The New Yorker Stories

Now Wanda comes out and sits on the porch. She picks up the National Enquirer. “Another doctor, another cure,” Wanda says, and she sighs.

May is not listening to Wanda. She is watching a black Cadillac with a white top coming up the street. The black Cadillac looks just like the one that belongs to her father’s friends Gus and Sugar. There is a woman in the passenger seat. The car comes by slowly, but then speeds up. May sits forward in her rocking chair to look. The woman did not look like Sugar. May sits back.

“Men on the moon, no cure for cancer,” Wanda says. “Men on the moon, and they do something to the ground beef now so it won’t cook. You saw me put that meat in the pan tonight. It just wouldn’t cook, would it?”

They rock in silence. In a few minutes, the car coasts by again. The window is down, and music is playing loudly. The car stops in front of Wanda’s. May’s father gets out. It’s her father, in a pair of shorts. A camera bounces against his chest.

“What the hell is this?” Wanda hollers as May runs toward her father.

“What the hell are you doing here?” Wanda yells again.

May’s father is smiling. He has a beer can in one hand, but he hugs May to him, even though he can’t pick her up. Looking past his arm, May sees that the woman in the car is Sugar.

“You’re not taking her anywhere!” Wanda says. “You’ve got no right to put me in this position.”

“Aw, Wanda, you know the world always dumps on you,” Ray says. “You know I’ve got the right to put you in this position.”

“You’re drunk,” Wanda says. “What’s going on? Who’s that in the car?”

“It’s awful, Wanda,” Ray says. “Here I am, and I’m drunk, and I’m taking May away.”

“Daddy—were you in Colorado?” May says. “Is that where you were?”

“Colorado? I don’t have the money to go West, sweetheart. I was out at Gus and Sugar’s beach place, except that Gus has split, and Sugar is here with me to pick you up.”

“She’s not going with you,” Wanda says. Wanda looks mean.

“Oh, Wanda, are we going to have a big fight? Am I going to have to grab her and run?”

He grabs May, and before Wanda can move they are at the car. The music is louder, the door is open, and May is in the car, crushing Sugar.

“Move over, Sugar,” Ray says. “Lock the door. Lock the door!”

Sugar slides over behind the wheel. The door slams shut, the windows are rolled up, and as Wanda gets to the car May’s father locks the door and makes a face at her.

“Poor Wanda!” he shouts through the glass. “Isn’t this awful, Wanda?”

“Let her out! Give her to me!” Wanda shouts.

“Wanda,” he says, “I’ll give you this.” He puckers his lips and blows a kiss, and Sugar, laughing, pulls away.

“Honey,” Ray says to May, turning down the radio, “I don’t know why I didn’t have this idea sooner. I’m really sorry. I was talking to Sugar tonight, and I realized, My God, I can just go and get her. There’s nothing Wanda can do.”

“What about Mom, though?” May says. “I got a letter, and she’s coming back from Colorado. She went to Denver.”

“She didn’t!”

“She did. She went looking for you.”

“But I’m here,” Ray says. “I’m right here with my Sugar and my May. Honey, we’ve made our own peanut butter, and we’re going to have peanut butter and apple butter, and a beer, too, if you want it, and go walking in the surf. We’ve got boots—you can have my boots—and at night we can walk through the surf.”

May looks at Sugar. Sugar’s face is set in a wide smile. Her hair is white. She has dyed her hair white. She is smiling.

Ray hugs May. “I want to know every single thing that’s happened,” he says.

“I’ve just been, I’ve just been sitting around Wanda’s.”

“I figured that’s where you were. At first I assumed you were with your mother, but I remembered the other time, and then it hit me that you had to be there. I told Sugar that—didn’t I, Sugar?”

Sugar nods. Her hair has blown across her face, almost obscuring her vision. The traffic light in front of them changes from yellow to red, and May falls back against her father as the car speeds up.

Sugar says that she wants to be called by her real name. Her name is Martha Joanna Leigh, but Martha is fine with her. Ray always calls her all three names, or else just Sugar. He loves to tease.

It’s a little scary at Sugar’s house. For one thing, the seabirds don’t always see that the front wall is glass, and sometimes a bird flies right into it. Sugar’s two cats creep around the house, and at night they jump onto May’s bed or get into fights. May has been here for three days. She and Ray and Sugar swim every day, and at night they play Scrabble or walk on the beach or take a drive. Sugar is a vegetarian. Everything she cooks is called “three”-something. Tonight, they had three-bean loaf; the night before, they had mushrooms with three-green stuffing. Dinner is usually at ten o’clock, which is when May used to go to bed at Wanda’s.

Tonight, Ray is playing Gus’s zither. It sounds like the music they play in horror movies. Ray has taken a lot of photographs of Sugar, and they are tacked up all over the house—Sugar cooking, Sugar getting out of the shower, Sugar asleep, Sugar waving at the camera, Sugar angry about so many pictures being taken. “And if Gus comes back, loook out,” Ray says, strumming the zither.

“What if he does come back?” Sugar says.

“Listen to this,” Ray says. “I’ve written a song that’s about something I really feel. John Lennon couldn’t have been more honest. Listen, Sugar.”

“Martha,” Sugar says.

“Coors beer,” Ray sings, “there’s none here. You have to go West to drink the best—Coooors beeeer.”

May and Sugar laugh. May is holding a ball of yarn that Sugar is winding into smaller balls. One of the cats, which is going to have kittens, is licking its paws, with its head against the pillow Sugar is sitting on. Sugar has a box of rags in the kitchen closet. Every day she shows the box to the cat. She has to hold the cat’s head straight to make it look at the box. The cat has always had kittens on the rug in the bathroom.

“And tuh-night Johnny’s guests are . . .” Ray is imitating Ed McMahon again. All day he has been announcing Johnny Carson, or talking about Johnny’s guests. “Ed McMahon,” he says, shaking his head. “Out there in Burbank, California, Ed has probably got a refrigerator full of Coors beer, and I’ve got to make do with Schlitz.” Ray runs his fingers across the strings. “The hell with you, Ed. The hell with you.” Ray closes the window above his head. “Wasn’t there a talking horse named Ed?” He stretches out on the floor and crosses his feet, his arms behind his head. “What do you want to do?” he says.

“I’m fine,” Sugar says. “You bored?”

“Yeah. I want Gus to show up and create a little action.”

“He just might,” Sugar says.

“Old Gus never can get it together. He’s visiting his old mama way down in Macon, Georgia. He’ll just be a rockin’ and a talkin’ with his poor old mother, and he won’t be home for days and days.”

“You’re not making any sense, Ray.”

“I’m Ed McMahon,” Ray says, sitting up. “I’m standing out there with a mike in my hand, looking out on all those faces, and suddenly it looks like they’re sliding down on me. Help!” Ray jumps up and waves his arms. “And I say to myself, ‘Ed, what are you doing here, Ed?’ ”

“Let’s go for a walk,” Sugar says. “Do you want to take a walk?”

“I want to watch the damned Johnny Carson show. How come you don’t have a television?”

Sugar pats the last ball of wool, drops it into the knitting basket. She looks at May. “We didn’t have much for dinner. How about some cashew butter on toast, or some guacamole?”

“O.K.,” May says. Sugar is very nice to her. It would be nice to have Sugar for a mother.

“Fix me some of that stuff, too,” Ray says. He flips through a pile of records and picks one up, carefully removes it, his thumb in the center, another finger on the edge. He puts it on the record player and slowly lowers the needle to Rod Stewart, hoarsely singing “Mandolin Wind.” “The way he sings ‘No, no,’ ” Ray says, shaking his head.

In the kitchen, May takes a piece of toast out of the toaster, then takes out the other piece and puts it on her father’s plate. Sugar pours each of them a glass of cranberry juice.

“You just love me, don’t you, Sugar?” Ray says, and bites into his toast. “Because living with Gus is like living with a mummy—right?”

Sugar shrugs. She is smoking a cigarillo and drinking cranberry juice.

“I’m your Marvin Gardens,” Ray says. “I’m your God-damned Park Place.”

Sugar exhales, looks at some fixed point on the wall across from her.

“Oh, metaphor,” Ray says, and cups his hand, as though he can catch something. “Everything is like everything else. Ray is like Gus. Sugar’s getting tired of Ray.”

“What the hell are you talking about, Ray?” Sugar says.

“Your one cat is like your other cat,” Ray says. “All is one. Om, om.”

Sugar drains her glass. Sugar and Ray are both smiling. May smiles, to join them, but she doesn’t understand them.

Ray begins his James Taylor imitation. “Ev-ery-body, have you hoid, she’s gonna buy me a mockin’ boid . . .” he sings.

Ray used to sing to May’s mother. He called it serenading. He’d sit at the table, waiting for breakfast, singing and keeping the beat with his knife against the table. As May got older, she was a little embarrassed when she had friends over and Ray began serenading. Her father is very energetic; at home, he used to sprawl out on the floor to arm-wrestle with his friends. He told May that he had been a Marine. Later, her mother told her that that wasn’t true—he wasn’t even in the Army, because he had too many allergies.

“Let’s take a walk,” Ray says now, hitting the table so hard that the plates shake.

“Get your coat, May,” Sugar says. “We’re going for a walk.”

Sugar puts on a tan poncho with unicorns on the front and stars on the back. May’s clothes are at Wanda’s, so she wears Sugar’s raincoat, tied around her waist with a red Moroccan belt. “We look like we’re auditioning for Fellini,” Sugar says.

Ray opens the sliding door. The small patio is covered with sand. They walk down two steps to the beach. There’s a quarter-moon, and the water is dark. There is a wide expanse of sand between the house and the water. Ray skips down the beach, away from them, becoming a blur in the darkness.

“Your father’s in a bad mood because another publisher turned down his book of photographs,” Sugar says.

“Oh,” May says.

“That raincoat falling off you?” Sugar says, tugging on one shoulder. “You look like some Biblical figure.”

It’s windy. The wind blows the sand against May’s legs. She stops to rub some of it away.

“Ray?” Sugar calls. “Hey, Ray!”

“Where is he?” May asks.

“If he didn’t want to walk with us, I don’t know why he asked us to come,” Sugar says.

They are close to the water now. A light spray blows into May’s face.

“Ray!” Sugar calls down the beach.

“Boo!” Ray screams, in back of them. Sugar and May jump. May screams.

“I was crouching. Didn’t you see me?” Ray says.

“Very funny,” Sugar says.

Ray hoists May onto his shoulders. She doesn’t like being up there. He scared her.

“Your legs are as long as flagpoles,” Ray says to May. “How old are you now?”

“Twelve.”

“Twelve years old. I’ve been married to your mother for thirteen years.”

Some rocks appear in front of them. It is where the private beach ends and the public beach begins. In the daytime they often walk here and sit on the rocks. Ray takes pictures, and Sugar and May jump over the incoming waves or just sit looking at the water. They usually have a good time. Right now, riding on Ray’s shoulders, May wants to know how much longer they are going to stay at the beach house. Maybe her mother is already back. If Wanda told her mother about the Cadillac, her mother would know it was Sugar’s, wouldn’t she? Her mother used to say nasty things about Sugar and Gus. “College people,” her mother called them. Sugar teaches crafts at a high school; Gus is a piano teacher. At the beach house, Sugar has taught May how to play scales on Gus’s piano. It is a huge black piano that takes up almost a whole room. There is a picture on top of a Doberman, with a blue ribbon stuck to the side of the frame. Gus used to raise dogs. Three of them bit him in one month, and he quit.

“Race you back,” Ray says now, lowering May. But she is too tired to race. She and Sugar just keep walking when he runs off. They walk in silence most of the way back.

“Sugar,” May says, “do you know how long we’re going to be here?”

Sugar slows down. “I really don’t know. No. Are you worried that your mother might be back?”

“She ought to be back by now.”

Sugar’s hair looks like snow in the moonlight. “Go to bed when we get back and I’ll talk to him,” Sugar says.

When they get to the house, the light is on, so it’s easier to see where they’re walking. As Sugar pushes open the sliding door, May sees her father standing in front of Gus in the living room. Gus does not turn around when Sugar says, “Gus. Hello.”

Everyone looks at him. “I’m tired as hell,” Gus says. “Is there any beer?”

“I’ll get you some,” Sugar says. Almost in slow motion, she goes to the refrigerator.

Gus has been looking at Ray’s pictures of Sugar, and suddenly he snatches one off the wall. “On my wall?” Gus says. “Who did that? Who hung them up?”

“Ray,” Sugar says. She hands him the can of beer.

“Ray,” Gus repeats. He shakes his head. He shakes the beer in the can lightly but doesn’t drink it.

“May,” Sugar says, “why don’t you go upstairs and get ready for bed?”

“Go upstairs,” Gus says. Gus’s face is red, and he looks tired and wild.

May runs up the stairs and then sits down there and listens. No one is talking. Then she hears Gus say, “Do you intend to spend the night, Ray? Turn this into a little social occasion?”

“I would like to stay for a while to—” Ray begins.

Gus says something, but his voice is so low and angry that May can’t make out the words.

Silence again.

“Gus—” Ray begins again.

“What?” Gus shouts. “What have you got to say to me, Ray? You don’t have a damned thing to say to me. Will you get out of here now?”

Footsteps. May looks down and sees her father walk past the stairs. He does not look up. He did not see her. He has gone out the door, leaving her. In a minute she hears his motorcycle start and the noise the tires make riding through gravel. May runs downstairs to Sugar, who is picking up the pictures Gus has ripped off the walls.

“I’m going to take you home, May,” Sugar says.

“I’m coming with you,” Gus says. “If I let you go, you’ll go after Ray.”

“That’s ridiculous,” Sugar says.

“I’m going with you,” Gus says.

“Let’s go, then,” Sugar says. May is the first one to the door.

Gus is barefoot. He stares at Sugar and walks as if he is drunk. He is still holding the can of beer.

Sugar gets into the driver’s seat of the Cadillac. The key is in the ignition. She starts the car and then puts her head against the wheel and begins to cry.

“Get moving, will you?” Gus says. “Or move over.” Gus gets out and walks around the car. “I knew you were going crazy when you dyed your hair,” Gus says. “Shove over, will you?”

Sugar moves over. May is in the back seat, in one corner.

“For God’s sake, stop crying,” Gus says. “What am I doing to you?”

Gus drives slowly, then very fast. The radio is on, in a faint mumble. For half an hour they ride in silence, except for the sounds of the radio and Sugar blowing her nose.

“Your father’s O.K.,” Sugar says at last. “He was just upset, you know.”

In the back seat, May nods, but Sugar does not see it.

At last the car slows, and May sits up and sees they are in the block where she lives. Ray’s motorcycle is not in the driveway. All the lights are out in the house.

“It’s empty,” Sugar says. “Or else she’s asleep in there. Do you want to knock on the door, May?”

“What do you mean, it’s empty?” Gus says.

“She’s in Colorado,” Sugar says. “I thought she might be back.”

May begins to cry. She tries to get out of the car, but she can’t work the door handle.

“Come on,” Gus says to her. “Come on, now. We can go back. I don’t believe this.”

May’s legs are still sandy, and they itch. She rubs them, crying.

“You can take her back to Wanda’s,” Sugar says. “Is that O.K., May?”

“Wanda? Who’s that?”

“Her mother’s friend. It’s not far from here. I’ll show you.”

“What am I even doing talking to you?” Gus says.

The radio drones. In another ten minutes they are at Wanda’s.

“I suppose nobody’s here, either,” Gus says, looking at the dark house. He leans back and opens the door for May, who runs up the walk. “Please be here, Wanda,” she whispers. She runs up to the door and knocks. No one answers. She knocks harder, and a light goes on in the hall. “Who is it?” Wanda calls.

“May,” May says.

“May!” Wanda hollers. She fumbles with the door. The door opens. May hears the tires as Gus pulls the car away. She stands there in Sugar’s raincoat, with the red belt hanging down the front.

“What did they do to you? What did they do?” Wanda says. Her eyes are swollen from sleep. Her hair has been clipped into rows of neat pin curls.

“You didn’t even try to find me,” May says.

“I called the house every hour!” Wanda says. “I called the police, and they wouldn’t do anything—he was your father. I did too try to find you. Look, there’s a letter from your mother. Tell me if you’re all right. Your father is crazy. He’ll never get you again after this, I know that. Are you all right, May? Talk to me.” Wanda turns on the hall lamp. “Are you all right? You saw how he got you in the car. What could I do? The police told me there was nothing else I could do. Do you want your mother’s letter? What have you got on?”

May takes the letter from Wanda and turns her back. She opens the envelope and reads: “Dear May, A last letter before I drive home. I looked up some friends of your father’s here, and they asked me to stay for a couple of days to unwind, so here I am. At first I thought he might be in the closet—jump out at me for a joke! Tell Wanda that I’ve lost five pounds. Sweated it away, I guess. I’ve been thinking, honey, and when I come home I want us to get a dog. I think you should have a dog. There are some that hardly shed at all, and maybe some that just plain don’t. It would be good to get a medium-size dog—maybe a terrier, or something like that. I meant to get you a dog years ago, but now I’ve been thinking that I should still do it. When I get back, first thing we’ll go and get you a dog. Love, Mama.”

It is the longest letter May has ever gotten from her mother. She stands in Wanda’s hallway, amazed.

Colorado

Penelope was in Robert’s apartment, sitting on the floor, with the newspaper open between her legs. Her boots were on the floor in front of her. Robert had just fixed the zipper of one of the boots. It was the third time he had repaired the boots, and this time he suggested that she buy a new pair. “Why?” she said. “You fix them fine every time.” In many of their discussions they came close to arguments, but they always stopped short. Penelope simply would not argue. She thought it took too much energy. She had not even argued when Robert’s friend Johnny, whom she had been living with, moved out on her, taking twenty dollars of her money. Still, she hated Johnny for it, and sometimes Robert worried that even though he and Penelope didn’t argue, she might be thinking badly of him, too. So he didn’t press it. Who cared whether she bought new boots or not?

Penelope came over to Robert’s apartment almost every evening. He had met her more than a year before, and they had been nearly inseparable ever since. For a while he and Penelope and Johnny and another friend, Cyril, had shared a house in the country, not far from New Haven. They had all been in graduate school then. Now Johnny had gone, and the others were living in New Haven, in different apartments, and they were no longer going to school. Penelope was living with a man named Dan. Robert could not understand this, because Dan and Penelope did not communicate even well enough for her to ask him to fix her boots. She hobbled over to Robert’s apartment instead. And he couldn’t understand it back when she was living with Johnny, because Johnny had continued to see another girl, and had taken Penelope’s money and tried to provoke arguments, even though Penelope wouldn’t argue. Robert could understand Penelope’s moving in with Dan at first, because she hadn’t had enough money to pay her share of the house rent and Dan had an apartment in New Haven, but why had she just stayed there? Once, when he was drunk, Robert had asked her that, and she had sighed and said she wouldn’t argue with him when he’d been drinking. He had not been trying to argue. He had just wanted to know what she was thinking. But she didn’t like to talk about herself, and saying that he was drunk had been a convenient excuse. The closest he ever got to an explanation was when she told him once that it was important not to waste your energy jumping from one thing to another. She had run away from home when she was younger, and when she returned, things were only worse. She had flunked out of Bard and dropped out of Antioch and the University of Connecticut, and now she knew that all colleges were the same—there was no point in trying one after another. She had traded her Ford for a Toyota, and Toyotas were no better than Fords.

