Albert Platt looked better with clothes on. He had his suits made by an East Side tailor, his shoes by a London bootmaker, and his ties by a countess. With his clothes on and his hair combed and his jowls shaved and cologne, he looked like a successful hoodlum. Naked, he looked like a gorilla.
He was naked now. He sat on the edge of a high-backed Victorian wing chair in the living room of his suite at the Desert Palms. Glossy black hairs curled on his abdomen and chest. Sweat beaded on his forehead and under his arms.
In his right hand he held a .38-caliber revolver with a two-inch barrel. The gun was heavy, and Platt eased the load by resting his elbow on the arm of the chair. The muzzle of the gun just touched the center of the girl’s forehead.
The girl was also naked, which was all she had in common with Platt. She was half his age and half his weight, a long-bodied redhead, trim of breasts and bottom and thighs. She knelt at Platt’s feet like a supplicant at the rail.
“Two hundred bucks,” Platt said. “Fifteen minutes, half an hour, two bills isn’t bad, right? You just be a good girl and you can go buy yourself a Cadillac.”
The girl heard the words but couldn’t hold onto them. Nothing existed for her now but the mouth of the revolver. She had begun to perform as he had demanded, and the gun must have been lodged between the cushion and frame of the chair, because all at once it was in his hand and its cold metal mouth was touching her forehead and his voice was telling her that she would barely feel it at all, just one bright streak of pain and it would be over before she knew it.
“A gun goes off,” Platt said. “In your forehead or in your mouth, your pretty mouth. A bang is a bang.”
The girl was performing what journalists call an unnatural act. She had always wondered why it was so labeled, because it had never seemed anything other than natural to her. Until now.
“Like a baby with a bottle,” Platt said. “Oh, be a good baby, that’s a good baby. You don’t want to die, baby. That’s right, baby. You don’t want to die, all that beautiful money, two hundred beautiful dollars, nobody wants to die, baby, you don’t want to die.”
An important man, they had told her downstairs. Donna, kid, this is an important gennulman, you want to treat him right. A banker, a very well-connected gennulman, his first trip to Vegas in three years, Donna, you want to make him real happy.
Oh, yes, she thought, yes, I want to make him happy. You better believe I want to make him happy. Oh, God, I want to get out of here. Two hundred beautiful dollars, fuck his beautiful dollars, I need it like a hole in the head. Oh, Jesus, a hole in the head—
An image flashed in her mind, a newspaper halftone, all dots, her face, with one huge black dot in the center of her forehead. A two-column cut with a headline over it and a few paragraphs below. Donna Mackenzie model and dancer found in the desert persons unknown funeral private.
“Oh,” Platt said. “Oh. Oh. Ah, baby, baby, baby.”
Don’t run and retch, don’t, don’t. Just stay, just wait, and God make the gun go away, make it go away, make him be fair, his game and his rules, and God, God make him be fair.
“Sorry, baby,” Platt said.
God, you cheated—
The trigger squeaked back. An eternal instant, a world of forever black.
The hammer clicked on an empty chamber.
Laughter, roaring, rolling, dying down. His footsteps across the deep carpet to the bedroom. The slam of the bedroom door.
She stood up. She spat on the carpet. She looked at the stain. There was a sudden rush of vertigo, as if the carpet were miles away. Her head swam, her knees buckled. She almost fell.
She pulled her dress over her head, grabbed up her underwear and stockings. She put on one shoe and couldn’t find the other. She was looking around for it when she heard his laugh again from the other side of the bedroom door.
She kicked off the one shoe. The hell with the shoes. Her purse was on the lamp table and she snatched it with her free hand. The hell with the shoes, they were cheap shoes, she could buy other shoes. She had two hundred dollars in her purse, two hundred beautiful dollars that she would love to change into dimes and shove up his ass. Or make it pennies, the son of a bitch, the dirty son of a bitch.
She ran for the door.