The Street of Seven Stars

“You are not going back to America?”

“Oh, no, not now, anyhow. If I become hag ridden with remorse and do go I’ll find some one to take my place. Don’t worry.”

The lunch was a silent meal. Anna was hurrying off as Peter came in, and there was no time to discuss Peter’s new complication with her. Harmony and Peter ate together, Harmony rather silent. Anna’s unfortunate comment about Peter had made her constrained. After the meal Peter, pipe in mouth, carried the dishes to the kitchen, and there it was that he gave her the letter. What Peter’s slower mind had been a perceptible time in grasping Harmony comprehended at onceÄand not only the situation, but its solution.

“Don’t let her have him!” she said, putting down the letter. “Bring him here. Oh, Peter, how good we must be to him!”

And that after all was how the thing was settled. So simple, so obvious was it that these three expatriates, these waifs and estrays, banded together against a common poverty, a common loneliness, should share without question whatever was theirs to divide. Peter and Anna gave cheerfully of their substance, Harmony of her labor, that a small boy should be saved a tragic knowledge until he was well enough to bear it, or until, if God so willed, he might learn it himself without pain.

The friendly sentry on duty again that night proved singularly blind. Thus it happened that, although the night was clear when the twin dials of the Votivkirche showed nine o’clock, he did not notice a cab that halted across the street from the hospital.

Still more strange that, although Peter passed within a dozen feet of him, carrying a wriggling and excited figure wrapped in a blanket and insisting on uncovering its feet, the sentry was able the next day to say that he had observed such a person carrying a bundle, but that it was a short stocky person, quite lame, and that the bundle was undoubtedly clothing going to the laundry.

Perhaps—it is just possible—the sentry had his suspicions. It is undeniable that as Jimmy in the cab on Peter’s knee, with Peter’s arm close about him, looked back at the hospital, the sentry was going through the manual of arms very solemnly under the stars and facing toward the carriage.

CHAPTER XIV

For two days at Semmering it rained. The Raxalpe and the Schneeberg sulked behind walls of mist. From the little balcony of the Pension Waldheim one looked out over a sea of cloud, pierced here and there by islands that were crags or by the tops of sunken masts that were evergreen trees. The roads were masses of slippery mud, up which the horses steamed and sweated. The gray cloud fog hung over everything; the barking of a dog loomed out of it near at hand where no dog was to be seen. Children cried and wild birds squawked; one saw them not.

During the second night a landslide occurred on the side of the mountain with a rumble like the noise of fifty trains. In the morning, the rain clouds lifting for a moment, Marie saw the narrow yellow line of the slip.

Everything was saturated with moisture. It did no good to close the heavy wooden shutters at night: in the morning the air of the room was sticky and clothing was moist to the touch. Stewart, confined to the house, grew irritable.

Marie watched him anxiously. She knew quite well by what slender tenure she held her man. They had nothing in common, neither speech nor thought. And the little Marie’s love for Stewart, grown to be a part of her, was largely maternal. She held him by mothering him, by keeping him comfortable, not by a great reciprocal passion that might in time have brought him to her in chains.

And now he was uncomfortable. He chafed against the confinement; he resented the food, the weather. Even Marie’s content at her unusual leisure irked him. He accused her of purring like a cat by the fire, and stamped out more than once, only to be driven in by the curious thunderstorms of early Alpine winter.

On the night of the second day the weather changed. Marie, awakening early, stepped out on to the balcony and closed the door carefully behind her. A new world lay beneath her, a marvel of glittering branches, of white plain far below; the snowy mane of the Raxalpe was become a garment. And from behind the villa came the cheerful sound of sleigh-bells, of horses’ feet on crisp snow, of runners sliding easily along frozen roads. Even the barking of the dog in the next yard had ceased rumbling and become sharp staccato.

The balcony extended round the corner of the house. Marie, eagerly discovering her new world, peered about, and seeing no one near ventured so far. The road was in view, and a small girl on ski was struggling to prevent a collision between two plump feet. Even as Marie saw her the inevitable happened and she went headlong into a drift. A governess who had been kneeling before a shrine by the road hastily crossed herself and ran to the rescue.

It was a marvelous morning, a day of days. The governess and the child went on out of vision. Marie stood still, looking at the shrine. A drift had piled about its foot, where the governess had placed a bunch of Alpine flowers. Down on her knees on the balcony went the little Marie, regardless of the snow, and prayed to the shrine of the Virgin below—for what? For forgiveness? For a better life? Not at all. She prayed that the heels of the American girl would keep her in out of the snow.

The prayer of the wicked availeth nothing; even the godly at times must suffer disappointment. And when one prays of heels, who can know of the yearning back of the praying? Marie, rising and dusting her chilled knees, saw the party of Americans on the road, clad in stout boots and swinging along gayly. Marie shrugged her shoulders resignedly. She should have gone to the shrine itself; a balcony was not a holy place. But one thing she determined—the Americans went toward the Sonnwendstein. She would advise against the Sonnwendstein for that day.

Marie’s day of days had begun wrong after all. For Stewart rose with the Sonnwendstein in his mind, and no suggestion of Marie’s that in another day a path would be broken had any effect on him. He was eager to be off, committed the extravagance of ordering an egg apiece for breakfast, and finally proclaimed that if Marie feared the climb he would go alone.

Marie made many delays: she dressed slowly, and must run back to see if the balcony door was securely closed. At a little shop where they stopped to buy mountain sticks she must purchase postcards and send them at once. Stewart was fairly patient: air and exercise were having their effect.

It was eleven o’clock when, having crossed the valley, they commenced to mount the slope of the Sonnwendstein. The climb was easy; the road wound back and forward on itself so that one ascended with hardly an effort. Stewart gave Marie a hand here and there, and even paused to let her sit on a boulder and rest. The snow was not heavy; he showed her the footprints of a party that had gone ahead, and to amuse her tried to count the number of people. When he found it was five he grew thoughtful. There were five in Anita’s party. Thanks to Marie’s delays they met the Americans coming down. The meeting was a short one: the party went on down, gayly talking. Marie and Stewart climbed silently. Marie’s day was spoiled; Stewart had promised to dine at the hotel.

Even the view at the tourist house did not restore Marie’s fallen spirits. What were the Vienna plain and the Styrian Alps to her, with this impatient and frowning man beside her consulting his watch and computing the time until he might see the American again? What was prayer, if this were its answer?

They descended rapidly, Stewart always in the lead and setting a pace that Marie struggled in vain to meet. To her tentative and breathless remarks he made brief answer, and only once in all that time did he volunteer a remark. They had reached the Hotel Erzherzog in the valley. The hotel was still closed, and Marie, panting, sat down on an edge of the terrace.

“We have been very foolish,” he said.

“Why?”

“Being seen together like that.”

“But why? Could you not walk with any woman?”

“It’s not that,” said Stewart hastily. “I suppose once does not matter. But we can’t be seen together all the time.”

Marie turned white. The time had gone by when an incident of the sort could have been met with scorn or with threats; things had changed for Marie Jedlicka since the day Peter had refused to introduce her to Harmony. Then it had been vanity; now it was life itself.

“What you mean,” she said with pale lips, “is that we must not be seen together at all. Must I—do you wish me to remain a prisoner while you—” she choked.

“For Heaven’s sake,” he broke out brutally, “don’t make a scene. There are men cutting ice over there. Of course you are not a prisoner. You may go where you like.”

Marie rose and picked up her muff.

Marie’s sordid little tragedy played itself out in Semmering. Stewart neglected her almost completely; he took fewer and fewer meals at the villa. In two weeks he spent one evening with the girl, and was so irritable that she went to bed crying. The little mountain resort was filling up; there were more and more Americans. Christmas was drawing near and a dozen or so American doctors came up, bringing their families for the holidays. It was difficult to enter a shop without encountering some of them. To add to the difficulty, the party at the hotel, finding it crowded there, decided to go into a pension and suggested moving to the Waldheim.

Stewart himself was wretchedly uncomfortable. Marie’s tragedy was his predicament. He disliked himself very cordially, loathing himself and his situation with the new-born humility of the lover. For Stewart was in love for the first time in his life. Marie knew it. She had not lived with him for months without knowing his every thought, every mood. She grew bitter and hard those days, sitting alone by the green stove in the Pension Waldheim, or leaning, elbows on the rail, looking from the balcony over the valley far below. Bitter and hard, that is, during his absences; he had but to enter the room and her rage died, to be replaced with yearning and little, shy, tentative advances that he only tolerated. Wild thoughts came to Marie, especially at night, when the stars made a crown over the Rax, and in the hotel an orchestra played, while people dined and laughed and loved.

She grew obstinate, too. When in his desperation Stewart suggested that they go back to Vienna she openly scoffed.

“Why?” she demanded. “That you may come back here to her, leaving me there?”

“My dear girl,” he flung back exasperated, “this affair was not a permanent one. You knew that at the start.”

“You have taken me away from my work. I have two months’ vacation. It is but one month.”

“Go back and let me pay—”

“No!”

In pursuance of the plan to leave the hotel the American party came to see the Waldheim, and catastrophe almost ensued. Luckily Marie was on the balcony when the landlady flung open the door, and announced it as Stewart’s apartment. But Stewart had a bad five minutes and took it out, manlike, on the girl.

Stewart had another reason for not wishing to leave Semmering. Anita was beautiful, a bit of a coquette, too; as are most pretty women. And Stewart was not alone in his devotion. A member of the party, a New Yorker named Adam, was much in love with the girl and indifferent who knew it. Stewart detested him.

In his despair Stewart wrote to Peter Byrne. It was characteristic of Peter that, however indifferent people might be in prosperity,they always turned to him in trouble. Stewart’s letter concluded:—

“I have made out a poor case for myself; but I’m in a hole, as you can see. I would like to chuck everything here and sail for home with these people who go in January. But, confound it, Byrne, what am I to do with Marie? And that brings me to what I ‘ve been wanting to say all along, and haven’t had the courage to. Marie likes you and you rather liked her, didn’t you? You could talk her into reason if anybody could. Now that you know how things are, can’t you come up over Sunday? It’s asking a lot, and I know it; but things are pretty bad.”

Peter received the letter on the morning of the day before Christmas. He read it several times and, recalling the look he had seen more than once in Marie Jedlicka’s eyes, he knew that things were very bad, indeed.

But Peter was a man of family in those days, and Christmas is a family festival not to be lightly ignored. He wired to Stewart that he would come up as soon as possible after Christmas. Then, because of the look in Marie’s eyes and because he feared for her a sad Christmas, full of heartaches and God knows what loneliness, he bought her a most hideous brooch, which he thought admirable in every way and highly ornamental and which he could not afford at all. This he mailed, with a cheery greeting, and feeling happier and much poorer made his way homeward.

CHAPTER XV

Christmas-Eve in the saloon of Maria Theresa! Christmas-Eve, with the great chandelier recklessly ablaze and a pig’s head with cranberry eyes for supper! Christmas-Eve, with a two-foot tree gleaming with candles on the stand, and beside the stand, in a huge chair, Jimmy!

It had been a busy day for Harmony. In the morning there had been shopping and marketing, and such a temptation to be reckless, with the shops full of ecstasies and the old flower women fairly overburdened. There had been anxieties, too, such as the pig’s head, which must be done a certain way, and Jimmy, who must be left with the Portier’s wife as nurse while all of them went to the hospital. The house revolved around Jimmy now, Jimmy, who seemed the better for the moving, and whose mother as yet had failed to materialize.

In the afternoon Harmony played at the hospital. Peter took her as the early twilight was falling in through the gate where the sentry kept guard and so to the great courtyard. In this grim playground men wandered about, smoking their daily allowance of tobacco and moving to keep warm, offscourings of the barracks, derelicts of the slums, with here and there an honest citizen lamenting a Christmas away from home. The hospital was always pathetic to Harmony; on this Christmas-Eve she found it harrowing. Its very size shocked her, that there should be so much suffering, so much that was appalling, frightful, insupportable. Peter felt her quiver under his hand. A hospital in festivity is very affecting. It smiles through its tears. And in every assemblage there are sharply defined lines of difference. There are those who are going home soon, God willing; there are those who will go home some time after long days and longer nights. And there are those who will never go home and who know it. And because of this the ones who are never going home are most festively clad, as if, by way of compensation, the nurses mean to give them all future Christmasses in one. They receive an extra orange, or a pair of gloves, perhaps,—and they are not the less grateful because they understand. And when everything is over they lay away in the bedside stand the gloves they will never wear, and divide the extra orange with a less fortunate one who is almost recovered. Their last Christmas is past.

“How beautiful the tree was!” they say. Or, “Did you hear how the children sang? So little, to sing like that! It made me think—of angels.”

Peter led Harmony across the courtyard, through many twisting corridors, and up and down more twisting staircases to the room where she was to play. There were many Christmas trees in the hospital that afternoon; no one hall could have held the thousands of patients, the doctors, the nurses. Sometimes a single ward had its own tree, its own entertainment. Occasionally two or three joined forces, preempted a lecture-room, and wheeled or hobbled or carried in their convalescents. In such case an imposing audience was the result.

Into such a room Peter led Harmony. It was an amphitheater, the seats rising in tiers, half circle above half circle, to the dusk of the roof. In the pit stood the tree, candle-lighted. There was no other illumination in the room. The semi-darkness, the blazing tree, the rows of hopeful, hoping, hopeless, rising above, white faces over white gowns, the soft rustle of expectancy, the silence when the Dozent with the red beard stepped out and began to read an address—all caught Harmony by the throat. Peter, keenly alive to everything she did, felt rather than heard her soft sob.

Peter saw the hospital anew that dark afternoon, saw it through Harmony’s eyes. Layer after layer his professional callus fell away, leaving him quick again. He had lived so long close to the heart of humanity that he had reduced its throbbing to beats that might be counted. Now, once more, Peter was back in the early days, when a heart was not a pump, but a thing that ached or thrilled or struggled, that loved or hated or yearned.

The orchestra, insisting on sadly sentimental music, was fast turning festivity into gloom. It played Handel’s “Largo”; it threw its whole soul into the assurance that the world, after all, was only a poor place, that Heaven was a better. It preached resignation with every deep vibration of the cello. Harmony fidgeted.

“How terrible!” she whispered. “To turn their Christmas-Eve into mourning! Stop them!”

“Stop a German orchestra?”

“They are crying, some of them. Oh, Peter!”

The music came to an end at last. Tears were dried. Followed recitations, gifts, a speech of thanks from Nurse Elisabet for the patients. Then—Harmony.

Harmony never remembered afterward what she had played. It was joyous, she knew, for the whole atmosphere changed. Laughter came; even the candles burned more cheerfully. When she had finished, a student in a white coat asked her to play a German Volkspiel, and roared it out to her accompaniment with much vigor and humor. The audience joined in, at first timidly, then lustily.

Harmony stood alone by the tree, violin poised, smiling at the applause. Her eyes, running along the dim amphitheater, sought Peter’s, and finding them dwelt there a moment. Then she began to play softly and as softly the others sang.

“Stille Nacht, heilige Nacht,”—they sang, with upturned eyes.

“Alles schlaeft, einsam wacht…”

Visions came to Peter that afternoon in the darkness, visions in which his poverty was forgotten or mattered not at all. Visions of a Christmas-Eve in a home that he had earned, of a tree, of a girl-woman, of a still and holy night, of a child.

“Nur das traute, hoch heilige Paar Holder Knabe im lockigen Haar Schlaf’ in himmlischer Ruh’, Schlaf’ in himmlischer Ruh’,” they sang.

There was real festivity at the old lodge of Maria Theresa that night.

Jimmy had taken his full place in the household. The best room, which had been Anna’s, had been given up to him. Here, carefully tended, with a fire all day in the stove, Jimmy reigned from the bed. To him Harmony brought her small puzzles and together they solved them.

