BY MARCH IN the keys you’re thinking of tarpon. The fish have been around in small numbers all winter — not quite fishable numbers, somehow — when bonefish and permit have seemed the more logical subjects of attention. Night trollers and drifters have been taking tarpon in the channels and killing them for advertising purposes; they make the only sign a tourist will believe when hung up at the dock. The shrimp basin in Key West and the harbor always have quantities of fish, but these are domesticated brutes, feeding themselves on the culls of the commercial fishermen and rolling and burbling with the reptilian presence that half-tamed alligators used to have on Florida golf courses. We just stare at them unable to account for their feral behavior.
But usually, sometime in March, while permit fishing or bonefishing on an edge adjacent to deeper water, we spot the first string of migrating tarpon, often juvenile fish up to fifty and sixty pounds. Below Key West they inevitably appear to be travelers, pushing wakes and rolling with their eyes coming out of the water. You are absolutely sure they see you in the skiff, transfixed and watching. The whole mystery of their cycle seems contained in the absolutely deliberate way they travel, deliberate as caribou or spring warblers.
Mystery is not an altogether misplaced word regarding tarpon. Much serious research on the fish was dropped when schemes for converting these unparalleled creatures to fertilizer and cat food were abandoned. There seem to be vertical migrations of fish from deep to shallow water, in addition to the fish that appear to be traveling from the south, very probably Central America. But facing a lack of hard information, the angler feels the invitation to elaborate his own sense of the fish’s presence. An awareness arises of the distinction between a species like the tarpon and the offshore pelagic fishes with which, as a game fish, the tarpon is often favorably compared. But in the tarpon, the aerodynamic profiles and chameleonic coloring of blue-water fish are replaced by something venerable; they are inshore fish, heavily scaled; they gulp air; and as if to seal their affinity for the land masses of the earth, they require fresh or brackish water to complete their reproductive cycle. They migrate, as many fishes do, and when we touch or intercept these migrations, we sense, subliminally, the dynamism of the earth: tarpon migrate by season, season is a function of planetary movement, and so on. Which is no more than to say you can face bravely those accusations of loafing when you have ruined a month chasing tarpon, racking your brain to understand their secret, sidling lives.
It is quite early in the morning. Not first light, because a higher angle of sun is required to see fish on the dark bottom we are working today. But it is early enough that as we cross Key West the gas stations are being swept down by sleepy attendants with push brooms, and the Cuban men are over on their end of Duval Street drinking cups of their utterly black coffee and eating bollos. In the still air you can smell the smoke from City Electric on the other side of town. The groundswell of Latinate noise — that first of all the things that make Key West another country — has not yet started, and as we go up Caroline Street all the side streets running down to the shrimp basin, marked for us because of the great trawling booms sticking up among the old wooden houses, are quiet. The shrimpers always line up first under the awning of the Fisherman’s Cafe. No one there yet, though someone is arranging ship-to-shore radios and fathometers in the window of Key West Electronics across the road.
It feels like a tarpon day. Spring tides will give us a good push of water. The wind has swung almost into the full south and it’s already hot. Up the keys the yellow mosquito plane will be skimming in over the mangroves, its cloud of spray hanging and settling in the windless air.
There are sponges drying on the balconies of some of the old wooden houses, and as if you might forget that the town is at sea, gulls and frigate birds soar high overhead. Next to Key West Oxygen Service, in an ugly asphalt parking lot that rivals the La Brea tar pits in midsummer, a bonefish skiff sits high on its trailer, bridging the imagination from the immediate downtown of Key West — both an outrageous honky-tonk and a memento of another century — to its gauzy, impossibly complex backcountry surrounds. When you’re at the drivein movie in Key West, watching adult fare with all the other sweating neckers, the column of light from the projectionist’s booth is feverish with tropical insects blurring the breasts and buttocks on their way to the screen. At low tide you smell the mangroves and exposed tidal flats nearby, and you’re within a mile of sharks that could eat you like a jujube. Once the movie is over and you’ve hung the speaker back on its post and are driving home, palmetto bugs and land crabs pop under the tires.
