The Pretender's Crown

BELINDA PRIMROSE

Witchpower surges at her, a lance flung through the tempest. It flies straight and true, and the woman she was six months ago would have fallen beneath it.

Today it might be a bit of straw, and she a kitten at play: she bats it away, and her own magic pounces after it, rolling it in her own will and bending it back toward Javier de Castille. She bent Dmitri; it is no great thing, now, to deny the red-haired Gallic king.

But she cannot simply cut him off from his power the way she did Dmitri: his awareness of the Cordulan armada is too useful if she wishes to drown those ships. So she falters, drawing the image in her mind: Javier standing above her, a spear in hand, thrusting down, and her own hands reaching to catch its haft in a desperate attempt to save herself. She twists silver power to one side, sending Javier stumbling; he recovers, and jabs again, and she flinches aside herself, letting magic slam into the earth around her. None of this happens on the physical plane: it's all within her mind, pictures to help her guide the play.

She split her willpower once while exploring talent with Javier, and he failed to see her attack until it was too late. It's more difficult to do that now: the battle they fight for dominance is much more deadly than that game had been. But then, she's stronger than she was, and so a part of her mind goes to wrestling Javier while another leaks out along the latticework of conjoined sailing vessels.

The harshest part of the storm is over the greatest number of ships now, battering not just the armada but Aulun's own navy. She's lost ships while fighting Javier, the storm's uncaring hunger content with Aulunian sailors. Belinda splits her attention a third way, sending out tendrils of witchpower meant to discourage the high winds from smashing her ships.

Javier's power roars down on her, such strength that she drops to her knees, wide-eyed but unseeing on the storm-ridden cliffs. The picture in her mind loses focus, then comes clear again and now she's on a headman's block, and Javier stands over her as the executioner.

Belinda, with a whimpered apology to her navy, withdraws the magic meant to protect it, and flings up a shield as Javier swings an axe toward her slender neck.

Silver cleaves gold and there is a moment of joining and of erotic passion. It's filled with memory, with the trembling exploration of esoteric touch, and with the possibility of a future that neither Belinda Primrose nor Javier de Castille could have commanded outside of dreams. They are, for that brief instant, one.

The raging storm comes to a stop inside that moment, and a single thin line of entwined gold and silver unfurls itself through time, whispering of hope as it goes. Gold and silver and crimson: that slim thread carries Belinda's heart's blood with it, too, against her will and with it all at once.

Then it twists back, becoming wire, becoming a garrotte, and the cut it makes is around Belinda's heart, slashing it to pieces and leaving an aching hole inside her. Javier sees no pretty pictures in their tangled futures, and false dreams aside, Belinda has known that's how it must be. She did, after all, murder his mother.

Somehow there's humour in that thought. It enrages Javier and releases Belinda from her sorrow, leaving them a war to fight again. On the cliffs, Belinda gets to her feet again, slow joint by joint rising that's an act of defiance and necessity. Javier expects her to be on her knees; standing, she throws everything that she is into his teeth, and Belinda takes pride in that.

What she does not know is the storm has ripped her hair from its tight bindings, that it has torn her clothes and left her clearly a woman standing alone on the cliff's edge. What she does not know is that first one, then another, and now thousands of Aulunian soldiers have seen her, black-haired in the rain, white-skinned, lit by gold: an unearthly creature with her hands and face raised to the storm. What she does not know is that they have whispered it amongst themselves already, and that their story burns like fire through the ranks.

God, they say, may have lent Javier de Castille a gift of power, but He has sent the Holy Mother herself to watch over Aulun and her people.

Belinda, who would laugh at the idea, is blessedly unaware, and when Javier strikes at her again with his silver magic, she only lets a tsk of dismay through the shield she has created. She could fight the Gallic prince to a standstill, could dominate and destroy him, but wisdom, though it's come lately, has at least come to her. Her shield may be gold, soft rich metal that it is, but it's heavy and solid, and the more time Javier wastes trying to pick his way through it, the more time she has to pull his fleet down around him. She ignores his own bright boat for the moment, so as to give him no reason to stop trying to destroy her, and instead turns her attention to the ships doing battle with her own in the belly of the storm.

Most of them will never know what happened. Belinda's hands claw, and so does the wind-whipped surface of the sea. Heavy planks shatter under water shaped with human intent, holes smashed beneath the waterlines. A dozen ships are sunk before the others start to realise something is wrong.

She cannot drown them all. The armada is too vast, too spread out, but many of their ships are at the centre of the fight and the heart of the tempest. Belinda reaches for those closest to Javier's, following his latticework, and comes upon a familiar presence.

Marius Poulin is on board one of those ships, and his terror is fresh and strong. A cramp seizes Belinda's heart, taking her breath and proving there's weakness in her after all. Marius has been badly used, both by herself and by his king. Whether it's mercy or foolishness, sympathy stings through her, and she releases his ship from the gold-laced network that drags the armada into the sea. Marius deserves better than a death by drowning, and that much, at least, she can give him. She can do nothing about the guilt that surges through him when his ship crashes to the top of the waves while others around it are drawn inexorably down, but there's the price of war: no matter how and no matter why, those who survive will bear a burden of self-inflicted censure.

Another price is paid for that moment of mercy: Javier's realised what she's doing, and has unleashed his awareness of the other ships the better to focus on keeping his afloat. It's hardly a heroic response, but Belinda finds it commendable: he's the serpent's head, and without him the amassed Cordulan army will wither and die.

He is also the particular threat to Lorraine's throne, and so Belinda stands, indecisive, for what feels like hours in the lashing rain. But in the end there's more damage to be done to his army's morale, and more safety for Aulun, if the armada is destroyed. She has a sense of her own navy's ships now, having singled them out as the ones not connected by Javier's awareness, and she can continue to lash out and sink the invading ships without fearing for her own.

Whether it's the storm that loses strength in time or herself, she's not sure, but a block of sunlight falls through clouds that are white from releasing rain. Shocked by the brightness, she lets witchpower fall away from herself, and only a lifetime of stubborn practise keeps her from staggering with exhaustion. She stands where she is, wishing she had a staff to lean on, and watches the Aulunian navy sail back to harbour. Their cheers are audible from a half-mile away, and she lifts a fatigued gaze to the horizon, as if she could see the armada's remains limping back to Gallin. Javier has survived, but his fleet has not. It's a victory worth bringing home to Lorraine.

Weary beyond belief, Belinda turns from the view and hobbles away from the cliffs, entirely unaware that she's leaving behind a legend in the making.