She was flipping through the newspaper, stretched out on her side on the floor, her long brown hair blocking his view of her face. He didn’t need to look at her: he knew she was beautiful. It was nice just to have her there. Although he couldn’t understand what went on in her head, he was full of factual information about her. She had grown up in Iowa. She was almost five feet nine inches tall, and she weighed a hundred and twenty-five pounds, and when she was younger, when she weighed less, she had been a model in Chicago. Now she was working as a clerk in a boutique in New Haven. She didn’t want to model again, because that was no easier than being a salesperson; it was more tiring, even if it did pay better.

“Thanks for fixing my boots again,” she said, rolling up her pants leg to put one on.

“Why are you leaving?” Robert said. “Dan’s student won’t be out of there yet.”

Dan was a painter who had lost his teaching job in the South. He moved to New Haven and was giving private lessons to students three times a week.

“Marielle’s going to pick me up,” Penelope said. “She wants me to help her paint her bathroom.”

“Why can’t she paint her own bathroom? She could do the whole thing in an hour.”

“I don’t want to help her paint,” Penelope said, sighing. “I’m just doing a favor for a friend.”

“Why don’t you do me a favor and stay?”

“Come on,” she said. “Don’t do that. You’re my best friend.”

“Okay,” he said, knowing she wouldn’t fight over it anyway. He went to the kitchen table and got her coat. “Why don’t you wait till she gets here?”

“She’s meeting me at the drugstore.”

“You sure are nice to some of your friends,” he said.

She ignored him. She did not totally ignore him; she kissed him before she left. And although she did not say that she’d see him the next day, he knew she’d be back.

When Penelope left, Robert went into the kitchen and put some water on to boil. It was his habit since moving to this apartment to have a cup of tea before bed and to look out the window into the brightly lit alley. Interesting things appeared there: Christmas trees, large broken pieces of machinery, and, once, a fireman’s uniform, very nicely laid out—a fireman’s hat and suit. He was an artist—or, rather, he had been an artist until he dropped out of school—and sometimes he found that he still arranged objects and landscapes, looking for a composition. He sat on the kitchen table and drank his tea. He often thought about buying a kitchen chair, but he told himself that he’d move soon and he didn’t want to transport furniture. When he was a child, his parents had moved from apartment to apartment. Their furniture got more and more battered, and his mother had exploded one day, crying that the furniture was worthless and ugly, and threatening to chop it all up with an ax. Since he moved from the country Robert had not yet bought himself a bed frame or curtains or rugs. There were roaches in the apartment, and the idea of the roaches hiding—being able to hide on the underside of curtains, under the rug—disgusted him. He didn’t mind them being there so much when they were out in the open.

The Yale catalogue he had gotten months before when he first came to New Haven was still on the kitchen table. He had thought about taking a course in architecture, but he hadn’t. He was not quite sure what to do. He had taken a part-time job working in a picture-framing store so he could pay his rent. Actually, he had no reason for being in New Haven except to be near Penelope. When Robert lived in the house with Johnny and Cyril and Penelope, he had told himself that Penelope would leave Johnny and become his lover, but it never happened. He had tried very hard to get it to happen; they had often stayed up later than any of the others, and they talked—he had never talked so much to anybody in his life—and sometimes they fixed food before going to bed, or took walks in the snow. She tried to teach him to play the recorder, blowing softly so she wouldn’t wake the others. Once in the summer they had stolen corn, and Johnny had asked her about it the next morning. “What if the neighbors find out somebody from this house stole corn?” he said. Robert defended Penelope, saying that he had suggested it. “Great,” Johnny said. “The Bobbsey Twins.” Robert was hurt because what Johnny said was true—there wasn’t anything more between them than there was between the Bobbsey Twins.

Earlier in the week Robert had been sure that Penelope was going to make a break with Dan. He had gone to a party at their apartment, and there had been a strange assortment of guests, almost all of them Dan’s friends—some Yale people, a druggist who had a Marlboro cigarette pack filled with reds that he passed around, and a neighbor woman and her six-year-old son, whom the druggist teased. The druggist showed the little boy the cigarette pack full of pills, saying, “Now, how would a person light a cigarette like this? Which end is the filter?” The boy’s mother wouldn’t protect him, so Penelope took him away, into the bedroom, where she let him empty Dan’s piggy bank and count the pennies. Marielle was also there, with her hair neatly braided into tight corn rows and wearing glasses with lenses that darkened to blue. Cyril came late, pretty loaded. “Better late than never,” he said, once to Robert and many times to Penelope. Then Robert and Cyril huddled together in a corner, saying how dreary the party was, while the druggist put pills on his tongue and rolled them sensually across the roof of his mouth. At midnight Dan got angry and tried to kick them all out—Robert and Cyril first, because they were sitting closest to him—and that made Penelope angry because she had only three friends at the party, and the noisy ones, the drunk or stoned ones, were all Dan’s friends. Instead of arguing, though, she cried. Robert and Cyril left finally and went to Cyril’s and had a beer, and then Robert went back to Dan’s apartment, trying to get up the courage to go in and insist that Penelope leave with him. He walked up the two flights of stairs to their door. It was quiet inside. He didn’t have the nerve to knock. He went downstairs and out of the building, hating himself. He walked home in the cold, and realized that he must have been a little drunk, because the fresh air really cleared his head.

Robert flipped through the Yale catalogue, thinking that maybe going back to school was the solution. Maybe all the hysterical letters his mother and father wrote were right, and he needed some order in his life. Maybe he’d meet some other girls in classes. He did not want to meet other girls. He had dated two girls since moving to New Haven, and they had bored him and he had spent more money on them than they were worth.

The phone rang; he was glad, because he was just about to get very depressed.

It was Penelope, sounding very far away, very knocked out. She had left Marielle’s because Marielle’s boyfriend was there, and he insisted that they all get stoned and listen to “Trout Mask Replica” and not paint the bathroom, so she left and decided to walk home, but then she realized she didn’t want to go there, and she thought she’d call and ask if she could stay with him instead. And the strangest thing. When she closed the door of the phone booth just now, a little boy had appeared and tapped on the glass, fanning out a half circle of joints. “Ten dollars,” the boy said to her. “Bargain City.” Imagine that. There was a long silence while Robert imagined it. It was interrupted by Penelope, crying.

“What’s the matter, Penelope?” he said. “Of course you can come over here. Get out of the phone booth and come over.”

She told him that she had bought the grass, and that it was powerful stuff. It was really the wrong thing to do to smoke it, but she lost her nerve in the phone booth and didn’t know whether to call or not, so she smoked a joint—very quickly, in case any cops drove by. She smoked it too quickly.

“Where are you?” he said.

“I’m near Park Street,” she said.

“What do you mean? Is the phone booth on Park Street?”

“Near it,” she said.

“Okay. I’ll tell you what. You walk down to McHenry’s and I’ll get down there, okay?”

“You don’t live very close,” she said.

“I can walk there in a hurry. I can get a cab. You just take your time and wander down there. Sit in a booth if you can. Okay?”

“Is it true what Cyril told me at Dan’s party?” she said. “That you’re secretly in love with me?”

He frowned and looked sideways at the phone, as if the phone itself had betrayed him. He saw that his fingers were white from pressing so hard against the receiver.

“I’ll tell you,” she said. “Where I grew up, the cop cars had red lights. These green things cut right through you. I think that’s why I hate this city—damn green lights.”

“Is there a cop car?” he said.

“I saw one when you were talking,” she said.

“Penelope. Have you got it straight about walking to McHenry’s? Can you do that?”

“I’ve got some money,” she said. “We can go to New York and get a steak dinner.”

“Christ,” he said. “Stay in the phone booth. Where is the phone booth?”

“I told you I’d go to McHenry’s. I will. I’ll wait there.”

“Okay. Fine. I’m going to hang up now. Remember to sit in a booth. If there isn’t one, stand by the bar. Order something. By the time you’ve finished it, I’ll be there.”

“Robert,” she said.

“What?”

“Do you remember pushing me in the swing?”

He remembered. It was when they were all living in the country. She had been stoned that day, too. All of them—stoned as fools. Cyril was running around in Penelope’s long white bathrobe, holding a handful of tulips. Then he got afraid they’d wilt, so he went into the kitchen and got a jar and put them in that and ran around again. Johnny had taken a few Seconals and was lying on the ground, saying that he was in a hammock, and cackling. Robert had thought that he and Penelope were the only ones straight. Her laughter sounded beautiful, even though later he realized it was wild, crazy laughter. It was the first really warm day, the first day when they were sure that winter was over. Everyone was delighted with everyone else. He remembered very well pushing her in the swing.

“Wait,” he said. “I want to get down there. Can we talk about this when I get there? Will you walk to the bar?”

“I’m not really that stoned,” she said, her voice changing suddenly. “I think it’s that I’m sick.”

“What do you mean? How do you feel?”

“I feel too light. Like I’m going to be sick.”

“Look,” he said. “Cyril lives right near Park. What if you give me the number of the phone booth, and I call Cyril and get him down there, and I’ll call back and talk to you until he comes. Will you do that? What’s the phone number?”

“I don’t want to tell you.”

“Why not?”

“I can’t talk anymore right now,” she said. “I want to get some air.” She hung up.

He needed air too. He felt panicked, the way he had the day she was in the swing, when she said, “I’m going to jump!” and he knew it was going much too fast, much too high—the swing flying out over a hill that rolled steeply down to a muddy bank by the creek. He had had the sense to stop pushing, but he only stood there, waiting, shivering in the breeze the swing made.

He went out quickly. Park Street—somewhere near there. Okay, he would find her. He knew he would not. There was a cab. He was in the cab. He rolled down the window to get some air, hoping the driver would figure he was drunk.

“What place you looking for again?” the driver said.

“I’m looking for a person, actually. If you’d go slowly . . .”

The cabdriver drove down the street at ordinary speed, and stopped at a light. A family crossed in front of the cab: a young black couple, the father with a child on his shoulders. The child was wearing a Porky Pig mask.

The light changed and the car started forward. “Goddamn,” the driver said. “I knew it.”

Steam had begun to rise from under the hood. It was a broken water hose. The cab moved into the next lane and stopped. Robert stuffed two one-dollar bills into the driver’s hand and bolted from the cab.

“Piece of junk!” he heard the driver holler, and there was the sound of metal being kicked. Robert looked over his shoulder and saw the cabdriver kicking the grille. Steam was pouring out in a huge cloud. The driver kicked the cab again.

He walked. It seemed to him as if he were walking in slow motion, but soon he was panting. He passed several telephone booths, but all of them were empty. He felt guilty about not helping the cabdriver, and he walked all the way to McHenry’s. He thought—and was immediately struck with the irrationality of it—that New Haven was really quite a nice town, architecturally.

Penelope was not at McHenry’s. “Am I a black dude?” a black man said to him as Robert wedged his way through the crowd at the bar. “I’m gonna ask you straight, look at me and tell me: Ain’t I a black dude?” The black man laughed with real joy. He did not seem to be drunk. Robert smiled at the man and headed toward the back of the bar. Maybe she was in the bathroom. He stood around, looking all over the bar, hoping she’d come out of the bathroom. Time passed. “If I was drunk,” the black man said as Robert walked toward the front door, “I might try to put some rap on you, like I’m the king of Siam. I’m not saying nothing like that. I’m asking you straight: Ain’t I a black dude, though?”

“You sure are,” he said and edged away.

He went out and walked to a phone booth and dialed Dan’s number. “Dan,” he said, “I don’t want to alarm you, but Penelope got a little loaded tonight and I went out to look for her and I’ve lost track of her.”

“Is that right?” Dan said. “She told me she was going to sleep over at Marielle’s.”

“I guess she was. It’s a long story, but she left there and she got pretty wrecked, Dan. I was worried about her, so—”

“Listen,” Dan said. “Can I call you back in fifteen minutes?”

“What do you mean? I’m at a phone booth.”

“Well, doesn’t it have a number? I’ll be right back with you.”

“She’s wandering around New Haven in awful shape, Dan. You’d better get down here and—”

Dan was talking to someone, his hand covering the mouthpiece.

“To tell you the truth,” Dan said, “I can’t talk right now. In fifteen minutes I can talk, but a friend is here.”

“What are you talking about?” Robert said. “Haven’t you been listening to what I’ve been saying? If you’ve got some woman there, tell her to go to the toilet for a minute, for Christ’s sake.”

“That doesn’t cut the mustard anymore,” Dan said. “You can’t shuffle women off like they’re cats and dogs.”

Robert slammed down the phone and went back to McHenry’s. She was still not there. He left, and out on the corner the black man from the bar walked up to him and offered to sell him cocaine. He politely refused, saying he had no money. The man nodded and walked down the street. Robert watched him for a minute, then looked away. For just a few seconds he had been interested in the way the man moved, what he looked like walking down the street. When he had lived at the house with Penelope, Robert had watched her, too; he had done endless drawings of her, sketched her on napkins, on the corner of the newspaper. But paintings—when he tried to do anything formal, he hadn’t been able to go through with it. Cyril told him it was because he was afraid of capturing her. At first he thought Cyril’s remark was stupid, but now—standing tired and cold on the street corner—he had to admit that he’d always been a little afraid of her, too. What would he have done tonight if he’d found her? Why had her phone call upset him so much—because she was stoned? He thought about Penelope—about putting his head down on her shoulder, somewhere where it was warm. He began to walk home. It was a long walk, and he was very tired. He stopped and looked in a bookstore window, then walked past a dry cleaner’s. The last time he’d looked, it had been a coffee shop. At a red light he heard Bob Dylan on a car radio, making an analogy between time and a jet plane.

She called in the morning to apologize. When she hung up on him the night before, she got straight for a minute—long enough to hail a cab—but she had a bad time in the cab again, and didn’t have the money to pay for the ride . . . To make a long story short, she was with Marielle.

“Why?” Robert asked.

Well, she was going to tell the cabdriver to take her to Robert’s place, but she was afraid he was mad. No—that wasn’t the truth. She knew he wouldn’t be mad, but she couldn’t face him. She wanted to talk to him, but she was in no shape.

She agreed to meet him for lunch. They hung up. He went into the bathroom to shave. A letter his father had written him, asking why he had dropped out of graduate school, was scotch-taped to the mirror, along with other articles of interest. There was one faded clipping, which belonged to Johnny and had been hung on the refrigerator at the house, about someone called the California Superman who had frozen to death in his Superman suit, in his refrigerator. All of Robert’s friends had bizarre stories displayed in their apartments. Cyril had a story about a family that had starved to death, in their car at the side of the highway. Their last meal had been watermelon. The clipping was tacked to Cyril’s headboard. It made Robert feel old and disoriented when he realized that these awful newspaper articles had replaced those mindless Day-Glo pictures everybody used to have. Also, people in New Haven had begun to come up to him on the street—cops, surely; they had to be cops—swinging plastic bags full of grass in front of his nose, bringing handfuls of ups and downs out of their pockets. Also, the day before, he had got a box from his mother. She sent him a needlepoint doorstop, with a small white-and-gray Scottie dog on it, and a half-wreath of roses underneath it. It really got him down.

He began to shave. His cat walked into the bathroom and rubbed against his bare ankle, making him jerk his leg away, and he cut his cheek. He put a piece of toilet paper against the cut, and sat on the side of the tub. He was angry at the cat and angry at himself for being depressed. After all, Dan was out of the picture now. Penelope had been found. He could go get her, the way he got groceries, the way he got a book from the library. It seemed too easy. Something was wrong.

He put on his jeans—he had no clean underwear; forget about that—and a shirt and his jacket, and walked to the restaurant. Penelope was in the first booth, with her coat still on. There was a bottle of beer on the table in front of her. She was smiling sheepishly, and seeing her, he smiled back. He sat next to her and put his arm around her shoulder, hugging her to him.

“Who’s the first girl you ever loved?” she said.

Leave it to her to ask something like that. He tried to feel her shoulder beneath her heavy coat, but couldn’t. He tried to remember loving anyone but her. “A girl in high school,” he said.

“I’ll bet she had a tragic end,” she said.

The waitress came and took their orders. When she went away, Penelope continued, “Isn’t that what usually happens? People’s first loves washing up on the beach in Mexico?”

“She didn’t finish high school with me. Her parents yanked her out and put her in private school. For all I know, she did go to Mexico and wash up on the beach.”

She covered her ears. “You’re mad at me,” she said.

“No,” he said, hugging her to him. “I wasn’t too happy last night, though. What did you want to talk to me about?”

“I wanted to know if I could live with you.”

“Sure,” he said.

“Really? You wouldn’t mind?”

“No,” he said.

While she was smiling at the startled look on his face, the waitress put a cheeseburger in front of him. She put an omelette in front of Penelope, and Penelope began to eat hungrily. He picked up his cheeseburger and bit into it. It was good. It was the first thing he had eaten in more than a day. Feeling sorry for himself, he took another bite.

“I just took a few drags of that stuff, and I felt like my mind was filling up with clouds,” she said.

“Forget about it,” he said. “You’re okay now.”

“I want to talk about something else, though.”

He nodded.

“I slept with Cyril,” she said.

“What?” he said. “When did you sleep with Cyril?”

“At the house,” she said. “And at his place.”

“Recently?” he said.

“A couple of days ago.”

“Well,” he said. “Why are you telling me?”

“Cyril told Dan,” she said.

That explained it.

“What do you expect me to say?” he said.

“I don’t know. I wanted to talk about it.”

He took another bite of his cheeseburger. He did not want her to talk about it.

“I don’t know why I should be all twisted around,” she said. “And I don’t even know why I’m telling you.”

“I wouldn’t know,” he said.

“Are you jealous?”

“Yes.”

“Cyril said you had a crush on me,” she said.

“That makes it sound like I’m ten years old,” he said.

“I was thinking about going to Colorado,” she said.

“I don’t know what I expected,” he said, slamming his hand down on the table. “I didn’t expect that you’d be talking about screwing Cyril and going to Colorado.” He pushed his plate away, angry.

“I shouldn’t have told you.”

“Shouldn’t have told me what? What am I going to do about it? What do you expect me to say?”

“I thought you felt the way I feel,” she said. “I thought you felt stifled in New Haven.”

He looked at her. She had a way of sometimes saying perceptive things, but always when he was expecting something else.

“I have friends in Colorado,” she said. “Bea and Matthew. You met them when they stayed at the house once.”

“You want me to move out to Colorado because Bea and Matthew are there?”

“They have a big house they’re having trouble paying the mortgage on.”

“But I don’t have any money.”

“You have the money your father sent you so you could take courses at Yale. And you could get back into painting in Colorado. You’re not a picture framer—you’re a painter. Wouldn’t you like to quit your lousy job framing pictures and get out of New Haven?”

“Get out of New Haven?” he repeated, to see what it felt like. “I don’t know,” he said. “It doesn’t seem very reasonable.”

“I don’t feel right about things,” she said.

“About Cyril?”

“The last five years,” she said.

He excused himself and went to the bathroom. Scrawled above one of the mirrors was a message: “Time will say nothing but I told you so.” A very literate town, New Haven. He looked at the bathroom window, stared at the ripply white glass. He thought about crawling out the window. He was not able to deal with her. He went back to the booth.

“Come on,” he said, dropping money on the table.

Outside, she began to cry. “I could have asked Cyril to go, but I didn’t,” she said.

He put his arm around her. “You’re bats,” he said.

He tried to get her to walk faster. By the time they got back to his apartment, she was smiling again, and talking about going skiing in the Rockies. He opened the door and saw a note lying on the floor, written by Dan. It was Penelope’s name, written over and over, and a lot of profanity. He showed it to her. Neither of them said anything. He put it back on the table, next to an old letter from his mother that begged him to go back to graduate school.

“I want to stop smoking,” she said, handing him her cigarette pack. She said it as if it were a revelation, as if everything, all day, had been carefully leading up to it.

