ACKNOWLEDGEMENTS
Seven Deaths wouldn’t exist without my agent, Harry Illingworth. He knew what this story could be before I did, and helped me dig it out. You’re a gent, Illington.
For her wisdom and word scalpel, I’d like to thank my editor Alison Hennessey, aka the Queen of Ravens, aka glamorous (paragraph) murderer. I wrote a story, Alison made it into a book.
I’m also indebted to Grace Menary-Winefield, my US editor, for asking the questions I never thought to ask, and helping me dig deeper into this world I’ve created.
And while I’m at it, I can’t neglect the rest of the teams at Raven Books and Sourcebooks, who put me to shame with their talent, enthusiasm and general loveliness. Of those, I’d particularly like to highlight Marigold Atkey, who weathered my panic – and last-minute edits – with good humour and wisdom. No doubt somebody, somewhere, heard her screaming, but it wasn’t me. And for that, I’m very grateful.
Special mention must go to my early readers David Bayon, Tim Danton and Nicole Kobie who read this story in its ‘David Lynch’ phase, and very kindly pointed out that clues, grammar and reminders of plot points aren’t a sign of weakness.
And, finally, to my wife, Maresa. If you’re going to do something stupid (like spend three years writing a time-travel, body-hopping, murder-mystery novel), you need your very best friend in your corner, all the way. She was, and is. I couldn’t have done it without her.