Thank you to:
Francesca Main, Megan Lynch and Jennifer Lambert,
who made this possible
Juliet Mushens,
who saw me through
Sasha Raskin and Sarah Manning,
who brought up the rear
Professor Mary Chamberlain,
who gave her time and opened my eyes a bit wider
Colin McKenzie,
who lent his erudition on matters of art
Professor Patricia Mohammed
at the University of the West Indies, Trinidad,
who generously advised on Odelle and Cynthia’s language
Gail Bradley,
who diligently scoured the script — any inaccuracies in these matters are, of course, my own.
Also to:
Alice O’Reilly, Teasel Scott and my family;
in less obvious, but equally important ways, you helped me write this novel
and
Pip Carter, for everything