It is a late afternoon in February, and Penelope is painting her toenails. She had meant what she said about moving in with him. She didn’t even go back to Dan’s apartment for her clothes. She has been borrowing Robert’s shirts and sweaters, and wears his pajama bottoms under his long winter coat when she goes to the laundromat so she can wash her one pair of jeans. She has quit her job. She wants to give a farewell party before they go to Colorado.

She is sitting on the floor, and there are little balls of cotton stuck between her toes. The second toe on each foot is crooked. She wore the wrong shoes as a child. One night she turned the light on to show Robert her feet, and said that they embarrassed her. Why, then, is she painting her toenails?

“Penelope,” he says, “I have no interest in any damn party. I have very little interest in going to Colorado.”

Today he told his boss that he would be leaving next week. His boss laughed and said that he would send his brother around to beat him up. As usual, he could not really tell whether his boss was kidding. Before he goes to bed, he intends to stand a Coke bottle behind the front door.

“You said you wanted to see the mountains,” Penelope says.

“I know we’re going to Colorado,” he says. “I don’t want to get into another thing about that.”

He sits next to her and holds her hand. Her hands are thin. They feel about an eighth of an inch thick to him. He changes his grip and gets his fingers down toward the knuckles, where her hand feels more substantial.

“I know it’s going to be great in Colorado,” Penelope says. “This is the first time in years I’ve been sure something is going to work out. It’s the first time I’ve been sure that doing something was worth it.”

“But why Colorado?” he says.

“We can go skiing. Or we could just ride the lift all day, look down on all that beautiful snow.”

He does not want to pin her down or diminish her enthusiasm. What he wants to talk about is the two of them. When he asked if she was sure she loved him she said yes, but she never wants to talk about them. It’s very hard to talk to her at all. The night before, he asked some questions about her childhood. She told him that her father died when she was nine, and her mother married an Italian who beat her with the lawnmower cord. Then she was angry at him for making her remember that, and he was sorry he had asked. He is still surprised that she has moved in with him, surprised that he has agreed to leave New Haven and move to Colorado with her, into the house of a couple he vaguely remembers—nice guy, strung-out wife.

“Did you get a letter from Matthew and Bea yet?” he says.

“Oh, yes, Bea called this morning when you were at work. She said she had to call right away to say yes, she was so excited.”

He remembers how excited Bea was the time she stayed with them in the country house. It seemed more like nervousness, really, not excitement. Bea said she had been studying ballet, and when Matthew told her to show them what she had learned, she danced through the house, smiling at first, then panting. She complained that she had no grace—that she was too old. Matthew tried to make her feel better by saying that she had only started to study ballet late, and she would have to build up energy. Bea became more frantic, saying that she had no energy, no poise, no future as a ballerina.

“But there’s something I ought to tell you,” Penelope says. “Bea and Matthew are breaking up.”

“What?” he says.

“What does it matter? It’s a huge state. We can find a place to stay. We’ve got enough money. Don’t always be worried about money.”

He was just about to say that they hardly had enough money to pay for motels on the way to Colorado.

“And when you start painting again—”

“Penelope, get serious,” he says. “Do you think that all you have to do is produce some paintings and you’ll get money for them?”

“You don’t have any faith in yourself,” she says.

It is the same line she gave him when he dropped out of graduate school, after she had dropped out herself. Somehow she was always the one who sounded reasonable.

“Why don’t we forget Colorado for a while?” he says.

“Okay,” she says. “We’ll just forget it.”

“Oh, we can go if you’re set on it,” he says quickly.

“Not if you’re only doing it to placate me.”

“I don’t know. I don’t want to stick around New Haven.”

“Then what are you complaining about?” she says.

“I wasn’t complaining. I was just disappointed.”

“Don’t be disappointed,” she says, smiling at him.

He puts his forehead against hers and closes his eyes. Sometimes it is very nice to be with her. Outside he can hear the traffic, the horns blowing. He does not look forward to the long drive West.

In Nebraska they get sidetracked and drive a long way on a narrow road, with holes so big that Robert has to swerve the car to avoid them. The heater is not working well, and the defroster is not working at all. He rubs the front window clear with the side of his arm. By early evening he is exhausted from driving. They stop for dinner at Gus and Andy’s Restaurant, and are served their fried-egg sandwiches by Andy, whose name is written in sequins above his shirt pocket. That night, in the motel, he feels too tired to go to sleep. The cat is scratching around in the bathroom. Penelope complains about the electricity in her hair, which she has just washed and is drying. He cannot watch television because her hair dryer makes the picture roll.

“I sort of wish we had stopped in Iowa to see Elaine,” she says. Elaine is her married sister.

She drags on a joint, passes it to him.

“You were the one who didn’t want to stop,” he says. She can’t hear him because of the hair dryer.

“We used to pretend that we were pregnant when we were little,” she says. “We pulled the pillows off and stuck them under our clothes. My mother was always yelling at us not to mess up the beds.”

She turns off the hair dryer. The picture comes back on. It is the news; the sportscaster is in the middle of a basketball report. On a large screen behind him, a basketball player is shown putting a basketball into a basket.

Before they left, Robert had gone over to Cyril’s apartment. Cyril seemed to know already that Penelope was living with him. He was very nice, but Robert had a hard time talking to him. Cyril said that a girl he knew was coming over to make dinner, and he asked him to stay. Robert said he had to get going.

“What are you going to do in Colorado?” Cyril asked.

“Get some kind of job, I guess,” he said.

Cyril nodded about ten times, the nods growing smaller.

“I don’t know,” he said to Cyril.

“Yeah,” Cyril said.

They sat. Finally Robert made himself go by telling himself that he didn’t want to see Cyril’s girl.

“Well,” Cyril said. “Take care.”

“What about you?” he asked Cyril. “What are you going to be up to?”

“Much of the same,” Cyril said.

They stood at Cyril’s door.

“Seems like we were all together at that house about a million years ago,” Cyril said.

“Yeah,” he said.

“Maybe when the new people moved in they found dinosaur tracks,” Cyril said.

In the motel that night, in his dreams Robert makes love to Penelope. When the sun comes through the drapes, he touches her shoulder and thinks about waking her. Instead, he gets out of bed and sits by the dresser and lights the stub of the joint. It’s gone in three tokes, and he gets back into bed, cold and drowsy. Going to sleep, he chuckles, or thinks he hears himself chuckling. Later, when she tries to rouse him, he can’t move, and it isn’t until afternoon that they get rolling. He feels tired but still up from the grass. The effect seems not to have worn off with sleep at all.

They are at Bea and Matthew’s house. It was cloudy and cold when they arrived, late in the afternoon, and the sides of the roads were heaped high with old snow. Robert got lost trying to find the house and finally had to stop in a gas station and telephone to ask for directions. “Take a right after the feed store at the crossroads,” Matthew told him. It doesn’t seem to Robert that they are really in Colorado. That evening Matthew insists that Robert sit in their one chair (a black canvas butterfly chair) because Robert must be tired from driving. Robert cannot get comfortable in the chair. There is a large photograph of Nureyev on the wall across from Robert, and there is a small table in the corner of the room. Matthew has explained that Bea got mad after one of their fights and sold the rest of the living room furniture. Penelope sits on the floor at Robert’s side. They have run out of cigarettes, and Matthew and Bea have almost run out of liquor. Matthew is waiting for Bea to drive to town to buy more; Bea is waiting for Matthew to give in. They are living together, but they have filed for divorce. It is a friendly living-together, but they wait each other out, testing. Who will turn the record over? Who will buy the Scotch?

Their dog, Zero, lies on the floor listening to music and lapping apple juice. He pays no attention to the stereo speakers but loves headphones. He won’t have them put on his head, but when they are on the floor he creeps up on them and settles down there. Penelope points out that one old Marianne Faithfull record seems to make Zero particularly euphoric. Bea gives him apple juice for his constipation. She and Matthew dote on the dog. That is going to be a problem.

For dinner Bea fixes beef Stroganoff, and they all sit on the floor with their plates. Bea says that there is honey in the Stroganoff. She is ignoring Matthew, who stirs his fork in a circle through his food and puts his plate down every few minutes to drink Scotch. Earlier Bea told him to offer the bottle around, but they all said they didn’t want any. A tall black candle burns in the center of their circle; it is dark outside, and the candle is the only light. When they finish eating, there is only one shot of Scotch left in the bottle and Matthew is pretty drunk. He says to Bea, “I was going to move out the night before Christmas, in the middle of the night, so that when you heard Santa Claus, it would have been me instead, carrying away Zero instead of my bag of tricks.”

“Bag of toys,” Bea says. She has on a satin robe that reminds Robert of a fighter’s robe, stuffed between her legs as she sits on the floor.

“And laying a finger aside of my nose . . .” Matthew says. “No, I wouldn’t have done that, Bea. I would have given the finger to you.” Matthew raises his middle finger and smiles at Bea. “But I speak figuratively, of course. I will give you neither my finger nor my dog.”

“I got the dog from the animal shelter, Matthew,” Bea says. “Why do you call him your dog?”

Matthew stumbles off to bed, almost stepping on Penelope’s plate, calling over his shoulder, “Bea, my lovely, please make sure that our guests finish that bottle of Scotch.”

Bea blows out the candle and they all go to bed, with a quarter inch of Scotch still in the bottle.

“Why are they getting divorced?” Robert whispers to Penelope in bed.

They are in a twin bed, narrower than he remembers twin beds being, lying under a brown-and-white quilt.

“I’m not really sure,” she says. “She said that he was getting crazier.”

“They both seem crazy.”

“Bea told me that he gave some of their savings to a Japanese woman who lives with a man he works with, so she can open a gift shop.”

“Oh,” he says.

“I wish we had another cigarette.”

“Is that all he did?” he asks. “Gave money away?”

“He drinks a lot,” Penelope says.

“So does she. She drinks straight from the bottle.” Before dinner Bea had tipped the bottle to her lips too quickly and the liquor ran down her chin. Matthew called her disgusting.

“I think he’s nastier than she is,” Penelope says.

“Move over a little,” he says. “This bed must be narrower than a twin bed.”

“I am moved over,” she says.

He unbends his knees, lies straight in the bed. He is too uncomfortable to sleep. His ears are still ringing from so many hours on the road.

“Here we are in Colorado,” he says. “Tomorrow we’ll have to drive around and see it before it’s all under snow.”

The next afternoon he borrows a tablet and walks around outside, looking for something to draw. There are bare patches in the snow—patches of brown grass. Bea and Matthew’s house is modern, with a sundeck across the back and glass doors across the front. For some reason the house seems out of place; it looks Eastern. There are no other houses nearby. Very little land has been cleared; the lawn is narrow, and the woods come close. It is cold, and there is a wind in the trees. Through the woods, in front of the house, distant snow-covered mountains are visible. The air is very clear, and the colors are too bright, like a Maxfield Parrish painting. No one would believe the colors if he painted them. Instead he begins to draw some old fence posts, partially rotted away. But then he stops. Leave it to Andrew Wyeth. He dusts away a light layer of snow and sits on the hood of his car. He takes the pencil out of his pocket again and writes in the sketchbook: “We are at Bea and Matthew’s. They sit all day. Penelope sits. She seems to be waiting. This is happening in Colorado. I want to see the state, but Bea and Matthew have already seen it, and Penelope says that she cannot face one more minute in the car. The car needs new spark plugs. I will never be a painter. I am not a writer.”

Zero wanders up behind him, and he tears off the piece of sketch paper and crumples it into a ball, throws it in the air. Zero’s eyes light up. They play ball with the piece of paper—he throws it high, and Zero waits for it and jumps. Finally the paper gets too soggy to handle. Zero walks away, then sits and scratches.

Behind the house is a ruined birdhouse, and some strings hang from a branch, with bits of suet tied on. The strings stir in the wind. “Push me in the swing,” he remembers Penelope saying. Johnny was lying in the grass, talking to himself. Robert tried to dance with Cyril, but Cyril wouldn’t. Cyril was more stoned than any of them, but showing better sense. “Push me,” she said. She sat on the swing and he pushed. She weighed very little—hardly enough to drag the swing down. It took off fast and went high. She was laughing—not because she was having fun, but laughing at him. That’s what he thought, but he was stoned. She was just laughing. Fortunately, the swing had slowed when she jumped. She didn’t even roll down the hill. Cyril, looking at her arm, which had been cut on a rock, was almost in tears. She had landed on her side. They thought her arm was broken at first. Johnny was asleep, and he slept through the whole thing. Robert carried her into the house. Cyril, following, detoured to kick Johnny. That was the beginning of the end.

He walks to the car and opens the door and rummages through the ashtray, looking for the joint they had started to smoke just before they found Bea and Matthew’s house. He has trouble getting it out because his fingers are numb from the cold. He finally gets it and lights it, and drags on it walking back to the tree with the birdhouse in it. He leans against the tree.

Dan had called him the day before they left New Haven and said that Penelope would kill him. He asked Dan what he meant. “She’ll wear you down, she’ll wear you out, she’ll kill you,” Dan said.

He feels the tree snapping and jumps away. He looks and sees that everything is okay. The tree is still there, the strings hanging down from the branch. “I’m going to jump!” Penelope had called, laughing. Now he laughs, too—not at her, but because here he is, leaning against a tree in Colorado, blown away. He tries speaking, to hear what his speech sounds like. “Blown away,” he says. He has trouble getting his mouth into position after speaking.

In a while Matthew comes out. He stands beside the tree and they watch the sunset. The sky is pale-blue, streaked with orange, which seems to be spreading through the blue sky from behind, like liquid seeping through a napkin, blood through a bandage.

“Nice,” Matthew says.

“Yes,” he says. He is never going to be able to talk to Matthew.

“You know what I’m in the doghouse for?” Matthew says.

“What?” he says. Too long a pause before answering. He spit the word out, instead of saying it.

“Having a Japanese girlfriend,” Matthew says, and laughs.

He does not dare risk laughing with him.

“And I don’t even have a Japanese girlfriend,” Matthew says. “She lives with a guy I work with. I’m not interested in her. She needed money to go into business. Not a lot, but some. I loaned it to her. Bea changes facts around.”

“Where did you go to school?” he hears himself say.

There is a long pause, and Robert gets confused. He thinks he should be answering his own question.

Finally: “Harvard.”

“What class were you in?”

“Oh,” Matthew says. “You’re stoned, huh?”

It is too complicated to explain that he is not. He says, again, “What class?”

“1967,” Matthew says, laughing. “Is that your stuff or ours? She hid our stuff.”

“In my glove compartment,” Robert says, gesturing.

He watches Matthew walk toward his car. Sloped shoulders. Something written across the back of his jacket, being spoken by what looks like a monster blue bird. Can’t read it. In a while Matthew comes back smoking a joint, Zero trailing behind.

“They’re inside, talking about what a pig I am.” Matthew exhales.

“How come you don’t have any interest in this Japanese woman?”

“I do,” Matthew says, smoking from his cupped hand. “I don’t have a chance in the world.”

“I don’t guess it would be the same if you got another one,” he says.

“Another what?”

“If you went to Japan and got another one.”

“Never mind,” Matthew says. “Never mind bothering to converse.”

Zero sniffs the air and walks away. He lies down on the driveway, away from them, and closes his eyes.

“I’d like some Scotch to cool my lungs,” Matthew says. “And we don’t have any goddamn Scotch.”

“Let’s go get some,” he says.

“Okay,” Matthew says.

They stay, watching the colors intensify. “It’s too cold for me,” Matthew says. He thrashes his arms across his chest, and Zero springs up, leaping excitedly, and almost topples Matthew.

They get to Matthew’s car. Robert hears the door close. He notices that he is inside. Zero is in the back seat. It gets darker. Matthew hums. Outside the liquor store Robert fumbles out a ten-dollar bill. Matthew declines. He parks and rolls down the window. “I don’t want to walk in there in a cloud of this stuff,” he says. They wait. Waiting, Robert gets confused. He says, “What state is this?”

“Are you kidding?” Matthew asks. Matthew shakes his head. “Colorado,” he says.

The Lawn Party

I said to Lorna last night, “Do you want me to tell you a story?” “No,” she said. Lorna is my daughter. She is ten and a great disbeliever. But she was willing to hang around my room and talk. “Regular dry cleaning won’t take that out,” Lorna said when she saw the smudges on my suede jacket. “Really,” she said. “You have to take it somewhere special.” In her skepticism, Lorna assumes that everyone else is also skeptical.

According to the Currier & Ives calendar hanging on the back of the bedroom door, and according to my watch, and according to my memory, which would be keen without either of them, Lorna and I have been at my parents’ house for three days. Today is the annual croquet game that all our relatives here in Connecticut gather for (even some from my wife’s side). It’s the Fourth of July, and damn hot. I have the fan going. I’m sitting in a comfortable chair (moved upstairs, on my demand, by my father and the maid), next to the window in my old bedroom. There is already a cluster of my relatives on the lawn. Most of them are wearing little American flags pinned somewhere on their shirts or blouses or hanging from their ears. A patriotic group. Beer (forgive them: Heineken’s) and wine (Almaden Chablis) drinkers. My father loves this day better than his own birthday. He leans on his mallet and gives instructions to my sister Eva on the placement of the posts. Down there, he can see the American flags clearly. But if he is already too loaded to stick the posts in the ground, he probably isn’t noticing the jewelry.

Lorna has come into my room twice in the last hour—once to ask me when I am coming down to join what she calls “the party,” another time to say that I am making everybody feel rotten by not joining them. A statement to be dismissed with a wave of the hand, but I have none. No right arm, either. I have a left hand and a left arm, but I have stopped valuing them. It’s the right one I want. In the hospital, I rejected suggestions of a plastic arm or a claw. “Well, then, what do you envision?” the doctor said. “Air,” I told him. This needed amplification. “Air where my arm used to be,” I said. He gave a little “Ah, so” bow of the head and left the room.

I intend to sit here at the window all day, watching the croquet game. I will drink the Heineken’s Lorna has brought me, taking small sips because I am unable to wipe my mouth after good foamy sips. My left hand is there to wipe with, but who wants to set down his beer bottle to wipe his mouth?

Lorna’s mother has left me. I think of her now as Lorna’s mother because she has made it clear that she no longer wants to be my wife. She has moved to another apartment with Lorna. She, herself, seems to be no happier for having left me and visits me frequently. Mention is no longer made of the fact that I am her husband and she is my wife. Recently Mary (her name) took the ferry to the Statue of Liberty. She broke in on me on my second day here in the room, explaining that she would not be here for the croquet game, but with the news that she had visited New York yesterday and had taken the ferry to the Statue of Liberty. “And how was the city?” I asked. “Wonderful,” she assured me. She went to the Carnegie Delicatessen and had cheesecake. When she does not visit, she writes. She has a second sense about when I have left my apartment for my parents’ house. In her letters she usually tells me something about Lorna, although no mention is made of the fact that Lorna is my child. In fact, she once slyly suggested in a bitter moment that Lorna was not—but she backed down about that one.

Lorna is a great favorite with my parents, and my parents are rich. This, Mary always said jokingly, was why she married me. Actually, it was my charm. She thought I was terrific. If I had not fallen in love with her sister, everything would still be fine between us. I did it fairly; I fell in love with her sister before the wedding. I asked to have the wedding delayed. Mary got drunk and cried. Why was I doing this? How could I do it? She would leave me, but she wouldn’t delay the wedding. I asked her to leave. She got drunk and cried and would not. We were married on schedule. She had nothing more to do with her sister. I, on the other hand—strange how many things one cannot say anymore—saw her whenever possible. Patricia—that was her name—went with me on business trips, met me for lunches and dinners, and was driving my car when it went off the highway.

When I came to, Mary was standing beside my hospital bed, her face distorted, looking down at me. “My sister killed herself and tried to take you with her,” she said.

