The Longest Journey

I

"The cow is there," said Ansell, lighting a match and holding it out over the carpet. No one spoke. He waited till the end of the match fell off. Then he said again, "She is there, the cow. There, now."

"You have not proved it," said a voice.

"I have proved it to myself."

"I have proved to myself that she isn't," said the voice. "The cow is not there." Ansell frowned and lit another match.

"She's there for me," he declared. "I don't care whether she's there for you or not. Whether I'm in Cambridge or Iceland or dead, the cow will be there."

It was philosophy. They were discussing the existence of objects. Do they exist only when there is some one to look at them? Or have they a real existence of their own? It is all very interesting, but at the same time it is difficult. Hence the cow. She seemed to make things easier. She was so familiar, so solid, that surely the truths that she illustrated would in time become familiar and solid also. Is the cow there or not? This was better than deciding between objectivity and subjectivity. So at Oxford, just at the same time, one was asking, "What do our rooms look like in the vac.?"

"Look here, Ansell. I'm there—in the meadow—the cow's there. You're there—the cow's there. Do you agree so far?" "Well?"

"Well, if you go, the cow stops; but if I go, the cow goes. Then what will happen if you stop and I go?"

Several voices cried out that this was quibbling.

"I know it is," said the speaker brightly, and silence descended again, while they tried honestly to think the matter out.

Rickie, on whose carpet the matches were being dropped, did not like to join in the discussion. It was too difficult for him. He could not even quibble. If he spoke, he should simply make himself a fool. He preferred to listen, and to watch the tobacco-smoke stealing out past the window-seat into the tranquil October air. He could see the court too, and the college cat teasing the college tortoise, and the kitchen-men with supper-trays upon their heads. Hot food for one—that must be for the geographical don, who never came in for Hall; cold food for three, apparently at half-a-crown a head, for some one he did not know; hot food, a la carte—obviously for the ladies haunting the next staircase; cold food for two, at two shillings—going to Ansell's rooms for himself and Ansell, and as it passed under the lamp he saw that it was meringues again. Then the bedmakers began to arrive, chatting to each other pleasantly, and he could hear Ansell's bedmaker say, "Oh dang!" when she found she had to lay Ansell's tablecloth; for there was not a breath stirring. The great elms were motionless, and seemed still in the glory of midsummer, for the darkness hid the yellow blotches on their leaves, and their outlines were still rounded against the tender sky. Those elms were Dryads—so Rickie believed or pretended, and the line between the two is subtler than we admit. At all events they were lady trees, and had for generations fooled the college statutes by their residence in the haunts of youth.

But what about the cow? He returned to her with a start, for this would never do. He also would try to think the matter out. Was she there or not? The cow. There or not. He strained his eyes into the night.

Either way it was attractive. If she was there, other cows were there too. The darkness of Europe was dotted with them, and in the far East their flanks were shining in the rising sun. Great herds of them stood browsing in pastures where no man came nor need ever come, or plashed knee-deep by the brink of impassable rivers. And this, moreover, was the view of Ansell. Yet Tilliard's view had a good deal in it. One might do worse than follow Tilliard, and suppose the cow not to be there unless oneself was there to see her. A cowless world, then, stretched round him on every side. Yet he had only to peep into a field, and, click! it would at once become radiant with bovine life.

Suddenly he realized that this, again, would never do. As usual, he had missed the whole point, and was overlaying philosophy with gross and senseless details. For if the cow was not there, the world and the fields were not there either. And what would Ansell care about sunlit flanks or impassable streams? Rickie rebuked his own groveling soul, and turned his eyes away from the night, which had led him to such absurd conclusions.

The fire was dancing, and the shadow of Ansell, who stood close up to it, seemed to dominate the little room. He was still talking, or rather jerking, and he was still lighting matches and dropping their ends upon the carpet. Now and then he would make a motion with his feet as if he were running quickly backward upstairs, and would tread on the edge of the fender, so that the fire-irons went flying and the buttered-bun dishes crashed against each other in the hearth. The other philosophers were crouched in odd shapes on the sofa and table and chairs, and one, who was a little bored, had crawled to the piano and was timidly trying the Prelude to Rhinegold with his knee upon the soft pedal. The air was heavy with good tobacco-smoke and the pleasant warmth of tea, and as Rickie became more sleepy the events of the day seemed to float one by one before his acquiescent eyes. In the morning he had read Theocritus, whom he believed to be the greatest of Greek poets; he had lunched with a merry don and had tasted Zwieback biscuits; then he had walked with people he liked, and had walked just long enough; and now his room was full of other people whom he liked, and when they left he would go and have supper with Ansell, whom he liked as well as any one. A year ago he had known none of these joys. He had crept cold and friendless and ignorant out of a great public school, preparing for a silent and solitary journey, and praying as a highest favour that he might be left alone. Cambridge had not answered his prayer. She had taken and soothed him, and warmed him, and had laughed at him a little, saying that he must not be so tragic yet awhile, for his boyhood had been but a dusty corridor that led to the spacious halls of youth. In one year he had made many friends and learnt much, and he might learn even more if he could but concentrate his attention on that cow.

The fire had died down, and in the gloom the man by the piano ventured to ask what would happen if an objective cow had a subjective calf. Ansell gave an angry sigh, and at that moment there was a tap on the door.

"Come in!" said Rickie.

The door opened. A tall young woman stood framed in the light that fell from the passage.

"Ladies!" whispered every-one in great agitation.

"Yes?" he said nervously, limping towards the door (he was rather lame). "Yes? Please come in. Can I be any good—"

"Wicked boy!" exclaimed the young lady, advancing a gloved finger into the room. "Wicked, wicked boy!"

He clasped his head with his hands.

"Agnes! Oh how perfectly awful!"

"Wicked, intolerable boy!" She turned on the electric light. The philosophers were revealed with unpleasing suddenness. "My goodness, a tea-party! Oh really, Rickie, you are too bad! I say again: wicked, abominable, intolerable boy! I'll have you horsewhipped. If you please"—she turned to the symposium, which had now risen to its feet "If you please, he asks me and my brother for the week-end. We accept. At the station, no Rickie. We drive to where his old lodgings were—Trumpery Road or some such name—and he's left them. I'm furious, and before I can stop my brother, he's paid off the cab and there we are stranded. I've walked—walked for miles. Pray can you tell me what is to be done with Rickie?"

"He must indeed be horsewhipped," said Tilliard pleasantly. Then he made a bolt for the door.

"Tilliard—do stop—let me introduce Miss Pembroke—don't all go!" For his friends were flying from his visitor like mists before the sun. "Oh, Agnes, I am so sorry; I've nothing to say. I simply forgot you were coming, and everything about you."

"Thank you, thank you! And how soon will you remember to ask where Herbert is?"

"Where is he, then?"

"I shall not tell you."

"But didn't he walk with you?"

"I shall not tell, Rickie. It's part of your punishment. You are not really sorry yet. I shall punish you again later."

She was quite right. Rickie was not as much upset as he ought to have been. He was sorry that he had forgotten, and that he had caused his visitors inconvenience. But he did not feel profoundly degraded, as a young man should who has acted discourteously to a young lady. Had he acted discourteously to his bedmaker or his gyp, he would have minded just as much, which was not polite of him.

"First, I'll go and get food. Do sit down and rest. Oh, let me introduce—"

Ansell was now the sole remnant of the discussion party. He still stood on the hearthrug with a burnt match in his hand. Miss Pembroke's arrival had never disturbed him.

"Let me introduce Mr. Ansell—Miss Pembroke."

There came an awful moment—a moment when he almost regretted that he had a clever friend. Ansell remained absolutely motionless, moving neither hand nor head. Such behaviour is so unknown that Miss Pembroke did not realize what had happened, and kept her own hand stretched out longer than is maidenly.

"Coming to supper?" asked Ansell in low, grave tones.

"I don't think so," said Rickie helplessly.

Ansell departed without another word.

"Don't mind us," said Miss Pembroke pleasantly. "Why shouldn't you keep your engagement with your friend? Herbert's finding lodgings,—that's why he's not here,—and they're sure to be able to give us some dinner. What jolly rooms you've got!"

"Oh no—not a bit. I say, I am sorry. I am sorry. I am most awfully sorry."

"What about?"

"Ansell" Then he burst forth. "Ansell isn't a gentleman. His father's a draper. His uncles are farmers. He's here because he's so clever—just on account of his brains. Now, sit down. He isn't a gentleman at all." And he hurried off to order some dinner.

"What a snob the boy is getting!" thought Agnes, a good deal mollified. It never struck her that those could be the words of affection—that Rickie would never have spoken them about a person whom he disliked. Nor did it strike her that Ansell's humble birth scarcely explained the quality of his rudeness. She was willing to find life full of trivialities. Six months ago and she might have minded; but now—she cared not what men might do unto her, for she had her own splendid lover, who could have knocked all these unhealthy undergraduates into a cocked-hat. She dared not tell Gerald a word of what had happened: he might have come up from wherever he was and half killed Ansell. And she determined not to tell her brother either, for her nature was kindly, and it pleased her to pass things over.

She took off her gloves, and then she took off her ear-rings and began to admire them. These ear-rings were a freak of hers—her only freak. She had always wanted some, and the day Gerald asked her to marry him she went to a shop and had her ears pierced. In some wonderful way she knew that it was right. And he had given her the rings—little gold knobs, copied, the jeweller told them, from something prehistoric and he had kissed the spots of blood on her handkerchief. Herbert, as usual, had been shocked.

"I can't help it," she cried, springing up. "I'm not like other girls." She began to pace about Rickie's room, for she hated to keep quiet. There was nothing much to see in it. The pictures were not attractive, nor did they attract her—school groups, Watts' "Sir Percival," a dog running after a rabbit, a man running after a maid, a cheap brown Madonna in a cheap green frame—in short, a collection where one mediocrity was generally cancelled by another. Over the door there hung a long photograph of a city with waterways, which Agnes, who had never been to Venice, took to be Venice, but which people who had been to Stockholm knew to be Stockholm. Rickie's mother, looking rather sweet, was standing on the mantelpiece. Some more pictures had just arrived from the framers and were leaning with their faces to the wall, but she did not bother to turn them round. On the table were dirty teacups, a flat chocolate cake, and Omar Khayyam, with an Oswego biscuit between his pages. Also a vase filled with the crimson leaves of autumn. This made her smile.

Then she saw her host's shoes: he had left them lying on the sofa. Rickie was slightly deformed, and so the shoes were not the same size, and one of them had a thick heel to help him towards an even walk. "Ugh!" she exclaimed, and removed them gingerly to the bedroom. There she saw other shoes and boots and pumps, a whole row of them, all deformed. "Ugh! Poor boy! It is too bad. Why shouldn't he be like other people? This hereditary business is too awful." She shut the door with a sigh. Then she recalled the perfect form of Gerald, his athletic walk, the poise of his shoulders, his arms stretched forward to receive her. Gradually she was comforted.

"I beg your pardon, miss, but might I ask how many to lay?" It was the bedmaker, Mrs. Aberdeen.

"Three, I think," said Agnes, smiling pleasantly. "Mr. Elliot'll be back in a minute. He has gone to order dinner.

"Thank you, miss."

"Plenty of teacups to wash up!"

"But teacups is easy washing, particularly Mr. Elliot's."

"Why are his so easy?"

"Because no nasty corners in them to hold the dirt. Mr. Anderson—he's below-has crinkly noctagons, and one wouldn't believe the difference. It was I bought these for Mr. Elliot. His one thought is to save one trouble. I never seed such a thoughtful gentleman. The world, I say, will be the better for him." She took the teacups into the gyp room, and then returned with the tablecloth, and added, "if he's spared."

"I'm afraid he isn't strong," said Agnes.

"Oh, miss, his nose! I don't know what he'd say if he knew I mentioned his nose, but really I must speak to someone, and he has neither father nor mother. His nose! It poured twice with blood in the Long."

"Yes?"

"It's a thing that ought to be known. I assure you, that little room!… And in any case, Mr. Elliot's a gentleman that can ill afford to lose it. Luckily his friends were up; and I always say they're more like brothers than anything else."

"Nice for him. He has no real brothers."

"Oh, Mr. Hornblower, he is a merry gentleman, and Mr. Tilliard too! And Mr. Elliot himself likes his romp at times. Why, it's the merriest staircase in the buildings! Last night the bedmaker from W said to me,'What are you doing to my gentlemen? Here's Mr. Ansell come back 'ot with his collar flopping.' I said, 'And a good thing.' Some bedders keep their gentlemen just so; but surely, miss, the world being what it is, the longer one is able to laugh in it the better."

Bedmakers have to be comic and dishonest. It is expected of them. In a picture of university life it is their only function. So when we meet one who has the face of a lady, and feelings of which a lady might be proud, we pass her by.

"Yes?" said Miss Pembroke, and then their talk was stopped by the arrival of her brother.

"It is too bad!" he exclaimed. "It is really too bad."

"Now, Bertie boy, Bertie boy! I'll have no peevishness."

"I am not peevish, Agnes, but I have a full right to be. Pray, why did he not meet us? Why did he not provide rooms? And pray, why did you leave me to do all the settling? All the lodgings I knew are full, and our bedrooms look into a mews. I cannot help it. And then—look here! It really is too bad." He held up his foot like a wounded dog. It was dripping with water.

"Oho! This explains the peevishness. Off with it at once. It'll be another of your colds."

"I really think I had better." He sat down by the fire and daintily unlaced his boot. "I notice a great change in university tone. I can never remember swaggering three abreast along the pavement and charging inoffensive visitors into a gutter when I was an undergraduate. One of the men, too, wore an Eton tie. But the others, I should say, came from very queer schools, if they came from any schools at all."

Mr. Pembroke was nearly twenty years older than his sister, and had never been as handsome. But he was not at all the person to knock into a gutter, for though not in orders, he had the air of being on the verge of them, and his features, as well as his clothes, had the clerical cut. In his presence conversation became pure and colourless and full of understatements, and—just as if he was a real clergyman—neither men nor boys ever forgot that he was there. He had observed this, and it pleased him very much. His conscience permitted him to enter the Church whenever his profession, which was the scholastic, should demand it.

"No gutter in the world's as wet as this," said Agnes, who had peeled off her brother's sock, and was now toasting it at the embers on a pair of tongs.

"Surely you know the running water by the edge of the Trumpington road? It's turned on occasionally to clear away the refuse—a most primitive idea. When I was up we had a joke about it, and called it the 'Pem.'"

"How complimentary!"

"You foolish girl,—not after me, of course. We called it the 'Pem' because it is close to Pembroke College. I remember—" He smiled a little, and twiddled his toes. Then he remembered the bedmaker, and said, "My sock is now dry. My sock, please."

"Your sock is sopping. No, you don't!" She twitched the tongs away from him. Mrs. Aberdeen, without speaking, fetched a pair of Rickie's socks and a pair of Rickie's shoes.

"Thank you; ah, thank you. I am sure Mr. Elliot would allow it."

Then he said in French to his sister, "Has there been the slightest sign of Frederick?"

"Now, do call him Rickie, and talk English. I found him here. He had forgotten about us, and was very sorry. Now he's gone to get some dinner, and I can't think why he isn't back."

Mrs. Aberdeen left them.

"He wants pulling up sharply. There is nothing original in absent-mindedness. True originality lies elsewhere. Really, the lower classes have no nous. However can I wear such deformities?" For he had been madly trying to cram a right-hand foot into a left-hand shoe.

"Don't!" said Agnes hastily. "Don't touch the poor fellow's things." The sight of the smart, stubby patent leather made her almost feel faint. She had known Rickie for many years, but it seemed so dreadful and so different now that he was a man. It was her first great contact with the abnormal, and unknown fibres of her being rose in revolt against it. She frowned when she heard his uneven tread upon the stairs.

"Agnes—before he arrives—you ought never to have left me and gone to his rooms alone. A most elementary transgression. Imagine the unpleasantness if you had found him with friends. If Gerald—"

Rickie by now had got into a fluster. At the kitchens he had lost his head, and when his turn came—he had had to wait—he had yielded his place to those behind, saying that he didn't matter. And he had wasted more precious time buying bananas, though he knew that the Pembrokes were not partial to fruit. Amid much tardy and chaotic hospitality the meal got under way. All the spoons and forks were anyhow, for Mrs. Aberdeen's virtues were not practical. The fish seemed never to have been alive, the meat had no kick, and the cork of the college claret slid forth silently, as if ashamed of the contents. Agnes was particularly pleasant. But her brother could not recover himself. He still remembered their desolate arrival, and he could feel the waters of the Pem eating into his instep.

"Rickie," cried the lady, "are you aware that you haven't congratulated me on my engagement?"

Rickie laughed nervously, and said, "Why no! No more I have."

"Say something pretty, then."

"I hope you'll be very happy," he mumbled. "But I don't know anything about marriage."

"Oh, you awful boy! Herbert, isn't he just the same? But you do know something about Gerald, so don't be so chilly and cautious. I've just realized, looking at those groups, that you must have been at school together. Did you come much across him?"

"Very little," he answered, and sounded shy. He got up hastily, and began to muddle with the coffee.

"But he was in the same house. Surely that's a house group?"

"He was a prefect." He made his coffee on the simple system. One had a brown pot, into which the boiling stuff was poured. Just before serving one put in a drop of cold water, and the idea was that the grounds fell to the bottom.

"Wasn't he a kind of athletic marvel? Couldn't he knock any boy or master down?"

"Yes."

"If he had wanted to," said Mr. Pembroke, who had not spoken for some time.

"If he had wanted to," echoed Rickie. "I do hope, Agnes, you'll be most awfully happy. I don't know anything about the army, but I should think it must be most awfully interesting."

Mr. Pembroke laughed faintly.

"Yes, Rickie. The army is a most interesting profession,—the profession of Wellington and Marlborough and Lord Roberts; a most interesting profession, as you observe. A profession that may mean death—death, rather than dishonour."

"That's nice," said Rickie, speaking to himself. "Any profession may mean dishonour, but one isn't allowed to die instead. The army's different. If a soldier makes a mess, it's thought rather decent of him, isn't it, if he blows out his brains? In the other professions it somehow seems cowardly."

"I am not competent to pronounce," said Mr. Pembroke, who was not accustomed to have his schoolroom satire commented on. "I merely know that the army is the finest profession in the world. Which reminds me, Rickie—have you been thinking about yours?"

"No."

"Not at all?"

"No."

"Now, Herbert, don't bother him. Have another meringue."

"But, Rickie, my dear boy, you're twenty. It's time you thought. The Tripos is the beginning of life, not the end. In less than two years you will have got your B.A. What are you going to do with it?"

"I don't know."

"You're M.A., aren't you?" asked Agnes; but her brother proceeded—

"I have seen so many promising, brilliant lives wrecked simply on account of this—not settling soon enough. My dear boy, you must think. Consult your tastes if possible—but think. You have not a moment to lose. The Bar, like your father?"

"Oh, I wouldn't like that at all."

"I don't mention the Church."

"Oh, Rickie, do be a clergyman!" said Miss Pembroke. "You'd be simply killing in a wide-awake."

He looked at his guests hopelessly. Their kindness and competence overwhelmed him. "I wish I could talk to them as I talk to myself," he thought. "I'm not such an ass when I talk to myself. I don't believe, for instance, that quite all I thought about the cow was rot." Aloud he said, "I've sometimes wondered about writing."

"Writing?" said Mr. Pembroke, with the tone of one who gives everything its trial. "Well, what about writing? What kind of writing?"

"I rather like,"—he suppressed something in his throat,—"I rather like trying to write little stories."

"Why, I made sure it was poetry!" said Agnes. "You're just the boy for poetry."

"I had no idea you wrote. Would you let me see something? Then I could judge."

The author shook his head. "I don't show it to any one. It isn't anything. I just try because it amuses me."

"What is it about?"

"Silly nonsense."

"Are you ever going to show it to any one?"

"I don't think so."

Mr. Pembroke did not reply, firstly, because the meringue he was eating was, after all, Rickie's; secondly, because it was gluey and stuck his jaws together. Agnes observed that the writing was really a very good idea: there was Rickie's aunt,—she could push him.

"Aunt Emily never pushes any one; she says they always rebound and crush her."

"I only had the pleasure of seeing your aunt once. I should have thought her a quite uncrushable person. But she would be sure to help you."

"I couldn't show her anything. She'd think them even sillier than they are."

"Always running yourself down! There speaks the artist!"

"I'm not modest," he said anxiously. "I just know they're bad."

Mr. Pembroke's teeth were clear of meringue, and he could refrain no longer. "My dear Rickie, your father and mother are dead, and you often say your aunt takes no interest in you. Therefore your life depends on yourself. Think it over carefully, but settle, and having once settled, stick. If you think that this writing is practicable, and that you could make your living by it—that you could, if needs be, support a wife—then by all means write. But you must work. Work and drudge. Begin at the bottom of the ladder and work upwards."

Rickie's head drooped. Any metaphor silenced him. He never thought of replying that art is not a ladder—with a curate, as it were, on the first rung, a rector on the second, and a bishop, still nearer heaven, at the top. He never retorted that the artist is not a bricklayer at all, but a horseman, whose business it is to catch Pegasus at once, not to practise for him by mounting tamer colts. This is hard, hot, and generally ungraceful work, but it is not drudgery. For drudgery is not art, and cannot lead to it.

"Of course I don't really think about writing," he said, as he poured the cold water into the coffee. "Even if my things ever were decent, I don't think the magazines would take them, and the magazines are one's only chance. I read somewhere, too, that Marie Corelli's about the only person who makes a thing out of literature. I'm certain it wouldn't pay me."

"I never mentioned the word 'pay,'" said Mr. Pembroke uneasily.

"You must not consider money. There are ideals too."

"I have no ideals."

"Rickie!" she exclaimed. "Horrible boy!"

"No, Agnes, I have no ideals." Then he got very red, for it was a phrase he had caught from Ansell, and he could not remember what came next.

"The person who has no ideals," she exclaimed, "is to be pitied."

"I think so too," said Mr. Pembroke, sipping his coffee. "Life without an ideal would be like the sky without the sun."

Rickie looked towards the night, wherein there now twinkled innumerable stars—gods and heroes, virgins and brides, to whom the Greeks have given their names.

"Life without an ideal—" repeated Mr. Pembroke, and then stopped, for his mouth was full of coffee grounds. The same affliction had overtaken Agnes. After a little jocose laughter they departed to their lodgings, and Rickie, having seen them as far as the porter's lodge, hurried, singing as he went, to Ansell's room, burst open the door, and said, "Look here! Whatever do you mean by it?"

"By what?" Ansell was sitting alone with a piece of paper in front of him. On it was a diagram—a circle inside a square, inside which was again a square.

"By being so rude. You're no gentleman, and I told her so." He slammed him on the head with a sofa cushion. "I'm certain one ought to be polite, even to people who aren't saved." ("Not saved" was a phrase they applied just then to those whom they did not like or intimately know.) "And I believe she is saved. I never knew any one so always good-tempered and kind. She's been kind to me ever since I knew her. I wish you'd heard her trying to stop her brother: you'd have certainly come round. Not but what he was only being nice as well. But she is really nice. And I thought she came into the room so beautifully. Do you know—oh, of course, you despise music—but Anderson was playing Wagner, and he'd just got to the part where they sing

and the sun strikes into the waters, and the music, which up to then has so often been in E flat—"

"Goes into D sharp. I have not understood a single word, partly because you talk as if your mouth was full of plums, partly because I don't know whom you're talking about." "Miss Pembroke—whom you saw."

"I saw no one."

"Who came in?"

"No one came in."

"You're an ass!" shrieked Rickie. "She came in. You saw her come in. She and her brother have been to dinner."

"You only think so. They were not really there."

"But they stop till Monday."

"You only think that they are stopping."

"But—oh, look here, shut up! The girl like an empress—"

"I saw no empress, nor any girl, nor have you seen them."

"Ansell, don't rag."

"Elliot, I never rag, and you know it. She was not really there."

There was a moment's silence. Then Rickie exclaimed, "I've got you. You say—or was it Tilliard?—no, YOU say that the cow's there. Well—there these people are, then. Got you. Yah!"

"Did it never strike you that phenomena may be of two kinds: ONE, those which have a real existence, such as the cow; TWO, those which are the subjective product of a diseased imagination, and which, to our destruction, we invest with the semblance of reality? If this never struck you, let it strike you now."

Rickie spoke again, but received no answer. He paced a little up and down the sombre roam. Then he sat on the edge of the table and watched his clever friend draw within the square a circle, and within the circle a square, and inside that another circle, and inside that another square.

"Why will you do that?"

No answer.

"Are they real?"

"The inside one is—the one in the middle of everything, that there's never room enough to draw."

II

A little this side of Madingley, to the left of the road, there is a secluded dell, paved with grass and planted with fir-trees. It could not have been worth a visit twenty years ago, for then it was only a scar of chalk, and it is not worth a visit at the present day, for the trees have grown too thick and choked it. But when Rickie was up, it chanced to be the brief season of its romance, a season as brief for a chalk-pit as a man—its divine interval between the bareness of boyhood and the stuffiness of age. Rickie had discovered it in his second term, when the January snows had melted and left fiords and lagoons of clearest water between the inequalities of the floor. The place looked as big as Switzerland or Norway—as indeed for the moment it was—and he came upon it at a time when his life too was beginning to expand. Accordingly the dell became for him a kind of church—a church where indeed you could do anything you liked, but where anything you did would be transfigured. Like the ancient Greeks, he could even laugh at his holy place and leave it no less holy. He chatted gaily about it, and about the pleasant thoughts with which it inspired him; he took his friends there; he even took people whom he did not like. "Procul este, profani!" exclaimed a delighted aesthete on being introduced to it. But this was never to be the attitude of Rickie. He did not love the vulgar herd, but he knew that his own vulgarity would be greater if he forbade it ingress, and that it was not by preciosity that he would attain to the intimate spirit of the dell. Indeed, if he had agreed with the aesthete, he would possibly not have introduced him. If the dell was to bear any inscription, he would have liked it to be "This way to Heaven," painted on a sign-post by the high-road, and he did not realize till later years that the number of visitors would not thereby have sensibly increased.

On the blessed Monday that the Pembrokes left, he walked out here with three friends. It was a day when the sky seemed enormous. One cloud, as large as a continent, was voyaging near the sun, whilst other clouds seemed anchored to the horizon, too lazy or too happy to move. The sky itself was of the palest blue, paling to white where it approached the earth; and the earth, brown, wet, and odorous, was engaged beneath it on its yearly duty of decay. Rickie was open to the complexities of autumn; he felt extremely tiny—extremely tiny and extremely important; and perhaps the combination is as fair as any that exists. He hoped that all his life he would never be peevish or unkind.

"Elliot is in a dangerous state," said Ansell. They had reached the dell, and had stood for some time in silence, each leaning against a tree. It was too wet to sit down.

"How's that?" asked Rickie, who had not known he was in any state at all. He shut up Keats, whom he thought he had been reading, and slipped him back into his coat-pocket. Scarcely ever was he without a book.

"He's trying to like people."

"Then he's done for," said Widdrington. "He's dead."

"He's trying to like Hornblower."

The others gave shrill agonized cries.

"He wants to bind the college together. He wants to link us to the beefy set."

"I do like Hornblower," he protested. "I don't try."

"And Hornblower tries to like you."

"That part doesn't matter."

"But he does try to like you. He tries not to despise you. It is altogether a most public-spirited affair."