This morning, when we get to Garrison Bight, we turn off before the causeway and pull into the dry shed where my boat is stored. Across the bight at the ramp, a skiff is being launched behind a station wagon. I take out the binoculars and look. It’s a Hewes guide boat. I see the chairs, the enormous engine, the push pole, the Teleflex steering up in the forward corner, and over me and my companion, Guy de la Valdene, comes that specific competitive tension you feel when another skiff is working the same country. If Saint Francis showed up with a guide boat behind his car, we would rather he stayed home. Every shallow-water fisherman down here is cordial on land, monstrous at sea.
It’s not Stu Apte; his skiff has a center console. It’s not Bill Curtis; his is yellow, and furthermore he fishes Key West mainly on permit charters. Woody Sexton is in Loggerhead today. Jim Brewer fishes out of a Fibercraft and this is a Hewes. Bob Montgomery has an offshore charter. Cal Cochran? He’s supposed to have plenty of fish in his backyard at Marathon. Same with Steve Huff. Page Brown fishes out of a Mako and he would have told us if he was fishing Key West. It would be nice to know who it is so we could avoid running the same pattern. Possibly one of the sports from an angling club, chasing points, mounts, and records.
Richard, the manager of the boatyard, comes out and says, “Morning, Mister Tom,” with that special look of philosophical resignation that is the hallmark of the Key West Conch. He climbs up on the forklift and heads into the shed for the skiff. I had it built right here at the yard only last winter, and the first rip of boat fever has not passed off. I love to watch the skiff come out on the fork so I can see the long, precise chine running from stem to bait wells. When the boat emerges, Guy says, “Yes, I know it’s beautiful, but please don’t say it again.”
“I know, but—”
“Don’t say it.”
Richard rolls the forklift forward onto the concrete dock and lowers the boat into the slick water. To the untutored eye, nothing about the skiff is exceptional: bare nonfouling utility has been taken as far as the mind could create demands for the boat-builder.
The glass hull, brought down bare from the mainland, is white, low, and spare. From the side it looks like a simple linear gesture, the blade of a scimitar or an arrow. It is seventeen-feet, two-inches long, not counting the integral bait wells. The boat was built up from this bare hull with three-quarter-inch marine plywood, the arm-and-a-leg variety. From above, the skiff appears as a succession of bare surfaces over which a fly line can blow without snagging; the forward casting deck is continuous with the broad, flat gunwales. The aft deck is set slightly below the gunwales and, like the casting deck, overhangs the bulkheads by half an inch. Set into the aft deck are the lids of two dry-storage boxes, a battery box, and an insulated icebox. All topside surfaces are blue-gray.
The steering is forward and starboard, with the wheel set horizontal to the deck. Donald Duck’s picture is in the hub; a pacifier hangs from the ignition. The throttle and gearshift controls are in a single lever, and there is a tachometer with which I pretend to monitor my engine’s performance. I monitored my previous engine’s performance, noticing not a thing right up until the idiot light turned on, a plug blew out of a cylinder and the whole thing froze like a tractor in quicksand. There is a toggle on the dash for the power tilt, the 125 Evinrude on the transom being too heavy for hand-tilting as frequently as flats fishing requires.
Guy is at the gas dock, filling the stainless forty-gallon tank under the casting deck. I get a block of ice and put it in the cooler with our lunch and twelve soft drinks. The rods go under the port gunwale, rain gear under the seat. The tackle box goes aboard with a couple dozen of Guy’s shock tippets rolled like surgeon’s suturing materials. And now we’re ready, suddenly feeling the anticipation that is the result of the watching weather, reading the Coast and Geodetic Survey tide book, and listening to all the baloney and general hearsay from guides and other anglers about just where it is the tarpon might be.