“Shall it be a steak to-night?” thus Harmony humbly. “Or chops?”

“With tomato sauce?”

“If Peter allows, yes.”

Much thinking on Jimmy’s part, and then:—

“Fish,” he would decide. “Fish with egg dressing.”

They would argue for a time, and compromise on fish.

The boy was better. Peter shook his head over any permanent improvement, but Anna fiercely seized each crumb of hope. Many and bitter were the battles she and Peter fought at night over his treatment, frightful the litter of authorities Harmony put straight every morning.

The extra expense was not much, but it told. Peter’s carefully calculated expenditures felt the strain. He gave up a course in X-ray on which he had set his heart and cut off his hour in the coffee-house as a luxury. There was no hardship about the latter renunciation. Life for Peter was spelling itself very much in terms of Harmony and Jimmy those days. He resented anything that took him from them.

There were anxieties of a different sort also. Anna’s father was failing. He had written her a feeble, half-senile appeal to let bygones be bygones and come back to see him before he died. Anna was Peter’s great prop. What would he do should she decide to go home? He had built his house on the sand, indeed.

So far the threatened danger of a mother to Jimmy had not materialized. Peter was puzzled, but satisfied. He still wrote letters of marvelous adventure; Jimmy still watched for them, listened breathless, treasured them under his pillow. But he spoke less of his father. The open page of his childish mind was being written over with new impressions. “Dad” was already a memory; Peter and Harmony and Anna were realities. Sometimes he called Peter “Dad.” At those times Peter caught the boy to him in an agony of tenderness.

And as the little apartment revolved round Jimmy, so was this Christmas-Eve given up to him. All day he had stayed in bed for the privilege of an extra hour propped up among pillows in the salon. All day he had strung little red berries that looked like cranberries for the tree, or fastened threads to the tiny cakes that were for trimming only, and sternly forbidden to eat.

A marvelous day that for Jimmy. Late in the afternoon the Portier, with a collar on, had mounted the stairs and sheepishly presented him with a pair of white mice in a wooden cage. Jimmy was thrilled. The cage was on his knees all evening, and one of the mice was clearly ill of a cake with pink icing. The Portier’s gift was a stealthy one, while his wife was having coffee with her cousin, the brushmaker. But the spirit Of Christmas does strange things. That very evening, while the Portier was roistering in a beer hall preparatory to the midnight mass, came the Portier’s wife, puffing from the stairs, and brought a puzzle book that only the initiated could open, and when one succeeded at last there was a picture of the Christ-Child within.

Young McLean came to call that evening—came to call and remained to worship. It was the first time since Mrs. Boyer that a visitor had come. McLean, interested with everything and palpably not shocked, was a comforting caller. He seemed to Harmony, who had had bad moments since the day of Mrs. Boyer’s visit, to put the hallmark of respectability on the household, to restore it to something it had lost or had never had.

She was quite unconscious of McLean’s admiration. She and Anna put Jimmy to bed. The tree candles were burned out; Peter was extinguishing the dying remnants when Harmony came back. McLean was at the piano, thrumming softly. Peter, turning round suddenly, surprised an expression on the younger man’s face that startled him.

For that one night Harmony had laid aside her mourning, and wore white, soft white, tucked in at the neck, short-sleeved, trailing. Peter had never seen her in white before.

It was Peter’s way to sit back and listen: his steady eyes were always alert, good-humored, but he talked very little. That night he was unusually silent. He sat in the shadow away from the lamp and watched the two at the piano: McLean playing a bit of this or that, the girl bending over a string of her violin. Anna came in and sat down near him.

“The boy is quite fascinated,” she whispered. “Watch his eyes!”

“He is a nice boy.” This from Peter, as if he argued with himself.

“As men go!” This was a challenge Peter was usually quick to accept. That night he only smiled. “It would be a good thing for her: his people are wealthy.”

Money, always money! Peter ground his teeth over his pipestem. Eminently it would be a good thing for Harmony, this nice boy in his well-made evening clothes, who spoke Harmony’s own language of music, who was almost speechless over her playing, and who looked up at her with eyes in which admiration was not unmixed with adoration.

Peter was restless. As the music went on he tiptoed out of the room and took to pacing up and down the little corridor. Each time as he passed the door he tried not to glance in; each time he paused involuntarily. Jealousy had her will of him that night, jealousy, when he had never acknowledged even to himself how much the girl was to him.

Jimmy was restless. Usually Harmony’s music put him to sleep; but that night he lay awake, even after Peter had closed all the doors. Peter came in and sat with him in the dark, going over now and then to cover him, or to give him a drink, or to pick up the cage of mice which Jimmy insisted on having beside him and which constantly slipped off on to the floor. After a time Peter lighted the night-light, a bit of wick on a cork floating in a saucer of lard oil, and set it on the bedside table. Then round it he arranged Jimmy’s treasures, the deer antlers, the cage of mice, the box, the wooden sentry. The boy fell asleep. Peter sat in the room, his dead pipe in his teeth, and thought of many things.

It was very late when young McLean left. The two had played until they stopped for very weariness. Anna had yawned herself off to bed. From Jimmy’s room Peter could hear the soft hum of their voices.

“You have been awfully good to me,” McLean said as he finally rose to go. “I—I want you to know that I’ll never forget this evening, never.”

“It has been splendid, hasn’t it? Since little Scatchy left there has been no one for the piano. I have been lonely sometimes for some one to talk music to.”

Lonely! Poor Peter!

“Then you will let me come back?”

“Will I, indeed! I—I’ll be grateful.”

“How soon would be proper? I dare say to-morrow you’ll be busy—Christmas and all that.”

“Do you mean you would like to come to-morrow?”

“If old Peter wouldn’t be fussed. He might think—”

“Peter always wants every one to be happy. So if you really care—”

“And I’ll not bore you?”

“Rather not!”

“How—about what time?”

“In the afternoon would be pleasant, I think. And then Jimmy can listen. He loves music.”

McLean, having found his fur-lined coat, got into it as slowly as possible. Then he missed a glove, and it must be searched for in all the dark corners of the salon until found in his pocket. Even then he hesitated, lingered, loath to break up this little world of two.

“You play wonderfully,” he said.

“So do you.”

“If only something comes of it! It’s curious, isn’t it, when you think of it? You and I meeting here in the center of Europe and both of us working our heads off for something that may never pan out.”

There was something reminiscent about that to Harmony. It was not until after young McLean had gone that she recalled. It was almost word for word what Peter had said to her in the coffee-house the night they met. She thought it very curious, the coincidence, and pondered it, being ignorant of the fact that it is always a matter for wonder when the man meets the woman, no matter where. Nothing is less curious, more inevitable, more amazing. “You and I,” forsooth, said Peter!

“You and I,” cried young McLean!

CHAPTER XVI

Quite suddenly Peter’s house, built on the sand, collapsed. The shock came on Christmas-Day, after young McLean, now frankly infatuated, had been driven home by Peter.

Peter did it after his own fashion. Harmony, with unflagging enthusiasm, was looking tired. Suggestions to this effect rolled off McLean’s back like rain off a roof. Finally Peter gathered up the fur-lined coat, the velours hat, gloves, and stick, and placed them on the piano in front of the younger man.

“I’m sorry you must go,” said Peter calmly, “but, as you say, Miss Wells is tired and there is supper to be eaten. Don’t let me hurry you.”

The Portier was at the door as McLean, laughing and protesting, went out. He brought a cablegram for Anna. Peter took it to her door and waited uneasily while she read it.

It was an urgent summons home; the old father was very low. He was calling for her, and a few days or week’ would see the end. There were things that must be looked after. The need of her was imperative. With the death the old man’s pension would cease and Anna was the bread-winner.

Anna held the paper out to Peter and sat down. Her nervous strength seemed to have deserted her. All at once she was a stricken, elderly woman, with hope wiped out of her face and something nearer resentment than grief in its place.

“It has come, Peter,” she said dully. “I always knew it couldn’t last. They’ve always hung about my neck, and now—”

“Do you think you must go? Isn’t there some way? If things are so bad you could hardly get there in time, and—you must think of yourself a little, Anna.”

“I am not thinking of anything else. Peter, I’m an uncommonly selfish woman, but I—”

Quite without warning she burst out crying, unlovely, audible weeping that shook her narrow shoulders. Harmony heard the sound and joined them. After a look at Anna she sat down beside her and put a white arm over her shoulders. She did not try to speak. Anna’s noisy grief subsided as suddenly as it came. She patted Harmony’s hand in mute acknowledgment and dried her eyes.

“I’m not grieving, child,” she said; “I’m only realizing what a selfish old maid I am. I’m crying because I’m a disappointment to myself. Harry, I’m going back to America.”

And that, after hours of discussion, was where they ended. Anna must go at once. Peter must keep the apartment, having Jimmy to look after and to hide. What was a frightful dilemma to him and to Harmony Anna took rather lightly.

“You’ll find some one else to take my place,” she said. “If I had a day I could find a dozen.”

“And in the interval?” Harmony asked, without looking at Peter.

“The interval! Tut! Peter is your brother, to all intents and purposes. And if you are thinking of scandal-mongers, who will know?”

Having determined to go, no arguments moved Anna, nor could either of the two think of anything to urge beyond a situation she refused to see, or rather a situation she refused to acknowledge. She was not as comfortable as she pretended. During all that long night, while snow sifted down into the ugly yard and made it beautiful, while Jimmy slept and the white mice played, while Harmony tossed and tried to sleep and Peter sat in his cold room and smoked his pipe, Anna packed her untidy belongings and added a name now and then to a list that was meant for Peter, a list of possible substitutes for herself in the little household.

She left early the next morning, a grim little person who bent over the sleeping boy hungrily, and insisted on carrying her own bag down the stairs. Harmony did not go to the station, but stayed at home, pale and silent, hovering around against Jimmy’s awakening and struggling against a feeling of panic. Not that she feared Peter or herself. But she was conventional; shielded girls are accustomed to lean for a certain support on the proprieties, as bridgeplayers depend on rules.

Peter came back to breakfast, but ate little. Harmony did not even sit down, but drank her cup of coffee standing, looking down at the snow below. Jimmy still slept.

“Won’t you sit down?” said Peter.

“I’m not hungry, thank you.”

“You can sit down without eating.”

Peter was nervous. To cover his uneasiness he was distinctly gruff. He pulled a chair out for her and she sat down. Now that they were face to face the tension was lessened. Peter laid Anna’s list on the table between them and bent over it toward her.

“You are hurting me very much, Harry,” he said. “Do you know why?”

“I? I am only sorry about Anna. I miss her. I—I was fond of her.”

“So was I. But that isn’t it, Harry. It’s something else.”

“I’m uncomfortable, Peter.”

“So am I. I’m sorry you don’t trust me. For that’s it.”

“Not at all. But, Peter, what will people say?’

“A great deal, if they know. Who is to know? How many people know about us? A handful, at the most, McLean and Mrs. Boyer and one or two others. Of course I can go away until we get some one to take Anna’s place, but you’d be here alone at night, and if the youngster had an attack—”

“Oh, no, don’t leave him!”

“It’s holiday time. There are no clinics until next week. If you’ll put up with me—”

“Put up with you, when it is your apartment I use, your food I eat!” She almost choked. “Peter, I must talk about money.”

“I’m coming to that. Don’t you suppose you more than earn everything? Doesn’t it humiliate me hourly to see you working here?”

“Peter! Would you rob me of my last vestige of self-respect?”

This being unanswerable, Peter fell back on his major premise.

“If you’ll put up with me for a day or so I’ll take this list of Anna’s and hunt up some body. Just describe the person you desire and I’ll find her.” He assumed a certainty he was far from feeling, but it reassured the girl. “A woman, of course?”

“Of course. And not young.”

“‘Not young,’” wrote Peter. “Fat?”

Harmony recalled Mrs. Boyer’s ample figure and shook her head.

“Not too stout. And agreeable. That’s most important.”

“‘Agreeable,’” wrote Peter. “Although Anna was hardly agreeable, in the strict sense of the word, was she?”

“She was interesting, and—and human.”

“‘Human!’” wrote Peter. “Wanted, a woman, not young, not too stout, agreeable and human. Shall I advertise?”

The strain was quite gone by that time. Harmony was smiling. Jimmy, waking, called for food, and the morning of the first day was under way.

Peter was well content that morning, in spite of an undercurrent of uneasiness. Before this Anna had shared his proprietorship with him. Now the little household was his. His vicarious domesticity pleased him. He strutted about, taking a new view of his domain; he tightened a doorknob and fastened a noisy window. He inspected the coal-supply and grumbled over its quality. He filled the copper kettle on the stove, carried in the water for Jimmy’s morning bath, cleaned the mouse cage. He even insisted on peeling the little German potatoes, until Harmony cried aloud at his wastefulness and took the knife from him.

And afterward, while Harmony in the sickroom read aloud and Jimmy put the wooden sentry into the cage to keep order, he got out his books and tried to study. But he did little work. His book lay on his knee, his pipe died beside him. The strangeness of the situation came over him, sitting there, and left him rather frightened. He tried to see it from the viewpoint of an outsider, and found himself incredulous and doubting. McLean would resent the situation. Even the Portier was a person to reckon with. The skepticism of the American colony was a thing to fear and avoid.

And over all hung the incessant worry about money; he could just manage alone. He could not, by any method he knew of, stretch his resources to cover a separate arrangement for himself. But he had undertaken to shield a girl-woman and a child, and shield them he would and could.

Brave thoughts were Peter’s that snowy morning in the great salon of Maria Theresa, with the cat of the Portier purring before the fire; brave thoughts, cool reason, with Harmony practicing scales very softly while Jimmy slept, and with Anna speeding through a white world, to the accompaniment of bitter meditation.

Peter had meant to go to Semmering that day, but even the urgency of Marie’s need faded before his own situation. He wired Stewart that he would come as soon as he could, and immediately after lunch departed for the club, Anna’s list in his pocket, Harmony’s requirements in mind. He paused at Jimmy’s door on his way out.

“What shall it be to-day?” he inquired. “A postcard or a crayon?”

“I wish I could have a dog.”

“We’ll have a dog when you are better and can take him walking. Wait until spring, son.”

“Some more mice?”

“You will have them—but not to-day.”

“What holiday comes next?”

“New Year’s Day. Suppose I bring you a New Year’s card.”

“That’s right,” agreed Jimmy. “One I can send to Dad. Do you think he will come back this year?” wistfully.

Peter dropped on his baggy knees beside the bed and drew the little wasted figure to him.

“I think you’ll surely see him this year, old man,” he said huskily.

Peter walked to the Doctors’ Club. On the way he happened on little Georgiev, the Bulgarian, and they went on together. Peter managed to make out that Georgiev was studying English, and that he desired to know the state of health and the abode of the Fraulein Wells. Peter evaded the latter by the simple expedient of pretending not to understand. The little Bulgarian watched him earnestly, his smouldering eyes not without suspicion. There had been much talk in the Pension Schwarz about the departure together of the three Americans. The Jew from Galicia still raved over Harmony’s beauty.

Georgiev rather hoped, by staying by Peter, to be led toward his star. But Peter left him at the Doctors’ Club, still amiable, but absolutely obtuse to the question nearest the little spy’s heart.

The club was almost deserted. The holidays had taken many of the members out of town. Other men were taking advantage of the vacation to see the city, or to make acquaintance again with families they had hardly seen during the busy weeks before Christmas. The room at the top of the stairs where the wives of the members were apt to meet for chocolate and to exchange the addresses of dressmakers was empty; in the reading room he found McLean. Although not a member, McLean was a sort of honorary habitue, being allowed the privilege of the club in exchange for a dependable willingness to play at entertainments of all sorts.

It was in Peter’s mind to enlist McLean’s assistance in his difficulties. McLean knew a good many people. He was popular, goodlooking, and in a colony where, unlike London and Paris, the great majority were people of moderate means, he was conspicuously well off. But he was also much younger than Peter and intolerant with the insolence of youth. Peter was thinking hard as he took off his overcoat and ordered beer.

