Akershus Fortress. 12 May 2000.
It was 2.30 in the morning and the old man had parked his car beside a low warehouse in a street called Akershusstranda. Years ago the street had been a main thoroughfare in Oslo, but after the Fjellinje tunnel had been opened Akershusstranda had been closed off at one end and was only used during the day by those working in the docks. And prostitutes' clients who wanted a relatively undisturbed place for the 'walk'. Between the road and the water there were several warehouses and on the other side was the western side of Akershus Fortress. Naturally, if anyone had taken up a position in Aker Brygge with a quality riflescope they would certainly have been able to see the same as the old man did: the back of a grey coat which jerked every time the man inside it thrust his hips forward, and the face of a very made-up and very drunken woman who was being banged against the west wall of the fortress, right under the cannons. On each side of the mating couple was a floodlight projector lighting up the rock face and the wall above them.
Akershus, the WWII Wehrmacht prison. The internal section of the fortress area was closed for the night, and even though he could probably find his way in, the risk of being discovered in the actual place of execution was too great. No one really knew how many were shot there during the war, but there was a memorial plaque for fallen Norwegian Resistance men. The old man knew that at least one of them was a common criminal who had deserved his punishment whichever way you looked at it. And it was there they had shot Vidkun Quisling and the others who had been tried for war crimes and sentenced to death. Quisling had been imprisoned in the Powder Tower. The old man had often wondered if the Powder Tower had inspired Jens Bjorneboe's book, in which he described, in great detail, various methods of execution over the centuries. Was his description of execution by firing squad actually a portrait of the execution of Vidkun Quisling that October day in 1945 when they led the traitor out to the square to drill his body with bullets? Had they, as the author wrote, placed a hood over his head and fastened a white square of cloth over his heart as a marker? Had they given the command to shoot four times before the shots rang out? And had the trained marksmen shot so badly that the doctor with the stethoscope had been forced to say that the condemned man would have to be executed again-until they had done it four or five times and death occurred through loss of blood from the many surface wounds?
The old man had cut out the description from the book.
The grey coat had finished his business and was on his way down the slope to his car. The woman still stood by the wall; she had pulled her skirt back into place and lit a cigarette which glowed in the dark when she inhaled. The old man waited. Then she crushed the cigarette under her heel and began to walk down the muddy path round the fortress and back to her 'office' in the streets around Norges Bank.
The old man turned towards the back seat where the gagged woman stared at him with the same petrified eyes he had seen when she became conscious after being given diethyl ether. He could see her mouth moving behind the gag.
'Don't be frightened, Signe,' he said, leaning over and fastening something on to her coat. She tried to bend her head to see what it was, but he forced her head up.
'Let's go for a walk,' he said. As we used to.'
He got out of the car, opened the rear door, pulled her out and shoved her in front of him. She stumbled and fell on the gravel in the grass beside the path, but he caught hold of the rope which bound her hands behind her back and pulled her to her feet. He positioned her directly in front of one of the floodlight projectors, with the light in her eyes.
'Stand still. I forgot the wine,' he said. 'Red Ribeiros. You can remember it, can't you? Quite still, otherwise I…'
She was blinded by the light and he had to put the knife right in front of her face for her to see it. Despite the piercing light, the pupils were so large that her eyes seemed almost completely black. He went down to the car and scouted around. No one in sight. He listened and all he heard was the usual drone of the town. Then he opened the boot. He shoved the black rubbish bag to the side and could feel that the body of the dog inside had already begun to go stiff. The steel of the Marklin rifle twinkled darkly. He took it out and sat in the front seat. He rolled the window half-down and rested the gun on it. When he looked up he could see her gigantic shadow dancing on the yellowish brown sixteenth-century wall. The shadow had to be visible all the way across the bay from Nesodden. Beautiful.
He started up the car with his right hand and revved the engine. He took a last look around before peering through the sights. The distance was barely fifty metres and her coat filled the whole of the circle in the sight lens. He shifted his aim marginally to the right and the black cross-hair found what he was searching for-the white piece of paper. He released the air from his lungs and crooked his finger around the trigger.
'Welcome back,' he whispered.
Part Eight