Along the starboard gunwale, flexed tight against it, is the big kill gaff with its seven-foot hardwood handle, never to be used on a fish less than a world record, though Guy and I agree that the goal is to train oneself to release that fish, too. But at this early stage of development the gaff still goes along. Someday, when we have grown enough in the fishing, the gaff will be nailed up over my desk, with the stainless-steel gaff head that I wrapped and epoxied myself, a rather handsome old souvenir of barbaric times. On top of the port gunwale, resting in two teak chocks and secured with aviation shock cord, is a seventeen-foot push pole.
Choked and started, the engine idles on the transom; the boat trembles and laps gently against the dock. Guy slips the lines and pushes us away from the dock and I put it in forward, easing us out past the crawfishing boats and two or three sponge boats with tongs laid across the seats, then out into the basin in the low angle of light. Idling along, the boat rides low in the water with radically little freeboard. This is a skiff that will run forty miles an hour in less than a foot of water; offshore, it would be as reassuring as a waterlogged mahogany plank. Its design, derived from numerous other boats but primarily those built by Eddie Geddiman, is a pure, indigenous product of the fishing conditions of the Florida Keys. A fast, shallow-water boat.
We pass under the Garrison Causeway as morning work traffic is beginning to rush overhead. We can smell its exhaust with the same emotions with which we perceive the hamburger stands over by the charter-boat docks. Once on the other side, there’s that damned guide boat we saw being launched, up on a plane now and way out at the front edge of a fan of wake. I hear the honking overhead and then a siren as a policeman runs down some sorry gob in a GTO. The brilliantly painted Cuban fishing boats are off to our left, gaudy as Arab smacks; behind them is the institutional slab of the navy bachelor officer quarters, built with the military’s usual flair for grace in design.
By now the guide boat has upped and gone. We don’t know where he could be and are just hoping that our two skiffs don’t go wandering over the ocean making the same stops, tripping over each other as in some mis-timed, syncopated dance step.
I run it up to 4500 rpm. The bow lifts, then the stern comes up under the power and kicks the bow down. I slack off to 3600 and we bank and turn through the markers. Key West drops quickly behind and finally clusters at the end of our long arrow of wake. There is a sense of liberation as we run, civilization melting away while another country — mangrove keys, shallows, and open seas — forms around us.
When you pass them, the mangroves empty themselves of cormorants; the birds drop down slapping the water with their wing tips, then shudder as though it had been a close call. The backcountry is full of pelicans, frigate birds, ospreys, bitterns, egrets, and herons, not to speak of that mass of small shorebirds such as plovers, avocets, turnstones, surfbirds, and phalaropes or a number of glamorous “occasionals,” as the bird books call them: ibises, eagles, and the utterly incredible roseate spoonbills, the color of a Miami streetwalker’s lipstick, that wheel out behind a sandy little key.
We stake the skiff in a small basin near the Northwest Channel. The shrimpers are coming in sporadically from the Gulf of Mexico, trawling booms swaying and diesel engines sounding like farm tractors at this range. We are watching for tarpon moving in the big channel to graze off or shortcut toward the smaller channels shoreward of us. We are staked — that is, tied to the push pole, which is shoved into the bottom along a sandbank that separates the channel from the basin, knowing it will deflect tarpon up into shallow water, where it is hoped they will be moved to take the fly.
We are using the big rod. It carries a No. 12 saltwater taper line and is a very effective rod for fighting a fish, if not exactly a wand to handle. It is powerful, with a second grip just short of the stripping guide. We have rigged a grizzly-and-orange fly on a 3/0 hook, using an 80 pound shock tippet. Ten inches above that, the 12 pound starts and it is this breaking strength that brackets what pressure the angler can put on the fish.
We take turns with the rod, watching for incoming fish that can appear and blow by too quickly if one’s alertness flags. Very early on, some tarpon roll in the big channel. They are clearly travelers, though, and will keep right on going — to Mexico, for all we know.
After a bit, a good-size shark glides under the boat. Touched with the rod tip, he moves off in a surge. A little later a hawksbill turtle peers up at us from green water, then, frightened, races off at a speed one doesn’t associate with turtles; his front flippers are a blur of effort, while the back ones cross and trail.
