The Poe Shadow

1

I REMEMBER THE day it began because I was impatient for an important letter to arrive. Also, because it was meant to be the day of my engagement to Hattie Blum. And, of course, it was the day I saw him dead.

The Blums were near neighbors of my family. Hattie was the youngest and most affable of four sisters who were considered nearly the prettiest four sisters in Baltimore. Hattie and I had been acquainted from our very infancies, as we were told often enough through the years. And each time we were told how long we'd known each other, I think the words were meant also to say, "and you shall know each other evermore, depend upon it."

And in spite of such pressure as might easily have pushed us apart, even at eleven years old I became like a little husband toward my playfellow. I never made outward professions of love to Hattie, but I devoted myself to her happiness in small ways while she entertained me with her talk. There was something hushed about her voice, which often sounded to me like a lullaby.

My own nature while in society as it developed was markedly quiet and tranquil, to the degree that I was often asked at any given moment if I had only just then been stirred awake. In quieter company, though, I had the habit of turning unaccountably loquacious and even rambling in my speech. Therefore, I savored the stretches of Hattie's animated conversation. I believe I depended upon them. I felt no need to call attention to myself when I was with her; I felt happy and modest and, above all, easy.

Now, I should note that I did not know that I was expected to propose marriage on the afternoon with which we begin this narration. I was on my way to the post office from the nearby chambers of our law practice when I crossed paths with a woman of good Baltimore society, Mrs. Blum-Hattie's aunt. She pointed out immediately that the errands of retrieving waiting mail should be assigned to one of my lesser and less occupied legal clerks.

"You are a specimen, aren't you, Quentin Clark!" Mrs. Blum said. "You wander the streets when you are working, and when you're not working, you have a look upon your face as though you were!"

She was your genuine Baltimorean; she suffered no man without proper commercial interests any more than she would tolerate a girl who was not beautiful.

This was Baltimore, and whether in fine weather or in this day's fog it was a very red-brick type of place, where the movements of the people on well-paved streets and marble steps were quick and boisterous but without gaiety. There was not much of that last quality in supply in our go-ahead city, where large houses stood elevated over a crowded trading bay. Coffee and sugar came in from South America and the West India Islands on great clipper ships, and the barrels of oysters and family flour moved out on the multiplying railway tracks toward Philadelphia and Washington. Nobody looked poor then in Baltimore, even those who were, and every other awning seemed to be a daguerreotype establishment ready to record that fact for posterity.

Mrs. Blum on this occasion smiled and took my arm as we walked through the thoroughfare. "Well, everything is quite perfectly arranged for this evening."

"This evening," I replied, trying to guess what she could be referring to. Peter Stuart, my law partner, had mentioned a supper party at the home of a mutual acquaintance. I had been thinking so much of the letter I anticipated retrieving, I had until then forgotten completely. "This evening, of course, Mrs. Blum! How I've looked forward to it."

"Do you know," she continued, "do you know, Mr. Clark, that only yesterday I heard dear Miss Hattie spoken of on Market Street"-this generation of Baltimoreans still called Baltimore Street by its former name-"yes, talked about as the loveliest unmarried beauty in all Baltimore!"

"One could argue the loveliest above all, married or not," I said.

"Well, isn't that clever!" she replied. "Oh, it won't do at all, twenty-seven and still living bachelor and-now don't interrupt, dear Quentin! A proper young man doesn't…"

I had trouble hearing what she said next because a loud rumble of two carriages grew behind us. "If it is a hackney approaching," I thought to myself, "I shall put her into it, and offer double the fare." But as they passed I could see both were private carriages, and the one in front was a sleek, shiny hearse. Its horses kept their heads low, as if in deference to the honorable cargo.

No one else turned to look.

Leaving behind my walking companion with a parting promise of seeing her at the evening's gathering, I found myself crossing the next avenue. A herd of swine swarmed past with belligerent shrieks, and my detour ran along Greene Street and across to Fayette, where hearse and mourning-carriage were parked together.

In a quiet burial ground there, a ceremony began and ended abruptly. I strained through the fog at the figures in attendance. It was like standing in a dream-everything blurred into silhouettes, and I swallowed down the vague feeling that I should not be there. The minister's oration sounded muffled from where I stood at the gates. The small gathering, I suppose, did not demand much effort from his voice.

It was the saddest funeral ever seen.

It was the weather. No: the mere four or five men in attendance-the minimum needed to lift an adult coffin. Or perhaps the melancholy quality came chiefly from that brisk, callous completion of the ceremony. Not even the most impoverished pauper's funeral that I had observed before this day, nor the funerals of the poor Jewish cemetery nearby, not even those exhibited such unchristian indifference. There wasn't one flower, wasn't one tear.

Afterward, I retraced my steps only to find the post office had bolted its doors. I could not know whether there was a letter waiting for me inside or not-but I returned to our office chambers and reassured myself. Soon, I'd hear more from him soon.

That evening at the social gathering, I found myself on a private stroll with Hattie Blum along a field of berries, dormant for the season but shadowed with summer remembrances of Champagne and Strawberry Parties. As ever, I could speak comfortably to Hattie.

"Our practice is awfully interesting at times," I said. "Yet I think I should like to choose the cases with more discrimination. A lawyer in ancient Rome, you know, swore never to defend a cause unless he thought it was just. We take cases if their pay is just."

"You can change your office, Quentin. It is your name and your character hanging on the shingle too, after all. Make it more like yourself, rather than make yourself more suited to it."

"Do you believe so, Miss Hattie?"

Twilight was settling and Hattie became uncharacteristically quiet, which I fear meant that I became insufferably talkative. I examined her expression but found no clues to the source of her distant bearing.

"You laughed for me," Hattie said absently, almost as though I would not hear her.

"Miss Hattie?"

She looked up at me. "I was only thinking of when we were children. Do you know at first I thought you were a fool?"

"Appreciated," I chuckled.

"My father would take my mother away during her different sicknesses, and you would come to play when my aunt was minding me. You were the only one to know just how to make me smile until my parents returned, because you were always laughing at the strangest things!" She said this wistfully, while lifting the bottom of her long skirts to avoid the muddy ground.

Later, when we were inside warming ourselves, Hattie talked quietly with her aunt, whose entire countenance had stiffened from earlier in the day. Auntie Blum asked what should be arranged for Hattie's birthday.

"It is coming, I suppose," Hattie said. "I should hardly think of it, typically, Auntie. But this year…" She trailed off into a cheerless hum. At supper, she hardly touched the food.

I did not like this at all. I felt myself turn into an eleven-year-old boy again, an anxious protector of the girl across the way. Hattie had been such a reliable presence in my life that any discomfort on her part upset me. Thus it was perhaps from a selfish motivation I tried to cure her mood, but at all events I did wish her to be genuinely happy.

Others of the party, like my law partner, Peter, joined in attempting to raise her spirits, and I studied each of them vigilantly in the event that one of them had been responsible for bringing Hattie Blum into a fit of blues.

Something was hindering my own role in cheering her on this day: that funeral I had seen. I cannot properly explain why, but it had thoroughly exploded my peace. I tried to call to mind a picture of it again. There had been only the four men in attendance to listen to the minister. One, taller than the others, stood toward the rear, his gaze floating off, as though the most anxious of all to be somewhere else. Then, as they came toward the road, there were their grim mouths. The faces were not known to me but also not forgotten. Only one member delayed, staying his steps regretfully, as though overhearing my private thoughts. The event seemed to speak of a terrible loss and yet to do it no honor. It was, in a word, Wrong.

Under this vague cloud of distraction, my efforts exhausted themselves without rescuing Hattie's spirits. I could only bow and express my helpless regrets in unison with the other guests when Hattie and her Auntie Blum were among the first to depart from the supper party. I was pleased when Peter suggested we bring an end to the evening, too.

"Well, Quentin? What has come over you?" Peter asked in an eruption. We were sharing a hired carriage back to our houses.

I thought to tell him of the sad funeral, but Peter would not understand why that had been occupying my mind. Then I realized by the gravity of his posture that he referred to something altogether different. "Peter," I asked, "what do you mean?"

"Did you decide not to propose to Hattie Blum this evening, after all?" he demanded with a loud exhalation.

"Propose! I?"

"She'll be twenty-three in a few weeks. For a Baltimore girl today, that is practically an old maid! Do you not love the dear girl even a little?"

"Who could not love Hattie Blum? But stay, Peter! How is it you came to assume we were to be engaged on this night? Had I ever suggested this was my design?"

"How is it I-? Do you not know as well as I do that the date today is the very same date your own parents were engaged? Had this failed to occur to you even once this evening?"

It had indeed failed to occur to me, as a matter of fact, and even being reminded of this coincidence provided little comprehension of Peter's queer assumption. He explained further that Auntie Blum had been sagely certain I would take the opportunity of this party to propose, and had thought I had even hinted such earlier in the day, and had so informed Peter and Hattie of this likelihood so they would not be surprised. I had been the unwitting, principal cause of Hattie's mysterious distress. I had been the wretch!

"When would have been a more reasonable time than tonight?" Peter continued. "An anniversary so important to you! When? It was as plain as the sun at noon-day."

"I hadn't realized…" I stammered.

"How couldn't you see she was waiting for you, that it is time for your future to begin? Well, here, you're home. I wish you a restful sleep. Poor Hattie is probably weeping into her pillow even now!"

"I should never wish to make her sad," I said. "I wish only that I knew what seemed to be expected from me by everyone else." Peter gruffly muttered agreement, as though I had finally struck upon my general failing.

Of course I would propose, and of course we would marry! Hattie's presence in my life had been my good fortune. I brightened whenever I saw her and, even more, whenever we were apart and I thought about her. There had been so little change all this time knowing her, I suppose it had just seemed odd to call for it now with a proposal.

"What do you think about?" Peter seemed to say with his brow as I closed the carriage door to bid him good night. I pulled the door back open.

"There was a funeral earlier," I said, deciding to try to redeem myself with some explanation. "You see, I watched it pass, and I suppose it troubled me for a reason I had not…" But no, I still could not find the words to justify its effects on me.

"A funeral! A stranger's funeral!" Peter cried. "Now, what in heaven does that have to do with you?"

Everything, but I did not know that then. The next morning I came down in my dressing gown and opened the newspaper to distract myself. Had I been warned, I still could not have predicted my own alarm at what I saw that made me forget my other concerns. It was a small heading on one of the inside pages that caught me. Death of Edgar A. Poe.

I would toss the newspaper aside, then would pick it up again, turning pages to read something else; then I'd read again and again that heading: Death of Edgar A. Poe… the distinguished American poet, scholar, and critic in the thirty-eighth year of his age.

No! Thirty-nine, I believed, but possessed of a wisdom worth a hundred times that…Born in this city. No again! (How questionable it all was, even before I knew more.)

Then I noticed…those four words.

Died in this city.

This city? This was not telegraphed news. This had occurred here in Baltimore. The death in our own city, the burial, maybe, too. Could it be that the very funeral on Greene and Fayette…No! That little funeral, that unceremonious ceremony, that entombment in the narrow burial yard?

At the office that day, Peter sermonized about Hattie, but I could hardly discuss it, intrigued instead by these tidings. I sent for confirmation from the sexton, the caretaker of the burial yard. Poor Poe, he replied. Yes, Poe was gone. As I rushed to the post office to see if any letter had arrived, my thoughts revolved around what I had unknowingly witnessed.

