The Sacrifice Game

(34)

The knot unraveled, but the ball seemed not to fall but to hover for more than a moment and then to sink reluctantly into the thick air, slowly accelerating down into the round central marker, building up to real speed in the last arm of its fall, and then there was a hollow CHUHN!!! the sound marking the exact demarcation between yesterday and today for all Ixian historical time.

“Chun,” the cantor called almost simultaneously with the sound. In ball language chun was the word for base or “trunk” or “root,” since the markers were sections of branches of the tree path to Xibalba. So the cantor’s play-by-play was kind of like Yoruba talking pressure-drums, it both imitated the sounds of the ball game and gave out names and moves and positions, and the whole rap radiated out from the court in a widening circle. Listening to the city was like hearing hundreds of big antique radios picking up a broadcast through some thick medium that slowed it down to much less than the speed of sound.

Before you could see the black sphere rise off the marker the right-hand strikers had already closed in, Hun Xoc from our side and Emerald Immanent from the west. The ball drooped down again into their double blur and you heard flesh slapping on flesh and then the crisp hollow sound of the ball on a hollow yoke. The head cantor shouted, “ Bok!” the ball word for “yoke,” or “bone” or “horn.” The word was so close to the actual sound that it seemed like one of the echoes off the sloping banks, as the batteries of criers relayed the call out into the suburbs and hamlets and out the roads far through the hinterlands. Village adders memorized it at the first hearing. Troupes of hipball-adders interpreted it based on where the hit came from, by whom, on what beat, and a hundred other considerations, and the human reverberations rippled through signal- and runner-relays out through IX and Ix’s four hundred towns and beyond, out to the corners of the four quarters and up and down to the buds and roots of the Big Tree, the Tree of Four Hundred Times Four Hundred Branches. But of course here the ball-time was moving on ahead, and before the echo had gotten to the second relay circle, beyond the court district, the ball had angled up and hit the Harpies’ goal peg, and there was a wide liquid clap on the huge clay-cylinder scoring drum. The cantor shouted, “ T’un!” which imitated the sound of the ball on the hollow peg but was also the word for “point.”

The referees signed that it was legal. A big whooshing spitty whistley hiss rose out of the Ocelots and their partisans, the equivalent of applause, all breaking against a tide of stamping feet on the Harpy side, the more satisfying Maya equivalent of boos.

“T’un Bolom, kam-chen Bolomob,” the first chanter sang, that is,

“Goal, Ocelot, one-zero, Ocelots.”

The circles criers repeated the call, “T’un Bolom, kam-chen Bolomob.”

At the goal the players retreated behind their end-zone lines. A pair of untouchables ran in and caught the ball together with their gloved hands. One of them stood on the central marker, holding the ball, while the other purified it with a dusting of blood ashes out of a pouch. If the invisibles were like stagehands, the untouchables were a bit more like ballboys. But since they touched the court surface and the blood and the dead and most of all the ball, they were irrevocably polluted.

“Li’skuba ka.” Ready for Ball Two. I was getting that racehorse-at-the-gate feeling that I’d burst if I didn’t get out on the court. The first invisible faced west and threw the ball underhanded up into the air, expertly dropping it down on the Ocelots’ emerald-green rear marker.

“Chun,” the chanter called again. Emerald Immanent got the tip again and yoke-bounced the ball upward, controlling it-“ Bok” — and passed it gently off his shoulder arm.

“P’uchik,” the chanter called. The word both meant a hit on the body and imitated the sound of a ball hitting flesh and then snap-disengaging from oiled skin. Emerald Howler, the other Ocelot striker, caught the pass on the side of his yoke, “bok,” and knocked it ahead and right, angling it off the sloped masonry wall like in old-fashioned court tennis.

“Pak,” the cantor called, imitating the crisp solid sound. It was also the word for “wall.” Emerald Immanent had already run downcourt and positioned himself under the dropping ball for a shot at the target. The crowd noise fell to near silence and all you could hear was the warbling play-by-play chants and the players’ grunts and the squeaks and cracks of their sandals. It wasn’t that spectators weren’t allowed to talk, but that the game absorbed your total attention, even if you couldn’t see it happening. The crowd was so fascinated they actually shut up and let the intensity build until it was released in the paroxysm of applause at the end of a tense play, or a goal, or a death.

5-5 came up fast and blocked Emerald Immanent’s shot, but Immanent shifted, faded back, shoulder-passed back off the wall to Emerald Howler-“ P’uchik pak ”-who yoked it up perfectly up into the underside of the Harpy goal: “ Bok… t’un!”

“T’un Bolom,” the score-adder called, “wasak-chen Bolomob.”

“Goal, Ocelot, two-zero, Ocelots.”

