THRUST

Artists naturally inspire other artists. Contrary to certain theories, creativity does not take place in a vacuum. One could write an extensive book on the history of western art utilizing only paintings –of the temptation of Saint Anthony as illustrations. Science fiction writers can find the inspiration for whole novels in a throwaway line in a colleague's book.

Sometimes the inspiration takes the form of a challenge to do something different with a similar idea or approach. The result often surprises the writer, who may have started out intending to do something utterly different.

Many years ago Poul Anderson wrote a short novel about a beer powered spaceship. Poul knows his science, and the darned thing worked. I've never asked him where the idea came from, but one can imagine him sitting deep in conversation with physicists and chemists, working out the precise details of requisite orbital mechanics and thrust necessary for the story. Alternatively, one can imagine the likely reality.

Perhaps the concept came in the form of a challenge from a fan or colleague. Or maybe it arose out of a bud attack of what-the-hell. Regardless, the story that resulted was amusing and entertaining. Poul's stories always work.

Now me, my background in the hard sciences is the product of much head scratching and difficult research, not formal academia. But a challenge is a challenge. If a spaceship powered by beer, why not one propelled by something more unlikely still?


DAY 001-22:32

Boyd Cottle, Commander, still sounds funny. Everyone on board is at least as nervous as I am, which is plenty. That is only to be expected. As everyone is also far too busy to allow nerves to affect their performance, I am not worried.

Dr. Sese Oyo has refused to administer tranquilizers to those in need of a relaxant. I concurred with her decision. This point in our journey is no time for anyone to be functioning at less than maximum efficiency. I have assigned additional work instead, believing that to be more effective in calming post-ignition jitters than a casual dose of coraphine.

All ship's functions are operating within 99.8 percent of prescribed parameters. Of course, the Secondjump pretty much runs herself. I can't escape the feeling that we're more passengers than crew.

By the way, Eva Ostersund and I traced the two-tenths error to a minor malfunction. possibly/probably located within solid waste recycling. Though far from posing an immediate problem, its existence offended Moutiers's professional pride. He's hard at work correcting the problem. Dr. Oyo is helping him as best she can without neglecting her own job, which is primarily to keep a wary eye on us first deep-space travelers.

We're all disgustingly healthy, she insists. Hardly surprising, since physical fitness was as important a criterion in our selection as any mental abilities.

Only sixteen years, four months, two days to Barnard's Star. That's barring the successful utilization of the Molenon Multiplier. None of us expects anything to come of that. We don't see how the installation of an alien device, however efficiently modified for human use, can help us. Especially when the experts don't profess to understand fully how it functions:

I realize that the Multiplier is somehow supposed to react to mental output and translate that into space-time distortion leaps along our line of flight. I'll stick with the photon engines, thank you. Slow but steady wins the race.

On Day Twelve out Sese Oyo is supposed to lead us in our first "session." No one here is looking forward to what all consider essentially a waste of time, but orders are orders. The thought of six highly trained scientists squatting around muttering "om" while thinking positive thoughts about Barnard's Star strikes most of us as more than marginally ludicrous. I am willing to concede that such meditative sessions might have beneficial relaxing effects, however. That's the only reason I finally agreed to go along with this.

As nominal commander and chief programmer of mankind's first attempt to reach the stars, I'd like to register another formal objection, though.


DAY 003-14:32

Smooth as vacuum so far. Moutiers found and corrected the problem with the solid waste recycler. Presently he's fiddling happily with his hydroponics. He figures he has thirty-two years in which to create a better cantaloupe.

Kim Rahman purrs over her precious engines, which purr back at her. Our resident stargazer, Paul Usakos, can't wait until we leave the solar system. We all feel the same way. Morale is good. Astrogator Ostersund found a minute deviation in our course, which is not unexpected this early in the flight. She and Rahman will-collaborate on correction.

Thank the city of Barsoom for the city lights' message. Yes, we are "Go," assure them, with all our thanks.


DAY 007-11:43

Accomplished Uranus pass-by and beamed them records and messages. Our last close contact with civilization. Now we're truly outward bound. The rings have an ethereal beauty no photo can properly convey. Ostersund and I have seen them before, but it was a new sight for the rest of the crew. They spent hours at the ports, ooing and aping. They had time for sight-seeing. We all have time.

The Secondjump is performing above all expectations.


DAY 012-21:58

We just concluded our initial session under Dr. Oyo's guidance. Feeling no less idiotic than I expected to, I returned to work while trying to avoid the immediate gazes of my fellow crew members. The overall reaction seemed to be one of embarrassment. Dr. Oyo says that repetition will cure this, but I'm not so sure. Only she and Jean-Jacques Moutiers appeared to enter into the spirit of the thing. Moutiers is a bit of a flake, anyway. A wizard with life-support systemology, but at heart he's a clown. It should be interesting to see what kind of better melon he can come up with.