That cold-blooded formality. That had been Baltimore's farewell to our nation's literary savior, my favorite author, my (perhaps) friend? I could barely contain the sense of anger growing within me; anger of a sort that blocked out everything else. I know, looking back on this, that I never wanted to hurt Hattie through the commotion that crept over my mind beginning that afternoon. Yes, this was my favorite author, who had died in my midst, but even then it was far more than that. Perhaps I cannot in one breath fairly describe why it was so devastating to a man with youth, with romantic and professional prospects enviable to anyone in Baltimore.

Perhaps it was this fact. I-without having appreciated the fact-I had been the one to see him last; or, rather, as all others rushed past, I had been the last to watch the indifferent earth rattling over his coffin, as over the nameless corpses of the world.

I had a dead man for a client and the Day of Judgment as my hearing date.

That was the sardonic way Peter put it a few weeks later when I began my fateful inquiries. My law partner did not have enough of the wit about him to be sardonic more than three or four times in his life, so you can imagine the agitation behind the words. Peter, a man of height and bulk, was my elder by only a few years, but he sighed with the sigh of an old man, especially at the mention of Edgar A. Poe.

By my teen years, two facts in my life were as fixed as destiny: my admiration for literary works by Edgar Poe and, as you have heard, my attachment to Hattie Blum.

Even as a boy, Peter talked about Hattie and me being married with the focus of a man of business. In his prudent heart, the boy was older than all other boys. When his father had died, my parents, through my father's church, had assisted the widowed Mrs. Stuart, who had been left nearly destitute by debt, and my father treated Peter like another son. Peter was so thankful for this that he dutifully and genuinely adopted all of my father's positions on affairs of the world, far more than I could ever seem to do. Indeed, it might have seemed to a stranger that he was the rightful Clark, and I a second-rate pretender to the name.

Peter even shared my father's distaste toward my literary preferences. This Edgar Poe, he and my father were both prone to say, this Poe that you read with such compulsion is peculiar beyond taste. Reading for the relief of ennui was simply pleasuremongering, no more useful to the world than dozing in the middle of an afternoon. Literature should improve the heart; these fantasies cripple it!

That is how most people saw Poe, and I would not have disagreed at first. I was hardly out of boyhood the first time I came upon Poe's work, a Gentleman's Magazine tale called "William Wilson." I confess I could not make much of it. I could find neither beginning nor end and could not distinguish the portions that exhibited reason from those of madness. It was like holding a page up to a mirror and trying to read it. Genius was not looked for in the magazines, and I saw no greater amount of it residing in Mr. Poe.

But I was only a boy. My judgment was transformed by a story of a class peculiar to Poe, a story of criminal detection entitled "The Murders in the Rue Morgue." This story's hero is C. Auguste Dupin, a young Frenchman who ingeniously unravels the truth behind the shocking slayings of two women. One woman's body is found in a house in Paris, thrust up the chimney feetfirst. Her mother, meanwhile, has been sliced at the neck so severely that when the police try to raise her body, her head falls off. There were valuables in plain view in their chambers, yet whatever deranged intruder had been inside had left them unmolested. The singularity of the crime was entirely baffling to the Paris police and the press and the witnesses-well, to everyone. Everyone except C. Auguste Dupin.

Dupin understood.

He understood that it was the strikingly singular nature of the deaths that made them at once easily solvable, for it separated the event instantly from the indistinguishable muddle of everyday crimes. It seemed to the police and the press that the murders could not have been done by even an irrational person, because they had been done by no person. Dupin's reasoning followed a method Poe called ratiocination-employing one's imagination to achieve analysis, and one's analysis to climb the heights of imagination. Through this method, Dupin showed how a rare orangutan, provoked to a rage by abuse, had committed the horrible atrocities.

From the hand of an ordinary person, the particulars would have seemed stuff and nonsense. But at the very moment the reader expresses disbelief at the course of events, every difficulty is eliminated by an unbreakable chain of reasoning. Poe whetted the curiosity for what is possible to its sharpest edge, and that brought the soul along with it. These tales of ratiocination (with sequels touching Dupin's further cases) became Poe's most popular among a mass of readers, but, in my opinion, for the wrong reasons. Mere spectator readers enjoyed seeing an unbroken puzzle solved, but there was a higher level of importance. My ultimate object is only the truth, said Dupin to his assistant. I understood, through Dupin, that truth was Edgar A. Poe's only object, too, and that precisely is what frightened and confused so many about Poe. The genuine mystery was not the particular riddle that the mind aches to know; the mind of man, this was the tale's true and lasting mystery.

And I found something new to me as a reader: recognition. I felt suddenly less alone in the world with his words before me. Perhaps this is why the occasion of Poe's death, which might have riveted another reader for a passing day or two, inhabited my thoughts.

My father liked to say that truth resided in honest professional gentlemen of the world, not in the monstrous tales and hoaxing stories of some magazine writer. He had no use for Genius. He said that most men in the armies of the world were required to attend to homely duties of life, where Industry and Enterprise were more in need than Genius, which was too squeamish at men's dullness to succeed in the world. His business was packinghouses, but he took to the notion that a young man should be an attorney, a complete business in itself, he said admiringly. Peter positively thrilled at the plan as though he were boarding the first ship to California on whispers of gold.

Upon achieving maturity, Peter situated himself as an apprentice to a law office of some distinction and while there achieved notice for compiling a thorough work, An Index to the Laws of Maryland, from the Year 1834 to 1843. My father soon financed Peter's own practice, and it was clear that I was to study and work under my friend. It was a plan too reasonable to object to, and I never once thought to do so-not once that I can remember, at least.

You are fortunate, Peter wrote to me when I was still at my university. You shall have a fine office here with me under your Father's auspices and you shall marry as soon as you wish. Every beautiful young woman of high standing on Baltimore Street smiles on you, by the bye. If I were you, if I had a face half as handsome as yours, Quentin Clark, how well I would know what to do with ease and luxury in society!

By the fall of 1849, where you joined me some pages earlier, I had my profession in place so securely I hardly took notice of it. Peter Stuart and I made excellent partners. My parents were both gone by then, killed by a carriage accident while they were traveling in Brazil for my father's business. There was an empty spot where there once had been guidance from my father. And yet, the life he'd arranged for me flowed on in his absence-all this, Hattie, Peter, the well-pressed clients appearing daily in our offices, my stately family house shaded by ancient poplars and known as Glen Eliza, after my mother. All this ran on as though operated by some noiseless and ingenious automatic machine. Until Poe's death.

I had the young man's weakness of wishing others to understand everything that concerned me-of needing to make others understand. I believed I could. I can call to mind the very first time I told Peter we should work to protect Edgar A. Poe. Believing that, as a result of the compliance I imagined on the part of Peter, I would be able to report back the good tidings to Mr. Poe.

My very first letter to Edgar Poe, on March 16, 1845, was brought about by a question I had when reading "The Raven," then a recently published poem. The final verses leave the raven sitting atop a bust of Pallas "above my chamber door." With these last lines of the poem, the impish and mysterious bird continues to haunt the young man of the poem, perhaps for eternity:

If the raven sits at the top of the chamber door, though, what lamplight would be behind him in such a way as to cast his shadow to the floor? With the impetuousness of youth, I wrote to Poe himself for an answer, for I wanted to be able to envision every crevice and corner of the poem. Along with the question, I enclosed in the same letter to Mr. Poe a subscription fee for a new magazine called The Broadway Journal, which Poe was then editing, to make sure I'd see whatever else flowed from his pen.

After months without receiving any reply, and without a single number of The Broadway Journal, I wrote again to Mr. Poe. When the silence persisted, I addressed a complaint to an associate of the magazine in New York and insisted that my subscription be refunded in full. I no longer desired to ever see it. One day, I received my three dollars back, along with a letter.

Signed Edgar A. Poe.

How startling, how uplifting that was, such a lofty visionary bringing himself to personally address a mere reader of three and twenty years! He even explained the minor mystery regarding the raven's shadow: "My conception was that of the bracket candelabrum affixed against the wall, high up above the door and bust-as is often seen in the English palaces, and even in some of the better houses in New-York."

There was the very nature of the raven's shadow explained just for me! Poe also thanked me for my literary opinions and encouraged me to send more. He explained that his financial partners in The Broadway Journal had forced its termination in yet another defeat in the struggle between money and literature. He had never regarded the journal as more than a temporary adjunct to other designs. One day, he said, we might meet in person and he would confide in me his plans, and inquire my advice. "I am entirely ignorant," he stated, "of all law matters."

I wrote nine letters to Poe between 1845 and his death in October 1849. I received in return four courteous and sincere notes in his own hand.

His most energetic comments were about his ambitions for his proposed journal, The Stylus. Poe had spent years editing other people's magazines. Poe said the journal would finally allow men of genius to triumph over men of talent, men who could feel rather than men who could think. It would cheer no author who did not deserve it, and would publish all literature that was unified by clarity and, most importantly, truth. He had waited many years to begin this journal. He wrote to me the last summer before his death that if waiting until the Day of Judgment would increase his chances of success, so he would! But, he added, he instead hoped to have the first number of it out the next January.

Poe anticipated with excitement a trip to Richmond to gather finances and support, commenting that if everything went as he intended, his final success was certain. He needed to raise funds and subscriptions. But he continued to be hindered by the rumors in the so-called professional press of irregular and immoral habits, questions about his sanity, unfit romantic dalliances, general excessiveness. Enemies, he said, were always at his throat for publishing honest criticisms of their writings, and for having had the great nerve to point out the complete lack of originality in revered authors like Longfellow and Lowell. He feared that the animosities of small men would attack his efforts by painting him as a sot, an unworthy drunk not deserving any public influence.

That is when I asked. I asked plainly, maybe too plainly. Were these at all true, these accusations I had heard for years? Was he, Edgar A. Poe, a drunkard who had given himself over to excess?

He wrote back without the least air of offense or conscious superiority. He vowed to me-me, a practical and presumptuous stranger-that he was wholly abstemious. Some readers might question my ability to judge his truthfulness from afar, but my instincts spoke with unclouded certainty. In my next letter, I replied that I put full confidence in his word. Then, just before sealing my reply, I decided to do better.

I made a proposal. I would bring suit against any false accuser attempting to damage his efforts to launch The Stylus. We had represented the interests of some local periodicals before, providing me with the proper experience. I would do my part to ensure that genius would not be trampled. This would be my duty, just as it was his duty to astonish the world now and then.

"Thank you for your promise about The Stylus," answered Poe in a letter replying to mine. "Can you or will you help me? I have room to say no more. I depend upon you implicitly."

That was shortly before Poe began his lecture tour in Richmond. Emboldened by his response to my offer, I wrote again, pouring out a myriad of questions about his Stylus and where he planned to raise money. I expected he would respond while he was touring, which is why I visited the post office and, when business consumed my time, checked the lists of waiting mail the postmaster regularly inserted in the newspapers.

I had been reading Poe's work more than ever. Particularly after my parents died. Some considered it distasteful that I would read literature that frequently touched on the topic of death. Yet in Poe, while death is not a pleasant subject, it is not forbidden. Nor is it a fixed end. Death is an experience that can be shaped by the living. Theology tells us that spirits live on beyond the body, but Poe believes it.

Peter, of course, had at the time vocally dismissed the idea of our law practice taking up the cause of The Stylus.

"I would sooner cut off my hand than spend my time worrying about magazines of blasted fiction! I would sooner get run down by an omnibus than-" You can see what he was driving at.

You'd probably guess that the real reason Peter objected was because I could not answer his questions about the fees. Poe was regularly reported in the papers as penniless. Why take upon ourselves, Peter argued, what others wouldn't? I pointed out that the source for our payments was obvious: the new journal. Success was guaranteed for it!

