THEY STARTED SHOWING UP AT NOON. SAD-FACED VISItors in black suits with silk shirts and hand-painted ties. First to arrive were the Medinas. With his son beside him, the don from New York sat in the back of his maroon., custom-made Rolls-Royce with the bulletproof door panels. His two creepy Vietnamese bodyguards were riding in the front seat.
Bart "the Doctor" DiAgusta arrived at one, with his wife and three sons. They'd flown commercially from Chicago. The Doctor had made his name by dismembering his enemies with a chain saw in a sixties business dispute with the New York Colombos. He rolled down the window in his rented limo and looked at the two Alo guards under the supervision of Pulacargo Depaulo, who was a cousin of Mickey's and fresh off the boat.
"DiAgusta," he said to the recent arrival from Palermo, who found the name on his guest list and checked it, asking politely in his fractured English if the driver could let DiAgusta of at the main house and bring the car back down because it was going to get crowded up there.
Penny was in full mourning and greeted them all, thanking them for their condolences.
Mickey was in the study, receiving eachguest se rately, talking softly, assuring every one that his father had died in peace, that the family would endure.
Some had come out of respect, but all were looking forward to the open-casket funeral where they could make absolutely sure Joseph Alo was one-hundred-percent stone-cold dead. Then they would deal with Mickey and decide whether he was strong enough to hold on to what the Mos had.
Lucinda was upstairs. She had heard about her father's death on television and had come home to the big house to be with her mother. She had been trying to avoid her brother. They both happened to be in the kitchen at the same time and looked at each other without saying anything. She moved around him and out into the hall. People spoke to her and expressed condolences but largely ignored her. This was a time of sorrow, but it was also a time for politics. Any shift in power affected them all. New alliances were already being forged and tested. Lucinda had gone upstairs to be alone, trying to come to grips with the mixed emotions she felt about her brother's anger and her father's passing.
The funeral was at six. The church Mickey had chosen was a Gothic Catholic cathedral in downtown Trenton. Mickey had selected the church because it was large, but also because there was a protected side entrance that would make it difficult for the OCB surveillance cameras to get clear shots of the mourners.
At five in the afternoon, the pipe organ played a dirge for Joseph. Long-lens cameras rested on doorjambs of federal sedans. Blank-faced agents with buzz cuts watched, not bothering to disguise their presence.
The church was full. Late arrivals stood in the back, in silence. Many of the mourners crossed themselves and thanked God that Joseph Alo was really in the box.
Mickey spoke to them from the carved pulpit. The light refracted from the stained-glass Jesus on the cross threw a river of red across the floor in front of him.
Mickey spoke of the loss a son feels when his father passes, of the pure love that exists in a bloodline. He praised the guidance his father had given him. He said his life would never be as full as when his father was there to explain its inconsistencies and fight against its corruptions. It was a moving eulogy and would have been even more heartwarming if Lucinda hadn't been close enough to see Mickey's eyes. They were shining with excitement. Mickey Alo was finally in control and anyone who thought they could take his turf would be watching the parade from a skybox.
They put Joe in the ground as the sun was setting and returned to the Alo estate, where a tent had been set up over the tennis court. The space was warmed with party heaters. A band played peasant songs from Sicily. Penny and Lucinda roamed the periphery of the gathering feeling oddly out of place.
Penny went up to her room at nine, leaving Lucinda alone. After a minute, she found herself again face-to-face with her brother. This time, he smiled at her.
"Hi," he said.
"Hi."
Mickey took Lucinda's hand and led her out of the tent and around the side of the house. They stood listening to the music and laughter coming from the tent.
"That was really nice, what you said about Daddy."
"Thank you. Are we okay?" he said, looking at her carefully. "What I said the other day, I didn't mean it. I've been upset because of Pop. Can you understand that?"
"Yes," Lucinda said, realizing that she was now desperately afraid of her brother, that she was choosing her words instead of speaking her mind, that she wanted to get away from him.
He reached out and hugged her, but his eyes were cold and impersonal. "We're a team," he said. "I'd never let anybody hurt you. I'd never do anything to make you unhappy." He kissed her cheek. "I gotta get back. We'll talk after everybody leaves," he said, moving away.
She watched him go and then looked down. At her feet, she saw a faded wooden cross. She had made it when she was seven. She had knelt in her bathroom, crying, and nailed the wood together. She had painted the name on with her mother's nail polish. She had crept outside late at night and pounded it into the ground with a rock. She had prayed to God to take the soul of Mickey's dog. She had promised herself never to forget the puppy's happy face.
Her brother's voice rang in her ears… I'd never do anything to make you unhappy. But he had laughed after his dog had been shot. Somehow he found that funny.
She looked down at the weathered cross and knew everything he said was a lie. "What about Rex?" she finally whispered.