Guy stands up on one bait well and looks intently through the binoculars. “The damned guide boat,” he reports, “is sitting on our next stop.” Sure enough, the skiff is at Mule Key, exactly the place where we would be getting the phase of tide we wanted in another half-hour. “And you know what else?” The answer was posed in the tone of his question.
“Yes,” I said ruefully, “he’s fighting a fish.”
We start looking at our watches. We’re not getting any shots on this spot, have been cut off on the next, and when the men in the guide boat are done with their present fish, they very well might make a move to our next stop. Guy looks through the glasses.
“What’s he doing?”
“He broke the fish off,” Guy said. “There are two of them. They’re sitting in the boat to rerig.”
“I feel sort of frustrated here,” I said.
“I do, too.”
“If we don’t crank up — I know this is irrational — if we don’t crank up I’m afraid we’re going to be following him all day long.”
“Let’s slip the stake,” said Guy, “and blow all the way to Big Mullet before he gets his nose out of that tackle box.”
I slip the pole out of the bottom, coil the line on the bow, put the pole on its chocks and secure it with the shock cord, then start the engine. I idle into Northwest Channel, then run it up to 5400 rpm, all the way to the stop, so that we are truly flying, running through the banks with a mean tide chop beating our back teeth loose.
We get two-thirds of the way across Northwest Channel and the rival guide sees the push pole on our gunwale and realizes what is happening to him. He quick-hands the rod he’s rigging to his companion and starts the engine. Our problem is to hit the run-through channel in the Mule Key bank directly on the nose or else we’ll be sawed off by our opponent.
The guide boat wheels around and things are still at the educated-guess stage. From here the bank looks solid and we appear to be heading on a collision course: running aground. Now the other boat is flying full tilt as well, on an interception course. It is sufficiently neck and neck that we’ll have to find another place to fish if I’m forced to shut down the engine on the shallow bank and feel my way along for a place to sneak through.
But then a piece of the bank seems to peel away before our eyes and suddenly we spot a solid green creek running through the hard stuff. We cross the bank at 5000 rpm and shut off. In our new silence we hear the drone of the guide boat taper to an idle a short distance behind us.
“You look back,” says Guy with a smile. We are both of us pretending to survey the basin as though we hardly knew another boat was anywhere in the country. I turn around and see the two men hunched in the idling boat, staring at us without love.
Alas, it is a far cry from the genial gatherings of anglers on the Test or the Itchen. When flats fishermen run into each other on the water, smiles and jolly waves notwithstanding, it is more like war. When information is asked for, a bum steer quite naturally springs to the lips. I rather suspect, though, that the true scoop on the Test and the Itchen would indicate that those anglers, tweeds and all, have the needle into each other as thoroughly as we do.
Soon the guide boat is running again, the big engine offering what we interpret as a mild trumpet of resignation. While we fully expect to see them at another stop, at the moment, we have the place to ourselves. Meanwhile, it is as quiet as can be, the water lapping gently on the sides of the skiff and pearly summer clouds resting along the horizon.
We tilt the engine and Guy begins to pole. He was a collegiate rower and poles better than I do, with a steady, persistent beat that is perfect for surveying an area when you are not absolutely sure of finding fish. Immediately we begin seeing life; clusters of spotted eagle rays bustle around like nuns, barracudas appear near the boat without ever having been seen in the act of swimming over, small sharks come, stingrays and houndfish. But not, for the moment, any tarpon. We’re not talking very much. I feel the successive pushes of the pole and hear its steady rise and fall in the water. Occasionally we glide to a stop and I hear Guy lighting a cigarette behind me, and in a moment the boat surges forward again. The bottom is dark with turtlegrass and we look hard to penetrate its surface. At the same time we try to survey a wide range for rollers and watch the surface for the faint wakes that look like a thumbnail pulled gently along under a sheet of silk. What you see more than anything is movement; the laid-up or sleeping fish are the toughest to spot.