What I wanted to say to Peter was "Do you not ever feel you are becoming hackneyed by the lawyer's routine? Forget the fees. Wouldn't you wish to protect something you knew to be great that everyone else sought to desecrate? Wouldn't you wish to be a part of changing something, even if it meant changing yourself?" That line of argument would have accomplished nothing with Peter. When Poe died Peter was quietly satisfied that the matter had ended.

But I was not, not in the least. As I read newspaper articles eulogizing Poe with bitter voices, my desire to protect his name only grew. Something had to be done even more than before. When he was alive, he could defend himself. What enraged me most deeply was that these carping muckworms not only embellished the negative facts about Poe's life, but that they crowded around the scene of Poe's death like little hungry flies. Here was the ultimate evidence, the crowning symbol-ran their logic-of a lifetime of moral frailty. Poe's dismal and low end served to confirm the darkness of his life and the imperfections of his morbidly inclined literary productions. Think of Poe's miserable end, groaned one paper.

Think of his miserable end!

Think not of his unprecedented genius? Not of his literary mastery? Not of how he sparked life in his readers at times when they felt none? Think of kicking a lifeless body into the gutter, and striking the cold forehead of a corpse!

Go visit that grave in Baltimore (the same paper advised) and receive from the very air around it the awful warning of this man's life to ours.

I announced one day that something must be done. Peter laughed.

"You cannot bring suit-the man is under the sod now!" said Peter. "You shall have no client! Let him rest; let us rest." Peter started whistling a popular tune. Whenever he was unhappy, he whistled, even if it was in the middle of a conversation.

"I tire of being hired for a little money to say or do other than what I believe, Peter. I made a commitment to represent his interests. A promise, dear friend, and do not tell me that promises should end at someone's death."

"He likely agreed to your help only to keep you from badgering him on the matter." Peter saw that this statement bothered me and he pressed the point with a more sympathetic but insightful tone. "Is that just possible, my friend?"

I thought about something Poe had said in one of his letters regarding The Stylus: This is the grand purpose of my life, wrote Poe. Unless I die, I will accomplish it. Poe insisted in the same letter that I stop paying advance postage in our correspondence. He signed the letter "Your Friend."

And so I had written the same words to him-the same two simple words in plain ink, and signed my name below them as I would a dead-serious oath. Who would ever have argued then that I should not keep it?

"No," I answered Peter's question. "He knew I could defend him."

2

THE THREAT CAME on a Monday afternoon. There were no guns, no daggers, no swords, no near hangings involved (nor would I have believed these were coming for me). The utter astonishment on this day proved more forceful.

My visits to the Baltimore athenaeum reading rooms were becoming regular. A certain prominent debtor's lawsuit, commenced around that time, obliged us to gather diverse news clippings. In times of pressing business, Peter would have been happy to construct a bunk in our chambers and never meet with a ray of sunlight, so it fell to me to travel the short distance to the reading room to perform the researches. While I was there, I would also research Edgar Poe and his death.

A typical biographical account on Poe, which had increased as news of his death spread, might name some of his poems ("The Raven," "Ulalume"), where he had been discovered (Ryan's hotel and tavern, which on that day of election was also a polling place, at High and Lombard streets), when he had died (Sunday, October 7, in a hospital bed), and so on. More Poe-related articles began appearing in the larger presses of New York, Richmond, and Philadelphia that preferred events with a bit of sensation to them. I was able to find some of these mentions at our reading room. Mentions! Mentions indeed!

His life was a regrettable failure. He was a gifted mind who squandered all his potential. Whose fantastical and affected poems and weird tales were too frequently tainted by the fatal, miserable fact of his life. He lived as a drunkard. Died a drunkard, a disgrace and a blackguard who injured sound morals through his writings. Not to be missed by many (said one New York journal). Not long to be remembered.

Have a look with your own eyes:

Edgar Allan Poe is dead. We have not learned the circumstances of his death. It was sudden, and from the fact that it occurred in Baltimore, it is to be presumed that he was on his return to New York. This announcement will startle many, but few will be grieved by it.

I could not watch this desecration. I wanted to look away, yet at the same time I found myself thirsting to know everything that had been written, however unjust. (Or-think of the peculiarities of the human mind-the more unjust it was, the more I needed to see it, and the more unfair, the more essential it seemed to me!)

Then came that cold, drizzling afternoon when the noon-day sky was the same at six in the morning as it would be at six at night. Fog everywhere. It drifted like fingers in your face and jabbed in your eyes and down your throat.

I was on my way to the athenaeum reading rooms when a man bumped into me. He was approximately my height, and probably the age my father would have been. The stranger's collision would not have normally seemed deliberate but for the fact that he had to coil his body in rather an unnatural way in order to extend his elbow against me. It was not a blow but rather a drifting tap, actually tender. I listened for an apology.

Instead, there came this warning.

"It is unwise to meddle with your lowly lies, Mr. Clark."

He flashed a glare at me that cut right through the dense air, and then, before I could think, he had vanished in the fog. I turned to look behind me as though he had been addressing someone else.

No, he had said "Clark." I was Quentin Hobson Clark, twenty-seven years old, an attorney chiefly in cases of mortgages and debt. I was Mr. Clark, and I had just been threatened.

I did not know what to do. In my confusion, I had dropped my memorandum book, and it opened promiscuously on the ground. It was at that moment, retrieving it before it could be trampled by a mud-crusted heel, that I recognized how much I had been researching Poe. The name Poe was written on practically every page. I apprehended with sudden clarity what the stranger had meant. It was about Poe.

I confess that my own response astonished me. I grew calm and collected, so notably calm that Peter would have grasped my hand with pride; that is, if this were relating to any other affair. I could never be a lawyer like Peter, a man who had passion for the dullest affidavit or suit, especially the dullest of them all. Though I had a respectably quick mind, ability could never outdo passion however much one memorized the pages of Blackstone and Coke. But in this moment, I had a client and I had a cause that I would not see extinguished. I felt like the finest lawyer ever known.

Regaining my senses sufficiently I plunged into the crowd of umbrellas and soon located the back of the man. He had slowed to a stroll, almost a summer saunter! But I was deceived; this was not the same man. Upon gaining ground, I noticed that in the clouds of fog everyone looked approximately like the subject of my search, even the fairest ladies and darkest slaves. That creeping mist concealed and blended us together, disturbing the regulated order of the streets. And I own that each person tried their best to hold their heads and to stride in perfect indifferent imitation of that one man, that phantom.

There on the corner a stream of gaslight broke through the thick air from a window half hidden underground. It came from the outside lamps of a tavern, and thinking this might be a beacon to attract someone of conniving motives, I rushed down and burst inside. I pushed through the clusters of men intent on their drinks, and at the end of a long row I saw one crumpled over a table. His once-fancy coat was just the one I'd noticed worn by my phantom.

I took his arm. He weakly lifted his head and gave a start upon seeing my intent countenance.

"A mistake. Sir. Sir! A grave mistake on my part!" he cried. His words died together drunkenly.

This was not the man either.

"Mr. Watchman," a nearby inebriate explained to me in a sympathetic loud whisper. "That's John Watchman. I drink to him, the poor fellow! And I drink to you, too, if you'd like."

"John Watchman," I agreed, though at that point this name meant nothing to me (if I had seen it in the newspaper columns, it was with only passing attention). I left some copper coins for the continuation of the man's indulgences, and quickly returned above to the street to press ahead with the search.

I saw the true culprit revealed to me where the fog lessened. At one given time it seemed, in my distress, that all the inhabitants of the street were giving chase to him, summoning their courage to hunt him.

Did I say our Phantom was my height? Yes, and that is true. But this is not to suggest that he resembled me in any way. Indeed, I was perhaps the only one on the streets then not bearing a strict similarity to my subject. I, with dusty hair of a color like the skin of a tree, which I kept well-groomed, and small, reasonable, clean-shaven features too often called boyish. He-this Phantom-had different proportions to his body. His legs seemed nearly double mine in length, so that however briskly I went along, I could not reduce that gap between us.

As I ran through the prickly mist, I was filled with frantic and excitable thoughts with nothing tying them together except that they thrilled me beyond any logic. I collided with a shoulder, another, and once almost the entire body of a large man who could have flattened me out on the red brick of the side pavement. I slipped on a track of dirt, coating my left side with mud. After that I was all at once alone-nobody in sight.

I stood perfectly still.

Now that I'd lost my prey-or he had lost his-my eyes focused, as though I had put on a pair of spectacles. Here I was, not twenty yards away from it: the narrow Presbyterian burial ground, where the thin slabs of stone sloping out from the ground were only barely darker than the air. I tried to think whether the interloper had actually led me here through half of Baltimore as he fled my pursuit. Or had he been gone for the whole length of the chase, before I came near this place? This place where Edgar Poe now rested, but could not.

Many years earlier, when I was but midway through my teen years, there was an incident on a train I should recount. I was riding with my parents. Although the ladies' car permitted family members of women to sit with them, it was quite full, and only my mother was able to stay. I sat with my father a few cars away, and we walked through the train to visit Mother at regular intervals, into that compartment where no spitting and cursing could take place. After one such excursion, I returned to our seats ahead of Father and found two gentlemen in the seats moments ago occupied by us. I politely explained to the men their mistake. One of the men flew into a violent passion, warning me that I would have to "walk over his dead body" to get our seats back.

"I shall do that very thing if you do not step aside," I replied.

"What did you say, lad?"

And I repeated the same absurd statement with equal calm.

Imagine me as rather a thin boy at fifteen-stringy, you can say. Typically, I might have begged the pardon of the occupant and diligently searched out inferior seats. You wonder meanwhile about the second interloper in this episode, the other thief of our seats. He, it appeared by a similar look around the eyes, was the brother of the first; from his bobbing head and stare, I believed him to be slow-witted.

You may wonder also as to my reaction. I had been enveloped in my father's presence shortly before. Father was always a sovereign to all around him. You see, in the moment, it was perfectly natural to me to assume that I, too, could adjust the world as fit my sense of things. This had been the sneaking nature of the delusion.

I may as well finish the story. The villain did not stop landing severe blows to my face and head until my father's return to the train car. Less than a minute later, my father and a conductor had banished the men into another train of the car to be removed at the next depot.

"Now, what did you do, my boy?" my father asked me afterward as I lay prostrate across our seats in a haze.

"I had to, Father! You were not here!"

"You provoked someone. You might have been killed. What would you prove then, Quentin Hobson Clark?" I looked back at the blurry image of this man lecturing me, standing above me with his usual composure, and knew the difference between us.

Now I thought of the new warning I had received. It is unwise to meddle… The Phantom's image locked up my mind beside the demon of the train from my childhood. How I burned to talk about it! My great-aunt at this time was residing with me for a few days to help oversee the housekeeping. Could I tell Great-Auntie Clark about the threat?

"You ought to have been caught young and trained carefully," she would say-or something along those lines. She was a great-aunt on my father's side, and applied the sternness of my father's business principles to promoting sober behavior more generally. Great-Auntie Clark praised Father for his "strong Saxon thoughts." Her affection for my father seemed to accrue partially to me, and she watched over me with dutiful vigilance.

No, I did not tell Great-Auntie Clark and soon she had departed from Glen Eliza. (Could I have told my father if he were alive?)

I wanted to tell Hattie Blum. She had always been pleased to hear of my personal enterprises. She alone had been able to speak to me after my parents' deaths in a tone and confidence that understood that though my parents had died, they were not corpses to me. Yet, as I had not seen her since the day we were supposed to have been engaged, I could not fathom how she would perceive my interest in this.