Oh, by the way, the Molenon Multiplier works. I can hear the screams of pleasure at Tycho from out here. Go ahead and enjoy yourselves for a minute, folks.

Ostersund informs me, and I've separately confirmed, that our speed has increased by a factor of . . . well, check the readouts we're beaming back to you. What it means is that this wonderfully complex, altered alien gizmo you've had us truck all the way past Pluto will get us to Barnard's Star exactly two hours, four minutes earlier than predicted.

So much for the much ballyhooed "gift of the aliens," as the news media have been calling it. All that research and money and time to gain two lousy hours over sixteen years! I've half a mind to cut the monstrosity loose and chuck it out the rear lock. Might do it, too, if it wasn't so closely interstructured with the rest of the ship's systems.

Dr. Oyo insists we can do much better at our sessions. Sure we can.

Belated birthday greetings from Kim Rahman to her father down in Kuala Lumpur. By the time this message reaches him he'll be . . .older. Received birthday wishes from Mr. and Mrs. Usakos for Paul. He returns the greetings and says for his dad to tell everyone on his old rugby team that he won't be back in time for the playoffs but that he'll be back to coach their kids.


DAY 019-08:27

Dr. Oyo says that our growing boredom is to be expected. She maintains that it's a stage that will pass as we settle more fully into in-flight routine and grow completely accustomed to the fact that we're utterly cut off from additional human contact for thirty-two years. I wish I was as certain. Actually, I have to confess that I'm a bit worried. All the work and games that are available, in addition to whatever we can invent, seem inadequate to relieve the present disenchantment. I am hoping this will pass, as Dr. Oyo claims.

Oh, there've been no outward signs of discontent. We're all too mentally stable for that, too well balanced. But I can tell when someone is enjoying themselves and when they're just going through the motions.


Even Kim Rahman's jewelry and sculpture are suffering. Paul is trying to help inspire her. His first flush of excitement at being able to observe the entire solar system has already faded.

Another session today. Dr. Oyo sounded pleased. Ostersund discovered another slight jump in our position. We'll now arrive at our destination three days, six hours ahead of schedule. I'm not impressed, although Sese (pardon me, Dr. Oyo) is excited.

I personally think we're doing the best we can. If the Multiplier can't do better than shave three days off a sixteen-year trip, I personally don't hold much hope for its future benefits re interstellar travel.


DAY 033-06:44

It appears we have to devote more and more time to simply staying sane. As ever, the Secondjump runs like a fine timepiece. All systems are performing flawlessly. Mankind can be proud of this ship.

Whether they'll be able to be as proud of us is presently open to question. I'm still not seriously concerned, but I am troubled by unpleasant prospects. Dr. Oyo and I had a private session yesterday. She ascribes my worry to my position as commander. My concerns, she explained, were typical of someone carrying my burden of responsibility.

When we finished our chat, she offered me a mild soporific. I refused it. I wasn't selected over three thousand other applicants for this position so that I could resort to artificial aids to retain control of myself.


DAY 045-22:35

Moutiers took me aside yesterday. It seems that while running a routine check of recycling he discovered minute traces of a complex protein chain that shouldn't be in our food. He's personally unfamiliar with the chain and has no record of it in the chemical log supplied to him.

It's this lack of a record that troubles him. He's assured me that the proteins are harmless and may even be a benign additive that someone neglected to list in the log or computer. This omission is what offends him. As I believe I've mentioned before, Jean-Jacques is a perfectionist.

I told him that if he was positive the proteins weren't harmful, he shouldn't let it worry him so much. As long as it did not interfere with his normal assignments I suggested he try and identify the stuff in his spare time. It will give him something else to do, which, God knows, we could all use.


DAY 055-18:49

I went to ask Moutiers whether or not he'd isolated or identified the mysterious protein he discovered ten days ago. Moutiers was not at his station. I expected to find him in the hydroponics chambers, which I did. I did not expect to find him rolling around on unrecycled vegetable detritus with Kim Rahman.

Upon exiting without disturbing them and reviewing the matter dispassionately, I've decided not to say anything about it to anyone. Naturally I had no objection to Moutiers and Rahman enjoying themselves. No one expected that this crew of barely thirtyish healthy geniuses would remain celibate for thirty-two years.

My concern was because Moutiers was apparently sacrificing bio-efficiency for aesthetics, in the form of the mattress of unrecycled vegetation. That material should properly have been undergoing reworking in the ship's processors. However, it was good to see both crew members enjoying themselves so thoroughly. I feel that under the circumstances the temporary loss of maximal recycling efficiency can be overlooked.


