The Narrows

CHAPTER 12

IT was late and the batteries on the boat were beginning to run low. The lights in the forward berth were steadily dimming. Or at least it seemed so to me. Maybe it was my eyes that were dimming. I had spent seven hours reading through files pulled out of the boxes on the top bunk. I had filled my notebook to the last page and then flipped it over and started back to front.

The afternoon interview had been uneventful if not unhelpful. Terry McCaleb's last charter was a man named Otto Woodall who lived in a luxury condo behind the fabled Avalon Casino building. I talked to him for an hour, getting much the same story I had already gotten from Buddy Lockridge. Woodall, who was sixty-six years old, confirmed all aspects of the trip that were of interest to me. He said he did leave the boat during their dockage in Mexico and spent time with women he knew there. He was unembarrassed and unashamed. His wife was over on the mainland shopping for the day and he apparently didn't mind opening up. He told me he was retired from his job but not from life. He said he still had a man's needs. I let that line of questioning go at that point and focused on the last moments of McCaleb's life.

Woodall's observations and recollections mirrored Buddy's in all important details. Woodall also confirmed that on at least two specific instances during the trip he saw McCaleb take his meds, downing the pills and liquids with orange juice each time.

I took notes but knew they wouldn't be needed. After an hour I thanked Woodall for his time and left him to his view of the Santa Monica Bay and the bloom of smog that rose beyond it on the mainland.

Buddy Lockridge was waiting for me out front in a golf cart I had rented. He was still brooding over my last-minute decision to interview Woodall without him. He'd accused me of using him to get the interview with Woodall. He was right about that but his complaints and concerns weren't even on my radar.

We drove silently back to the pier and I turned in the cart. I told Buddy he could head home because I was going to be busy reading files the rest of the day and into the night. He meekly offered to help but I told him he already had helped enough. I watched him walk off toward the ferry docks with his head down. I still wasn't sure about Buddy Lockridge. I knew I had some thinking to do about him.

Not wanting to fool around with the Zodiac I took a water taxi back to The Following Sea. I conducted a quick search of the master stateroom-finding nothing of note-and moved into the forward cabin.

I noticed that Terry had a compact disc player in the converted office. His small collection of music was mostly blues and 1970s rock and roll. I plugged in a more recent Lucinda Williams CD called World Without Tears and liked it so much I ended up letting it play over and over during the next six hours. The woman had long journeys in her voice and I liked that. By the time the power started faltering on the boat and I turned the music off I had unconsciously memorized the lyrics to at least three songs I could sing to my daughter the next time I put her to bed.

Back in McCaleb's converted office, the first thing I did was go back to his computer and open the folder marked profiles.

It gave me a listing of six different files, all titled by dates in the previous two years. One by one I called them up in chronological order and found each to be a forensic suspect profile of a murder case. Written in the unadorned and clinical language of the professional, each profile drew conclusions about a killer based on specific crime scene details. It was clear from these details that McCaleb had done more than simply read newspaper articles. It was obvious he had full access to the crime scenes-either in person or more likely by photos and tapes and investigators' notes. It was very clear to me that these were not practice runs worked up by a profiler who missed the job and wanted to keep in tune. These were the work of an invited guest. The cases were all from the jurisdictions of small police departments in the west. My guess was that McCaleb had heard of each case through news reports or other means and simply volunteered his help to the police department struggling with the case. Offer accepted, he was,probably sent the crime scene information and he then set to work analyzing and drawing up the profile. I wondered if his notoriety helped or hindered him when he offered his talents. How many times was he turned down to be accepted these six times?

When accepted, he probably worked each case from Jhe desk where I was sitting, without ever leaving the boat. Or thinking his wife knew in detail what he was doing.

But I could tell each profile had taken a good amount,of his time and attention. I was beginning to understand more and more what Graciela had said had become a problem in their marriage. Terry couldn't draw a line. He couldn't let it go. This profile work was a testament not only to his dedication to his mission as an investigator but also to his blind spot as a husband and father.

The six profiles came from cases in Scottsdale, Arizona; Henderson, Nevada; and the four California cities of La Jolla, Laguna Beach, Salinas and San Mateo. Two were child murders and the other four were sex slayings involving three women and one male victim. McCaleb drew no links between them. It was clear they were simply separate cases that had drawn his attention in the last two years. There was no indication in any of the files that Terry's work had been helpful or if any of the cases had been cleared. I wrote down the basics from each in my notebook with the idea that I would follow up with the departments to check the status of each investigation. It was a long shot but it was still possible that one of these profiles could have triggered McCaleb's death. It wasn't a priority but I would need to check it out. Finished with the computer for the time being, I directed my attention to the file boxes stored on the top bunk. One by one I pulled them down until there was no room on the floor of the forward room. I found that they contained a mix of files from both solved and unsolved cases. I spent the first hour just sorting them and pulling out the open-unsolveds, thinking that it was more likely than not that if Terry's death was related to a case, then it was one with a suspect still at large. There was no reason for him to be working or reworking a closed case.