Whistling blasted out of the crowd. It was two hundred beats later before the players settled into their positions and the head invisible served out the third ball. Emerald Immanent got it again and tried the same run-and-feint and back-pass to Emerald Howler, but this time Hun Xoc was there and he intercepted it, pulling the ball out of the air with his wrist-guard and sending it south to Red Beak. It was a signature move of the Harpy School. In most courts around here hipball was more like soccer, because you couldn’t touch the ball with your feet or your hands. But Ixian rules were a bit different, and we each wore a lizard-skin-wrapped wooden extension on the underside of our wrists, extending up into the palms, and you could bat or deflect the ball with those. Even so, the ball was so heavy you couldn’t get much force on it with your arms. And of course you weren’t allowed to catch it, not that you’d want to. Really, it was too heavy to launch seriously with anything but the braced weight of most of your body, and if it had any major momentum behind it you’d have to add some of your own as well. In your big yoke, which came nearly to the nipple level, and the roll of cotton padding peeking up over it, you felt gravity siphoning up through you, and as you received and launched the ball it felt like you were negotiating between a good-sized satellite and the pulling power of the earth. Sometimes you’d have to use your shoulder or calf or even upper arm, but you wouldn’t want to and no matter how hard you were you flinched against the weight. So the idea was to shoot with your hip-yoke whenever possible-which let you get your full weight behind the impact-and then to use your calf, shoulder, thigh, upper arm, and finally the palm guard, in that order of preference. Using your head would be a bad idea.

Red Beak kneed the ball south, low into the red expanse of the Harpy wall. Hun Xoc dove after it falling on his knees, blocking its rebound with the top angle of his ornate yoke. The ball settled down into the groove, reverberating between the wall and his yoke like a pinball caught between electric bumpers, the criers imitating the accelerating beat, “ pak, bok, pak, bok, pak-bok, pak-bok, pak-bok pak-bok pak-bok pakbok pakbok pakbokpakbok pakbokpakbokpakbokpakbok,” into a blur of sound. Hipball was a dignified game, a stolid ritual, an act of worship. But it was also a much faster game even than basketball, at least as fast as jai-alai or Ping-Pong.

Emerald Immanent recovered but Red Beak backed away from him into the Harpies’ end zone. The main territorial rule was that neither team was allowed into the other’s end zone, which in our case was the left half of the east half of the court, a red area shaped like a backward L. So in this match that meant the Ocelots couldn’t step on red and the Harpy clan couldn’t step on emerald. Each side’s blocker couldn’t leave the zone but the strikers could go anywhere but the enemy’s home quadrant. You couldn’t keep the ball in your zone for more than four bank- or body-bounces, though, and if the ball hit the level floor on your half of the court, it was out and you had to turn it over to the other team, but this hardly ever happened. The ball was too bouncy and the players were too good. Any one of these people could have body-juggled a cinder block and kept it in the air for scores of scores of scores of beats.

Red Beak waited for Hun Xoc to get between him and Emerald Immanent, and then took a slow run up toward the peg, working the ball with short flesh-dribbles onto the north wall. He shot and missed. Emerald Snapper got the ball and passed to Emerald Howler. Howler shot and missed and Hun Xoc got the ball. The deal was that it was nearly impossible to shoot for a goal from the enemy’s side of the center line, although “backward goals” and even error goals off the opposing team did happen. And since there was only one really good spot on your side to shoot for the opposing goal, the ball tended to follow a fairly set course. You’d gain possession, get the ball into position on your right side, and then charge up along the right bank, shooting ahead and up to the right at the other team’s peg. If you missed the peg, the opposing team would almost always gain possession. Then they’d do the same thing, they’d set up, make their own run and shoot for your goal, on your left side, and then you’d get the ball back and repeat the process. So even though there wasn’t a net, the design of the court itself created a back-and-forth motion and a general counterclockwise draw, like the endless left turn on a racecourse. And the same centrifugal force tended to keep the two teams separate, although not enough to prevent a clash or two. Despite how dangerous it was, it wasn’t really a contact sport, at least in theory.

Hun Xoc worked the ball up the north bank, “ bok, pak, bok, pak,” and suddenly took a long shot, like a three-pointer, sending the big black planet nearly into the Ocelot spectators’ baatob, and even though the ball seemed to miss the goal, it grazed the fragile jar of dyed marble powder. The jar wobbled and fell, trailing emerald-green plumes.

“Waak’al, waak’al,” the chanter shouted. The word meant “explode,” that is, a great-goal. The Harpy partisans went wild with a special hiss-cheer you used on big points. It wasn’t that stupid Mexican trilling thing, though, like they encourage you to do at tequila bars in the States. It was more like ten thousand panicked crows. The boot-stamping sloshed welcomely over to the Ocelots’ side.

“Halach tun Kot, lahka tunob Kotob, wasak tunob Bolomob,” the chanter called,

“Harpy Great-goal, 2 Ocelots, 4 Harpies.”

Maybe we’re okay, I thought. The invisibles scurried in to clean up and replace the jars. The Magister flashed his hand-mirror and the fourth serve fell. Red Beak got it and shot. Miss. Emerald Immanent trapped the ball, took two dribbles up the south wall, “bok pak bok pak,” and shot, BOK.