DAY 062-12:43

Prof. Rahman and Moutiers are neglecting their assignments regularly now. They're spending almost all their nonessential time in one or the other's cabin. Rahman has been using her personal sculpturing and jewelry-making equipment to fashion objects of a nature I prefer not to discuss at this time. I finally spoke to her about it. Her response was indifferent, to say the least.

Deeply troubled at this first actual break in discipline but realizing that a confrontation would probably do more harm than good, I had another private session with Dr. Oyo.

She reassured and relaxed me, as she always does. Why worry, she asked me, so long as the ship is operating efficiently? If ship performance actually began to suffer, then that would be the proper time to reinforce written rules. At least the depressing boredom of two members of the crew has been alleviated.

I have to admit she made sense. So I have left Moutiers and Rahman to their amusements.

It is clear that Moutiers's interest in melons has shifted from hydroponics to propulsion.


DAY 064-03:08

Paul Usakos, our astronomer, is discussing astrogation with Eva Ostersund. Has been for some time, it now seems. Whatever courses they are negotiating involve a good deal of loud comment, audible even through their cabin doors.

While the Secondjump shows no ill effects from their neglect, the absence of constant monitoring of course and speed concerns me. I have been trying to compensate quietly by taking over some of Ostersund's and Usakos's functions. The overwork has Dr. Oyo worrying about me.

Another session with her yesterday. She is a consummate professional, and we are fortunate to have her on board.

It is becoming increasingly difficult for me to ignore the fact that for someone with three advanced degrees, including an M.D., Dr. Oyo is really built.


DAY 068-12:53

There is something wrong with the ship, but no one seems to care. Ostersund was with both Usakos and Moutiers when I went to query her about if. She mumbled something about unexpected visual distortion of the stellar matrix, but she wasn't particularly coherent. Under the circumstances I thought it best not to insist on further conversation.

I attempted to discover the nature of the distortion, to learn whether it was external or shipboard in source. Before I could hardly begin, I was interrupted by Dr. Oyo.

I am disturbed at the apparent complete collapse of ship routine, but the Secondjump ignores us. It continues placidly on its assigned course, oblivious to the adolescent tumblings of its organic components.

I confess Dr. Oyo's interruption and expressed concern for my health was not wholly unwelcome. Sese always knows how to make me feel better.


DAY 073-02:21

For the first time in a long while we had another group session the other day. Only this time it did not involve meditation. I feel myself slipping further and further from reality, into an unreality of indescribable delight. The ship itself seems warmer, its colors softened even beyond their natural pastels.

It is now evident that as a child, part of my education was neglected severely. The others derive considerable pleasure, in a good-natured way, from my awkwardness and bemusement. My willingness to learn and to experiment, however, mitigates any personal discomfort. All signs of moroseness and boredom have vanished. They still tend to tease me, though.

For example, the computer contains no reference for explaining to me the term "daisy chain." I have inferred, however, that it has nothing to do with formal botanical terminology.


DAY 080-00:16

Jean-Jacques returns to his beloved hydroponics just long enough to ensure that everything is functioning properly. He discovered a host of new proteins not listed in his catalog but is now convinced they are either harmless by-products of our recycling machinery or beneficial additives.

From time to time he and I wonder about their presence in a basal food supply as carefully composed as the Secondjump's. Usually, though, we are occupied with more important matters.


DAY 083-11:04

Eva Ostersund and Paul Usakos are two-thirds of the way through a dramatic version of the Kama Sutra. Oftentimes the rest of us are too busy to watch, but they keep us posted whenever they come across something especially intriguing. Then we all give it a try. Only Kim Rahman, however, possesses among the rest of us sufficient gymnastic dexterity to accomplish certain of the positions.

The rest of us don't feel left out or deprived. We're inventing some tricks of our own.

Dr. Oyo-Sese-has demonstrated that a knowledge of medicine can be put to uses other than what it was intended for.


DAY 084-02:15

Oh, wow.


DAY 085-04:24

Turned off the centrifuge yesterday. We're all currently enjoying free-fall, but I don't think our muscle tone will suffer. Zero gravity permits variations Sir Richard Burton could never have envisioned. Kim Rahman is producing some remarkable devices in her workshop.


DAY 091-15:13

I can't explain it.. None of us can. It's puzzling and confusing and impossible and wonderful.

The Secondjump has stopped. There is a sun blazing outside which can only be Barnard's Star. This discovery was extraordinary enough (probably nothing else could have been) to induce us to return to our stations.