I waited for her to throw herself on me in pity.

“You deserved this,” she said, and walked out of the room.

I was being fed intravenously in my left arm. I looked to see if my right arm was hooked up to anything. It hurt to move my head. My right arm was free—how free I didn’t know at the time. I swear I saw it, but it had been amputated when I was unconscious. The doctor spoke to me at length about this later, insisting that there was no possibility that my arm was there when my wife was in the room and gone subsequently—gone when she left. No, indeed. It was amputated at once, in surgery, and when I saw my wife I was recovering from surgery. I tried to get at it another way, leaving Mary out of it. Wasn’t I conscious before Mary was there? Didn’t I see the arm? No, I was unconscious and didn’t see anything. No, indeed. The physical therapist, the psychiatrist and the chaplain the doctor had brought with him nodded their heads in fast agreement. But soon I would have an artificial arm. I said that I did not want one. It was then that we had the discussion about air.

Last Wednesday was my birthday. I was unpleasant to all. Mrs. Bates, the cook, baked me chocolate-chip cookies with walnuts (my favorite), but I didn’t eat any until she went home. My mother gave me a red velour shirt, which I hinted was unsatisfactory. “What’s wrong with it?” she said. I said, “It’s got one too many arms.” My former student Banks visited me in the evening, not knowing that it was my birthday. He is a shy, thin, hirsute individual of twenty—a painter, a true artiste. I liked him so well that I had given him the phone number at my parents’ house. He brought with him his most recent work, a canvas of a nude woman, for my inspection. While we were all gathered around the birthday cake, Banks answered my question about who she was by saying that she was a professional model. Later, strolling in the backyard, he told me that he had picked her up at a bus stop, after convincing her that she did not want to spend her life waiting for buses, and brought her to his apartment, where he fixed a steak dinner. The woman spent two days there, and when she left, Banks gave her forty dollars, although she did not want any money. She thought the painting he did of her was ugly, and wanted to be reassured that she wasn’t really that heavy around the hips. Banks told her that it was not a representational painting; he said it was an Impressionist painting. She gave him her phone number. He called; there was no such number. He could not understand it. He went back to the bus stop, and eventually he found her again. She told him to get away or she’d call the police.

Ah, Banks. Ah, youth—to be twenty again, instead of thirty-two. In class, Banks used to listen to music on his cassette player through earphones. He would eat candy bars while he nailed frames together. Banks was always chewing food or mouthing songs. Sometimes he would forget and actually sing in class—an eerie wail, harmonizing with something none of the rest of us heard. The students who did not resent Banks’s talent resented his chewing or singing or his success with women. Banks had great success with Lorna. He told her she looked like Bianca Jagger and she was thrilled. “Why don’t you get some platform shoes like hers?” he said, and her eyes shriveled with pleasure. He told her a couple of interesting facts about Copernicus; she told him about the habits of gypsy moths. When he left, he kissed her hand. It did my heart good to see her so happy. I never delight her at all, as Mary keeps telling me.

They have written me from the college where I work, saying that they hope all is well and that I will be back teaching in the fall. It is not going to be easy to teach painting, with my right arm gone. Still, one remembers Matisse in his last years. Where there’s a will, et cetera. My department head has sent flowers twice (mixed and tulips), and the dean himself has written a message on a get-well card. There is a bunny on the card, looking at a rainbow. Banks is the only one who really tempts me to go back to work. The others, Banks tells me, are “full of it.”

Now I have a visitor. Danielle, John’s wife, has come up to see me. John is my brother. She brings an opened beer and sets it on the windowsill without comment. Danielle is wearing a white dress with small porpoises on it, smiling as they leap. Across that chest, no wonder.

“Are you feeling blue today or just being rotten?” she asks.

The beginnings of many of Danielle’s sentences often put me in mind of trashy, romantic songs. Surely someone has written a song called “Are You Feeling Blue?”

“Both,” I say. I usually give Danielle straight answers. She tries to be nice. She has been nice to my brother for five years. He keeps promising to take her back to France, but he never does.

She sits on the rug, next to my chair. “Their rotten lawn parties,” she says. Danielle is French, but her English is very good.

“Pull up a chair and watch the festivities,” I say.

“I have to go back,” she says, pouting. “They want you to come back with me.”

Champagne glasses clinking, white tablecloth, single carnation, key of A: “They Want You Back with Me.”

“Who sent you?” I ask.

“John. But I think Lorna would like it if you were there.”

“Lorna doesn’t like me anymore. Mary’s turned her against me.”

“Ten is a difficult age,” Danielle says.

“I thought the teens were difficult.”

“How would I know? I don’t have children.”

She has a drink of beer, and then puts the bottle in my hand instead of back on the windowsill.

“You have beautiful round feet,” I say.

She tucks them under her. “I’m embarrassed,” she says.

“Our talk is full of the commonplace today,” I say, sighing.

“You’re insulting me,” she says. “That’s why John wouldn’t come up. He says he gets tired of your insults.”

“I wasn’t trying to be insulting. You’ve got beautiful feet. Raise one up here and I’ll kiss it.”

“Don’t make fun of me,” Danielle says.

“Really,” I say.

Danielle moves her leg, unstraps a sandal and raises her right foot. I take it in my hand and bend over to kiss it across the toes.

“Stop it,” she says, laughing. “Someone will come in.”

“They won’t,” I say. “John isn’t the only one tired of my insults.”

I have been taking a little nap. Waking up, I look out the window and see Danielle below. She is sitting in one of the redwood chairs, accepting a drink from my father. One leg is crossed over the other, her beautiful foot dangling. They all know I am watching, but they refuse to look up. Eventually my mother does. She makes a violent sweep with her arm—like a coach motioning the defensive team onto the field. I wave. She turns her back and rejoins the group—Lorna, John, Danielle, my Aunt Rosie, Rosie’s daughter Elizabeth, my father, and some others. Wednesday was also Elizabeth’s birthday—her eighteenth. My parents called and sang to her. When Janis Joplin died Elizabeth cried for six days. “She’s an emotional child,” Rosie said at the time. Then, forgetting that, she asked everyone in the family why Elizabeth had gone to pieces. “Why did you feel so bad about Janis, Elizabeth?” I said. “I don’t know,” she said. “Did her death make you feel like killing yourself ?” I said. “Are you unhappy the way she was?” Rosie now speaks to me only perfunctorily. On her get-well card to me (no visit) she wrote: “So sorry.” They are all sorry. They have been told by the doctor to ignore my gloominess, so they ignore me. I ignore them because even before the accident I was not very fond of them. My brother, in particular, bores me. When we were kids, sharing a bedroom, John would talk to me at night. When I fell asleep he’d come over and shake my mattress. One night my father caught him doing it and hit him. “It’s not my fault,” John hollered. “He’s a goddamn snob.” We got separate bedrooms. I was eight and John was ten.

Danielle comes back, looking sweatier than before. Below, they are playing the first game. My father’s brother Ed pretends to be a majorette and struts with his mallet, twirling it and pointing his knees.

“Nobody sent me this time,” Danielle says. “Are you coming down to dinner? They’re grilling steaks.”

“He’s so cheap he’ll serve Almaden with them,” I say. “You grew up in France. How can you drink that stuff ?”

“I just drink one glass,” she says.

“Refuse to do it,” I say.

She shrugs. “You’re in an awful mood,” she says.

“Give back that piggy,” I say.

She frowns. “I came to have a serious discussion. Why aren’t you coming to dinner?”

“Not hungry.”

“Come down for Lorna.”

“Lorna doesn’t care.”

“Maybe you’re mean to her.”

“I’m the same way I always was with her.”

“Be a little extra nice, then.”

“Give back that piggy,” I say, and she puts her foot up. I unbuckle her sandal with my left hand. There are strap marks on the skin. I lick down her baby toe and kiss it, at the very tip. In turn, I kiss all the others.

It’s evening, and the phone is ringing. I think about answering it. Finally someone else in the house picks it up. I get up and then sit on the bed and look around. My old bedroom looks pretty much the way it looked when I left for college, except that my mother has added a few things that I never owned, which seem out of place. Two silver New Year’s Eve hats rest on the bedposts, and a snapshot of my mother in front of a Mexican fruit stand (I have never been to Mexico) that my father took on their “second honeymoon” is on my bureau. I pull open a drawer and take out a pack of letters. I pull out one of the letters at random and read it. It is from an old girlfriend of mine. Her name was Alison, and she once loved me madly. In the letter she says she is giving up smoking so that when we are old she won’t be repulsive to me. The year I graduated from college, she married an Indian and moved to India. Maybe now she has a little red dot in the middle of her forehead.

I try to remember loving Alison. I remember loving Mary’s sister, Patricia. She is dead. That doesn’t sink in. And she can’t have meant to die, in spite of what Mary said. A woman who meant to die wouldn’t buy a big wooden bowl and a bag of fruit, and then get in the car and drive it off the highway. It is a fact, however, that as the car started to go sideways I looked at Patricia, and she was whipping the wheel to the right. Maybe I imagined that. I remember putting my arm out to brace myself as the car started to turn over. If Patricia were alive, I’d have to be at the croquet game. But if she were alive, she and I could disappear for a few minutes, have a kiss by the barn.

I said to Lorna last night that I would tell her a story. It was going to be a fairy tale, all about Patricia and me but disguised as the prince and the princess, but she said no, she didn’t want to hear it, and walked out. Just as well. If it had ended sadly it would have been an awful trick to pull on Lorna, and if it had ended happily, it would have depressed me even more. “There’s nothing wrong with coming to terms with your depression,” the doctor said to me. He kept urging me to see a shrink. The shrink came, and urged me to talk to him. When he left, the chaplain came in and urged me to see him. I checked out.

Lorna visits a third time. She asks whether I heard the phone ringing. I did. She says that—well, she finally answered it. “When you were first walking, one of your favorite things was to run for the phone,” I said. I was trying to be nice to her. “Stop talking about when I was a baby,” she says, and leaves. On the way out, she says, “It was your friend who came over the other night. He wants you to call him. His number is here.” She comes back with a piece of paper, then leaves again.

“I got drunk,” Banks says on the phone, “and I felt sorry for you.”

“The hell with that, Banks,” I say, and reflect that I sound like someone talking in The Sun Also Rises.

“Forget it, old Banks,” I say, enjoying the part.

“You’re not loaded too, are you?” Banks says.

“No, Banks,” I say.

“Well, I wanted to talk. I wanted to ask if you wanted to go out to a bar with me. I don’t have any more beer or money.”

“Thanks, but there’s a big rendezvous here today. Lorna’s here. I’d better stick around.”

“Oh,” Banks says. “Listen. Could I come over and borrow five bucks?”

Banks does not think of me in my professorial capacity.

“Sure,” I say.

“Thanks,” he says.

“Sure, old Banks. Sure,” I say, and hang up.

Lorna stands in the doorway. “Is he coming over?” she asks.

“Yes. He’s coming to borrow money. He’s not the man for you, Lorna.”

“You don’t have any money either,” she says. “Grandpa does.”

“I have enough money,” I say defensively.

“How much do you have?”

“I make a salary, you know, Lorna. Has your mother been telling you I’m broke?”

“She doesn’t talk about you.”

“Then why did you ask how much money I had?”

“I wanted to know.”

“I’m not going to tell you,” I say.

“They told me to come talk to you,” Lorna says. “I was supposed to get you to come down.”

“Do you want me to come down?” I ask.

“Not if you don’t want to.”

“You’re supposed to be devoted to your daddy,” I say.

Lorna sighs. “You won’t answer any of my questions, and you say silly things.”

“What?”

“What you just said—about my daddy.”

“I am your daddy,” I say.

“I know it,” she says.

There seems nowhere for the conversation to go.

“You want to hear that story now?” I ask.

“No. Don’t try to tell me any stories. I’m ten.”

“I’m thirty-two,” I say.

My father’s brother William is about to score a victory over Elizabeth. He puts his foot on the ball, which is touching hers, and knocks her ball down the hill. He pretends he has knocked it an immense distance and cups his hand over his brow to squint after it. William’s wife will not play croquet; she sits on the grass and frowns. She is a dead ringer for the woman behind the cash register in Edward Hopper’s Tables for Ladies.

“How’s it going?” Danielle asks, standing in the doorway.

“Come on in,” I say.

“I just came upstairs to go to the bathroom. The cook is in the one downstairs.”

She comes in and looks out the window.

“Do you want me to get you anything?” she says. “Food?”

“You’re just being nice to me because I kiss your piggies.”

“You’re horrible,” she says.

“I tried to be nice to Lorna, and all she wanted to talk about was money.”

“All they talk about down there is money,” she says.

She leaves and then comes back with her hair combed and her mouth pink again.

“What do you think of William’s wife?” I ask.

“I don’t know, she doesn’t say much.” Danielle sits on the floor, with her chin on her knees. “Everybody always says that people who only say a few dumb things are sweet.”

“What dumb things has she said?” I say.

“She said, ‘Such a beautiful day,’ and looked at the sky.”

“You shouldn’t be hanging out with these people, Danielle,” I say.

“I’ve got to go back,” she says.

Banks is here. He is sitting next to me as it gets dark. I am watching Danielle out on the lawn. She has a red shawl that she winds around her shoulders. She looks tired and elegant. My father has been drinking all afternoon. “Get the hell down here!” he hollered to me a little while ago. My mother rushed up to him to say that I had a student with me. He backed down. Lorna came up and brought us two dishes of peach ice cream (handmade by Rosie), giving the larger one to Banks. She and Banks discussed The Hobbit briefly. Banks kept apologizing to me for not leaving, but said he was too strung out to drive. He went into the bathroom and smoked a joint and came back and sat down and rolled his head from side to side. “You make sense,” Banks says now, and I am flattered until I realize that I have not been talking for a long time.

“It’s too bad it’s so dark,” I say. “That woman down there in the black dress looks just like somebody in an Edward Hopper painting. You’d recognize her.”

“Nah,” Banks says, head swaying. “Everything’s basically different. I get so tired of examining things and finding out they’re different. This crappy nature poem isn’t at all like that crappy nature poem. That’s what I mean,” Banks says.

“Do you remember your accident?” he says.

“No,” I say.

“Excuse me,” Banks says.

“I remember thinking of Jules and Jim.”

“Where she drove off the cliff ?” Banks says, very excited.

“Umm.”

“When did you think that?”

“As it was happening.”

“Wow,” Banks says. “I wonder if anybody else flashed on that before you?”

“I couldn’t say.”

Banks sips his iced gin. “What do you think of me as an artist?” he says.

“You’re very good, Banks.”

It begins to get cooler. A breeze blows the curtains toward us.

“I had a dream that I was a raccoon,” Banks says. “I kept trying to look over my back to count the rings of my tail, but my back was too high, and I couldn’t count past the first two.”

Banks finishes his drink.

“Would you like me to get you another drink?” I ask.

“That’s an awful imposition,” Banks says, extending his glass.

I take the glass and go downstairs. A copy of The Hobbit is lying on the rose brocade sofa. Mrs. Bates is sitting at the kitchen table, reading People.

“Thank you very much for the cookies,” I say.

“It’s nothing,” she says. Her earrings are on the table. Her feet are on a chair.

“Tell them we ran out of gin if they want more,” I say. “I need this bottle.”

“Okay,” she says. “I think there’s another bottle, anyway.”

I take the bottle upstairs in my armpit, carrying a glass with fresh ice in it in my hand.

“You know,” Banks says, “they say that if you face things—if you just get them through your head—you can accept them. They say you can accept anything if you can once get it through your head.”

“What’s this about?” I say.

“Your arm,” Banks says.

“I realize that I don’t have an arm,” I say.

“I don’t mean to offend you,” Banks says, drinking.

“I know you don’t.”

“If you ever want me to yell at you about it, just say the word. That might help—help it sink in.”

“I already realize it, Banks,” I say.

“You’re a swell guy,” Banks says. “What kind of music do you listen to?”

“Do you want to hear music?”

“No. I just want to know what you listen to.”

“Schoenberg,” I say. I have not listened to Schoenberg for years.

“Ahh,” Banks says.

He offers me his glass. I take a drink and hand it back.

“You know how they always have cars—car ads—you ever notice . . . I’m all screwed up,” Banks says.

“Go on,” I say.

“They always put the car on the beach?”

“Yeah.”

“I was thinking about doing a thing with a great big car in the background and a little beach up front.” Banks chuckles.

Outside, the candles have been lit. A torch flames from a metal holder—one of the silliest things I have ever seen—and blue lanterns have been lit in the trees. Someone has turned on a radio, and Elizabeth and some man, not recognizable, dance to “Heartbreak Hotel.”

“There’s Schoenberg,” Banks says.

“Banks,” I say, “I want you to take this the right way. I like you, and I’m glad you came over. Why did you come over?”

“I wanted you to praise my paintings.” Banks plays church and steeple with his hands. “But also, I just wanted to talk.”

“Was there anything particularly—”

“I thought you might want to talk to me.”

“Why don’t you talk to me, instead?”

“I’ve got to be a great painter,” Banks says. “I paint and then at night I smoke up or go out to some bar, and in the morning I paint . . . All night I pray until I fall asleep that I will become great. You must think I’m crazy. What do you think of me?”

“You make me feel old,” I say.

The gin bottle is in Banks’s crotch, the glass resting on the top of the bottle.

“I sensed that,” Banks says, “before I got too wasted to sense anything.”

“You want to hear a story?” I say.

“Sure.”

“The woman who was driving the car I was in—the Princess . . .” I laugh, but Banks only nods, trying hard to follow. “I think the woman must have been out to commit suicide. We had been out buying things. The back seat was loaded with nice antiques, things like that, and we had had a nice afternoon, eaten ice cream, talked about how she would be starting school again in the fall—”

“Artist?” Banks asks.

“A linguistics major.”

“Okay. Go on.”

“What I’m saying is that all was well in the kingdom. Not exactly, because she wasn’t my wife, but she should have been. But for the purpose of the story, what I’m saying is that we were in fine shape, it was a fine day—”

“Month?” Banks says.

“March,” I say.

“That’s right,” Banks says.

“I was going to drop her off at the shopping center, where she’d left her car, and she was going to continue on to her castle and I’d go to mine . . .”

“Continue,” Banks says.

“And then she tried to kill us. She did kill herself.”

“I read it in the papers,” Banks says.

“What do you think?” I ask.

“Banks’s lesson,” Banks says. “Never look back. Don’t try to count your tail rings.”

Danielle walks into the room. “I have come for the gin,” she says. “The cook said you had it.”

“Danielle, this is Banks.”

“How do you do,” Banks says.

Danielle reaches down and takes the bottle from Banks. “You’re missing a swell old time,” she says.

“Maybe a big wind will come along and blow them all away,” Banks says.

Danielle is silent a moment, then laughs—a laugh that cuts through the darkness. She ducks her head down by my face and kisses my cheek, and turns in a wobbly way and walks out of the room.

“Jesus,” Banks says. “Here we are sitting here and then this weird thing happens.”

“Her?” I say.

“Yeah.”

Lorna comes, very sleepy, carrying a napkin with cookies on it. She obviously wants to give them to Banks, but Banks has passed out, upright, in the chair next to mine. “Climb aboard,” I say, offering my lap. Lorna hesitates, but then does, putting the cookies down on the floor without offering me any. She tells me that her mother has a boyfriend.

“What’s his name?” I ask.

“Stanley,” Lorna says.

“Maybe a big wind will come and blow Stanley away,” I say.

“What’s wrong with him?” she says, looking at Banks.

“Drunk,” I say. “Who’s drunk downstairs?”

“Rosie,” she says. “And William, and, uh, Danielle.”

“Don’t drink,” I say.