The reading was fascinating. Many of the files were on cases I was familiar with or had even had a part in. They were not files that had gathered dust. I got the distinct impression that the open cases were in endless rotation. From time to time McCaleb pulled them out and rethought the investigations, the suspects, the crime scenes, the possibilities. He made calls to investigators and lab people and even witnesses. All of this was clear because McCaleb's practice was to use the inside front flap of the file to write notes on the moves he made, meticulously dating these entries as well.

From these dates I could tell that McCaleb had been working many cases at once. And it was clear he still had a pipeline into the FBI and the Behavioral Sciences unit at Quantico. I spent a whole hour reading the fat file he had accumulated on the Poet, one of the more notorious if not embarrassing serial killer cases in the FBI annals. The Poet was a killer later revealed to be the FBI agent who had been heading the squad essentially hunting for himself. It was a scandal that had rocked the bureau and its vaunted Behavioral Sciences Section eight years before. The agent, Robert Backus, chose homicide detectives as his victims. He staged the killing scenes as suicides, leaving behind suicide notes containing verses from the poems of Edgar Allan Poe. He killed eight men across the country in a period of three years before a reporter discovered the false suicides and the manhunt began. Backus was revealed and shot by another agent in Los Angeles. At the time he was supposedly targeting a detective from the homicide table in the LAPD's Hollywood Division. That was my table. The target, Ed Thomas, was my colleague and that was my connection. I remember taking a very high personal interest in the Poet.

Now I was reading the inside story. Officially the case was closed by the bureau. But the unofficial word had always been that Backus had gotten away. After being shot Backus initially escaped into the storm-water tunnel system that ranged beneath Los Angeles. Six weeks later a body was found with a bullet hole in the right place but decomposition made a physical identification and fingerprint comparison impossible. Foraging animals-it was reported-had made off with parts of the body, including the lower mandible and the only teeth that could have been used for identification through dental records. Backus had also conveniently disappeared without leaving DNA exemplars behind. So they had the body with the bullet hole but nothing to compare it to. Or so they said. The bureau quickly announced that Backus was presumed dead and the file was closed, if only to bring a speedy end to the agency's humiliation at the hands of one of its own.

But the records McCaleb had accumulated since then confirmed that the folklore was true. Backus was still alive and out there. Somewhere. Four years earlier he had surfaced in Holland. According to confidential FBI bulletins provided by bureau sources to McCaleb, a killer took the lives of five men over a two-year period in Amsterdam. All the victims were foreign visitors who had disappeared after venturing into the city's red-light district. Each man was found strangled and floating in the Amstel River. What connected the killings to Backus were notes sent to local authorities in which the writer took credit for the killings and asked that the FBI be called into the case. The writer, according to the confidential reports, asked specifically for Agent Rachel Walling, the agent who had shot Robert Backus four years earlier. The police in Holland invited the FBI to take an unofficial look at the case. The sender had signed each letter as simply "The Poet." FBI handwriting analysis of the letter indicated-not conclusively-that the writer was not a killer trying to ride the notorious coattails of Robert Backus, but Backus himself.

Of course, by the time the bureau, local authorities and even Rachel Walling mobilized in Amsterdam, the killer was long gone. And Robert Backus had not been heard from again-at least as far as Terry McCaleb's sources knew.

I replaced the thick file in one of the boxes and moved on. I soon learned that McCaleb was not just working old cases. In fact, anything that caught his attention was subject to his focus and skills. There were dozens of files that contained only a single newspaper story and some notes jotted on the file flap. Some cases were high profile, others obscure. He put together a file of newspaper clips on the Laci Peterson case, the disap- pearance of a pregnant woman from Central California on Christmas Eve two years before. The case had garnered long-term media and public attention, particularly after her dismembered body was found in the bay where her husband had earlier told investigators he had been fishing when she disappeared. An entry on the file flap dated before the woman's body was found said, "Definitely Dead-in the water." Another note dated before her husband's arrest said, "There's another woman."

There was also a file with seemingly prescient notes on Elizabeth Smart, a child kidnapped in Utah who was found and returned after nearly a year. He correctly wrote "alive" under one of the newspaper photos of the young girl.

McCaleb also made an unofficial study of the Robert Blake case. The former film and television star was accused of murdering his wife in another headlining case. The notes in the file were intuitive and on point, ultimately borne out as correct as the case entered the courts.