Miss. Too high. I would have made that. Goddamnit, lemme out there. The ball arced up over the stands and a Harpy spectator, as per custom, deflected it back down -

But something was wrong, the guy in the Harpy stands should have passed the ball to us, but instead he’d deflected it the wrong way, back toward the Ocelots. Emerald Immanent leisurely repositioned himself, got the rebound, and shot again. He hit the peg.

“BOK T’UN WAAK’A!” “Great-goal! 6 Ocelots, 4 Harpies.”

On the Harpy side the sort-of-boos coalesced into “keechtikob, keechtikob, keechtikob,” “ s pies, spies, spies.” Whoever’d batted the ball in the wrong direction was getting pretty badly torn up. Even if he swore that it was a mistake there was no way they’d believe he hadn’t been turned by the Ocelots.

Still, it wouldn’t work twice.

On the next serve Hun Xoc got the tip but Emerald Immanent and Emerald Howler charged on him so fast he passed the ball back to 5–5. The pass overshot and 5–5 missed it. The ball hit the red bank and bounced over our zone down into the trench, about to go out. 5–5 leaned out to make a save and got the ball back in the air, but he was off-balance and fell onto the white, out of the Harpy Zone, which gave the Ocelots a point without a goal. The umpire signaled and the cantor started to call out the new score “7 Ocelots, 4-”

But before he’d finished he was cut off by the sound of oiled skin chalkboard-screeching on the clay-packed surface and then a bone-snap as Emerald Immanent’s yoke collided with 5–5’s upper body. Then, before I could see anything, both teams had bunched into a scrum over the two of them and the drivers were already pulling them apart. Emerald Immanent had made it look like a mistake, but of course he’d charged at 5–5 and checked him the instant 5–5 was out of the red zone.

Everyone pulled apart. 5–5 was sort of sliding along the red bank, leaving a dark stringy bileish trail. The percussionists had mimicked the sound of fighting and now they were using maracas and notched sticks like bear calls to imitate the sound of blood spraying out of an artery and splattering on the ground.

The hell of it was that touching an opposing player wasn’t a foul unless it was a definite attack. And naturally the umpires didn’t call this one. The offending player was supposed to go through all kinds of apologies or be ready to fight. Emerald Immanent was already running through his mea culpa in a sarcastic tone. 5–5 was trying to say something, too, but when he realized you couldn’t understand what he was saying through his mouthful of bloody mush, he started signing that he wanted to stay in the ball game. Hun Xoc was walking him off the court at this point but 5–5 was resisting and just to humor him Teentsy Bear told Hun Xoc to let his brother go and back away. 5–5 took one half-step and then fell forward on his face, rolling over on his yoke like a canoe on pavement, with his lower right leg bent bassackward. On the other side of the court the Ocelots laughed and imitated the fall.

“7 Ocelots, 4 Harpies,” the cantor said again.

The untouchables swept up with their round handleless brooms and sprinkled oil and pigment onto the surfaces. Two of our invisibles carried 5–5 off, back through our end zone to the offering table. His leg swung in a circular motion, like his knee was a ball-and-socket joint. Shit, I thought. He didn’t look good.

Teentsy Bear calmed everyone down and sent in Red Cord as our new zonekeeper. The fifth serve came down fast and our side wasn’t quite together. The Ocelots got an easy goal.

“8 Ocelots, 4 Harpies.”

They changed balls for the next serve and each team had a little time to retreat behind the end zone and huddle. One of our ball surgeons came up and told us 5–5 was dying and 2 Jeweled Skull had given word that he was going to be considered the first sacrifice of the ball game.

We all looked at each other. Nobody broke their hard-ass face.

Damn.

Another misconception about the Mesoamerican hipball game is that the losing team got sacrificed. Or at least that wasn’t usual. What actually happened was that different offerings followed the match on each side. In general the losing side would see its defeat as a sign that their gods weren’t happy with them and they needed more gifts to the gods, so they’d sacrifice some people to them. The winning side might sacrifice a few of the people to their gods, just to say thank-you. Sometimes it was opposing players, if they’d been playing for each other’s lives, but otherwise the offerings were just thralls or whatever human stakes had been put on the table. But sometimes the losing team would be so mad they’d end up killing the winning team, especially if the losers were more powerful. Whatever happened, only the gods always came out on top.

I said something-I forget what-to Hun Xoc. You weren’t supposed to be able to see anything in his face but I knew him so well I thought I could see a lot. And it wasn’t just anger, it wasn’t all boiled down to violence like I think I talked about a long time ago. There was anger there, but there was this big aquifer under it of just plain surprised sadness there, that childlike disappointment that the world was such a ghastly place.

The team was passing around a wide, shallow basin with a faecaloid pile of cigar stubs smoldering in the center. I rubbed my thumbs in the ashes.

“Great One Harpy,

Now protect us,

Guard our goal zone,

Please, Great Harpy,”

I whispered, and marked four ascending dextral streaks over each of my nipples-which were dyed blue, and just barely exposed over the mass of my ball yoke and hip padding-to signify that my presumably debilitating grief over 5–5 had already burned out and I was ready to be an instrument of his revenge.

“Chun!”