The boy was in love with Harmony already; Peter had seen that, as he saw many things. How far his love might carry him, Peter had no idea. It seemed to him, as he sat across the reading-table and studied him over his magazine, that McLean would resent bitterly the girl’s position, and that when he learned it a crisis might be precipitated.

One of three things might happen: He might bend all his energies to second Peter’s effort to fill Anna’s place, to find the right person; he might suggest taking Anna’s place himself, and insist that his presence in the apartment would be as justifiable as Peter’s; or he might do at once the thing Peter felt he would do eventually, cut the knot of the difficulty by asking Harmony to marry him. Peter, greeting him pleasantly, decided not to tell him anything, to keep him away if possible until the thing was straightened out, and to wait for an hour at the club in the hope that a solution might stroll in for chocolate and gossip.

In any event explanation to McLean would have required justification. Peter disliked the idea. He could humble himself, if necessary, to a woman; he could admit his asininity in assuming the responsibility of Jimmy, for instance, and any woman worthy of the name, or worthy of living in the house with Harmony, would understand. But McLean was young, intolerant. He was more than that, though Peter, concealing from himself just what Harmony meant to him, would not have admitted a rival for what he had never claimed. But a rival the boy was. Peter, calmly reading a magazine and drinking his Munich beer, was in the grip of the fiercest jealousy. He turned pages automatically, to recall nothing of what he had read.

McLean, sitting across from him, watched him surreptitiously. Big Peter, aggressively masculine, heavy of shoulder, direct of speech and eye, was to him the embodiment of all that a woman should desire in a man. He, too, was jealous, but humbly so. Unlike Peter he knew his situation, was young enough to glory in it. Shameless love is always young; with years comes discretion, perhaps loss of confidence. The Crusaders were youths, pursuing an idea to the ends of the earth and flaunting a lady’s guerdon from spear or saddle-bow. The older men among them tucked the handkerchief or bit of a gauntleted glove under jerkin and armor near the heart, and flung to the air the guerdon of some light o’ love. McLean would have shouted Harmony’s name from the housetops. Peter did not acknowledge even to himself that he was in love with her.

It occurred to McLean after a time that Peter being in the club, and Harmony being in all probability at home, it might be possible to see her alone for a few minutes. He had not intended to go back to the house in the Siebensternstrasse so soon after being peremptorily put out; he had come to the club with the intention of clinching his resolution with a game of cribbage. But fate was playing into his hands. There was no cribbage player round, and Peter himself sat across deeply immersed in a magazine. McLean rose, not stealthily, but without unnecessary noise.

So far so good. Peter turned a page and went on reading. McLean sauntered to a window, hands in pockets. He even whistled a trifle, under his breath, to prove how very casual were his intentions. Still whistling, he moved toward the door. Peter turned another page, which was curiously soon to have read two columns of small type without illustrations.

Once out in the hall McLean’s movements gained aim and precision. He got his coat, hat and stick, flung the first over his arm and the second on his head, and—

“Going out?” asked Peter calmly.

“Yes, nothing to do here. I’ve read all the infernal old magazines until I ‘m sick of them.” Indignant, too, from his tone.

“Walking?”

“Yes.”

“Mind if I go with you?”

“Not at all.”

Peter, taking down his old overcoat from its hook, turned and caught the boy’s eye. It was a swift exchange of glances, but illuminating—Peter’s whimsical, but with a sort of grim determination; McLean’s sheepish, but equally determined.

“Rotten afternoon,” said McLean as they started for the stairs. “Half rain, half snow. Streets are ankle-deep.”

“I’m not particularly keen about walking, but—I don’t care for this tomb alone.”

Nothing was further from McLean’s mind than a walk with Peter that afternoon. He hesitated halfway down the upper flight.

“You don’t care for cribbage, do you?”

“Don’t know anything about it. How about pinochle?”

They had both stopped, equally determined, equally hesitating.

“Pinochle it is,” acquiesced McLean. “I was only going because there was nothing to do.”

Things went very well for Peter that afternoon—up to a certain point. He beat McLean unmercifully, playing with cold deliberation. McLean wearied, fidgeted, railed at his luck. Peter played on grimly.

The club filled up toward the coffee-hour. Two or three women, wives of members, a young girl to whom McLean had been rather attentive before he met Harmony and who bridled at the abstracted bow he gave her. And, finally, when hope in Peter was dead, one of the women on Anna’s list.

Peter, laying down pairs and marking up score, went over Harmony’s requirements. Dr. Jennings seemed to fit them all, a woman, not young, not too stout, agreeable and human. She was a large, almost bovinely placid person, not at all reminiscent of Anna. She was neat where Anna had been disorderly, well dressed and breezy against Anna’s dowdiness and sharpness. Peter, having totaled the score, rose and looked down at McLean.

“You’re a nice lad,” he said, smiling. “Sometime I shall teach you the game.”

“How about a lesson to-night in Seven-Star Street?”

“To-night? Why, I’m sorry. We have an engagement for to-night.”

The “we” was deliberate and cruel. McLean writhed. Also the statement was false, but the boy was spared that knowledge for the moment.

Things went well. Dr. Jennings was badly off for quarters. She would make a change if she could better herself. Peter drew her off to a corner and stated his case. She listened attentively, albeit not without disapproval.

She frankly discredited the altruism of Peter’s motives when he told her about Harmony. But as the recital went on she found herself rather touched. The story of Jimmy appealed to her. She scolded and lauded Peter in one breath, and what was more to the point, she promised to visit the house in the Siebensternstrasse the next day.

“So Anna Gates has gone home!” she reflected. “When?”

“This morning.”

“Then the girl is there alone?”

“Yes. She is very young and inexperienced, and the boy—it’s myocarditis. She’s afraid to be left with him.”

“Is she quite alone?”

“Absolutely, and without funds, except enough for her lessons. Our arrangement was that she should keep the house going; that was her share.”

Dr. Jennings was impressed. It was impossible to talk to Peter and not believe him. Women trusted Peter always.

“You’ve been very foolish, Dr. Byrne,” she said as she rose; “but you’ve been disinterested enough to offset that and to put some of us to shame. Tomorrow at three, if it suits you. You said the Siebensternstrasse?”

Peter went home exultant.

CHAPTER XVII

Christmas-Day had had a softening effect on Mrs. Boyer. It had opened badly. It was the first Christmas she had spent away from her children, and there had been little of the holiday spirit in her attitude as she prepared the Christmas breakfast. After that, however, things happened.

In the first place, under her plate she had found a frivolous chain and pendant which she had admired. And when her eyes filled up, as they did whenever she was emotionally moved, the doctor had come round the table and put both his arms about her.

“Too young for you? Not a bit!” he said heartily. “You’re better-looking then you ever were, Jennie; and if you weren’t you’re the only woman for me, anyhow. Don’t you think I realize what this exile means to you and that you’re doing it for me?”

“I—I don’t mind it.”

“Yes, you do. To-night we’ll go out and make a night of it, shall we? Supper at the Grand, the theater, and then the Tabarin, eh?”

She loosened herself from his arms.

“What shall I wear? Those horrible things the children bought me—”

“Throw ‘em away.”

“They’re not worn at all.”

“Throw them out. Get rid of the things the children got you. Go out to-morrow and buy something you like—not that I don’t like you in anything or without—”

“Frank!”

“Be happy, that’s the thing. It’s the first Christmas without the family, and I miss them too. But we’re together, dear. That’s the big thing. Merry Christmas.”

An auspicious opening, that, to Christmas-Day. And they had carried out the program as outlined. Mrs. Boyer had enjoyed it, albeit a bit horrified at the Christmas gayety at the Tabarin.

The next morning, however, she awakened with a keen reaction. Her head ached. She had a sense of taint over her. She was virtue rampant again, as on the day she had first visited the old lodge in the Siebensternstrasse.

It is hardly astonishing that by association of ideas Harmony came into her mind again, a brand that might even yet be snatched from the burning. She had been a bit hasty before, she admitted to herself. There was a woman doctor named Gates, although her address at the club was given as Pension Schwarz. She determined to do her shopping early and then to visit the house in the Siebensternstrasse. She was not a hard woman, for all her inflexible morality, and more than once she had had an uneasy memory of Harmony’s bewildered, almost stricken face the afternoon of her visit. She had been a watchful mother over a not particularly handsome family of daughters. This lovely young girl needed mothering and she had refused it. She would go back, and if she found she had been wrong and the girl was deserving and honest, she would see what could be done.

The day was wretched. The snow had turned to rain. Mrs. Boyer, shopping, dragged wet skirts and damp feet from store to store. She found nothing that she cared for after all. The garments that looked chic in the windows or on manikins in the shops, were absurd on her. Her insistent bosom bulged, straight lines became curves or tortuous zigzags, plackets gaped, collars choked her or shocked her by their absence. In the mirror of Marie Jedlicka, clad in familiar garments that had accommodated themselves to the idiosyncrasies of her figure, Mrs. Boyer was a plump, rather comely matron. Here before the plate glass of the modiste, under the glare of a hundred lights, side by side with a slim Austrian girl who looked like a willow wand, Mrs. Boyer was grotesque, ridiculous, monstrous. She shuddered. She almost wept.

It was bad preparation for a visit to the Siebensternstrasse. Mrs. Boyer, finding her vanity gone, convinced that she was an absurdity physically, fell back for comfort on her soul. She had been a good wife and mother; she was chaste, righteous. God had been cruel to her in the flesh, but He had given her the spirit.

“Madame wishes not the gown? It is beautiful—see the embroidery! And the neck may be filled with chiffon.”

“Young woman,” she said grimly, “I see the embroidery; and the neck may be filled with chiffon, but not for me! And when you have had five children, you will not buy clothes like that either.”

All the kindliness was gone from the visit to the Siebensternstrasse; only the determination remained. Wounded to the heart of her self-esteem, her pride in tatters, she took her way to the old lodge and climbed the stairs.

She found a condition of mild excitement. Jimmy had slept long after his bath. Harmony practiced, cut up a chicken for broth, aired blankets for the chair into which Peter on his return was to lift the boy.

She was called to inspect the mouse-cage, which, according to Jimmy, had strawberries in it.

“Far back,” he explained. “There in the cotton, Harry.”

But it was not strawberries. Harmony opened the cage and very tenderly took out the cotton nest. Eight tiny pink baby mice, clean washed by the mother, lay curled in a heap.

It was a stupendous moment. The joy of vicarious parentage was Jimmy’s. He named them all immediately and demanded food for them. On Harmony’s delicate explanation that this was unnecessary, life took on a new meaning for Jimmy. He watched the mother lest she slight one. His responsibility weighed on him. Also his inquiring mind was very busy.

“But how did they get there?” he demanded.

“God sent them, just as he sends babies of all sorts.”

“Did he send me?”

“Of course.”

“That’s a good one on you, Harry. My father found me in a hollow tree.”

“But don’t you think God had something to do with it?”

Jimmy pondered this.

“I suppose,” he reflected, “God sent Daddy to find me so that I would be his little boy. You never happened to see any babies when you were out walking, did you, Harry?”

“Not in stumps—but I probably wasn’t looking.”

Jimmy eyed her with sympathy.

“You may some day. Would you like to have one?”

“Very much,” said Harmony, and flushed delightfully.

Jimmy was disposed to press the matter, to urge immediate maternity on her.

“You could lay it here on the bed,” he offered, “and I’d watch it. When they yell you let ‘em suck your finger. I knew a woman once that had a baby and she did that. And it could watch Isabella.” Isabella was the mother mouse. “And when I’m better I could take it walking.”

“That,” said Harmony gravely, “is mighty fine of you, Jimmy boy. I—I’ll think about it.” She never denied Jimmy anything, so now she temporized.

“I’ll ask Peter.”

Harmony had a half-hysterical moment; then:

“Wouldn’t it be better,” she asked, “to keep anything of that sort a secret? And to surprise Peter?”

The boy loved a secret. He played with it in lieu of other occupation. His uncertain future was sown thick with secrets that would never flower into reality. Thus Peter had shamelessly promised him a visit to the circus when he was able to go, Harmony not to be told until the tickets were bought. Anna had similarly promised to send him from America a pitcher’s glove and a baseball bat. To this list of futurities he now added Harmony’s baby.

Harmony brought in her violin and played softly to him, not to disturb the sleeping mice. She sang, too, a verse that the Big Soprano had been fond of and that Jimmy loved. Not much of a voice was Harmony’s, but sweet and low and very true, as became her violinist’s ear.

“Ah, well! For us all some sweet hope lies Deeply buried from human eyes,”

she sang, her clear eyes luminous.

“And in the hereafter, angels may Roll the stone from its grave away!”

Mrs. Boyer mounted the stairs. She was in a very bad humor. She had snagged her skirt on a nail in the old gate, and although that very morning she had detested the suit, her round of shopping had again endeared it to her. She told the Portier in English what she thought of him, and climbed ponderously, pausing at each landing to examine the damage.

Harmony, having sung Jimmy to sleep, was in the throes of an experiment. She was trying to smoke.

A very human young person was Harmony, apt to be exceedingly wretched if her hat were of last year’s fashion, anxious to be inconspicuous by doing what every one else was doing, conventional as are the very young, fearful of being an exception.

And nearly every one was smoking. Many of the young women whom she met at the master’s house had yellowed fingers and smoked in the anteroom; the Big Soprano had smoked; Anna and Scatchy had smoked; in the coffee-houses milliners’ apprentices produced little silver mouthpieces to prevent soiling their pretty lips and smoked endlessly. Even Peter had admitted that it was not a vice, but only a comfortable bad habit. And Anna had left a handful of cigarettes.

Harmony was not smoking; she was experimenting. Peter and Anna had smoked together and it had looked comradely. Perhaps, without reasoning it out, Harmony was experimenting toward the end of establishing her relations with Peter still further on friendly and comradely grounds. Two men might smoke together; a man and a woman might smoke together as friends. According to Harmony’s ideas, a girl paring potatoes might inspire sentiment, but smoking a cigarette—never!

She did not like it. She thought, standing before her little mirror, that she looked fast, after all. She tried pursing her lips together, as she had seen Anna do, and blowing out the smoke in a thin line. She smoked very hard, so that she stood in the center of a gray nimbus. She hated it, but she persisted. Perhaps it grew on one; perhaps, also, if she walked about it would choke her less. She practiced holding the thing between her first and second fingers, and found that easier than smoking. Then she went to the salon where there was more air, and tried exhaling through her nose. It made her sneeze.

On the sneeze came Mrs. Boyer’s ring. Harmony thought very fast. It might be the bread or the milk, but again—She flung the cigarette into the stove, shut the door, and answered the bell.

Mrs. Boyer’s greeting was colder than she had intended. It put Harmony on the defensive at once, made her uncomfortable. Like all the innocent falsely accused she looked guiltier than the guiltiest. Under Mrs. Boyer’s searching eyes the enormity of her situation overwhelmed her. And over all, through salon and passage, hung the damning odor of the cigarette. Harmany, leading the way in, was a sheep before her shearer.

“I’m calling on all of you,” said Mrs. Boyer, sniping. “I meant to bring Dr. Boyer’s cards for every one, including Dr. Byrne.”

“I’m sorry. Dr. Byrne is out.”

“And Dr. Gates?”

“She—she is away.”

Mrs. Boyer raised her eyebrows and ostentatiously changed the subject, requesting a needle and thread to draw the rent together. It had been in Harmony’s mind to explain the situation, to show Jimmy to Mrs. Boyer, to throw herself on the older woman’s sympathy, to ask advice. But the visitor’s attitude made this difficult. To add to her discomfort, through the grating in the stove door was coming a thin thread of smoke.

