Nadine Gordimer
The Pickup

For Reinhold Oriane Hugo

Let us go to another country …

The rest is understood

Just say the word.

— William Plomer

Chapter 1

Clustered predators round a kill. It’s a small car with a young woman inside it. The battery has failed and taxis, cars, minibuses, vans, motorcycles butt and challenge one another, reproach and curse her, a traffic mob mounting its own confusion. Get going. Stupid bloody woman. Idikazana lomlungu, le! She throws up hands, palms open, in surrender. They continue to jostle and blare their impatience. She gets out of her car and faces them. One of the unemployed black men who beg by waving vehicles into parking bays sidles his way deftly through fenders, signals with his head — Oka-ay, Oka-ay go inside, go! — and mimes control of the steering wheel. Another like him appears, and they push her and her car into a loading bay. The street hustles on. They stand, looking musingly beyond her while she fumbles for her purse. An expert’s quick glance at what she has put in his hand assures the street boss that it is more than adequate. She doesn’t know how to thank them enough, etc. He hitches his body to get the money stowed in trousers cut to fit somebody else and smiles with his attention on the lookout for the next vehicle seeking a place to park. A woman wearing a towel as a shawl, enthroned on a fruit-box before her stock of hair combs, razor blades, pumice stones, woollen caps and headache powders, yells out to him what must be a teasing remark in a language the young woman doesn’t understand.


There. You’ve seen. I’ve seen. The gesture. A woman in a traffic jam among those that are everyday in the city, any city. You won’t remember it, you won’t know who she is.

But I know because from the sight of her I’ll find out — as a story — what was going to happen as the consequence of that commonplace embarrassment on the streets; where it was heading her for, and what. Her hands thrown up, open.

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