"Tilliard started them," said Widdrington. "Tilliard thinks it such a pity the college should be split into sets."

"Oh, Tilliard!" said Ansell, with much irritation. "But what can you expect from a person who's eternally beautiful? The other night we had been discussing a long time, and suddenly the light was turned on. Every one else looked a sight, as they ought. But there was Tilliard, sitting neatly on a little chair, like an undersized god, with not a curl crooked. I should say he will get into the Foreign Office."

"Why are most of us so ugly?" laughed Rickie.

"It's merely a sign of our salvation—merely another sign that the college is split."

"The college isn't split," cried Rickie, who got excited on this subject with unfailing regularity. "The college is, and has been, and always will be, one. What you call the beefy set aren't a set at all. They're just the rowing people, and naturally they chiefly see each other; but they're always nice to me or to any one. Of course, they think us rather asses, but it's quite in a pleasant way."

"That's my whole objection," said Ansell. "What right have they to think us asses in a pleasant way? Why don't they hate us? What right has Hornblower to smack me on the back when I've been rude to him?"

"Well, what right have you to be rude to him?"

"Because I hate him. You think it is so splendid to hate no one. I tell you it is a crime. You want to love every one equally, and that's worse than impossible it's wrong. When you denounce sets, you're really trying to destroy friendship."

"I maintain," said Rickie—it was a verb he clung to, in the hope that it would lend stability to what followed—"I maintain that one can like many more people than one supposes."

"And I maintain that you hate many more people than you pretend."

"I hate no one," he exclaimed with extraordinary vehemence, and the dell re-echoed that it hated no one.

"We are obliged to believe you," said Widdrington, smiling a little "but we are sorry about it."

"Not even your father?" asked Ansell.

Rickie was silent.

"Not even your father?"

The cloud above extended a great promontory across the sun. It only lay there for a moment, yet that was enough to summon the lurking coldness from the earth.

"Does he hate his father?" said Widdrington, who had not known. "Oh, good!"

"But his father's dead. He will say it doesn't count."

"Still, it's something. Do you hate yours?"

Ansell did not reply. Rickie said: "I say, I wonder whether one ought to talk like this?"

"About hating dead people?"

"Yes—"

"Did you hate your mother?" asked Widdrington.

Rickie turned crimson.

"I don't see Hornblower's such a rotter," remarked the other man, whose name was James.

"James, you are diplomatic," said Ansell. "You are trying to tide over an awkward moment. You can go."

Widdrington was crimson too. In his wish to be sprightly he had used words without thinking of their meanings. Suddenly he realized that "father" and "mother" really meant father and mother—people whom he had himself at home. He was very uncomfortable, and thought Rickie had been rather queer. He too tried to revert to Hornblower, but Ansell would not let him. The sun came out, and struck on the white ramparts of the dell. Rickie looked straight at it. Then he said abruptly—

"I think I want to talk."

"I think you do," replied Ansell.

"Shouldn't I be rather a fool if I went through Cambridge without talking? It's said never to come so easy again. All the people are dead too. I can't see why I shouldn't tell you most things about my birth and parentage and education."

"Talk away. If you bore us, we have books."

With this invitation Rickie began to relate his history. The reader who has no book will be obliged to listen to it.

Some people spend their lives in a suburb, and not for any urgent reason. This had been the fate of Rickie. He had opened his eyes to filmy heavens, and taken his first walk on asphalt. He had seen civilization as a row of semi-detached villas, and society as a state in which men do not know the men who live next door. He had himself become part of the grey monotony that surrounds all cities. There was no necessity for this—it was only rather convenient to his father.

Mr. Elliot was a barrister. In appearance he resembled his son, being weakly and lame, with hollow little cheeks, a broad white band of forehead, and stiff impoverished hair. His voice, which he did not transmit, was very suave, with a fine command of cynical intonation. By altering it ever so little he could make people wince, especially if they were simple or poor. Nor did he transmit his eyes. Their peculiar flatness, as if the soul looked through dirty window-panes, the unkindness of them, the cowardice, the fear in them, were to trouble the world no longer.

He married a girl whose voice was beautiful. There was no caress in it yet all who heard it were soothed, as though the world held some unexpected blessing. She called to her dogs one night over invisible waters, and he, a tourist up on the bridge, thought "that is extraordinarily adequate." In time he discovered that her figure, face, and thoughts were adequate also, and as she was not impossible socially, he married her. "I have taken a plunge," he told his family. The family, hostile at first, had not a word to say when the woman was introduced to them; and his sister declared that the plunge had been taken from the opposite bank.

Things only went right for a little time. Though beautiful without and within, Mrs. Elliot had not the gift of making her home beautiful; and one day, when she bought a carpet for the dining-room that clashed, he laughed gently, said he "really couldn't," and departed. Departure is perhaps too strong a word. In Mrs. Elliot's mouth it became, "My husband has to sleep more in town." He often came down to see them, nearly always unexpectedly, and occasionally they went to see him. "Father's house," as Rickie called it, only had three rooms, but these were full of books and pictures and flowers; and the flowers, instead of being squashed down into the vases as they were in mummy's house, rose gracefully from frames of lead which lay coiled at the bottom, as doubtless the sea serpent has to lie, coiled at the bottom of the sea. Once he was let to lift a frame out—only once, for he dropped some water on a creton. "I think he's going to have taste," said Mr. Elliot languidly. "It is quite possible," his wife replied. She had not taken off her hat and gloves, nor even pulled up her veil. Mr. Elliot laughed, and soon afterwards another lady came in, and they—went away.

"Why does father always laugh?" asked Rickie in the evening when he and his mother were sitting in the nursery.

"It is a way of your father's."

"Why does he always laugh at me? Am I so funny?" Then after a pause, "You have no sense of humour, have you, mummy?"

Mrs. Elliot, who was raising a thread of cotton to her lips, held it suspended in amazement.

"You told him so this afternoon. But I have seen you laugh." He nodded wisely. "I have seen you laugh ever so often. One day you were laughing alone all down in the sweet peas."

"Was I?"

"Yes. Were you laughing at me?"

"I was not thinking about you. Cotton, please—a reel of No. 50 white from my chest of drawers. Left hand drawer. Now which is your left hand?"

"The side my pocket is."

"And if you had no pocket?"

"The side my bad foot is."

"I meant you to say, 'the side my heart is,'" said Mrs. Elliot, holding up the duster between them. "Most of us—I mean all of us—can feel on one side a little watch, that never stops ticking. So even if you had no bad foot you would still know which is the left. No. 50 white, please. No; I'll get it myself." For she had remembered that the dark passage frightened him.

These were the outlines. Rickie filled them in with the slowness and the accuracy of a child. He was never told anything, but he discovered for himself that his father and mother did not love each other, and that his mother was lovable. He discovered that Mr. Elliot had dubbed him Rickie because he was rickety, that he took pleasure in alluding to his son's deformity, and was sorry that it was not more serious than his own. Mr. Elliot had not one scrap of genius. He gathered the pictures and the books and the flower-supports mechanically, not in any impulse of love. He passed for a cultured man because he knew how to select, and he passed for an unconventional man because he did not select quite like other people. In reality he never did or said or thought one single thing that had the slightest beauty or value. And in time Rickie discovered this as well.

The boy grew up in great loneliness. He worshipped his mother, and she was fond of him. But she was dignified and reticent, and pathos, like tattle, was disgusting to her. She was afraid of intimacy, in case it led to confidences and tears, and so all her life she held her son at a little distance. Her kindness and unselfishness knew no limits, but if he tried to be dramatic and thank her, she told him not to be a little goose. And so the only person he came to know at all was himself. He would play Halma against himself. He would conduct solitary conversations, in which one part of him asked and another part answered. It was an exciting game, and concluded with the formula: "Good-bye. Thank you. I am glad to have met you. I hope before long we shall enjoy another chat." And then perhaps he would sob for loneliness, for he would see real people—real brothers, real friends—doing in warm life the things he had pretended. "Shall I ever have a friend?" he demanded at the age of twelve. "I don't see how. They walk too fast. And a brother I shall never have."

("No loss," interrupted Widdrington.

"But I shall never have one, and so I quite want one, even now.")

When he was thirteen Mr. Elliot entered on his illness. The pretty rooms in town would not do for an invalid, and so he came back to his home. One of the first consequences was that Rickie was sent to a public school. Mrs. Elliot did what she could, but she had no hold whatever over her husband.

"He worries me," he declared. "He's a joke of which I have got tired."

"Would it be possible to send him to a private tutor's?"

"No," said Mr. Elliot, who had all the money. "Coddling."

"I agree that boys ought to rough it; but when a boy is lame and very delicate, he roughs it sufficiently if he leaves home. Rickie can't play games. He doesn't make friends. He isn't brilliant. Thinking it over, I feel that as it's like this, we can't ever hope to give him the ordinary education. Perhaps you could think it over too." No.

"I am sure that things are best for him as they are. The day-school knocks quite as many corners off him as he can stand. He hates it, but it is good for him. A public school will not be good for him. It is too rough. Instead of getting manly and hard, he will—"

"My head, please."

Rickie departed in a state of bewildered misery, which was scarcely ever to grow clearer.

Each holiday he found his father more irritable, and a little weaker. Mrs. Elliot was quickly growing old. She had to manage the servants, to hush the neighbouring children, to answer the correspondence, to paper and re-paper the rooms—and all for the sake of a man whom she did not like, and who did not conceal his dislike for her. One day she found Rickie tearful, and said rather crossly, "Well, what is it this time?"

He replied, "Oh, mummy, I've seen your wrinkles your grey hair—I'm unhappy."

Sudden tenderness overcame her, and she cried, "My darling, what does it matter? Whatever does it matter now?"

He had never known her so emotional. Yet even better did he remember another incident. Hearing high voices from his father's room, he went upstairs in the hope that the sound of his tread might stop them. Mrs. Elliot burst open the door, and seeing him, exclaimed, "My dear! If you please, he's hit me." She tried to laugh it off, but a few hours later he saw the bruise which the stick of the invalid had raised upon his mother's hand.

God alone knows how far we are in the grip of our bodies. He alone can judge how far the cruelty of Mr. Elliot was the outcome of extenuating circumstances. But Mrs. Elliot could accurately judge of its extent.

At last he died. Rickie was now fifteen, and got off a whole week's school for the funeral. His mother was rather strange. She was much happier, she looked younger, and her mourning was as unobtrusive as convention permitted. All this he had expected. But she seemed to be watching him, and to be extremely anxious for his opinion on any, subject—more especially on his father. Why? At last he saw that she was trying to establish confidence between them. But confidence cannot be established in a moment. They were both shy. The habit of years was upon them, and they alluded to the death of Mr. Elliot as an irreparable loss.

"Now that your father has gone, things will be very different."

"Shall we be poorer, mother?" No.

"Oh!"

"But naturally things will be very different."

"Yes, naturally."

"For instance, your poor father liked being near London, but I almost think we might move. Would you like that?"

"Of course, mummy." He looked down at the ground. He was not accustomed to being consulted, and it bewildered him.

"Perhaps you might like quite a different life better?"

He giggled.

"It's a little difficult for me," said Mrs. Elliot, pacing vigorously up and down the room, and more and more did her black dress seem a mockery. "In some ways you ought to be consulted: nearly all the money is left to you, as you must hear some time or other. But in other ways you're only a boy. What am I to do?"

"I don't know," he replied, appearing more helpless and unhelpful than he really was.

"For instance, would you like me to arrange things exactly as I like?"

"Oh do!" he exclaimed, thinking this a most brilliant suggestion.

"The very nicest thing of all." And he added, in his half-pedantic, half-pleasing way, "I shall be as wax in your hands, mamma."

She smiled. "Very well, darling. You shall be." And she pressed him lovingly, as though she would mould him into something beautiful.

For the next few days great preparations were in the air. She went to see his father's sister, the gifted and vivacious Aunt Emily. They were to live in the country—somewhere right in the country, with grass and trees up to the door, and birds singing everywhere, and a tutor. For he was not to go back to school. Unbelievable! He was never to go back to school, and the head-master had written saying that he regretted the step, but that possibly it was a wise one.

It was raw weather, and Mrs. Elliot watched over him with ceaseless tenderness. It seemed as if she could not do too much to shield him and to draw him nearer to her.

"Put on your greatcoat, dearest," she said to him.

"I don't think I want it," answered Rickie, remembering that he was now fifteen.

"The wind is bitter. You ought to put it on."

"But it's so heavy."

"Do put it on, dear."

He was not very often irritable or rude, but he answered, "Oh, I shan't catch cold. I do wish you wouldn't keep on bothering." He did not catch cold, but while he was out his mother died. She only survived her husband eleven days, a coincidence which was recorded on their tombstone.

Such, in substance, was the story which Rickie told his friends as they stood together in the shelter of the dell. The green bank at the entrance hid the road and the world, and now, as in spring, they could see nothing but snow-white ramparts and the evergreen foliage of the firs. Only from time to time would a beech leaf flutter in from the woods above, to comment on the waning year, and the warmth and radiance of the sun would vanish behind a passing cloud.

About the greatcoat he did not tell them, for he could not have spoken of it without tears.

III

Mr. Ansell, a provincial draper of moderate prosperity, ought by rights to have been classed not with the cow, but with those phenomena that are not really there. But his son, with pardonable illogicality, excepted him. He never suspected that his father might be the subjective product of a diseased imagination. From his earliest years he had taken him for granted, as a most undeniable and lovable fact. To be born one thing and grow up another—Ansell had accomplished this without weakening one of the ties that bound him to his home. The rooms above the shop still seemed as comfortable, the garden behind it as gracious, as they had seemed fifteen years before, when he would sit behind Miss Appleblossom's central throne, and she, like some allegorical figure, would send the change and receipted bills spinning away from her in little boxwood balls. At first the young man had attributed these happy relations to his own tact. But in time he perceived that the tact was all on the side of his father. Mr. Ansell was not merely a man of some education; he had what no education can bring—the power of detecting what is important. Like many fathers, he had spared no expense over his boy,—he had borrowed money to start him at a rapacious and fashionable private school; he had sent him to tutors; he had sent him to Cambridge. But he knew that all this was not the important thing. The important thing was freedom. The boy must use his education as he chose, and if he paid his father back it would certainly not be in his own coin. So when Stewart said, "At Cambridge, can I read for the Moral Science Tripos?" Mr. Ansell had only replied, "This philosophy—do you say that it lies behind everything?"

"Yes, I think so. It tries to discover what is good and true."

"Then, my boy, you had better read as much of it as you can."

And a year later: "I'd like to take up this philosophy seriously, but I don't feel justified."

"Why not?"

"Because it brings in no return. I think I'm a great philosopher, but then all philosophers think that, though they don't dare to say so. But, however great I am. I shan't earn money. Perhaps I shan't ever be able to keep myself. I shan't even get a good social position. You've only to say one word, and I'll work for the Civil Service. I'm good enough to get in high."

Mr. Ansell liked money and social position. But he knew that there is a more important thing, and replied, "You must take up this philosophy seriously, I think."

"Another thing—there are the girls."

"There is enough money now to get Mary and Maud as good husbands as they deserve." And Mary and Maud took the same view. It was in this plebeian household that Rickie spent part of the Christmas vacation. His own home, such as it was, was with the Silts, needy cousins of his father's, and combined to a peculiar degree the restrictions of hospitality with the discomforts of a boarding-house. Such pleasure as he had outside Cambridge was in the homes of his friends, and it was a particular joy and honour to visit Ansell, who, though as free from social snobbishness as most of us will ever manage to be, was rather careful when he drove up to the facade of his shop.

"I like our new lettering," he said thoughtfully. The words "Stewart Ansell" were repeated again and again along the High Street—curly gold letters that seemed to float in tanks of glazed chocolate.

"Rather!" said Rickie. But he wondered whether one of the bonds that kept the Ansell family united might not be their complete absence of taste—a surer bond by far than the identity of it. And he wondered this again when he sat at tea opposite a long row of crayons—Stewart as a baby, Stewart as a small boy with large feet, Stewart as a larger boy with smaller feet, Mary reading a book whose leaves were as thick as eiderdowns. And yet again did he wonder it when he woke with a gasp in the night to find a harp in luminous paint throbbing and glowering at him from the adjacent wall. "Watch and pray" was written on the harp, and until Rickie hung a towel over it the exhortation was partially successful.

It was a very happy visit. Miss Appleblosssom—who now acted as housekeeper—had met him before, during her never-forgotten expedition to Cambridge, and her admiration of University life was as shrill and as genuine now as it had been then. The girls at first were a little aggressive, for on his arrival he had been tired, and Maud had taken it for haughtiness, and said he was looking down on them. But this passed. They did not fall in love with him, nor he with them, but a morning was spent very pleasantly in snow-balling in the back garden. Ansell was rather different to what he was in Cambridge, but to Rickie not less attractive. And there was a curious charm in the hum of the shop, which swelled into a roar if one opened the partition door on a market-day.

"Listen to your money!" said Rickie. "I wish I could hear mine. I wish my money was alive."

"I don't understand."

"Mine's dead money. It's come to me through about six dead people—silently."

"Getting a little smaller and a little more respectable each time, on account of the death-duties."

"It needed to get respectable."

"Why? Did your people, too, once keep a shop?"

"Oh, not as bad as that! They only swindled. About a hundred years ago an Elliot did something shady and founded the fortunes of our house."

"I never knew any one so relentless to his ancestors. You make up for your soapiness towards the living."

"You'd be relentless if you'd heard the Silts, as I have, talk about 'a fortune, small perhaps, but unsoiled by trade!' Of course Aunt Emily is rather different. Oh, goodness me! I've forgotten my aunt. She lives not so far. I shall have to call on her."

Accordingly he wrote to Mrs. Failing, and said he should like to pay his respects. He told her about the Ansells, and so worded the letter that she might reasonably have sent an invitation to his friend.

She replied that she was looking forward to their tete-a-tete.

"You mustn't go round by the trains," said Mr. Ansell. "It means changing at Salisbury. By the road it's no great way. Stewart shall drive you over Salisbury Plain, and fetch you too."

"There's too much snow," said Ansell.

"Then the girls shall take you in their sledge."

"That I will," said Maud, who was not unwilling to see the inside of Cadover. But Rickie went round by the trains.

"We have all missed you," said Ansell, when he returned. "There is a general feeling that you are no nuisance, and had better stop till the end of the vac."

This he could not do. He was bound for Christmas to the Silts—"as a REAL guest," Mrs. Silt had written, underlining the word "real" twice. And after Christmas he must go to the Pembrokes.

"These are no reasons. The only real reason for doing a thing is because you want to do it. I think the talk about 'engagements' is cant."

"I think perhaps it is," said Rickie. But he went. Never had the turkey been so athletic, or the plum-pudding tied into its cloth so tightly. Yet he knew that both these symbols of hilarity had cost money, and it went to his heart when Mr. Silt said in a hungry voice, "Have you thought at all of what you want to be? No? Well, why should you? You have no need to be anything." And at dessert: "I wonder who Cadover goes to? I expect money will follow money. It always does." It was with a guilty feeling of relief that he left for the Pembrokes'.

The Pembrokes lived in an adjacent suburb, or rather "sububurb,"—the tract called Sawston, celebrated for its public school. Their style of life, however, was not particularly suburban. Their house was small and its name was Shelthorpe, but it had an air about it which suggested a certain amount of money and a certain amount of taste. There were decent water-colours in the drawing-room. Madonnas of acknowledged merit hung upon the stairs. A replica of the Hermes of Praxiteles—of course only the bust—stood in the hall with a real palm behind it. Agnes, in her slap-dash way, was a good housekeeper, and kept the pretty things well dusted. It was she who insisted on the strip of brown holland that led diagonally from the front door to the door of Herbert's study: boys' grubby feet should not go treading on her Indian square. It was she who always cleaned the picture-frames and washed the bust and the leaves of the palm. In short, if a house could speak—and sometimes it does speak more clearly than the people who live in it—the house of the Pembrokes would have said, "I am not quite like other houses, yet I am perfectly comfortable. I contain works of art and a microscope and books. But I do not live for any of these things or suffer them to disarrange me. I live for myself and for the greater houses that shall come after me. Yet in me neither the cry of money nor the cry for money shall ever be heard."

Mr. Pembroke was at the station. He did better as a host than as a guest, and welcomed the young man with real friendliness.

"We were all coming, but Gerald has strained his ankle slightly, and wants to keep quiet, as he is playing next week in a match. And, needless to say, that explains the absence of my sister."

"Gerald Dawes?"

"Yes; he's with us. I'm so glad you'll meet again."

"So am I," said Rickie with extreme awkwardness. "Does he remember me?"

"Vividly."

Vivid also was Rickie's remembrance of him.

"A splendid fellow," asserted Mr. Pembroke.

"I hope that Agnes is well."

"Thank you, yes; she is well. And I think you're looking more like other people yourself."

"I've been having a very good time with a friend."

"Indeed. That's right. Who was that?"

Rickie had a young man's reticence. He generally spoke of "a friend," "a person I know," "a place I was at." When the book of life is opening, our readings are secret, and we are unwilling to give chapter and verse. Mr. Pembroke, who was half way through the volume, and had skipped or forgotten the earlier pages, could not understand Rickie's hesitation, nor why with such awkwardness he should pronounce the harmless dissyllable "Ansell."

"Ansell? Wasn't that the pleasant fellow who asked us to lunch?"

"No. That was Anderson, who keeps below. You didn't see Ansell. The ones who came to breakfast were Tilliard and Hornblower."

"Of course. And since then you have been with the Silts. How are they?"

"Very well, thank you. They want to be remembered to you."

The Pembrokes had formerly lived near the Elliots, and had shown great kindness to Rickie when his parents died. They were thus rather in the position of family friends.

"Please remember us when you write." He added, almost roguishly, "The Silts are kindness itself. All the same, it must be just a little—dull, we thought, and we thought that you might like a change. And of course we are delighted to have you besides. That goes without saying."

"It's very good of you," said Rickie, who had accepted the invitation because he felt he ought to.

"Not a bit. And you mustn't expect us to be otherwise than quiet on the holidays. There is a library of a sort, as you know, and you will find Gerald a splendid fellow."

"Will they be married soon?"

"Oh no!" whispered Mr. Pembroke, shutting his eyes, as if Rickie had made some terrible faux pas. "It will be a very long engagement. He must make his way first. I have seen such endless misery result from people marrying before they have made their way."

"Yes. That is so," said Rickie despondently, thinking of the Silts.

"It's a sad unpalatable truth," said Mr. Pembroke, thinking that the despondency might be personal, "but one must accept it. My sister and Gerald, I am thankful to say, have accepted it, though naturally it has been a little pill."

Their cab lurched round the corner as he spoke, and the two patients came in sight. Agnes was leaning over the creosoted garden-gate, and behind her there stood a young man who had the figure of a Greek athlete and the face of an English one. He was fair and cleanshaven, and his colourless hair was cut rather short. The sun was in his eyes, and they, like his mouth, seemed scarcely more than slits in his healthy skin. Just where he began to be beautiful the clothes started. Round his neck went an up-and-down collar and a mauve-and-gold tie, and the rest of his limbs were hidden by a grey lounge suit, carefully creased in the right places.

"Lovely! Lovely!" cried Agnes, banging on the gate, "Your train must have been to the minute."

"Hullo!" said the athlete, and vomited with the greeting a cloud of tobacco-smoke. It must have been imprisoned in his mouth some time, for no pipe was visible.

"Hullo!" returned Rickie, laughing violently. They shook hands.

"Where are you going, Rickie?" asked Agnes. "You aren't grubby. Why don't you stop? Gerald, get the large wicker-chair. Herbert has letters, but we can sit here till lunch. It's like spring."

The garden of Shelthorpe was nearly all in front an unusual and pleasant arrangement. The front gate and the servants' entrance were both at the side, and in the remaining space the gardener had contrived a little lawn where one could sit concealed from the road by a fence, from the neighbour by a fence, from the house by a tree, and from the path by a bush.

"This is the lovers' bower," observed Agnes, sitting down on the bench. Rickie stood by her till the chair arrived.

"Are you smoking before lunch?" asked Mr. Dawes.

"No, thank you. I hardly ever smoke."

"No vices. Aren't you at Cambridge now?"

"Yes."

"What's your college?"

Rickie told him.

"Do you know Carruthers?"

"Rather!"

"I mean A. P. Carruthers, who got his socker blue."

"Rather! He's secretary to the college musical society."

"A. P. Carruthers?"

"Yes."

Mr. Dawes seemed offended. He tapped on his teeth, and remarked that the weather bad no business to be so warm in winter. "But it was fiendish before Christmas," said Agnes.

He frowned, and asked, "Do you know a man called Gerrish?"

"No."

"Ah."

"Do you know James?"

"Never heard of him."

"He's my year too. He got a blue for hockey his second term."

"I know nothing about the 'Varsity."

Rickie winced at the abbreviation "'Varsity." It was at that time the proper thing to speak of "the University."

"I haven't the time," pursued Mr. Dawes.

"No, no," said Rickie politely.

"I had the chance of being an Undergrad, myself, and, by Jove, I'm thankful I didn't!"

"Why?" asked Agnes, for there was a pause.

"Puts you back in your profession. Men who go there first, before the Army, start hopelessly behind. The same with the Stock Exchange or Painting. I know men in both, and they've never caught up the time they lost in the 'Varsity—unless, of course, you turn parson."

"I love Cambridge," said she. "All those glorious buildings, and every one so happy and running in and out of each other's rooms all day long."

"That might make an Undergrad happy, but I beg leave to state it wouldn't me. I haven't four years to throw away for the sake of being called a 'Varsity man and hobnobbing with Lords."

Rickie was prepared to find his old schoolfellow ungrammatical and bumptious, but he was not prepared to find him peevish. Athletes, he believed, were simple, straightforward people, cruel and brutal if you like, but never petty. They knocked you down and hurt you, and then went on their way rejoicing. For this, Rickie thought, there is something to be said: he had escaped the sin of despising the physically strong—a sin against which the physically weak must guard. But here was Dawes returning again and again to the subject of the University, full of transparent jealousy and petty spite, nagging, nagging, nagging, like a maiden lady who has not been invited to a tea-party. Rickie wondered whether, after all, Ansell and the extremists might not be right, and bodily beauty and strength be signs of the soul's damnation.

He glanced at Agnes. She was writing down some orderings for the tradespeople on a piece of paper. Her handsome face was intent on the work. The bench on which she and Gerald were sitting had no back, but she sat as straight as a dart. He, though strong enough to sit straight, did not take the trouble.

"Why don't they talk to each other?" thought Rickie.

"Gerald, give this paper to the cook."

"I can give it to the other slavey, can't I?"

"She'd be dressing."

"Well, there's Herbert."

"He's busy. Oh, you know where the kitchen is. Take it to the cook."

He disappeared slowly behind the tree.

"What do you think of him?" she immediately asked. He murmured civilly.

"Has he changed since he was a schoolboy?"

"In a way."

"Do tell me all about him. Why won't you?"

She might have seen a flash of horror pass over Rickie's face. The horror disappeared, for, thank God, he was now a man, whom civilization protects. But he and Gerald had met, as it were, behind the scenes, before our decorous drama opens, and there the elder boy had done things to him—absurd things, not worth chronicling separately. An apple-pie bed is nothing; pinches, kicks, boxed ears, twisted arms, pulled hair, ghosts at night, inky books, befouled photographs, amount to very little by themselves. But let them be united and continuous, and you have a hell that no grown-up devil can devise. Between Rickie and Gerald there lay a shadow that darkens life more often than we suppose. The bully and his victim never quite forget their first relations. They meet in clubs and country houses, and clap one another on the back; but in both the memory is green of a more strenuous day, when they were boys together.