It was, after all, Mrs. Boyer who broached the subject again. She had had a cup of tea, and Harmony, sitting on a stool, had mended the rent so that it could hardly be seen. Mrs. Boyer, softened by the tea and by the proximity of Harmony’s lovely head bent over her task, grew slightly more expansive.

“I ought to tell you something, Miss Wells,” she said. “You remember my other visit?”

“Perfectly.” Harmony bent still lower.

“I did you an injustice at that time. I’ve been sorry ever since. I thought that there was no Dr. Gates. I’m sorry, but I’m not going to deny it. People do things in this wicked city that they wouldn’t do at home. I confess I misjudged Peter Byrne. You can give him my apologies, since he won’t see me.”

“But he isn’t here or of course he’d see you.”

“Then,” demanded Mrs. Boyer grimly, “if Peter Byrne is not here, who has been smoking cigarettes in this room? There is one still burning in that stove!”

Harmony’s hand was forced. She was white as she cut the brown-silk thread and rose to her feet.

“I think,” she said, “that I’d better go back a few weeks, Mrs. Boyer, and tell you a story, if you have time to listen.”

“If it is disagreeable—”

“Not at all. It is about Peter Byrne and myself, and—some others. It is really about Peter. Mrs. Boyer, will you come very quietly across the hall?”

Mrs. Boyer, expecting Heaven knows what, rose with celerity. Harmony led the way to Jimmy’s door and opened it. He was still asleep, a wasted small figure on the narrow bed. Beside him the mice frolicked in their cage, the sentry kept guard over Peter’s shameless letters from the Tyrol, the strawberry babies wriggled in their cotton.

“We are not going to have him very long,” said Harmony softly. “Peter is making him happy for a little while.”

Back in the salon of Maria Theresa she told the whole story. Mrs. Boyer found it very affecting. Harmony sat beside her on a stool and she kept her hand on the girl’s shoulder. When the narrative reached Anna’s going away, however, she took it away. From that point on she sat uncompromisingly rigid and listened.

“Then you mean to say,” she exploded when Harmony had finished, “that you intend to stay on here, just the two of you?”

“And Jimmy.”

“Bah! What has the child to do with it?”

“We will find some one to take Anna’s place.”

“I doubt it. And until you do?”

“There is nothing wicked in what we are doing. Don’t you see, Mrs. Boyer, I can’t leave the boy.”

“Since Peter is so altruistic, let him hire a nurse.”

Bad as things were, Harmony smiled.

“A nurse!” she said. “Why, do you realize that he is keeping three people now on what is starvation for one?”

“Then he’s a fool!” Mrs. Boyer rose in majesty. “I’m not going to leave you here.”

“I’m sorry. You must see—”

“I see nothing but a girl deliberately putting herself in a compromising portion and worse.”

“Mrs. Boyer!”

“Get your things on. I guess Dr. Boyer and I can look after you until we can send you home.”

“I am not going home—yet,” said poor Harmony, biting her lip to steady it.

Back and forth waged the battle, Mrs. Boyer assailing, Harmony offering little defense but standing firm on her refusal to go as long as Peter would let her remain.

“It means so much to me,” she ventured, goaded. “And I earn my lodging and board. I work hard and—I make him comfortable. It costs him very little and I give him something in exchange. All men are not alike. If the sort you have known are—are different—”

This was unfortunate. Mrs. Boyer stiffened. She ceased offensive tactics, and retired grimly into the dignity of her high calling of virtuous wife and mother. She washed her hands of Harmony and Peter. She tied on her veil with shaking hands, and prepared to leave Harmony to her fate.

“Give me your mother’s address,” she demanded.

“Certainly not.”

“You absolutely refuse to save yourself?”

“From what? From Peter? There are many worse people than Peter to save myself from, Mrs. Boyer—uncharitable people, and—and cruel people.”

Mrs. Boyer shrugged her plump shoulders.

“Meaning me!” she retorted. “My dear child, people are always cruel who try to save us from ourselves.”

Unluckily for Harmony, one of Anna’s specious arguments must pop into her head at that instant and demand expression.

“People are living their own lives these days, Mrs. Boyer; old standards have gone. It is what one’s conscience condemns that is wrong, isn’t it? Not merely breaking laws that were made to fit the average, not the exception.”

Anna! Anna!

Mrs. Boyer flung up her hands.

“You are impossible!” she snapped. “After all, I believe it is Peter who needs protection! I shall speak to him.”

She started down the staircase, but turned for a parting volley.

“And just a word of advice: Perhaps the old standards have gone. But if you really expect to find a respectable woman to chaperon YOU, keep your views to yourself.”

Harmony, a bruised and wounded thing, crept into Jimmy’s room and sank on her knees beside the bed. One small hand lay on the coverlet; she dared not touch it for fear of waking him—but she laid her cheek close to it for comfort. When Peter came in, much later, he found the boy wide awake and Harmony asleep, a crumpled heap beside the bed.

“I think she’s been crying,” Jimmy whispered. “She’s been sobbing in her sleep. And strike a match, Peter; there may be more mice.”

CHAPTER XVIII

Mrs. Boyer, bursting with indignation, went to the Doctors’ Club. It was typical of the way things were going with Peter that Dr. Boyer was not there, and that the only woman in the clubrooms should be Dr. Jennings. Young McLean was in the reading room, eating his heart out with jealousy of Peter, vacillating between the desire to see Harmony that night and fear lest Peter forbid him the house permanently if he made the attempt. He had found a picture of the Fraulein Engel, from the opera, in a magazine, and was sitting with it open before him. Very deeply and really in love was McLean that afternoon, and the Fraulein Engel and Harmony were not unlike. The double doors between the reading room and the reception room adjoining were open. McLean, lost in a rosy future in which he and Harmony sat together for indefinite periods, with no Peter to scowl over his books at them, a future in which life was one long piano-violin duo, with the candles in the chandelier going out one by one, leaving them at last alone in scented darkness together—McLean heard nothing until the mention of the Siebensternstrasse roused him.

After that he listened. He heard that Dr. Jennings was contemplating taking Anna’s place at the lodge, and he comprehended after a moment that Anna was already gone. Even then the significance of the situation was a little time in dawning on him. When it did, however, he rose with a stifled oath.

Mrs. Boyer was speaking.

“It is exactly as I tell you,” she was saying. “If Peter Byrne is trying to protect her reputation he is late doing it. Personally I have been there twice. I never saw Anna Gates. And she is registered here at the club as living in the Pension Schwarz. Whatever the facts may be, one thing remains, she is not there now.”

McLean waited to hear no more. He was beside himself with rage. He found a “comfortable” at the curb. The driver was asleep inside the carriage. McLean dragged him out by the shoulder and shouted an address to him. The cab bumped along over the rough streets to an accompaniment of protests from its frantic passenger.

The boy was white-lipped with wrath and fear. Peter’s silence that afternoon as to the state of affairs loomed large and significant. He had thought once or twice that Peter was in love with Harmony; he knew it now in the clearer vision of the moment. He recalled things that maddened him: the dozen intimacies of the little menage, the caress in Peter’s voice when he spoke to the girl, Peter’s steady eyes in the semi-gloom of the salon while Harmony played.

At a corner they must pause for the inevitable regiment. McLean cursed, bending out to see how long the delay would be. Peter had been gone for half an hour, perhaps, but Peter would walk. If he could only see the girl first, talk to her, tell her what she would be doing by remaining—

He was there at last, flinging across the courtyard like a madman. Peter was already there; his footprints were fresh in the slush of the path. The house door was closed but not locked. McLean ran up the stairs. It was barely twilight outside, but the staircase well was dark. At the upper landing he was compelled to fumble for the bell.

Peter admitted him. The corridor was unlighted, but from the salon came a glow of lamplight. McLean, out of breath and furious, faced Peter.

“I want to see Harmony,” he said without preface.

Peter eyed him. He knew what had happened, had expected it when the bell rang, had anticipated it when Harmony told him of Mrs. Boyer’s visit. In the second between the peal of the bell and his opening the door he had decided what to do.

“Come in.”

McLean stepped inside. He was smaller than Peter, not so much shorter as slenderer. Even Peter winced before the look in his eyes.

“Where is she?”

“In the kitchen, I think. Come into the salon.”

McLean flung off his coat. Peter closed the door behind him and stood just inside. He had his pipe as usual. “I came to see her, not you, Byrne.”

“So I gather. I’ll let you see her, of course, but don’t you want to see me first?”

“I want to take her away from here.”

“Why? Are you better able to care for her than I am?”

McLean stood rigid. He had thrust his clenched hands into his pockets.

“You’re a scoundrel, Byrne,” he said steadily. “Why didn’t you tell me this this afternoon?”

“Because I knew if I did you’d do just what you are doing.”

“Are you going to keep her here?”

Peter changed color at the thrust, but he kept himself in hand.

“I’m not keeping her here,” he said patiently. “I’m doing the best I can under the circumstances.”

“Then your best is pretty bad.”

“Perhaps. If you would try to remember the circumstances, McLean,—that the girl has no place else to go, practically no money, and that I—”

“I remember one circumstance, that you are living here alone with her and that you’re crazy in love with her.”

“That has nothing to do with you. As long as I treat her—”

“Bah!”

“Will you be good enough to let me finish what I am trying to say? She’s safe with me. When I say that I mean it. She will not go away from here with you or with any one else if I can prevent it. And if you care enough about her to try to keep her happy you’ll not let her know you have been here. I’ve got a woman coming to take Anna’s place. That ought to satisfy you.”

“Dr. Jennings?”

“Yes.”

“She’ll not come. Mrs. Boyer has been talking to her. Inside of an hour the whole club will have it—every American in Vienna will know about it in a day or so. I tell you, Byrne, you’re doing an awful thing.”

Peter drew a long breath. He had had his bad half-hour before McLean came; had had to stand by, wordless, and see Harmony trying to smile, see her dragging about, languid and white, see her tragic attempts to greet him on the old familiar footing. Through it all he had been sustained by the thought that a day or two days would see the old footing reestablished, another woman in the house, life again worth the living and Harmony smiling up frankly into his eyes. Now this hope had departed.

“You can’t keep me from seeing her, you know,” McLean persisted. “I’ve got to put this thing to her. She’s got to choose.”

“What alternative have you to suggest?”

“I’d marry her if she’d have me.”

After all Peter had expected that. And, if she cared for the boy wouldn’t that be best for her? What had he to offer against that? He couldn’t marry. He could only offer her shelter, against everything else. Even then he did not dislike McLean. He was a man, every slender inch of him, this boy musician. Peter’s heart sank, but he put down his pipe and turned to the door.

“I’ll call her,” he said. “But, since this concerns me very vitally, I should like to be here while you put the thing to her. After that if you like—”

He called Harmony. She had given Jimmy his supper and was carrying out a tray that seemed hardly touched.

“He won’t eat to-night,” she said miserably. “Peter, if he stops eating, what can we do? He is so weak!”

Peter, took the tray from her gently.

“Harry dear,” he said, “I want you to come into the salon. Some one wishes to speak to you.”

“To me?”

“Yes. Harry, do you remember that evening in the kitchen when—Do you recall what I promised?”

“Yes, Peter.”

“You are sure you know what I mean?”

“Yes.”

“That’s all right, then. McLean wants to see you.”

She hesitated, looking up at him.

“McLean? You look so grave, Peter. What is it?”

“He will tell you. Nothing alarming.”

Peter gave McLean a minute alone after all, while he carried the tray to the kitchen. He had no desire to play watchdog over the girl, he told himself savagely; only to keep himself straight with her and to save her from McLean’s impetuosity. He even waited in the kitchen to fill and light his pipe.

McLean had worked himself into a very fair passion. He was intense, almost theatrical, as he stood with folded arms waiting for Harmony. So entirely did the girl fill his existence that he forgot, or did not care to remember, how short a time he had known her. As Harmony she dominated his life and his thoughts; as Harmony he addressed her when, rather startled, she entered the salon and stood just inside the closed door.

“Peter said you wanted to speak to me.”

McLean groaned. “Peter!” he said. “It is always Peter. Look here, Harmony, you cannot stay here.”

“It is only for a few hours. Tomorrow some one is coming. And, anyhow, Peter is going to Semmering. We know it is unusual, but what can we do?”

“Unusual! It’s—it’s damnable. It’s the appearance of the thing, don’t you see that?”

“I think it is rather silly to talk of appearance when there is no one to care. And how can I leave? Jimmy needs me all the time—”

“That’s another idiocy of Peter’s. What does he mean by putting you in this position?”

“I am one of Peter’s idiocies.”

Peter entered on that. He took in the situation with a glance, and Harmony turned to him; but if she had expected Peter to support her, she was disappointed. Whatever decision she was to make must be her own, in Peter’s troubled mind. He crossed the room and stood at one of the windows, looking out, a passive participant in the scene.

The day had been a trying one for Harmony. What she chose to consider Peter’s defection was a fresh stab. She glanced from McLean, flushed and excited, to Peter’s impassive back. Then she sat down, rather limp, and threw out her hands helplessly.

“What am I to do?” she demanded. “Every one comes with cruel things to say, but no one tells me what to do.”

Peter turned away from the window.

“You can leave here,” ventured McLean. “That’s the first thing. After that—”

“Yes, and after that, what?”

McLean glanced at Peter. Then he took a step toward the girl.

“You could marry me, Harmony,” he said unsteadily. “I hadn’t expected to tell you so soon, or before a third person.” He faltered before Harmony’s eyes, full of bewilderment. “I’d be very happy if you—if you could see it that way. I care a great deal, you see.”

It seemed hours to Peter before she made any reply, and that her voice came from miles away.

“Is it really as bad as that?” she asked. “Have I made such a mess of things that some one, either you or Peter, must marry me to straighten things out? I don’t want to marry any one. Do I have to?”

“Certainly you don’t have to,” said Peter. There was relief in his voice, relief and also something of exultation. “McLean, you mean well, but marriage isn’t the solution. We were getting along all right until our friends stepped in. Let Mrs. Boyer howl all over the colony; there will be one sensible woman somewhere to come and be comfortable here with us. In the interval we’ll manage, unless Harmony is afraid. In that case—”

“Afraid of what?”

The two men exchanged glances, McLean helpless, Peter triumphant.

“I do not care what Mrs. Boyer says, at least not much. And I am not afraid of anything else at all.”

McLean picked up his overcoat.

“At least,” he appealed to Peter, “you’ll come over to my place?”

“No!” said Peter.

McLean made a final appeal to Harmony.

“If this gets out,” he said, “you are going to regret it all your life.”

“I shall have nothing to regret,” she retorted proudly.

Had Peter not been there McLean would have made a better case, would have pleaded with her, would have made less of a situation that roused her resentment and more of his love for her. He was very hard hit, very young. He was almost hysterical with rage and helplessness; he wanted to slap her, to take her in his arms. He writhed under the restraint of Peter’s steady eyes.

He got to the door and turned, furious.

“Then it’s up to you,” he flung at Peter. “You’re old enough to know better; she isn’t. And don’t look so damned superior. You’re human, like the rest of us. And if any harm comes to her—”

Here unexpectedly Peter held out his hand, and after a sheepish moment McLean took it.

“Goodnight, old man,” said Peter. “And—don’t be an ass.”

As was Peter’s way, the words meant little, the tone much. McLean knew what in his heart he had known all along—that the girl was safe enough; that all that was to fear was the gossip of scandal-lovers. He took Peter’s hand, and then going to Harmony stood before her very erect.

“I suppose I’ve said too much; I always do,” he said contritely. “But you know the reason. Don’t forget the reason, will you?”

“I am only sorry.”

He bent over and kissed her hand lingeringly. It was a tragic moment for him, poor lad! He turned and went blindly out the door and down the dark stone staircase. It was rather anticlimax, after all that, to have Peter discover he had gone without his hat and toss it down to him a flight below.