“I won’t,” she says. “Will he still be here in the morning?”

“I expect so,” I say.

Banks has fallen asleep in an odd posture. His feet are clamped together, his arms are limp at his sides, and his chin is jutting forward. The melting ice cubes from the overturned glass have encroached on the cookies.

At the lawn party, they’ve found a station on the radio that plays only songs from other years. Danielle begins a slow, drunken dance. Her red shawl has fallen to the grass. I stare at her and imagine her dress disappearing, her shoes kicked off, beautiful Danielle dancing naked in the dusk. The music turns to static, but Danielle is still dancing.

Secrets and Surprises

Corinne and Lenny are sitting at the side of the driveway with their shoes off. Corinne is upset because Lenny sat in a patch of strawberries. “Get up, Lenny! Look what you’ve done!”

Lenny is one of my oldest friends. I went to high school with Lenny and Corinne and his first wife, Lucy, who was my best friend there. Lenny did not know Corinne then. He met her at a party many years later. Corinne remembered Lenny from high school; he did not remember her. The next year, after his divorce from Lucy became final, they married. Two years later their daughter was born, and I was a godmother. Lenny teases me by saying that his life would have been entirely different if only I had introduced him to Corinne years ago. I knew her because she was my boyfriend’s sister. She was a couple of years ahead of us, and she would do things like picking us up if we got drunk at a party and buying us coffee before taking us home. Corinne once lied to my mother when she took me home that way, telling her that there was flu going around and that I had sneezed in her car all the way home.

I was ugly in high school. I wore braces, and everything seemed to me funny and inappropriate: the seasons, television personalities, the latest fashions—even music seemed silly. I played the piano, but for some reason I stopped playing Brahms or even listening to Brahms. I played only a few pieces of music myself, the same ones, over and over: a couple of Bach two-part inventions, a Chopin nocturne. I earnestly smoked cigarettes, and all one spring I harbored a secret love for Lenny. I once confessed my love for him in a note I pushed through the slats in his locker in school. Then I got scared and waited by his locker when school was over, talked to him for a while, and when he opened the locker door, grabbed the note back and ran. This was fifteen years ago.

I used to live in the city, but five years ago my husband and I moved up here to Woodbridge. My husband has gone, and now it is only my house. It is my driveway that Lenny and Corinne sit beside. The driveway badly needs to be graveled. There are holes in it that should be filled, and the drainpipe is cracked. A lot of things here need fixing. I don’t like to talk to the landlord, Colonel Albright. Every month he loses the rent check I send him and then calls me from the nursing home where he lives, asking for another. The man is eighty-eight. I should consider him an amusing old character, a forgetful old man. I suspect he is persecuting me. He doesn’t want a young person renting his house. Or anyone at all. When we moved in, I found some empty clothing bags hanging in the closets, with old dry-cleaning stubs stapled to the plastic: “Col. Albright, 9-8-54.” I stared at the stub. I was eleven years old the day Colonel Albright picked up his clothes at the dry cleaners. I found one of his neckties wound around the base of a lamp in an upstairs closet. “Do you want these things?” I asked him on the phone. “Throw them out, I don’t care,” he said, “but don’t ask me about them.” I also do not tell him about things that need to be fixed. I close off one bathroom in the winter because the tiles are cracked and cold air comes through the floor; the heat register in my bedroom can’t be set above sixty, so I set the living-room register at seventy-five to compensate. Corinne and Lenny think this is funny. Corinne says that I will not fight with the landlord because I did enough fighting with my husband about his girlfriend and now I enjoy peace; Lenny says that I am just too kind. The truth is that Colonel Albright shouts at me on the phone and I am afraid of him. He is also old and sad, and I have displaced him in his own house. Twice this summer, a friend has driven him from the nursing home back to the house, and he walked around the gardens in the front, tapping his cane through the clusters of sweet peas that are strangling out the asters and azaleas in the flower beds, and he dusted the pollen off the sundial in the back with a white handkerchief.

Almost every weekend Corinne tries to get me to leave Woodbridge and move back to New York. I am afraid of the city. In the apartment on West End Avenue I lived in with my husband when we were first married, I was always frightened. There was a bird in the apartment next to ours which shrieked, “No, no, go away!” I always mistook it for a human voice in the night, and in my sleepy confusion I thought that I was protesting an intruder in our apartment. Once a woman at the laundromat who was about to pass out from the heat took hold of my arm and pulled me to the floor with her. This could have happened anywhere. It happened in New York. I won’t go back.

“Balducci’s!” Corinne sometimes murmurs to me, and moves her arm through the air to suggest counters spread with delicacies. I imagine tins of anchovies, wheels of Brie, huge cashews, strange greens. But then I hear voices whispering outside my door plotting to break it down, and angry, wild music late at night that is the kind that disturbed, unhappy people listen to.

Now Corinne is holding Lenny’s hand. I am lying on my side and peeking through the netting of the hammock, and they don’t see me. She stoops to pick a strawberry. He scratches his crotch. They are bored here, I think. They pretend that they make the two-hour drive up here nearly every weekend because they are concerned for my well-being. Perhaps they actually think that living in the country is spookier than living in the city. “You sent your beagle to live in the country, Corinne,” I said to her once. “How can you be upset that a human being wants to live where there’s room to stretch?” “But what do you do here all alone?” she said.

I do plenty of things. I play Bach and Chopin on a grand piano my husband saved for a year to buy me. I grow vegetables, and I mow the lawn. When Lenny and Corinne come for the weekend, I spy on them. He’s scratching his shoulder now. He calls Corinne to him. I think he is asking her to see if he just got a mosquito bite.

Last year when my husband went on vacation without me, I drove from Connecticut to D.C. to visit my parents. They live in the house where I grew up. The crocheted bedspreads have turned yellow now and the bedroom curtains are the same as ever. But in the living room there is a large black plastic chair for my father and a large brown plastic chair for my mother. My brother, Raleigh, who is retarded, lives with them. He has a friend, Ed, who is retarded, and who visits him once a week. And Raleigh visits Ed once a week. Sometimes my mother or Ed’s mother takes them to the zoo. Raleigh’s chatter often makes more sense than we at first suspected. For instance, he is very fond of Ling-Ling, the panda. He was not imitating the bell the Good Humor man rings when he drives around the neighborhood, as my father once insisted. My father has never been able to understand Raleigh very well. My mother laughs at him for his lack of understanding. She is a bitter woman. For the last ten years, she has made my father adhere to a diet when he is home, and he is not overweight.

When I visited, I drove Raleigh down to Hains Point, and we looked across the water at the lights. In spite of being retarded, he seems very moved by things. He rolled down the window and let the wind blow across his face. I slowed the car almost to a stop, and he put his hand on my hand, like a lover. He wanted me to stop the car entirely so he could look at the lights. I let him look for a long time. On the way home I drove across the bridge into Arlington and took him to Gifford’s for ice cream. He had a banana split, and I pretended not to notice when he ate the toppings with his fingers. Then I washed his fingers with a napkin dipped in a glass of water.

One day I found him in the bathroom with Daisy, the dog, combing over her body for ticks. There were six or seven ticks in the toilet. He was concentrating so hard that he never looked up. Standing there, I realized that there was now a small bald spot at the top of his head, and that Daisy’s fur was flecked with gray. I reached over him and got aspirin out of the medicine cabinet. Later, when I went back to the bathroom and found Raleigh and Daisy gone, I flushed the toilet so my parents would not be upset. Raleigh sometimes drops pieces of paper into the toilet instead of into the wastebaskets, and my mother goes wild. Sometimes socks are in the toilet. Coins. Pieces of candy.

I stayed for two weeks. On Mondays, before his friend Ed came, Raleigh left the living room until the door had been answered, and then acted surprised to see Ed and his mother. When I took him to Ed’s house, Ed did the same thing. Ed held a newspaper in front of his face at first. “Oh—hello,” Ed finally said. They have been friends for almost thirty years, and the visiting routine has remained the same all that time. I think that by pretending to be surprised, they are trying to enhance the quality of the experience. I play games like this with Corinne when I meet her in the city for lunch. If I get to our table first, I study the menu until she’s right on me; sometimes, if I wait outside the restaurant, I deliberately look at the sidewalk, as if lost in thought, until she speaks.

I had Raleigh come live with my husband and me during the second year of our marriage. It didn’t work out. My husband found his socks in the toilet; Raleigh missed my mother’s constant nagging. When I took him home, he didn’t seem sorry. There is something comforting about that house: the smell of camphor in the silver cabinet, my grandmother’s woven rugs, Daisy’s smell everywhere.

My husband wrote last week: “Do you miss wonderful me?” I wrote back saying yes. Nothing came of it.

Corinne and Lenny have always come to Woodbridge for visits. When my husband was here, they came once a month. Now they come almost every week. Sometimes we don’t have much to say to each other, so we talk about the old days. Corinne teases Lenny for not noticing her back in high school. Our visits are often dull, but I still look forward to their coming because they are my surrogate family. As in all families, there are secrets. There is intrigue. Suspicion. Lenny often calls me, telling me to keep his call a secret, saying that I must call Corinne at once and arrange to have lunch because she is depressed. So I call, and then I go and sit at a table and pretend not to see her until she sits down. She has aged a lot since their daughter’s death. Her name was Karen, and she died three years ago, of leukemia. After Karen died I began having lunch with Corinne, to let her talk about it away from Lenny. By the time she no longer needed to talk about it, my husband had left, and Corinne began having lunch with me to cheer me up. We have faced each other across a table for years. (Corinne, I know, tells Lenny to visit me even when she has to work on the weekend. He has come alone a few times. He gives me a few Godiva chocolates. I give him a bag of fresh peas. Sometimes he kisses me, but it goes no further than that. Corinne thinks that it does, and endures it.)

Once Corinne said that if we all lived to be fifty (she works for a state environmental-protection agency, and her expectations are modest), we should have an honesty session the way the girls did in college. Lenny asked why we had to wait until we were fifty. “Okay—what do you really think of me?” Corinne asked him. “Why, I love you. You’re my wife,” he said. She backed down; the game wasn’t going to be much fun.

Lenny’s first wife, Lucy, has twice taken the train to visit me. We sat on the grass and talked about the old days: teasing each other’s hair to new heights; photo-album pictures of the two of us, each trying to look more grotesque than the other; the first time we puffed a cigarette on a double date. I like her less as time goes by, because things she remembers about that time are true but the tone of wonder in her voice makes the past seem like a lie. And then she works the conversation around to Corinne and Lenny’s marriage. Is it unhappy? Both times she visited, she said she was going back to New York on the last train, and both times she got too drunk to go until the next day. She borrowed my nightgowns and drank my gin and played sad music on my piano. In our high school yearbook, Lucy was named best dancer.

I have a lover. He comes on Thursdays. He would come more frequently, but I won’t allow it. Jonathan is twenty-one and I am thirty-three, and I know that eventually he will go away. He is a musician too. He comes in the morning and we sit side by side at the piano, humming and playing Bach’s B-Flat-Minor Prelude, prolonging the time before we go to bed as long as possible. He drinks diet cola while I drink gin-and-tonic. He tells me about the young girls who are chasing him. He says he only wants me. He asks me each Thursday to marry him, and calls me on Friday to beg me to let him come again before the week is up. He sends me pears out of season and other things that he can’t afford. He shows me letters from his parents that bother him; I am usually in sympathy with his parents. I urge him to spend more time sight-reading and playing scales and arpeggios. He allowed a rich woman who had been chasing him since Christmas to buy him a tape deck for his car, and he plays nothing but rock-’n’-roll. Sometimes I cry, but not in his presence. He is disturbed enough. He isn’t sure what to do with his life, he can’t communicate with his parents, too many people want things from him. One night he called and asked if he could come over to my house if he disguised himself. “No,” I said. “How would you disguise yourself ?” “Cut off my hair. Buy a suit. Put on an animal mask.” I make few demands on him, but obviously the relationship is a strain.

After Corinne and Lenny leave, I write a second letter to my husband, pretending that there is a chance that he did not get the other one. In this letter I give him a detailed account of the weekend, and agree with what he said long ago about Corinne’s talking too much and Lenny’s being too humble. I tell my husband that the handle on the barbecue no longer makes the grill go up and down. I tell him that the neighbors’ dog is in heat and that dogs howl all night, so I can’t sleep. I reread the letter and tear it up because these things are all jumbled together in one paragraph. It looks as if a crazy person had written the letter. I try again. In one paragraph I describe Corinne and Lenny’s visit. In another I tell him that his mother called to tell me that his sister has decided to major in anthropology. In the last paragraph I ask for advice about the car—whether it may not need a new carburetor. I read the letter and it still seems crazy. A letter like this will never make him come back. I throw it away and write him a short, funny postcard. I go outside to put the postcard in the mailbox. A large white dog whines and runs in front of me. I recognize the dog. It is the same one I saw last night, from my bedroom window; the dog was staring at my neighbors’ house. The dog runs past me again, but won’t come when I call it. I believe the neighbors once told me that the dog’s name is Pierre, and that the dog does not live in Woodbridge.

When I was a child I was punished for brushing Raleigh with the dog’s brush. He had asked me to do it. It was Easter, and he had on a blue suit, and he came into my bedroom with the dog’s brush and got down on all fours and asked for a brushing. I brushed his back. My father saw us and banged his fist against the door. “Jesus Christ, are you both crazy?” he said. Now that my husband is gone, I should bring Raleigh here to live—but what if my husband came back? I remember Raleigh’s trotting through the living room, punching his fist through the air, chanting, “Ling-Ling, Ling-Ling, Ling-Ling.”

I play Scriabin’s Étude in C Sharp Minor. I play it badly and stop to stare at the keys. As though on cue, a car comes into the driveway. The sound of a bad muffler—my lover’s car, unmistakably. He has come a day early. I wince, and wish I had washed my hair. My husband used to wince also when that car pulled into the driveway. My lover (he was not at that time my lover) was nineteen when he first started coming, to take piano lessons. He was obviously more talented than I. For a long while I resented him. Now I resent him for his impetuousness, for showing up unexpectedly, breaking my routine, catching me when I look ugly.

“This is foolish,” I say to him. “I’m going into the city to have lunch.”

“My car is leaking oil,” he says, looking over his shoulder.

“Why have you come?” I say.

“This once-a-week stuff is ridiculous. Once you have me around a little more often you’ll get used to it.”

“I won’t have you around more often.”

“I’ve got a surprise for you,” he says. “Two, actually.”

“What are they?”

“For later. I’ll tell you when you get back. Can I stay here and wait for you?”

A maroon sweater that I gave him for his birthday is tied around his waist. He sits in front of the hearth and strikes a match on the bricks. He lights a cigarette.

“Well,” he says, “one of the surprises is that I’m going to be gone for three months. Starting in November.”

“Where are you going?”

“Europe. You know that band I’ve been playing with sometimes? One of the guys has hepatitis, and I’m going to fill in for him on synthesizer. Their agent got us a gig in Denmark.”

“What about school?”

“Enough school,” he says, sighing.

He pitches the cigarette into the fireplace and stands up and takes off his sweater.

I no longer want to go to lunch. I am no longer sorry he came unannounced. But he hasn’t jumped up to embrace me.

“I’m going to investigate that oil leak,” he says.

Later, driving into New York, trying to think of what the second surprise might be (taking a woman with him?), I think about the time when my husband surprised me with a six-layer cake he had baked for my birthday. It was the first cake he ever made, and the layers were not completely cool when he stacked and frosted them. One side of the cake was much higher than the other. He had gone out and bought a little plastic figure of a skier, for the top of the cake. The skier held a toothpick with a piece of paper glued to it that said “Happy Birthday.” “We’re going to Switzerland!” I said, clapping my hands. He knew I had always wanted to go there. No, he explained, the skier was just a coincidence. My reaction depressed both of us. It was a coincidence, too, that a year later I was walking down the same street he was walking down and I saw that he was with a girl, holding her hand.

I’m almost in New York. Cars whiz by me on the Hutchinson River Parkway. My husband has been gone for seven months.

While waiting for Corinne, I examine my hands. My gardening has cut and bruised them. In a picture my father took when I was young, my hands are in very sharp focus but the piano keys are a blur of white streaked with black. I knew by the time I was twelve that I was going to be a concert pianist. My father and I both have copies of this picture, and we probably both have the same thoughts about it: it is a shame I have almost entirely given up music. When I lived in New York I had to play softly, so as not to disturb the neighbors. The music itself stopped sounding right. A day would pass without my practicing. My father blamed my husband for my losing interest. My husband listened to my father. We moved to Connecticut, where I wouldn’t be distracted. I began to practice again, but I knew that I’d lost ground—or that I would never make it as a concert pianist if I hadn’t by this time. I had Raleigh come and live with us, and I spent my days with him. My father blamed my mother for complaining to me about what a burden Raleigh was, for hinting that I take him in. My father always found excuses. I am like him. I pretended that everything was fine in my marriage, that the only problem was the girl.

“I think it’s insulting, I really do,” Corinne says. “It’s a refusal to admit my existence. I’ve been married to Lenny for years, and when Lucy calls him and I answer the phone, she hangs up.”

“Don’t let it get to you,” I say. “You know by now that Lucy’s not going to be civil to you.”

“And it upsets Lenny. Every time she calls to say where she’s flying off to, he gets upset. He doesn’t care where she’s going, but you know Lenny and how he is about planes—how he gets about anyone flying.”

These lunches are all the same. I discipline myself during these lunches the way I used to discipline myself about my music. I try to calm Corinne, and Corinne gets more and more upset. She only likes expensive restaurants, and she won’t eat the food.

Now Corinne eats a cherry tomato from her salad and pushes the salad plate away. “Do you think we should have another child? Am I too old now?”

“I don’t know,” I say.

“I think the best way to get children is the way you got yours. Just have them drive up. He’s probably languishing in your bed right now.”

“Twenty-one isn’t exactly a child.”

“I’m so jealous I could die,” Corinne says.

“Of Jonathan?”

“Of everything. You’re three years younger than me, and you look ten years younger. Look at those thin women over there. Look at you and your music. You don’t have to kill the day by having lunch.”

Corinne takes a little gold barrette out of her hair and puts it back in. “We don’t come to your house almost every weekend to look after you,” she says. “We do it to restore ourselves. Although Lenny probably goes so he can pine over you.”

“What are you talking about?”

“You don’t sense it? You don’t think that’s true?”

“No,” I say.

“Lucy does. She told Lenny that the last time she called. He told me that she said he was making a fool of himself hanging around you so much. When Lenny hung up, he said that Lucy never did understand the notion of friendship. Of course, he always tries to pretend that Lucy is entirely crazy.”

She takes out the barrette and lets her hair fall free.

“And I’m jealous of her, going off on all her business trips, sending him postcards of sunsets on the West Coast,” Corinne says. “She ran off with a dirty little furrier to Denver this time.”

I look at my clean plate, and then at Corinne’s plate. It looks as if a wind had blown the food around her plate, or as if a midget army had marched through it. I should not have had two drinks at lunch. I excuse myself and go to a phone and call my lover. I am relieved when he answers the phone, even though I have told him never to do that. “Come into the city,” I say. “We can go to Central Park.”

“Come home,” he says. “You’re going to get caught in the rush hour.”

My husband sends me a geode. There is a brief note in the package. He says that before he left for Europe he sat at a table next to John Ehrlichman in a restaurant in New Mexico. The note goes on about how fat John Ehrlichman has become. My husband says that he bets my squash are still going strong in the garden. There is no return address. I stand by the mailbox, crying. From the edge of the lawn, the big white dog watches me.