He tried to say, "He was the right kind of boy, and I was the wrong kind." But Cambridge would not let him smooth the situation over by self-belittlement. If he had been the wrong kind of boy, Gerald had been a worse kind. He murmured, "We are different, very," and Miss Pembroke, perhaps suspecting something, asked no more. But she kept to the subject of Mr. Dawes, humorously depreciating her lover and discussing him without reverence. Rickie laughed, but felt uncomfortable. When people were engaged, he felt that they should be outside criticism. Yet here he was criticizing. He could not help it. He was dragged in.

"I hope his ankle is better."

"Never was bad. He's always fussing over something."

"He plays next week in a match, I think Herbert says."

"I dare say he does."

"Shall we be going?"

"Pray go if you like. I shall stop at home. I've had enough of cold feet."

It was all very colourless and odd.

Gerald returned, saying, "I can't stand your cook. What's she want to ask me questions for? I can't stand talking to servants. I say, 'If I speak to you, well and good'—and it's another thing besides if she were pretty."

"Well, I hope our ugly cook will have lunch ready in a minute," said Agnes. "We're frightfully unpunctual this morning, and I daren't say anything, because it was the same yesterday, and if I complain again they might leave. Poor Rickie must be starved."

"Why, the Silts gave me all these sandwiches and I've never eaten them. They always stuff one."

"And you thought you'd better, eh?" said Mr. Dawes, "in case you weren't stuffed here."

Miss Pembroke, who house-kept somewhat economically, looked annoyed.

The voice of Mr. Pembroke was now heard calling from the house, "Frederick! Frederick! My dear boy, pardon me. It was an important letter about the Church Defence, otherwise—. Come in and see your room."

He was glad to quit the little lawn. He had learnt too much there. It was dreadful: they did not love each other. More dreadful even than the case of his father and mother, for they, until they married, had got on pretty well. But this man was already rude and brutal and cold: he was still the school bully who twisted up the arms of little boys, and ran pins into them at chapel, and struck them in the stomach when they were swinging on the horizontal bar. Poor Agnes; why ever had she done it? Ought not somebody to interfere?

He had forgotten his sandwiches, and went back to get them.

Gerald and Agnes were locked in each other's arms.

He only looked for a moment, but the sight burnt into his brain. The man's grip was the stronger. He had drawn the woman on to his knee, was pressing her, with all his strength, against him. Already her hands slipped off him, and she whispered, "Don't you hurt—" Her face had no expression. It stared at the intruder and never saw him. Then her lover kissed it, and immediately it shone with mysterious beauty, like some star.

Rickie limped away without the sandwiches, crimson and afraid. He thought, "Do such things actually happen?" and he seemed to be looking down coloured valleys. Brighter they glowed, till gods of pure flame were born in them, and then he was looking at pinnacles of virgin snow. While Mr. Pembroke talked, the riot of fair images increased.

They invaded his being and lit lamps at unsuspected shrines. Their orchestra commenced in that suburban house, where he had to stand aside for the maid to carry in the luncheon. Music flowed past him like a river. He stood at the springs of creation and heard the primeval monotony. Then an obscure instrument gave out a little phrase.

The river continued unheeding. The phrase was repeated and a listener might know it was a fragment of the Tune of tunes. Nobler instruments accepted it, the clarionet protected, the brass encouraged, and it rose to the surface to the whisper of violins. In full unison was Love born, flame of the flame, flushing the dark river beneath him and the virgin snows above. His wings were infinite, his youth eternal; the sun was a jewel on his finger as he passed it in benediction over the world. Creation, no longer monotonous, acclaimed him, in widening melody, in brighter radiances. Was Love a column of fire? Was he a torrent of song? Was he greater than either—the touch of a man on a woman?

It was the merest accident that Rickie had not been disgusted. But this he could not know.

Mr. Pembroke, when he called the two dawdlers into lunch, was aware of a hand on his arm and a voice that murmured, "Don't—they may be happy."

He stared, and struck the gong. To its music they approached, priest and high priestess.

"Rickie, can I give these sandwiches to the boot boy?" said the one. "He would love them."

"The gong! Be quick! The gong!"

"Are you smoking before lunch?" said the other.

But they had got into heaven, and nothing could get them out of it. Others might think them surly or prosaic. He knew. He could remember every word they spoke. He would treasure every motion, every glance of either, and so in time to come, when the gates of heaven had shut, some faint radiance, some echo of wisdom might remain with him outside.

As a matter of fact, he saw them very little during his visit. He checked himself because he was unworthy. What right had he to pry, even in the spirit, upon their bliss? It was no crime to have seen them on the lawn. It would be a crime to go to it again. He tried to keep himself and his thoughts away, not because he was ascetic, but because they would not like it if they knew. This behaviour of his suited them admirably. And when any gracious little thing occurred to them—any little thing that his sympathy had contrived and allowed—they put it down to chance or to each other.

So the lovers fall into the background. They are part of the distant sunrise, and only the mountains speak to them. Rickie talks to Mr. Pembroke, amidst the unlit valleys of our over-habitable world.

IV

Sawston School had been founded by a tradesman in the seventeenth century. It was then a tiny grammar-school in a tiny town, and the City Company who governed it had to drive half a day through the woods and heath on the occasion of their annual visit. In the twentieth century they still drove, but only from the railway station; and found themselves not in a tiny town, nor yet in a large one, but amongst innumerable residences, detached and semi-detached, which had gathered round the school. For the intentions of the founder had been altered, or at all events amplified, instead of educating the "poore of my home," he now educated the upper classes of England. The change had taken place not so very far back. Till the nineteenth century the grammar-school was still composed of day scholars from the neighbourhood. Then two things happened. Firstly, the school's property rose in value, and it became rich. Secondly, for no obvious reason, it suddenly emitted a quantity of bishops. The bishops, like the stars from a Roman candle, were all colours, and flew in all directions, some high, some low, some to distant colonies, one into the Church of Rome. But many a father traced their course in the papers; many a mother wondered whether her son, if properly ignited, might not burn as bright; many a family moved to the place where living and education were so cheap, where day-boys were not looked down upon, and where the orthodox and the up-to-date were said to be combined. The school doubled its numbers. It built new class-rooms, laboratories and a gymnasium. It dropped the prefix "Grammar." It coaxed the sons of the local tradesmen into a new foundation, the "Commercial School," built a couple of miles away. And it started boarding-houses. It had not the gracious antiquity of Eton or Winchester, nor, on the other hand, had it a conscious policy like Lancing, Wellington, and other purely modern foundations. Where tradition served, it clung to them. Where new departures seemed desirable, they were made. It aimed at producing the average Englishman, and, to a very great extent, it succeeded.

Here Mr. Pembroke passed his happy and industrious life. His technical position was that of master to a form low down on the Modern Side. But his work lay elsewhere. He organized. If no organization existed, he would create one. If one did exist, he would modify it. "An organization," he would say, "is after all not an end in itself. It must contribute to a movement." When one good custom seemed likely to corrupt the school, he was ready with another; he believed that without innumerable customs there was no safety, either for boys or men.

Perhaps he is right, and always will be right. Perhaps each of us would go to ruin if for one short hour we acted as we thought fit, and attempted the service of perfect freedom. The school caps, with their elaborate symbolism, were his; his the many-tinted bathing-drawers, that showed how far a boy could swim; his the hierarchy of jerseys and blazers. It was he who instituted Bounds, and call, and the two sorts of exercise-paper, and the three sorts of caning, and "The Sawtonian," a bi-terminal magazine. His plump finger was in every pie. The dome of his skull, mild but impressive, shone at every master's meeting. He was generally acknowledged to be the coming man.

His last achievement had been the organization of the day-boys. They had been left too much to themselves, and were weak in esprit de corps; they were apt to regard home, not school, as the most important thing in their lives. Moreover, they got out of their parents' hands; they did their preparation any time and some times anyhow. They shirked games, they were out at all hours, they ate what they should not, they smoked, they bicycled on the asphalt. Now all was over. Like boarders, they were to be in at 7:15 P.M., and were not allowed out after unless with a written order from their parent or guardian; they, too, must work at fixed hours in the evening, and before breakfast next morning from 7 to 8. Games were compulsory. They must not go to parties in term time. They must keep to bounds. Of course the reform was not complete. It was impossible to control the dieting, though, on a printed circular, day-parents were implored to provide simple food. And it is also believed that some mothers disobeyed the rule about preparation, and allowed their sons to do all the work over-night and have a longer sleep in the morning. But the gulf between day-boys and boarders was considerably lessened, and grew still narrower when the day-boys too were organized into a House with house-master and colours of their own. "Through the House," said Mr. Pembroke, "one learns patriotism for the school, just as through the school one learns patriotism for the country. Our only course, therefore, is to organize the day-boys into a House." The headmaster agreed, as he often did, and the new community was formed. Mr. Pembroke, to avoid the tongues of malice, had refused the post of house-master for himself, saying to Mr. Jackson, who taught the sixth, "You keep too much in the background. Here is a chance for you." But this was a failure. Mr. Jackson, a scholar and a student, neither felt nor conveyed any enthusiasm, and when confronted with his House, would say, "Well, I don't know what we're all here for. Now I should think you'd better go home to your mothers." He returned to his background, and next term Mr. Pembroke was to take his place.

Such were the themes on which Mr. Pembroke discoursed to Rickie's civil ear. He showed him the school, and the library, and the subterranean hall where the day-boys might leave their coats and caps, and where, on festal occasions, they supped. He showed him Mr. Jackson's pretty house, and whispered, "Were it not for his brilliant intellect, it would be a case of Quickmarch!" He showed him the racquet-court, happily completed, and the chapel, unhappily still in need of funds. Rickie was impressed, but then he was impressed by everything. Of course a House of day-boys seemed a little shadowy after Agnes and Gerald, but he imparted some reality even to that.

"The racquet-court," said Mr. Pembroke, "is most gratifying. We never expected to manage it this year. But before the Easter holidays every boy received a subscription card, and was given to understand that he must collect thirty shillings. You will scarcely believe me, but they nearly all responded. Next term there was a dinner in the great school, and all who had collected, not thirty shillings, but as much as a pound, were invited to it—for naturally one was not precise for a few shillings, the response being the really valuable thing. Practically the whole school had to come."

"They must enjoy the court tremendously."

"Ah, it isn't used very much. Racquets, as I daresay you know, is rather an expensive game. Only the wealthier boys play—and I'm sorry to say that it is not of our wealthier boys that we are always the proudest. But the point is that no public school can be called first-class until it has one. They are building them right and left."

"And now you must finish the chapel?"

"Now we must complete the chapel." He paused reverently, and said, "And here is a fragment of the original building." Rickie at once had a rush of sympathy. He, too, looked with reverence at the morsel of Jacobean brickwork, ruddy and beautiful amidst the machine-squared stones of the modern apse. The two men, who had so little in common, were thrilled with patriotism. They rejoiced that their country was great, noble, and old.

"Thank God I'm English," said Rickie suddenly.

"Thank Him indeed," said Mr. Pembroke, laying a hand on his back.

"We've been nearly as great as the Greeks, I do believe. Greater, I'm sure, than the Italians, though they did get closer to beauty. Greater than the French, though we do take all their ideas. I can't help thinking that England is immense. English literature certainly."

Mr. Pembroke removed his hand. He found such patriotism somewhat craven. Genuine patriotism comes only from the heart. It knows no parleying with reason. English ladies will declare abroad that there are no fogs in London, and Mr. Pembroke, though he would not go to this, was only restrained by the certainty of being found out. On this occasion he remarked that the Greeks lacked spiritual insight, and had a low conception of woman.

"As to women—oh! there they were dreadful," said Rickie, leaning his hand on the chapel. "I realize that more and more. But as to spiritual insight, I don't quite like to say; and I find Plato too difficult, but I know men who don't, and I fancy they mightn't agree with you."

"Far be it from me to disparage Plato. And for philosophy as a whole I have the greatest respect. But it is the crown of a man's education, not the foundation. Myself, I read it with the utmost profit, but I have known endless trouble result from boys who attempt it too soon, before they were set."

"But if those boys had died first," cried Rickie with sudden vehemence, "without knowing what there is to know—"

"Or isn't to know!" said Mr. Pembroke sarcastically.

"Or what there isn't to know. Exactly. That's it."

"My dear Rickie, what do you mean? If an old friend may be frank, you are talking great rubbish." And, with a few well-worn formulae, he propped up the young man's orthodoxy. The props were unnecessary. Rickie had his own equilibrium. Neither the Revivalism that assails a boy at about the age of fifteen, nor the scepticism that meets him five years later, could sway him from his allegiance to the church into which he had been born. But his equilibrium was personal, and the secret of it useless to others. He desired that each man should find his own.

"What does philosophy do?" the propper continued. "Does it make a man happier in life? Does it make him die more peacefully? I fancy that in the long-run Herbert Spencer will get no further than the rest of us. Ah, Rickie! I wish you could move among the school boys, and see their healthy contempt for all they cannot touch!" Here he was going too far, and had to add, "Their spiritual capacities, of course, are another matter." Then he remembered the Greeks, and said, "Which proves my original statement."

Submissive signs, as of one propped, appeared in Rickie's face. Mr. Pembroke then questioned him about the men who found Plato not difficult. But here he kept silence, patting the school chapel gently, and presently the conversation turned to topics with which they were both more competent to deal.

"Does Agnes take much interest in the school?"

"Not as much as she did. It is the result of her engagement. If our naughty soldier had not carried her off, she might have made an ideal schoolmaster's wife. I often chaff him about it, for he a little despises the intellectual professions. Natural, perfectly natural. How can a man who faces death feel as we do towards mensa or tupto?"

"Perfectly true. Absolutely true."

Mr. Pembroke remarked to himself that Frederick was improving.

"If a man shoots straight and hits straight and speaks straight, if his heart is in the right place, if he has the instincts of a Christian and a gentleman—then I, at all events, ask no better husband for my sister."

"How could you get a better?" he cried. "Do you remember the thing in 'The Clouds'?" And he quoted, as well as he could, from the invitation of the Dikaios Logos, the description of the young Athenian, perfect in body, placid in mind, who neglects his work at the Bar and trains all day among the woods and meadows, with a garland on his head and a friend to set the pace; the scent of new leaves is upon them; they rejoice in the freshness of spring; over their heads the plane-tree whispers to the elm, perhaps the most glorious invitation to the brainless life that has ever been given.

"Yes, yes," said Mr. Pembroke, who did not want a brother-in-law out of Aristophanes. Nor had he got one, for Mr. Dawes would not have bothered over the garland or noticed the spring, and would have complained that the friend ran too slowly or too fast.

"And as for her—!" But he could think of no classical parallel for Agnes. She slipped between examples. A kindly Medea, a Cleopatra with a sense of duty—these suggested her a little. She was not born in Greece, but came overseas to it—a dark, intelligent princess. With all her splendour, there were hints of splendour still hidden—hints of an older, richer, and more mysterious land. He smiled at the idea of her being "not there." Ansell, clever as he was, had made a bad blunder. She had more reality than any other woman in the world.

Mr. Pembroke looked pleased at this boyish enthusiasm. He was fond of his sister, though he knew her to be full of faults. "Yes, I envy her," he said. "She has found a worthy helpmeet for life's journey, I do believe. And though they chafe at the long engagement, it is a blessing in disguise. They learn to know each other thoroughly before contracting more intimate ties."

Rickie did not assent. The length of the engagement seemed to him unspeakably cruel. Here were two people who loved each other, and they could not marry for years because they had no beastly money. Not all Herbert's pious skill could make this out a blessing. It was bad enough being "so rich" at the Silts; here he was more ashamed of it than ever. In a few weeks he would come of age and his money be his own. What a pity things were so crookedly arranged. He did not want money, or at all events he did not want so much.

"Suppose," he meditated, for he became much worried over this,—"suppose I had a hundred pounds a year less than I shall have. Well, I should still have enough. I don't want anything but food, lodging, clothes, and now and then a railway fare. I haven't any tastes. I don't collect anything or play games. Books are nice to have, but after all there is Mudie's, or if it comes to that, the Free Library. Oh, my profession! I forgot I shall have a profession. Well, that will leave me with more to spare than ever." And he supposed away till he lost touch with the world and with what it permits, and committed an unpardonable sin.

It happened towards the end of his visit—another airless day of that mild January. Mr. Dawes was playing against a scratch team of cads, and had to go down to the ground in the morning to settle something. Rickie proposed to come too.

Hitherto he had been no nuisance. "You will be frightfully bored," said Agnes, observing the cloud on her lover's face. "And Gerald walks like a maniac."

"I had a little thought of the Museum this morning," said Mr. Pembroke. "It is very strong in flint arrow-heads."

"Ah, that's your line, Rickie. I do envy you and Herbert the way you enjoy the past."

"I almost think I'll go with Dawes, if he'll have me. I can walk quite fast just to the ground and back. Arrowheads are wonderful, but I don't really enjoy them yet, though I hope I shall in time."

Mr. Pembroke was offended, but Rickie held firm.

In a quarter of an hour he was back at the house alone, nearly crying.

"Oh, did the wretch go too fast?" called Miss Pembroke from her bedroom window.

"I went too fast for him." He spoke quite sharply, and before he had time to say he was sorry and didn't mean exactly that, the window had shut.

"They've quarrelled," she thought. "Whatever about?"

She soon heard. Gerald returned in a cold stormy temper. Rickie had offered him money.

"My dear fellow don't be so cross. The child's mad."

"If it was, I'd forgive that. But I can't stand unhealthiness."

"Now, Gerald, that's where I hate you. You don't know what it is to pity the weak."

"Woman's job. So you wish I'd taken a hundred pounds a year from him. Did you ever hear such blasted cheek? Marry us—he, you, and me—a hundred pounds down and as much annual—he, of course, to pry into all we did, and we to kowtow and eat dirt-pie to him. If that's Mr. Rickety Elliot's idea of a soldier and an Englishman, it isn't mine, and I wish I'd had a horse-whip."

She was roaring with laughter. "You're babies, a pair of you, and you're the worst. Why couldn't you let the little silly down gently? There he was puffing and sniffing under my window, and I thought he'd insulted you. Why didn't you accept?"

"Accept?" he thundered.

"It would have taken the nonsense out of him for ever. Why, he was only talking out of a book."

"More fool he."

"Well, don't be angry with a fool. He means no harm. He muddles all day with poetry and old dead people, and then tries to bring it into life. It's too funny for words."

Gerald repeated that he could not stand unhealthiness.

"I don't call that exactly unhealthy."

"I do. And why he could give the money's worse."

"What do you mean?"

He became shy. "I hadn't meant to tell you. It's not quite for a lady." For, like most men who are rather animal, he was intellectually a prude. "He says he can't ever marry, owing to his foot. It wouldn't be fair to posterity. His grandfather was crocked, his father too, and he's as bad. He thinks that it's hereditary, and may get worse next generation. He's discussed it all over with other Undergrads. A bright lot they must be. He daren't risk having any children. Hence the hundred quid."

She stopped laughing. "Oh, little beast, if he said all that!"

He was encouraged to proceed. Hitherto he had not talked about their school days. Now he told her everything,—the "barley-sugar," as he called it, the pins in chapel, and how one afternoon he had tied him head-downward on to a tree trunk and then ran away—of course only for a moment.

For this she scolded him well. But she had a thrill of joy when she thought of the weak boy in the clutches of the strong one.

V

Gerald died that afternoon. He was broken up in the football match. Rickie and Mr. Pembroke were on the ground when the accident took place. It was no good torturing him by a drive to the hospital, and he was merely carried to the little pavilion and laid upon the floor. A doctor came, and so did a clergyman, but it seemed better to leave him for the last few minutes with Agnes, who had ridden down on her bicycle.

It was a strange lamentable interview. The girl was so accustomed to health, that for a time she could not understand. It must be a joke that he chose to lie there in the dust, with a rug over him and his knees bent up towards his chin. His arms were as she knew them, and their admirable muscles showed clear and clean beneath the jersey. The face, too, though a little flushed, was uninjured: it must be some curious joke.

"Gerald, what have you been doing?"

He replied, "I can't see you. It's too dark."

"Oh, I'll soon alter that," she said in her old brisk way. She opened the pavilion door. The people who were standing by it moved aside. She saw a deserted meadow, steaming and grey, and beyond it slateroofed cottages, row beside row, climbing a shapeless hill. Towards London the sky was yellow. "There. That's better." She sat down by him again, and drew his hand into her own. "Now we are all right, aren't we?"

"Where are you?"

This time she could not reply.

"What is it? Where am I going?"

"Wasn't the rector here?" said she after a silence.

"He explained heaven, and thinks that I—but—I couldn't tell a parson; but I don't seem to have any use for any of the things there."

"We are Christians," said Agnes shyly. "Dear love, we don't talk about these things, but we believe them. I think that you will get well and be as strong again as ever; but, in any case, there is a spiritual life, and we know that some day you and I—"

"I shan't do as a spirit," he interrupted, sighing pitifully. "I want you as I am, and it cannot be managed. The rector had to say so. I want—I don't want to talk. I can't see you. Shut that door."

She obeyed, and crept into his arms. Only this time her grasp was the stronger. Her heart beat louder and louder as the sound of his grew more faint. He was crying like a little frightened child, and her lips were wet with his tears. "Bear it bravely," she told him.

"I can't," he whispered. "It isn't to be done. I can't see you," and passed from her trembling with open eyes.

She rode home on her bicycle, leaving the others to follow. Some ladies who did not know what had happened bowed and smiled as she passed, and she returned their salute.

"Oh, miss, is it true?" cried the cook, her face streaming with tears.

Agnes nodded. Presumably it was true. Letters had just arrived: one was for Gerald from his mother. Life, which had given them no warning, seemed to make no comment now. The incident was outside nature, and would surely pass away like a dream. She felt slightly irritable, and the grief of the servants annoyed her.

They sobbed. "Ah, look at his marks! Ah, little he thought—little he thought!" In the brown holland strip by the front door a heavy football boot had left its impress. They had not liked Gerald, but he was a man, they were women, he had died. Their mistress ordered them to leave her.

For many minutes she sat at the foot of the stairs, rubbing her eyes. An obscure spiritual crisis was going on.

Should she weep like the servants? Or should she bear up and trust in the consoler Time? Was the death of a man so terrible after all? As she invited herself to apathy there were steps on the gravel, and Rickie Elliot burst in. He was splashed with mud, his breath was gone, and his hair fell wildly over his meagre face. She thought, "These are the people who are left alive!" From the bottom of her soul she hated him.

"I came to see what you're doing," he cried.

"Resting."

He knelt beside her, and she said, "Would you please go away?"

"Yes, dear Agnes, of course; but I must see first that you mind." Her breath caught. Her eves moved to the treads, going outwards, so firmly, so irretrievably.

He panted, "It's the worst thing that can ever happen to you in all your life, and you've got to mind it you've got to mind it. They'll come saying, 'Bear up trust to time.' No, no; they're wrong. Mind it."

Through all her misery she knew that this boy was greater than they supposed. He rose to his feet, and with intense conviction cried: "But I know—I understand. It's your death as well as his. He's gone, Agnes, and his arms will never hold you again. In God's name, mind such a thing, and don't sit fencing with your soul. Don't stop being great; that's the one crime he'll never forgive you."

She faltered, "Who—who forgives?"

"Gerald."

At the sound of his name she slid forward, and all her dishonesty left her. She acknowledged that life's meaning had vanished. Bending down, she kissed the footprint. "How can he forgive me?" she sobbed. "Where has he gone to? You could never dream such an awful thing. He couldn't see me though I opened the door—wide—plenty of light; and then he could not remember the things that should comfort him. He wasn't a—he wasn't ever a great reader, and he couldn't remember the things. The rector tried, and he couldn't—I came, and I couldn't—" She could not speak for tears. Rickie did not check her. He let her accuse herself, and fate, and Herbert, who had postponed their marriage. She might have been a wife six months; but Herbert had spoken of self-control and of all life before them. He let her kiss the footprints till their marks gave way to the marks of her lips. She moaned. "He is gone—where is he?" and then he replied quite quietly, "He is in heaven."

She begged him not to comfort her; she could not bear it.

"I did not come to comfort you. I came to see that you mind. He is in heaven, Agnes. The greatest thing is over."

Her hatred was lulled. She murmured, "Dear Rickie!" and held up her hand to him. Through her tears his meagre face showed as a seraph's who spoke the truth and forbade her to juggle with her soul. "Dear Rickie—but for the rest of my life what am I to do?"

"Anything—if you remember that the greatest thing is over."

"I don't know you," she said tremulously. "You have grown up in a moment. You never talked to us, and yet you understand it all. Tell me again—I can only trust you—where he is."

"He is in heaven."

"You are sure?"

It puzzled her that Rickie, who could scarcely tell you the time without a saving clause, should be so certain about immortality.

VI

He did not stop for the funeral. Mr. Pembroke thought that he had a bad effect on Agnes, and prevented her from acquiescing in the tragedy as rapidly as she might have done. As he expressed it, "one must not court sorrow," and he hinted to the young man that they desired to be alone.

Rickie went back to the Silts.

He was only there a few days. As soon as term opened he returned to Cambridge, for which he longed passionately. The journey thither was now familiar to him, and he took pleasure in each landmark. The fair valley of Tewin Water, the cutting into Hitchin where the train traverses the chalk, Baldock Church, Royston with its promise of downs, were nothing in themselves, but dear as stages in the pilgrimage towards the abode of peace. On the platform he met friends. They had all had pleasant vacations: it was a happy world. The atmosphere alters.

Cambridge, according to her custom, welcomed her sons with open drains. Pettycury was up, so was Trinity Street, and navvies peeped out of King's Parade. Here it was gas, there electric light, but everywhere something, and always a smell. It was also the day that the wheels fell off the station tram, and Rickie, who was naturally inside, was among the passengers who "sustained no injury but a shock, and had as hearty a laugh over the mishap afterwards as any one."

Tilliard fled into a hansom, cursing himself for having tried to do the thing cheaply. Hornblower also swept past yelling derisively, with his luggage neatly piled above his head. "Let's get out and walk," muttered Ansell. But Rickie was succouring a distressed female—Mrs. Aberdeen.

"Oh, Mrs. Aberdeen, I never saw you: I am so glad to see you—I am so very glad." Mrs. Aberdeen was cold. She did not like being spoken to outside the college, and was also distrait about her basket. Hitherto no genteel eye had even seen inside it, but in the collision its little calico veil fell off, and there was revealed—nothing. The basket was empty, and never would hold anything illegal. All the same she was distrait, and "We shall meet later, sir, I dessy," was all the greeting Rickie got from her.

"Now what kind of a life has Mrs. Aberdeen?" he exclaimed, as he and Ansell pursued the Station Road. "Here these bedders come and make us comfortable. We owe an enormous amount to them, their wages are absurd, and we know nothing about them. Off they go to Barnwell, and then their lives are hidden. I just know that Mrs. Aberdeen has a husband, but that's all. She never will talk about him. Now I do so want to fill in her life. I see one-half of it. What's the other half? She may have a real jolly house, in good taste, with a little garden and books, and pictures. Or, again, she mayn't. But in any case one ought to know. I know she'd dislike it, but she oughtn't to dislike. After all, bedders are to blame for the present lamentable state of things, just as much as gentlefolk. She ought to want me to come. She ought to introduce me to her husband."