All the frankness had gone out of the relationship between Harmony and Peter. They made painful efforts at ease, talked during the meal of careful abstractions, such as Jimmy, and Peter’s proposed trip to Semmering, avoided each other’s eyes, ate little or nothing. Once when Harmony passed Peter his coffee-cup their fingers touched, and between them they dropped the cup. Harmony was flushed and pallid by turns, Peter wretched and silent.

Out of the darkness came one ray of light. Stewart had wired from Semmering, urging Peter to come. He would be away for two days. In two days much might happen; Dr. Jennings might come or some one else. In two days some of the restraint would have worn off. Things would never be the same, but they would be forty-eight hours better.

Peter spent the early part of the evening with Jimmy, reading aloud to him. After the child had dropped to sleep he packed a valise for the next day’s journey and counted out into an envelope half of the money he had with him. This he labeled “Household Expenses” and set it up on his table, leaning against his collar-box. There was no sign of Harmony about. The salon was dark except for the study lamp turned down.

Peter was restless. He put on his shabby dressing-gown and worn slippers and wandered about. The Portier had brought coal to the landing; Peter carried it in. He inspected the medicine bottles on Jimmy’s stand and wrote full directions for every emergency he could imagine. Then, finding it still only nine o’clock, he turned up the lamp in the salon and wrote an exciting letter from Jimmy’s father, in which a lost lamb, wandering on the mountainside, had been picked up by an avalanche and carried down into the fold and the arms of the shepherd. And because he stood so in loco parentis, and because it seemed so inevitable that before long Jimmy would be in the arms of the Shepherd, and, of course, because it had been a trying day all through, Peter’s lips were none too steady as he folded up the letter.

The fire was dead in the stove; Peter put out the salon lamp and closed the shutters. In the warm darkness he put out his hand to feel his way through the room. It touched a little sweater coat of Harmony’s, hanging over the back of a chair. Peter picked it up in a very passion of tenderness and held it to him.

“Little girl!” he choked. “My little girl! God help me!”

He was rather ashamed, considerably startled. It alarmed him to find that the mere unexpected touch of a familiar garment could rouse such a storm in him. It made him pause. He put down the coat and pulled himself up sharply. McLean was right; he was only human stuff, very poor human stuff. He put the little coat down hastily, only to lift it again gently to his lips.

“Goodnight, dear,” he whispered. “Goodnight, Harmony.”

Frau Schwarz had had two visitors between the hours of coffee and supper that day. The reason of their call proved to be neither rooms nor pension. They came to make inquiries.

The Frau Schwarz made this out at last, and sat down on the edge of the bed in the room that had once been Peter’s and that still lacked an occupant.

Mrs. Boyer had no German; Dr. Jennings very little and that chiefly medical. There is, however, a sort of code that answers instead of language frequently, when two or three women of later middle life are gathered together, a code born of mutual understanding, mutual disillusion, mutual distrust, a language of outspread hands, raised eyebrows, portentous shakings of the head. Frau Schwarz, on the edge of Peter’s tub-shaped bed, needed no English to convey the fact that Peter was a bad lot. Not that she resorted only to the sign language.

“The women were also wicked,” she said. “Of a man what does one expect? But of a woman! And the younger one looked—Herr Gott! She had the eyes of a saint! The little Georgiev was mad for her. When the three of them left, disgraced, as one may say, he came to me, he threatened me. The Herr Schwarz, God rest his soul, was a violent man, but never spoke he so to me!”

“She says,” interpreted Dr. Jennings, “that they were a bad lot—that the younger one made eyes at the Herr Schwarz!”

Mrs. Boyer drew her ancient sables about her and put a tremulous hand on the other woman’s arm.

“What an escape for you!” she said. “If you had gone there to live and then found the establishment—queer!”

From the kitchen of the pension, Olga was listening, an ear to the door. Behind her, also listening, but less advantageously, was Katrina.

“American ladies!” said Olga. “Two, old and fat.”

“More hot water!” growled Katrina. “Why do not the Americans stay in their own country, where the water, I have learned, comes hot from the earth.”

Olga, bending forward, opened the door a crack wider.

“Sh! They do not come for rooms. They inquire for the Herr Doktor Byrne and the others!”

“No!”

“Of a certainty.”

“Then let me to the door!”

“A moment. She tells them everything and more. She says—how she is wicked, Katrina! She says the Fraulein Harmony was not good, that she sent them all away. Here, take the door!”

Thus it happened that Dr. Jennings and Mrs. Boyer, having shaken off the dust of a pension that had once harbored three malefactors, and having retired Peter and Anna and Harmony into the limbo of things best forgotten or ignored, found themselves, at the corner, confronted by a slovenly girl in heelless slippers and wearing a knitted shawl over her head. “The Frau Schwarz is wrong,” cried Olga passionately in Vienna dialect. “They were good, all of them!”

“What in the world—”

“And, please, tell me where lives the Fraulein Harmony. The Herr Georgiev eats not nor sleeps that he cannot find her.”

Dr. Jennings was puzzled.

“She wishes to know where the girl lives,” she interpreted to Mrs. Boyer. “A man wishes to know.”

“Naturally!” said Mrs. Boyer. “Well, don’t tell her.”

Olga gathered from the tone rather than the words that she was not to be told. She burst into a despairing appeal in which the Herr Georgiev, Peter, a necktie Peter had forgotten, open windows, and hot water were inextricably confused. Dr. Jennings listened, then waved her back with a gesture.

“She says,” she interpreted as they walked on, “that Dr. Peter—by which I suppose she means Dr. Byrne—has left a necktie, and that she’ll be in hot water if she does not return it.”

Mrs. Boyer sniffed.

“In love with him, probably, like the others!” she said.

CHAPTER XIX

Peter went to Semmering the next morning, tiptoeing out very early and without breakfast. He went in to cover Jimmy, lying diagonally across his small bed amid a riot of tossed blankets. The communicating door into Harmony’s room was open. Peter kept his eyes carefully from it, but his ears were less under control. He could hear her soft breathing. There were days coming when Peter would stand where he stood then and listen, and find only silence.

He tore himself away at last, closing the outer door carefully behind him and lighting a match to find his way down the staircase. The Portier was not awake. Peter had to rouse him, and to stand by while he donned the trousers which he deemed necessary to the dignity of his position before he opened the street door.

Reluctant as he had been to go, the change was good for Peter. The dawn grew rosy, promised sunshine, fulfilled its promise. The hurrying crowds at the depot interested him: he enjoyed his coffee, taken from a bare table in the station. The horizontal morning sunlight, shining in through marvelously clean windows, warmed the marble of the floor, made black shadows beside the heaps of hand luggage everywhere, turned into gold the hair of a toddling baby venturing on a tour of discovery. The same morning light, alas! revealed to Peter a break across the toe of one of his shoes. Peter sighed, then smiled. The baby was catching at the bits of dust that floated in the sunshine.

Suddenly a great wave of happiness overwhelmed Peter. It was a passing thing, born of nothing, but for the instant that it lasted Peter was a king. Everything was well. The world was his oyster. Life was his, to make it what he would—youth and hope and joy. Under the beatific influence he expanded, grew, almost shone. Youth and hope and joy—that cometh in the morning.

The ecstasy passed away, but without reaction. Peter no longer shone; he still glowed. He picked up the golden-haired baby and hugged it. He hunted out a beggar he had passed and gave him five Hellers. He helped a suspicious old lady with an oilcloth-covered bundle; he called the guard on the train “son” and forced a grin out of that dignitary.

Peter traveled third-class, which was quite comfortable, and no bother about “Nicht Rauchen” signs. His unreasonable cheerfulness persisted as far as Gloggnitz. There, with the increasing ruggedness of the scenery and his first view of the Raxalpe, came recollection of the urgency of Stewart’s last message, of Marie Jedlicka, of the sordid little tragedy that awaited him at the end of his journey.

Peter sobered. Life was rather a mess, after all, he reflected. Love was a blessing, but it was also a curse. After that he sat back in his corner and let the mountain scenery take care of itself, while he recalled the look he had surprised once or twice in Marie’s eyes when she looked at Stewart. It was sad, pitiful. Marie was a clever little thing. If only she’d had a chance!— Why wasn’t he rich enough to help the ones who needed help. Marie could start again in America, with no one the wiser, and make her way.

“Smart as the devil, these Austrian girls!” Peter reflected. “Poor little guttersnipe!”

The weather was beautiful. The sleet of the previous day in Vienna had been a deep snowfall on the mountains. The Schwarza was frozen, the castle of Liechtenstein was gray against a white world. A little pilgrimage church far below seemed snowed in against the faithful. The third-class compartment filled with noisy skiing parties. The old woman opened her oilcloth bundle, and taking a cat out of a box inside fed it a sausage.

Up and up, past the Weinzettelwand and the Station Breitenstein, across the highest viaduct, the Kalte Rinne, and so at last to Semmering.

The glow had died at last for Peter. He did not like his errand, was very vague, indeed, as to just what that errand might be. He was stiff and rather cold. Also he thought the cat might stifle in the oilcloth, but the old woman too clearly distrusted him to make it possible to interfere. Anyhow, he did not know the German for either cat or oilcloth.

He had wired Stewart; but the latter was not at the station. This made him vaguely uneasy, he hardly knew why. He did not know Stewart well enough to know whether he was punctilious in such matters or not: as a matter of fact he hardly knew him at all. It was because he had appealed to him that Peter was there, it being only necessary to Peter to be needed, and he was anywhere.

The Pension Waldheim was well up the mountains. He shouldered his valise and started up—first long flights of steps through the pines, then a steep road. Peter climbed easily. Here and there he met groups coming down, men that he thought probably American, pretty women in “tams” and sweaters. He watched for Marie, but there was no sign of her.

He was half an hour, perhaps, in reaching the Waldheim. As he turned in at the gate he noticed a sledge, with a dozen people following it, coming toward him. It was a singularly silent party. Peter, with his hand on the door-knocker, watched its approach with some curiosity.

It stopped, and the men who had been following closed up round it. Even then Peter did not understand. He did not understand until he saw Stewart, limp and unconscious, lifted out of the straw and carried toward him.

Suicide may be moral cowardice; but it requires physical bravery. And Marie was not brave. The balcony had attracted her: it opened possibilities of escape, of unceasing regret and repentance for Stewart, of publicity that would mean an end to the situation. But every inch of her soul was craven at the thought. She crept out often and looked down, and as often drew back, shuddering. To fall down, down on to the tree tops, to be dropped from branch to branch, a broken thing, and perhaps even not yet dead—that was the unthinkable thing, to live for a time and suffer!

Stewart was not ignorant of all that went on in her mind. She had threatened him with the balcony, just as, earlier in the winter, it had been a window-ledge with which she had frightened him. But there was this difference, whereas before he had drawn her back from the window and clapped her into sanity, now he let her alone. At the end of one of their quarrels she had flung out on to the balcony, and then had watched him through the opening in the shutter. He had lighted a cigarette!

Stewart spent every daylight hour at the hotel, or walking over the mountain roads, seldom alone with Anita, but always near her. He left Marie sulking or sewing, as the case might be. He returned in the evening to find her still sulking, still sewing.

But Marie did not sulk all day, or sew. She too was out, never far from Stewart, always watching. Many times she escaped discovery only by a miracle, as when she stooped behind an oxcart, pretending to tie her shoe, or once when they all met face to face, and although she lowered her veil Stewart must have known her instantly had he not been so intent on helping Anita over a slippery gutter.

She planned a dozen forms of revenge and found them impossible of execution. Stewart himself was frightfully unhappy. For the first time in his life he was really in love, with all the humility of the condition. There were days when he would not touch Anita’s hand, when he hardly spoke, when the girl herself would have been outraged at his conduct had she not now and then caught him watching her, seen the wretchedness in his eyes.

The form of Marie’s revenge was unpremeditated, after all. The light mountain snow was augmented by a storm; roads were ploughed through early in the morning, leaving great banks on either side. Sleigh-bells were everywhere. Coasting parties made the steep roads a menace to the pedestrian; every up-climbing sleigh carried behind it a string of sleds, going back to the starting-point.

Below the hotel was the Serpentine Coast, a long and dangerous course, full of high-banked curves, of sudden descents, of long straightaway dashes through the woodland. Two miles, perhaps three, it wound its tortuous way down the mountain. Up by the highroad to the crest again, only a mile or less. Thus it happened that the track was always clear, except for speeding sleds. No coasters, dragging sleds back up the slide, interfered.

The track was crowded. Every minute a sled set out, sped down the straightaway, dipped, turned, disappeared. A dozen would be lined up, waiting for the interval and the signal. And here, watching from the porch of the church, in the very shadow of the saints, Marie found her revenge.

Stewart had given her a little wrist watch. Stewart and Anita were twelfth in line. By the watch, then, twelve minutes down the mountainside, straight down through the trees to a curve that Marie knew well, a bad curve, only to be taken by running well up on the snowbank. Beyond the snowbank there was a drop, fifteen feet, perhaps more, into the yard of a Russian villa. Stewart and Anita were twelfth; a man in a green stocking-cap was eleventh. The hillside was steep. Marie negotiated it by running from tree to tree, catching herself, steadying for a second, then down again. Once she fell and rolled a little distance. There was no time to think; perhaps had she thought she would have weakened. She had no real courage, only desperation.

As she reached the track the man in the green stocking-cap was in sight. A minute and a half she had then, not more. She looked about her hastily. A stone might serve her purpose, almost anything that would throw the sled out of its course. She saw a tree branch just above the track and dragged at it frantically. Some one was shouting at her from an upper window of the Russian villa. She did not hear. Stewart and Anita had made the curve above and were coming down at frantic speed. Marie stood, her back to the oncoming rush of the sled, swaying slightly. When she could hear the singing of the runners she stooped and slid the tree branch out against the track.

She had acted almost by instinct, but with devilish skill. The sled swung to one side up the snowbank, and launched itself into the air. Marie heard the thud and the silence that followed it. Then she turned and scuttled like a hunted thing up the mountain side.

Peter put in a bad day. Marie was not about, could not be located. Stewart, suffering from concussion, lay insensible all day and all of the night. Peter could find no fracture, but felt it wise to get another opinion. In the afternoon he sent for a doctor from the Kurhaus and learned for the first time that Anita had also been hurt—a broken arm. “Not serious,” said the Kurhaus man. “She is brave, very brave, the young woman. I believe they are engaged?” Peter said he did not know and thought very hard. Where was Marie? Not gone surely. Here about him lay all her belongings, even her purse.

Toward evening Stewart showed some improvement. He was not conscious, but he swallowed better and began to toss about. Peter, who had had a long day and very little sleep the night before, began to look jaded. He would have sent for a nurse from the Kurhaus, but he doubted Stewart’s ability to stand any extra financial strain, and Peter could not help any.

The time for supper passed, and no Marie.

The landlady sent up a tray to Peter, stewed meat and potatoes, a salad, coffee. Peter sat in a corner with his back to Stewart and ate ravenously. He had had nothing since the morning’s coffee. After that he sat down again by the bed to watch. There was little to do but watch.

The meal had made him drowsy. He thought of his pipe. Perhaps if he got some fresh air and a smoke! He remembered the balcony.

It was there on the balcony that he found Marie, a cowering thing that pushed his hands away when he would have caught her and broke into passionate crying.

“I cannot! I cannot!”

“Cannot what?” demanded Peter gently, watching her. So near was the balcony rail!

“Throw myself over. I’ve tried, Peter. I cannot!”

“I should think not!” said Peter sternly. “Just now when we need you, too! Come in and don’t be a foolish child.”

But Marie would not go in. She held back, clinging tight to Peter’s big hand, moaning out in the dialect of the people that always confused him her story of the day, of what she had done, of watching Stewart brought back, of stealing into the house and through an adjacent room to the balcony, of her desperation and her cowardice.