My lover sits beside me on the piano bench. We are both naked. It is late at night, but we have lit a fire in the fireplace—five logs, a lot of heat. The lead guitarist from the band Jonathan plays with now was here for dinner. I had to fix a meatless meal. Jonathan’s friend was young and dumb—much younger, it seemed, than my lover. I don’t know why he wanted me to invite him. Jonathan has been here for four days straight. I gave in to him and called Lenny and said for them not to visit this weekend. Later Corinne called to say how jealous she was, thinking of me in my house in the country with my curly-haired lover.

I am playing Ravel’s “Valses Nobles et Sentimentales.” Suddenly my lover breaks in with “Chopsticks.” He is impossible, and as immature as his friend. Why have I agreed to let him live in my house until he leaves for Denmark?

“Don’t,” I plead. “Be sensible.”

He is playing “Somewhere Over the Rainbow” and singing.

“Stop it,” I say. He kisses my throat.

Another note comes from my husband, written on stationery from the Hotel Eliseo. He got drunk and was hurt in a fight; his nose wouldn’t stop bleeding, and in the end he had to have it cauterized.

In a week, my lover will leave. I am frightened at the thought that I will be here alone when he goes. Now I have gotten used to having someone around. When boards creak in the night I can ask “What is it?” and be told. When I was little, I shared a bedroom with Raleigh until I was seven. All night he’d question me about noises. “It’s the monster,” I’d say in disgust. I made him cry so many nights that my parents built on an addition to the house so I could have my own bedroom.

In his passport photo, my lover is smiling.

Lenny calls. He is upset because Corinne wants to have another child and he thinks they are too old. He hints that he would like me to invite them to come on Friday instead of Saturday this week. I explain that they can’t come at all—my lover leaves on Monday.

“I don’t mean to pry,” Lenny says, but he never says what he wants to pry about.

I pick up my husband’s note and take it into the bathroom and reread it. It was a street fight. He describes a church window that he saw. There is one long strand of brown hair in the bottom of the envelope. That just can’t be deliberate.

Lying on my back, alone in the bedroom, I stare at the ceiling in the dark, remembering my lover’s second surprise: a jar full of lightning bugs. He let them loose in the bedroom. Tiny, blinking dots of green under the ceiling, above the bed. Giggling into his shoulder: how crazy; a room full of lightning bugs.

“They only live a day,” he whispered.

“That’s butterflies,” I said.

I always felt uncomfortable correcting him, as if I were pointing out the difference in our ages. I was sure I was right about the lightning bugs, but in the morning I was relieved when I saw that they were still alive. I found them on the curtains, against the window. I tried to recapture all of them in a jar so I could take them outdoors and set them free. I tried to remember how many points of light there had been.

Weekend

On Saturday morning Lenore is up before the others. She carries her baby into the living room and puts him in George’s favorite chair, which tilts because its back legs are missing, and covers him with a blanket. Then she lights a fire in the fireplace, putting fresh logs on a few embers that are still glowing from the night before. She sits down on the floor beside the chair and checks the baby, who has already gone back to sleep—a good thing, because there are guests in the house. George, the man she lives with, is very hospitable and impetuous; he extends invitations whenever old friends call, urging them to come spend the weekend. Most of the callers are his former students—he used to be an English professor—and when they come it seems to make things much worse. It makes him much worse, because he falls into smoking too much and drinking and not eating, and then his ulcer bothers him. When the guests leave, when the weekend is over, she has to cook bland food: applesauce, oatmeal, puddings. And his drinking does not taper off easily anymore; in the past he would stop cold when the guests left, but lately he only tapers down from Scotch to wine, and drinks wine well into the week—a lot of wine, perhaps a whole bottle with his meal—until his stomach is much worse. He is hard to live with. Once when a former student, a woman named Ruth, visited them—a lover, she suspected—she overheard George talking to her in his study, where he had taken her to see a photograph of their house before he began repairing it. George had told Ruth that she, Lenore, stayed with him because she was simple. It hurt her badly, made her actually dizzy with surprise and shame, and since then, no matter who the guests are, she never feels quite at ease on the weekends. In the past she enjoyed some of the things she and George did with their guests, but since overhearing what he said to Ruth she feels that all their visitors have been secretly told the same thing about her. To her, though, George is usually kind. But she is sure that is the reason he has not married her, and when he recently remarked on their daughter’s intelligence (she is five years old, a girl named Maria) she found that she could no longer respond with simple pride; now she feels spite as well, feels that Maria exists as proof of her own good genes. She has begun to expect perfection of the child. She knows this is wrong, and she has tried hard not to communicate her anxiety to Maria, who is already, as her kindergarten teacher says, “untypical.”

At first Lenore loved George because he was untypical, although after she had moved in with him and lived with him for a while she began to see that he was not exceptional but a variation on a type. She is proud of observing that, and she harbors the discovery—her silent response to his low opinion of her. She does not know why he found her attractive—in the beginning he did—because she does not resemble the pretty, articulate young women he likes to invite, with their lovers or girlfriends, to their house for the weekend. None of these young women have husbands; when they bring a man with them at all they bring a lover, and they seem happy not to be married. Lenore, too, is happy to be single—not out of conviction that marriage is wrong but because she knows that it would be wrong to be married to George if he thinks she is simple. She thought at first to confront him with what she had overheard, to demand an explanation. But he can weasel out of any corner. At best, she can mildly fluster him, and later he will only blame it on Scotch. Of course she might ask why he has all these women come to visit, why he devotes so little time to her or the children. To that he would say that it was the quality of the time they spent together that mattered, not the quantity. He has already said that, in fact, without being asked. He says things over and over so that she will accept them as truths. And eventually she does. She does not like to think long and hard, and when there is an answer—even his answer—it is usually easier to accept it and go on with things. She goes on with what she has always done: tending the house and the children and George, when he needs her. She likes to bake and she collects art postcards. She is proud of their house, which was bought cheaply and improved by George when he was still interested in that kind of work, and she is happy to have visitors come there, even if she does not admire them or even like them.

Except for teaching a night course in photography at a junior college once a week, George has not worked since he left the university two years ago, after he was denied tenure. She cannot really tell if he is unhappy working so little, because he keeps busy in other ways. He listens to classical music in the morning, slowly sipping herbal teas, and on fair afternoons he lies outdoors in the sun, no matter how cold the day. He takes photographs, and walks alone in the woods. He does errands for her if they need to be done. Sometimes at night he goes to the library or goes to visit friends; he tells her that these people often ask her to come too, but he says she would not like them. This is true—she would not like them. Recently he has done some late-night cooking. He has always kept a journal, and he is a great letter writer. An aunt left him most of her estate, ten thousand dollars, and said in her will that he was the only one who really cared, who took the time, again and again, to write. He had not seen his aunt for five years before she died, but he wrote regularly. Sometimes Lenore finds notes that he has left for her. Once, on the refrigerator, there was a long note suggesting clever Christmas presents for her family that he had thought of while she was out. Last week he scotch-taped a slip of paper to a casserole dish that contained leftover veal stew, saying: “This was delicious.” He does not compliment her verbally, but he likes to let her know that he is pleased.

A few nights ago—the same night they got a call from Julie and Sarah, saying they were coming for a visit—she told him that she wished he would talk more, that he would confide in her.

“Confide what?” he said.

“You always take that attitude,” she said. “You pretend that you have no thoughts. Why does there have to be so much silence?”

“I’m not a professor anymore,” he said. “I don’t have to spend every minute thinking.”

But he loves to talk to the young women. He will talk to them on the phone for as much as an hour; he walks with them through the woods for most of the day when they visit. The lovers the young women bring with them always seem to fall behind; they give up and return to the house to sit and talk to her, or to help with the preparation of the meal, or to play with the children. The young women and George come back refreshed, ready for another round of conversation at dinner.

A few weeks ago one of the young men said to her, “Why do you let it go on?” They had been talking lightly before that—about the weather, the children—and then, in the kitchen, where he was sitting shelling peas, he put his head on the table and said, barely audibly, “Why do you let it go on?” He did not raise his head, and she stared at him, thinking that she must have imagined his speaking. She was surprised—surprised to have heard it, and surprised that he said nothing after that, which made her doubt that he had spoken.

“Why do I let what go on?” she said.

There was a long silence. “Whatever this sick game is, I don’t want to get involved in it,” he said at last. “It was none of my business to ask. I understand that you don’t want to talk about it.”

“But it’s really cold out there,” she said. “What could happen when it’s freezing out?”

He shook his head, the way George did, to indicate that she was beyond understanding. But she wasn’t stupid, and she knew what might be going on. She had said the right thing, had been on the right track, but she had to say what she felt, which was that nothing very serious could be happening at that moment because they were walking in the woods. There wasn’t even a barn on the property. She knew perfectly well that they were talking.

When George and the young woman had come back, he fixed hot apple juice, into which he trickled rum. Lenore was pleasant, because she was sure of what had not happened; the young man was not, because he did not think as she did. Still at the kitchen table, he ran his thumb across a pea pod as though it were a knife.

This weekend Sarah and Julie are visiting. They came on Friday evening. Sarah was one of George’s students—the one who led the fight to have him rehired. She does not look like a troublemaker; she is pale and pretty, with freckles on her cheeks. She talks too much about the past, and this upsets him, disrupts the peace he has made with himself. She tells him that they fired him because he was “in touch” with everything, that they were afraid of him because he was so in touch. The more she tells him the more he remembers, and then it is necessary for Sarah to say the same things again and again; once she reminds him, he seems to need reassurance—needs to have her voice, to hear her bitterness against the members of the tenure committee. By evening they will both be drunk. Sarah will seem both agitating and consoling, Lenore and Julie and the children will be upstairs, in bed. Lenore suspects that she will not be the only one awake listening to them. She thinks that in spite of Julie’s glazed look she is really very attentive. The night before, when they were all sitting around the fireplace talking, Sarah made a gesture and almost upset her wineglass, but Julie reached for it and stopped it from toppling over. George and Sarah were talking so energetically that they did not notice. Lenore’s eyes met Julie’s as Julie’s hand shot out. Lenore feels that she is like Julie: Julie’s face doesn’t betray emotion, even when she is interested, even when she cares deeply. Being the same kind of person, Lenore can recognize this.

Before Sarah and Julie arrived Friday evening, Lenore asked George if Sarah was his lover.

“Don’t be ridiculous,” he said. “You think every student is my lover? Is Julie my lover?”

She said, “That wasn’t what I said.”

“Well, if you’re going to be preposterous, go ahead and say that,” he said. “If you think about it long enough, it would make a lot of sense, wouldn’t it?”

He would not answer her question about Sarah. He kept throwing Julie’s name into it. Some other woman might then think that he was protesting too strongly—that Julie really was his lover. She thought no such thing. She also stopped suspecting Sarah, because he wanted that, and it was her habit to oblige him.

He is twenty-one years older than Lenore. On his last birthday he was fifty-five. His daughter from his first marriage (his only marriage; she keeps reminding herself that they are not married, because it often seems that they might as well be) sent him an Irish country hat. The present made him irritable. He kept putting it on and pulling it down hard on his head. “She wants to make me a laughable old man,” he said. “She wants me to put this on and go around like a fool.” He wore the hat all morning, complaining about it, frightening the children. Eventually, to calm him, she said, “She intended nothing.” She said it with finality, her tone so insistent that he listened to her. But having lost his reason for bitterness, he said, “Just because you don’t think doesn’t mean others don’t think.” Is he getting old? She does not want to think of him getting old. In spite of his ulcer, his body is hard. He is tall and handsome, with a thick mustache and a thin black goatee, and there is very little gray in his kinky black hair. He dresses in tight-fitting blue jeans and black turtleneck sweaters in the winter, and old white shirts with the sleeves rolled up in the summer. He pretends not to care about his looks, but he does. He shaves carefully, scraping slowly down each side of his goatee. He orders his soft leather shoes from a store in California. After taking one of his long walks—even if he does it twice a day—he invariably takes a shower. He always looks refreshed, and very rarely admits any insecurity. A few times, at night in bed, he has asked, “Am I still the man of your dreams?” And when she says yes he always laughs, turning it into a joke, as if he didn’t care. She knows he does. He pretends to have no feeling for clothing, but actually he cares so strongly about his turtlenecks and shirts (a few are Italian silk) and shoes that he will have no others. She has noticed that the young women who visit are always vain. When Sarah arrived, she was wearing a beautiful silk scarf, pale as conch shells.

Sitting on the floor on Saturday morning, Lenore watches the fire she has just lit. The baby, tucked in George’s chair, smiles in his sleep, and Lenore thinks what a good companion he would be if only he were an adult. She gets up and goes into the kitchen and tears open a package of yeast and dissolves it, with sugar and salt, in hot water, slushing her fingers through it and shivering because it is so cold in the kitchen. She will bake bread for dinner—there is always a big meal in the early evening when they have guests. But what will she do for the rest of the day? George told the girls the night before that on Saturday they would walk in the woods, but she does not really enjoy hiking, and George will be irritated because of the discussion the night before, and she does not want to aggravate him. “You are unwilling to challenge anyone,” her brother wrote her in a letter that came a few days ago. He has written her for years—all the years she has been with George—asking when she is going to end the relationship. She rarely writes back because she knows that her answers sound too simple. She has a comfortable house. She cooks. She keeps busy and she loves her two children. “It seems unkind to say but,” her brother writes, “but . . .” It is true; she likes simple things. Her brother, who is a lawyer in Cambridge, cannot understand that.

Lenore rubs her hand down the side of her face and says good morning to Julie and Sarah, who have come downstairs. Sarah does not want orange juice; she already looks refreshed and ready for the day. Lenore pours a glass for Julie. George calls from the hallway, “Ready to roll?” Lenore is surprised that he wants to leave so early. She goes into the living room. George is wearing a denim jacket, his hands in the pockets.

“Morning,” he says to Lenore. “You’re not up for a hike, are you?”

Lenore looks at him, but does not answer. As she stands there, Sarah walks around her and joins George in the hallway and he holds the door open for her. “Let’s walk to the store and get Hershey bars to give us energy for a long hike,” George says to Sarah. They are gone. Lenore finds Julie still in the kitchen, waiting for the water to boil. Julie says that she had a bad night and she is happy not to be going with George and Sarah. Lenore fixes tea for them. Maria sits next to her on the sofa, sipping orange juice. The baby likes company, but Maria is a very private child; she would rather that she and her mother were always alone. She has given up being possessive about her father. Now she gets out a cardboard box and takes out her mother’s collection of postcards, which she arranges on the floor in careful groups. Whenever she looks up, Julie smiles nervously at her; Maria does not smile, and Lenore doesn’t prod her. Lenore goes into the kitchen to punch down the bread, and Maria follows. Maria has recently gotten over chicken pox, and there is a small new scar in the center of her forehead. Instead of looking at Maria’s blue eyes, Lenore lately has found herself focusing on the imperfection.

As Lenore is stretching the loaves onto the cornmeal-covered baking sheet, she hears the rain start. It hits hard on the garage roof.

After a few minutes Julie comes into the kitchen. “They’re caught in this downpour,” Julie says. “If Sarah had left the car keys, I could go get them.”

“Take my car and pick them up,” Lenore says, pointing with her elbow to the keys hanging on a nail near the door.

“But I don’t know where the store is.”

“You must have passed it driving to our house last night. Just go out of the driveway and turn right. It’s along the main road.”

Julie gets her purple sweater and takes the car keys. “I’ll be right back,” she says.

Lenore can sense that she is glad to escape from the house, that she is happy the rain began.

In the living room Lenore turns the pages of a magazine, and Maria mutters a refrain of “Blue, blue, dark blue, green blue,” noticing the color every time it appears. Lenore sips her tea. She puts a Michael Hurley record on George’s stereo. Michael Hurley is good rainy-day music. George has hundreds of records. His students used to love to paw through them. Cleverly, he has never made any attempt to keep up with what is currently popular. Everything is jazz or eclectic: Michael Hurley, Keith Jarrett, Ry Cooder.

Julie comes back. “I couldn’t find them,” she says. She looks as if she expects to be punished.

Lenore is surprised. She is about to say something like “You certainly didn’t look very hard, did you?” but she catches Julie’s eye. She looks young and afraid, and perhaps even a little crazy.

“Well, we tried,” Lenore says.

Julie stands in front of the fire, with her back to Lenore. Lenore knows she is thinking that she is dense—that she does not recognize the implications.

“They might have walked through the woods instead of along the road,” Lenore says. “That’s possible.”

“But they would have gone out to the road to thumb when the rain began, wouldn’t they?”

Perhaps she misunderstood what Julie was thinking. Perhaps it has never occurred to Julie until now what might be going on.

“Maybe they got lost,” Julie says. “Maybe something happened to them.”

“Nothing happened to them,” Lenore says. Julie turns around and Lenore catches that small point of light in her eye again. “Maybe they took shelter under a tree,” she says. “Maybe they’re screwing. How should I know?”

It is not a word Lenore often uses. She usually tries not to think about that at all, but she can sense that Julie is very upset.

“Really?” Julie says. “Don’t you care, Mrs. Anderson?”

Lenore is amused. There’s a switch. All the students call her husband George and her Lenore; now one of them wants to think there’s a real adult here to explain all this to her.

“What am I going to do?” Lenore says. She shrugs.

Julie does not answer.

“Would you like me to pour you tea?” Lenore asks.

“Yes,” Julie says. “Please.”

George and Sarah return in the middle of the afternoon. George says that they decided to go on a spree to the big city—it is really a small town he is talking about, but calling it the big city gives him an opportunity to speak ironically. They sat in a restaurant bar, waiting for the rain to stop, George says, and then they thumbed a ride home. “But I’m completely sober,” George says, turning for the first time to Sarah. “What about you?” He is all smiles. Sarah lets him down. She looks embarrassed. Her eyes meet Lenore’s quickly, and jump to Julie. The two girls stare at each other, and Lenore, left with only George to look at, looks at the fire and then gets up to pile on another log.

Gradually it becomes clear that they are trapped together by the rain. Maria undresses her paper doll and deliberately rips a feather off its hat. Then she takes the pieces to Lenore, almost in tears. The baby cries, and Lenore takes him off the sofa, where he has been sleeping under his yellow blanket, and props him in the space between her legs as she leans back on her elbows to watch the fire. It’s her fire, and she has the excuse of presiding over it.

“How’s my boy?” George says. The baby looks, and looks away.

It gets dark early, because of the rain. At four-thirty George uncorks a bottle of Beaujolais and brings it into the living room, with four glasses pressed against his chest with his free arm. Julie rises nervously to extract the glasses, thanking him too profusely for the wine. She gives a glass to Sarah without looking at her.

They sit in a semicircle in front of the fire and drink the wine. Julie leafs through magazines—New Times, National Geographic—and Sarah holds a small white dish painted with gray-green leaves that she has taken from the coffee table; the dish contains a few shells and some acorn caps, a polished stone or two, and Sarah lets these objects run through her fingers. There are several such dishes in the house, assembled by George. He and Lenore gathered the shells long ago, the first time they went away together, at a beach in North Carolina. But the acorn caps, the shiny turquoise and amethyst stones—those are there, she knows, because George likes the effect they have on visitors; it is an expected unconventionality, really. He has also acquired a few small framed pictures, which he points out to guests who are more important than worshipful students—tiny oil paintings of fruit, prints with small details from the unicorn tapestries. He pretends to like small, elegant things. Actually, when they visit museums in New York he goes first to El Grecos and big Mark Rothko canvases. She could never get him to admit that what he said or did was sometimes false. Once, long ago, when he asked if he was still the man of her dreams, she said, “We don’t get along well anymore.” “Don’t talk about it,” he said—no denial, no protest. At best, she could say things and get away with them; she could never get him to continue such a conversation.