In a way, the Phantom's words attracted as much as they startled me. It is unwise to meddle with your lowly lies. Though he was warning me away, the cryptic words acknowledged that the perception of Poe could be meddled with-in other words, they could still be changed by me. In a way, that warning encouraged me.

I felt an excitement that was only remotely familiar and only half unwanted. It was different from anything I had known in our work.

One long afternoon at the office I sat looking at the street from my desk. Peter was nearby. He was in the middle of reprimanding our copying clerk over the quality of some affidavit when he glanced over at me. He returned to his speech, then glanced abruptly at me again. "All right, Quentin?"

It was a habit of mine that I occasionally fell into a sort of staring spell, glaring in the air at nothing in particular. Peter was especially fascinated and appalled whenever these reveries occurred. He noisily shook the bag of ginger-nuts I'd been eating. "All right, Quentin?"

"All right," I assured him. "Tolerably well, Peter." Upon seeing that I would say no more, he returned to the clerk with the precise word of reprimand where he had left off.

I could no longer keep buttoned up. "All right, certainly! If there is anything all right about being threatened!" I cried out suddenly. "All wrong!" Peter quietly dismissed our clerk, who gratefully scurried from the room. When we were alone, every detail spilled from my tongue. Peter sat at the edge of his chair, listening with interest. At first, he even shared in the thrill of the incident, but soon enough remembered himself. He declared the Phantom nothing but a cracked lunatic.

I somehow felt the need to defend, even commend the threatening party. "No, Peter, he was no lunatic in the least! In his eyes was a rational purpose of some kind-a rare intelligence."

"What cloak-and-dagger business! Why-? Why should he bother to-? What, one of our mortgage cases?"

I responded with a hoarse laughter that seemed to offend Peter-as though denying a would-be lunatic's potential interest in our mortgage disputes devalued the whole legal profession. But I was sorry for the tone, and I more calmly explained that this affair was something to do with Edgar Poe; I explained that I had been studying clippings about Poe and had noticed important inconsistencies.

"For instance, there is the common innuendo, the suggestion, that Poe died of his ‘fatal weakness,' they say, meaning drinking. Yet who was a witness? Hadn't some of the same newspapers reported, only a few weeks earlier, Poe joining the Sons of Temperance in Richmond and successfully keeping their oath?"

"A thorough scamp and a poet, that Edgar Poe! To read him is like being in a charnel-house and breathing the air."

"You say you never read him, Peter!"

"Yes, and that's precisely why! I would not be half surprised if more people never read him each day. Even the titles of his tales are nightmares. Just because you cared about him, Quentin Clark, should that mean anyone else did? None of this is about Poe, it is about you wanting it to be about Poe! Why, this warning you think you heard surely had nothing to do with him at all, except in some disordered current of your mind!" He threw his hands in the air.

Perhaps Peter was right; the Phantom hadn't specifically said anything pertaining to Poe. Could I be so certain? Yet I was. Someone wanted me to stop inquiring into Poe's death. I knew someone had to hold the truth of what had happened to Poe here in Baltimore, and that is what others must have feared. I had to find that truth to know why.

One day, I was checking over some of the scrivener's copies of an important contract. A clerk thrust his head into my office.

"Mr. Clark. Mr. Poe. Here."

Startled, I demanded to know what he meant.

"From Mr. Poe," he repeated, waving a piece of paper in front of his face.

"Oh!" I gestured to him for the letter. It was from one Neilson Poe.

The name had been familiar to me from the newspapers as a local attorney representing many defaulters and petty thieves and criminals in court and, for a time, as a director on the Baltimore amp; Ohio Railroad committee. Addressing a note to Neilson a few days earlier, I had asked whether the man was a relative of the poet Edgar Poe's, and had requested an interview.

In this reply, Neilson thanked me for my interest in his relation but averred that professional duties made any appointment impossible for some weeks. Weeks! Frustrated, I recalled an item about Neilson Poe I had read in the latest court columns of the newspapers and quickly gathered up my coat.

Neilson, according to the paper's advance report of the day's activities at court, was at that very moment defending a man, Cavender, who had been indicted for assault with attempt to commit an outrage against a young woman. The Cavender case had already adjourned for the day when I reached the courthouse, so I looked in the prisoners' cells that were housed in its cellar. Addressing a police officer with my credentials as an attorney, I was directed to the cell of Mr. Cavender. Inside the chamber, which was dark and small, a man garbed as a prisoner sat in deep communion with one wearing a fine suit and a lawyer's fixed expression of calm. There was a stone jug of coffee and a plate of white bread.

"Rough day at court?" I asked collegially from the other side of the prison bars.

The man in the suit rose from the bench inside the cell. "Who are you, sir?" he asked.

I offered my hand to the man I had first seen at the funeral on Greene and Fayette. "Mr. Poe? I am Quentin Clark."

Neilson Poe was a short, clean-shaven man with an intelligent brow almost as wide as the one shown in portraits of Edgar, but with sharper, ferret-like features and quick, dark eyes. I imagined Edgar Poe's eyes having more of a flash, and a positively opaque glow at times of creation and excitement. Still, this was a man who, at a casual glance in these dim surroundings, could almost have doubled for the great poet.

Neilson signaled to his client that he would be stepping outside the cell for a few moments. The prisoner, whose head had been in his hands the moment before, rose to his feet with sudden animation, watching his defender's exit.

"If I'm not mistaken," Neilson said to me as the guard locked the prisoner's door, "I'd written you in my note that I was pressed with business, Mr. Clark."

"It is important, dear Mr. Poe. Regarding your cousin."

Neilson set his hands stiffly on some court documents, as though to remind me there was more pressing business at hand.

"Surely this is a topic of personal interest to you," I ventured.

He squinted at me with impatience.

"The topic of Edgar Poe's death," I said to explain it better.

"My cousin Edgar was wandering about restlessly, looking for a life of true tranquillity, a life as you or I are fortunate enough to possess, Mr. Clark," Neilson said. "He had already squandered that possibility long ago."

"What of his plans to establish a first-rate magazine?"

"Yes…plans."

"He would have accomplished it, Mr. Poe. He worried only that his enemies would first-"

"Enemies!" he cut me short. Neilson then paused as his eyes widened at me. "Sir," he said with a new air of caution, "tell me, what is your particular interest in this that you would come down into this gloomy cellar to find me?"

"I am-I was his attorney, sir," I said. "I was to defend his new magazine from attacks of libel. If he did have enemies, sir, I should like very much to know who they were."

A dead man for a client… I heard Peter in my ear.

"A new trial, Poe!"

Neilson appeared to be weighing my words when his client threw himself against the cell door. "Petition for a new trial, Mr. Poe! A fair shake, at least! I'm innocent of all charges, Poe!" he cried. "That wench is an out-and-out liar!"

After a few moments, Neilson pacified his despondent client and promised him to return later.

"Someone needs to defend Edgar," I said.

"I must attend to other work now, Mr. Clark." He started walking briskly through the dismal cellar. He paused, then turned back to me, remarking grudgingly, "Come along to my office if you wish to speak further. There is something there you might like to see."

We walked together down St. Paul Street. When we entered the modest and crowded chambers of his practice, Neilson commented that when he'd received my letter of introduction he'd been struck by the resemblance between my handwriting and his late cousin's. "For a moment I thought I was reading a letter from our dear Edgar," he said lightheartedly. "An intriguing case for an autographer." It was perhaps the last kind word he had for his cousin. He offered me a chair.

"Edgar was rash, even as a boy, Mr. Clark," he began. "He took as his wife our beautiful cousin, Virginia, when she was thirteen, hardly out from the dew of girlhood. Poor Sissy-that's what we called her-he took her away from Baltimore, where she'd always been safe. Her mother's house on Amity Street was small, but at least she was surrounded with devoted family. He felt if he waited, he might lose her affections."

"Edgar surely cared for her more dearly than anyone," I replied.

"Here, Mr. Clark, is what I wanted you to see. Perhaps it will help you understand."

Neilson removed from a drawer a portrait that he said had been sent by Maria Clemm, Sissy's mother (and Edgar's aunt and mother-in-law). It showed Sissy, a young woman of around twenty-one or twenty-two with a pearly complexion and glossy raven-black hair, her eyes closed and her head tipped to the side in a pose at once peaceful and unspeakably sad. I commented on the life-like quality in the portrait.

"No, Mr. Clark." He turned pale. "Death-like. It is her death portrait. After she died, Edgar realized they had no portrait of her and had this done. I do not like to show this, though, for it poorly captures the spirit she possessed in life-that pale and deathly look about her. But he valued it beyond measure. My cousin, you see, could not relinquish her even to death."

With the portrait were some verses written by Virginia to Edgar the year before her death, speaking of living in a blissful cottage where the "tattling of many tongues" would be far away. "Love alone shall guide us when we are there," her tender poem read. "Love shall heal my weakened lungs."

Neilson put aside the portrait and poem. He explained that during her last years Virginia had required the utmost medical attention.

"Perhaps he did love her. But could Edgar have properly provided for her care? Edgar might have done better all along finding a woman of wealth." Neilson paused at this thought and seemed to shift topics. "Until I was about your age, you know, I myself edited newspapers and journals and wrote columns. I have known the literary life," he said with fallen pride. "I know its appeal to the raw spirit, Mr. Clark. Yet I have always had dealings with reality, too, and know better than to keep at something for personal gratification after it proves a losing proposition, as Edgar's writing did. Edgar should have stopped writing. This alone might have saved Sissy, might have saved Edgar himself."

Regarding Poe's final months, his final attempt to obtain financial success, Neilson referred to his cousin's aim to raise money and subscriptions for the proposed Stylus magazine by delivering lectures and visiting people of good society in Norfolk and Richmond. It was in the latter city that he renewed an acquaintance with a woman of wealth, as Neilson described her approvingly.

"Her name was Elmira Shelton, a Richmond woman whom Edgar had loved long before." In their youth, Edgar and Elmira had promised themselves to each other before he left to attend the University of Virginia, but Elmira's father disapproved, and confiscated Poe's constant letters so his daughter would not see them. I interrupted Neilson to ask why.

"Perhaps," he replied, "it was that Edgar and Elmira were young…and that Edgar was a poet…and do not forget, Elmira 's father would have known Mr. Allan. He would have spoken with him and he would have known Edgar was likely to receive no inheritance at all from the Allan fortune."

When Edgar Poe was forced to return from college after John Allan would not pay his debts, Edgar attended a party at Elmira's family home only to find, to his heartbreak, that Elmira was engaged to another.

By the summer of 1849, when they met again, her husband had died, as had Virginia Poe. The carefree girl of so many years ago was now a wealthy widow. Edgar read her poems and reminisced with good humor about their past. He joined a local chapter of a temperance society in Richmond and swore to Elmira to keep their oath. He said love that hesitated was not a love for him and he gave her a ring. Theirs would be a new life together.

Only weeks later Edgar Poe would be found at Ryan's, here in Baltimore, and rushed to the hospital, where he'd die.

"I had not seen Edgar for some years toward the end. It was a great shock, you will imagine, Mr. Clark, when I was told he was found at one of the places of election in Old Town in poor condition and carried to the college hospital. My relation, a Mr. Henry Herring, was called to the scene at Ryan's. At what time Edgar arrived in Baltimore, where he spent the time he was here, under what circumstances, all this I have been unable to ascertain."

I showed my surprise. "You mean you sought this information on your cousin's death, and could not find it?"

"I felt it my duty to try, relationships and so on," he said. "We were cousins, yes, but we were also friends. We were the same age, Edgar and I, and he was not old enough to see the end of his life. I hope my own death is peaceful and in plain sight, somewhere surrounded by my family."