No question about it, we've reached Barnard's Star. There are six planets noted on first survey and two, two of them, are Earthlike. Numbers three and four out from the primary. There is also a chance, Paul tells me, that the sixth moon of the fifth planet (a gas giant) is marginally habitable. This exceeds the wildest hopes of every one of us, and I'm sure of everyone back on Earth.

We are sixteen years, one month ahead of schedule. All we can assume is that the Molenon Multiplier works like nobody's business. My apologies to all concerned with that-part of the project.


DAY 093-06:29

Jean-Jacques, Kim, Paul, and Sere have taken the lander down to the surface of Barnard III, which we have named, after Jean-Jacques's suggestion, La Difference. Let the historians have that one to chew on in years to come.

Speaking of coming, Eva and I have been working the computer overtime trying to discover the reason for the incredible sudden success of the Multiplier. I believe we have. It would have been transparently obvious to anyone who'd taken the time to check certain things these past several months. None of us were in condition, physical or mental, to take regular readings of anything recently.

Sese confirms our findings. La Difference, by the way, is more than nine-tenths Earthlike. It has a slightly higher gravity but otherwise is a paradise according to reports from below. No life higher than the lower invertebrates.


DAY 096-14:20

Jean-Jacques and Sese have brought the lander up to disgorge specimens and take on fresh supplies. Jean-Jacques took a couple of hours and finally identified those mysterious proteins. It was a relatively simple procedure, especially since he now had a good idea what to look for.

Really, I don't think that all those pheromones and aphrodisiacs were necessary.

Cute tower of power that she is, Sese made the right connections. She said that if we'd been told that the best theoretical way to operate the Multiplier was to, uh, try and multiply, self-consciousness might have defeated us before we could get started. Admittedly there were several among us who were less than ultra-liberal-minded on such matters, myself foremost among them.

Undistorted mental output engages the space-time distortion functioning of the Molenon Multiplier. That output peaks during the act of sex. Score one for the brain boys back home, but I'm still not entirely sure I like having been tricked into it. How do we measure velocity from now on? In light-years per orgasm?

This would all be funny if it weren't so wonderfully efficient.

Barnard IV is also inhabitable. I will not tell you what Eva and I named it, but the rest of the crew concurred. I am looking forward to seeing how the media cope with it.

Gentlemen, this is a hell of a way to run a starship.

We'll be returning home shortly, as soon as we've thoroughly finished our exploration here. Paul will play rugby again, after all.

The rest of us are going to do our damnedest to get him home in time for the playoffs . . .




PIPE DREAM

"Where do you get your ideas?" is the question most frequently asked of writers of fiction and of science-fiction writers in particular. The usual response is a joking one, particularly if the author is in a hurry. If he has time, he may reply thoughtfully.

Sometimes the response can be precise.

Too many years ago I found myself attending a science-fiction convention in downtown Los Angeles. The con was run by a wonderful gentleman name of Bill Crawford and featured s mix of science fiction, fantasy, and horror. In some ways it was a precursor of today's multimedia-oriented conventions. Bill was an old-timer, but he had a finger on the future's pulse.

One of the guests and a good friend of Bill's was a charming, lanky gentleman who strolled through the con with cool demeanor and well-used pipe. Walt Daugherty was among other things a photographer of some of film dom's greatest horror stars, Karlof and Chaney included. He had a mischievous sense of humor and genial nature that, when functioning in tandem, reminded one of Hitchcock's introductions to the stories on his television show.

The greatest problem one faces at such conventions is how to greet people one doesn't know well but repeatedly encounters in halls and function rooms. After a while "hello," "howyadoin?" and "what's new?" begin to pall. So it happened as I ran into Walt hour after hour.

The afternoon of the second day I entered the dealer's room only to bump into him again, this time in the process of lighting his pipe. Desperate not to appear either banal or impolite, I searched for a salutation and finally said, "Hi, Walt. What're you smoking?"

Barely removin the pipe stem from his lips, he glanced down at me out of his left eye and declaimed with a properly Lugosian air, "Ah, it's not what. It's whom. "

And that's where you get your ideas. Thanks, Walt.


It was the aroma of tobacco that first attracted her.

Delicate enough to demand notice, distinctive enough to bludgeon aside the mundane odor of cigarette and cigar, it was the first different thing she'd encountered all evening.

She'd hoped to meet someone at least slightly interesting at Norma's little get-together. Thus far, though, Norma's guest list had unswervingly reflected Norma's tastes. Emma'd only been fooling herself in hopes it would be otherwise.

There, there it was again. Open wood fires and honeysuckle. Really different, not bitter or sharp at all.