At the dinner table, lit with white candles burning in empty wine bottles, they eat off his grandmother’s small flowery plates. Lenore looks out a window and sees, very faintly in the dark, their huge oak tree. The rain has stopped. A few stars have come out, and there are glints on the wet branches. The oak tree grows very close to the window. George loved it when her brother once suggested that some of the bushes and trees should be pruned away from the house so it would not always be so dark inside; it gave him a chance to rave about the beauty of nature, to say that he would never tamper with it. “It’s like a tomb in here all day,” her brother had said. Since moving here, George has learned the names of almost all the things that are growing on the land: he can point out abelia bushes, spirea, laurels. He subscribes to National Geographic (although she rarely sees him looking at it). He is at last in touch, he says, being in the country puts him in touch. He is saying it now to Sarah, who has put down her ivory-handled fork to listen to him. He gets up to change the record. Side two of the Telemann record begins softly.

Sarah is still very much on guard with Lenore; she makes polite conversation with her quickly when George is out of the room. “You people are so wonderful,” she says. “I wish my parents could be like you.”

“George would be pleased to hear that,” Lenore says, lifting a small piece of pasta to her lips.

When George is seated again, Sarah, anxious to please, tells him, “If only my father could be like you.”

“Your father,” George says. “I won’t have that analogy.” He says it pleasantly, but barely disguises his dismay at the comparison.

“I mean, he cares about nothing but business,” the girl stumbles on.

The music, in contrast, grows lovelier.

Lenore goes into the kitchen to get the salad and hears George say, “I simply won’t let you girls leave. Nobody leaves on a Saturday.”

There are polite protests, there are compliments to Lenore on the meal—there is too much talk. Lenore has trouble caring about what’s going on. The food is warm and delicious. She pours more wine and lets them talk.

“Godard, yes, I know . . . panning that row of honking cars so slowly, that long line of cars stretching on and on.”

She has picked up the end of George’s conversation. His arm slowly waves out over the table, indicating the line of motionless cars in the movie.

“That’s a lovely plant,” Julie says to Lenore.

“It’s Peruvian ivy,” Lenore says. She smiles. She is supposed to smile. She will not offer to hack shoots off her plant for these girls.

Sarah asks for a Dylan record when the Telemann finishes playing. White wax drips onto the wood table. George waits for it to solidify slightly, then scrapes up the little circles and with thumb and index finger flicks them gently toward Sarah. He explains (although she asked for no particular Dylan record) that he has only Dylan before he went electric. And Planet Waves—“because it’s so romantic. That’s silly of me, but true.” Sarah smiles at him. Julie smiles at Lenore. Julie is being polite, taking her cues from Sarah, really not understanding what’s going on. Lenore does not smile back. She has done enough to put them at ease. She is tired now, brought down by the music, a full stomach, and again the sounds of rain outside. For dessert there is homemade vanilla ice cream, made by George, with small black vanilla-bean flecks in it. He is still drinking wine, though; another bottle has been opened. He sips wine and then taps his spoon on his ice cream, looking at Sarah. Sarah smiles, letting them all see the smile, then sucks the ice cream off her spoon. Julie is missing more and more of what’s going on. Lenore watches as Julie strokes her hand absently on her napkin. She is wearing a thin silver choker and—Lenore notices for the first time—a thin silver ring on the third finger of her right hand.

“It’s just terrible about Anna,” George says, finishing his wine, his ice cream melting, looking at no one in particular, although Sarah was the one who brought up Anna the night before, when they had been in the house only a short time—Anna dead, hit by a car, hardly an accident at all. Anna was also a student of his. The driver of the car was drunk, but for some reason charges were not pressed. (Sarah and George have talked about this before, but Lenore blocks it out. What can she do about it? She met Anna once: a beautiful girl, with tiny, childlike hands, her hair thin and curly—wary, as beautiful people are wary.) Now the driver has been flipping out, Julie says, and calling Anna’s parents, wanting to talk to them to find out why it has happened.

The baby begins to cry. Lenore goes upstairs, pulls up more covers, talks to him for a minute. He settles for this. She goes downstairs. The wine must have affected her more than she realizes; otherwise, why is she counting the number of steps?

In the candlelit dining room, Julie sits alone at the table. The girl has been left alone again; George and Sarah took the umbrellas, decided to go for a walk in the rain.

It is eight o’clock. Since helping Lenore load the dishes into the dishwasher, when she said what a beautiful house Lenore had, Julie has said very little. Lenore is tired, and does not want to make conversation. They sit in the living room and drink wine.

“Sarah is my best friend,” Julie says. She seems apologetic about it. “I was so out of it when I came back to college. I was in Italy, with my husband, and suddenly I was back in the States. I couldn’t make friends. But Sarah wasn’t like the other people. She cared enough to be nice to me.”

“How long have you been friends?”

“For two years. She’s really the best friend I’ve ever had. We understand things—we don’t always have to talk about them.”

“Like her relationship with George,” Lenore says.

Too direct. Too unexpected. Julie has no answer.

“You act as if you’re to blame,” Lenore says.

“I feel strange because you’re such a nice lady.”

A nice lady! What an odd way to speak. Has she been reading Henry James? Lenore has never known what to think of herself, but she certainly thinks of herself as being more complicated than a “lady.”

“Why do you look that way?” Julie asks. “You are nice. I think you’ve been very nice to us. You’ve given up your whole weekend.”

“I always give up my weekends. Weekends are the only time we socialize, really. In a way, it’s good to have something to do.”

“But to have it turn out like this . . .” Julie says. “I think I feel so strange because when my own marriage broke up I didn’t even suspect. I mean, I couldn’t act the way you do, anyway, but I—”

“For all I know, nothing’s going on,” Lenore says. “For all I know, your friend is flattering herself, and George is trying to make me jealous.” She puts two more logs on the fire. When these are gone, she will either have to walk to the woodshed or give up and go to bed. “Is there something . . . major going on?” she asks.

Julie is sitting on the rug, by the fire, twirling her hair with her finger. “I didn’t know it when I came out here,” she says. “Sarah’s put me in a very awkward position.”

“But do you know how far it has gone?” Lenore asks, genuinely curious now.

“No,” Julie says.

No way to know if she’s telling the truth. Would Julie speak the truth to a lady? Probably not.

“Anyway,” Lenore says with a shrug, “I don’t want to think about it all the time.”

“I’d never have the courage to live with a man and not marry,” Julie says. “I mean, I wish I had, that we hadn’t gotten married, but I just don’t have that kind of . . . I’m not secure enough.”

“You have to live somewhere,” Lenore says.

Julie is looking at her as if she does not believe that she is sincere. Am I? Lenore wonders. She has lived with George for six years, and sometimes she thinks she has caught his way of playing games, along with his colds, his bad moods.

“I’ll show you something,” Lenore says. She gets up, and Julie follows. Lenore puts on the light in George’s study, and they walk through it to a bathroom he has converted to a darkroom. Under a table, in a box behind another box, there is a stack of pictures. Lenore takes them out and hands them to Julie. They are pictures that Lenore found in his darkroom last summer; they were left out by mistake, no doubt, and she found them when she went in with some contact prints he had left in their bedroom. They are high-contrast photographs of George’s face. In all of them he looks very serious and very sad; in some of them his eyes seem to be narrowed in pain. In one, his mouth is open. It is an excellent photograph of a man in agony, a man about to scream.

“What are they?” Julie whispers.

“Pictures he took of himself,” Lenore says. She shrugs. “So I stay,” she says.

Julie nods. Lenore nods, taking the pictures back. Lenore has not thought until this minute that this may be why she stays. In fact, it is not the only reason. It is just a very demonstrable, impressive reason. When she first saw the pictures, her own face had become as distorted as George’s. She had simply not known what to do. She had been frightened and ashamed. Finally she put them in an empty box, and put the box behind another box. She did not even want him to see the horrible pictures again. She does not know if he has ever found them, pushed back against the wall in that other box. As George says, there can be too much communication between people.

Later, Sarah and George come back to the house. It is still raining. It turns out that they took a bottle of brandy with them, and they are both drenched and drunk. He holds Sarah’s finger with one of his. Sarah, seeing Lenore, lets his finger go. But then he turns—they have not even said hello yet—and grabs her up, spins her around, stumbling into the living room, and says, “I am in love.”

Julie and Lenore watch them in silence.

“See no evil,” George says, gesturing with the empty brandy bottle to Julie. “Hear no evil,” George says, pointing to Lenore. He hugs Sarah closer. “I speak no evil. I speak the truth. I am in love!”

Sarah squirms away from him, runs from the room and up the stairs in the dark.

George looks blankly after her, then sinks to the floor and smiles. He is going to pass it off as a joke. Julie looks at him in horror, and from upstairs Sarah can be heard sobbing. Her crying awakens the baby.

“Excuse me,” Lenore says. She climbs the stairs and goes into her son’s room, and picks him up. She talks gently to him, soothing him with lies. He is too sleepy to be alarmed for long. In a few minutes he is asleep again, and she puts him back in his crib. In the next room Sarah is crying more quietly now. Her crying is so awful that Lenore almost joins in, but instead she pats her son. She stands in the dark by the crib and then at last goes out and down the hallway to her bedroom. She takes off her clothes and gets into the cold bed. She concentrates on breathing normally. With the door closed and Sarah’s door closed, she can hardly hear her. Someone taps lightly on her door.

“Mrs. Anderson,” Julie whispers. “Is this your room?”

“Yes,” Lenore says. She does not ask her in.

“We’re going to leave. I’m going to get Sarah and leave. I didn’t want to just walk out without saying anything.”

Lenore just cannot think how to respond. It was really very kind of Julie to say something. She is very close to tears, so she says nothing.

“Okay,” Julie says, to reassure herself. “Good night. We’re going.”

There is no more crying. Footsteps. Miraculously, the baby does not wake up again, and Maria has slept through all of it. She has always slept well. Lenore herself sleeps worse and worse, and she knows that George walks much of the night, most nights. She hasn’t said anything about it. If he thinks she’s simple, what good would her simple wisdom do him?

The oak tree scrapes against the window in the wind and rain. Here on the second floor, under the roof, the tinny tapping is very loud. If Sarah and Julie say anything to George before they leave, she doesn’t hear them. She hears the car start, then die out. It starts again—she is praying for the car to go—and after conking out once more it rolls slowly away, crunching gravel. The bed is no warmer; she shivers. She tries hard to fall asleep. The effort keeps her awake. She squints her eyes in concentration instead of closing them. The only sound in the house is the electric clock, humming by her bed. It is not even midnight.

She gets up, and without turning on the light, walks downstairs. George is still in the living room. The fire is nothing but ashes and glowing bits of wood. It is as cold there as it was in the bed.

“That damn bitch,” George says. “I should have known she was a stupid little girl.”

“You went too far,” Lenore says. “I’m the only one you can go too far with.”

“Damn it,” he says, and pokes the fire. A few sparks shoot up. “Damn it,” he repeats under his breath.

His sweater is still wet. His shoes are muddy and ruined. Sitting on the floor by the fire, his hair matted down on his head, he looks ugly, older, unfamiliar.

She thinks of another time, when it was warm. They were walking on the beach together, shortly after they met, gathering shells. Little waves were rolling in. The sun went behind the clouds and there was a momentary illusion that the clouds were still and the sun was racing ahead of them. “Catch me,” he said, breaking away from her. They had been talking quietly, gathering shells. She was so surprised at him for breaking away that she ran with all her energy and did catch him, putting her hand out and taking hold of the band of his swimming trunks as he veered into the water. If she hadn’t stopped him, would he really have run far out into the water, until she couldn’t follow anymore? He turned on her, just as abruptly as he had run away, and grabbed her and hugged her hard, lifted her high. She had clung to him, held him close. He had tried the same thing when he came back from the walk with Sarah, and it hadn’t worked.

“I wouldn’t care if their car went off the road,” he says bitterly.

“Don’t say that,” she says.

They sit in silence, listening to the rain. She slides over closer to him, puts her hand on his shoulder and leans her head there, as if he could protect her from the awful things he has wished into being.

Tuesday Night

Henry was supposed to bring the child home at six o’clock, but they usually did not arrive until eight or eight-thirty, with Joanna overtired and complaining that she did not want to go to bed the minute she came through the door. Henry had taught her that phrase. “The minute she comes through the door” was something I had said once, and he mocked me with it in defending her. “Let the poor child have a minute before she goes to bed. She did just come through the door.” The poor child is, of course, crazy about Henry. He allows her to call him that, instead of “Daddy.” And now he takes her to dinner at a French restaurant that she adores, which doesn’t open until five-thirty. That means that she gets home close to eight. I am a beast if I refuse to let her eat her escargots. And it would be cruel to tell her that her father’s support payments fluctuate wildly, while the French dining remains a constant. Forget the money—Henry has been a good father. He visits every Tuesday night, carefully twirls her crayons in the pencil sharpener, and takes her every other weekend. The only bad thing he has done to her—and even Henry agreed about that—was to introduce her to the sleepie he had living with him right after the divorce: an obnoxious woman, who taught Joanna to sing “I’m a Woman.” Fortunately, she did not remember many of the words, but I thought I’d lose my mind when she went around the house singing “Doubleyou oh oh em ay en” for two weeks. Sometimes the sleepie tucked a fresh flower in Joanna’s hair—like Maria Muldaur, she explained. The child had the good sense to be embarrassed.

The men I know are very friendly with one another. When Henry was at the house last week, he helped Dan, who lives with me, carry a bookcase up the steep, narrow steps to the second floor. Henry and Dan talk about nutrition—Dan’s current interest. My brother Bobby, the only person I know who is seriously interested in hallucinogens at the age of twenty-six, gladly makes a fool of himself in front of Henry by bringing out his green yo-yo, which glows by the miracle of two internal batteries. Dan tells Bobby that if he’s going to take drugs, he should try dosing his body with vitamins before and after. The three of them Christmas-shop for me. Last year they had dinner at an Italian restaurant downtown. I asked Dan what they ordered, and he said, “Oh, we all had manicotti.”

I have been subsisting on red zinger tea and watermelon, trying to lose weight. Dan and Henry and Bobby are all thin. Joanna takes after her father in her build. She is long and graceful, with chiseled features that would shame Marisa Berenson. She is ten years old. When I was at the laundry to pick up the clothes yesterday a woman mistook me, from the back, for her cousin Addie.

In Joanna’s class at school they are having a discussion of problems with the environment. She wants to take our big avocado plant in to school. I have tried patiently to explain that the plant does not have anything to do with environmental problems. She says that they are discussing nature, too. “What’s the harm?” Dan says. So he goes to work and leaves it to me to fit the towering avocado into the Audi. I also get roped into baking cookies so Joanna can take them to school and pass them around to celebrate her birthday. She tells me that it is the custom to put the cookies in a box wrapped in birthday paper. We select a paper with yellow bears standing in concentric circles. Dan dumps bran into the chocolate-chip-cookie dough. He forbids me to use a dot of red food coloring in the sugar-cookie hearts.

My best friend, Dianne, comes over in the mornings and turns her nose up at my red zinger. Sometimes she takes a shower here because she loves our shower head. “How come you’re not in there all the time?” she says. My brother is sweet on her. He finds her extremely attractive. He asked me if I had noticed the little droplets of water from the shower on her forehead, just at the hairline. Bobby lends her money because her husband doesn’t give her enough. I know for a fact that Dianne is thinking of having an affair with him.

Dan has to work late at his office on Tuesday nights, and a while ago I decided that I wanted that one night to myself each week—a night without any of them. Dianne said, “I know what you mean,” but Bobby took great offense and didn’t come to visit that night, or any other night, for two weeks. Joanna was delighted that she could be picked up after school by Dianne, in Dianne’s 1966 Mustang convertible, and that the two of them could visit until Henry came by Dianne’s to pick her up. Dan, who keeps saying that our relationship is going sour—although it isn’t—pursed his lips and nodded when I told him about Tuesday nights, but he said nothing. The first night alone I read a dirty magazine that had been lying around the house for some time. Then I took off all my clothes and looked in the hall mirror and decided to go on a diet, so I skipped dinner. I made a long-distance call to a friend in California who had just had a baby. We talked about the spidery little veins in her thighs, and I swore to her over and over again that they would go away. Then I took one of each kind of vitamin pill we have in the house.

The next week I had prepared for my spare time better. I had bought whole-wheat flour and clover honey, and I made four loaves of whole-wheat bread. I made a piecrust, putting dough in the sink and rolling it out there, which made a lot of sense but which I would never let anybody see me doing. Then I read Vogue. Later on I took out the yoga book I had bought that afternoon and put it in my plastic cookbook-holder and put that down on the floor and stared at it as I tried to get into the postures. I overcooked the piecrust and it burned. I got depressed and drank a Drambuie. The week after that, I ventured out. I went to a movie and bought myself a chocolate milkshake afterward. I sat at the drugstore counter and drank it. I was going to get my birth-control-pill prescription refilled while I was there, but I decided that would be depressing.

Joanna sleeps at her father’s apartment now on Tuesday nights. Since he considers her too old to be read a fairy tale before bed, Henry waltzes with her. She wears a long nightgown and a pair of high-heeled shoes that some woman left there. She says that he usually plays “The Blue Danube,” but sometimes he kids around and puts on “Idiot Wind” or “Forever Young” and they dip and twirl to it. She has hinted that she would like to take dancing lessons. Last week she danced through the living room at our house on her pogo stick. Dan had given it to her, saying that now she had a partner, and it would save him money not having to pay for dancing lessons. He told her that if she had any questions, she could ask him. He said she could call him “Mr. Daniel.” She was disgusted with him. If she were Dan’s child, I am sure he would still be reading her fairy tales.

Another Tuesday night I went out and bought plants. I used my American Express card and got seventy dollars’ worth of plants and some plant hangers. The woman in the store helped me carry the boxes out to the car. I went home and drove nails into the top of the window frames and hung the plants. They did not need to be watered yet, but I held the plastic plant waterer up to them, to see what it would be like to water them. I squeezed the plastic bottle and stared at the curved plastic tube coming out of it. Later I gave myself a facial with egg whites.

There is a mouse. I first saw it in the kitchen—a small gray mouse, moseying along, taking its time in getting from under the counter to the back of the stove. I had Dan seal off the little mouse hole in the back of the stove. Then I saw the mouse again, under the chest in the living room.

“It’s a mouse. It’s one little mouse,” Dan said. “Let it be.”

“Everybody knows that if there’s one mouse, there are more,” I said. “We’ve got to get rid of them.”

Dan, the humanist, was secretly glad the mouse had resurfaced—that he hadn’t done any damage in sealing off its home.

“It looked like the same mouse to me,” Henry said.

“They all look that way,” I said. “That doesn’t mean—”

“Poor thing,” Dan said.

“Are either of you going to set traps, or do I have to do it?”

“You have to do it,” Dan said. “I can’t stand it. I don’t want to kill a mouse.”

“I think there’s only one mouse,” Henry said.

Glaring at them, I went into the kitchen and took the mousetraps out of their cellophane packages. I stared at them with tears in my eyes. I did not know how to set them. Dan and Henry had made me seem like a cold-blooded killer.

“Maybe it will just leave,” Dan said.

“Don’t be ridiculous, Dan,” I said. “If you aren’t going to help, at least don’t sit around snickering with Henry.”

“We’re not snickering,” Henry said.

“You two certainly are buddy-buddy.”

“What’s the matter now? You want us to hate each other?” Henry said.

“I don’t know how to set a mousetrap,” I said. “I can’t do it myself.”

“Poor Mommy,” Joanna said. She was in the hallway outside the living room, listening. I almost turned on her to tell her not to be sarcastic, when I realized that she was serious. She felt sorry for me. With someone on my side, I felt new courage about going back into the kitchen and tackling the problem of the traps.