She was numb with cold, exhaustion, and hunger, quite childish, helpless. Peter stood out on the balcony with his arm round her, while the night wind beat about them, and pondered what was best to do. He thought she might come in and care for Stewart, at least, until he was conscious. He could get her some supper.

“How can I?” she asked. “I was seen. They are searching for me now. Oh, Peter! Peter!”

“Who is searching for you? Who saw you?”

“The people in the Russian villa.”

“Did they see your face?”

“I wore a veil. I think not.”

“Then come in and change your clothes. There is a train down at midnight. You can take it.”

“I have no money.”

This raised a delicate question. Marie absolutely refused to take Stewart’s money. She had almost none of her own. And there were other complications—where was she to go? The family of the injured girl did not suspect her since they did not know of her existence. She might get away without trouble. But after that, what?

Peter pondered this on the balcony, while Marie in the bedroom was changing her clothing, soaked with a day in the snow. He came to the inevitable decision, the decision he knew at the beginning that he was going to make.

“If I could only put it up to Harmony first!” he reflected. “But she will understand when I tell her. She always understands.”

Standing there on the little balcony, with tragedy the thickness of a pine board beyond him, Peter experienced a bit of the glow of the morning, as of one who stumbling along in a dark place puts a hand on a friend.

He went into the room. Stewart was lying very still and breathing easily. On her knees beside the bed knelt Marie. At Peter’s step she rose and faced him.

“I am leaving him, Peter, for always.”

“Good!” said Peter heartily. “Better for you and better for him.”

Marie drew a long breath. “The night train,” she said listlessly, “is an express. I had forgotten. It is double fare.”

“What of that, little sister?” said Peter. “What is a double fare when it means life, liberty and the pursuit of happiness? And there will be happiness, little sister.”

He put his hand in his pocket.

CHAPTER XX

The Portier was almost happy that morning. For one thing, he had won honorable mention at the Schubert Society the night before; for another, that night the Engel was to sing Mignon, and the Portier had spent his Christmas tips for a ticket. All day long he had been poring over the score.

“‘Kennst du das Land wo die Citronen bluhen?’” he sang with feeling while he polished the floors. He polished them with his feet, wearing felt boots for the purpose, and executing in the doing a sort of ungainly dance—a sprinkle of wax, right foot forward and back, left foot forward and back, both feet forward and back in a sort of double shuffle; more wax, more vigorous polishing, more singing, with longer pauses for breath. ” ‘Knowest thou the land where the lemon trees bloom?’ ” he bellowed—sprinkle of wax, right foot, left foot, any foot at all. Now and then he took the score from his pocket and pored over it, humming the air, raising his eyebrows over the high notes, dropping his chin to the low ones. It was a wonderful morning. Between greetings to neighbors he sang—a bit of talk, a bit of song.

“‘Kennst du das Land’—Good-morning, sir—the old Rax wears a crown. It will snow soon. ‘Kennst du das Land wo die Citronen’—Ah, madam the milk Frau, and are the cows frozen up to-day like the pump? No? Marvelous! Dost thou know that to-night is Mignon at the Opera, and that the Engel sings? ‘Kennst du das Land’—”

At eleven came Rosa with her husband, the soldier from Salzburg with one lung. He was having a holiday from his sentry duty at the hospital, and the one lung seemed to be a libel, for while the women had coffee together and a bit of mackerel he sang a very fair bass to the Portier’s tenor. Together they pored over the score, and even on their way to the beer hall hummed together such bits as they recalled.

On one point they differed. The score was old and soiled with much thumbing. At one point, destroyed long since, the sentry sang A sharp: the Portier insisted on A natural. They argued together over three Steins of beer; the waiter, referred to, decided for A flat. It was a serious matter to have one’s teeth set, as one may say, for a natural and then to be shocked with an unexpected half-tone up or down! It destroyed the illusion; it disappointed; it hurt.

The sentry stuck to the sharp—it was sung so at the Salzburg opera. The Portier snapped his thumb at the Salzburg opera. Things were looking serious; they walked back to the locale in silence. The sentry coughed. Possibly there was something, after all, in the one-lung rumor.

It was then that the Portier remembered Harmony. She would know; perhaps she had the score.

Harmony was having a bad morning. She had slept little until dawn, and Peter’s stealthy closing of the outer door had wakened her by its very caution. After that there had been no more sleep. She had sat up in bed with her chin in her hands and thought.

In the pitiless dawn, with no Peter to restore her to cheerfulness, things looked black, indeed. To what had she fallen, that first one man and then another must propose marriage to her to save her. To save her from what? From what people thought, or—each from the other?

Were men so evil that they never trusted each other? McLean had frankly distrusted Peter, had said so. Or could it be that there was something about her, something light and frivolous? She had been frivolous. She always laughed at Peter’s foolishnesses. Perhaps that was it. That was it. They were afraid for her. She had thrown herself on Peter’s hands—almost into his arms. She had made this situation.

She must get away, of course. If only she had some one to care for Jimmy until Peter returned! But there was no one. The Portier’s wife was fond of Jimmy, but not skillful. And suppose he were to wake in the night and call for her and she would not come. She cried a little over this. After a time she pattered across the room in her bare feet and got from a bureau drawer the money she had left. There was not half enough to take her home. She could write; the little mother might get some for her, but at infinite cost, infinite humiliation. That would have to be a final, desperate resort.

She felt a little more cheerful when she had had a cup of coffee. Jimmy wakened about that time, and she went through the details of his morning toilet with all the brightness she could assume—bath blankets, warm bath, toenails, finger-nails, fresh nightgown, fresh sheets, and—final touch of all—a real barber’s part straight from crown to brow. After that ten minutes under extra comforters while the room aired.

She hung over the boy that morning in an agony of tenderness—he was so little, so frail, and she must leave him. Only one thing sustained her. The boy loved her, but it was Peter he idolized. When he had Peter he needed nothing else. In some curious process of his childish mind Peter and Daddy mingled in inextricable confusion. More than once he had recalled events in the roving life he and his father had led.

“You remember that, don’t you?” he would say.

“Certainly I remember,” Peter would reply heartily.

“That evening on the steamer when I ate so many raisins.”

“Of course. And were ill.”

“Not ill—not that time. But you said I’d make a good pudding! You remember that, don’t you?”

And Peter would recall it all.

Peter would be left. That was the girl’s comfort.

She made a beginning at gathering her things together that morning, while the boy dozed and the white mice scurried about the little cage. She could not take her trunk, or Peter would trace it. She would have to carry her belongings, a few at a time, to wherever she found a room. Then when Peter came back she could slip away and he would never find her.

At noon came the Portier and the sentry, now no longer friends, and rang the doorbell. Harmony was rather startled. McLean and Mrs. Boyer had been her only callers, and she did not wish to see either of them. But after a second ring she gathered her courage in her hands and opened the door.

She turned pale when she saw the sentry in his belted blue-gray tunic and high cap. She thought, of course, that Jimmy had been traced and that now he would be taken away. If the sentry knew her, however, he kept his face impassive and merely touched his cap. The Portier stated their errand. Harmony’s face cleared. She even smiled as the Portier extended to her the thumbed score with its missing corner. What, after all, does it matter which was right —whether it was A sharp or A natural? What really matters is that Harmony, having settled the dispute and clinched the decision by running over the score for a page or two, turned to find the Portier, ecstatic eyes upturned, hands folded on paunch, enjoying a delirium of pleasure, and the sentry nowhere in sight.

He was discovered a moment later in the doorway of Jimmy’s room, where, taciturn as ever, severe, martial, he stood at attention, shoulders back, arms at his sides, thumbs in. In this position he was making, with amazing rapidity, a series of hideous grimaces for the benefit of the little boy in the bed: marvelous faces they were, in which nose, mouth, and eyes seemed interchangeable, where features played leapfrog with one another. When all was over—perhaps when his repertoire was exhausted—the sentry returned his nose to the center of his face, replaced eyes and mouth, and wiped the ensemble with a blue cotton handkerchief. Then, still in silence, he saluted and withdrew, leaving the youngster enraptured, staring at the doorway.

Harmony had decided the approximate location of her room. In the higher part of the city, in the sixteenth district, there were many unpretentious buildings. She had hunted board there and she knew. It was far from the Stadt, far from the fashionable part of town, a neighborhood of small shops, of frank indigence. There surely she could find a room, and perhaps in one of the small stores what she failed to secure in the larger, a position.

Rosa having taken her soldier away, Harmony secured the Portier’s wife to sit with Jimmy and spent two hours that afternoon looking about for a room. She succeeded finally in finding one, a small and wretchedly furnished bedroom, part of the suite of a cheap dressmaker. The approach was forbidding enough. One entered a cavelike, cobble-paved court under the building, filled with wagons, feeding horses, quarrelsome and swearing teamsters. From the side a stone staircase took off and led, twisting from one landing cave to another, to the upper floor.

Here lived the dressmaker, amid the constant whirring of sewing-machines, the Babel of workpeople. Harmony, seeking not a home but a hiding-place, took the room at once. She was asked for no reference. In a sort of agony lest this haven fail her she paid for a week in advance. The wooden bed, the cracked mirror over the table, even the pigeons outside on the windowsill were hers for a week.

The dressmaker was friendly, almost garrulous.

“I will have it cleaned,” she explained. “I have been so busy: the masquerade season is on. The Fraulein is American, is she not?”

“Yes.”

“One knows the Americans. They are chic, not like the English. I have some American customers.”

Harmony started. The dressmaker was shrewd. Many people hid in the sixteenth district. She hastened to reassure the girl.

“They will not disturb you. And just now I have but one, a dancer. I shall have the room cleaned. Good-bye, Fraulein.”

So far, good. She had a refuge now, one spot that the venom of scandal could not poison, where she could study and work—work hard, although there could be no more lessons—one spot where Peter would not have to protect her, where Peter, indeed, would never find her. This thought, which should have brought comfort, brought only new misery. Peace seemed dearly bought all at once; shabby, wholesome, hearty Peter, with his rough hair and quiet voice, his bulging pockets and steady eyes—she was leaving Peter forever, exchanging his companionship for that of a row of pigeons on a windowsill. He would find some one, of course; but who would know that he liked toast made hard and plenty of butter, or to leave his bedclothing loose at the foot, Peter being very long and apt to lop over? The lopping over brought a tear or two. A very teary and tragic young heroine, this Harmony, prone to go about for the last day or two with a damp little handkerchief tucked in her sleeve.

She felt her way down the staircase and into the cave below. Fate hangs by a very slender thread sometimes. If a wagon had not lumbered by as she reached the lowest step, so that she must wait and thus had time to lower her veil, she would have been recognized at once by the little Georgiev, waiting to ascend. But the wagon was there, Harmony lowered her veil, the little Georgiev, passing a veiled young woman in the gloom, went up the staircase with even pulses and calm and judicial bearing, up to the tiny room a floor or two below Harmony’s, where he wrote reports to the Minister of War and mixed them with sonnets—to Harmony.

Harmony went back to the Siebensternstrasse, having accomplished what she had set out to do and being very wretched in consequence. Because she was leaving the boy so soon she strove to atone for her coming defection by making it a gala evening. The child was very happy. She tucked him up in the salon, lighted all the candles, served him the daintiest of suppers there. She brought in the mice and tied tiny bows on their necks; she played checkers with him while the supper dishes waited, and went down to defeat in three hilarious games; and last of all she played to him, joyous music at first, then slower, drowsier airs, until his heavy head dropped on his shoulder and she gathered him up in tender arms and carried him to bed.

It was dawn when Marie arrived. Harmony was sleeping soundly when the bell rang. Her first thought was that Peter had come back—but Peter carried a key. The bell rang again, and she slipped on the old kimono and went to the door.

“Is it Peter?” she called, hand on knob.

“I come from Peter. I have a letter,” in German.

“Who is it?”

“You do not know me—Marie Jedlicka. Please let me come in.”

Bewildered, Harmony opened the door, and like a gray ghost Marie slipped by her and into the hall.

There was a gaslight burning very low; Harmony turned it up and faced her visitor. She recognized her at once—the girl Dr. Stewart had been with in the coffee-house.

“Something has happened to Peter!”

“No. He is well. He sent this to the Fraulein Wells.”

“I am the Fraulein Wells.”

Marie held out the letter and staggered. Harmony put her in a chair; she was bewildered, almost frightened. Crisis of some sort was written on Marie’s face. Harmony felt very young, very incapable. The other girl refused coffee, would not even go into the salon until Peter’s letter had been read. She was a fugitive, a criminal; the Austrian law is severe to those that harbor criminals. Let Harmony read:—

DEAR HARRY,—Will you forgive me for this and spread the wings of your splendid charity over this poor child? Perhaps I am doing wrong in sending her to you, but just now it is all I can think of. If she wants to talk let her talk. It will probably help her. Also feed her, will you? And if she cannot sleep, give her one of the blue powders I fixed for Jimmy. I’ll be back later to-day if I can make it. “PETER”

Harmony glanced up from the letter. Marie sat drooping in her chair. Her eyes were sunken in her head. She had recognized her at once, but any surprise she may have felt at finding Harmony in Peter’s apartment was sunk in a general apathy, a compound of nervous reaction and fatigue. During the long hours in the express she had worn herself out with fright and remorse: there was nothing left now but exhaustion.

Harmony was bewildered, but obedient. She went back to the cold kitchen and lighted a fire. She made Marie as comfortable as she could in the salon, and then went into her room to dress. There she read the letter again, and wondered if Peter had gone through life like this, picking up waifs and strays and shouldering their burdens for them. Decidedly, life with Peter was full of surprises.

She remembered, as she hurried into her clothes; the boys’ club back in America and the spelling-matches. Decidedly, also, Peter was an occupation, a state of mind, a career. No musician, hoping for a career of her own, could possibly marry Peter.

That was a curious morning in the old lodge of Maria Theresa, while Stewart in the Pension Waldheim struggled back to consciousness, while Peter sat beside him and figured on an old envelope the problem of dividing among four enough money to support one, while McLean ate his heart out in wretchedness in his hotel.

Marie told her story over the early breakfast, sitting with her thin elbows on the table, her pointed chin in her palms.

“And now I am sorry,” she finished. “It has done no good. If it had only killed her but she was not much hurt. I saw her rise and bend over him.”

Harmony was silent. She had no stock of aphorisms for the situation, no worldly knowledge, only pity.

“Did Peter say he would recover?”

“Yes. They will both recover and go to America. And he will marry her.”

Perhaps Harmony would have been less comfortable, Marie less frank, had Marie realized that this establishment of Peter’s was not on the same basis as Stewart’s had been, or had Harmony divined her thought.

The presence of the boy was discovered by his waking. Marie was taken in and presented. She looked stupefied. Certainly the Americans were a marvelous people—to have taken into their house and their hearts this strange child—if he were strange. Marie’s suspicious little slum mind was not certain.

In the safety and comfort of the little apartment the Viennese expanded, cheered. She devoted herself to the boy, telling him strange folk tales, singing snatches of songs for him. The youngster took a liking to her at once. It seemed to Harmony, going about her morning routine, that Marie was her solution and Peter’s.

During the afternoon she took a package to the branch post-office and mailed it by parcel-post to the Wollbadgasse. On the way she met Mrs. Boyer face to face. That lady looked severely ahead, and Harmony passed her with her chin well up and the eyes of a wounded animal.

McLean sent a great box of flowers that day. She put them, for lack of a vase, in a pitcher beside Jimmy’s bed.

At dusk a telegram came to say that Stewart was better and that Peter was on his way down to Vienna. He would arrive at eight. Time was very short now—seconds flashed by, minutes galloped. Harmony stewed a chicken for supper, and creamed the breast for Jimmy. She fixed the table, flowers in the center, the best cloth, Peter’s favorite cheese. Six o’clock, six-thirty, seven; Marie was telling Jimmy a fairy tale and making the fairies out of rosebuds. The studylamp was lighted, the stove glowing, Peter’s slippers were out, his old smoking-coat, his pipe.