I had to ask myself if it was possible that McCaleb had entered the notes in his files and predated them, using information from media accounts and making it appear that he was predicting case aspects or suspect traits from his own work when he wasn't. While anything was possible, it seemed entirely unrealistic to me to think McCaleb had done this. I could see no reason for him to commit such a quiet and self-defeating crime. I believed the work was real and was his.

One file that I found contained newspaper stories on the LAPD's new cold case squad. Noted on the flap were the names and cell numbers of four detectives assigned to the unit. Terry had obviously been able to cross the gulf between the LAPD and the FBI if he had their cell numbers. I knew detectives' cell numbers were not handed out to just anyone.

One of the four detectives I knew. Tim Marcia had spent time in Hollywood Division, including the homicide table. I knew it was late but cops expect to get late calls. I knew Marcia wouldn't mind. I took out my cell and called the number McCaleb had written next to his name on the file. Marcia answered immediately. I identified myself, got through the long-time-no-see pleasantries and explained that I was calling about Terry McCaleb. I didn't lie but I didn't say I was working a murder investigation. I said I was sorting through his files for his wife and came across Marcia's name and number. I was simply curious about what their relationship had been.

"Harry, you worked some cold cases in your time, right? That thing up at your house last year came out of a cold case, didn't it?"

"Right."

"Then you know how it goes. Sometimes you grasp at straws, you take any help you can get. Terry called me up one day and offered his services. Not on a specific case. I think he had seen a story in the Times about the unit and he basically said if I ever needed him to work a profile he was there for me. He was one of the good ones. I was really sorry to hear what happened. I wanted to get over to Catalina for the service but things sort of came up."

"Like they always do. Did you ever take him up on the offer to do a profile?" "Yeah, sort of. I know I did and a couple other of the guys here did, too. You know how it is. The department has no profiling to speak of and sometimes waiting on the bureau and Quantico can take months. Here was this guy who knew what he was doing and he didn't want anything back. He just wanted to work. So we used him. We bounced a few things off him."

"And how did he do?"

"He did good. We're working this one case now that's interesting. When the new chief put the squad together we started going back through the open-unsolveds. We linked six cases-body dumps up in the Valley. They had some similar aspects but were never connected before. We copied the files to Terry and he confirmed. He connected them through what he called 'psychological commonalities.' We're still working it but at least we know what we have now. We're on the track is what I mean. I'm not sure we would be where we are if Terry hadn't helped us out."

"Good, I'm glad to hear he helped with it. I'll tell his wife and I'm sure it will help her to know that."

"Good. So, Harry, you coming back in?"

I was expecting him to ask what I was really doing with McCaleb's files, not whether I was coming back to the department.

"What are you talking about?"

"You heard about the three-year ticket the chief instituted?"

"No, what's that?"

"He knows we lost a lot of talent in recent years. All the scandals and whatnot, good people saying, what the hell, I'm out of here. So he's opening the door for people to come back. If you reapply within three years of retirement and are accepted you can get back in without having to go to the academy. That's perfect for old guys like you."

I heard the smile in his voice.

'Three years, huh?"

"Yeah. What's it been for you, two and a half?"

"Just about."

"Well, there you go. Think about it. We could use you here in cold cases. We've got seven thousand open-unsolveds. Take your pick, man."

I didn't say anything. Out of the blue, I was struck with the idea of going back. In that moment I was blind to the negatives. I only thought about what it would be like to carry the badge again.

"Then again, maybe you're having too much fun being retired. You need anything else, Harry?"

"Uh, no, that was it. Thanks, man, I appreciate it."

"Anytime. And think about the three-year plan. We could sure use you, whether it's here or back in Hollywood or wherever."

"Yeah, thanks. Maybe I will. I'm going to think about it."

I closed the phone and sat there surrounded by another man's obsessions but thinking about my own. I thought about going back. I thought about seven thousand unanswered voices from the grave. That was more than the number of stars you see when you look up into the sky at night.

My phone buzzed while it was still in my hand. It pulled me out of the reverie and I opened it, expecting it to be Tim Marcia calling back and saying that three-year thing had just been a gag. But it was Graciela calling. "I can see lights on in the boat," she said. "Are you still there?"

"Yeah, I'm here."

"Why so late, Harry? You missed the last ferry." "I wasn't going to go back tonight. I was going to stay over and finish up here. Maybe head back tomorrow. I might want to come up and talk to you, too."

"That's fine. I'm not working tomorrow. I'll be here packing." "Packing?"

"We're going to move back to the mainland. We'll live in Northridge. I got my old job back in the ER at Holy Cross."