Dianne called and said she had asked her husband if he would go out one night a week so she could go out with friends or stay home by herself. He said no, but agreed to take stained-glass lessons with her.

One Tuesday it rained. I stayed home and daydreamed, and remembered the past. I thought about the boy I dated my last year in high school who used to take me out to the country on weekends, to where some cousins of his lived. I wondered why he always went there, because we never got near the house. He would drive partway up their long driveway in the woods and then pull off onto a narrow little road that trucks sometimes used when they were logging the property. We parked on the little road and necked. Sometimes the boy would drive slowly along on the country roads looking for rabbits, and whenever he saw one, which was pretty often—sometimes even two or three rabbits at once—he floored it, trying to run the rabbit down. There was no radio in the car. He had a portable radio that got only two stations (soul music and classical) and I held it on my lap. He liked the volume turned up very loud.

Joanna comes to my bedroom and announces that Uncle Bobby is on the phone.

“I got a dog,” he says.

“What kind?”

“Aren’t you even surprised?”

“Yes. Where did you get the dog?”

“A guy I knew a little bit in college is going to jail, and he persuaded me to take the dog.”

“What is he going to jail for?”

“Burglary.”

“Joanna,” I say, “don’t stand there staring at me when I’m talking on the phone.”

“He robbed a house,” Bobby says.

“What kind of a dog is it?” I ask.

“Malamute and German shepherd. It’s in heat.”

“Well,” I say, “you always wanted a dog.”

“I call you all the time, and you never call me,” Bobby says.

“I never have interesting news.”

“You could call and tell me what you do on Tuesday nights.”

“Nothing very interesting,” I say.

“You could go to a bar and have rum drinks and weep,” Bobby says. He chuckles.

“Are you stoned?” I ask.

“Sure I am. Been home from work for an hour and a half. Ate a Celeste pizza, had a little smoke.”

“Do you really have a dog?” I ask.

“If you were a male dog, you wouldn’t have any doubt of it.”

“You’re always much more clever than I am. It’s hard to talk to you on the phone, Bobby.”

“It’s hard to be me,” Bobby says. A silence. “I’m not sure the dog likes me.”

“Bring it over. Joanna will love it.”

“I’ll be around with it Tuesday night,” he says.

“Why is it so interesting to you that I have one night a week to myself ?”

“Whatever you do,” Bobby says, “don’t rob a house.”

We hang up, and I go tell Joanna the news.

“You yelled at me,” she says.

“I did not. I asked you not to stand there staring at me while I was on the phone.”

“You raised your voice,” she says.

Soon it will be Tuesday night.

Joanna asks me suspiciously what I do on Tuesday nights.

“What does your father say I do?” I ask.

“He says he doesn’t know.”

“Does he seem curious?”

“It’s hard to tell with him,” she says.

Having got my answer, I’ve forgotten about her question.

“So what things do you do?” she says.

“Sometimes you like to play in your tent,” I say defensively. “Well, I like some time to just do what I want to do, too, Joanna.”

“That’s okay,” she says. She sounds like an adult placating a child.

I have to face the fact that I don’t do much of anything on Tuesdays, and that one night alone each week isn’t making me any less edgy or more agreeable to live with. I tell Dan this, as if it’s his fault.

“I don’t think you ever wanted to divorce Henry,” Dan says.

“Oh, Dan, I did.”

“You two seem to get along fine.”

“But we fought. We didn’t get along.”

He looks at me. “Oh,” he says. He is being inordinately nice to me because of the scene I threw when a mouse got caught in one of the traps. The trap didn’t kill it. It just got it by the paw, and Dan had to beat it to death with a screwdriver.

“Maybe you’d rather the two of us did something regularly on Tuesday nights,” he says now. “Maybe I could get the night of my meetings changed.”

“Thank you,” I say. “Maybe I should give it a little longer.”

“That’s up to you,” he says. “There hasn’t been enough time to judge by, I guess.”

Inordinately kind. Deferential. He has been saying for a long time that our relationship is turning sour, and now it must have turned so sour for him that he doesn’t even want to fight. What does he want?

“Maybe you’d like a night—” I begin.

“The hell with that,” he says. “If there has to be so much time alone, I can’t see the point of living together.”

I hate fights. The day after this one, I get weepy and go over to Dianne’s. She ends up subtly suggesting that I take stained-glass lessons. We drink some sherry and I drive home. The last thing I want is to run into her husband, who calls me “the squirrel” behind my back. Dianne says that when I call and he answers, he lets her know it’s me on the phone by puffing up his cheeks to make himself look like a squirrel.

Tonight Dan and I each sit on a side of Joanna’s tester bed to say good night to her. The canopy above the bed is white nylon, with small puckered stars. She is ready for sleep. As soon as she goes to sleep, Dan will be ready to talk to me. Dan has clicked off the light next to Joanna’s bed. Going out of the bedroom before him, I grope for the hall light. I remember Henry saying to me, as a way of leading up to talking about divorce, that going to work one morning he had driven over a hill and had been astonished when at the top he saw a huge yellow tree, and realized for the first time that it was autumn.

Shifting

The woman’s name was Natalie, and the man’s name was Larry. They had been childhood sweethearts; he had first kissed her at an ice-skating party when they were ten. She had been unlacing her skates and had not expected the kiss. He had not expected to do it, either—he had some notion of getting his face out of the wind that was blowing across the iced-over lake, and he found himself ducking his head toward her. Kissing her seemed the natural thing to do. When they graduated from high school he was named “class clown” in the yearbook, but Natalie didn’t think of him as being particularly funny. He spent more time than she thought he needed to studying chemistry, and he never laughed when she joked. She really did not think of him as funny. They went to the same college, in their hometown, but he left after a year to go to a larger, more impressive university. She took the train to be with him on weekends, or he took the train to see her. When he graduated, his parents gave him a car. If they had given it to him when he was still in college, it would have made things much easier. They waited to give it to him until graduation day, forcing him into attending the graduation exercises. He thought his parents were wonderful people, and Natalie liked them in a way, too, but she resented their perfect timing, their careful smiles. They were afraid that he would marry her. Eventually, he did. He had gone on to graduate school after college, and he set a date six months ahead for their wedding so that it would take place after his first-semester final exams. That way he could devote his time to studying for the chemistry exams.

When she married him, he had had the car for eight months. It still smelled like a brand-new car. There was never any clutter in the car. Even the ice scraper was kept in the glove compartment. There was not even a sweater or a lost glove in the back seat. He vacuumed the car every weekend, after washing it at the car wash. On Friday nights, on their way to some cheap restaurant and a dollar movie, he would stop at the car wash, and she would get out so he could vacuum all over the inside of the car. She would lean against the metal wall of the car wash and watch him clean it.

It was expected that she would not become pregnant. She did not. It had also been expected that she would keep their apartment clean, and keep out of the way as much as possible in such close quarters while he was studying. The apartment was messy, though, and when he was studying late at night she would interrupt him and try to talk him into going to sleep. He gave a chemistry-class lecture once a week, and she would often tell him that overpreparing was as bad as underpreparing. She did not know if she believed this, but it was a favorite line of hers. Sometimes he listened to her.

On Tuesdays, when he gave the lecture, she would drop him off at school and then drive to a supermarket to do the week’s shopping. Usually she did not make a list before she went shopping, but when she got to the parking lot she would take a tablet out of her purse and write a few items on it, sitting in the car in the cold. Even having a few things written down would stop her from wandering aimlessly in the store and buying things that she would never use. Before this, she had bought several pans and cans of food that she had not used, or that she could have done without. She felt better when she had a list.

She would drop him at school again on Wednesdays, when he had two seminars that together took up all the afternoon. Sometimes she would drive out of town then, to the suburbs, and shop there if any shopping needed to be done. Otherwise, she would go to the art museum, which was not far away but hard to get to by bus. There was one piece of sculpture in there that she wanted very much to touch, but the guard was always nearby. She came so often that in time the guard began to nod hello. She wondered if she could ever persuade the man to turn his head for a few seconds—only that long—so she could stroke the sculpture. Of course she would never dare ask. After wandering through the museum and looking at least twice at the sculpture, she would go to the gift shop and buy a few postcards and then sit on one of the museum benches, padded with black vinyl, with a Calder mobile hanging overhead, and write notes to friends. (She never wrote letters.) She would tuck the postcards in her purse and mail them when she left the museum. But before she left, she often had coffee in the restaurant: she saw mothers and children struggling there, and women dressed in fancy clothes talking with their faces close together, as quietly as lovers.

On Thursdays he took the car. After his class he would drive to visit his parents and his friend Andy, who had been wounded in Vietnam. About once a month she would go with him, but she had to feel up to it. Being with Andy embarrassed her. She had told him not to go to Vietnam—told him that he could prove his patriotism in some other way—and finally, after she and Larry had made a visit together and she had seen Andy in the motorized bed in his parents’ house, Larry had agreed that she need not go again. Andy had apologized to her. It embarrassed her that this man, who had been blown sky-high by a land mine and had lost a leg and lost the full use of his arms, would smile up at her ironically and say, “You were right.” She also felt as though he wanted to hear what she would say now, and that now he would listen. Now she had nothing to say. Andy would pull himself up, relying on his right arm, which was the stronger, gripping the rails at the side of the bed, and sometimes he would take her hand. His arms were still weak, but the doctors said he would regain complete use of his right arm with time. She had to make an effort not to squeeze his hand when he held hers because she found herself wanting to squeeze energy back into him. She had a morbid curiosity about what it felt like to be blown from the ground—to go up, and to come crashing down. During their visit Larry put on the class-clown act for Andy, telling funny stories and laughing uproariously.

Once or twice Larry had talked Andy into getting in his wheelchair and had loaded him into the car and taken him to a bar. Larry called her once, late, pretty drunk, to say that he would not be home that night—that he would sleep at his parents’ house. “My God,” she said. “Are you going to drive Andy home when you’re drunk?” “What the hell else can happen to him?” he said.

Larry’s parents blamed her for Larry’s not being happy. His mother could only be pleasant with her for a short while, and then she would veil her criticisms by putting them as questions. “I know that one thing that helps enormously is good nutrition,” his mother said. “He works so hard that he probably needs quite a few vitamins as well, don’t you think?” Larry’s father was the sort of man who found hobbies in order to avoid his wife. His hobbies were building model boats, repairing clocks, and photography. He took pictures of himself building the boats and fixing the clocks, and gave the pictures, in cardboard frames, to Natalie and Larry for Christmas and birthday presents. Larry’s mother was very anxious to stay on close terms with her son, and she knew that Natalie did not like her very much. Once she had visited them during the week, and Natalie, not knowing what to do with her, had taken her to the museum. She had pointed out the sculpture, and his mother had glanced at it and then ignored it. Natalie hated her for her bad taste. She had bad taste in the sweaters she gave Larry, too, but he wore them. They made him look collegiate. That whole world made her sick.

When Natalie’s uncle died and left her his 1965 Volvo, they immediately decided to sell it and use the money for a vacation. They put an ad in the paper, and there were several callers. There were some calls on Tuesday, when Larry was in class, and Natalie found herself putting the people off. She told one woman that the car had too much mileage on it, and mentioned body rust, which it did not have; she told another caller, who was very persistent, that the car was already sold. When Larry returned from school she explained that the phone was off the hook because so many people were calling about the car and she had decided not to sell it after all. They could take a little money from their savings account and go on the trip if he wanted. But she did not want to sell the car. “It’s not an automatic shift,” he said. “You don’t know how to drive it.” She told him that she could learn. “It will cost money to insure it,” he said, “and it’s old and probably not even dependable.” She wanted to keep the car. “I know,” he said, “but it doesn’t make sense. When we have more money, you can have a car. You can have a newer, better car.”

The next day she went out to the car, which was parked in the driveway of an old lady next door. Her name was Mrs. Larsen and she no longer drove a car, and she told Natalie she could park their second car there. Natalie opened the car door and got behind the wheel and put her hands on it. The wheel was covered with a flaky yellow-and-black plastic cover. She eased it off. A few pieces of foam rubber stuck to the wheel. She picked them off. Underneath the cover, the wheel was a dull red. She ran her fingers around and around the circle of the wheel. Her cousin Burt had delivered the car—a young opportunist, sixteen years old, who said he would drive it the hundred miles from his house to theirs for twenty dollars and a bus ticket home. She had not even invited him to stay for dinner, and Larry had driven him to the bus station. She wondered if it was Burt’s cigarette in the ashtray or her dead uncle’s. She could not even remember if her uncle smoked. She was surprised that he had left her his car. The car was much more comfortable than Larry’s, and it had a nice smell inside. It smelled a little the way a field smells after a spring rain. She rubbed the side of her head back and forth against the window and then got out of the car and went in to see Mrs. Larsen. The night before, she had suddenly thought of the boy who brought the old lady the evening newspaper every night; he looked old enough to drive, and he would probably know how to shift. Mrs. Larsen agreed with her—she was sure that he could teach her. “Of course, everything has its price,” the old lady said.

“I know that. I meant to offer him money,” Natalie said, and was surprised, listening to her voice, that she sounded old too.

She took an inventory and made a list of things in their apartment. Larry had met an insurance man one evening while playing basketball at the gym who told him that they should have a list of their possessions, in case of theft. “What’s worth anything?” she said when he told her. It was their first argument in almost a year—the first time in a year, anyway, that their voices were raised. He told her that several of the pieces of furniture his grandparents gave them when they got married were antiques, and the man at the gym said that if they weren’t going to get them appraised every year, at least they should take snapshots of them and keep the pictures in a safe-deposit box. Larry told her to photograph the pie safe (which she used to store linen), the piano with an inlaid mother-of-pearl decoration on the music rack (neither of them knew how to play), and the table with hand-carved wooden handles and a marble top. He bought her an Instamatic camera at the drugstore, with film and flash bulbs. “Why can’t you do it?” she said, and an argument began. He said that she had no respect for his profession and no understanding of the amount of study that went into getting a master’s degree in chemistry.

That night he went out to meet two friends at the gym, to shoot baskets. She put the little flashcube into the top of the camera, dropped in the film and closed the back. She went first to the piano. She leaned forward so that she was close enough to see the inlay clearly, but she found that when she was that close the whole piano wouldn’t fit into the picture. She decided to take two pictures. Then she photographed the pie safe, with one door open, showing the towels and sheets stacked inside. She did not have a reason for opening the door, except that she remembered a Perry Mason show in which detectives photographed everything with the doors hanging open. She photographed the table, lifting the lamp off it first. There were still eight pictures left. She went to the mirror in their bedroom and held the camera above her head, pointing down at an angle, and photographed her image in the mirror. She took off her slacks and sat on the floor and leaned back, aiming the camera down at her legs. Then she stood up and took a picture of her feet, leaning over and aiming down. She put on her favorite record: Stevie Wonder singing “For Once in My Life.” She found herself wondering what it would be like to be blind, to have to feel things to see them. She thought about the piece of sculpture in the museum—the two elongated mounds, intertwined, the smooth gray stone as shiny as sea pebbles. She photographed the kitchen, bathroom, bedroom and living room. There was one picture left. She put her left hand on her thigh, palm up, and with some difficulty—with the camera nestled into her neck like a violin—snapped a picture of it with her right hand. The next day would be her first driving lesson.

He came to her door at noon, as he had said he would. He had on a long maroon scarf, which made his deep-blue eyes very striking. She had only seen him from her window when he carried the paper in to the old lady. He was a little nervous. She hoped that it was just the anxiety of any teen-ager confronting an adult. She needed to have him like her. She did not learn about mechanical things easily (Larry had told her that he would have invested in a “real” camera, except that he did not have the time to teach her about it), so she wanted him to be patient. He sat on the footstool in her living room, still in coat and scarf, and told her how a stick shift operated. He moved his hand through the air. The motion he made reminded her of the salute spacemen gave to earthlings in a science-fiction picture she had recently watched on late-night television. She nodded. “How much—” she began, but he interrupted and said, “You can decide what it was worth when you’ve learned.” She was surprised and wondered if he meant to charge a great deal. Would it be her fault and would she have to pay him if he named his price when the lessons were over? But he had an honest face. Perhaps he was just embarrassed to talk about money.

He drove for a few blocks, making her watch his hand on the stick shift. “Feel how the car is going?” he said. “Now you shift.” He shifted. The car jumped a little, hummed, moved into gear. It was an old car and didn’t shift too easily, he said. She had been sitting forward, so that when he shifted she rocked back hard against the seat—harder than she needed to. Almost unconsciously, she wanted to show him what a good teacher he was. When her turn came to drive, the car stalled. “Take it easy,” he said. “Ease up on the clutch. Don’t just raise your foot off of it like that.” She tried it again. “That’s it,” he said. She looked at him when the car was in third. He sat in the seat, looking out the window. Snow was expected. It was Thursday. Although Larry was going to visit his parents and would not be back until late Friday afternoon, she decided she would wait until Tuesday for her next lesson. If he came home early, he would find out that she was taking lessons, and she didn’t want him to know. She asked the boy, whose name was Michael, whether he thought she would forget all he had taught her in the time between lessons. “You’ll remember,” he said.

When they returned to the old lady’s driveway, the car stalled going up the incline. She had trouble shifting. The boy put his hand over hers and kicked the heel of his hand forward. “You’ll have to treat this car a little roughly, I’m afraid,” he said. That afternoon, after he left, she made spaghetti sauce, chopping little pieces of pepper and onion and mushroom. When the sauce had cooked down, she called Mrs. Larsen and said that she would bring over dinner. She usually ate with the old lady once a week. The old lady often added a pinch of cinnamon to her food, saying that it brought out the flavor better than salt, and that since she was losing her sense of smell, food had to be strongly flavored for her to taste it. Once she had sprinkled cinnamon on a knockwurst. This time, as they ate, Natalie asked the old lady how much she paid the boy to bring the paper.

“I give him a dollar a week,” the old lady said.

“Did he set the price, or did you?”

“He set the price. He told me he wouldn’t take much because he has to walk this street to get to his apartment anyway.”

“He taught me a lot about the car today,” Natalie said.

“He’s very handsome, isn’t he?” the old lady said.

She asked Larry, “How were your parents?”

“Fine,” he said. “But I spent almost all the time with Andy. It’s almost his birthday, and he’s depressed. We went to see Mose Allison.”

“I think it stinks that hardly anyone else ever visits Andy,” she said.

“He doesn’t make it easy. He tells you everything that’s on his mind, and there’s no way you can pretend that his troubles don’t amount to much. You just have to sit there and nod.”

She remembered that Andy’s room looked like a gymnasium. There were handgrips and weights scattered on the floor. There was even a psychedelic pink hula hoop that he was to put inside his elbow and then move his arm in circles wide enough to make the hoop spin. He couldn’t do it. He would lie in bed with the hoop in back of his neck, and holding the sides, lift his neck off the pillow. His arms were barely strong enough to do that, really, but he could raise his neck with no trouble, so he just pretended that his arms pulling the loop were raising it. His parents thought that it was a special exercise that he had mastered.

“What did you do today?” Larry said now.

“I made spaghetti,” she said. She had made it the day before, but she thought that since he was mysterious about the time he spent away from her (“in the lab” and “at the gym” became interchangeable), she did not owe him a straight answer. That day she had dropped off the film and then she had sat at the drugstore counter to have a cup of coffee. She bought some cigarettes, though she had not smoked since high school. She smoked one mentholated cigarette and then threw the pack away in a garbage container outside the drugstore. Her mouth still felt cool inside.

He asked if she had planned anything for the weekend.

“No,” she said.

“Let’s do something you’d like to do. I’m a little ahead of myself in the lab right now.”