Christina Henry The Mermaid

PRAISE FOR LOST BOY

“Christina Henry shakes the fairy dust off a legend; this Peter Pan will give you chills.”

Genevieve Valentine, author of Persona


“Multiple twists keep the reader guessing, and the fluid writing is enthralling . . . This is a fine addition to the shelves of any fan of children’s classics and their modern subversions.”

Publishers Weekly (starred review)


“This wild, unrelenting tale, full to the brim with the freedom and violence of young boys who never want to grow up, will appeal to fans of dark fantasy.”

Booklist


“Turns Neverland into a claustrophobic world where time is disturbingly nebulous and identity is chillingly manipulated . . . [A] deeply impactful, imaginative, and haunting story of loyalty, disillusionment, and self-discovery.”

RT Book Reviews (top pick)


“Henry keeps the story fresh and energetic with diabolical twists and turns to keep us guessing. Dynamic characterization and narration bring the story to life . . . Once again, Henry takes readers on an adventure of epic and horrific proportions as she reinvents a childhood classic using our own fears and desires. Her smooth prose and firm writing hooked me up instantly and held me hostage to the very end.”

Smexy Books


“We all have a soft spot for the classics that we read when we were growing up. But . . . this retelling will poke and jab at that soft spot until you can never look at it the same way again.”

Kirkus Reviews


“An absolutely addicting read . . . Psychological, gripping, and entertaining, painting a picture of Peter Pan before we came to know him in the film: the darker side of his history. The writing is fabulous, the plot incredibly compelling, and the characters entirely enthralling.”

Utopia State of Mind


PRAISE FOR ALICE

“I loved falling down the rabbit hole with this dark, gritty tale. A unique spin on a classic and one wild ride!”

Gena Showalter, New York Times bestselling author of The Darkest Promise


Alice takes the darker elements of Lewis Carroll’s original, amplifies Tim Burton’s cinematic reimagining of the story, and adds a layer of grotesquery from [Henry’s] own alarmingly fecund imagination to produce a novel that reads like a Jacobean revenge drama crossed with a slasher movie.”

The Guardian (UK)


“[A] psychotic journey through the bowels of magic and madness. I, for one, thoroughly enjoyed the ride.”

Brom, author of The Child Thief


“[A] horrifying fantasy that will have you reexamining your love for this childhood favorite.”

RT Book Reviews (top pick)


PRAISE FOR RED QUEEN

“Henry takes the best elements from Carroll’s iconic world and mixes them with dark fantasy elements . . . [Her] writing is so seamless you won’t be able to stop reading.”

Pop Culture Uncovered


“Alice’s ongoing struggle is to distinguish reality from illusion, and Henry excels in mingling the two for the reader as well as her characters. The darkness in this book is that of fairy tales, owing more to Grimm’s matter-of-fact violence than to the underworld of the first book.”

Publishers Weekly (starred review)

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