The vacuity of her excuse as she slipped away was matched only by the vacuousness of the young man she left, holding his half-drained martini and third or fourth proposition. But the tall football player didn't need sympathy. He shrugged off the brush-off, immediately corralled another of Norma's friends. Soon he was plying her with the same draglines, blunt-hooked, presenting the first line like an uncirculated coin, newly minted. Option call at the line of scrimmage.

The owner of the pipe was surprise number two. He looked as out of place at the party as a Mozart concerto. Instead of a girl on his lap, he cradled a fat book. He'd isolated himself in a nearly-empty corner of the sunken living room.

She put a hand on the back of his high-backed easy chair.

"Hi," she said. He looked up.

"Hello." Absently spoken, then back to the book.

Her interest grew. Might be playing indifferent deliberately . . . but she didn't think so. If he was interested, he sure faked otherwise well. And men did not usually dismiss Emma with an unconcerned hello. Nor did they pass over her face with a casual glance and totally avoid the interesting subcranial territory completely. She was piqued.

There was an unclaimed footstool nearby. She pulled it up next to the bookcase, sat down facing him. He didn't look up.

Well tanned, no beard or mustache (another anomaly). Dark wavy hair tinged with gray at the sharp bottom of modest sideburns. Might even be over forty. Sharp, blunt jaw, but otherwise his features were small, almost childlike. Even so, there was something just a little frightening about him.

She didn't scare easily.

"I couldn't help noticing your tobacco."

"Hmmm?" He glanced up again.

"Your tobacco. Noticing it."

"Oh, really?" He looked pleased, took the pipe out of his mouth, and admired it. "It's a special blend. Made for me. I'm glad you like it." He peered at her with evident amusement. "I suppose next you're going to tell me you love the smell of a man's pipe."

"As a matter of fact, usually I can't stand it. That's what makes yours nice. Sweet."

"Thanks again." Was that a faint accent, professionally concealed?

He almost seemed prepared to return to his book. A moment's hesitation, then he shut it with a snap of displaced air. Back it slipped into its notch in the bookcase. She eyed the spine.

"Dьrer. You like Dьrer, then?"

"Not as art. But I do like the feel of a new book." He gestured negligently at the bookcase. "These are all new books." A little smile turned up the corners of his mouth.

"It says '1962' on the spine of that one," she observed.

"Well, not new, then. Say 'unused.' No, I'm not crazy about Dьrer as an artist. But his work has some real value from a medical history standpoint."

Emma sat back on the footstool and clasped a knee with both hands. This had the intended effect of raising her skirt provocatively. He took no notice of the regions thus revealed.

"What do you specialize in?"

"How marvelous!" he said. "She does not say, 'Are you a doctor?' But immediately goes on to 'What do you specialize in?' assuming the obvious. It occurs to me, young lady, that behind that starlet facade and comic-book body, there may be a brain."

"Please, good sir," she mock pleaded, "you flatter me unmercifully. And I am not a 'starlet.' I'm an actress. To forestall your next riposte, I'm currently playing in a small theater to very good reviews and very small audiences. In A Midsummer Night's Dream, and it's not a rock musical."

He was nodding. "Good, good."

"Do I get a gold star on my test, teacher?" she pouted.

"Two. To answer your question, if you're really curious, I happen to specialize in endocrinology. You," he continued comfortably, "do not appear to be adversely affected where my field is concerned. Please don't go and make an idiot of me by telling me about your thyroid problems since the age of five."

She laughed. "I won't."

"Isn't this a delightful party?"

"Oh, yes," she deadpanned. "Delightful."

He really smiled then, a wide, honest grin-a white crescent cracking the tan.

"If you're interested in art, I have a few pieces you might appreciate. Oils, pen and ink, no etchings." Grin. "The people in them don't move, but they're more full of life than this bunch."

"I think I'd like that." She smiled back.


It was a longer drive than she'd expected. In Los Angeles that means something. A good twenty minutes north of Sunset, up the Pacific Coast Highway, then down a short, bumpy road.

The house was built on pilings out from a low cliff, to the edge of the ocean. The sea hammered the wood incessantly, December songs boiling up from the basement.

"Like something to drink?" he asked. She was examining the den. Cozy like mittens, masculine as mahogany. Hatch-cover table; old, very unmod, supremely comfortable chairs; a big fat brown elephant of a couch you could vanish in.

"Can you make a ginger snap?"

His eyebrows rose. "With or without pinching her?"

"With."

"I think so. A minute."

Behind the couch the wide picture window opened onto a narrow porch overhanging a black sea. The crescent of lights from Santa Monica Bay had the look of a flattened-out Rio de Janeiro, unblinking in the clear winter night. Northward, the hunchback of Point Dume thrust out of the water.

