The Grass is Singing

Chapter Four

When she woke she found she was alone in the bed, and there was the clanging of a gong somewhere at the back of the house. She could see a tender gold light on the trees through the window, and faint rosy patches of sun lay on the white walls, showing up the rough grain of the whitewash. As she watched they deepened and turned vivid yellow, barring the room with gold, which made it look smaller, lower, and more bare than it had at night, in the dim lamplight. In a few moments Dick came back in pajamas, and touched her cheek with his hand, so that she felt the chill of early morning on his skin.

`Sleep well?' `Yes, thank you.' `Tea is coming now.'

They were polite and awkward with each other, repudiating the contacts of the night. He sat on the edge of the bed eating biscuits. Presently an elderly native brought in the tray, and put it on the table.

`This is the new missus,' said Dick to him. `This is Samson, Mary.'

The old boy kept his eyes on the ground and said, 'Good morning, missus.' Then he added politely to Dick, as if this was expected of him, `Very nice, very nice, boss.'

Dick laughed, saying, 'He'll look after you: he is not a bad old swine.'

Mary was rather outraged at this casual stock market attitude; then she saw that it was only a matter of form, and calmed herself. She was left with a feeling of indignation, saying to herself, `And who does he think he is?' Dick, however, was unaware, and foolishly happy.

He drank two cups of tea in a rush, and then went out to dress, coming back in khaki shorts and shirt to say good bye before going down to the lands. Mary got up, too, when he had gone, and looked around her. Samson was cleaning the room into which they had come first the night before, and all the furniture was pushed into the middle, so she stepped past him on to the small verandah which was merely an extension of the iron roof, held up by three brick pillars with a low wall about it. There were some petrol tins painted a dark green, the paint blistered and broken, holding geraniums and flowering shrubs. Beyond the verandah wall was a space of pale sand, and then the low scrubby bush, which sloped down in a vlei full of tall shining grass. Beyond that again stretched bush, undulating vleis and ridges, bounded at the horizon by kopjes. Looking round she saw that the house was built on a low rise that swelled up in a great hollow several miles across, and ringed by kopjes that coiled blue and hazy and beautiful, a long way off in front, but close to the house at the back. She thought, it will be hot here, closed in as it is. But she shaded her eyes and gazed across the vleis, finding it strange and lovely with the dull green foliage, the endless expanses of tawny grass shining gold in the sun, and the vivid arching blue sky. And there was a chorus of birds, a shrilling and cascading of sound such as she had not heard before.

She walked round the house to the back. She saw it was a rectangle: the two rooms she had already seen in the front, and behind them the kitchen, the storeroom and the bathroom. At the end of a short path, screened off with a curving break of grass, was a narrow sentry-box building, which was the lavatory. On one side was a fowl house, with a great wire run full of scrawny white chickens, and across the hard bare ground scraped and gobbled a scattering of turkeys. She entered the house from the back through the kitchen, where there was a wood stove and a massive table of scrubbed bush timber, taking up half the floor space. Samson was in the bedroom, making the beds.

She had never come into contact with natives before, as an employer on her own account. Her mother's servants, she had been forbidden to talk to; in the club she had been kind to the waiters; but the `native problem' meant for her other women's complaints of their servants at tea parties. She was afraid of them, of course. Every woman in South Africa is brought up to be. In her childhood she had been forbidden to walk out alone, and when she had asked why, she had been told in the furtive, lowered, but matter-of-fact voice she associated with her mother, that they were nasty and might do horrible things to her.

And now she had to face it, this business of struggling with natives – she took it for granted it would be a struggle – and felt reluctant, though determined not to be imposed upon. But she was disposed to like Samson, who was a kind-faced respectful old native, who asked her, as she entered the bedroom, `Missus like to see the kitchen?'

She had hoped Dick would show her round, but seeing that the native was eager to, she agreed. He padded out of the room in front of her on his bare feet and took her to the back. There he opened the pantry for her – a dim, high windowed place full of provisions of all kinds, with great metal bins for sugar, flour and meal, standing on the floor.

`Boss has keys,' he explained; and she was amused at his matter-of-fact acceptance of a precaution that could only be against his stealing.

Between Samson and Dick there was a perfect understanding. Dick locked up everything, but put out for use a third as much again as was required, which was used by Samson, who did not regard this as stealing. But there was not much to steal in that bachelor household, and Samson hoped for better things now there was a woman. With deference and courtesy he showed Mary the thin supplies of linen, the utensils, the way the stove worked, the wood-pile at the back – all with the air of a faithful caretaker handing over keys to the rightful owner. He also showed her, when she asked, the old plough disc hung on the bough of a tree over the wood-pile, with the rusting iron bolt from a wagon with which it was beaten. It was this that she had heard on waking that morning; it was beaten at half-past five to rouse the boys in the compound close by and again at twelve-thirty and two, to mark the dinner break. It was a heavy, clanging, penetrating noise that carried miles over the bush.

She went back into the house while the boy prepared breakfast; already the song of the birds had been quenched by the deepening heat; at seven in the morning Mary found her forehead damp and her limbs sticky.

Dick came back half an hour later, glad to see her, but preoccupied. He went straight through the house into the back, and she heard him shouting at Samson in kitchen kaffir. She did not understand a word of it. Then he came back and said:

'That old fool has let those dogs go again. I told him not to.'

'What dogs?'

He explained: 'They get restless and go out by themselves, for hunting trips, if I am not here. Sometimes for days. Always when I am not here. He let them out. Then they get into trouble in the bush. Because he is too damned. lazy to feed them.'

He sat heavy and silent through the meal, a nervous tension between his eyes. The planter had broken down, a water cart had lost a wheel, the wagon had been driven up a hill with the brake on, in sheer lighthearted carelessness. He was back in it, over his head in it, with the familiar irritations and the usual sense of helplessness against cheerful incompetence. Mary said nothing: this was all too strange for her.

Immediately after breakfast he took his hat off the chair and went off again. Mary looked for a cooking book and took it to the kitchen. Half-way through the morning the dogs returned, two large mongrels, cheerfully apologetic to Samson for their truancy, but ignoring her, the stranger. They drank deeply, slobbering trails of water over the kitchen floor, then went to sleep on the skins in the front room smelling heavily of the kill in the bush.

When her cooking experiments were over – which the native Samson watched with an air of polite forbearance – she settled down on the bed with a handbook on kitchen kaffir. This was clearly the first thing she had to learn: she was unable to make Samson understand her.