There is a little breeze now and a few horsetail clouds high in the sky, brilliantly white and lacquered. A radiant drop curtain of fuchsia light stands on edge from the Gulf Stream south of us. East across the channels Key West can still be seen, like a white folding ruler, in sections on the blue expanse.
Guy says “tarpon” so quietly that I wonder if he means tarpon in general, but with a certain dread I realize he has spotted fish and a moment later I see a large single swimming with easy sweeps, quite black and bulky looking, moving on a course we will easily intercept. This means it will be entirely up to me. I’m trailing enough line for my false cast and have already begun that rather tense process of trying to figure our range as it is modified by the progress of the skiff in one direction and that of the tarpon in another. That the fish itself looks about as manageable as a Cape buffalo is little help in the finer calculations of the mind. I know from experience that this peaceful meandering fish can offer a scarifying performance, calling into question (if usually theoretically) whether or not the angler is actually safe.
Guy poles to an interception point and turns the skiff in such a way we’re at rest by the time the fish is in range. The pole is down and away from where my backcast could foul it. I roll my trailing line into the air, false-cast, shoot, false-cast again, shoot, get my range, and cast. The fly falls acceptably and I strip sharply once to get the fish’s attention, continuing with a quick, jerky retrieve. Then the tarpon turns almost imperceptibly: the enthralling, terrifying moment when, unbelievably, the great fish alters its course, however slightly, to take the fly.
Now the fish is tight behind the fly, so close as to seem cross-eyed as he watches and follows it, a dense reptilian presence in pursuit of the streamer. Then comes his slight elevation and gain of speed, the mouth opening, and one last forward surge as the fly vanishes.
I strike him too quickly and feel little more than a bump as the fly comes free. The tarpon muscles about in confusion, making a depth charge of disturbance when he sees the boat, and turns over on himself clearing out. We should be fighting that fish now, one reflects gloomily. Yes, one is inclined to admit, one has blown off a good fish.
To seize the rod with a pontifical sigh and hand me the push pole would be Guy’s every right, but he remains in the bow, camera around his neck, ready to record each new faux pas.
I return to my post in the stern with that special determination that surely prepares the angler for more garish errors than those which produced the determination. This is the vicious circle of angling, the iron maiden of a supposedly reflective pursuit.
We pole for a good long time without sighting another fish. We are beginning to lose our tide here, and the time has come to think of another move. We sit down in the skiff, drifting under the dome of unsoiled marine sky. Guy hands me a sandwich and we have our lunch, chewing and ruminating like cattle. We are comfortable enough together that we can fall silent for long periods of time. A flats skiff is a confined place and one in which potentials for irritation are brought to bear as surely as in an arctic cabin, but this comfort of solitude enhanced by companionship is the rarest commodity of angling. Pure solitude, nearly its equal, is rather more available.
Lunchtime, between tides, with the boat drifting before the wind: our piddling inclinations toward philosophy begin to emerge. My recent failure with the fly rod exaggerates my proclivity for higher things. We talk about “the meat bucket.” Originally, the term indicated a particular place in the water that held fish in quantity. Then, gradually, it came to mean whole rivers or bays or banks that were good and, finally, states and regions where someone could live who could not live where the country was all shot to hell. In the end, the meat bucket was a situation of mind where everything was going to be okay. When you had gone and messed up your intelligence with whiskey or worse, jacked yourself all out of shape, the meat bucket was the final pie in the sky, the universal trout or steelhead or permit or what-all run, the place where you always threw the perfect loop and never had to live with righthand winds, cold rain, broken homes, failed religion, or long-distance releases.
