stars—Deneb, Vega, Altair—brighter than anyone had remembered. Vega, particularly, shone bright. In the false dawn, a sliver of moon rose in the east. Later the sky would lighten, and once more the sun would rise.

It all seemed very beautiful to them, for they believed that the natural order of things—that is to say, their order—was being restored.

There were expeditions down into the roots to search out traces of fruit that the harvesters had overlooked. Such traces were rare, but they existed; by rationing out these scraps of rind sparingly, they might hope to survive the summer at least. For the time being, there was also the water and weeds in the lake, and as soon as it became warmer, they planned to make their way down along the Mississippi, to the warm southlands. There was also the hope that the ocean would still be fruitful.

The lake was dead. All along the fire-blackened shore, shoals of stinking fish were heaped memorially. But that the ocean might be in the same condition—that was unthinkable.

Their chief hope was that the Earth had survived. Somewhere there must be seeds sprouting in the warm soil, survivors like themselves, from whose flowering the earth might be made green again.

But their cardinal hope without which all hopes else were vain, was that the Plant had had its season, long though it had been, and that that season was over. The armored spheres had left with the rape of a planet, the fires had burnt over the stubble, and the land would now wake from the nightmare of that second alien creation. That was their hope.

Then everywhere the land was covered with a carpet of the richest green. The rains that had washed the sky clean of the smoke of the burning had also borne the billion spores of the second planting. Like all hybrids, the Plant was sterile, and could not reproduce itself. A new crop had to be planted every spring.

In two days the Plants were already ankle-deep.

The survivors spread out over the flat green uniformity of the plain resembled the figures in a Renaissance print illustrating the properties of perspective. The nearest three figures, in the middle distance, comprised a sort of Holy Family, though moving closer, one could not help but note that their features were touched by some other emotion than quiet happiness. The woman sitting on the ground was, in fact, weeping bitterly, and the man on his knees behind her, his hands planted on her shoulders as though to comfort her, was barely able to restrain his own tears. Their attention was fixed upon the thin child in her arms, who was futilely puffing at her dry breast.

A little farther on was another figure—or should we say two?—without any iconographic parallel, unless we allow this to be a Niobe sorrowing for her children. However, Niobe is usually depicted alone or in the prospect of all fourteen children; this woman was holding the skeleton of a single child in her arms. The child had been about ten years of age when it died. The woman’s red hair was a shocking contrast to the green everywhere about her.

Almost at the horizon one could make out the figures of a man and woman, nude, hand in hand, smiling. Certainly these were Adam and Eve before the Fall, though they appeared rather more thin than they are usually represented. Also, they were rather ill-matched with respect to age: he was forty if he was a day; she was barely into her teens. They were walking south, and occasionally they would speak to each other.

The woman, for instance, might turn her head to the man and say, “You never told us who your favorite actor is.” And the man would reply, “David Niven, I always liked David Niven.” Then how beautifully they would smile!

But these figures were very, very small. The landscape dominated them entirely. It was green and level and it seemed of infinite extent. Vast though it was, Nature—or Art—had expended little imagination upon it. Even viewed closely, it presented a most monotonous aspect. In any square foot of ground, a hundred seedlings grew, each exactly like every other, none prepossessing.

Nature is prodigal. Of a hundred seedlings only one or two would survive; of a hundred species, only one or two.

Not, however, man.