ROBERT LESLIE BELLEM (1902-1968)

In some 3,000 short stories written for the pulp magazines during the 1930's, 1940's, and 1950's, Robert Leslie Bellem demonstrated an ability to conform to the hard-boiled formula and to transcend it at the same time. It is fair enough to describe this prolific maverick with a string of clichés: he possessed an ear for dialogue, an eye for the ladies, a sixth sense for humour. In short, he kept a finger on the pulse of popular fiction. But he did more than that, too.

Critics marvel at Bellem's ability to stand out from the crowd of pulp writers even while remaining an enthusiastic member of the group. He embraced every hard-boiled convention of language, character, and milieu. No slouch at slang, he loved lurid language, wisecracking, and tough talk; but there is always the sense that he was playing with words intentionally rather than working in a limited idiom.

His characters, too, fulfil the stereotypes of the pulps: the femme fatale, the starlet, and, of course, the gumshoe himself. But again, there is a playfulness that endows the characterisations with a 'camp' quality.

If his characters are sometimes intentional exaggerations of stereotypes, his choice of milieu is suited to this, particularly in his Dan Turner, Hollywood Detective, stories. With its glitz and glamour contrasting with seediness, with its posturing and poses, and with its false promises, Tinseltown is the perfect backdrop for pulp characters unusually aware of the roles that they are playing on the stage of American life.

Turner is not Bellem's only series character-the prolific author used several others-but the Hollywood Detective is certainly his most memorable. The offbeat exuberance of the Turner stories, with their swift pace and fast talk, kept readers eager for more for almost two decades. From the character's first appearance in «Spicy Detective» in 1934 to his central role in the magazine created and named for him eight years later, Dan Turner, Hollywood Detective, this sleuth has been first and foremost an entertainer-who was created, managed, and directed by a true artist of pulp fiction.

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