The meat bucket was Bill Schaadt pantomiming coming up tight on a fifty-pound chinook on the Smith River, saying, “I’m into one!” loudly and reverently. The meat bucket was Russ Chatham making a precise delivery at a hundred feet with a hangover. The meat bucket was Jim Harrison screaming that his knees were buckling and “He’s got all my line!” on his first hundred-pound tarpon. The meat bucket was Bob Weddell laying his ear to your Hardy reel that a twelve-pound steelhead was making scream, and saying with rapture, “They’re playing our song!” The meat bucket was Bob Tusken’s lead-filled Bitch Creek nymphs hitting you in the head when you tried to cast them, Guy de la Valdene skinny-dipping between two guide boats full of glowering anglers at Cutoe Key, Chico Horvath miming a gang bang in his waders on the banks of the Firehole, Rudi Ferris sleeping on the garage floor waiting for “the bite,” Woody Sexton looking with horror at the bad housekeeping in my skiff, seawater and Lucky Strike wrappers in the dunnage box. In the end it was all the unreckonable fragments of the sport that became the reference points of an obsession that you called the meat bucket, or, among the archdiocese of angling maniacs you had come to know, more simply, the M.B.
The push pole is secured once more in its chocks; the engine is down and again we are running. This time we head southwest toward Boca Grande Key. The light is so good we can see the stilt houses from where we ride. The spongers browse around in their little boats, standing in the bow and steering the outboard motors with clothesline tied to their waists, raking up sponges like oceanic gardeners.
We are heading for Ballast Key, where we expect to find tarpon and where I have every hope that I will not fall apart and bungle either the cast, the hookup, or the sometimes appalling fight that ensues.
The keys down here have a considerably less swampy character than those above us along the Gulf of Mexico. They are higher and, in some cases, have headlands, beaches, and woods. In the spring these are great meeting places for migrant warblers headed for cool northern forests.
We shut off next to an empty beach of wild palms amid clouds of wheeling white seabirds, and Guy begins poling down the face of Ballast. There is a wash here that raises and drops the skiff. The bottom is rock and packed sand, dotted with sea fans, a desperately difficult place to pole without falling out of the boat. When fish are spotted the poling is so noisy that the tarpon are often spooked, and the boat cannot be easily or quickly positioned for incoming fish. So you abandon yourself to the combinations and hope they come up in your favor.
Almost to Woman Key, we find tarpon: a string of fish, they are traveling on a bright sandy bottom, as distinct as fractured sections of pencil lead.
We are in good position and it is now only a question of waiting for them to come within range. At first we see them from afar, splashing and marking their progress purely in surface movement. At this remove, they are no more scary than a school of feeding jacks.
Then, as they approach, their above-the-surface presence of wakes and splashes is replaced perceptually by the actual sight of fish as specific marine entities, individual torpedoes coming at you. It is hideously unnerving, if you care about fishing.
I like my cast and at the first strip two fish turn out of the string to follow. Then one of them quite aggressively takes the fly and turns off to the side. I continue the strip I started with my left hand until I come up tight. Then, with the butt of the rod in my hip and the rod tip low and to the side, I hit two or three times hard.
The fish is in the air, upside down, making a noise that reminds you of horses, thunderous and final; your eye remembers the long white rip in the ocean. Then a short accelerated run is followed by an end-swapping jump by a game animal that has pulled all the stops. At the third jump the run begins. The fourth jump would be better observed through binoculars; the line no longer even points at the fish.
The tarpon has burned off a hundred fifty yards in such a way that the centrifugal surge is felt in the reel, shuddering my arm. Now he must be followed in the boat. The backing goes onto the reel at the expense of a painful swelling of the forearm and the shirt clinging wetly. After some time the fish is close enough that we can reasonably exert some pressure. Guy keeps the boat parallel to him, silver and brilliant in the deep green water, and the fight goes on, interrupted by inexorable fifty-yard runs from which we patiently recover. Now the fish makes a number of sloshing, head-rattling jumps, after which, in his new weakness, I can turn him slightly on his side.
In a moment he is beside the boat, bright and powerful-looking. I take the pliers and seize the shank of the hook, and with a twist the tarpon is free, though he is slow to realize it. I reach down and hold him for a moment, and I sense in this touch his ocean-traveling might. An instant later he has vanished.
Guy tells me firmly that it’s my turn to pole.