The opposite wall was –one huge bookcase. Most of the volumes were medical tomes and had titles stuffed with Latin nouns. There were several shelves of titles in German, a single one in French, yet another in what seemed like some sort of Scandanavian language.

Crowded in a small corner of the north wail, almost in embarrassment, was a group of plaqued diplomas from several eastern institutions and, to match the books, one in German and another in French.

The art, of which there wasn't much, consisted mostly of small pieces. Picasso she expected but not the original Dali, or the Winslow Homer, the charming Wyeth sketches, some English things she didn't recognize, and the framed anatomic drawings of da Vinci . . .not originals, of course. And over the fireplace, in a massive oak frame, a big Sierra Nevada glowing landscape by Bierstadt.

A distinctive collection, just like its owner, she mused.

"With pinch."

She whirled, missed a breath. "You startled me!"

"Fair play. You've already done the same to me tonight. "

She took the glass, walked over to the couch, sat, and sipped.

"Very slight pinch," she murmured appreciatively.

He walked over and sat down next to her.

"I wouldn't expect you to be the sort to go to many of Norma's parties."

"Was that the name of our charming hostess?" he queried. "No, I don't." There was a long rack holding twenty-odd pipes on the table. A lazy Susan full of different tobaccos rested at one end. He selected a new pipe, began stuffing it.

"If you believe it, I was invited by one of my patients. "

She giggled. The drink was perfect.

"I'm afraid it's true." He smiled. "She was concerned for my supposed monastic existence. Poor Mrs. Marden." He put pipe to lips and took out a box of matches.

"Let me," she said, the lighter from her purse already out.

"Huh-uh. Not with that." He gently pushed her hand away. The wrist tingled after he removed his hand.

"Gas flame, spoil the flavor. Not every smoker notices it, but I do."

She reached out, took the box of Italian wax matches. She struck one and leaned forward. As he puffed the tobacco alight, one hand slipped into her decolletage.

"I didn't think you were wearing a foundation garment."

"Oh, come on!" She blew out the match. His hand was moving gently now. "You sound like a construction engineer!"

"I apologize. You know, you're very fortunate."

She was beginning to breathe unevenly. "How . . . so?"

"Well," he began in a professorial tone, "the undercurve of a woman's breast is more sensitive than the top. Many aren't sufficiently well endowed to experience the difference. Not a problem you have to face."

"What," she husked, brushing his cheek, "does the book say about the bottom lip versus the top?"

"As to that-" He put the pipe on the table and leaned much, much closer. "-opinion is still somewhat divided."


New Year's Day came and went, as usual utterly the same as an old year's day.

It wasn't an affair, of course. More like a fair. A continuing,wonderful, slightly mad fair. Like the fair at Sorochinsk in Petroushka, but no puppets here. Walt never shouted at her, never had a mean word. He was unfailingly gentle, polite, considerate, with just the slightest hint of devilry to keep things spicy.

He had fewer personal idiosyncrasies than any man she'd ever met. The only thing that really seemed to bother him was any hint of nosiness on her part. A small problem, since he'd been quite candid about his background without being asked, and about his work.

She'd been a little surprised to learn about the two previous marriages. But since there were no children, nothing tying him to the past, her concern quickly vanished.

And next Tuesday was his birthday. She was determined to surprise him.

But with what? Clothes? He had plenty of clothes and was no fashion plate to begin with. She couldn't afford a painting of any quality. Besides, choosing art for someone was an impossible job. Electronic gadgetry, the modern adult male's equivalent of Tinker Toys and Lincoln Logs, didn't excite him.

Then she thought of the tobacco.

Of course! She'd have some of his special blend prepared. Whenever he lit a pipe, he'd think of her.

Now, she considered, looking around the sun-dappled den, where would I hide if I were a tin of special tobacco? There must be large tins around somewhere. The lazy Susan didn't hold much, and it was always full . . . though she never saw him replenishing it. Of course she couldn't ask him. That would spoil the surprise.

It wasn't hidden, as it turned out. Just inconspicuous, in a place she'd had no reason to go. There was a small storage room, a second bedroom, really, in the –front of the beach house. It held still more books and assorted knickknacks, including an expensive and unused set of golf clubs.

The tobacco tins were in an old glass cabinet off in one dark, cool corner. The case was locked; but the key was on top of the cabinet. Standing on tiptoe, she could just reach it.

Hunt as she did, though, giving each tin a thorough inspection, there was nothing she could call a special blend. There were American brands, and Turkish, and Arabic, and Brazilian, and even a small, bent tin from some African country that had changed its name three times in the past ten years.

But no special blends.