They had reached the corner of Hills Road. Ansell spoke for the first time. He said, "Ugh!"

"Drains?"

"Yes. A spiritual cesspool."

Rickie laughed.

"I expected it from your letter."

"The one you never answered?"

"I answer none of your letters. You are quite hopeless by now. You can go to the bad. But I refuse to accompany you. I refuse to believe that every human being is a moving wonder of supreme interest and tragedy and beauty—which was what the letter in question amounted to. You'll find plenty who will believe it. It's a very popular view among people who are too idle to think; it saves them the trouble of detecting the beautiful from the ugly, the interesting from the dull, the tragic from the melodramatic. You had just come from Sawston, and were apparently carried away by the fact that Miss Pembroke had the usual amount of arms and legs."

Rickie was silent. He had told his friend how he felt, but not what had happened. Ansell could discuss love and death admirably, but somehow he would not understand lovers or a dying man, and in the letter there had been scant allusion to these concrete facts. Would Cambridge understand them either? He watched some dons who were peeping into an excavation, and throwing up their hands with humorous gestures of despair. These men would lecture next week on Catiline's conspiracy, on Luther, on Evolution, on Catullus. They dealt with so much and they had experienced so little. Was it possible he would ever come to think Cambridge narrow? In his short life Rickie had known two sudden deaths, and that is enough to disarrange any placid outlook on the world. He knew once for all that we are all of us bubbles on an extremely rough sea. Into this sea humanity has built, as it were, some little breakwaters—scientific knowledge, civilized restraint—so that the bubbles do not break so frequently or so soon. But the sea has not altered, and it was only a chance that he, Ansell, Tilliard, and Mrs. Aberdeen had not all been killed in the tram.

They waited for the other tram by the Roman Catholic Church, whose florid bulk was already receding into twilight. It is the first big building that the incoming visitor sees. "Oh, here come the colleges!" cries the Protestant parent, and then learns that it was built by a Papist who made a fortune out of movable eyes for dolls. "Built out of doll's eyes to contain idols"—that, at all events, is the legend and the joke. It watches over the apostate city, taller by many a yard than anything within, and asserting, however wildly, that here is eternity, stability, and bubbles unbreakable upon a windless sea.

A costly hymn tune announced five o'clock, and in the distance the more lovable note of St. Mary's could be heard, speaking from the heart of the town. Then the tram arrived—the slow stuffy tram that plies every twenty minutes between the unknown and the marketplace—and took them past the desecrated grounds of Downing, past Addenbrookes Hospital, girt like a Venetian palace with a mantling canal, past the Fitz William, towering upon immense substructions like any Roman temple, right up to the gates of one's own college, which looked like nothing else in the world. The porters were glad to see them, but wished it had been a hansom. "Our luggage," explained Rickie, "comes in the hotel omnibus, if you would kindly pay a shilling for mine." Ansell turned aside to some large lighted windows, the abode of a hospitable don, and from other windows there floated familiar voices and the familiar mistakes in a Beethoven sonata. The college, though small, was civilized, and proud of its civilization. It was not sufficient glory to be a Blue there, nor an additional glory to get drunk. Many a maiden lady who had read that Cambridge men were sad dogs, was surprised and perhaps a little disappointed at the reasonable life which greeted her. Miss Appleblossom in particular had had a tremendous shock. The sight of young fellows making tea and drinking water had made her wonder whether this was Cambridge College at all. "It is so," she exclaimed afterwards. "It is just as I say; and what's more, I wouldn't have it otherwise; Stewart says it's as easy as easy to get into the swim, and not at all expensive." The direction of the swim was determined a little by the genius of the place—for places have a genius, though the less we talk about it the better—and a good deal by the tutors and resident fellows, who treated with rare dexterity the products that came up yearly from the public schools. They taught the perky boy that he was not everything, and the limp boy that he might be something. They even welcomed those boys who were neither limp nor perky, but odd—those boys who had never been at a public school at all, and such do not find a welcome everywhere. And they did everything with ease—one might almost say with nonchalance, so that the boys noticed nothing, and received education, often for the first time in their lives.

But Rickie turned to none of these friends, for just then he loved his rooms better than any person. They were all he really possessed in the world, the only place he could call his own. Over the door was his name, and through the paint, like a grey ghost, he could still read the name of his predecessor. With a sigh of joy he entered the perishable home that was his for a couple of years. There was a beautiful fire, and the kettle boiled at once. He made tea on the hearth-rug and ate the biscuits which Mrs. Aberdeen had brought for him up from Anderson's. "Gentlemen," she said, "must learn to give and take." He sighed again and again, like one who had escaped from danger. With his head on the fender and all his limbs relaxed, he felt almost as safe as he felt once when his mother killed a ghost in the passage by carrying him through it in her arms. There was no ghost now; he was frightened at reality; he was frightened at the splendours and horrors of the world.

A letter from Miss Pembroke was on the table. He did not hurry to open it, for she, and all that she did, was overwhelming. She wrote like the Sibyl; her sorrowful face moved over the stars and shattered their harmonies; last night he saw her with the eyes of Blake, a virgin widow, tall, veiled, consecrated, with her hands stretched out against an everlasting wind. Why should she write? Her letters were not for the likes of him, nor to be read in rooms like his.

"We are not leaving Sawston," she wrote. "I saw how selfish it was of me to risk spoiling Herbert's career. I shall get used to any place. Now that he is gone, nothing of that sort can matter. Every one has been most kind, but you have comforted me most, though you did not mean to. I cannot think how you did it, or understood so much. I still think of you as a little boy with a lame leg,—I know you will let me say this,—and yet when it came to the point you knew more than people who have been all their lives with sorrow and death."

Rickie burnt this letter, which he ought not to have done, for it was one of the few tributes Miss Pembroke ever paid to imagination. But he felt that it did not belong to him: words so sincere should be for Gerald alone. The smoke rushed up the chimney, and he indulged in a vision. He saw it reach the outer air and beat against the low ceiling of clouds. The clouds were too strong for it; but in them was one chink, revealing one star, and through this the smoke escaped into the light of stars innumerable. Then—but then the vision failed, and the voice of science whispered that all smoke remains on earth in the form of smuts, and is troublesome to Mrs. Aberdeen.

"I am jolly unpractical," he mused. "And what is the point of it when real things are so wonderful? Who wants visions in a world that has Agnes and Gerald?" He turned on the electric light and pulled open the table-drawer. There, among spoons and corks and string, he found a fragment of a little story that he had tried to write last term. It was called "The Bay of the Fifteen Islets," and the action took place on St. John's Eve off the coast of Sicily. A party of tourists land on one of the islands. Suddenly the boatmen become uneasy, and say that the island is not generally there. It is an extra one, and they had better have tea on one of the ordinaries. "Pooh, volcanic!" says the leading tourist, and the ladies say how interesting. The island begins to rock, and so do the minds of its visitors. They start and quarrel and jabber. Fingers burst up through the sand-black fingers of sea devils. The island tilts. The tourists go mad. But just before the catastrophe one man, integer vitae scelerisque purus, sees the truth. Here are no devils. Other muscles, other minds, are pulling the island to its subterranean home. Through the advancing wall of waters he sees no grisly faces, no ghastly medieval limbs, but—But what nonsense! When real things are so wonderful, what is the point of pretending?

And so Rickie deflected his enthusiasms. Hitherto they had played on gods and heroes, on the infinite and the impossible, on virtue and beauty and strength. Now, with a steadier radiance, they transfigured a man who was dead and a woman who was still alive.

VII

Love, say orderly people, can be fallen into by two methods: (1) through the desires, (2) through the imagination. And if the orderly people are English, they add that (1) is the inferior method, and characteristic of the South. It is inferior. Yet those who pursue it at all events know what they want; they are not puzzling to themselves or ludicrous to others; they do not take the wings of the morning and fly into the uttermost parts of the sea before walking to the registry office; they cannot breed a tragedy quite like Rickie's.

He is, of course, absurdly young—not twenty-one and he will be engaged to be married at twenty-three. He has no knowledge of the world; for example, he thinks that if you do not want money you can give it to friends who do. He believes in humanity because he knows a dozen decent people. He believes in women because he has loved his mother. And his friends are as young and as ignorant as himself. They are full of the wine of life. But they have not tasted the cup—let us call it the teacup—of experience, which has made men of Mr. Pembroke's type what they are. Oh, that teacup! To be taken at prayers, at friendship, at love, till we are quite sane, efficient, quite experienced, and quite useless to God or man. We must drink it, or we shall die. But we need not drink it always. Here is our problem and our salvation. There comes a moment—God knows when—at which we can say, "I will experience no longer. I will create. I will be an experience." But to do this we must be both acute and heroic. For it is not easy, after accepting six cups of tea, to throw the seventh in the face of the hostess. And to Rickie this moment has not, as yet, been offered.

Ansell, at the end of his third year, got a first in the Moral Science Tripos. Being a scholar, he kept his rooms in college, and at once began to work for a Fellowship. Rickie got a creditable second in the Classical Tripos, Part I., and retired to sallow lodgings in Mill bane, carrying with him the degree of B.A. and a small exhibition, which was quite as much as he deserved. For Part II. he read Greek Archaeology, and got a second. All this means that Ansell was much cleverer than Rickie. As for the cow, she was still going strong, though turning a little academic as the years passed over her.

"We are bound to get narrow," sighed Rickie. He and his friend were lying in a meadow during their last summer term. In his incurable love for flowers he had plaited two garlands of buttercups and cow-parsley, and Ansell's lean Jewish face was framed in one of them. "Cambridge is wonderful, but—but it's so tiny. You have no idea—at least, I think you have no idea—how the great world looks down on it."

"I read the letters in the papers."

"It's a bad look-out."

"How?"

"Cambridge has lost touch with the times."

"Was she ever intended to touch them?"

"She satisfies," said Rickie mysteriously, "neither the professions, nor the public schools, nor the great thinking mass of men and women. There is a general feeling that her day is over, and naturally one feels pretty sick."

"Do you still write short stories?"

"Because your English has gone to the devil. You think and talk in Journalese. Define a great thinking mass."

Rickie sat up and adjusted his floral crown.

"Estimate the worth of a general feeling."

Silence.

"And thirdly, where is the great world?"

"Oh that—!"

"Yes. That," exclaimed Ansell, rising from his couch in violent excitement. "Where is it? How do you set about finding it? How long does it take to get there? What does it think? What does it do? What does it want? Oblige me with specimens of its art and literature." Silence. "Till you do, my opinions will be as follows: There is no great world at all, only a little earth, for ever isolated from the rest of the little solar system. The earth is full of tiny societies, and Cambridge is one of them. All the societies are narrow, but some are good and some are bad—just as one house is beautiful inside and another ugly. Observe the metaphor of the houses: I am coming back to it. The good societies say, `I tell you to do this because I am Cambridge.' The bad ones say, `I tell you to do that because I am the great world, not because I am 'Peckham,' or `Billingsgate,' or `Park Lane,' but `because I am the great world.' They lie. And fools like you listen to them, and believe that they are a thing which does not exist and never has existed, and confuse 'great,' which has no meaning whatever, with 'good,' which means salvation. Look at this great wreath: it'll be dead tomorrow. Look at that good flower: it'll come up again next year. Now for the other metaphor. To compare the world to Cambridge is like comparing the outsides of houses with the inside of a house. No intellectual effort is needed, no moral result is attained. You only have to say, 'Oh, what a difference!' and then come indoors again and exhibit your broadened mind."

"I never shall come indoors again," said Rickie. "That's the whole point." And his voice began to quiver. "It's well enough for those who'll get a Fellowship, but in a few weeks I shall go down. In a few years it'll be as if I've never been up. It matters very much to me what the world is like. I can't answer your questions about it; and that's no loss to you, but so much the worse for me. And then you've got a house—not a metaphorical one, but a house with father and sisters. I haven't, and never shall have. There'll never again be a home for me like Cambridge. I shall only look at the outside of homes. According to your metaphor, I shall live in the street, and it matters very much to me what I find there."

"You'll live in another house right enough," said Ansell, rather uneasily. "Only take care you pick out a decent one. I can't think why you flop about so helplessly, like a bit of seaweed. In four years you've taken as much root as any one."

"Where?"

"I should say you've been fortunate in your friends."

"Oh—that!" But he was not cynical—or cynical in a very tender way. He was thinking of the irony of friendship—so strong it is, and so fragile. We fly together, like straws in an eddy, to part in the open stream. Nature has no use for us: she has cut her stuff differently. Dutiful sons, loving husbands, responsible fathers these are what she wants, and if we are friends it must be in our spare time. Abram and Sarai were sorrowful, yet their seed became as sand of the sea, and distracts the politics of Europe at this moment. But a few verses of poetry is all that survives of David and Jonathan.

"I wish we were labelled," said Rickie. He wished that all the confidence and mutual knowledge that is born in such a place as Cambridge could be organized. People went down into the world saying, "We know and like each other; we shan't forget." But they did forget, for man is so made that he cannot remember long without a symbol; he wished there was a society, a kind of friendship office, where the marriage of true minds could be registered.

"Why labels?"

"To know each other again."

"I have taught you pessimism splendidly." He looked at his watch.

"What time?"

"Not twelve."

Rickie got up.

"Why go?" He stretched out his hand and caught hold of Rickie's ankle.

"I've got that Miss Pembroke to lunch—that girl whom you say never's there."

"Then why go? All this week you have pretended Miss Pembroke awaited you. Wednesday—Miss Pembroke to lunch. Thursday—Miss Pembroke to tea. Now again—and you didn't even invite her."

"To Cambridge, no. But the Hall man they're stopping with has so many engagements that she and her friend can often come to me, I'm glad to say. I don't think I ever told you much, but over two years ago the man she was going to marry was killed at football. She nearly died of grief. This visit to Cambridge is almost the first amusement she has felt up to taking. Oh, they go back tomorrow! Give me breakfast tomorrow."

"All right."

"But I shall see you this evening. I shall be round at your paper on Schopenhauer. Lemme go."

"Don't go," he said idly. "It's much better for you to talk to me."

"Lemme go, Stewart."

"It's amusing that you're so feeble. You—simply—can't—get—away. I wish I wanted to bully you."

Rickie laughed, and suddenly over balanced into the grass. Ansell, with unusual playfulness, held him prisoner. They lay there for few minutes, talking and ragging aimlessly. Then Rickie seized his opportunity and jerked away.

"Go, go!" yawned the other. But he was a little vexed, for he was a young man with great capacity for pleasure, and it pleased him that morning to be with his friend. The thought of two ladies waiting lunch did not deter him; stupid women, why shouldn't they wait? Why should they interfere with their betters? With his ear on the ground he listened to Rickie's departing steps, and thought, "He wastes a lot of time keeping engagements. Why will he be pleasant to fools?" And then he thought, "Why has he turned so unhappy? It isn't as it he's a philosopher, or tries to solve the riddle of existence. And he's got money of his own." Thus thinking, he fell asleep.

Meanwhile Rickie hurried away from him, and slackened and stopped, and hurried again. He was due at the Union in ten minutes, but he could not bring himself there. He dared not meet Miss Pembroke: he loved her.

The devil must have planned it. They had started so gloriously; she had been a goddess both in joy and sorrow. She was a goddess still. But he had dethroned the god whom once he had glorified equally. Slowly, slowly, the image of Gerald had faded. That was the first step. Rickie had thought, "No matter. He will be bright again. Just now all the radiance chances to be in her." And on her he had fixed his eyes. He thought of her awake. He entertained her willingly in dreams. He found her in poetry and music and in the sunset. She made him kind and strong. She made him clever. Through her he kept Cambridge in its proper place, and lived as a citizen of the great world. But one night he dreamt that she lay in his arms. This displeased him. He determined to think a little about Gerald instead. Then the fabric collapsed.

It was hard on Rickie thus to meet the devil. He did not deserve it, for he was comparatively civilized, and knew that there was nothing shameful in love. But to love this woman! If only it had been any one else! Love in return—that he could expect from no one, being too ugly and too unattractive. But the love he offered would not then have been vile. The insult to Miss Pembroke, who was consecrated, and whom he had consecrated, who could still see Gerald, and always would see him, shining on his everlasting throne this was the crime from the devil, the crime that no penance would ever purge. She knew nothing. She never would know. But the crime was registered in heaven.

He had been tempted to confide in Ansell. But to what purpose? He would say, "I love Miss Pembroke." and Stewart would reply, "You ass." And then. "I'm never going to tell her." "You ass," again. After all, it was not a practical question; Agnes would never hear of his fall. If his friend had been, as he expressed it, "labelled"; if he had been a father, or still better a brother, one might tell him of the discreditable passion. But why irritate him for no reason? Thinking "I am always angling for sympathy; I must stop myself," he hurried onward to the Union.

He found his guests half way up the stairs, reading the advertisements of coaches for the Long Vacation. He heard Mrs. Lewin say, "I wonder what he'll end by doing." A little overacting his part, he apologized nonchalantly for his lateness.

"It's always the same," cried Agnes. "Last time he forgot I was coming altogether." She wore a flowered muslin—something indescribably liquid and cool. It reminded him a little of those swift piercing streams, neither blue nor green, that gush out of the dolomites. Her face was clear and brown, like the face of a mountaineer; her hair was so plentiful that it seemed banked up above it; and her little toque, though it answered the note of the dress, was almost ludicrous, poised on so much natural glory. When she moved, the sunlight flashed on her ear-rings.

He led them up to the luncheon-room. By now he was conscious of his limitations as a host, and never attempted to entertain ladies in his lodgings. Moreover, the Union seemed less intimate. It had a faint flavour of a London club; it marked the undergraduate's nearest approach to the great world. Amid its waiters and serviettes one felt impersonal, and able to conceal the private emotions. Rickie felt that if Miss Pembroke knew one thing about him, she knew everything. During this visit he took her to no place that he greatly loved.

"Sit down, ladies. Fall to. I'm sorry. I was out towards Coton with a dreadful friend."

Mrs. Lewin pushed up her veil. She was a typical May-term chaperon, always pleasant, always hungry, and always tired. Year after year she came up to Cambridge in a tight silk dress, and year after year she nearly died of it. Her feet hurt, her limbs were cramped in a canoe, black spots danced before her eyes from eating too much mayonnaise. But still she came, if not as a mother as an aunt, if not as an aunt as a friend. Still she ascended the roof of King's, still she counted the balls of Clare, still she was on the point of grasping the organization of the May races. "And who is your friend?" she asked.

"His name is Ansell."

"Well, now, did I see him two years ago—as a bedmaker in something they did at the Foot Lights? Oh, how I roared."

"You didn't see Mr. Ansell at the Foot Lights," said Agnes, smiling.

"How do you know?" asked Rickie.

"He'd scarcely be so frivolous."

"Do you remember seeing him?"

"For a moment."

What a memory she had! And how splendidly during that moment she had behaved!

"Isn't he marvellously clever?"

"I believe so."

"Oh, give me clever people!" cried Mrs. Lewin. "They are kindness itself at the Hall, but I assure you I am depressed at times. One cannot talk bump-rowing for ever."

"I never hear about him, Rickie; but isn't he really your greatest friend?"

"I don't go in for greatest friends."

"Do you mean you like us all equally?"

"All differently, those of you I like."

"Ah, you've caught it!" cried Mrs. Lewin. "Mr. Elliot gave it you there well."

Agnes laughed, and, her elbows on the table, regarded them both through her fingers—a habit of hers. Then she said, "Can't we see the great Mr. Ansell?"

"Oh, let's. Or would he frighten me?"

"He would frighten you," said Rickie. "He's a trifle weird."

"My good Rickie, if you knew the deathly dullness of Sawston—every one saying the proper thing at the proper time, I so proper, Herbert so proper! Why, weirdness is the one thing I long for! Do arrange something."

"I'm afraid there's no opportunity. Ansell goes some vast bicycle ride this afternoon; this evening you're tied up at the Hall; and tomorrow you go."

"But there's breakfast tomorrow," said Agnes. "Look here, Rickie, bring Mr. Ansell to breakfast with us at Buoys."

Mrs. Lewin seconded the invitation.

"Bad luck again," said Rickie boldly; "I'm already fixed up for breakfast. I'll tell him of your very kind intention."

"Let's have him alone," murmured Agnes.

"My dear girl, I should die through the floor! Oh, it'll be all right about breakfast. I rather think we shall get asked this evening by that shy man who has the pretty rooms in Trinity."

"Oh, very well. Where is it you breakfast, Rickie?"

He faltered. "To Ansell's, it is—" It seemed as if he was making some great admission. So self-conscious was he, that he thought the two women exchanged glances. Had Agnes already explored that part of him that did not belong to her? Would another chance step reveal the part that did? He asked them abruptly what they would like to do after lunch.

"Anything," said Mrs. Lewin,—"anything in the world."

A walk? A boat? Ely? A drive? Some objection was raised to each. "To tell the truth," she said at last, "I do feel a wee bit tired, and what occurs to me is this. You and Agnes shall leave me here and have no more bother. I shall be perfectly happy snoozling in one of these delightful drawing-room chairs. Do what you like, and then pick me up after it."

"Alas, it's against regulations," said Rickie. "The Union won't trust lady visitors on its premises alone."

"But who's to know I'm alone? With a lot of men in the drawing-room, how's each to know that I'm not with the others?"

"That would shock Rickie," said Agnes, laughing. "He's frightfully high-principled."

"No, I'm not," said Rickie, thinking of his recent shiftiness over breakfast.

"Then come for a walk with me. I want exercise. Some connection of ours was once rector of Madingley. I shall walk out and see the church."

Mrs. Lewin was accordingly left in the Union.

"This is jolly!" Agnes exclaimed as she strode along the somewhat depressing road that leads out of Cambridge past the observatory. "Do I go too fast?"

"No, thank you. I get stronger every year. If it wasn't for the look of the thing, I should be quite happy."

"But you don't care for the look of the thing. It's only ignorant people who do that, surely."

"Perhaps. I care. I like people who are well-made and beautiful. They are of some use in the world. I understand why they are there. I cannot understand why the ugly and crippled are there, however healthy they may feel inside. Don't you know how Turner spoils his pictures by introducing a man like a bolster in the foreground? Well, in actual life every landscape is spoilt by men of worse shapes still."

"You sound like a bolster with the stuffing out." They laughed. She always blew his cobwebs away like this, with a puff of humorous mountain air. Just now the associations he attached to her were various—she reminded him of a heroine of Meredith's—but a heroine at the end of the book. All had been written about her. She had played her mighty part, and knew that it was over. He and he alone was not content, and wrote for her daily a trivial and impossible sequel.

Last time they had talked about Gerald. But that was some six months ago, when things felt easier. Today Gerald was the faintest blur. Fortunately the conversation turned to Mr. Pembroke and to education. Did women lose a lot by not knowing Greek? "A heap," said Rickie, roughly. But modern languages? Thus they got to Germany, which he had visited last Easter with Ansell; and thence to the German Emperor, and what a to-do he made; and from him to our own king (still Prince of Wales), who had lived while an undergraduate at Madingley Hall. Here it was. And all the time he thought, "It is hard on her. She has no right to be walking with me. She would be ill with disgust if she knew. It is hard on her to be loved."

They looked at the Hall, and went inside the pretty little church. Some Arundel prints hung upon the pillars, and Agnes expressed the opinion that pictures inside a place of worship were a pity. Rickie did not agree with this. He said again that nothing beautiful was ever to be regretted.

"You're cracked on beauty," she whispered—they were still inside the church. "Do hurry up and write something."

"Something beautiful?"

"I believe you can. I'm going to lecture you seriously all the way home. Take care that you don't waste your life."

They continued the conversation outside. "But I've got to hate my own writing. I believe that most people come to that stage—not so early though. What I write is too silly. It can't happen. For instance, a stupid vulgar man is engaged to a lovely young lady. He wants her to live in the towns, but she only cares for woods. She shocks him this way and that, but gradually he tames her, and makes her nearly as dull as he is. One day she has a last explosion—over the snobby wedding presents—and flies out of the drawing-room window, shouting, 'Freedom and truth!' Near the house is a little dell full of fir-trees, and she runs into it. He comes there the next moment. But she's gone."

"Awfully exciting. Where?"

"Oh Lord, she's a Dryad!" cried Rickie, in great disgust. "She's turned into a tree."

"Rickie, it's very good indeed. The kind of thing has something in it. Of course you get it all through Greek and Latin. How upset the man must be when he sees the girl turn."

"He doesn't see her. He never guesses. Such a man could never see a Dryad."

"So you describe how she turns just before he comes up?"

"No. Indeed I don't ever say that she does turn. I don't use the word 'Dryad' once."

"I think you ought to put that part plainly. Otherwise, with such an original story, people might miss the point. Have you had any luck with it?"

"Magazines? I haven't tried. I know what the stuff's worth. You see, a year or two ago I had a great idea of getting into touch with Nature, just as the Greeks were in touch; and seeing England so beautiful, I used to pretend that her trees and coppices and summer fields of parsley were alive. It's funny enough now, but it wasn't funny then, for I got in such a state that I believed, actually believed, that Fauns lived in a certain double hedgerow near the Cog Magogs, and one evening I walked a mile sooner than go through it alone."

"Good gracious!" She laid her hand on his shoulder.

He moved to the other side of the road. "It's all right now. I've changed those follies for others. But while I had them I began to write, and even now I keep on writing, though I know better. I've got quite a pile of little stories, all harping on this ridiculous idea of getting into touch with Nature."

"I wish you weren't so modest. It's simply splendid as an idea. Though—but tell me about the Dryad who was engaged to be married. What was she like?"

"I can show you the dell in which the young person disappeared. We pass it on the right in a moment."

"It does seem a pity that you don't make something of your talents. It seems such a waste to write little stories and never publish them. You must have enough for a book. Life is so full in our days that short stories are the very thing; they get read by people who'd never tackle a novel. For example, at our Dorcas we tried to read out a long affair by Henry James—Herbert saw it recommended in 'The Times.' There was no doubt it was very good, but one simply couldn't remember from one week to another what had happened. So now our aim is to get something that just lasts the hour. I take you seriously, Rickie, and that is why I am so offensive. You are too modest. People who think they can do nothing so often do nothing. I want you to plunge."

It thrilled him like a trumpet-blast. She took him seriously. Could he but thank her for her divine affability! But the words would stick in his throat, or worse still would bring other words along with them. His breath came quickly, for he seldom spoke of his writing, and no one, not even Ansell, had advised him to plunge.

"But do you really think that I could take up literature?"

"Why not? You can try. Even if you fail, you can try. Of course we think you tremendously clever; and I met one of your dons at tea, and he said that your degree was not in the least a proof of your abilities: he said that you knocked up and got flurried in examinations. Oh!"—her cheek flushed,—"I wish I was a man. The whole world lies before them. They can do anything. They aren't cooped up with servants and tea parties and twaddle. But where's this dell where the Dryad disappeared?"

"We've passed it." He had meant to pass it. It was too beautiful. All he had read, all he had hoped for, all he had loved, seemed to quiver in its enchanted air. It was perilous. He dared not enter it with such a woman.

"How long ago?" She turned back. "I don't want to miss the dell. Here it must be," she added after a few moments, and sprang up the green bank that hid the entrance from the road. "Oh, what a jolly place!"