"You must have found something more?"

"I'm afraid that whatever happened to Edgar has accompanied Cousin into the grave. Is this not sometimes the course of a life, Mr. Clark, for death to swallow a man up so wholly there are no traces left? To leave not a shadow, not even the shadow of a shadow."

"That is not all that is left, though, Mr. Poe," I said, insistently. "Your cousin will be remembered. His works are immensely powerful."

"There is a kind of power to them. But it is usually the power of disease. Tell me, Mr. Clark, do you know something more about Edgar's death?"

I did not tell him about the man who warned me to stop looking at Poe's death. Something stopped me. Perhaps this hesitation was the true beginning of the investigation. Perhaps I already suspected that there was more to this situation, more to Neilson Poe, than I'd yet been able to see.

He could not even say much about Edgar Poe's condition after he was rushed to the doctors from Ryan's. Once Neilson had arrived at the hospital, the physicians advised that he not enter Edgar's room, saying the patient was too excitable. Neilson only saw Poe through a curtain, and he looked from that vantage point like another man altogether, or a ghost of a body he had known. Neilson did not even have the chance to view the body before it was closed into the coffin.

"I'm afraid there's nothing more I can tell you about the end," he sighed. Then he said it. The eulogy that I could not forget. "Edgar was an orphan in every way. He had seen much of sorrow, Mr. Clark, had so little reason to be satisfied with life that, to him, the change, death, can scarcely be said to be a misfortune."

My frustration at Neilson Poe's complacency inspired me to call on the offices of a few newspapers with a faint hope of persuading them to at least pay better tribute to the genius of Poe. I described Poe's paltry burial and the many erroneous facts in the short biographies so far published in the papers, hoping they would improve. But these visits were useless. At the office of one of the Whig newspapers, the Patriot, some reporters overheard me and, calling to mind that Poe wrote for the press, suggested with great solemnity that they take up a subscription to pay for a marker on Poe's grave to honor a fallen fellow. As though Edgar Poe were simply another spinner of newspaper tales! Note, too, that I would not make the error of saying, as the periodical press had taken to doing, Edgar Allan Poe. No. The name was a contradiction, a chimera and an unholy monster. John Allan had taken in the poet as a young child in 1810, but later ungenerously abandoned him to the whims of the world.

Passing the Presbyterian burial yard on my way home late one afternoon, I decided to see the poet's resting place again. The old cemetery was a narrow block of graves on the corner of Fayette and Greene streets. The location of the grave was near the fine marker of General David Poe, a hero of the Revolutionary War and Edgar Poe's grandfather. But there was something disconcerting.

Poe's own spot was still unmarked. It looked as though it had never been prayed over.

Invisible Wo! I could not stop from thinking of the ravages of the "conqueror worm," as Poe had called our bodies' final attacker. And the angels sob at vermin fangs in human gore imbued.

With sudden purpose, I marched deeper into the burial ground. Peering around I saw steps leading down into one of the old underground vaults. Following these steps straight down, I found the sexton, Mr. Spence, reading a book in a low-arched granite crypt deep below the surface. There was a table, a bureau, a washstand, a medium-sized looking-glass. Even once a church was built on the burial ground a few years later, it was said that George Spence still preferred these vaults. But it rather astonished me then.

"You don't live down here, do you, Mr. Spence?" I asked.

He was troubled by my tone. "When it is too cold down here, I stay above. But I like it better here. It's more quiet and independent. This vault, in all events, was emptied out some years ago."

Several decades earlier, he explained, the family who owned this particular tomb had wanted to move the bodies of their ancestors to more spacious accommodations. But when the tomb was opened, it was discovered-by the previous sexton, Spence's father-that one of the bodies exhibited that rare occurrence: human petrifaction. The body, top to bottom, was entirely stone. Superstitions spread quickly. No member of the church since would agree to bury their dead in that particular vault.

"Devilish horror, coming upon a stone man when you are no more than a boy," the sexton said. He found a chair for me.

"Thank you, Mr. Spence. There is something wrong. The grave of Edgar Poe, buried last month, is still unmarked! The grave lies level with the ground."

He shrugged philosophically. "It is not my decision, but that of the party that had charge of burying him. Neilson Poe and Henry Herring, Poe's cousins."

"I passed here the day of the funeral, and could see it was small. Were there other relatives of Poe's besides them present?" I asked.

"There was one other. William Clemm, of the Caroline Street Methodist Church, performed the service and I believe he was a distant relation of the family. Reverend Clemm had prepared a lengthy discourse, but there were so few present for the funeral, it was decided he would not read it. There were only two mourners in addition to Neilson Poe and Mr. Herring. One was Z. Collins Lee, a classmate of Poe's. Peace be to his ashes!"

"Mr. Spence?"

"That is something I remember the minister said over Poe's grave. Peace be to his ashes. I was surprised to hear about Mr. Poe's death at first. He will always be a young man in my mind, not much older than you."

"You knew him, Mr. Spence?"

"When he lived in Baltimore, in Maria Clemm's little house," the sexton replied musingly. "It was years ago. You would have been hardly older than a boy. Baltimore was a quieter city then; one could keep track of names. I used to see Edgar Poe wander about the burial ground now and again."

He said Poe would stand before the graves of his grandfather and his older brother, William Henry Poe, both of whom he'd been separated from in childhood. Sometimes, said the sexton, Edgar A. Poe would examine names and dates on the tombs and quietly ask how this one was related to that one. When Spence would meet Poe out on the streets, the poet would sometimes say "good morning" or "good evening," and sometimes he would not.

"To think such a fine gentleman should look as he did at the end." Spence shook his head as he spoke.

"How do you mean, Mr. Spence?" I asked.

"I recall he always had a fastidiousness about his dress. But that suit he was wearing when he was found!" he said as though I should know perfectly well. I motioned for him to continue, so he did. "It was thin and ragged and did not fit him at all. It could not have been his. It was for a body perhaps two sizes larger! And a cheap palm-leaf hat one would not bother to pick up from the ground. A man from the hospital offered a better black suit to bury him in."

"But how did Poe come to be wearing ill-fitting clothes?"

"I cannot say."

"Do you not think it utterly strange?"

"I suppose I have not thought of it much since then, Mr. Clark."

Those clothes were not meant to be worn by Poe. Poe's death had not been meant for him, I thought, an irrational and abrupt notion. I thanked the sexton for his time and began rapidly to ascend the long stairs that rose from the vaults, as though once I'd secured the top there would be some immediate action to take. Suddenly seized by a momentary foreboding, I stopped in the middle of the stairs, tightening my grip on the handrail. The wind had grown worse outside, and as I reached the top I could barely direct myself to cross back into the upper world.

When I emerged, my eyes drifted to the spot of Poe's unmarked grave for one last look. I nearly jumped at what I saw. I blinked to make certain it was real.

It was a flower, a fragrant, blossoming flower lying incongruously atop the grass and dirt of Edgar Poe's plot. A flower that had not been there just a few minutes before.

I gasped for Mr. Spence, as though there was something to be done, or as though he could have seen something I hadn't while we were both sitting together below the earth in that tomb. Down in the vault the sexton could not hear me calling. Dropping to my knees, I inspected the flower, thinking perhaps it had blown from another grave. But no. Not only did the flower sit there, there, but also its stem broke firmly through the dirt on top.

Suddenly there was the noise of horses stepping and wheels clicking slowly to life. I peered around and could see a medium-sized carriage cloaked by the mist. I ran toward the gates to try and see who was there, but I was instantly blocked. A dog bounded into view. The dog barked voraciously at my ankles. I tried to steer around her, but the canine pounced to the side, growling and snarling from behind the gravestones.

The dog had clearly been trained to prevent Baltimore's "resurrection men" from attempted thefts of our corpses, and perceiving me run had identified me as one of those miscreants. Finding some ginger-nuts in my coat, I offered them up, and the mongrel soon befriended me. But by the time I could safely reach the street, the carriage had vanished into the distance.

3

I WAS STIRRED awake the next morning only by the muffled sounds from the servants below. I washed and dressed rapidly. But at this hour, no carriages were found for hire near my house. Luckily, I found a public omnibus that happened to be boarding.

Having not traveled by public conveyance as of late, I was struck by how many strangers to Baltimore were aboard. This I thought from their dress and speech, and their watchfulness of the people around them. It led me to wonder… I happened to be carrying among my papers a portrait of Poe from a biographical article published a few years before. At the next stopping-place I turned to the rear of the bus. When the conductor finished collecting tickets from the newcomers, I asked him whether the man pictured in the magazine had been his passenger in the last weeks of September. That was the time-I had estimated from the more reliable newspaper accounts-that Poe would have arrived to Baltimore. The conductor murmured "Don't recall 'm," or something in the same fashion.

A slight comment, I know! Hardly worth any excitement? Yet I felt the flash of accomplishment. In a single moment, though rebuffed, I had acquired knowledge that Poe had not been in this particular omnibus during this conductor's watch! I had solicited a small share of the truth behind Poe's final passage through Baltimore, and that contented me.

Since I had to move about the city anyway, it could not hurt to ride the omnibus more frequently and, when I did, ask such questions.

You have no doubt noted that Poe's time in Baltimore had not seemed to be premeditated. After becoming engaged to Elmira Shelton in Richmond, he had announced his intentions of going to New York to complete his future plans. But what had been the poet's whereabouts and purposes here in Baltimore? Baltimore should not be so indifferent as simply to lose a man, even in its dingiest shipping quarters-it was not Philadelphia. Why had he not traveled straight to New York after sailing here from Richmond? What had happened over the course of five days between leaving Richmond and being discovered in Baltimore and what had brought him into such a state that he would be wearing someone else's clothes?

After my visit to the burial ground, I'd been bent on directing to these questions my own faculties of intelligence, which I would humbly measure against those of any man-at least any man I had yet known (for this was about to change).

There was that one momentous afternoon when the answers seemed to come improbably into view. Peter had been delayed at court, and our desks were empty of new work. I was walking away from the Hanover Market and was stepping to the Camden Street curb with an armful of packages.

"Poe the poet?"

At first I ignored this. Then I stopped and turned around slowly, wondering if my ears had been fooled by the wind. Truly, though, if this voice had not pronounced on its own power "Poe the poet" it had said something just like that.

It was the fish dealer, Mr. Wilson, with whom I had just done business at the market. Our law office had recently arranged some mortgages for him. Though a few times he had come to our offices, I preferred finding him here, as I could then also select the finest fish to be prepared for supper at Glen Eliza. And Wilson's crab-and-oyster gumbo was the best this side of New Orleans.

The fishmonger motioned me to follow him back to the large market. I had left my memorandum book at his table. He wiped his hands on his streaked apron and handed it to me. It was now wrapped in the distinct odors of his store, as though it had been lost at sea and then pulled out.

"You don't want to forget your work. I opened it to see who it belonged to. I see you've written the name Edgar Poe." The fishmonger pointed to the open page.

I returned the book to my bag. "Thank you, Mr. Wilson."

"Ah, Squire Clark, here's something." He excitedly unwrapped a package of fish from its paper. Inside was a hideously ugly fish, piled upon its identical brothers. "This was ordered especially from out west for a dinner party. It is called a dog-fish by some. But it's also called a ‘lake lawyer,' for its ferocious looks and voracious habits!" He chuckled uproariously. He quickly worried he had insulted me. "Not like you, of course, Squire Clark."

"Perhaps that is the problem, my friend."