She closed the cabinet and put the key back. In semi-frustration she gave the old highboy a soft kick. There was a click. The bottom foot or so of the cabinet looked like solid maple. It wasn't, because a front panel swung out an inch or so.

She knelt, opened it all the way.

There were eight large tins inside sitting on two shelves. Each was wrapped in what looked like brown rice paper or thin leather but was neither. In fine, bold script across the front of each someone had written:

SPECIAL BLEND, Prepared Especially For DR. WALTER SCOTT

Under this were the various blend names: Liz Granger, Virginia Violet, and so on.

She pulled one tin out, examined it patiently. That was all. No address, no telephone number, nothing. She went over each tin carefully, with identical results. Just SPECIAL BLEND, Prepared Especially for . . . and the blend name. Nothing to indicate who prepared it, where it came from.

The paper on the final tin was slightly torn. She handled it carefully and inspected the tear. Something was stamped into the metal of the tin, almost concealed by the wrapping. Gently she peeled a little aside.

Yes, an oval stamp had been used on the tin. They probably all carried it. It was hard to make out; the stamp was shallow.

Peter van Eyck, the Smoke Nook . . . and an address right on Santa Monica Boulevard.

She found a little scrap of paper, wrote down the name and address. Then she smoothed the torn paper (or was it leather?) down as best she could, replaced the tin on its shelf, and shut the panel. It snapped closed with another click of the old-fashioned latch.


Hollywood Boulevard is just like a movie set. All front and no insides or back. Marching south from the Hollywood hills, you encounter Sunset Boulevard next, then Santa Monica. For much of its length-life Santa Monica Boulevard is like the back of a movie set. A street where all the storefronts, you're certain, have their faces to the alleys and their backsides to the boulevard.

Almost, she was convinced she'd misread the address. But on the third cruise past she spotted it. It was just a door in an old two-story building.

She pulled around the corner, managed to slither in between a new panel truck and an old Cadillac.

The door was open, the stairs inside reasonably clean. At the top of the landing she looked left, went right. She knocked on number five once and walked in. The overpowering, pungent odor of tobacco hit her immediately. Bells on the door jangled for a second time as she closed it.

Someone in the back of the room said, "Just a minute!" Twice that later, the proprietor appeared.

Short, fat, a fringe of hair running all around his head from chin, to cheeks, into sideburns, over the ear and around the back, like a cut-on-the-dotted-line demarcation.

At least in his sixties, but most of the wrinkles were still fat wrinkles, not age wrinkles. His voice was smooth, faintly accented. He smiled.

"Well! If I had more clients like you, young lady, I might not consider retiring."

"Thanks. Anyhow," she said, "you can't retire, at least not until tonight. I'm here to buy a birthday present for a very special friend."

The owner put on a pleased expression. "What does he like, you tell me. Imported cigars? Pipe tobacco? Snuff?" He winked knowingly, an obscene elf. "Perhaps something a little more unusual? Mexican, say, or Taiwanese?"

"And the opium den in the attic." She smiled back. "No, I'm afraid not. My friend buys his tobacco from you regularly-"

"He has good taste."

"-a special blend you make for him."

"My dear, I make special blends for many people, and not only here in Los Angeles. It's a fine art, and young people today . . . " He sighed. "Some of my best customers, then names would startle you. Who is your friend?"

"Dr. Walter Scott."

Smile, good-bye. Grin, vanished. Humor, to another universe.

"I see." All of a sudden he was wary of her. "Does the doctor know that you are doing this?"

"No. I want to surprise him."

"I daresay." He looked at his feet. "I am afraid, dear lady, I cannot help you."

None of this made any sense. "Why not? Can't you just . . . blend it or whatever else it is you do? I don't need it till next week."

"You must understand, dear lady, that this is a very special blend. I can prepare most of it. But one ingredient always stays the same, and this Dr. Scott always supplies himself. It's like saffron in paella, you know. Without the tiny pinch of saffron, you have nothing, soup. Without the doctor's little additive . . ." He shrugged.

"Haven't you tried to find out what it is for yourself?" she pressed.

"Of course. But the doctor; he only smiles. I don't blame him for protecting the secret of his blend. Such a marvelous sweetness it gives the smoke, I tell you!" The tobacconist shook his head, fringe bobbing. "No, I cannot help you. Excuse me." He headed for the back of the room.

"Well, I like that!" She walked out the door, paused halfway down the stairs. Odd. Oh, well. She'd buy him that antique hurricane lamp he'd admired in Ports o' Call.


It was raining as she drove out to the house. Wednesdays he worked late, and she was sure he could use some company. She shivered deliciously. So could she.