"Go right in if you want to see it," said Rickie, and did not offer to go with her. She stood for a moment looking at the view, for a few steps will increase a view in Cambridgeshire. The wind blew her dress against her. Then, like a cataract again, she vanished pure and cool into the dell.

The young man thought of her feelings no longer. His heart throbbed louder and louder, and seemed to shake him to pieces. "Rickie!"

She was calling from the dell. For an answer he sat down where he was, on the dust-bespattered margin. She could call as loud as she liked. The devil had done much, but he should not take him to her.

"Rickie!"—and it came with the tones of an angel. He drove his fingers into his ears, and invoked the name of Gerald. But there was no sign, neither angry motion in the air nor hint of January mist. June—fields of June, sky of June, songs of June. Grass of June beneath him, grass of June over the tragedy he had deemed immortal. A bird called out of the dell: "Rickie!"

A bird flew into the dell.

"Did you take me for the Dryad?" she asked. She was sitting down with his head on her lap. He had laid it there for a moment before he went out to die, and she had not let him take it away.

"I prayed you might not be a woman," he whispered.

"Darling, I am very much a woman. I do not vanish into groves and trees. I thought you would never come."

"Did you expect—?"

"I hoped. I called hoping."

Inside the dell it was neither June nor January. The chalk walls barred out the seasons, and the fir-trees did not seem to feel their passage. Only from time to time the odours of summer slipped in from the wood above, to comment on the waxing year. She bent down to touch him with her lips.

He started, and cried passionately, "Never forget that your greatest thing is over. I have forgotten: I am too weak. You shall never forget. What I said to you then is greater than what I say to you now. What he gave you then is greater than anything you will get from me."

She was frightened. Again she had the sense of something abnormal. Then she said, "What is all this nonsense?" and folded him in her arms.

VIII

Ansell stood looking at his breakfast-table, which was laid for four instead of two. His bedmaker, equally peevish, explained how it had happened. Last night, at one in the morning, the porter had been awoke with a note for the kitchens, and in that note Mr. Elliot said that all these things were to be sent to Mr. Ansell's.

"The fools have sent the original order as well. Here's the lemon-sole for two. I can't move for food."

"The note being ambiguous, the Kitchens judged best to send it all." She spoke of the kitchens in a half-respectful, half-pitying way, much as one speaks of Parliament.

"Who's to pay for it?" He peeped into the new dishes. Kidneys entombed in an omelette, hot roast chicken in watery gravy, a glazed but pallid pie.

"And who's to wash it up?" said the bedmaker to her help outside.

Ansell had disputed late last night concerning Schopenhauer, and was a little cross and tired. He bounced over to Tilliard, who kept opposite. Tilliard was eating gooseberry jam.

"Did Elliot ask you to breakfast with me?"

"No," said Tilliard mildly.

"Well, you'd better come, and bring every one you know."

So Tilliard came, bearing himself a little formally, for he was not very intimate with his neighbour. Out of the window they called to Widdrington. But he laid his hand on his stomach, thus indicating it was too late.

"Who's to pay for it?" repeated Ansell, as a man appeared from the Buttery carrying coffee on a bright tin tray.

"College coffee! How nice!" remarked Tilliard, who was cutting the pie. "But before term ends you must come and try my new machine. My sister gave it me. There is a bulb at the top, and as the water boils—"

"He might have counter-ordered the lemon-sole. That's Rickie all over. Violently economical, and then loses his head, and all the things go bad."

"Give them to the bedder while they're hot." This was done. She accepted them dispassionately, with the air of one who lives without nourishment. Tilliard continued to describe his sister's coffee machine.

"What's that?" They could hear panting and rustling on the stairs.

"It sounds like a lady," said Tilliard fearfully. He slipped the piece of pie back. It fell into position like a brick.

"Is it here? Am I right? Is it here?" The door opened and in came Mrs. Lewin. "Oh horrors! I've made a mistake."

"That's all right," said Ansell awkwardly.

"I wanted Mr. Elliot. Where are they?"

"We expect Mr. Elliot every-moment," said Tilliard.

"Don't tell me I'm right," cried Mrs. Lewin, "and that you're the terrifying Mr. Ansell." And, with obvious relief, she wrung Tilliard warmly by the hand.

"I'm Ansell," said Ansell, looking very uncouth and grim.

"How stupid of me not to know it," she gasped, and would have gone on to I know not what, but the door opened again. It was Rickie.

"Here's Miss Pembroke," he said. "I am going to marry her."

There was a profound silence.

"We oughtn't to have done things like this," said Agnes, turning to Mrs. Lewin. "We have no right to take Mr. Ansell by surprise. It is Rickie's fault. He was that obstinate. He would bring us. He ought to be horsewhipped."

"He ought, indeed," said Tilliard pleasantly, and bolted. Not till he gained his room did he realize that he had been less apt than usual. As for Ansell, the first thing he said was, "Why didn't you counter-order the lemon-sole?"

In such a situation Mrs. Lewin was of priceless value. She led the way to the table, observing, "I quite agree with Miss Pembroke. I loathe surprises. Never shall I forget my horror when the knife-boy painted the dove's cage with the dove inside. He did it as a surprise. Poor Parsival nearly died. His feathers were bright green!"

"Well, give me the lemon-soles," said Rickie. "I like them."

"The bedder's got them."

"Well, there you are! What's there to be annoyed about?"

"And while the cage was drying we put him among the bantams. They had been the greatest allies. But I suppose they took him for a parrot or a hawk, or something that bantams hate for while his cage was drying they picked out his feathers, and PICKED and PICKED out his feathers, till he was perfectly bald. 'Hugo, look,' said I. 'This is the end of Parsival. Let me have no more surprises.' He burst into tears."

Thus did Mrs. Lewin create an atmosphere. At first it seemed unreal, but gradually they got used to it, and breathed scarcely anything else throughout the meal. In such an atmosphere everything seemed of small and equal value, and the engagement of Rickie and Agnes like the feathers of Parsival, fluttered lightly to the ground. Ansell was generally silent. He was no match for these two quite clever women. Only once was there a hitch.

They had been talking gaily enough about the betrothal when Ansell suddenly interrupted with, "When is the marriage?"

"Mr. Ansell," said Agnes, blushing, "I wish you hadn't asked that. That part's dreadful. Not for years, as far as we can see."

But Rickie had not seen as far. He had not talked to her of this at all. Last night they had spoken only of love. He exclaimed, "Oh, Agnes-don't!" Mrs. Lewin laughed roguishly.

"Why this delay?" asked Ansell.

Agnes looked at Rickie, who replied, "I must get money, worse luck."

"I thought you'd got money."

He hesitated, and then said, "I must get my foot on the ladder, then."

Ansell began with, "On which ladder?" but Mrs. Lewin, using the privilege of her sex, exclaimed, "Not another word. If there's a thing I abominate, it is plans. My head goes whirling at once." What she really abominated was questions, and she saw that Ansell was turning serious. To appease him, she put on her clever manner and asked him about Germany. How had it impressed him? Were we so totally unfitted to repel invasion? Was not German scholarship overestimated? He replied discourteously, but he did reply; and if she could have stopped him thinking, her triumph would have been complete.

When they rose to go, Agnes held Ansell's hand for a moment in her own.

"Good-bye," she said. "It was very unconventional of us to come as we did, but I don't think any of us are conventional people."

He only replied, "Good-bye." The ladies started off. Rickie lingered behind to whisper, "I would have it so. I would have you begin square together. I can't talk yet—I've loved her for years—can't think what she's done it for. I'm going to write short stories. I shall start this afternoon. She declares there may be something in me."

As soon as he had left, Tilliard burst in, white with agitation, and crying, "Did you see my awful faux pas—about the horsewhip? What shall I do? I must call on Elliot. Or had I better write?"

"Miss Pembroke will not mind," said Ansell gravely. "She is unconventional." He knelt in an arm-chair and hid his face in the back.

"It was like a bomb," said Tilliard.

"It was meant to be."

"I do feel a fool. What must she think?"

"Never mind, Tilliard. You've not been as big a fool as myself. At all events, you told her he must be horsewhipped."

Tilliard hummed a little tune. He hated anything nasty, and there was nastiness in Ansell. "What did you tell her?" he asked.

"Nothing."

"What do you think of it?"

"I think: Damn those women."

"Ah, yes. One hates one's friends to get engaged. It makes one feel so old: I think that is one of the reasons. The brother just above me has lately married, and my sister was quite sick about it, though the thing was suitable in every way."

"Damn THESE women, then," said Ansell, bouncing round in the chair. "Damn these particular women."

"They looked and spoke like ladies."

"Exactly. Their diplomacy was ladylike. Their lies were ladylike. They've caught Elliot in a most ladylike way. I saw it all during the one moment we were natural. Generally we were clattering after the married one, whom—like a fool—I took for a fool. But for one moment we were natural, and during that moment Miss Pembroke told a lie, and made Rickie believe it was the truth."

"What did she say?"

"She said `we see' instead of 'I see.'"

Tilliard burst into laughter. This jaundiced young philosopher, with his kinky view of life, was too much for him.

"She said 'we see,'" repeated Ansell, "instead of 'I see,' and she made him believe that it was the truth. She caught him and makes him believe that he caught her. She came to see me and makes him think that it is his idea. That is what I mean when I say that she is a lady."

"You are too subtle for me. My dull eyes could only see two happy people."

"I never said they weren't happy."

"Then, my dear Ansell, why are you so cut up? It's beastly when a friend marries,—and I grant he's rather young,—but I should say it's the best thing for him. A decent woman—and you have proved not one thing against her—a decent woman will keep him up to the mark and stop him getting slack. She'll make him responsible and manly, for much as I like Rickie, I always find him a little effeminate. And, really,"—his voice grew sharper, for he was irritated by Ansell's conceit, "and, really, you talk as if you were mixed up in the affair. They pay a civil visit to your rooms, and you see nothing but dark plots and challenges to war."

"War!" cried Ansell, crashing his fists together. "It's war, then!"

"Oh, what a lot of tommy-rot," said Tilliard. "Can't a man and woman get engaged? My dear boy—excuse me talking like this—what on earth is it to do with us?"

"We're his friends, and I hope we always shall be, but we shan't keep his friendship by fighting. We're bound to fall into the background. Wife first, friends some way after. You may resent the order, but it is ordained by nature."

"The point is, not what's ordained by nature or any other fool, but what's right."

"You are hopelessly unpractical," said Tilliard, turning away. "And let me remind you that you've already given away your case by acknowledging that they're happy."

"She is happy because she has conquered; he is happy because he has at last hung all the world's beauty on to a single peg. He was always trying to do it. He used to call the peg humanity. Will either of these happinesses last? His can't. Hers only for a time. I fight this woman not only because she fights me, but because I foresee the most appalling catastrophe. She wants Rickie, partly to replace another man whom she lost two years ago, partly to make something out of him. He is to write. In time she will get sick of this. He won't get famous. She will only see how thin he is and how lame. She will long for a jollier husband, and I don't blame her. And, having made him thoroughly miserable and degraded, she will bolt—if she can do it like a lady."

Such were the opinions of Stewart Ansell.

IX

Seven letters written in June:—

Cambridge

Dear Rickie,

I would rather write, and you can guess what kind of letter this is when I say it is a fair copy: I have been making rough drafts all the morning. When I talk I get angry, and also at times try to be clever—two reasons why I fail to get attention paid to me. This is a letter of the prudent sort. If it makes you break off the engagement, its work is done. You are not a person who ought to marry at all. You are unfitted in body: that we once discussed. You are also unfitted in soul: you want and you need to like many people, and a man of that sort ought not to marry. "You never were attached to that great sect" who can like one person only, and if you try to enter it you will find destruction. I have read in books and I cannot afford to despise books, they are all that I have to go by—that men and women desire different things. Man wants to love mankind; woman wants to love one man. When she has him her work is over. She is the emissary of Nature, and Nature's bidding has been fulfilled. But man does not care a damn for Nature—or at least only a very little damn. He cares for a hundred things besides, and the more civilized he is the more he will care for these other hundred things, and demand not only—a wife and children, but also friends, and work, and spiritual freedom.

I believe you to be extraordinarily civilized.—Yours ever,

S.A.

Shelthorpe, 9 Sawston Park Road, Sawston

Dear Ansell,

But I'm in love—a detail you've forgotten. I can't listen to English Essays. The wretched Agnes may be an "emissary of Nature," but I only grinned when I read it. I may be extraordinarily civilized, but I don't feel so; I'm in love, and I've found a woman to love me, and I mean to have the hundred other things as well. She wants me to have them—friends and work, and spiritual freedom, and everything. You and your books miss this, because your books are too sedate. Read poetry—not only Shelley. Understand Beatrice, and Clara Middleton, and Brunhilde in the first scene of Gotterdammerung. Understand Goethe when he says "the eternal feminine leads us on," and don't write another English Essay.—Yours ever affectionately,

R.E.

Cambridge

Dear Rickie:

What am I to say? "Understand Xanthippe, and Mrs. Bennet, and Elsa in the question scene of Lohengrin"? "Understand Euripides when he says the eternal feminine leads us a pretty dance"? I shall say nothing of the sort. The allusions in this English Essay shall not be literary. My personal objections to Miss Pembroke are as follows:—(1) She is not serious. (2) She is not truthful.

Shelthorpe, 9 Sawston Park Road Sawston

My Dear Stewart,

You couldn't know. I didn't know for a moment. But this letter of yours is the most wonderful thing that has ever happened to me yet—more wonderful (I don't exaggerate) than the moment when Agnes promised to marry me. I always knew you liked me, but I never knew how much until this letter. Up to now I think we have been too much like the strong heroes in books who feel so much and say so little, and feel all the more for saying so little. Now that's over and we shall never be that kind of an ass again. We've hit—by accident—upon something permanent. You've written to me, "I hate the woman who will be your wife," and I write back, "Hate her. Can't I love you both?" She will never come between us, Stewart (She wouldn't wish to, but that's by the way), because our friendship has now passed beyond intervention. No third person could break it. We couldn't ourselves, I fancy. We may quarrel and argue till one of us dies, but the thing is registered. I only wish, dear man, you could be happier. For me, it's as if a light was suddenly held behind the world.

R.E.

Shelthorpe, 9 Sawston Park Road, Sawston

Dear Mrs. Lewin,—

The time goes flying, but I am getting to learn my wonderful boy. We speak a great deal about his work. He has just finished a curious thing called "Nemi"—about a Roman ship that is actually sunk in some lake. I cannot think how he describes the things, when he has never seen them. If, as I hope, he goes to Italy next year, he should turn out something really good. Meanwhile we are hunting for a publisher. Herbert believes that a collection of short stories is hard to get published. It is, after all, better to write one long one.

But you must not think we only talk books. What we say on other topics cannot so easily be repeated! Oh, Mrs Lewin, he is a dear, and dearer than ever now that we have him at Sawston. Herbert, in a quiet way, has been making inquiries about those Cambridge friends of his. Nothing against them, but they seem to be terribly eccentric. None of them are good at games, and they spend all their spare time thinking and discussing. They discuss what one knows and what one never will know and what one had much better not know. Herbert says it is because they have not got enough to do.—Ever your grateful and affectionate friend,

Agnes Pembroke

Shelthorpe, 9 Sawston Park Road Sawston

Dear Mr. Silt,—

Thank you for the congratulations, which I have handed over to the delighted Rickie.

(The congratulations were really addressed to Agnes—a social blunder which Mr. Pembroke deftly corrects.)

I am sorry that the rumor reached you that I was not pleased. Anything pleases me that promises my sister's happiness, and I have known your cousin nearly as long as you have. It will be a very long engagement, for he must make his way first. The dear boy is not nearly as wealthy as he supposed; having no tastes, and hardly any expenses, he used to talk as if he were a millionaire. He must at least double his income before he can dream of more intimate ties. This has been a bitter pill, but I am glad to say that they have accepted it bravely.

Hoping that you and Mrs. Silt will profit by your week at Margate.-I remain, yours very sincerely,

Herbert Pembroke

Cadover, Wilts.

Dear Miss Pembroke,—Agnes—

I hear that you are going to marry my nephew. I have no idea what he is like, and wonder whether you would bring him that I may find out. Isn't September rather a nice month? You might have to go to Stone Henge, but with that exception would be left unmolested. I do hope you will manage the visit. We met once at Mrs. Lewin's, and I have a very clear recollection of you.—Believe me, yours sincerely,

Emily Failing

X

The rain tilted a little from the south-west. For the most part it fell from a grey cloud silently, but now and then the tilt increased, and a kind of sigh passed over the country as the drops lashed the walls, trees, shepherds, and other motionless objects that stood in their slanting career. At times the cloud would descend and visibly embrace the earth, to which it had only sent messages; and the earth itself would bring forth clouds—clouds of a whiter breed—which formed in shallow valleys and followed the courses of the streams. It seemed the beginning of life. Again God said, "Shall we divide the waters from the land or not? Was not the firmament labour and glory sufficient?" At all events it was the beginning of life pastoral, behind which imagination cannot travel.

Yet complicated people were getting wet—not only the shepherds. For instance, the piano-tuner was sopping. So was the vicar's wife. So were the lieutenant and the peevish damsels in his Battleston car. Gallantry, charity, and art pursued their various missions, perspiring and muddy, while out on the slopes beyond them stood the eternal man and the eternal dog, guarding eternal sheep until the world is vegetarian.

Inside an arbour—which faced east, and thus avoided the bad weather—there sat a complicated person who was dry. She looked at the drenched world with a pleased expression, and would smile when a cloud would lay down on the village, or when the rain sighed louder than usual against her solid shelter. Ink, paperclips, and foolscap paper were on the table before her, and she could also reach an umbrella, a waterproof, a walking-stick, and an electric bell. Her age was between elderly and old, and her forehead was wrinkled with an expression of slight but perpetual pain. But the lines round her mouth indicated that she had laughed a great deal during her life, just as the clean tight skin round her eyes perhaps indicated that she had not often cried. She was dressed in brown silk. A brown silk shawl lay most becomingly over her beautiful hair.

After long thought she wrote on the paper in front of her, "The subject of this memoir first saw the light at Wolverhampton on May the 14th, 1842." She laid down her pen and said "Ugh!" A robin hopped in and she welcomed him. A sparrow followed and she stamped her foot. She watched some thick white water which was sliding like a snake down the gutter of the gravel path. It had just appeared. It must have escaped from a hollow in the chalk up behind. The earth could absorb no longer. The lady did not think of all this, for she hated questions of whence and wherefore, and the ways of the earth ("our dull stepmother") bored her unspeakably. But the water, just the snake of water, was amusing, and she flung her golosh at it to dam it up. Then she wrote feverishly, "The subject of this memoir first saw the light in the middle of the night. It was twenty to eleven. His pa was a parson, but he was not his pa's son, and never went to heaven." There was the sound of a train, and presently white smoke appeared, rising laboriously through the heavy air. It distracted her, and for about a quarter of an hour she sat perfectly still, doing nothing. At last she pushed the spoilt paper aside, took afresh piece, and was beginning to write, "On May the 14th, 1842," when there was a crunch on the gravel, and a furious voice said, "I am sorry for Flea Thompson."

"I daresay I am sorry for him too," said the lady; her voice was languid and pleasant. "Who is he?"

"Flea's a liar, and the next time we meet he'll be a football." Off slipped a sodden ulster. He hung it up angrily upon a peg: the arbour provided several.

"But who is he, and why has he that disastrous name?"

"Flea? Fleance. All the Thompsons are named out of Shakespeare. He grazes the Rings."

"Ah, I see. A pet lamb."

"Lamb! Shepherd!"

"One of my Shepherds?"

"The last time I go with his sheep. But not the last time he sees me. I am sorry for him. He dodged me today."

"Do you mean to say"—she became animated—"that you have been out in the wet keeping the sheep of Flea Thompson?"

"I had to." He blew on his fingers and took off his cap. Water trickled over his unshaven cheeks. His hair was so wet that it seemed worked upon his scalp in bronze.

"Get away, bad dog!" screamed the lady, for he had given himself a shake and spattered her dress with water. He was a powerful boy of twenty, admirably muscular, but rather too broad for his height. People called him "Podge" until they were dissuaded. Then they called him "Stephen" or "Mr. Wonham." Then he said, "You can call me Podge if you like."

"As for Flea—!" he began tempestuously. He sat down by her, and with much heavy breathing told the story,—"Flea has a girl at Wintersbridge, and I had to go with his sheep while he went to see her. Two hours. We agreed. Half an hour to go, an hour to kiss his girl, and half an hour back—and he had my bike. Four hours! Four hours and seven minutes I was on the Rings, with a fool of a dog, and sheep doing all they knew to get the turnips."

"My farm is a mystery to me," said the lady, stroking her fingers.

"Some day you must really take me to see it. It must be like a Gilbert and Sullivan opera, with a chorus of agitated employers. How is it that I have escaped? Why have I never been summoned to milk the cows, or flay the pigs, or drive the young bullocks to the pasture?"

He looked at her with astonishingly blue eyes—the only dry things he had about him. He could not see into her: she would have puzzled an older and clever man. He may have seen round her.

"A thing of beauty you are not. But I sometimes think you are a joy for ever."

"I beg your pardon?"

"Oh, you understand right enough," she exclaimed irritably, and then smiled, for he was conceited, and did not like being told that he was not a thing of beauty. "Large and steady feet," she continued, "have this disadvantage—you can knock down a man, but you will never knock down a woman."

"I don't know what you mean. I'm not likely—"

"Oh, never mind—never, never mind. I was being funny. I repent. Tell me about the sheep. Why did you go with them?"

"I did tell you. I had to."

"But why?"

"He had to see his girl."

"But why?"

His eyes shot past her again. It was so obvious that the man had to see his girl. For two hours though—not for four hours seven minutes.

"Did you have any lunch?"

"I don't hold with regular meals."

"Did you have a book?"

"I don't hold with books in the open. None of the older men read."

"Did you commune with yourself, or don't you hold with that?"

"Oh Lord, don't ask me!"

"You distress me. You rob the Pastoral of its lingering romance. Is there no poetry and no thought in England? Is there no one, in all these downs, who warbles with eager thought the Doric lay?"

"Chaps sing to themselves at times, if you mean that."

"I dream of Arcady. I open my eyes. Wiltshire. Of Amaryllis: Flea Thompson's girl. Of the pensive shepherd, twitching his mantle blue: you in an ulster. Aren't you sorry for me?"

"May I put in a pipe?"

"By all means put a pipe in. In return, tell me of what you were thinking for the four hours and the seven minutes."

He laughed shyly. "You do ask a man such questions."

"Did you simply waste the time?"

"I suppose so."

"I thought that Colonel Robert Ingersoll says you must be strenuous."

At the sound of this name he whisked open a little cupboard, and declaring, "I haven't a moment to spare," took out of it a pile of "Clarion" and other reprints, adorned as to their covers with bald or bearded apostles of humanity. Selecting a bald one, he began at once to read, occasionally exclaiming, "That's got them," "That's knocked Genesis," with similar ejaculations of an aspiring mind. She glanced at the pile. Reran, minus the style. Darwin, minus the modesty. A comic edition of the book of Job, by "Excelsior," Pittsburgh, Pa. "The Beginning of Life," with diagrams. "Angel or Ape?" by Mrs. Julia P. Chunk. She was amused, and wondered idly what was passing within his narrow but not uninteresting brain. Did he suppose that he was going to "find out"? She had tried once herself, but had since subsided into a sprightly orthodoxy. Why didn't he read poetry, instead of wasting his time between books like these and country like that?

The cloud parted, and the increase of light made her look up. Over the valley she saw a grave sullen down, and on its flanks a little brown smudge—her sheep, together with her shepherd, Fleance Thompson, returned to his duties at last. A trickle of water came through the arbour roof. She shrieked in dismay.

"That's all right," said her companion, moving her chair, but still keeping his place in his book.

She dried up the spot on the manuscript. Then she wrote: "Anthony Eustace Failing, the subject of this memoir, was born at Wolverhampton." But she wrote no more. She was fidgety. Another drop fell from the roof. Likewise an earwig. She wished she had not been so playful in flinging her golosh into the path. The boy who was overthrowing religion breathed somewhat heavily as he did so. Another earwig. She touched the electric bell.

"I'm going in," she observed. "It's far too wet." Again the cloud parted and caused her to add, "Weren't you rather kind to Flea?" But he was deep in the book. He read like a poor person, with lips apart and a finger that followed the print. At times he scratched his ear, or ran his tongue along a straggling blonde moustache. His face had after all a certain beauty: at all events the colouring was regal—a steady crimson from throat to forehead: the sun and the winds had worked on him daily ever since he was born. "The face of a strong man," thought the lady. "Let him thank his stars he isn't a silent strong man, or I'd turn him into the gutter." Suddenly it struck her that he was like an Irish terrier. He worried infinity as if it was a bone. Gnashing his teeth, he tried to carry the eternal subtleties by violence. As a man he often bored her, for he was always saying and doing the same things. But as a philosopher he really was a joy for ever, an inexhaustible buffoon. Taking up her pen, she began to caricature him. She drew a rabbit-warren where rabbits were at play in four dimensions. Before she had introduced the principal figure, she was interrupted by the footman. He had come up from the house to answer the bell. On seeing her he uttered a respectful cry.

"Madam! Are you here? I am very sorry. I looked for you everywhere. Mr. Elliot and Miss Pembroke arrived nearly an hour ago."

"Oh dear, oh dear!" exclaimed Mrs. Failing. "Take these papers. Where's the umbrella? Mr. Stephen will hold it over me. You hurry back and apologize. Are they happy?"

"Miss Pembroke inquired after you, madam."

"Have they had tea?"

"Yes, madam."

"Leighton!"

"Yes, sir."

"I believe you knew she was here all the time. You didn't want to wet your pretty skin."

"You must not call me 'she' to the servants," said Mrs. Failing as they walked away, she limping with a stick, he holding a great umbrella over her. "I will not have it." Then more pleasantly, "And don't tell him he lies. We all lie. I knew quite well they were coming by the four-six train. I saw it pass."

"That reminds me. Another child run over at the Roman crossing. Whish—bang—dead."

"Oh my foot! Oh my foot, my foot!" said Mrs. Failing, and paused to take breath.

"Bad?" he asked callously.

Leighton, with bowed head, passed them with the manuscript and disappeared among the laurels. The twinge of pain, which had been slight, passed away, and they proceeded, descending a green airless corridor which opened into the gravel drive.

"Isn't it odd," said Mrs. Failing, "that the Greeks should be enthusiastic about laurels—that Apollo should pursue any one who could possibly turn into such a frightful plant? What do you make of Rickie?"

"Oh, I don't know."

"Shall I lend you his story to read?"

He made no reply.

"Don't you think, Stephen, that a person in your precarious position ought to be civil to my relatives?"

"Sorry, Mrs. Failing. I meant to be civil. I only hadn't—anything to say."

She a laughed. "Are you a dear boy? I sometimes wonder; or are you a brute?"

Again he had nothing to say. Then she laughed more mischievously, and said—

"How can you be either, when you are a philosopher? Would you mind telling me—I am so anxious to learn—what happens to people when they die?"

"Don't ask ME." He knew by bitter experience that she was making fun of him.

"Oh, but I do ask you. Those paper books of yours are so up-to-date. For instance, what has happened to the child you say was killed on the line?"