"Yes." He hesitated and cleared his throat. He was now hacking at fish without looking down at his hands or at the heads shooting off them. "Any event-poor soul, must have been, that Poe. Died over at that creaky ol' Washington College Hospital some weeks back, I heard. My sister's husband knows a nurse there, who says, according to another nurse who spoke to a doctor-demonish busybodies, these women-who said Poe wasn't right in his upper story, that as he lay there he called out a name over and over before he…well, that is," he shifted to a whisper of great sensitivity, "before he croaked. God have mercy on the weak."

"You said he called a name, Mr. Wilson?"

The fishmonger sloshed around his words to remember. He sat at his stool and began picking out unsold oysters from a barrel, carefully prying each one open and checking them for pearls before discarding them with philosophical regret. The oyster was the consummate Baltimore native, not only because it was enterprising and could be traded but because it possessed the always-present possibility of an even more valuable treasure inside. Suddenly the fish dealer clucked exultantly.

"‘Reynolds,' it was! Right, that's it, ‘Reynolds'! I know because she kept saying it when she told me over supper, and on our plates were the last good soft-shell crabs of the season."

I asked him to think hard and be certain.

"‘Reynolds, Reynolds, Reynolds!'" he said with some offense at my doubt. "That's how he was calling it out, all through the night. She said she couldn't pluck it out of her brain after she heard of it. Creaky ol' hospital-should be burnt down, I say. I knew a Reynolds in my youth who threw stones at infantrymen-he was a demonish character, no mistake, Squire Clark."

"But did Poe ever mention a Reynolds before?" I asked myself out loud. "A family member, or…"

The fish dealer's enjoyment of the scene lessened, and he stared at me. "This Mr. Poe was a friend of yours?"

"A friend," I said, "and a friend of all who read him."

I bid my client a hasty good evening with much gratitude for the remarkable service he had provided me. I had been permitted to hear Poe's very last utterance to this earth (or nearly the last, anyhow), and in it some retort, some revelation, some remedy to the slashing and the cutting of the press might be recovered. That single word meant there was something to be found, some life left of Poe's for me to discover.

Reynolds!

I spent countless hours searching through Poe's letters to me and through all of his tales and verse to detect any sign of Reynolds. Tickets to exhibitions and concerts went unused; if Jenny Lind, the "Swedish Nightingale," were singing in town, I would have been among my books all the same. I could almost hear my father direct me to put all this away and return to my law books. He would say (so I imagined), "Young men like yourself should observe that Industry and Enterprise can slowly do anything Genius does with impatience-and many things Genius cannot. Genius needs Industry as much as Industry needs Genius." I felt suddenly, each time I opened another Poe document, as though I was in an argument with Father, that he was trying to tear the very books out of my hands. It was not a wholly unwelcome feeling to encounter: in fact, I think it actually pushed me forward. Besides, in my capacity as a man of business I had promised Poe, a prospective client, that I would defend him. Perhaps Father would have commended me.

Hattie Blum, meanwhile, called at Glen Eliza with her aunt frequently. Whatever disapproval on their part had developed from my recent transgression had passed, or at least been suspended. Hattie was as thoughtful and generous in our conversations as ever. Her aunt, perhaps, was more watchful than usual, and seemed to have developed the dark eyes of a secret agent. Of course, my intense preoccupations, along with my general tendency to grow quiet when others talked, meant the women in my drawing room addressed each other more than me.

"I do not know how you bear it," said Hattie, looking up at the high domed ceiling. "I could not suffer a house as enormous as Glen Eliza alone, Quentin. It takes bravery to have too much space for yourself. Don't you think, Auntie?"

Auntie Blum snorted out a laugh. "Dear Hattie becomes terribly lonesome when I leave her for an hour with only the help for company. They can be dreadful."

One of my domestics came from the hall and refreshed the ladies' tea.

"Not so, Auntie! But with my sisters gone," Hattie began, then paused, with a slight and uncharacteristic blush.

"Because they've all married," her aunt said quietly.

"Of course," I agreed after a long pause from both Blum ladies suggested a comment on my part.

"With my three sisters out of the house, well, it can seem awfully desolate at times, like I must fend for myself but I do not even know against what. Haven't you ever had a feeling like that?"

"On the other hand," I said, "dear Miss Hattie, there is a certain peace to it, separated from the bustle of the streets and the concerns of other people."

"Oh, Auntie!" She turned jovially to the other woman. "Perhaps I crave the bustle too much. Do you think our family blood runs too warm for Baltimore after all, Auntie?"

A word about the woman being addressed, the one sitting in front of the hearth on an armchair as if it were a throne, the stately dame with a shawl wrapped around her as though it were a monarch's robe, Auntie Blum-yes, a word more about her since her influence will not diminish as our story's complications set in. She was one of that stalwart species of lady who seemed lost in her choicest bonnets and social habits but in fact possessed an ability to jostle her listener to his core, in the same trifling tone with which she critiqued the table of a rival hostess. For instance, during the same visit to my parlor she found occasion to comment offhandedly, "Quentin, isn't it fortunate, Peter Stuart finding you for his partner?"

"Ma'am?"

"Such a mind for business he possesses! He is a man of flat-footed sense, depend upon it. You are the younger brother of the pair, allegorically I mean, and soon shall be able to boast you are like him in all respects."

I returned her smile.

"Why, it is like our Hattie and her sisters. One day she shall be as successful in society as them-I mean if she becomes a wife in time, of course," Auntie Blum said, taking a long taste of the scalding hot tea.

I saw that Hattie looked away from both of us. Her aunt was the one person in the world who could remove Hattie's wonderful self-assurance. This angered me.

I placed my hand on Hattie's chair, near her hand. "When that time comes, her sisters will learn how to be true wives and mothers from this woman, I assure you, Mrs. Blum. More tea?"

I did not want to mention anything related to Edgar Poe in their hearing on the chance that Auntie Blum would find some excuse to inform Peter, or write a concerned epistle on the state of my life to my great-aunt, with whom she had been very hand and glove over the years. I found myself relieved, indeed, when each interview with that woman closed without my having said a word about my investigations. However, the restriction would make me anxious to resume my recent searches as soon as the Blums had departed.

On this occasion, when I boarded an omnibus I was addressed by the conductor as though I had just spit tobacco juice on the floor. "You!"

I had forgotten to hand over my ticket. An inauspicious start. After correcting this, the bus conductor painstakingly studied the portrait I held up for him before deciding the face was unfamiliar.

This portrait of Poe, published after his death, was not of the highest quality. But I believed it captured the essentials. His dark mustache, straighter and neater than his curling hair. The eyes, clear and almond shaped-eyes with restlessness almost magnetic. Forehead, broad and prominent above the temples, so that from certain angles he must look to have no hair-a man who could be all forehead.

As the doors closed and I was bumped into a seat by the line of oncoming passengers, a short and wide fellow tugged at my arm with the end of his umbrella.

"Pardon me!" I cried.

"Say, the man in that illustration, I think I'd seen him a while ago. Sometime in September, like you said to the conductor."

"Truly, sir?" I asked.

He explained that he rode the same bus almost every day and remembered someone who looked just like the man in the portrait. It happened as they were leaving the omnibus.

"I recollect it because he asked for help-wanted to know where a Dr. Brooks lived, if I remember. I'm an umbrella mender, not a city directory."

I readily agreed with the point, although I did not know if the latter comment was meant for me or Poe. N. C. Brooks's name was familiar enough to me-and certainly would have been to Edgar Poe. Dr. Brooks was an editor who had published some of Poe's finest tales and poems, which had helped introduce Poe's work to the Baltimore public. Finally, some real proof that Poe had not entirely disappeared into the air of Baltimore after all!

The horses' rumbling was starting to slow, and I jumped out of my seat as the vehicle began rolling to its next stop.

I hastened to my law chambers to consult with the city directory for Dr. Brooks's address. It was six in the evening, and I had assumed Peter had retired already after finishing his appointments at the courthouse. But I was wrong.

"My dear friend," he bellowed over my shoulder. "You look startled! Nearly jumped out of your skin!"

"Peter." I paused, realizing when I spoke that I was out of breath. "It is only-well, I suppose I was presently on my way out again."

"I have a surprise," he said, grinning and lifting his walking stick like a scepter. He blocked my way to the door, his hand groping for my shoulder.

"There is to be a grand blow-out this evening at my home, with many friends of yours and mine, Quentin. It was very lately planned, for it is the birthday of one who is most-"

"But you see I'm just now…" I interrupted impatiently, but stopped myself from explaining when I saw a dark glint in my partner's eyes.

"What, Quentin?" Peter looked around slowly, with mock interest. "There is no more to do here this evening. You have somewhere you must rush to? Where?"

"No," I said, feeling faintly flushed, "it is nothing."

"Good, then let us be right off!"

Peter's table was overrun with familiar faces, in celebration of Hattie Blum's twenty-third birthday. Shouldn't I have remembered? I felt a terrible tinge of remorse at my insensitivity. I had seen her for every one of her birthdays. Had I strayed so far from my ordinary path to forsake even the most pleasurable affairs of society and intimate friends? Well, one visit to Brooks, and I believed my preoccupation could be happily concluded.

There were as highly respectable ladies and gentlemen there that night as could be obtained in Baltimore. Yet wouldn't I have preferred to be in Madame Tussaud's chamber of murderers just then, anywhere just then but caught in slow and smooth conversation, when I had such a momentous task tempting me!

"How could you?" This was spoken by a large, pink-faced woman who appeared across from me when we sat down to the elaborate supper.

"What?"

"Oh dear," she said with a playful and humble moan, "looking at me-plain old me!-when there is such a specimen of beauty next to you." She made a gesture at Hattie.

Of course, I hadn't been looking at the pink-faced woman, or not intentionally. I realized I had fallen into one of my staring fits again. "I am surrounded by pure beauty, aren't I?"

Hattie did not blush. I liked that she did not blush at compliments. She whispered to me with a confidential air, "You are fixated on the clock, and have overlooked our most fascinating guest, the duck braised with wild celery, Quentin. Will not that demon Mr. Stuart allow you one evening free without work?"

I smiled. "It is not Peter's fault this time," I said. "I'm just picking, I suppose. I have little appetite these days."

"You can speak to me, Quentin," Hattie said, and seemed at that moment of a gentler cut than any woman I had ever met. "What do you think about now with such trouble on your face?"

"I am thinking, dear Miss Hattie…" I hesitated, then said, "Of some lines of poetry." Which was true, for I had just reread them that morning.

"Recite them, won't you, Quentin?"

In my excessive distraction I had taken two glasses of wine without eating properly to balance the effects of the spirits. So with a little persuasion, I found myself agreeing to recite. My voice hardly sounded familiar to me; it was round and bold and even resonant. To convey the style of presentation, the reader should stand wherever he happens to find himself and venture to pronounce in solemn and moody tones some of the following. The reader must also imagine meanwhile a cheery table exhibiting that species of abrupt, grating silences that accompany imposed interruptions.

When a period was put to this poem, I felt triumphant. There reached my ears thinly scattered applause, drowned out by a few coughs. Peter frowned at me, and simultaneously threw a pitying glance at Hattie. Only a few guests who had not been listening, but were pleased for any distraction, seemed appreciative. Hattie still applauded after all the others had stopped.

"It is the finest recitation ever spoken on a girl's birthday," she said.

Soon, one of Hattie's sisters agreed to sing a song at the piano. Meanwhile, I'd taken more wine. Peter's frown, which had quivered into place during the recitation of the poem, remained fixed when, after the ladies excused themselves to another room and the men began smoking, he brought me to a private corner where the massive hearth sequestered us.

"Do you know, Quentin, that Hattie came quite close to not wanting to celebrate her birthday tonight, and relented at the last moment upon my insistence on a supper?"