A quarter past seven. Peter would be near Vienna now and hungry. If he could only eat his supper before he learned—but that was impossible. He would come in, as he always did, and slam the outer door, and open it again to close it gently, as he always did, and then he would look for her, going from room to room until he found her—only to-night he would not find her.

She did not say good-bye to Jimmy. She stood in the doorway and said a little prayer for him. Marie had made the flower fairies on needles, and they stood about his head on the pillow—pink and yellow and white elves with fluffy skirts. Then, very silently, she put on her hat and jacket and closed the outer door behind her. In the courtyard she turned and looked up. The great chandelier in the salon was not lighted, but from the casement windows shone out the comfortable glow of Peter’s lamp.

CHAPTER XXI

Peter had had many things to think over during the ride down the mountains. He had the third-class compartment to himself, and sat in a corner, soft hat over his eyes. Life had never been particularly simple to Peter—his own life, yes; a matter of three meals a day—he had had fewer—a roof, clothing. But other lives had always touched him closely, and at the contact points Peter glowed, fused, amalgamated. Thus he had been many people—good, indifferent, bad, but all needy. Thus, also, Peter had committed vicarious crimes, suffered vicarious illnesses, starved, died, loved—vicariously.

And now, after years of living for others, Peter was living at last for himself—and suffering.

Not that he understood exactly what ailed him. He thought he was tired, which was true enough, having had little sleep for two or three nights. Also he explained to himself that he was smoking too much, and resolutely—lighted another cigarette.

Two things had revealed Peter’s condition to himself: McLean had said: “You are crazy in love with her.” McLean’s statement, lacking subtlety, had had a certain quality of directness. Even then Peter, utterly miserable, had refused to capitulate, when to capitulate would have meant the surrender of the house in the Siebensternstrasse. And the absence from Harmony had shown him just where he stood.

He was in love, crazy in love. Every fiber of his long body glowed with it, ached with it. And every atom of his reason told him what mad folly it was, this love. Even if Harmony cared—and at the mere thought his heart pounded—what madness for her, what idiocy for him! To ask her to accept the half of—nothing, to give up a career to share his struggle for one, to ask her to bury her splendid talent and her beauty under a bushel that he might wave aloft his feeble light!

And there was no way out, no royal road to fortune by the route he had chosen; nothing but grinding work, with a result problematical and years ahead. There were even no legacies to expect, he thought whimsically. Peter had known a chap once, struggling along in gynecology, who had had a fortune left him by a G. P., which being interpreted is Grateful Patient. Peter’s patients had a way of living, and when they did drop out, as happened now and then, had also a way of leaving Peter an unpaid bill in token of appreciation; Peter had even occasionally helped to bury them, by way, he defended himself, of covering up his mistakes.

Peter, sitting back in his corner, allowed the wonderful scenery to slip by unnoticed. He put Harmony the Desirable out of his mind, and took to calculating on a scrap of paper what could be done for Harmony the Musician. He could hold out for three months, he calculated, and still have enough to send Harmony home and to get home himself on a slow boat. The Canadian lines were cheap. If Jimmy lived perhaps he could take him along: if not—

He would have to put six months’ work in the next three. That was not so hard. He had got along before with less sleep, and thrived on it. Also there must be no more idle evenings, with Jimmy in the salon propped in a chair and Harmony playing, the room dark save for the glow from the stove and for the one candle at Harmony’s elbow.

All roads lead to Rome. Peter’s thoughts, having traveled in a circle, were back again to Harmony the Desirable—Harmony playing in the firelight, Harmony Hushed over the brick stove, Harmony paring potatoes that night in the kitchen when he—Harmony! Harmony!

Stewart knew all about the accident and its cause. Peter had surmised as much when the injured man failed to ask for Marie.

He tested him finally by bringing Marie’s name into the conversation. Stewart ignored it, accepted her absence, refused to be drawn.

That was at first. During the day, however, as he gained strength, he grew restless and uneasy. As the time approached for Peter to leave, he was clearly struggling with himself. The landlady had agreed to care for him and was bustling about the room. During one of her absences he turned to Peter.

“I suppose Marie hasn’t been round?”

“She came back last night.”

“Did she tell you?”

“Yes, poor child.”

“She’s a devil!” Stewart said, and lay silent. Then: “I saw her shoot that thing out in front of us, but there was no time—Where is she now?”

“Marie? I sent her to Vienna.”

Stewart fell back, relieved, not even curious.

“Thank Heaven for that!” he said. “I don’t want to see her again. I’d do something I’d be sorry for. The kindest thing to say for her is that she was not sane.”

“No,” said Peter gravely, “she was hardly sane.”

Stewart caught his steady gaze and glanced away. For him Marie’s little tragedy had been written and erased. He would forget it magnanimously. He had divided what he had with her, and she had repaid him by attempting his life. And not only his life, but Anita’s. Peter followed his line of reasoning easily.

“It’s quite a frequent complication, Stewart,” he said, “but every man to whom it happens regards himself more or less as a victim. She fell in love with you, that’s all. Her conduct is contrary to the ethics of the game, but she’s been playing poor cards all along.”

“Where is she?”

“That doesn’t matter, does it?”

Stewart had lain back and closed his eyes. No, it didn’t matter. A sense of great relief overwhelmed him. Marie was gone, frightened into hiding. It was as if a band that had been about him was suddenly loosed: he breathed deep, he threw out his arms and laughed from sheer reaction. Then, catching Peter’s not particularly approving eyes, he colored.

“Good Lord, Peter!” he said, “you don’t know what I’ve gone through with that little devil. And now she’s gone!” He glanced round the disordered room, where bandages and medicines crowded toilet articles on the dressing-table, where one of Marie’s small slippers still lay where it had fallen under the foot of the bed, where her rosary still hung over the corner of the table. “Ring for the maid, Peter, will you! I’ve got to get this junk out of here. Some of Anita’s people may come.”

During that afternoon ride, while the train clump-clumped down the mountains, Peter thought of all this. Some of Marie’s “junk” was in his bag; her rosary lay in his breastpocket, along with the pin he had sent her at Christmas. Peter happened on it, still in its box, which looked as if it had been cried over. He had brought it with him. He admired it very much, and it had cost money he could ill afford to spend.

It was late when the train drew into the station. Peter, encumbered with Marie’s luggage and his own, lowered his window and added his voice to the chorus of plaintive calls: “Portier! Portier!” they shouted. “Portier!” bawled Peter.

He was obliged to resort to the extravagance of a taxicab. Possibly a fiacre would have done as well, but it cost almost as much and was slower. Moments counted now: a second was an hour, an hour a decade. For he was on his way to Harmony. Extravagance became recklessness. As soon die for a sheep as a lamb! He stopped the taxicab and bought a bunch of violets, stopped again and bought lilies of the valley to combine with the violets, went out of his tray to the American grocery and bought a jar of preserved fruit.

By that time he was laden. The jar of preserves hung in one shabby pocket, Marie’s rosary dangled from another; the violets were buttoned under his overcoat against the cold.

At the very last he held the taxi an extra moment and darted into the delicatessen shop across the Siebensternstrasse. From there, standing inside the doorway, he could see the lights in the salon across the way, the glow of his lamp, the flicker that was the fire. Peter whistled, stamped his cold feet, quite neglected—in spite of repeated warnings from Harmony—to watch the Herr Schenkenkaufer weigh the cheese, accepted without a glance a ten-Kronen piece with a hole in it.

“And how is the child to-day?” asked the Herr Schenkenkaufer, covering the defective gold piece with conversation.

“I do not know; I have been away,” said Peter. He almost sang it.

“All is well or I would have heard. Wilhelm the Portier was but just now here.”

“All well, of course,” sang Peter, eyes on the comfortable Floor of his lamp, the flicker that was the fire. “Auf wiedersehen, Herr Schenkenkaufer.”

“Auf wiedersehen, Herr Doktor.”

Violets, lilies-of-the-valley, cheese, rosary, luggage—thus Peter climbed the stairs. The Portier wished to assist him, but Peter declined. The Portier was noisy. There was to be a moment when Peter, having admitted himself with extreme caution, would present himself without so much as a creak to betray him, would stand in a doorway until some one, Harmony perhaps—ah, Peter!—would turn and see him. She had a way of putting one slender hand over her heart when she was startled.

Peter put down the jar of preserved peaches outside. It was to be a second surprise. Also he put down the flowers; they were to be brought in last of all. One surprise after another is a cumulative happiness. Peter did not wish to swallow all his cake in one bite.

For once he did not slam the outer door, although he very nearly did, and only caught it at the cost of a bruised finger. Inside he listened. There was no clatter of dishes, no scurrying back and forth from table to stove in the final excitement of dishing up. There was, however, a highly agreeable odor of stewing chicken, a crisp smell of baking biscuit.

In the darkened hall Peter had to pause to steady himself. For he had a sudden mad impulse to shout Harmony’s name, to hold out his arms, to call her to him there in the warm darkness, and when she had come, to catch her to him, to tell his love in one long embrace, his arms about her, his rough cheek against her soft one. No wonder he grew somewhat dizzy and had to pull himself together.

The silence rather surprised him, until he recalled that Harmony was probably sewing in the salon, as she did sometimes when dinner was ready to serve. The boy was asleep, no doubt. He stole along on tiptoe, hardly breathing, to the first doorway, which was Jimmy’s.

Jimmy was asleep. Round him were the pink and yellow and white flower fairies with violet heads. Peter saw them and smiled. Then, his eyes growing accustomed to the light, he saw Marie, face down on the floor, her head on her arms. Still as she was, Peter knew she was not sleeping, only fighting her battle over again and losing.

Some of the joyousness of his return fled from Peter, never to come back. The two silent figures were too close to tragedy. Peter, with a long breath, stole past the door and on to the salon. No Harmony there, but the great room was warm and cheery. The table was drawn near the stove and laid for Abendessen. The white porcelain coffee-pot had boiled and extinguished itself, according to its method, and now gently steamed.

On to the kitchen. Much odor of food here, two candles lighted but burning low, a small platter with money on it, quite a little money—almost all he had left Harmony when he went away.

Peter was dazed at first. Even when Marie, hastily summoned, had discovered that Harmony’s clothing was gone, when a search of the rooms revealed the absence of her violin and her music, when at last the fact stared them, incontestable, in the face, Peter refused to accept it. He sat for a half-hour or even more by the fire in the salon, obstinately refusing to believe she was gone, keeping the supper warm against her return. He did not think or reason, he sat and waited, saying nothing, hardly moving, save when a gust of wind slammed the garden gate. Then he was all alive, sat erect, ears straining for her hand on the knob of the outer door.

The numbness of the shock passed at last, to be succeeded by alarm. During all the time that followed, that condition persisted, fright, almost terror. Harmony alone in the city, helpless, dependent, poverty-stricken. Harmony seeking employment under conditions Peter knew too well. But with his alarm came rage.

Marie had never seen Peter angry. She shrank from this gaunt and grayfaced man who raved up and down the salon, questioning the frightened Portier, swearing fierce oaths, bringing accusation after accusation against some unnamed woman to whom he applied epithets that Marie’s English luckily did not comprehend. Not a particularly heroic figure was Peter that night: a frantic, disheveled individual, before whom the Portier cowered, who struggled back to sanity through a berserk haze and was liable to swift relapses into fury again.

To this succeeded at last the mental condition that was to be Peter’s for many days, hopelessness and alarm and a grim determination to keep on searching.

There were no clues. The Portier made inquiries of all the cabstands in the neighborhood. Harmony had not taken a cab. The delicatessen seller had seen her go out that afternoon with a bundle and return without it. She had been gone only an hour or so. That gave Peter a ray of hope that she might have found a haven in the neighborhood—until he recalled the parcel-post.

One possibility he clung to: Mrs. Boyer had made the mischief, but she had also offered the girl a home. She might be at the Boyers’. Peter, flinging on a hat and without his overcoat, went to the Boyers’. Time was valuable, and he had wasted an hour, two hours, in useless rage. So he took a taxicab, and being by this time utterly reckless of cost let it stand while he interviewed the Boyers.

Boyer himself, partially undressed, opened the door to his ring. Peter was past explanation or ceremonial.

“Is Harmony here?” he demanded.

“Harmony?”

“Harmony Wells. She’s disappeared, missing.”

“Come in,” said Boyer, alive to the strain in Peter’s voice. “I don’t know, I haven’t heard anything. I’ll ask Mrs. Boyer.”

During the interval it took for a whispered colloquy in the bedroom, and for Mrs. Boyer to don her flannel wrapper, Peter suffered the tortures of the damned. Whatever Mrs. Boyer had meant to say by way of protest at the intrusion on the sacred privacy of eleven o’clock and bedtime died in her throat. Her plump and terraced chin shook with agitation, perhaps with guilt. Peter, however, had got himself in hand. He told a quiet story; Boyer listened; Mrs. Boyer, clutching her wrapper about her unstayed figure, listened.

“I thought,” finished Peter, “that since you had offered her a refuge—from me—she might have come here.”

“I offered her a refuge—before I had been to the Pension Schwarz.”

“Ah!” said Peter slowly. “And what about the Pension Schwarz?”

“Need you ask? I learned that you were all put out there. I am obliged to say, Dr. Byrne, that under the circumstances had the girl come here I could hardly—Frank, I will speak!—I could hardly have taken her in.”

Peter went white and ducked as from a physical blow, stumbling out into the hall again. There he thought of something to say in reply, repudiation, thought better of it, started down the stairs.

Boyer followed him helplessly. At the street door, however, he put his hand on Peter’s shoulder. “You know, old man, I don’t believe that. These women—”

“I know,” said Peter simply. “Thank you. Goodnight.”

CHAPTER XXII

Harmony’s only thought had been flight, from Peter, from McLean, from Mrs. Boyer. She had devoted all her energies to losing herself, to cutting the threads that bound her to the life in the Siebensternstrasse. She had drawn all her money, as Peter discovered later. The discovery caused him even more acute anxiety. The city was full of thieves; poverty and its companion, crime, lurked on every shadowy staircase of the barracklike houses, or peered, red-eyed, from every alleyway.

And into this city of contrasts—of gray women of the night hugging gratings for warmth and accosting passers-by with loathsome gestures, of smug civilians hiding sensuous mouths under great mustaches, of dapper soldiers to whom the young girl unattended was potential prey, into this night city of terror, this day city of frightful contrasts, ermine rubbing elbows with frost-nipped flesh, destitution sauntering along the fashionable Prater for lack of shelter, gilt wheels of royalty and yellow wheels of courtesans—Harmony had ventured alone for the second time.

And this time there was no Peter Byrne to accost her cheerily in the twilight and win her by sheer friendliness. She was alone. Her funds were lower, much lower. And something else had gone—her faith. Mrs. Boyer had seen to that. In the autumn Harmony had faced the city clear-eyed and unafraid; now she feared it, met it with averted eyes, alas! understood it.

It was not the Harmony who had bade a brave farewell to Scatchy and the Big Soprano in the station who fled to her refuge on the upper floor of the house in the Wollbadgasse. This was a hunted creature, alternately flushed and pale, who locked her door behind her before she took off her hat, and who, having taken off her hat and surveyed her hiding-place with tragic eyes, fell suddenly to trembling, alone there in the gaslight.

She had had no plans beyond flight. She had meant, once alone, to think the thing out. But the room was cold, she had had nothing to eat, and the single slovenly maid was a Hungarian and spoke no German. The dressmaker had gone to the Ronacher. Harmony did not know where to find a restaurant, was afraid to trust herself to the streets alone. She went to bed supperless, with a tiny picture of Peter and Jimmy and the wooden sentry under her cheek.