The rain increased. The drops pattered hard on the leaves, and outside the corridor men and women were struggling, however stupidly, with the facts of life. Inside it they wrangled. She teased the boy, and laughed at his theories, and proved that no man can be an agnostic who has a sense of humour. Suddenly she stopped, not through any skill of his, but because she had remembered some words of Bacon: "The true atheist is he whose hands are cauterized by holy things." She thought of her distant youth. The world was not so humorous then, but it had been more important. For a moment she respected her companion, and determined to vex him no more.

They left the shelter of the laurels, crossed the broad drive, and were inside the house at last. She had got quite wet, for the weather would not let her play the simple life with impunity. As for him, he seemed a piece of the wet.

"Look here," she cried, as he hurried up to his attic, "don't shave!"

He was delighted with the permission.

"I have an idea that Miss Pembroke is of the type that pretends to be unconventional and really isn't. I want to see how she takes it. Don't shave."

In the drawing-room she could hear the guests conversing in the subdued tones of those who have not been welcomed. Having changed her dress and glanced at the poems of Milton, she went to them, with uplifted hands of apology and horror.

"But I must have tea," she announced, when they had assured her that they understood. "Otherwise I shall start by being cross. Agnes, stop me. Give me tea."

Agnes, looking pleased, moved to the table and served her hostess. Rickie followed with a pagoda of sandwiches and little cakes.

"I feel twenty-seven years younger. Rickie, you are so like your father. I feel it is twenty-seven years ago, and that he is bringing your mother to see me for the first time. It is curious—almost terrible—to see history repeating itself."

The remark was not tactful.

"I remember that visit well," she continued thoughtfully, "I suppose it was a wonderful visit, though we none of us knew it at the time. We all fell in love with your mother. I wish she would have fallen in love with us. She couldn't bear me, could she?"

"I never heard her say so, Aunt Emily."

"No; she wouldn't. I am sure your father said so, though. My dear boy, don't look so shocked. Your father and I hated each other. He said so, I said so, I say so; say so too. Then we shall start fair.—Just a cocoanut cake.—Agnes, don't you agree that it's always best to speak out?"

"Oh, rather, Mrs. Failing. But I'm shockingly straightforward."

"So am I," said the lady. "I like to get down to the bedrock.—Hullo! Slippers? Slippers in the drawingroom?"

A young man had come in silently. Agnes observed with a feeling of regret that he had not shaved. Rickie, after a moment's hesitation, remembered who it was, and shook hands with him. "You've grown since I saw you last."

He showed his teeth amiably.

"How long was that?" asked Mrs. Failing.

"Three years, wasn't it? Came over from the Ansells—friends."

"How disgraceful, Rickie! Why don't you come and see me oftener?"

He could not retort that she never asked him.

"Agnes will make you come. Oh, let me introduce Mr. Wonham—Miss Pembroke."

"I am deputy hostess," said Agnes. "May I give you some tea?"

"Thank you, but I have had a little beer."

"It is one of the shepherds," said Mrs. Failing, in low tones.

Agnes smiled rather wildly. Mrs. Lewin had warned her that Cadover was an extraordinary place, and that one must never be astonished at anything. A shepherd in the drawing-room! No harm. Still one ought to know whether it was a shepherd or not. At all events he was in gentleman's clothing. She was anxious not to start with a blunder, and therefore did not talk to the young fellow, but tried to gather what he was from the demeanour of Rickie.

"I am sure, Mrs. Failing, that you need not talk of 'making' people come to Cadover. There will be no difficulty, I should say."

"Thank you, my dear. Do you know who once said those exact words to me?"

"Who?"

"Rickie's mother."

"Did she really?"

"My sister-in-law was a dear. You will have heard Rickie's praises, but now you must hear mine. I never knew a woman who was so unselfish and yet had such capacities for life."

"Does one generally exclude the other?" asked Rickie.

"Unselfish people, as a rule, are deathly dull. They have no colour. They think of other people because it is easier. They give money because they are too stupid or too idle to spend it properly on themselves. That was the beauty of your mother—she gave away, but she also spent on herself, or tried to."

The light faded out of the drawing-room, in spite of it being September and only half-past six. From her low chair Agnes could see the trees by the drive, black against a blackening sky. That drive was half a mile long, and she was praising its gravelled surface when Rickie called in a voice of alarm, "I say, when did our train arrive?"

"Four-six."

"I said so."

"It arrived at four-six on the time-table," said Mr. Wonham. "I want to know when it got to the station?"

"I tell you again it was punctual. I tell you I looked at my watch. I can do no more."

Agnes was amazed. Was Rickie mad? A minute ago and they were boring each other over dogs. What had happened?

"Now, now! Quarrelling already?" asked Mrs. Failing.

The footman, bringing a lamp, lit up two angry faces.

"He says—"

"He says—"

"He says we ran over a child."

"So you did. You ran over a child in the village at four-seven by my watch. Your train was late. You couldn't have got to the station till four-ten."

"I don't believe it. We had passed the village by four-seven. Agnes, hadn't we passed the village? It must have been an express that ran over the child."

"Now is it likely"—he appealed to the practical world—"is it likely that the company would run a stopping train and then an express three minutes after it?"

"A child—" said Rickie. "I can't believe that the train killed a child." He thought of their journey. They were alone in the carriage. As the train slackened speed he had caught her for a moment in his arms. The rain beat on the windows, but they were in heaven.

"You've got to believe it," said the other, and proceeded to "rub it in." His healthy, irritable face drew close to Rickie's. "Two children were kicking and screaming on the Roman crossing. Your train, being late, came down on them. One of them was pulled off the line, but the other was caught. How will you get out of that?"

"And how will you get out of it?" cried Mrs. Failing, turning the tables on him. "Where's the child now? What has happened to its soul? You must know, Agnes, that this young gentleman is a philosopher."

"Oh, drop all that," said Mr. Wonham, suddenly collapsing.

"Drop it? Where? On my nice carpet?"

"I hate philosophy," remarked Agnes, trying to turn the subject, for she saw that it made Rickie unhappy.

"So do I. But I daren't say so before Stephen. He despises us women."

"No, I don't," said the victim, swaying to and fro on the window-sill, whither he had retreated.

"Yes, he does. He won't even trouble to answer us. Stephen! Podge! Answer me. What has happened to the child's soul?"

He flung open the window and leant from them into the dusk. They heard him mutter something about a bridge.

"What did I tell you? He won't answer my question."

The delightful moment was approaching when the boy would lose his temper: she knew it by a certain tremor in his heels.

"There wants a bridge," he exploded. "A bridge instead of all this rotten talk and the level-crossing. It wouldn't break you to build a two-arch bridge. Then the child's soul, as you call it—well, nothing would have happened to the child at all."

A gust of night air entered, accompanied by rain. The flowers in the vases rustled, and the flame of the lamp shot up and smoked the glass. Slightly irritated, she ordered him to close the window.

XI

Cadover was not a large house. But it is the largest house with which this story has dealings, and must always be thought of with respect. It was built about the year 1800, and favoured the architecture of ancient Rome—chiefly by means of five lank pilasters, which stretched from the top of it to the bottom. Between the pilasters was the glass front door, to the right of them the drawing room windows, to the left of them the windows of the dining-room, above them a triangular area, which the better-class servants knew as a "pendiment," and which had in its middle a small round hole, according to the usage of Palladio. The classical note was also sustained by eight grey steps which led from the building down into the drive, and by an attempt at a formal garden on the adjoining lawn. The lawn ended in a Ha-ha ("Ha! ha! who shall regard it?"), and thence the bare land sloped down into the village. The main garden (walled) was to the left as one faced the house, while to the right was that laurel avenue, leading up to Mrs. Failing's arbour.

It was a comfortable but not very attractive place, and, to a certain type of mind, its situation was not attractive either. From the distance it showed as a grey box, huddled against evergreens. There was no mystery about it. You saw it for miles. Its hill had none of the beetling romance of Devonshire, none of the subtle contours that prelude a cottage in Kent, but profferred its burden crudely, on a huge bare palm. "There's Cadover," visitors would say. "How small it still looks. We shall be late for lunch." And the view from the windows, though extensive, would not have been accepted by the Royal Academy. A valley, containing a stream, a road, a railway; over the valley fields of barley and wurzel, divided by no pretty hedges, and passing into a great and formless down—this was the outlook, desolate at all times, and almost terrifying beneath a cloudy sky. The down was called "Cadbury Range" ("Cocoa Squares" if you were young and funny), because high upon it—one cannot say "on the top," there being scarcely any tops in Wiltshire—because high upon it there stood a double circle of entrenchments. A bank of grass enclosed a ring of turnips, which enclosed a second bank of grass, which enclosed more turnips, and in the middle of the pattern grew one small tree. British? Roman? Saxon? Danish? The competent reader will decide. The Thompson family knew it to be far older than the Franco-German war. It was the property of Government. It was full of gold and dead soldiers who had fought with the soldiers on Castle Rings and been beaten. The road to Londinium, having forded the stream and crossed the valley road and the railway, passed up by these entrenchments. The road to London lay half a mile to the right of them.

To complete this survey one must mention the church and the farm, both of which lay over the stream in Cadford. Between them they ruled the village, one claiming the souls of the labourers, the other their bodies. If a man desired other religion or other employment he must leave. The church lay up by the railway, the farm was down by the water meadows. The vicar, a gentle charitable man scarcely realized his power, and never tried to abuse it. Mr. Wilbraham, the agent, was of another mould. He knew his place, and kept others to theirs: all society seemed spread before him like a map. The line between the county and the local, the line between the labourer and the artisan—he knew them all, and strengthened them with no uncertain touch. Everything with him was graduated—carefully graduated civility towards his superior, towards his inferiors carefully graduated incivility. So—for he was a thoughtful person—so alone, declared he, could things be kept together.

Perhaps the Comic Muse, to whom so much is now attributed, had caused his estate to be left to Mr. Failing. Mr. Failing was the author of some brilliant books on socialism,—that was why his wife married him—and for twenty-five years he reigned up at Cadover and tried to put his theories into practice. He believed that things could be kept together by accenting the similarities, not the differences of men. "We are all much more alike than we confess," was one of his favourite speeches. As a speech it sounded very well, and his wife had applauded; but when it resulted in hard work, evenings in the reading-rooms, mixed-parties, and long unobtrusive talks with dull people, she got bored. In her piquant way she declared that she was not going to love her husband, and succeeded. He took it quietly, but his brilliancy decreased. His health grew worse, and he knew that when he died there was no one to carry on his work. He felt, besides, that he had done very little. Toil as he would, he had not a practical mind, and could never dispense with Mr. Wilbraham. For all his tact, he would often stretch out the hand of brotherhood too soon, or withhold it when it would have been accepted. Most people misunderstood him, or only understood him when he was dead. In after years his reign became a golden age; but he counted a few disciples in his life-time, a few young labourers and tenant farmers, who swore tempestuously that he was not really a fool. This, he told himself, was as much as he deserved.

Cadover was inherited by his widow. She tried to sell it; she tried to let it; but she asked too much, and as it was neither a pretty place nor fertile, it was left on her hands. With many a groan she settled down to banishment. Wiltshire people, she declared, were the stupidest in England. She told them so to their faces, which made them no brighter. And their county was worthy of them: no distinction in it—no style—simply land.

But her wrath passed, or remained only as a graceful fretfulness. She made the house comfortable, and abandoned the farm to Mr. Wilbraham. With a good deal of care she selected a small circle of acquaintances, and had them to stop in the summer months. In the winter she would go to town and frequent the salons of the literary. As her lameness increased she moved about less, and at the time of her nephew's visit seldom left the place that had been forced upon her as a home. Just now she was busy. A prominent politician had quoted her husband. The young generation asked, "Who is this Mr. Failing?" and the publishers wrote, "Now is the time." She was collecting some essays and penning an introductory memoir.

Rickie admired his aunt, but did not care for her. She reminded him too much of his father. She had the same affliction, the same heartlessness, the same habit of taking life with a laugh—as if life is a pill! He also felt that she had neglected him. He would not have asked much: as for "prospects," they never entered his head, but she was his only near relative, and a little kindness and hospitality during the lonely years would have made incalculable difference. Now that he was happier and could bring her Agnes, she had asked him to stop at once. The sun as it rose next morning spoke to him of a new life. He too had a purpose and a value in the world at last. Leaning out of the window, he gazed at the earth washed clean and heard through the pure air the distant noises of the farm.

But that day nothing was to remain divine but the weather. His aunt, for reasons of her own, decreed that he should go for a ride with the Wonham boy. They were to look at Old Sarum, proceed thence to Salisbury, lunch there, see the sights, call on a certain canon for tea, and return to Cadover in the evening. The arrangement suited no one. He did not want to ride, but to be with Agnes; nor did Agnes want to be parted from him, nor Stephen to go with him. But the clearer the wishes of her guests became, the more determined was Mrs. Failing to disregard them. She smoothed away every difficulty, she converted every objection into a reason, and she ordered the horses for half-past nine.

"It is a bore," he grumbled as he sat in their little private sitting-room, breaking his finger-nails upon the coachman's gaiters. "I can't ride. I shall fall off. We should have been so happy here. It's just like Aunt Emily. Can't you imagine her saying afterwards, 'Lovers are absurd. I made a point of keeping them apart,' and then everybody laughing."

With a pretty foretaste of the future, Agnes knelt before him and did the gaiters up. "Who is this Mr. Wonham, by the bye?"

"I don't know. Some connection of Mr. Failing's, I think."

"Does he live here?"

"He used to be at school or something. He seems to have grown into a tiresome person."

"I suppose that Mrs. Failing has adopted him."

"I suppose so. I believe that she has been quite kind. I do hope she'll be kind to you this morning. I hate leaving you with her."

"Why, you say she likes me."

"Yes, but that wouldn't prevent—you see she doesn't mind what she says or what she repeats if it amuses her. If she thought it really funny, for instance, to break off our engagement, she'd try."

"Dear boy, what a frightful remark! But it would be funnier for us to see her trying. Whatever could she do?"

He kissed the hands that were still busy with the fastenings. "Nothing. I can't see one thing. We simply lie open to each other, you and I. There isn't one new corner in either of us that she could reveal. It's only that I always have in this house the most awful feeling of insecurity."

"Why?"

"If any one says or does a foolish thing it's always here. All the family breezes have started here. It's a kind of focus for aimed and aimless scandal. You know, when my father and mother had their special quarrel, my aunt was mixed up in it,—I never knew how or how much—but you may be sure she didn't calm things down, unless she found things more entertaining calm."

"Rickie! Rickie!" cried the lady from the garden, "Your riding-master's impatient."

"We really oughtn't to talk of her like this here," whispered Agnes. "It's a horrible habit."

"The habit of the country, Agnes. Ugh, this gossip!" Suddenly he flung his arms over her. "Dear—dear—let's beware of I don't know what—of nothing at all perhaps."

"Oh, buck up!" yelled the irritable Stephen. "Which am I to shorten—left stirrup or right?"

"Left!" shouted Agnes.

"How many holes?"

They hurried down. On the way she said: "I'm glad of the warning. Now I'm prepared. Your aunt will get nothing out of me."

Her betrothed tried to mount with the wrong foot according to his invariable custom. She also had to pick up his whip. At last they started, the boy showing off pretty consistently, and she was left alone with her hostess.

"Dido is quiet as a lamb," said Mrs. Failing, "and Stephen is a good fielder. What a blessing it is to have cleared out the men. What shall you and I do this heavenly morning?"

"I'm game for anything."

"Have you quite unpacked?"

"Yes."

"Any letters to write?" No.

"Then let's go to my arbour. No, we won't. It gets the morning sun, and it'll be too hot today." Already she regretted clearing out the men. On such a morning she would have liked to drive, but her third animal had gone lame. She feared, too, that Miss Pembroke was going to bore her. However, they did go to the arbour. In languid tones she pointed out the various objects of interest.

"There's the Cad, which goes into the something, which goes into the Avon. Cadbury Rings opposite, Cadchurch to the extreme left: you can't see it. You were there last night. It is famous for the drunken parson and the railway-station. Then Cad Dauntsey. Then Cadford, that side of the stream, connected with Cadover, this. Observe the fertility of the Wiltshire mind."

"A terrible lot of Cads," said Agnes brightly.

Mrs. Failing divided her guests into those who made this joke and those who did not. The latter class was very small.

"The vicar of Cadford—not the nice drunkard—declares the name is really 'Chadford,' and he worried on till I put up a window to St. Chad in our church. His Cambridge wife pronounces it 'Hyadford.' I could smack them both. How do you like Podge? Ah! you jump; I meant you to. How do you like Podge Wonham?"

"Very nice," said Agnes, laughing.

"Nice! He is a hero."

There was a long interval of silence. Each lady looked, without much interest, at the view. Mrs. Failing's attitude towards Nature was severely aesthetic—an attitude more sterile than the severely practical. She applied the test of beauty to shadow and odour and sound; they never filled her with reverence or excitement; she never knew them as a resistless trinity that may intoxicate the worshipper with joy. If she liked a ploughed field, it was only as a spot of colour—not also as a hint of the endless strength of the earth. And today she could approve of one cloud, but object to its fellow. As for Miss Pembroke, she was not approving or objecting at all. "A hero?" she queried, when the interval had passed. Her voice was indifferent, as if she had been thinking of other things.

"A hero? Yes. Didn't you notice how heroic he was?"

"I don't think I did."

"Not at dinner? Ah, Agnes, always look out for heroism at dinner. It is their great time. They live up to the stiffness of their shirt fronts. Do you mean to say that you never noticed how he set down Rickie?"

"Oh, that about poetry!" said Agnes, laughing. "Rickie would not mind it for a moment. But why do you single out that as heroic?"

"To snub people! to set them down! to be rude to them! to make them feel small! Surely that's the lifework of a hero?"

"I shouldn't have said that. And as a matter of fact Mr. Wonham was wrong over the poetry. I made Rickie look it up afterwards."

"But of course. A hero always is wrong."

"To me," she persisted, rather gently, "a hero has always been a strong wonderful being, who champions—"

"Ah, wait till you are the dragon! I have been a dragon most of my life, I think. A dragon that wants nothing but a peaceful cave. Then in comes the strong, wonderful, delightful being, and gains a princess by piercing my hide. No, seriously, my dear Agnes, the chief characteristics of a hero are infinite disregard for the feelings of others, plus general inability to understand them."

"But surely Mr. Wonham—"

"Yes; aren't we being unkind to the poor boy. Ought we to go on talking?"

Agnes waited, remembering the warnings of Rickie, and thinking that anything she said might perhaps be repeated.

"Though even if he was here he wouldn't understand what we are saying."

"Wouldn't understand?"

Mrs. Failing gave the least flicker of an eye towards her companion. "Did you take him for clever?"

"I don't think I took him for anything." She smiled. "I have been thinking of other things, and another boy."

"But do think for a moment of Stephen. I will describe how he spent yesterday. He rose at eight. From eight to eleven he sang. The song was called, 'Father's boots will soon fit Willie.' He stopped once to say to the footman, 'She'll never finish her book. She idles: 'She' being I. At eleven he went out, and stood in the rain till four, but had the luck to see a child run over at the level-crossing. By half-past four he had knocked the bottom out of Christianity."

Agnes looked bewildered.

"Aren't you impressed? I was. I told him that he was on no account to unsettle the vicar. Open that cupboard, one of those sixpenny books tells Podge that he's made of hard little black things, another that he's made of brown things, larger and squashy. There seems a discrepancy, but anything is better for a thoughtful youth than to be made in the Garden of Eden. Let us eliminate the poetic, at whatever cost to the probable." When for a moment she spoke more gravely. "Here he is at twenty, with nothing to hold on by. I don't know what's to be done. I suppose it's my fault. But I've never had any bother over the Church of England; have you?"

"Of course I go with my Church," said Miss Pembroke, who hated this style of conversation. "I don't know, I'm sure. I think you should consult a man."

"Would Rickie help me?"

"Rickie would do anything he can." And Mrs. Failing noted the half official way in which she vouched for her lover. "But of course Rickie is a little—complicated. I doubt whether Mr. Wonham would understand him. He wants—doesn't he?—some one who's a little more assertive and more accustomed to boys. Some one more like my brother."

"Agnes!" she seized her by the arm. "Do you suppose that Mr. Pembroke would undertake my Podge?"

She shook her head. "His time is so filled up. He gets a boarding-house next term. Besides—after all I don't know what Herbert would do."

"Morality. He would teach him morality. The Thirty-Nine Articles may come of themselves, but if you have no morals you come to grief. Morality is all I demand from Mr. Herbert Pembroke. He shall be excused the use of the globes. You know, of course, that Stephen's expelled from a public school? He stole."

The school was not a public one, and the expulsion, or rather request for removal, had taken place when Stephen was fourteen. A violent spasm of dishonesty—such as often heralds the approach of manhood—had overcome him. He stole everything, especially what was difficult to steal, and hid the plunder beneath a loose plank in the passage. He was betrayed by the inclusion of a ham. This was the crisis of his career. His benefactress was just then rather bored with him. He had stopped being a pretty boy, and she rather doubted whether she would see him through. But she was so raged with the letters of the schoolmaster, and so delighted with those of the criminal, that she had him back and gave him a prize.

"No," said Agnes, "I didn't know. I should be happy to speak to Herbert, but, as I said, his time will be very full. But I know he has friends who make a speciality of weakly or—or unusual boys."

"My dear, I've tried it. Stephen kicked the weakly boys and robbed apples with the unusual ones. He was expelled again."

Agnes began to find Mrs. Failing rather tiresome. Wherever you trod on her, she seemed to slip away from beneath your feet. Agnes liked to know where she was and where other people were as well. She said: "My brother thinks a great deal of home life. I daresay he'd think that Mr. Wonham is best where he is—with you. You have been so kind to him. You"—she paused—"have been to him both father and mother."

"I'm too hot," was Mrs. Failing's reply. It seemed that Miss Pembroke had at last touched a topic on which she was reticent. She rang the electric bell,—it was only to tell the footman to take the reprints to Mr. Wonham's room,—and then murmuring something about work, proceeded herself to the house.

"Mrs. Failing—" said Agnes, who had not expected such a speedy end to their chat.

"Call me Aunt Emily. My dear?"

"Aunt Emily, what did you think of that story Rickie sent you?"

"It is bad," said Mrs. Failing. "But. But. But." Then she escaped, having told the truth, and yet leaving a pleasurable impression behind her.

XII

The excursion to Salisbury was but a poor business—in fact, Rickie never got there. They were not out of the drive before Mr. Wonham began doing acrobatics. He showed Rickie how very quickly he could turn round in his saddle and sit with his face to Aeneas's tail. "I see," said Rickie coldly, and became almost cross when they arrived in this condition at the gate behind the house, for he had to open it, and was afraid of falling. As usual, he anchored just beyond the fastenings, and then had to turn Dido, who seemed as long as a battleship. To his relief a man came forward, and murmuring, "Worst gate in the parish," pushed it wide and held it respectfully. "Thank you," cried Rickie; "many thanks." But Stephen, who was riding into the world back first, said majestically, "No, no; it doesn't count. You needn't think it does. You make it worse by touching your hat. Four hours and seven minutes! You'll see me again." The man answered nothing.

"Eh, but I'll hurt him," he chanted, as he swung into position. "That was Flea. Eh, but he's forgotten my fists; eh, but I'll hurt him."

"Why?" ventured Rickie. Last night, over cigarettes, he had been bored to death by the story of Flea. The boy had a little reminded him of Gerald—the Gerald of history, not the Gerald of romance. He was more genial, but there was the same brutality, the same peevish insistence on the pound of flesh.

"Hurt him till he learns."

"Learns what?"

"Learns, of course," retorted Stephen. Neither of them was very civil. They did not dislike each other, but they each wanted to be somewhere else—exactly the situation that Mrs. Failing had expected.

"He behaved badly," said Rickie, "because he is poorer than we are, and more ignorant. Less money has been spent on teaching him to behave."

"Well, I'll teach him for nothing."

"Perhaps his fists are stronger than yours!"

"They aren't. I looked."

After this conversation flagged. Rickie glanced back at Cadover, and thought of the insipid day that lay before him. Generally he was attracted by fresh people, and Stephen was almost fresh: they had been to him symbols of the unknown, and all that they did was interesting. But now he cared for the unknown no longer. He knew.

Mr. Wilbraham passed them in his dog-cart, and lifted his hat to his employer's nephew. Stephen he ignored: he could not find him on the map.

"Good morning," said Rickie. "What a lovely morning!"

"I say," called the other, "another child dead!" Mr. Wilbraham, who had seemed inclined to chat, whipped up his horse and left them.

"There goes an out and outer," said Stephen; and then, as if introducing an entirely new subject—"Don't you think Flea Thompson treated me disgracefully?"

"I suppose he did. But I'm scarcely the person to sympathize." The allusion fell flat, and he had to explain it. "I should have done the same myself,—promised to be away two hours, and stopped four."

"Stopped-oh—oh, I understand. You being in love, you mean?"

He smiled and nodded.

"Oh, I've no objection to Flea loving. He says he can't help it. But as long as my fists are stronger, he's got to keep it in line."

"In line?"

"A man like that, when he's got a girl, thinks the rest can go to the devil. He goes cutting his work and breaking his word. Wilbraham ought to sack him. I promise you when I've a girl I'll keep her in line, and if she turns nasty, I'll get another."

Rickie smiled and said no more. But he was sorry that any one should start life with such a creed—all the more sorry because the creed caricatured his own. He too believed that life should be in a line—a line of enormous length, full of countless interests and countless figures, all well beloved. But woman was not to be "kept" to this line. Rather did she advance it continually, like some triumphant general, making each unit still more interesting, still more lovable, than it had been before. He loved Agnes, not only for herself, but because she was lighting up the human world. But he could scarcely explain this to an inexperienced animal, nor did he make the attempt.

For a long time they proceeded in silence. The hill behind Cadover was in harvest, and the horses moved regretfully between the sheaves. Stephen had picked a grass leaf, and was blowing catcalls upon it. He blew very well, and this morning all his soul went into the wail. For he was ill. He was tortured with the feeling that he could not get away and do—do something, instead of being civil to this anaemic prig. Four hours in the rain was better than this: he had not wanted to fidget in the rain. But now the air was like wine, and the stubble was smelling of wet, and over his head white clouds trundled more slowly and more seldom through broadening tracts of blue. There never had been such a morning, and he shut up his eyes and called to it. And whenever he called, Rickie shut up his eyes and winced.

At last the blade broke. "We don't go quick, do we" he remarked, and looked on the weedy track for another.

"I wish you wouldn't let me keep you. If you were alone you would be galloping or something of that sort."

"I was told I must go your pace," he said mournfully. "And you promised Miss Pembroke not to hurry."

"Well, I'll disobey." But he could not rise above a gentle trot, and even that nearly jerked him out of the saddle.

"Sit like this," said Stephen. "Can't you see like this?" Rickie lurched forward, and broke his thumb nail on the horse's neck. It bled a little, and had to be bound up.

"Thank you—awfully kind—no tighter, please—I'm simply spoiling your day."

"I can't think how a man can help riding. You've only to leave it to the horse so!—so!—just as you leave it to water in swimming."

Rickie left it to Dido, who stopped immediately.

"I said LEAVE it." His voice rose irritably. "I didn't say 'die.' Of course she stops if you die. First you sit her as if you're Sandow exercising, and then you sit like a corpse. Can't you tell her you're alive? That's all she wants."

