The Omen Machine

CHAPTER 51

As Henrik made his way along the causeway made of intertwined vines, sticks, and branches that led him through the gloomy expanse of trackless swamp, the structure of the bridge became more substantial, in places incorporating stringy moss and grasses laced into it to help bind it all together. The floor broadened and walls grew thicker as well. In places the walls curved inward to close completely together overhead, as if it were growing that way naturally and of its own accord.

Before long the walls that had gradually grown from their beginnings as railings of sorts became a solid, integrated part of the structure joined all the way around overhead so that what had been a path, then an elevated walkway, then a bridge, had evolved into a tunnel. That tunnel widened into a larger passageway that funneled him into a maze of chambers, all constructed the same way, of the same materials woven snugly together. The same entwined materials that made the floors and walls also made up ceilings just as thick and tightly woven. Living vines, with slender leaves and tiny yellow flowers, coiled up and through the walls, in places making the framework more green than dead brown.

Within the silent interior network of cavities created by the mass of woven branches, the outside world seemed a far distant place. Inside was a world unto itself, a strange place without anything perfectly flat or straight. It was all organic curves without any sharp corners, all natural materials, none of which looked man-made yet all of which were carefully crafted. It all formed softly rounded rooms with dished floors that were completely walled off from what was outside.

Henrik wondered if it would be possible to pull apart the branches and vines of the walls if he was forced to make a quick escape. It all seemed pretty solid, but still, it was just woven branches, twigs, and vines.

As he made his way through a bowled room, the familiar gliding along somewhere behind him, he moved closer to the wall to take a closer look. He glanced to the side and saw then that many of the branches making up the heavier parts of the matrix were studded with wickedly sharp thorns. Up close to the wall, he could see that much of it looked like it was made up of a thorn hedge.

Even if he were to decide that his life depended on making an escape, he didn’t see how he could get through the thorny fabric of the structure. These were not small yet troublesome thorns like those on a rosebush that would scratch arms and legs. These were long, iron-hard, sharp spikes that would mercilessly rip a person apart and soon impale them so completely that they would be held prisoner.

With the floating form of the familiar right behind him, watching over him to make sure that he didn’t try to turn and run, he passed through a series of rooms of various sizes, their way always lit by hundreds of candles. Some parts were only connecting tunnels where he had to duck to make it through. They were something like hallways in a building, with smaller side corridors going off in different directions.

One of the relatively large chambers they had to pass through contained what had to be thousands of strips of cloth, string, and thin vines all hanging down from the ceiling, all holding objects tied to their ends, everything from coins to shells to rotting lizards. They hung perfectly still in the dead air. Henrik bent low to pass under some of the dense, hanging collection of strange objects, holding his breath against the stench most of the way.

The entire structure moved and creaked as he made his way through the maze, his route lit by candles, as if to welcome visitors. It felt like he was walking into a giant, tubular spiderweb, something like those he’d seen at the base of logs that were meant to funnel prey inward to their death.

He knew, though, that it was worse than that. This was the lair of the Hedge Maid.

Candles by the hundreds if not thousands lit the place, and yet the darkness they tried to hold back felt oppressive. Sounds from out in the swamp were so muted that they could barely be heard through the thick thatch all around, but the wet, fetid smell of rot had no difficulty stealing in with the muggy air. The candles at least helped mask the smell somewhat.

As he moved deeper into the Hedge Maid’s inner sanctuary, several more familiars drifted in through the walls and gathered around to escort him where he needed to go. More likely, they were making certain that he didn’t turn back. Whenever he glanced up at them, they stared at him with the most sickly yellow eyes and he would immediately look away. Each of the seven, when seen up close, was as ugly as death itself.

As they made their way down a broader corridor, there were even more candles placed all along the twig walls, from the curving edge of the floor up the rounded walls higher than he was tall. The hall they were in, lit by the golden glow of all the candles, led them abruptly into a murky room with hardly any candles.

There didn’t look to be room for many candles in the shadowy room. The place was filled instead with jars and containers. Some of the containers were made of tan clay. The jars were far more plentiful and in colors from tan to green to ruby red. In hundreds of places, the woven sticks and twigs had been pulled apart enough so that jars could be stuck into the knitted stick walls.

What was in all the jars, Henrik feared to imagine. From what he could see through the colored glass, most were filled with liquid that was dark and filthy-looking, though a lot of it looked like muddy water. Things floated in the liquid among the dirt and debris. He tried not to look too closely at what those things floating in the jars might be. One jar looked to be filled with human teeth.

But the jars and containers were not what frightened him the most.

It was what was woven into the twig walls themselves, behind the jars, that had tears of terror running down his cheeks.

Woven into the walls were people.

He could also see them in the walls of the corridors going out of the room in various directions. At first, he saw dozens and dozens of people cocooned in the fabric of the stick walls.

The more he looked, though, the more people he could see entrapped farther back within the walls.

Some of the people were desiccated corpses, their mouths gaping open, their eye sockets sunken, the skin of their bare arms and legs leathery and shriveled. Other bloated bodies looked more freshly dead. The gagging stink of death left him hardly able to breathe.

But some of the people woven into the walls were not dead.

They looked to be in a numb stupor, hardly breathing, only slightly aware of anything going on around them. All were naked, but encased as they were by the weaving of thorny twigs and branches around them, it was hard to see much of them.

Henrik could see their eyes roll from time to time, as if trying to make out where they were and what was happening to them. An occasional soft moan escaped a hanging mouth.

When he turned from staring at all the dead and the half-dead people laced into the walls, he came face-to-face with the Hedge Maid.