Chapter 23

I showered and shaved, then went through the house dousing the extra lights that I had turned on for Ellen Lang. The house was quiet, warm in the gold light from the lamp beside the couch, and comfortable. There were books on the shelves that I liked to read and reread, and prints and originals on the walls that I liked to look at. Like the office, I was proud of it. Like the office, it was the result of a process and the process was ongoing. The house lived, as did the person within it. Upstairs, Ellen Lang shifted under the covers.

I got six aspirin from the powder room, ate them, then got my sleeping bag from the entry closet, spread it on the couch, and stretched out. My head rocked from side to side, floating on the scotch, and started to spin. I sat up.

It was too late for the final sports recap. Too late for Ted Koppel. Maybe I could luck into a rerun of Howard Hawks' The Thing with Ken Tobey. When I was a boy, Ken Tobey kept the monsters away. He battled things from other worlds and creatures from the bottom of the sea and prehistoric beasts and he always won. Ken Tobey fought the monsters and kept us safe. He always won. That was the trick. Any jerk can get his ass creamed.

The cat came in a little while later, jumped onto the couch next to me, stepped into my lap, and began to purr. His fur was chill from having been out. I petted him. And petting him, fell asleep.

I dreamed I was in a hot dusty arena and Domingo Duran, replete with Suit of Lights, was advancing toward me, little sword before him and cape extended. The crowd was cheering, and beautiful women threw roses. I figured I was supposed to be the bull, but when I looked down I saw my regular arms and my regular feet. Where the hell was the bull? Just then, Duran's cape flew up and a dark, satanic bull charged me. Not just any bull. This one wore mukluks and sealskin boots. When I dream, you don't have to hop the Concorde to Vienna to figure it out. Just as the bull was about to horn me with something looking suspiciously like a harpoon, I felt myself spinning out of the arena, spinning up and up until I was awake in my still-dark house.

Ellen Lang stood at the glass doors, her back to me, arms at her sides, staring down into Hollywood. Beside me the cat shifted, out of it. Some watchcat.

I listened to the house, listened to my breath. She never moved. After a while I said, quietly so as not to startle her, "We'll find him."

She turned. Her face was shadowed. "I didn't want to wake you."

"You didn't."

She made a little sound in her throat and came over to the big chair by the couch. She didn't sit. I had fallen asleep on top of the sleeping bag and was cold but didn't want to move. I could see her face now, blue in the moonlight.

She looked out at Hollywood, then down at me. She said, "They wouldn't believe me. I told them I didn't know what they were talking about but they just kept asking. Then they brought in Perry. They kept saying I knew and I had to tell them, and they kept slapping him and feeling me and saying that they would rape me in front of Perry, and that I had better tell them. I thought of you. I told them I thought you had it."

"It's okay."

"I'm sorry."

"You don't have to be sorry."

"I'm ashamed of myself. It wasn't right."

I lifted the cat, sat up, then put the cat back down beside me.

She said, "Would you like coffee?"

"No, thanks."

"If you're hungry, I could make something."

I shook my head. "If I want anything, I'll get it. But thank you."

She nodded and curled up in the big chair across from me, her feet tucked under her.

I said, "Would you like me to turn on a light?"

"If it's what you want."

I left the light off.

After a while the cat stood up, stretched, turned in a circle, and lay back down. He said, roawmph. Ellen said, "I didn't know you had a cat."

"I don't. He lives here because I'm easy to sucker for beer and food. Don't try to pet him. He's mean and he bites."

She smiled, her teeth blue in the reflected moonlight.

"Besides that, he's dirty and he carries germs."

Her smile widened for an instant, then faded.

We sat some more. Outside, another police helicopter flew very low up the canyon and over the house. When I was little we lived near an air base and I was terrified that the airplanes and helicopters would scare away Santa Claus. Years later, in Vietnam, I grew to like the sound. It meant someone was coming to save me.

Ellen Lang said quietly, "I don't know if there's any money. I don't know if I can feed the children. I don't know if I can pay for the house or the school or any of those things."