In trying to convey the information, Rickie dropped his whip. Stephen picked it up and rammed it into the belt of his own Norfolk jacket. He was scarcely a fashionable horseman. He was not even graceful. But he rode as a living man, though Rickie was too much bored to notice it. Not a muscle in him was idle, not a muscle working hard. When he returned from the gallop his limbs were still unsatisfied and his manners still irritable. He did not know that he was ill: he knew nothing about himself at all.

"Like a howdah in the Zoo," he grumbled. "Mother Failing will buy elephants." And he proceeded to criticize his benefactress. Rickie, keenly alive to bad taste, tried to stop him, and gained instead a criticism of religion. Stephen overthrew the Mosaic cosmogony. He pointed out the discrepancies in the Gospels. He levelled his wit against the most beautiful spire in the world, now rising against the southern sky. Between whiles he went for a gallop. After a time Rickie stopped listening, and simply went his way. For Dido was a perfect mount, and as indifferent to the motions of Aeneas as if she was strolling in the Elysian fields. He had had a bad night, and the strong air made him sleepy. The wind blew from the Plain. Cadover and its valley had disappeared, and though they had not climbed much and could not see far, there was a sense of infinite space. The fields were enormous, like fields on the Continent, and the brilliant sun showed up their colours well. The green of the turnips, the gold of the harvest, and the brown of the newly turned clods, were each contrasted with morsels of grey down. But the general effect was pale, or rather silvery, for Wiltshire is not a county of heavy tints. Beneath these colours lurked the unconquerable chalk, and wherever the soil was poor it emerged. The grassy track, so gay with scabious and bedstraw, was snow-white at the bottom of its ruts. A dazzling amphitheatre gleamed in the flank of a distant hill, cut for some Olympian audience. And here and there, whatever the surface crop, the earth broke into little embankments, little ditches, little mounds: there had been no lack of drama to solace the gods.

In Cadover, the perilous house, Agnes had already parted from Mrs. Failing. His thoughts returned to her. Was she, the soul of truth, in safety? Was her purity vexed by the lies and selfishness? Would she elude the caprice which had, he vaguely knew, caused suffering before? Ah, the frailty of joy! Ah, the myriads of longings that pass without fruition, and the turf grows over them! Better men, women as noble—they had died up here and their dust had been mingled, but only their dust. These are morbid thoughts, but who dare contradict them? There is much good luck in the world, but it is luck. We are none of us safe. We are children, playing or quarreling on the line, and some of us have Rickie's temperament, or his experiences, and admit it.

So he mused, that anxious little speck, and all the land seemed to comment on his fears and on his love.

Their path lay upward, over a great bald skull, half grass, half stubble. It seemed each moment there would be a splendid view. The view never came, for none of the inclines were sharp enough, and they moved over the skull for many minutes, scarcely shifting a landmark or altering the blue fringe of the distance. The spire of Salisbury did alter, but very slightly, rising and falling like the mercury in a thermometer. At the most it would be half hidden; at the least the tip would show behind the swelling barrier of earth. They passed two elder-trees—a great event. The bare patch, said Stephen, was owing to the gallows. Rickie nodded. He had lost all sense of incident. In this great solitude—more solitary than any Alpine range—he and Agnes were floating alone and for ever, between the shapeless earth and the shapeless clouds. An immense silence seemed to move towards them. A lark stopped singing, and they were glad of it. They were approaching the Throne of God. The silence touched them; the earth and all danger dissolved, but ere they quite vanished Rickie heard himself saying, "Is it exactly what we intended?"

"Yes," said a man's voice; "it's the old plan." They were in another valley. Its sides were thick with trees. Down it ran another stream and another road: it, too, sheltered a string of villages. But all was richer, larger, and more beautiful—the valley of the Avon below Amesbury.

"I've been asleep!" said Rickie, in awestruck tones.

"Never!" said the other facetiously. "Pleasant dreams?"

"Perhaps—I'm really tired of apologizing to you. How long have you been holding me on?"

"All in the day's work." He gave him back the reins.

"Where's that round hill?"

"Gone where the good niggers go. I want a drink."

This is Nature's joke in Wiltshire—her one joke. You toil on windy slopes, and feel very primeval. You are miles from your fellows, and lo! a little valley full of elms and cottages. Before Rickie had waked up to it, they had stopped by a thatched public-house, and Stephen was yelling like a maniac for beer.

There was no occasion to yell. He was not very thirsty, and they were quite ready to serve him. Nor need he have drunk in the saddle, with the air of a warrior who carries important dispatches and has not the time to dismount. A real soldier, bound on a similar errand, rode up to the inn, and Stephen feared that he would yell louder, and was hostile. But they made friends and treated each other, and slanged the proprietor and ragged the pretty girls; while Rickie, as each wave of vulgarity burst over him, sunk his head lower and lower, and wished that the earth would swallow him up. He was only used to Cambridge, and to a very small corner of that. He and his friends there believed in free speech. But they spoke freely about generalities. They were scientific and philosophic. They would have shrunk from the empirical freedom that results from a little beer.

That was what annoyed him as he rode down the new valley with two chattering companions. He was more skilled than they were in the principles of human existence, but he was not so indecently familiar with the examples. A sordid village scandal—such as Stephen described as a huge joke—sprang from certain defects in human nature, with which he was theoretically acquainted. But the example! He blushed at it like a maiden lady, in spite of its having a parallel in a beautiful idyll of Theocritus. Was experience going to be such a splendid thing after all? Were the outside of houses so very beautiful?

"That's spicy!" the soldier was saying. "Got any more like that?"

"I'se got a pome," said Stephen, and drew a piece of paper from his pocket. The valley had broadened. Old Sarum rose before them, ugly and majestic.

"Write this yourself?" he asked, chuckling.

"Rather," said Stephen, lowering his head and kissing Aeneas between the ears.

"But who's old Em'ly?" Rickie winced and frowned.

"Now you're asking.

"Old Em'ly she limps, And as—"

"I am so tired," said Rickie. Why should he stand it any longer?

He would go home to the woman he loved. "Do you mind if I give up Salisbury?"

"But we've seen nothing!" cried Stephen.

"I shouldn't enjoy anything, I am so absurdly tired."

"Left turn, then—all in the day's work." He bit at his moustache angrily.

"Good gracious me, man!—of course I'm going back alone. I'm not going to spoil your day. How could you think it of me?"

Stephen gave a loud sigh of relief. "If you do want to go home, here's your whip. Don't fall off. Say to her you wanted it, or there might be ructions."

"Certainly. Thank you for your kind care of me."

"'Old Em'ly she limps, And as—'"

Soon he was out of earshot. Soon they were lost to view. Soon they were out of his thoughts. He forgot the coarseness and the drinking and the ingratitude. A few months ago he would not have forgotten so quickly, and he might also have detected something else. But a lover is dogmatic. To him the world shall be beautiful and pure. When it is not, he ignores it.

"He's not tired," said Stephen to the soldier; "he wants his girl." And they winked at each other, and cracked jokes over the eternal comedy of love. They asked each other if they'd let a girl spoil a morning's ride. They both exhibited a profound cynicism. Stephen, who was quite without ballast, described the household at Cadover: he should say that Rickie would find Miss Pembroke kissing the footman.

"I say the footman's kissing old Em'ly."

"Jolly day," said Stephen. His voice was suddenly constrained. He was not sure whether he liked the soldier after all, nor whether he had been wise in showing him his compositions.

"'Old Em'ly she limps, And as—'"

"All right, Thomas. That'll do."

"Old Em'ly—'"

"I wish you'd dry up, like a good fellow. This is the lady's horse, you know, hang it, after all."

"In-deed!"

"Don't you see—when a fellow's on a horse, he can't let another fellow—kind of—don't you know?"

The man did know. "There's sense in that." he said approvingly. Peace was restored, and they would have reached Salisbury if they had not had some more beer. It unloosed the soldier's fancies, and again he spoke of old Em'ly, and recited the poem, with Aristophanic variations.

"Jolly day," repeated Stephen, with a straightening of the eyebrows and a quick glance at the other's body. He then warned him against the variations. In consequence he was accused of being a member of the Y.M.C.A. His blood boiled at this. He refuted the charge, and became great friends with the soldier, for the third time.

"Any objection to 'Saucy Mr. and Mrs. Tackleton'?"

"Rather not."

The soldier sang "Saucy Mr. and Mrs. Tackleton." It is really a work for two voices, most of the sauciness disappearing when taken as a solo. Nor is Mrs. Tackleton's name Em'lv.

"I call it a jolly rotten song," said Stephen crossly. "I won't stand being got at."

"P'r'aps y'like therold song. Lishen.

"Now, that's wrong." He rode up close to the singer.

"Shright."

"'Tisn't."

"It's as my mother taught me."

"I don't care."

"I'll not alter from mother's way."

Stephen was baffled. Then he said, "How does your mother make it rhyme?"

"Wot?"

"Squat. You're an ass, and I'm not. Poems want rhymes. 'Alley' comes next line."

He said "alley" was—welcome to come if it liked.

"It can't. You want Sally. Sally—alley. Em'ly-alley doesn't do."

"Emily-femily!" cried the soldier, with an inspiration that was not his when sober. "My mother taught me femily.

"'For she's the darling of merart, And she lives in my femily.'"

"Well, you'd best be careful, Thomas, and your mother too."

"Your mother's no better than she should be," said Thomas vaguely.

"Do you think I haven't heard that before?" retorted the boy. The other concluded he might now say anything. So he might—the name of old Emily excepted. Stephen cared little about his benefactress's honour, but a great deal about his own. He had made Mrs. Failing into a test. For the moment he would die for her, as a knight would die for a glove. He is not to be distinguished from a hero.

Old Sarum was passed. They approached the most beautiful spire in the world. "Lord! another of these large churches!" said the soldier. Unfriendly to Gothic, he lifted both hands to his nose, and declared that old Em'ly was buried there. He lay in the mud. His horse trotted back towards Amesbury, Stephen had twisted him out of the saddle.

"I've done him!" he yelled, though no one was there to hear. He rose up in his stirrups and shouted with joy. He flung his arms round Aeneas's neck. The elderly horse understood, capered, and bolted. It was a centaur that dashed into Salisbury and scattered the people. In the stable he would not dismount. "I've done him!" he yelled to the ostlers—apathetic men. Stretching upwards, he clung to a beam. Aeneas moved on and he was left hanging. Greatly did he incommode them by his exercises. He pulled up, he circled, he kicked the other customers. At last he fell to the earth, deliciously fatigued. His body worried him no longer.

He went, like the baby he was, to buy a white linen hat. There were soldiers about, and he thought it would disguise him. Then he had a little lunch to steady the beer. This day had turned out admirably. All the money that should have fed Rickie he could spend on himself. Instead of toiling over the Cathedral and seeing the stuffed penguins, he could stop the whole thing in the cattle market. There he met and made some friends. He watched the cheap-jacks, and saw how necessary it was to have a confident manner. He spoke confidently himself about lambs, and people listened. He spoke confidently about pigs, and they roared with laughter. He must learn more about pigs. He witnessed a performance—not too namby-pamby—of Punch and Judy. "Hullo, Podge!" cried a naughty little girl. He tried to catch her, and failed. She was one of the Cadford children. For Salisbury on market day, though it is not picturesque, is certainly representative, and you read the names of half the Wiltshire villages upon the carriers' carts. He found, in Penny Farthing Street, the cart from Wintersbridge. It would not start for several hours, but the passengers always used it as a club, and sat in it every now and then during the day. No less than three ladies were these now, staring at the shafts. One of them was Flea Thompson's girl. He asked her, quite politely, why her lover had broken faith with him in the rain. She was silent. He warned her of approaching vengeance. She was still silent, but another woman hoped that a gentleman would not be hard on a poor person. Something in this annoyed him; it wasn't a question of gentility and poverty—it was a question of two men. He determined to go back by Cadbury Rings where the shepherd would now be.

He did. But this part must be treated lightly. He rode up to the culprit with the air of a Saint George, spoke a few stern words from the saddle, tethered his steed to a hurdle, and took off his coat. "Are you ready?" he asked.

"Yes, sir," said Flea, and flung him on his back.

"That's not fair," he protested.

The other did not reply, but flung him on his head.

"How on earth did you learn that?"

"By trying often," said Flea.

Stephen sat on the ground, picking mud out of his forehead. "I meant it to be fists," he said gloomily.

"I know, sir."

"It's jolly smart though, and—and I beg your pardon all round." It cost him a great deal to say this, but he was sure that it was the right thing to say. He must acknowledge the better man. Whereas most people, if they provoke a fight and are flung, say, "You cannot rob me of my moral victory."

There was nothing further to be done. He mounted again, not exactly depressed, but feeling that this delightful world is extraordinarily unreliable. He had never expected to fling the soldier, or to be flung by Flea. "One nips or is nipped," he thought, "and never knows beforehand. I should not be surprised if many people had more in them than I suppose, while others were just the other way round. I haven't seen that sort of thing in Ingersoll, but it's quite important." Then his thoughts turned to a curious incident of long ago, when he had been "nipped"—as a little boy. He was trespassing in those woods, when he met in a narrow glade a flock of sheep. They had neither dog nor shepherd, and advanced towards him silently. He was accustomed to sheep, but had never happened to meet them in a wood before, and disliked it. He retired, slowly at first, then fast; and the flock, in a dense mass, pressed after him. His terror increased. He turned and screamed at their long white faces; and still they came on, all stuck together, like some horrible jell—. If once he got into them! Bellowing and screeching, he rushed into the undergrowth, tore himself all over, and reached home in convulsions. Mr. Failing, his only grown-up friend, was sympathetic, but quite stupid. "Pan ovium custos," he sympathetic, as he pulled out the thorns. "Why not?" "Pan ovium custos." Stephen learnt the meaning of the phrase at school, "A pan of eggs for custard." He still remembered how the other boys looked as he peeped at them between his legs, awaiting the descending cane.

So he returned, full of pleasant disconnected thoughts. He had had a rare good time. He liked every one—even that poor little Elliot—and yet no one mattered. They were all out. On the landing he saw the housemaid. He felt skittish and irresistible. Should he slip his arm round her waist? Perhaps better not; she might box his ears. And he wanted to smoke on the roof before dinner. So he only said, "Please will you stop the boy blacking my brown boots," and she with downcast eyes, answered, "Yes, sir; I will indeed."

His room was in the pediment. Classical architecture, like all things in this world that attempt serenity, is bound to have its lapses into the undignified, and Cadover lapsed hopelessly when it came to Stephen's room. It gave him one round window, to see through which he must lie upon his stomach, one trapdoor opening upon the leads, three iron girders, three beams, six buttresses, no circling, unless you count the walls, no walls unless you count the ceiling and in its embarrassment presented him with the gurgly cistern that supplied the bath water. Here he lived, absolutely happy, and unaware that Mrs. Failing had poked him up here on purpose, to prevent him from growing too bumptious. Here he worked and sang and practised on the ocharoon. Here, in the crannies, he had constructed shelves and cupboards and useless little drawers. He had only one picture—the Demeter of Onidos—and she hung straight from the roof like a joint of meat. Once she was in the drawing-room; but Mrs. Failing had got tired of her, and decreed her removal and this degradation. Now she faced the sunrise; and when the moon rose its light also fell on her, and trembled, like light upon the sea. For she was never still, and if the draught increased she would twist on her string, and would sway and tap upon the rafters until Stephen woke up and said what he thought of her. "Want your nose?" he would murmur. "Don't you wish you may get it" Then he drew the clothes over his ears, while above him, in the wind and the darkness, the goddess continued her motions.

Today, as he entered, he trod on the pile of sixpenny reprints. Leighton had brought them up. He looked at the portraits in their covers, and began to think that these people were not everything. What a fate, to look like Colonel Ingersoll, or to marry Mrs. Julia P. Chunk! The Demeter turned towards him as he bathed, and in the cold water he sang—

and sprang upward through the skylight on to the roof. Years ago, when a nurse was washing him, he had slipped from her soapy hands and got up here. She implored him to remember that he was a little gentleman; but he forgot the fact—if it was a fact—and not even the butler could get him down. Mr. Failing, who was sitting alone in the garden too ill to read, heard a shout, "Am I an acroterium?" He looked up and saw a naked child poised on the summit of Cadover. "Yes," he replied; "but they are unfashionable. Go in," and the vision had remained with him as something peculiarly gracious. He felt that nonsense and beauty have close connections,—closer connections than Art will allow,—and that both would remain when his own heaviness and his own ugliness had perished. Mrs. Failing found in his remains a sentence that puzzled her. "I see the respectable mansion. I see the smug fortress of culture. The doors are shut. The windows are shut. But on the roof the children go dancing for ever."

Stephen was a child no longer. He never stood on the pediment now, except for a bet. He never, or scarcely ever, poured water down the chimneys. When he caught the cat, he seldom dropped her into the housekeeper's bedroom. But still, when the weather was fair, he liked to come up after bathing, and get dry in the sun. Today he brought with him a towel, a pipe of tobacco, and Rickie's story. He must get it done some time, and he was tired of the six-penny reprints. The sloping gable was warm, and he lay back on it with closed eyes, gasping for pleasure. Starlings criticized him, snots fell on his clean body, and over him a little cloud was tinged with the colours of evening. "Good! good!" he whispered. "Good, oh good!" and opened the manuscript reluctantly.

What a production! Who was this girl? Where did she go to? Why so much talk about trees? "I take it he wrote it when feeling bad," he murmured, and let it fall into the gutter. It fell face downwards, and on the back he saw a neat little resume in Miss Pembroke's handwriting, intended for such as him. "Allegory. Man = modern civilization (in bad sense). Girl = getting into touch with Nature."

In touch with Nature! The girl was a tree! He lit his pipe and gazed at the radiant earth. The foreground was hidden, but there was the village with its elms, and the Roman Road, and Cadbury Rings. There, too, were those woods, and little beech copses, crowning a waste of down. Not to mention the air, or the sun, or water. Good, oh good!

In touch with Nature! What cant would the books think of next? His eyes closed. He was sleepy. Good, oh good! Sighing into his pipe, he fell asleep.

XIII

Glad as Agnes was when her lover returned for lunch, she was at the same time rather dismayed: she knew that Mrs. Failing would not like her plans altered. And her dismay was justified. Their hostess was a little stiff, and asked whether Stephen had been obnoxious.

"Indeed he hasn't. He spent the whole time looking after me."

"From which I conclude he was more obnoxious than usual." Rickie praised him diligently. But his candid nature showed everything through. His aunt soon saw that they had not got on. She had expected this—almost planned it. Nevertheless she resented it, and her resentment was to fall on him.

The storm gathered slowly, and many other things went to swell it. Weakly people, if they are not careful, hate one another, and when the weakness is hereditary the temptation increases. Elliots had never got on among themselves. They talked of "The Family," but they always turned outwards to the health and beauty that lie so promiscuously about the world. Rickie's father had turned, for a time at all events, to his mother. Rickie himself was turning to Agnes. And Mrs. Failing now was irritable, and unfair to the nephew who was lame like her horrible brother and like herself. She thought him invertebrate and conventional. She was envious of his happiness. She did not trouble to understand his art. She longed to shatter him, but knowing as she did that the human thunderbolt often rebounds and strikes the wielder, she held her hand.

Agnes watched the approaching clouds. Rickie had warned her; now she began to warn him. As the visit wore away she urged him to be pleasant to his aunt, and so convert it into a success.

He replied, "Why need it be a success?"—a reply in the manner of Ansell.

She laughed. "Oh, that's so like you men—all theory! What about your great theory of hating no one? As soon as it comes in useful you drop it."

"I don't hate Aunt Emily. Honestly. But certainly I don't want to be near her or think about her. Don't you think there are two great things in life that we ought to aim at—truth and kindness? Let's have both if we can, but let's be sure of having one or the other. My aunt gives up both for the sake of being funny."

"And Stephen Wonham," pursued Agnes. "There's another person you hate—or don't think about, if you prefer it put like that."

"The truth is, I'm changing. I'm beginning to see that the world has many people in it who don't matter. I had time for them once. Not now." There was only one gate to the kingdom of heaven now.

Agnes surprised him by saying, "But the Wonham boy is evidently a part of your aunt's life. She laughs at him, but she is fond of him."

"What's that to do with it?"

"You ought to be pleasant to him on account of it."

"Why on earth?"

She flushed a little. "I'm old-fashioned. One ought to consider one's hostess, and fall in with her life. After we leave it's another thing. But while we take her hospitality I think it's our duty."

Her good sense triumphed. Henceforth he tried to fall in with Aunt Emily's life. Aunt Emily watched him trying. The storm broke, as storms sometimes do, on Sunday.

Sunday church was a function at Cadover, though a strange one. The pompous landau rolled up to the house at a quarter to eleven. Then Mrs. Failing said, "Why am I being hurried?" and after an interval descended the steps in her ordinary clothes. She regarded the church as a sort of sitting-room, and refused even to wear a bonnet there. The village was shocked, but at the same time a little proud; it would point out the carriage to strangers and gossip about the pale smiling lady who sat in it, always alone, always late, her hair always draped in an expensive shawl.

This Sunday, though late as usual, she was not alone. Miss Pembroke, en grande toilette, sat by her side. Rickie, looking plain and devout, perched opposite. And Stephen actually came too, murmuring that it would be the Benedicite, which he had never minded. There was also the Litany, which drove him into the air again, much to Mrs. Failing's delight. She enjoyed this sort of thing. It amused her when her Protege left the pew, looking bored, athletic, and dishevelled, and groping most obviously for his pipe. She liked to keep a thoroughbred pagan to shock people. "He's gone to worship Nature," she whispered. Rickie did not look up. "Don't you think he's charming?" He made no reply.

"Charming," whispered Agnes over his head.

During the sermon she analysed her guests. Miss Pembroke—undistinguished, unimaginative, tolerable. Rickie—intolerable. "And how pedantic!" she mused. "He smells of the University library. If he was stupid in the right way he would be a don." She looked round the tiny church; at the whitewashed pillars, the humble pavement, the window full of magenta saints. There was the vicar's wife. And Mrs. Wilbraham's bonnet. Ugh! The rest of the congregation were poor women, with flat, hopeless faces—she saw them Sunday after Sunday, but did not know their names—diversified with a few reluctant plough-boys, and the vile little school children row upon row. "Ugh! what a hole," thought Mrs. Failing, whose Christianity was the type best described as "cathedral." "What a hole for a cultured woman! I don't think it has blunted my sensations, though; I still see its squalor as clearly as ever. And my nephew pretends he is worshipping. Pah! the hypocrite." Above her the vicar spoke of the danger of hurrying from one dissipation to another. She treasured his words, and continued: "I cannot stand smugness. It is the one, the unpardonable sin. Fresh air! The fresh air that has made Stephen Wonham fresh and companionable and strong. Even if it kills, I will let in the fresh air."

Thus reasoned Mrs. Failing, in the facile vein of Ibsenism. She imagined herself to be a cold-eyed Scandinavian heroine. Really she was an English old lady, who did not mind giving other people a chill provided it was not infectious.

Agnes, on the way back, noted that her hostess was a little snappish. But one is so hungry after morning service, and either so hot or so cold, that he would be a saint indeed who becomes a saint at once. Mrs. Failing, after asserting vindictively that it was impossible to make a living out of literature, was courteously left alone. Roast-beef and moselle might yet work miracles, and Agnes still hoped for the introductions—the introductions to certain editors and publishers—on which her whole diplomacy was bent. Rickie would not push himself. It was his besetting sin. Well for him that he would have a wife, and a loving wife, who knew the value of enterprise.

Unfortunately lunch was a quarter of an hour late, and during that quarter of an hour the aunt and the nephew quarrelled. She had been inveighing against the morning service, and he quietly and deliberately replied, "If organized religion is anything—and it is something to me—it will not be wrecked by a harmonium and a dull sermon."

Mrs. Failing frowned. "I envy you. It is a great thing to have no sense of beauty."

"I think I have a sense of beauty, which leads me astray if I am not careful."

"But this is a great relief to me. I thought the present day young man was an agnostic! Isn't agnosticism all the thing at Cambridge?"

"Nothing is the 'thing' at Cambridge. If a few men are agnostic there, it is for some grave reason, not because they are irritated with the way the parson says his vowels."

Agnes intervened. "Well, I side with Aunt Emily. I believe in ritual."

"Don't, my dear, side with me. He will only say you have no sense of religion either."

"Excuse me," said Rickie, perhaps he too was a little hungry,—"I never suggested such a thing. I never would suggest such a thing. Why cannot you understand my position? I almost feel it is that you won't."

"I try to understand your position night and day dear—what you mean, what you like, why you came to Cadover, and why you stop here when my presence is so obviously unpleasing to you."

"Luncheon is served," said Leighton, but he said it too late. They discussed the beef and the moselle in silence. The air was heavy and ominous. Even the Wonham boy was affected by it, shivered at times, choked once, and hastened anew into the sun. He could not understand clever people.

Agnes, in a brief anxious interview, advised the culprit to take a solitary walk. She would stop near Aunt Emily, and pave the way for an apology.

"Don't worry too much. It doesn't really matter."

"I suppose not, dear. But it seems a pity, considering we are so near the end of our visit."

"Rudeness and Grossness matter, and I've shown both, and already I'm sorry, and I hope she'll let me apologize. But from the selfish point of view it doesn't matter a straw. She's no more to us than the Wonham boy or the boot boy."

"Which way will you walk?"

"I think to that entrenchment. Look at it." They were sitting on the steps. He stretched out his hand to Cadsbury Rings, and then let it rest for a moment on her shoulder. "You're changing me," he said gently. "God bless you for it."

He enjoyed his walk. Cadford was a charming village and for a time he hung over the bridge by the mill. So clear was the stream that it seemed not water at all, but some invisible quintessence in which the happy minnows and the weeds were vibrating. And he paused again at the Roman crossing, and thought for a moment of the unknown child. The line curved suddenly: certainly it was dangerous. Then he lifted his eyes to the down. The entrenchment showed like the rim of a saucer, and over its narrow line peeped the summit of the central tree. It looked interesting. He hurried forward, with the wind behind him.

The Rings were curious rather than impressive. Neither embankment was over twelve feet high, and the grass on them had not the exquisite green of Old Sarum, but was grey and wiry. But Nature (if she arranges anything) had arranged that from them, at all events, there should be a view. The whole system of the country lay spread before Rickie, and he gained an idea of it that he never got in his elaborate ride. He saw how all the water converges at Salisbury; how Salisbury lies in a shallow basin, just at the change of the soil. He saw to the north the Plain, and the stream of the Cad flowing down from it, with a tributary that broke out suddenly, as the chalk streams do: one village had clustered round the source and clothed itself with trees. He saw Old Sarum, and hints of the Avon valley, and the land above Stone Henge. And behind him he saw the great wood beginning unobtrusively, as if the down too needed shaving; and into it the road to London slipped, covering the bushes with white dust. Chalk made the dust white, chalk made the water clear, chalk made the clean rolling outlines of the land, and favoured the grass and the distant coronals of trees. Here is the heart of our island: the Chilterns, the North Downs, the South Downs radiate hence. The fibres of England unite in Wiltshire, and did we condescend to worship her, here we should erect our national shrine.

People at that time were trying to think imperially, Rickie wondered how they did it, for he could not imagine a place larger than England. And other people talked of Italy, the spiritual fatherland of us all. Perhaps Italy would prove marvellous. But at present he conceived it as something exotic, to be admired and reverenced, but not to be loved like these unostentatious fields. He drew out a book, it was natural for him to read when he was happy, and to read out loud,—and for a little time his voice disturbed the silence of that glorious afternoon. The book was Shelley, and it opened at a passage that he had cherished greatly two years before, and marked as "very good."