"Not because of me, Peter?"

"How could someone who thinks so much of the world depends on him not see what does depend on him? You did not even remember it was her birthday. It is time to stop, Quentin. Remember the words of Solomon: ‘By slothfulness the building decayeth, by idleness of the hands the house droppeth through.'"

"I don't know what you're driving at," I said irritably.

He looked straight at me. "You know well enough! This queer behavior. First, your strange preoccupation with a stranger's funeral. And riding the omnibuses back and forth without destination like a gadabout-"

"But who told you that, Peter?"

And there was more, he said. I had been seen running through the streets a week earlier, my dress out at the elbows, chasing someone like I was a police officer making an arrest. I had continued to spend inordinate amounts of time in the athenaeum.

"Then there is the idea of imagining strangers are threatening you on the streets for the poems you read. Do you think your reading is so important that people would harm you for it? And you wandering around the old Presbyterian burial ground like a pretty resurrection man looking for bodies to steal, or like a man who walks under a spell!"

"Hold on," I said, regaining my composure. "How do you know that, Peter? That I was at that old burial ground the other day? I am certain I hadn't mentioned it." I thought of the carriage hurrying away from the burial yard. "Why, Peter! Was it you? You followed me!"

He nodded and then shrugged. "Yes, I followed you. And found you at that cemetery. I confess openly I have been most anxious. I wanted to be certain you were not involved in some trouble or that you hadn't joined some cracked Millerites, waiting in white robes somewhere for the Savior to descend from heaven two Tuesdays from now! Your father's money will not last forever. To be rich and useless is to be poor. If you are occupied in strange habits, I fear you will find ways to squander it-or that some woman, some lesser member of the kinder sex than Miss Blum, by the bye, finding you in such a lonely state, will squander it for you-even a man with the strength of Ulysses must fasten himself to his mast when facing the artful woman!"

"Why would you leave that flower at his grave?" I demanded. "To mock me?"

"Flower? What do you mean? By the time I found where you had gone, you were kneeling on the grave, as though praying before some idol. That's all I saw, and it was enough. Flower-do you think I have time for such things!"

On this point, I could not help but believe him, as he truly sounded as though he had never heard the word "flower" before or beheld one. "And did you send that man to me? That warning not to meddle. To try to dissuade me from my interests outside the office? Tell me at once!"

"Absurd! Quentin, listen to your own flat nonsense before they send for a straitjacket! Everyone understood you needed time after what happened. Your depression of spirits was…" He looked away from me for a moment. "But it has been six months." Actually, it had been five months and one week since my parents had been laid to rest. "You must think of all this, beginning now, or…" He never finished this statement, only nodded with decision to impress the point. "It's that other world you're fighting against."

"The ‘other world,' Peter?"

"You think me at odds with you. But I tried to gain greater sympathy with you, Quentin. I sought out a book of tales by that Poe. I read half of one tale-but I could go no further. It seemed…" Here he lowered to a confessional whisper. "It seemed as I read that God was dead to me, Quentin. Yes, it's that other world that I worry about for you-that world of books and bookmen who invade the minds that read them. That imaginary world. No, this is where you belong. These are your class, serious and sober people. Your society. Your father said that the idler and the melancholy man shall ever wander together in a moral desert."

"I know what my father would say!" I protested. "He was my father, Peter! Do you not think I keep a memory of him as strong as yours?"

Peter glanced away. He seemed embarrassed by the question, as though I was challenging his very existence, though in fact I sincerely wished to know his answer. "You have been like a brother to me," he said. "I mean only to see you contented."

A gentleman obliviously interrupted us, ending our discussion. I refused his offer of tobacco, but I did take a glass of warm apple-toddy. Peter was right. Unspeakably right.

My parents had given me a post in society, but it was now my place to earn its luxuries and fine associations. What dangerous restlessness had I been dandling! It was to be able to enjoy the comforts and delights of good circles that I labored at our law practice. To enjoy the company of a lady like Hattie, who never failed as a friend and a steady influence. I closed my eyes and listened to the sounds-friendly sounds of contentment, which cordially surrounded me from every side and drowned out my riotous thoughts. In here people knew themselves, and never doubted for a moment that they understood the others around them and that they themselves were perfectly understood in return.

When Hattie returned to the room, I signaled her to come to me. To her surprise, right away I took her by the hand and kissed it, then kissed her cheek in front of everyone. The guests one by one fell silent.

"You know me," I whispered to her.

"Quentin! Are you unwell? Your hands feel warm."

"Hattie, you've known my feelings for you, whatever those who babble about me say, haven't you? Haven't you always known me, though they gape and simper? You know I am honorable, that I love you, that I loved equally yesterday and today."

She took my hand in hers and a thrill ran through me to see her so happy merely by a few honest words from me. "You've loved me yesterday and today. Tomorrow, Quentin?"

At eleven o'clock on this night, her twenty-third birthday, Hattie accepted my marriage proposal with a simple nod. The match was declared suitable by all present. Peter's smile was as wide as anyone's; he forgot entirely about his rough words to me, and more than once he took credit for the arrangement.

By the end of the evening, I had hardly even seen Hattie again, we were so bombarded on every side. My head was clouded by drink and exhaustion together with a feeling of satisfaction that I had done what was perfectly right. Peter had to gingerly put me in a carriage and direct the driver to Glen Eliza. Even in my stupor, though, I took the slender Negro driver aside before he left me at my house.

"Can you return first thing in the morning, sir?" I asked.

I laid down an extra silver eagle to ensure our rendezvous.

The next day, the driver was there at my pathway. I almost sent him away. I was a different man than the morning before. The night had impressed me with what was real in this life. I would be a husband. It seemed, in this light, that I had obviously already gone far beyond any acceptable interest in the final hours of a man whose own cousin did not care a pin. And what of that Phantom, you ask?-why, it seemed obvious now that Peter was completely right about him. The man had been some uneasy lunatic who happened to have heard my name before in a courtroom or some public square, and merely was babbling to me. Nothing to do with Poe! With my private reading! Why had I let it (and Poe) drive away my peace to such a degree? Why had I felt so grand when thinking I could find an answer? I could hardly think about it at all now. I decided to send the carriage away. I think if the honest driver had not looked so anxious to please me, I would have done so; I would not have gone. I wonder sometimes what would now be different.

But I did go. I directed him to the address of Dr. Brooks. Here would be my last errand in that "other world." And as we drove, I thought about Poe's tales, how the hero chose, when there were no longer any good choices, to find a certain impossible boundary-as did the fisherman traveler lost in "A Descent into the Maelström," plummeting down into the whirlpool of eternity-which most would not dare cross. It is not the simplicity of a tale like Robinson Crusoe's, who chiefly must survive, which is what we would all try accomplishing; living, surviving, is only a beginning for a mind like Poe's. Even my favorite character, the great analyst Dupin, voluntarily and cavalierly seeks entrance uninvited into a realm that brings unrest. What is miraculous is not only the display of his reasoning, his ratiocination, but that he is there at all. Poe once wrote in a tale about the conflict between the substance and the shadow inside of us. The substance, what we know we should do, and the shadow, the dangerous and giggling Imp of the Perverse, the dark knowledge of what we must or will do or secretly want. The shadow always prevails.

As we passed through shady avenues among some of the most elegant estates, heading to Dr. Brooks's house, I was suddenly jostled forward out of my seat.

"Why have we stopped?" I demanded.

"Here, sir." He came around to open my door.

"Driver, that cannot be."

"Wha'? Sir…"

"No. It must be farther, driver!"

"Two-seven-zero Fayette, as you asked. Right here."

He was right. I leaned far out the window, looking upon the scene, and steadied myself.

4

WHAT I HAD imagined: conversation with Brooks, perhaps a dish of tea. He talking of Poe's visit to Baltimore, recounting the poet's purposes and plans. Revealing Poe's interest in finding one Mr. Reynolds for some urgent purpose. Perhaps Poe even having mentioned me, the attorney who had agreed to protect the new magazine. Brooks offering all the particulars of Poe's demise that I had thought Neilson Poe could have provided. I would convey Brooks's story to the newspapers, whose reporters would grudgingly correct the languid reporting made since his death…

That was the encounter for which I had been prepared when I had first heard Brooks's name.

Instead, outside No. 270 Fayette, the only person in sight was a free black, solitary and determined, dismantling a piece of the charred, broken wooden frame of the house…

I stood before the address of Dr. Brooks and wished again that it were the wrong number. I should have brought the city directory itself to be certain I was at the right place-although I had even written the address on two slips of paper now in separate pockets of my vest. I checked one slip-

Dr. Nathan C. Brooks. 270 Fayette st.

then reached into my pocket for the other-

Dr. N. C. Brooks. 270 Fayette.

This had been the house. Of course.

The lingering stench of burnt, damp wood threw me into a fit of coughing. Broken china and charred scraps of ruined tapestries seemed to compose the floor inside. It was as though a chasm had opened up beneath and pulled out all the life that had been there.

"What happened here?" I asked when I had regained my breath.

"Pray God," the joiner, a type of carpenter skilled in woodwork, repeated to himself under his breath. Thank the Lord, he said, the Liberty engine company had prevented more destruction. "If Dr. Brooks hadn't hired himself an unskilled man first," he told me, "and without the blasted rain, the repairs would long be done, and splendidly." In the meantime, the owner of the house was living with relatives, but the joiner did not know where.

The laborer was able to tell me further that the fire had occurred about two months earlier. I rapidly compared the dates in my mind and realized with numbness what it meant. The fire would have been just around the time…the very time Edgar Poe arrived in Baltimore looking for the house of Dr. Brooks.

"What is it you wish to report?"

"I have told you, if you could call for the officer, I shall give all the particulars." I was standing in the Middle District police station house.

After several exchanges similar to this, the police clerk brought out an intelligent-looking officer from the next room. All of my urges to see something done had returned forcefully, but with an entirely different bent. As I stood in front of the police officer and narrated the events of the last weeks, I felt a wave of relief. After what I'd seen at the Brooks house, after having breathed the last traces of destruction and looked upon the sleepy, now-vacant windows and the scarred tree trunks, I knew that this had surpassed me.

The officer examined the newspaper cuttings I handed to him as I explained the questions the press had neglected or misunderstood.

"Mr. Clark, I know not what can be done. If there were reason to believe there had been some wrongful act associated with this…"

I grasped the officer's shoulder as though I had found a lost friend. "You believe so?"

He looked back faintly.

"Whether there was a wrongful act," I repeated his words. "It is precisely the sort of question for which you must find an answer, my good officer. Just that! Hear me. He was found wearing clothes that did not fit him. He was shouting out for a ‘Reynolds.' I know not who that could be. The house he went to upon his arrival burnt down, perhaps near the very same hour he arrived at it. And I believe a man, one I had never seen before, tried to frighten me from inquiring into these matters. Officer, this mystery must not remain untreated a moment longer!"

"This article," he said, returning to the newspaper cutting, "says Poe was a writer."

Progress! "My favorite author. In fact, if you are a magazine reader, I would wager you have come upon his literary work." I listed some of Poe's best-known magazine contributions: "The Murders in the Rue Morgue," "The Mystery of Marie Rogêt," "The Purloined Letter," "‘Thou Art the Man,'" "The Gold-Bug"…I thought the subject matter of these tales of mystery, dealing in crime and murder, might hold special interest to a police officer.

"That was his name?" The clerk who had greeted me upon my entrance interrupted as I recited my list. "Poe?"