"I'll check the insurance for you. If worse comes to worst, you can sell the house. You would sell Mort's car, anyway. The kids can go to public schools. You'll adapt. You'll do all right and so will the kids."

She sat very still. "I've never been alone before."

"I know." The helicopter looped back and disappeared toward the reservoir. I wondered if Joe Pike was watching it. "You've got the children. There's me. When it's over doesn't mean you never see me again."

She nodded.

"I'm a full-service op. I provide follow-up service and yearly maintenance just like Mr. Goodwrench."

She nodded again.

"Just like the Shell Answer Man."

She didn't respond. This stuff would kill'm in the Comedy Store. Maybe she only laughed at cat jokes. I looked at the cat. He offered little inspiration.

"There's even Janet."

"Who reinforces my lousy self-image?"

"Keep you humble."

She said, "You're sweet, trying to cheer me up like this. Thank you."

We sat. Ellen stared out the window. I stared at Ellen. Her hair was dry and brushed out and offset her small narrow face nicely. The pale light softened her features and I could see the girl back in Kansas, a nice girl who'd be great to bring to a football game on a cold night, who'd sit close to you and jump up when the home team scored and who'd feel good to hug.

After a very long time, she said softly, "It must be beautiful, living up here."

"It is."

"Are there coyotes?"

"Yes. They like the hills above the reservoir."

She looked at the cat. "I heard they take cats. I had a friend in Nichols Canyon who lost two that way."

I touched the cat's head between his ears. It was broad and flat and lumpy with scars. A good cat head.

She shifted in the chair. She was sitting on her feet, and when she moved she was careful to keep the robe over her knees. She said, "Tell me, how can you live with someone for so long and know so little about them?"

"You can know only what someone shows you."

"But I lived with Mort for fourteen years. I knew Garrett Rice for five years. I was married to Mort for eight years before I even knew there were other women. Now I find out about drugs. I never knew there were drugs." Her lips barely moved, matching the stillness of the rest of her. "He said it was me. He said I was killing him. He said he would lie in bed some nights, hoping I would die and thinking of ways to hurt me."

"It wasn't you."

"Then how could Mort be that person, and how could I not know? His wife. What does that say about me?" A whisper.

"It says you trusted a man who didn't deserve your trust. It says you gave of yourself completely because you loved him. It comments on Mort's quality, not yours."

"I've been so wrong about things. Everything's been such a lie. I'm thirty-nine years old and I feel like I've thrown my life away."

"Look at me," I said.

She looked.

"When you marry someone, and put your trust in them, you have a right to expect that they will be there for you. The marriage doesn't have to be perfect. You don't have to be perfect. By virtue of the commitment, your partner is supposed to be there. Without having to look around, you have to know they're there. When you looked, Mort wasn't there. Mort hadn't been there for a long time. It doesn't matter about his problems. He failed to live up to you. Mort lived the lie. Not you. Mort threw it away. Not you."

Her head moved. "That sounds so harsh."

"I'm feeling a little harsh toward Mort right now." I took short breaths, feeling the booze still there. The big room had grown warmer.

We sat like that for several minutes. I was slouched on the sofa with my abdominal muscles forming neat rows leading up to my ribs. My legs were extended, my feet on the coffee table. I looked blue.

"I don't mean to whine," she said.

"You hurt. It's okay."

She brought her feet out from under her with a soft rustle, and sat forward. I heard her draw a deep breath and sigh it out. She said, "You're a very nice man."

"Unh-hunh."

She said, "What happened" -she leaned forward out of the chair and touched my stomach- "here?"

When she touched me the muscles in my stomach and pelvic girdle and thighs bunched. Her finger was very warm, almost hot. I said, "I got into a fight with a man in Texas City, Texas. He cut me with a piece of glass."

She moved her finger about an inch along the scar. I stood up, pulling her to me. She held on tight and whispered something into my chest that I did not hear.

I carried her upstairs and made love to her. She called me Mort. Afterward I held her, but it was a long time before she slept. And when she slept it was fitful and without rest.


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