"I never was attached to that great sect Whose doctrine is that each one should select Out of the world a mistress or a friend, And all the rest, though fair and wise, commend To cold oblivion,—though it is the code Of modern morals, and the beaten road Which those poor slaves with weary footsteps tread Who travel to their home among the dead By the broad highway of the world,—and so With one sad friend, perhaps a jealous foe, The dreariest and the longest journey go."

It was "very good"—fine poetry, and, in a sense, true. Yet he was surprised that he had ever selected it so vehemently. This afternoon it seemed a little inhuman. Half a mile off two lovers were keeping company where all the villagers could see them. They cared for no one else; they felt only the pressure of each other, and so progressed, silent and oblivious, across the land. He felt them to be nearer the truth than Shelley. Even if they suffered or quarrelled, they would have been nearer the truth. He wondered whether they were Henry Adams and Jessica Thompson, both of this parish, whose banns had been asked for the second time in the church this morning. Why could he not marry on fifteen shillings a-week? And be looked at them with respect, and wished that he was not a cumbersome gentleman.

Presently he saw something less pleasant—his aunt's pony carriage. It had crossed the railway, and was advancing up the Roman road along by the straw sacks. His impulse was to retreat, but someone waved to him. It was Agnes. She waved continually, as much as to say, "Wait for us." Mrs. Failing herself raised the whip in a nonchalant way. Stephen Wonham was following on foot, some way behind. He put the Shelley back into his pocket and waited for them. When the carriage stopped by some hurdles he went down from the embankment and helped them to dismount. He felt rather nervous.

His aunt gave him one of her disquieting smiles, but said pleasantly enough, "Aren't the Rings a little immense? Agnes and I came here because we wanted an antidote to the morning service."

"Pang!" said the church bell suddenly; "pang! pang!" It sounded petty and ludicrous. They all laughed. Rickie blushed, and Agnes, with a glance that said "apologize," darted away to the entrenchment, as though unable to restrain her curiosity.

"The pony won't move," said Mrs. Failing. "Leave him for Stephen to tie up. Will you walk me to the tree in the middle? Booh! I'm tired. Give me your arm—unless you're tired as well."

"No. I came out partly in the hope of helping you."

"How sweet of you." She contrasted his blatant unselfishness with the hardness of Stephen. Stephen never came out to help you. But if you got hold of him he was some good. He didn't wobble and bend at the critical moment. Her fancy compared Rickie to the cracked church bell sending forth its message of "Pang! pang!" to the countryside, and Stephen to the young pagans who were said to lie under this field guarding their pagan gold.

"This place is full of ghosties," she remarked; "have you seen any yet?"

"I've kept on the outer rim so far."

"Let's go to the tree in the centre."

"Here's the path." The bank of grass where he had sat was broken by a gap, through which chariots had entered, and farm carts entered now. The track, following the ancient track, led straight through turnips to a similar gap in the second circle, and thence continued, through more turnips, to the central tree.

"Pang!" said the bell, as they paused at the entrance.

"You needn't unharness," shouted Mrs. Failing, for Stephen was approaching the carriage.

"Yes, I will," he retorted.

"You will, will you?" she murmured with a smile. "I wish your brother wasn't quite so uppish. Let's get on. Doesn't that church distract you?"

"It's so faint here," said Rickie. And it sounded fainter inside, though the earthwork was neither thick nor tall; and the view, though not hidden, was greatly diminished. He was reminded for a minute of that chalk pit near Madingley, whose ramparts excluded the familiar world. Agnes was here, as she had once been there. She stood on the farther barrier, waiting to receive them when they had traversed the heart of the camp.

"Admire my mangel-wurzels," said Mrs. Failing. "They are said to grow so splendidly on account of the dead soldiers. Isn't it a sweet thought? Need I say it is your brother's?"

"Wonham's?" he suggested. It was the second time that she had made the little slip. She nodded, and he asked her what kind of ghosties haunted this curious field.

"The D.," was her prompt reply. "He leans against the tree in the middle, especially on Sunday afternoons and all the worshippers rise through the turnips and dance round him."

"Oh, these were decent people," he replied, looking downwards—"soldiers and shepherds. They have no ghosts. They worshipped Mars or Pan-Erda perhaps; not the devil."

"Pang!" went the church, and was silent, for the afternoon service had begun. They entered the second entrenchment, which was in height, breadth, and composition, similar to the first, and excluded still more of the view. His aunt continued friendly. Agnes stood watching them.

"Soldiers may seem decent in the past," she continued, "but wait till they turn into Tommies from Bulford Camp, who rob the chickens."

"I don't mind Bulford Camp," said Rickie, looking, though in vain, for signs of its snowy tents. "The men there are the sons of the men here, and have come back to the old country. War's horrible, yet one loves all continuity. And no one could mind a shepherd."

"Indeed! What about your brother—a shepherd if ever there was? Look how he bores you! Don't be so sentimental."

"But—oh, you mean—"

"Your brother Stephen."

He glanced at her nervously. He had never known her so queer before. Perhaps it was some literary allusion that he had not caught; but her face did not at that moment suggest literature. In the differential tones that one uses to an old and infirm person he said "Stephen Wonham isn't my brother, Aunt Emily."

"My dear, you're that precise. One can't say 'half-brother' every time."

They approached the central tree.

"How you do puzzle me," he said, dropping her arm and beginning to laugh. "How could I have a half-brother?"

She made no answer.

Then a horror leapt straight at him, and he beat it back and said, "I will not be frightened." The tree in the centre revolved, the tree disappeared, and he saw a room—the room where his father had lived in town. "Gently," he told himself, "gently." Still laughing, he said, "I, with a brother-younger it's not possible." The horror leapt again, and he exclaimed, "It's a foul lie!"

"My dear, my dear!"

"It's a foul lie! He wasn't—I won't stand—"

"My dear, before you say several noble things, remember that it's worse for him than for you—worse for your brother, for your half-brother, for your younger brother."

But he heard her no longer. He was gazing at the past, which he had praised so recently, which gaped ever wider, like an unhallowed grave. Turn where he would, it encircled him. It took visible form: it was this double entrenchment of the Rings. His mouth went cold, and he knew that he was going to faint among the dead. He started running, missed the exit, stumbled on the inner barrier, fell into darkness—

"Get his head down," said a voice. "Get the blood back into him. That's all he wants. Leave him to me. Elliot!"—the blood was returning—"Elliot, wake up!"

He woke up. The earth he had dreaded lay close to his eyes, and seemed beautiful. He saw the structure of the clods. A tiny beetle swung on the grass blade. On his own neck a human hand pressed, guiding the blood back to his brain.

There broke from him a cry, not of horror but of acceptance. For one short moment he understood. "Stephen—" he began, and then he heard his own name called: "Rickie! Rickie!" Agnes hurried from her post on the margin, and, as if understanding also, caught him to her breast.

Stephen offered to help them further, but finding that he made things worse, he stepped aside to let them pass and then sauntered inwards. The whole field, with concentric circles, was visible, and the broad leaves of the turnips rustled in the gathering wind. Miss Pembroke and Elliot were moving towards the Cadover entrance. Mrs. Failing stood watching in her turn on the opposite bank. He was not an inquisitive boy; but as he leant against the tree he wondered what it was all about, and whether he would ever know.

XIV

On the way back—at that very level-crossing where he had paused on his upward route—Rickie stopped suddenly and told the girl why he had fainted. Hitherto she had asked him in vain. His tone had gone from him, and he told her harshly and brutally, so that she started away with a horrified cry. Then his manner altered, and he exclaimed: "Will you mind? Are you going to mind?"

"Of course I mind," she whispered. She turned from him, and saw up on the sky-line two figures that seemed to be of enormous size.

"They're watching us. They stand on the edge watching us. This country's so open—you—you can't they watch us wherever we go. Of course you mind."

They heard the rumble of the train, and she pulled herself together. "Come, dearest, we shall be run over next. We're saying things that have no sense." But on the way back he repeated: "They can still see us. They can see every inch of this road. They watch us for ever." And when they arrived at the steps there, sure enough, were still the two figures gazing from the outer circle of the Rings.

She made him go to his room at once: he was almost hysterical. Leighton brought out some tea for her, and she sat drinking it on the little terrace. Of course she minded.

Again she was menaced by the abnormal. All had seemed so fair and so simple, so in accordance with her ideas; and then, like a corpse, this horror rose up to the surface. She saw the two figures descend and pause while one of them harnessed the pony; she saw them drive downward, and knew that before long she must face them and the world. She glanced at her engagement ring.

When the carriage drove up Mrs. Failing dismounted, but did not speak. It was Stephen who inquired after Rickie. She, scarcely knowing the sound of her own voice, replied that he was a little tired.

"Go and put up the pony," said Mrs. Failing rather sharply.

"Agnes, give me some tea."

"It is rather strong," said Agnes as the carriage drove off and left them alone. Then she noticed that Mrs. Failing herself was agitated. Her lips were trembling, and she saw the boy depart with manifest relief.

"Do you know," she said hurriedly, as if talking against time—"Do you know what upset Rickie?"

"I do indeed know."

"Has he told any one else?"

"I believe not."

"Agnes—have I been a fool?"

"You have been very unkind," said the girl, and her eyes filled with tears.

For a moment Mrs. Failing was annoyed. "Unkind? I do not see that at all. I believe in looking facts in the face. Rickie must know his ghosts some time. Why not this afternoon?"

She rose with quiet dignity, but her tears came faster. "That is not so. You told him to hurt him. I cannot think what you did it for. I suppose because he was rude to you after church. It is a mean, cowardly revenge.

"What—what if it's a lie?"

"Then, Mrs. Failing, it is sickening of you. There is no other word. Sickening. I am sorry—a nobody like myself—to speak like this. How COULD you, oh, how could you demean yourself? Why, not even a poor person—Her indignation was fine and genuine. But her tears fell no longer. Nothing menaced her if they were not really brothers.

"It is not a lie, my clear; sit down. I will swear so much solemnly. It is not a lie, but—"

Agnes waited.

"—we can call it a lie if we choose."

"I am not so childish. You have said it, and we must all suffer. You have had your fun: I conclude you did it for fun. You cannot go back. He—" She pointed towards the stables, and could not finish her sentence.

"I have not been a fool twice."

Agnes did not understand.

"My dense lady, can't you follow? I have not told Stephen one single word, neither before nor now."

There was a long silence.

Indeed, Mrs. Failing was in an awkward position.

Rickie had irritated her, and, in her desire to shock him, she had imperilled her own peace. She had felt so unconventional upon the hillside, when she loosed the horror against him; but now it was darting at her as well. Suppose the scandal came out. Stephen, who was absolutely without delicacy, would tell it to the people as soon as tell them the time. His paganism would be too assertive; it might even be in bad taste. After all, she had a prominent position in the neighbourhood; she was talked about, respected, looked up to. After all, she was growing old. And therefore, though she had no true regard for Rickie, nor for Agnes, nor for Stephen, nor for Stephen's parents, in whose tragedy she had assisted, yet she did feel that if the scandal revived it would disturb the harmony of Cadover, and therefore tried to retrace her steps. It is easy to say shocking things: it is so different to be connected with anything shocking. Life and death were not involved, but comfort and discomfort were.

The silence was broken by the sound of feet on the gravel. Agnes said hastily, "Is that really true—that he knows nothing?"

"You, Rickie, and I are the only people alive that know. He realizes what he is—with a precision that is sometimes alarming. Who he is, he doesn't know and doesn't care. I suppose he would know when I'm dead. There are papers."

"Aunt Emily, before he comes, may I say to you I'm sorry I was so rude?"

Mrs. Failing had not disliked her courage. "My dear, you may. We're all off our hinges this Sunday. Sit down by me again."

Agnes obeyed, and they awaited the arrival of Stephen. They were clever enough to understand each other. The thing must be hushed up. The matron must repair the consequences of her petulance. The girl must hide the stain in her future husband's family. Why not? Who was injured? What does a grown-up man want with a grown brother? Rickie upstairs, how grateful he would be to them for saving him.

"Stephen!"

"Yes."

"I'm tired of you. Go and bathe in the sea."

"All right."

And the whole thing was settled. She liked no fuss, and so did he. He sat down on the step to tighten his bootlaces. Then he would be ready. Mrs. Failing laid two or three sovereigns on the step above him. Agnes tried to make conversation, and said, with averted eyes, that the sea was a long way off.

"The sea's downhill. That's all I know about it." He swept up the money with a word of pleasure: he was kept like a baby in such things. Then he started off, but slowly, for he meant to walk till the morning.

"He will be gone days," said Mrs. Failing. "The comedy is finished. Let us come in."

She went to her room. The storm that she had raised had shattered her. Yet, because it was stilled for a moment, she resumed her old emancipated manner, and spoke of it as a comedy.

As for Miss Pembroke, she pretended to be emancipated no longer. People like "Stephen Wonham" were social thunderbolts, to be shunned at all costs, or at almost all costs. Her joy was now unfeigned, and she hurried upstairs to impart it to Rickie.

"I don't think we are rewarded if we do right, but we are punished if we lie. It's the fashion to laugh at poetic justice, but I do believe in half of it. Cast bitter bread upon the waters, and after many days it really will come back to you." These were the words of Mr. Failing. They were also the opinions of Stewart Ansell, another unpractical person. Rickie was trying to write to him when she entered with the good news.

"Dear, we're saved! He doesn't know, and he never is to know. I can't tell you how glad I am. All the time we saw them standing together up there, she wasn't telling him at all. She was keeping him out of the way, in case you let it out. Oh, I like her! She may be unwise, but she is nice, really. She said, 'I've been a fool but I haven't been a fool twice.' You must forgive her, Rickie. I've forgiven her, and she me; for at first I was so angry with her. Oh, my darling boy, I am so glad!"

He was shivering all over, and could not reply. At last he said, "Why hasn't she told him?"

"Because she has come to her senses."

"But she can't behave to people like that. She must tell him."

"Because he must be told such a real thing."

"Such a real thing?" the girl echoed, screwing up her forehead. "But—but you don't mean you're glad about it?"

His head bowed over the letter. "My God—no! But it's a real thing. She must tell him. I nearly told him myself—up there—when he made me look at the ground, but you happened to prevent me."

How Providence had watched over them!

"She won't tell him. I know that much."

"Then, Agnes, darling"—he drew her to the table "we must talk together a little. If she won't, then we ought to."

"WE tell him?" cried the girl, white with horror. "Tell him now, when everything has been comfortably arranged?"

"You see, darling"—he took hold of her hand—"what one must do is to think the thing out and settle what's right, I'm still all trembling and stupid. I see it mixed up with other things. I want you to help me. It seems to me that here and there in life we meet with a person or incident that is symbolical. It's nothing in itself, yet for the moment it stands for some eternal principle. We accept it, at whatever costs, and we have accepted life. But if we are frightened and reject it, the moment, so to speak, passes; the symbol is never offered again. Is this nonsense? Once before a symbol was offered to me—I shall not tell you how; but I did accept it, and cherished it through much anxiety and repulsion, and in the end I am rewarded. There will be no reward this time. I think, from such a man—the son of such a man. But I want to do what is right."

"Because doing right is its own reward," said Agnes anxiously.

"I do not think that. I have seen few examples of it. Doing right is simply doing right."

"I think that all you say is wonderfully clever; but since you ask me, it IS nonsense, dear Rickie, absolutely."

"Thank you," he said humbly, and began to stroke her hand. "But all my disgust; my indignation with my father, my love for—" He broke off; he could not bear to mention the name of his mother. "I was trying to say, I oughtn't to follow these impulses too much. There are others things. Truth. Our duty to acknowledge each man accurately, however vile he is. And apart from ideals" (here she had won the battle), "and leaving ideals aside, I couldn't meet him and keep silent. It isn't in me. I should blurt it out."

"But you won't meet him!" she cried. "It's all been arranged. We've sent him to the sea. Isn't it splendid? He's gone. My own boy won't be fantastic, will he?" Then she fought the fantasy on its own ground. "And, bye the bye, what you call the 'symbolic moment' is over. You had it up by the Rings. You tried to tell him, I interrupted you. It's not your fault. You did all you could."

She thought this excellent logic, and was surprised that he looked so gloomy. "So he's gone to the sea. For the present that does settle it. Has Aunt Emily talked about him yet?"

"No. Ask her tomorrow if you wish to know. Ask her kindly. It would be so dreadful if you did not part friends, and—"

"What's that?"

It was Stephen calling up from the drive. He had come back. Agnes threw out her hand in despair.

"Elliot!" the voice called.

They were facing each other, silent and motionless. Then Rickie advanced to the window. The girl darted in front of him. He thought he had never seen her so beautiful. She was stopping his advance quite frankly, with widespread arms.

"Elliot!"

He moved forward—into what? He pretended to himself he would rather see his brother before he answered; that it was easier to acknowledge him thus. But at the back of his soul he knew that the woman had conquered, and that he was moving forward to acknowledge her. "If he calls me again—" he thought.

"Elliot!"

"Well, if he calls me once again, I will answer him, vile as he is."

He did not call again.

Stephen had really come back for some tobacco, but as he passed under the windows he thought of the poor fellow who had been "nipped" (nothing serious, said Mrs. Failing), and determined to shout good-bye to him. And once or twice, as he followed the river into the darkness, he wondered what it was like to be so weak,—not to ride, not to swim, not to care for anything but books and a girl.

They embraced passionately. The danger had brought them very near to each other. They both needed a home to confront the menacing tumultuous world. And what weary years of work, of waiting, lay between them and that home! Still holding her fast, he said, "I was writing to Ansell when you came in."

"Do you owe him a letter?"

"No." He paused. "I was writing to tell him about this. He would help us. He always picks out the important point."

"Darling, I don't like to say anything, and I know that Mr. Ansell would keep a secret, but haven't we picked out the important point for ourselves?"

He released her and tore the letter up.

XV

The sense of purity is a puzzling and at times a fearful thing. It seems so noble, and it starts as one with morality. But it is a dangerous guide, and can lead us away not only from what is gracious, but also from what is good. Agnes, in this tangle, had followed it blindly, partly because she was a woman, and it meant more to her than it can ever mean to a man; partly because, though dangerous, it is also obvious, and makes no demand upon the intellect. She could not feel that Stephen had full human rights. He was illicit, abnormal, worse than a man diseased. And Rickie remembering whose son he was, gradually adopted her opinion. He, too, came to be glad that his brother had passed from him untried, that the symbolic moment had been rejected. Stephen was the fruit of sin; therefore he was sinful, He, too, became a sexual snob.

And now he must hear the unsavoury details. That evening they sat in the walled garden. Agues, according to arrangement, left him alone with his aunt. He asked her, and was not answered.

"You are shocked," she said in a hard, mocking voice, "It is very nice of you to be shocked, and I do not wish to grieve you further. We will not allude to it again. Let us all go on just as we are. The comedy is finished."

He could not tolerate this. His nerves were shattered, and all that was good in him revolted as well. To the horror of Agnes, who was within earshot, he replied, "You used to puzzle me, Aunt Emily, but I understand you at last. You have forgotten what other people are like. Continual selfishness leads to that. I am sure of it. I see now how you look at the world. 'Nice of me to be shocked!' I want to go tomorrow, if I may."

"Certainly, dear. The morning trains are the best." And so the disastrous visit ended.

As he walked back to the house he met a certain poor woman, whose child Stephen had rescued at the level-crossing, and who had decided, after some delay, that she must thank the kind gentleman in person. "He has got some brute courage," thought Rickie, "and it was decent of him not to boast about it." But he had labelled the boy as "Bad," and it was convenient to revert to his good qualities as seldom as possible. He preferred to brood over his coarseness, his caddish ingratitude, his irreligion. Out of these he constructed a repulsive figure, forgetting how slovenly his own perceptions had been during the past week, how dogmatic and intolerant his attitude to all that was not Love.

During the packing he was obliged to go up to the attic to find the Dryad manuscript which had never been returned. Leighton came too, and for about half an hour they hunted in the flickering light of a candle. It was a strange, ghostly place, and Rickie was quite startled when a picture swung towards him, and he saw the Demeter of Cnidus, shimmering and grey. Leighton suggested the roof. Mr. Stephen sometimes left things on the roof. So they climbed out of the skylight—the night was perfectly still—and continued the search among the gables. Enormous stars hung overhead, and the roof was bounded by chasms, impenetrable and black. "It doesn't matter," said Rickie, suddenly convinced of the futility of all that he did. "Oh, let us look properly," said Leighton, a kindly, pliable man, who had tried to shirk coming, but who was genuinely sympathetic now that he had come. They were rewarded: the manuscript lay in a gutter, charred and smudged.

The rest of the year was spent by Rickie partly in bed,—he had a curious breakdown,—partly in the attempt to get his little stories published. He had written eight or nine, and hoped they would make up a book, and that the book might be called "Pan Pipes." He was very energetic over this; he liked to work, for some imperceptible bloom had passed from the world, and he no longer found such acute pleasure in people. Mrs. Failing's old publishers, to whom the book was submitted, replied that, greatly as they found themselves interested, they did not see their way to making an offer at present. They were very polite, and singled out for special praise "Andante Pastorale," which Rickie had thought too sentimental, but which Agnes had persuaded him to include. The stories were sent to another publisher, who considered them for six weeks, and then returned them. A fragment of red cotton, Placed by Agnes between the leaves, had not shifted its position.

"Can't you try something longer, Rickie?" she said; "I believe we're on the wrong track. Try an out—and—out love-story."

"My notion just now," he replied, "is to leave the passions on the fringe." She nodded, and tapped for the waiter: they had met in a London restaurant. "I can't soar; I can only indicate. That's where the musicians have the pull, for music has wings, and when she says 'Tristan' and he says 'Isolde,' you are on the heights at once. What do people mean when they call love music artificial?"

"I know what they mean, though I can't exactly explain. Or couldn't you make your stories more obvious? I don't see any harm in that. Uncle Willie floundered hopelessly. He doesn't read much, and he got muddled. I had to explain, and then he was delighted. Of course, to write down to the public would be quite another thing and horrible. You have certain ideas, and you must express them. But couldn't you express them more clearly?"

"You see—" He got no further than "you see."

"The soul and the body. The soul's what matters," said Agnes, and tapped for the waiter again. He looked at her admiringly, but felt that she was not a perfect critic. Perhaps she was too perfect to be a critic. Actual life might seem to her so real that she could not detect the union of shadow and adamant that men call poetry. He would even go further and acknowledge that she was not as clever as himself—and he was stupid enough! She did not like discussing anything or reading solid books, and she was a little angry with such women as did. It pleased him to make these concessions, for they touched nothing in her that he valued. He looked round the restaurant, which was in Soho and decided that she was incomparable.

"At half-past two I call on the editor of the 'Holborn.' He's got a stray story to look at, and he's written about it."

"Oh, Rickie! Rickie! Why didn't you put on a boiled shirt!"

He laughed, and teased her. "'The soul's what matters. We literary people don't care about dress."

"Well, you ought to care. And I believe you do. Can't you change?"

"Too far." He had rooms in South Kensington. "And I've forgot my card-case. There's for you!"

She shook her head. "Naughty, naughty boy! Whatever will you do?"

"Send in my name, or ask for a bit of paper and write it. Hullo! that's Tilliard!"

Tilliard blushed, partly on account of the faux pas he had made last June, partly on account of the restaurant. He explained how he came to be pigging in Soho: it was so frightfully convenient and so frightfully cheap.

"Just why Rickie brings me," said Miss Pembroke.

"And I suppose you're here to study life?" said Tilliard, sitting down.

"I don't know," said Rickie, gazing round at the waiters and the guests.

"Doesn't one want to see a good deal of life for writing? There's life of a sort in Soho,—Un peu de faisan, s'il vows plait."

Agnes also grabbed at the waiter, and paid. She always did the paying, Rickie muddled with his purse.

"I'm cramming," pursued Tilliard, "and so naturally I come into contact with very little at present. But later on I hope to see things." He blushed a little, for he was talking for Rickie's edification. "It is most frightfully important not to get a narrow or academic outlook, don't you think? A person like Ansell, who goes from Cambridge, home—home, Cambridge—it must tell on him in time."

"But Mr. Ansell is a philosopher."

"A very kinky one," said Tilliard abruptly. "Not my idea of a philosopher. How goes his dissertation?"

"He never answers my letters," replied Rickie. "He never would. I've heard nothing since June."

"It's a pity he sends in this year. There are so many good people in. He'd have afar better chance if he waited."

"So I said, but he wouldn't wait. He's so keen about this particular subject."

"What is it?" asked Agnes.

"About things being real, wasn't it, Tilliard?"

"That's near enough."

"Well, good luck to him!" said the girl. "And good luck to you, Mr. Tilliard! Later on, I hope, we'll meet again."

They parted. Tilliard liked her, though he did not feel that she was quite in his couche sociale. His sister, for instance, would never have been lured into a Soho restaurant—except for the experience of the thing. Tilliard's couche sociale permitted experiences. Provided his heart did not go out to the poor and the unorthodox, he might stare at them as much as he liked. It was seeing life.

Agnes put her lover safely into an omnibus at Cambridge Circus. She shouted after him that his tie was rising over his collar, but he did not hear her. For a moment she felt depressed, and pictured quite accurately the effect that his appearance would have on the editor. The editor was a tall neat man of forty, slow of speech, slow of soul, and extraordinarily kind. He and Rickie sat over a fire, with an enormous table behind them whereon stood many books waiting to be reviewed.

"I'm sorry," he said, and paused.

Rickie smiled feebly.

"Your story does not convince." He tapped it. "I have read it with very great pleasure. It convinces in parts, but it does not convince as a whole; and stories, don't you think, ought to convince as a whole?"

"They ought indeed," said Rickie, and plunged into self-depreciation. But the editor checked him.

"No—no. Please don't talk like that. I can't bear to hear any one talk against imagination. There are countless openings for imagination,—for the mysterious, for the supernatural, for all the things you are trying to do, and which, I hope, you will succeed in doing. I'm not OBJECTING to imagination; on the contrary, I'd advise you to cultivate it, to accent it. Write a really good ghost story and we'd take it at once. Or"—he suggested it as an alternative to imagination—"or you might get inside life. It's worth doing."

"Life?" echoed Rickie anxiously.

He looked round the pleasant room, as if life might be fluttering there like an imprisoned bird. Then he looked at the editor: perhaps he was sitting inside life at this very moment. "See life, Mr. Elliot, and then send us another story." He held out his hand. "I am sorry I have to say 'No, thank you'; it's so much nicer to say, 'Yes, please.'" He laid his hand on the young man's sleeve, and added, "Well, the interview's not been so alarming after all, has it?"

"I don't think that either of us is a very alarming person," was not Rickie's reply. It was what he thought out afterwards in the omnibus. His reply was "Ow," delivered with a slight giggle.

As he rumbled westward, his face was drawn, and his eyes moved quickly to the right and left, as if he would discover something in the squalid fashionable streets some bird on the wing, some radiant archway, the face of some god beneath a beaver hat. He loved, he was loved, he had seen death and other things; but the heart of all things was hidden. There was a password and he could not learn it, nor could the kind editor of the "Holborn" teach him. He sighed, and then sighed more piteously. For had he not known the password once—known it and forgotten it already? But at this point his fortunes become intimately connected with those of Mr. Pembroke.