"Poe." I agreed, probably too sharply. The phenomenon had always vexed me. Many of Poe's stories and poems achieved great fame, yet managed to deprive the writer of personal celebrity by overshadowing him. How many people had I encountered who could proudly recite all of "The Raven" and several of the popular verses parodying it ("The Turkey," for instance) but could not name the author? Poe attracted readers who enjoyed but refused to admire; it was as though his works had swallowed him up whole.

The clerk repeated the word "Poe," laughing as though the name itself contained great, illicit wit. "You've read some of that, Officer White. That story"-he turned chummily to his superior-"where the bodies are found bloody and mangled in a locked room, the Paris police can't turn anything up, and don't you know, it ends up all of it was done by a sailor's damned runaway ape! Imagine that!" As though part of the story itself, the clerk now slouched over like a simian.

Officer White frowned.

"There is the funny French fellow," the clerk continued, "that looks at things with all his fancy logicizing, who knows the truth at once about everything."

"Yes, that is Monsieur Dupin!" I added.

"I do remember the story now," said White. "I shall say this, Mr. Clark. You couldn't use that higgledy-piggledy talk from those stories to catch the most ordinary Baltimore thief." Officer White topped this comment with a coarse laugh. The clerk, at a loss at first, then imitated his example in a higher pitch, so that there were two men laughing while there I stood, somber as the undertaker in war.

I had little doubt that there were an infinite number of talents these police officers could have learned, or tried to learn, from Poe's tales-indeed, the prefect of police whom Dupin embarrassed in the stories had more aptitude than my present companions for understanding that which is classed as mysterious, inexplicable, unavoidable.

"Have the newspapers agreed with you that there is more to find?"

"Not yet. I have pressed the editors, and will continue to use my influence to do so," I promised.

Officer White's eyes wandered skeptically as I gave him further details. But he ruminated on our talk and, to my surprise, agreed it was a matter for the police to examine. He advised in the meantime that I dismiss it from my mind and not speak of it to anyone else.

Nothing particular occurred for several days after that. Peter and I prospered with some important clients who had recently retained our services. I'd see Hattie at a dinner or on Baltimore Street as she strolled on her aunt's arm, and we would exchange tidings. I would be blissfully lost in her restful voice. Then one day I received a message from Officer White to call on him. I rushed over to the station house.

Officer White greeted me at once. From the twitch of his grin he seemed eager to tell me something. I inquired if he had made progress.

"Oh, there has been much of it. Yes, I should say ‘progress'!" He searched a drawer and then handed me the newspaper clippings I had left in his possession.

"Officer, but you may wish to refer to these further in your examination."

"There will be no examination, Mr. Clark," he said conclusively as he settled back into his chair. Only then did I notice another man gathering his hat and walking stick from a table. He had his back to me, but then turned around.

"Mr. Clark." Neilson Poe greeted me quietly, after a slow blink as though making an effort to remember my name.

"I called on Mr. Neilson Poe," Officer White said, gesturing with satisfaction at this guest. "He is known to us from the police courts as one of our most highly esteemed citizens and was a cousin to the deceased. You gentlemen are acquainted? Mr. Poe was kind enough to discuss your concerns with me, Mr. Clark," Officer White continued. I already knew what would come next. "Mr. Poe believes there is no need for any examination. He stands quite content with what is known about his cousin's premature death."

"But, Mr. Poe," I argued, "you yourself said you were not able to learn what had happened in Edgar Poe's final days! You see there is some great mystery!"

Neilson Poe was busy covering himself in his cloak. As I looked upon him, I thought of his demeanor during our meeting and his manner toward his cousin. "I'm afraid there's nothing more I can tell you about the end," he had said to me in his office chambers. But, I now considered, did he mean he knew nothing else or he would tell me nothing else?

I leaned in close to where Officer White sat, trying to confide in him. "Officer, you cannot-Neilson believes Edgar Poe is better dead than alive!" But Officer White cut me short.

"And Mr. Herring here agrees with Mr. Poe," he went on. "Perhaps you know him-the lumber merchant? He is another one of Mr. Poe's cousins, and he was the first relative to be present at the Fourth Ward polls, which were at Ryan's hotel, the day Mr. Poe was found delirious there."

Henry Herring stood at the door of the station house, waiting for Neilson Poe. At the mention of his early presence upon Edgar Poe's discovery, Herring dropped his head. He was of a stouter build and shorter stature than Neilson, and wore a dour expression. He took my hand stiffly and without the least interest. I knew him immediately as another one of these four negligent mourners at Poe's lonely burial.

"Let the dead rest," Neilson Poe said to me. "Your interest strikes me as morbid. Perhaps you are like my cousin more than in handwriting alone." Neilson Poe bid us all a quiet good afternoon and walked briskly out the door.

"Peace be to his ashes," said Henry Herring in solemn tones, and then joined Neilson in front of the building.

"We have enough problems to concern ourselves with in all events, Mr. Clark," Officer White began once we were left without Poe's relatives. "There are the vagabonds, the night-strollers, the foreigners, harassing, corrupting, robbing our stores, demoralizing the good children more every day. No time for small issues."

The officer's speech went on and, as he spoke, I cast a glance out the window. My eyes followed Neilson Poe and Henry Herring to a carriage. I saw a petite woman waiting inside as the door was opened. Neilson Poe climbed in next to her. It took me a moment to realize how eerily familiar she looked. In another moment, I remembered with a chill through my bones where I had seen her or, rather, a woman just like her. That death portrait in Neilson Poe's office that had so disturbed him. This woman was almost a double, a twin, for Edgar Poe's deceased young love, Virginia. She was Virginia-Poe's darling Sissy!-as far I was concerned.

Remembering the countenance of Sissy Poe, captured only hours after her death, some lines of Edgar Poe's inserted themselves in my mind.

But stay! I could not believe it. Poe's description of the beautiful girl Lenore at her death-"that now so lowly lies"-were the same two words at the end of the Phantom's warning. It is unwise to meddle with your lowly lies. The warning had been about Poe after all, just as I had thought! Lowly lies!

I leaned out the window and watched the carriage disappear safely.

Officer White sighed. "Realize it, Mr. Clark," he said. "There is nothing more here, sir. I beg you to give these concerns to the wind! It seems you have an inclination to think of affairs as extraordinary that are quite ordinary. Do you have a wife, Mr. Clark?"

My attention was pulled back to him by the question. I hesitated. "I will soon."

He laughed knowingly. "Good. You should have much to occupy yourself without needing to think of this unhappy affair, then. Or your sweetheart might give you the mitten."

Faithful use of the blank page before me would describe the ensuing despondency as I sat at my misted window overlooking the exodus of people from the offices surrounding ours. I stayed until even Peter had gone. I should have felt at ease. I had done all I could. Even speaking with the police. There was nothing remaining for me to attempt to do. A pall of routine seemed to stretch out before me.

Days passed like this. I entered into an advanced state of ennui that no comforts of society could diminish. It was then I received a knock at the door, and a letter. It was a messenger sent from the athenaeum; the reading room clerk, not having seen me for some time, had decided to send me some newspaper cuttings he had come upon. Newspaper cuttings from several years before; noticing some that had occasion to allude to Edgar Poe, and no doubt remembering my inquiries, he had thought to enclose them in a letter to me.

One seized me entirely.

Think of it.

He had been out there all along.

5

September 16, 1844

Our newspaper has been informed by a "Lady Friend" of the brilliant and erratic writer Edgar A. Poe, Esq., that Mr. Poe's ingenious hero, C. Auguste Dupin, is closely modeled from an individual in actual life, similar in name and exploit, known for his great analytical powers. This respected gentleman is recognized widely in the regions of Paris, where that city's police frequently request his involvement in cases even more baffling than those Mr. Poe has chronicled in his truly strange accounts of Mr. Dupin, of which "The Purloined Letter" marks the third installment (though the editors hope more will be produced). We wonder how many thousands of burning questions occurring these last years in our own country, and how many yet to come, this real genius of Paris could have effortlessly unriddled.

6

I HELD THE newspaper clipping in my hands. I felt an unnameable difference in myself and in my surroundings as I read it. I felt transported.

A few minutes after the messenger from the athenaeum had exited my chambers, Peter burst in with an armful of documents.

"What are you looking at with such intolerable excitement, Quentin?" he asked. I think it was only a rhetorical question. But I was so enthused that I answered him.

"Peter, see for yourself! It was sent over with some other articles by the clerk at the athenaeum."

I do not know why I did not restrain myself. Perhaps consequences no longer mattered to me.

Peter read the newspaper clipping slowly, his face dropping. "What is this?" he asked with clenched teeth. I cannot pretend not to understand his ensuing reaction. After all, we had an appointment at court the next morning. Peter had been running about the office, frantically preparing, until he'd come in just now. Imagine how he found his partner. Studying documents for our client's hearing? Checking them one last time for errors? No.

"There is a real Dupin in Paris-I mean Poe's character of a genius investigator," I explained. "‘Recognized widely in the regions of Paris.' You see? It is a miracle."

He slapped the extract onto my desk. "Poe? Is this what you have been doing here all day?"

"Peter, I must find out who this person spoken of in the article is and bring him here. You were right that I could not do this myself. He can do this."

There was an edition of Poe's Tales I kept on my shelf. Peter grabbed the book and waved it in front of my face. "I thought you were finished with this Poe madness, Quentin!"

"Peter, if this man exists, if a man with a mind so extraordinary as C. Auguste Dupin's is really out there, then I can complete my promise to Poe. Poe has been telling me all along how to do it, through the pages of his own tales! Poe's name can be restored. Snatched away from an eternity of injustice."

Peter reached for the newspaper extract again, but I grabbed it out of his hand and folded it into my pocket.

He seemed angered by this. Peter's massive hand now shot forward, clutching, as though needing to choke something, even the air. With his other hand, he flung the book of Poe tales straight into our hearth, the flames of which had been stoked up into a cheerful fire by one of the clerks just a half hour before.

"There!" he said.

The hearth fizzled with its sacrifice. I think Peter was instantly sorry for his action, since the fierceness in his face transformed into sourness as soon as the flames reached for the pages of the book. Understand, this was not one of the volumes I prized for its binding or from any particular sentimental attachment. It was not the copy I had found myself reading in the quiet days after receiving the telegram of my parents' deaths.

And yet, unthinkingly, with the swiftest motion I had ever shown, I reached in and pulled out the book. I stood there in the middle of my chambers, the book ablaze in my hand. My sleeve became a burning ring at the cuff. But I stood resolutely in place as Peter blinked, his helpless eyes large and glinting red with the fire as he took in this sight: the sight of his partner gripping a flaming book while the sizzling fire was beginning to engulf his arm. Strangely, the more delirious his expression became, the more tranquil I felt myself become. I could not remember ever having felt so strong, so decided in my purpose as in this single moment. I knew what was necessary for me now.

Hattie had come into the room looking for me. She stared at me, stared at the burning object I held in front of me, not shocked, exactly, but with a rare flash of anger.

She threw a rug from the hall over my arm and patted the flames until the fire was out. Peter recovered himself enough to gasp at the incident and then check the rug's damage before conferring with Hattie. The two clerks hurried over to me to stare, as if at a wild beast.

"Get out! Out of these offices now, Quentin!" Peter shouted, pointing with a trembling hand.

"Peter, no, please!" Hattie cried.

"Very well," I said.

I stepped out of my chamber door. Hattie was calling for me to return. But I did not turn back. I could see only faraway things in my mind as though they were stretched out before me in the wings of these halls: the long promenades, the din of the busy cafés, the unabashed, dreamy musical chords of dancing and fêtes, the redemption waiting to be uncovered in a distant metropolis.