MARCH 1485

Another day when I rise for matins, pray as always for patience to endure my imprisonment and enforced silence, pray for the success of my son and for the downfall of his enemies, find my mind wandering as I think how Richard’s downfall might come about, find myself dreaming of the humiliation of the York princess and the witch her mother, and recall myself to myself with a sudden start and see that the candles are burning down on the altar and I have been on my knees for two hours and my companions are restless behind me, giving the theatrical sighs of women who imagine they are badly treated.

I rise up and go to breakfast and see the relish with which my ladies fall on their food as if they were famished by having to come an hour or so late. They really are hopelessly venal creatures. If I could have lived in a nunnery in this time of imprisonment, at least I would have lived with holy women and not this collection of fools. I go to my room to deal with the business of my lands and the gathering of the rents, but there is almost nothing to do. It all goes to my husband’s steward now, and I am a tenant in the house that was once all my own.

I make myself walk in the garden for an hour in the morning for the good of my health, but I can take no pleasure in the fat buds on the apple trees and the bobbing yellow of the Lenten lilies. The sun is starting to grow warm again for another year of my captivity, and it is hard for me to take any joy in it. This must be the start of campaign season-my son must surely be recruiting troops and hiring ships, but I know almost nothing about it. It is as if I am trapped in a winter of solitude and silence, while the rest of the world is waking to life, to opportunities, to sin itself.

I almost think it is an echo of my mood when the world seems oddly shadowed, the sunlight which was so bright and warm only a moment ago starts to feel cool, starts to look almost like candlelight, candlelight throughout the orchard, and suddenly all the birds that were singing to one another in the trees fall silent, and the hens at the end of the orchard all scurry to the henhouse, as it gets darker and darker all around as if night were falling though it is not yet noon.

I freeze in my stride: at last my calling has come upon me. It has happened at last. A vision, a full daytime vision, has come to me, and at last I shall see an angel or perhaps the blessed Lady Mary Herself, and She will tell me when my son will invade, and that he will triumph. I drop to my knees, ready for the visitation that I have waited for all my life. At last, I shall see what Joan the Maid saw. At last I shall hear the voices of angels in the church bells.

“Lady Margaret! Lady Margaret!” A woman comes running out of the house, a man-at-arms behind her. “Come in! Come in! Something terrible is happening!”

I open my eyes with a start and look behind me at this screaming fool as she gallops across the orchard, skirts flapping and headdress awry. It cannot be a holy vision if an idiot like this can see it. I rise to my feet. There is no vision for me today; my sight is only what everyone else sees, and it is no miracle but something worldly and strange.

“Lady Margaret! Come in! It must be a storm or something worse!”

She is a fool, but she is right in this: something terrible is happening, but I cannot understand what it is. I look up at the sky, and I see the strangest and most ominous sight: the sun is being devoured by a large, dark rondel, like a plate being passed before a candle. Slowly, as I shade my eyes and squint through my fingers, I can see the plate pass before the sun and then it is completely covering it, and the world has gone dark.

“Come in!” the woman whimpers. “Lady Margaret, for the love of God, come in!”

“You go,” I say. I am quite fascinated. It is as if the darkness and despair of my own grief has blotted out the sun itself, and now it is, quite suddenly, as dark as night. Perhaps it will always be nighttime now; it will always be darkness while Richard is on the throne of England and my son is blotted from the world as the sun has been blotted from the sky. My life has been dark as night since his campaign failed, and now everyone can share the darkness with me, for they failed to rise for my son. We can all be benighted in this godforsaken kingdom without a true king, forever. It is nothing more than everyone else deserves.

The woman trembles and then runs back to the house. The man-at-arms stands, almost at attention, at a distance from me, torn between his duty to guard me and his own fear, and the two of us wait in the eerie half darkness, to see what-if anything-will happen next. I wonder if this is the world ending, and if now at last there will be a great trumpet peal from the angels and God will call me to His own, who has served Him so long and so hard, and so thanklessly, in this vale of tears.

I drop to my knees again and feel for my rosary in my pocket. I am ready for the call. I am not afraid, I am a woman of courage, favored by the Lord. I am ready for the heavens to open, and for God to summon me. I am His faithful servant; perhaps He will summon me first, showing everyone who ever doubted my vocation that He and I have a special understanding. But instead there is the unearthly light again, and I open my eyes and look around to see a world slowly restored, the light growing stronger, the disc peeling away from the sun, the sun too bright to look at, once more, and the birds starting to sing as if it were dawn.

It is over. The ungodly shadow is over. It has to be a sign-but of what? And what am I to learn from it? The man-at-arms, trembling with fear, looks at me, and forgets his place so much as to speak to me directly: “For the love of God, what was that all about?”

“It is a sign,” I say, not reproving him for speaking on this one occasion. “It is a sign from God. The reign of one king is ending and the new sun is coming. The sun of York is to be put out, and the new sun is to come in like a dragon.”

He gulps. “You are sure, my lady?”

“You saw it yourself,” I say.

“I saw the darkness …”

“Did you see the dragon come out of the sun?”

“I think so …”

“That was the Tudor dragon, coming out of the west. As my son will come.”

He drops to his knees and lifts his hands to me in the gesture of fealty. “You will call on me for your son,” he says. “I am your liege man. I saw the sun darken as you say, and the dragon come out of the west.”

I take his hands in my own, and I smile to myself. This is how ballads are born: he will say that he saw the Tudor dragon of Wales coming out of the west and darkening the sun of York.

“The sun is no longer in splendor,” I say. “We all saw it darkened and defeated. The whole kingdom saw the sun fail. This will be the year that the sun of York goes out forever.”

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