The Pacific Coast Highway was a major artery. Thanks to the rain and fog, the number of four-wheeled corpuscles was greatly reduced tonight. Typical southern California rain: clean, cold, tamer than back east.

She let herself in quietly.

Walt was sticking another log into the fireplace. He was sucking on the usual pipe, a gargoylish meerschaum this time. After the wet run from the driveway the fire was a sensuous, delightful inferno, howling like a chained orange cat.

She took off the heavy, wet coat, strolled over to stand near the warmth. The heat was wonderful. She kissed him, but this time the fire's enthusiasm wasn't matched.

"Something wrong, Walt?" She grinned. "Mrs. Norris giving you trouble about her glands again?"

"No, no, not that," he replied quietly. "Here, I made you a ginger snap."

The drink was cool and perfect as always.

"Well, tell me, then, what is it?" She went and curled up on the couch. The fire was a little too hot.

He leaned against the stone mantel, staring down into the flames. The only light in the room came from the fireplace. His face assumed biblical shadows. He sighed.

"Emma, you know what I think of women who stick their noses in where they shouldn't."

"Walt?"

Damn, he must have noticed the new tear in the tobacco tin wrapping!

"I don't know what you mean, darling." The handsome profile turned to full face.

"You've been in my tobacco, haven't you?"

Ginger snap, tickling as it went down.

"Oh, all right. I confess, darling. Yes, I was in your precious horde."

There was more than a hint of mild curiosity in his voice. It seemed to come from another person entirely. She pressed back into the couch and shivered. It was the sudden change in temperature from outside, of course.

"Gee, Walt, I didn't think you'd be so . . . so upset."

"Why?" he repeated. His eyes weren't glowing. Just reflection from the fire, was all.

She smiled hopefully. "I was going to surprise you for your birthday. I wanted to get you some of your special blend and really surprise you. Don't think I'm going to tell you what I got you, now, either!"

He didn't smile. "I see. I take it you didn't obtain my blend?"

"No, I didn't. I went to your tobacco place . . ."

"You went to my tobacco place?" he echoed.

"Yes, on Santa Monica. The address was under the paper or whatever that wrapping is." She blinked, shook herself. Was she that tired? She took another sip of the drink. It didn't help. In fact, she seemed to grow drowsier.

"That nice Mr. . . . I can't remember his name . . . he . . . excuse me, Walt. Don't know why I'm so . . . sleepy."

"Continue. You went to the shop."

"Yes. The owner said he couldn't make any of your blend for me because (fog) you always brought one of the (so tired) ingredients yourself and he didn't know what it was. So I had to get you something else."

"Why?" he said again. Before she could answer, "Why must you all know everything? Each the Pandora." He took up a poker, stirred the fire. It blazed high, sparks bouncing drunkenly off the iron rod.

She finished the drink, put the glass down on the table. It seemed to waver. She leaned back against the couch.

"I'm sorry, Walt. Didn't think you'd get so . . . upset."

"It's all right, Emma."

"Funny . . . about those . . . tins. Eight of them. Two were . . . named Anna Mine and Sue deBlakely."

"So." He fingered the poker.

"Well," she giggled, "weren't those the . . . names of your two ex-wives?"

"I'm very sentimental, Emma."

She giggled again, frowned. Falling asleep would spoil the whole evening. Why couldn't she keep her damn eyes open?

"In fact . . . all your blends had female . . . names."

"Yes." He walked over to her, stared down. His eyes seemed to burn . . . reflection from the fire again . . . and his face swam, blurred. "You're falling asleep, Emma. " He moved her empty glass carefully to one end of the table. It was good crystal.

"Can't . . . understand it. So . . . tired . . ."

"Maybe you should take a little rest, Emma. A good rest."

"Rest . . . maybe . . . " His arms cradled her.

"Lie here, Emma. Next to the fire. It'll warm you." He put her down on the carpet across from the fronting brick. The flames pranced hellishly, anxious, searing the red-hot brick interior.

"Warm . . . hot, Walt," she mumbled sleepily. Her voice was thick, uncertain. "Lower it?"

"No, Emma." He took the poker, jabbed and pushed the logs back against the rear of the alcove. Funny, she'd never noticed how big it was for such a modest house.

Her eyes closed. There was silence for several minutes. As he knelt and reached for her, they fluttered open again just a tiny bit.

"Walt . . ." Her voice was barely audible, and he had to lean close to hear.

". . .Yes?"

"What . . . special ingredient?"

There was a sigh before he could reply, and her eyes closed again. Long moments. He tossed two more logs on the fire, adjusted them on the iron. Then he knelt, grabbed her under the arms. Her breathing was shallow, faint.

He put his mouth close to her ear, whispered.

"Ashes, my love. Ashes."



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