"Is Raymond one of the reasons you're moving back?" "Raymond? What do you mean?" "I was wondering if there were any troubles with the boy. I heard he didn't like living on the island."

"Raymond doesn't have a lot of friends. He doesn't fit in so well. But the move is not just because of Raymond. I want to go back. I wanted to before Terry was gone. I told you that." "Yes, I know," She changed the subject.

"Is there anything you need? Did you get something to eat?"

"I found some stuff in the boat's kitchen. I'm fine." She groaned in disgust.

"That all must be old. Check the expiration dates before you eat anything else." "I will."

She hesitated and then asked the question she had called to ask. "Have you found anything yet?"

"Well, I've found some things I am curious about. But nothing that particularly stands out yet."

I thought about the man in the Dodgers cap. He certainly stood out for me but I didn't want to bring him up yet with Graciela. I wanted to know more before talking to her about him.

"Okay," she said. "But keep me informed about things, okay?"

"That's the deal."

"Okay, Harry, I'll talk to you tomorrow. Are you staying in a hotel or on the boat?"

"The boat, I think. If that's all right with you."

"It's fine with me. Do what you want to."

"Okay. Can I ask you something?"

"Sure, what?"

"You were talking about packing and I'm just curious about something. How often do you go over to the mainland? You know, to go to the mall or restaurants or see family."

"Usually about once a month. Unless something specific comes up and I need to go."

"You take the kids?"

"Usually. I want them to be used to it. You grow up on an island where they have golf carts instead of cars and everybody knows everybody… it can be strange to suddenly move to the mainland. I'm trying to get them ready for it"

"I guess that's smart. What mall is closest to the ferry docks?"

"I don't know what one is closest, but I always go up to the Promenade on Pico. I just shoot up the four-oh- five from the harbor. I know there are closer malls-Fox Hills, for example-but I like the Promenade. I like the stores there and it's easy. Sometimes I meet friends from the Valley and it is a good halfway point for all of us."

And easy to be followed to, I thought but didn't say.

"Good," I said, not sure what I was saying was good. "One other thing. I'm running out of light here. The batteries, I guess. Is there a switch or something I should hit to recharge or how do you do that?"

"You didn't ask Buddy?"

"No, I didn't know I was going to run out of light when I was with Buddy."

"Oh, Harry, I'm not sure. There's a generator that has to run. I'm not sure even where it is."

"Okay, well, don't worry about it. I can call Buddy. I'll let you go, Graciela. I ought to get back to work while I still have some light."

I hung up and wrote the name of the mall down in my notebook, then left the room and went around the boat turning off all the lights but the one on the desk in the forward berth in an effort to conserve power. I called Buddy on the cell after that and he answered in a groggy voice.

"Hey, Buddy, wake up. It's Harry Bosch."

"Who? Oh. What do you want?"

"I need your help. Is there like a generator or something on this boat that will give me some light? The batteries are dying on me."

"Man, don't let those things drain all the way down. You'll kill them."

"Then what do I do?"

"You've got to crank the Volvos, man, and then turn on the generator. The thing is it's near midnight. Those folks sleeping on their boats in line with you aren't going to take so kindly to hearing that"

"All right, forget it. But in the morning I should do it, so what do I do, use a key?"

"Yeah, just like a car. Go to the helm in the salon, put in the keys and turn them to the on position. Then above each key is the ignition toggle. Flip it up and she should start right up-unless you've used all the juice up and there's no charge."

"Okay, I'll do it. You got any flashlights on this thing?"

"Yeah, there's one in the galley, one over the chart table and one in the master in the built-in drawer to the left of the bed. There's also a lantern in the lower cabinet of the galley. But you don't want to use that down in the front room. The kerosene smell will build up in there and you might croak yourself. Then there'd be another mystery to solve."

He said the last line with a note of contempt in his voice. I let it go.

"Thanks, Buddy. I'll talk to you."

"Yeah. Good night."

I hung up and went looking for the flashlights, coming back to the forward berth with a small one from the master stateroom and a large table light from the galley. I put the large light on the desk and turned it on. I then killed the berth's lights. The table light's glow hit the small room's low ceiling and spread. It wasn't bad. Between that and the handheld light I would still be able to get some work done.

I was down to less than half a box of files to go and wanted to finish before figuring out where I was going to sleep. These were all thin files, the most recent additions to McCaleb's collection, and I could tell most of them contained little more than a newspaper clip and maybe a few notes on the flap.

I reached in and picked one out at random. I should have been in Vegas throwing dice. Because the file I picked turned out to be a long-shot winner. It was the file that gave my investigation focus. It put me on the road.