The pigeons, cooing on the windowsill, wakened her early. She was confused at first, got up to see if Jimmy had thrown off his blankets, and wakened to full consciousness with the sickening realization that Jimmy was not there.

The dressmaker, whose name was Monia Reiff, slept late after her evening out. Harmony, collapsing with hunger and faintness, waited as long as she could. Then she put on her things desperately and ventured out. Surely at this hour Peter would not be searching, and even if he were he would never think of the sixteenth district. He would make inquiries, of course—the Pension Schwarz, Boyers’, the master’s.

The breakfast brought back her strength and the morning air gave her confidence. The district, too, was less formidable than the neighborhood of the Karntnerstrasse and the Graben. The shops were smaller. The windows exhibited cheaper goods. There was a sort of family atmosphere about many of them; the head of the establishment in the doorway, the wife at the cashier’s desk, daughters, cousins, nieces behind the wooden counters. The shopkeepers were approachable, instead of familiar. Harmony met no rebuffs, was respectfully greeted and cheerfully listened to. In many cases the application ended in a general consultation, shopkeeper, wife, daughters, nieces, slim clerks with tiny mustaches. She got addresses, followed them up, more consultations, more addresses, but no work. The reason dawned on her after a day of tramping, during which she kept carefully away from that part of the city where Peter might be searching for her.

The fact was, of course, that her knowledge of English was her sole asset as a clerk. And there were few English and no tourists in the sixteenth district. She was marketing a commodity for which there was no demand.

She lunched at a Konditorei, more to rest her tired body than because she needed food. The afternoon was as the morning. At six o’clock, long after the midwinter darkness had fallen, she stumbled back to the Wollbadgasse and up the whitewashed staircase.

She had a shock at the second landing. A man had stepped into the angle to let her pass. A gasjet dared over his head, and she recognized the short heavy figure and ardent eyes of Georgiev. She had her veil down luckily, and he gave no sign of recognition. She passed on, and she heard him a second later descending. But there had been something reminiscent after all in her figure and carriage. The little Georgiev paused, halfway down, and thought a moment. It was impossible, of course. All women reminded him of the American. Had he not, only the day before, followed for two city blocks a woman old enough to be his mother, merely because she carried a violin case? But there was something about the girl he had just passed—Bah!

A bad week for Harmony followed, a week of weary days and restless nights when she slept only to dream of Peter—of his hurt and incredulous eyes when he found she had gone; of Jimmy—that he needed her, was worse, was dying. More than once she heard him sobbing and wakened to the cooing of the pigeons on the windowsill. She grew thin and sunken-eyed; took to dividing her small hoard, half of it with her, half under the carpet, so that in case of accident all would not be gone.

This, as it happened, was serious. One day, the sixth, she came back wet to the skin from an all-day rain, to find that the carpet bank had been looted. There was no clue. The stolid Hungarian, startled out of her lethargy, protested innocence; the little dressmaker, who seemed honest and friendly, wept in sheer sympathy. The fact remained—half the small hoard was gone.

Two days more, a Sunday and a Monday. On Sunday Harmony played, and Georgiev in the room below, translating into cipher a recent conference between the Austrian Minister of War and the German Ambassador, put aside his work and listened. She played, as once before she had played when life seemed sad and tragic, the “Humoresque.” Georgiev, hands behind his head and eyes upturned, was back in the Pension Schwarz that night months ago when Harmony played the “Humoresque” and Peter stooped outside her door. The little Bulgarian sighed and dreamed.

Harmony, a little sadder, a little more forlorn each day, pursued her hopeless quest. She ventured into the heart of the Stadt and paid a part of her remaining money to an employment bureau, to teach English or violin, whichever offered, or even both. After she had paid they told her it would be difficult, almost impossible without references. She had another narrow escape as she was leaving. She almost collided with Olga, the chambermaid, who, having clashed for the last time with Katrina, was seeking new employment. On another occasion she saw Marie in the crowd and was obsessed with a longing to call to her, to ask for Peter, for Jimmy. That meeting took the heart out of the girl. Marie was white and weary—perhaps the boy was worse. Perhaps Peter—Her heart contracted. But that was absurd, of course, Peter was always well and strong.

Two things occurred that week, one unexpected, the other inevitable. The unexpected occurrence was that Monia Reiff, finding Harmony being pressed for work, offered the girl a situation. The wage was small, but she could live on it.

The inevitable was that she met Georgiev on the stairs without her veil.

It was the first day in the workroom. The apprentices were carrying home boxes for a ball that night. Thread was needed, and quickly. Harmony, who did odds and ends of sewing, was most easily spared. She slipped on her jacket and hat and ran down to the shop near by.

It was on the return that she met Georgiev coming down. The afternoon was dark and the staircase unlighted. In the gloom one face was as another. Georgiev, listening intently, hearing footsteps, drew back into the embrasure of a window and waited. His swarthy face was tense, expectant. As the steps drew near, were light feminine instead of stealthy, the little spy relaxed somewhat. But still he waited, crouched.

It was a second before he recognized Harmany, another instant before he realized his good fortune. She had almost passed. He put out an unsteady hand.

“Fraulein!”

“Herr Georgiev!”

The little Bulgarian was profoundly stirred. His fervid eyes gleamed. He struggled against the barrier of language, broke out in passionate Bulgar, switched to German punctuated with an English word here and there. Made intelligible, it was that he had found her at last. Harmony held her spools of thread and waited for the storm of languages to subside. Then:—

“But you are not to say you have seen me, Herr Georgiev.”

“No?”

Harmony colored.

“I am—am hiding,” she explained. “Something very uncomfortable happened and I came here. Please don’t say you have seen me.”

Georgiev was puzzled at first. She had to explain very slowly, with his ardent eyes on her. But he understood at last and agreed of course. His incredulity was turning to certainty. Harmony had actually been in the same building with him while he sought her everywhere else.

“Then,” he said at last, “it was you who played Sunday.”

“I surely.”

She made a move to pass him, but he held out an imploring hand.

“Fraulein, I may see you sometimes?”

“We shall meet again, of course.”

“Fraulein,—with all respect,—sometime perhaps you will walk out with me?”

“I am very busy all day.”

“At night, then? For the exercise? I, with all respect, Fraulein!”

Harmony was touched.

“Sometime,” she consented. And then impulsively: “I am very lonely, Herr Georgiev.”

She held out her hand, and the little Bulgarian bent over it and kissed it reverently. The Herr Georgiev’s father was a nobleman in his own country, and all the little spy’s training had been to make of a girl in Harmony’s situation lawful prey. But in the spy’s glowing heart there was nothing for Harmony to fear. She knew it. He stood, hat in hand, while she went up the staircase. Then:—

“Fraulein!” anxiously.

“Yes?”

“Was there below at the entrance a tall man in a green velours hat?”

“I saw no one there.”

“I thank you, Fraulein.”

He watched her slender figure ascend, lose itself in the shadows, listened until she reached the upper floors. Then with a sigh he clapped his hat on his head and made his cautious way down to the street. There was no man in a green velours hat below, but the little spy had an uneasy feeling that eyes watched him, nevertheless. Life was growing complicated for the Herr Georgiev.

Life was pressing very close to Harmony also in those days, a life she had never touched before. She discovered, after a day or two in the workroom, that Monia Reiff’s business lay almost altogether among the demi-monde. The sewing-girls, of Marie’s type many of them, found in the customers endless topics of conversation. Some things Harmony was spared, much of the talk being in dialect. But a great deal of it she understood, and she learned much that was not spoken. They talked freely of the women, their clothes, and they talked a great deal about a newcomer, an American dancer, for whom Monia was making an elaborate outfit. The American’s name was Lillian Le Grande. She was dancing at one of the variety theaters.

Harmony was working on a costume for the Le Grande woman—a gold brocade slashed to the knee at one side and with a fragment of bodice made of gilt tissue. On the day after her encounter with Georgiev she met her.

There was a dispute over the gown, something about the draping. Monia, flushed with irritation, came to the workroom door and glanced over the girls. She singled out Harmony finally and called her.

“Come and put on the American’s gown,” she ordered. “She wishes—Heaven knows what she wishes!”

Harmony went unwillingly. Nothing she had heard of the Fraulein Le Grande had prepossessed her. Her uneasiness was increased when she found herself obliged to shed her gown and to stand for one terrible moment before the little dressmaker’s amused eyes.

“Thou art very lovely, very chic,” said Monia. The dress added to rather than relieved Harmony’s discomfiture. She donned it in one of the fitting-rooms, made by the simple expedient of curtaining off a corner of the large reception room. The slashed skirt embarrassed her; the low cut made her shrink. Monia was frankly entranced. Above the gold tissue of the bodice rose Harmony’s exquisite shoulders. Her hair was gold; even her eyes looked golden. The dressmaker, who worshiped beauty, gave a pull here, a pat there. If only all women were so beautiful in the things she made!

She had an eye for the theatrical also. She posed Harmony behind the curtain, arranged lights, drew down the chiffon so that a bit more of the girl’s rounded bosom was revealed. Then she drew the curtain aside and stood smiling.

Le Grande paid the picture the tribute of a second’s silence. Then:—

“Exquisite!” she said in English. Then in halting German: “Do not change a line. It is perfect.”

Harmony must walk in the gown, turn, sit. Once she caught a glimpse of herself and was startled. She had been wearing black for so long, and now this radiant golden creature was herself. She was enchanted and abashed. The slash in the skirt troubled her: her slender leg had a way of revealing itself.

The ordeal was over at last. The dancer was pleased. She ordered another gown. Harmony, behind the curtain, slipped out of the dress and into her own shabby frock. On the other side of the curtain the dancer was talking. Her voice was loud, but rather agreeable. She smoked a cigarette. Scraps of chatter came to Harmony, and once a laugh.

“That is too pink—something more delicate.”

“Here is a shade; hold it to your cheek.”

“I am a bad color. I did not sleep last night.”

“Still no news, Fraulein?”

“None. He has disappeared utterly. That isn’t so bad, is it? I could use more rouge.”

“It is being much worn. It is strange, is it not, that a child could be stolen from the hospital and leave no sign!”

The dancer laughed a mirthless laugh. Her voice changed, became nasal, full of venom.

“Oh, they know well enough,” she snapped. “Those nurses know, and there’s a pig of a red-bearded doctor—I’d like to poison him. Separating mother and child! I’m going to find him, if only to show them they are not so smart after all.”

In her anger she had lapsed into English. Harmony, behind her curtain, had clutched at her heart. Jimmy’s mother!

CHAPTER XXIII

Jimmy was not so well, although Harmony’s flight had had nothing to do with the relapse. He had found Marie a slavishly devoted substitute, and besides Peter had indicated that Harmony’s absence was purely temporary. But the breaking-up was inevitable. All day long the child lay in the white bed, apathetic but sleepless. In vain Marie made flower fairies for his pillow, in vain the little mice, now quite tame, played hide-and-seek over the bed, in vain Peter paused long enough in his frantic search for Harmony to buy colored postcards and bring them to him.

He was contented enough; he did not suffer at all; and he had no apprehension of what was coming. He asked for nothing, tried obediently to eat, liked to have Marie in the room. But he did not beg to be taken into the salon, as he once had done. There was a sort of mental confusion also. He liked Marie to read his father’s letters; but as he grew weaker the occasional confusing of Peter with his dead father became a fixed idea. Peter was Daddy.

Peter took care of him at night. He had moved into Harmony’s adjacent room and dressed there. But he had never slept in the bed. At night he put on his shabby dressing-gown and worn slippers and lay on a haircloth sofa at the foot of Jimmy’s bed—lay but hardly slept, so afraid was he that the slender thread of life might snap when it was drawn out to its slenderest during the darkest hours before the dawn. More than once in every night Peter rose and stood, hardly breathing, with the tiny lamp in his hand, watching for the rise and fall of the boy’s thin little chest. Peter grew old these days. He turned gray over the ears and developed lines about his mouth that never left him again. He felt gray and old, and sometimes bitter and hard also. The boy’s condition could not be helped: it was inevitable, hopeless. But the thing that was eating his heart out had been unnecessary and cruel.

Where was Harmony? When it stormed, as it did almost steadily, he wondered how she was sheltered; when the occasional sun shone he hoped it was bringing her a bit of cheer. Now and then, in the night, when the lamp burned low and gusts of wind shook the old house, fearful thoughts came to him—the canal, with its filthy depths. Daylight brought reason, however. Harmony had been too rational, too sane for such an end.

McLean was Peter’s great support in those terrible days. He was young and hopeful. Also he had money. Peter could not afford to grease the machinery of the police service; McLean could and did. In Berlin Harmony could not have remained hidden for two days. In Vienna, however, it was different. Returns were made to the department, but irregularly. An American music student was missing. There were thousands of American music students in the city: one fell over them in the coffee-houses. McLean offered a reward and followed up innumerable music students.

The alternating hope and despair was most trying. Peter became old and haggard; the boy grew thin and white. But there was this difference, that with Peter the strain was cumulative, hour on hour, day on day. With McLean each night found him worn and exhausted, but each following morning he went to work with renewed strength and energy. Perhaps, after all, the iron had not struck so deep into his soul. With Peter it was a life-and-death matter.

Clinics and lectures had begun again, but he had no heart for work. The little household went on methodically. Marie remained; there had seemed nothing else to do. She cooked Peter’s food—what little he would eat; she nursed Jimmy while Peter was out on the long search; and she kept the apartment neat. She was never intrusive, never talkative. Indeed, she seemed to have lapsed into definite silence. She deferred absolutely to Peter, adored him, indeed, from afar. She never ate with him, in spite of his protests.

The little apartment was very quiet. Where formerly had been music and Harmony’s soft laughter, where Anna Gates had been wont to argue with Peter in loud, incisive tones, where even the prisms of the chandelier had once vibrated in response to Harmony’s violin, almost absolute silence now reigned. Even the gate, having been repaired, no longer creaked, and the loud altercations between the Portier and his wife had been silenced out of deference to the sick child.

On the day that Harmony, in the gold dress, had discovered Jimmy’s mother in the American dancer Peter had had an unusually bad day. McLean had sent him a note by messenger early in the morning, to the effect that a young girl answering Harmony’s description had been seen in the park at Schonbrunn and traced to an apartment near by.

Harmony had liked Schonbrunn, and it seemed possible. They had gone out together, McLean optimistic, Peter afraid to hope. And it had been as he feared—a pretty little violin student, indeed, who had been washing her hair, and only opened the door an inch or two.

McLean made a lame apology, Peter too sick with disappointment to speak. Then back to the city again.

He had taken to making a daily round, to the master’s, to the Frau Professor Bergmeister’s, along the Graben and the Karntnerstrasse, ending up at the Doctors’ Club in the faint hope of a letter. Wrath still smouldered deep in Peter; he would not enter a room at the club if Mrs. Boyer sat within. He had had a long 1 hour with Dr. Jennings, and left that cheerful person writhing in abasement. And he had held a stormy interview with the Frau Schwarz, which left her humble for a week, and exceedingly nervous, being of the impression from Peter’s manner that in the event of Harmony not turning up an American gunboat would sail up the right arm of the Danube and bombard the Pension Schwarz.

Schonbrunn having failed them, McLean and, Peter went back to the city in the street-car, neither one saying much. Even McLean’s elasticity was deserting him. His eyes, from much peering into crowds, had taken on a strained, concentrated look.

Peter was shabbier than ever beside the other man’s ultrafashionable dress. He sat, bent forward, his long arms dangling between his knees, his head down. Their common trouble had drawn the two together, or had drawn McLean close to Peter, as if he recognized that there were degrees in grief and that Peter had received almost a death-wound. His old rage at Peter had died. Harmony’s flight had proved the situation as no amount of protestation would have done. The thing now was to find the girl; then he and Peter would start even, and the battle to the best man.

They had the car almost to themselves. Peter had not spoken since he sat down. McLean was busy over a notebook, in which he jotted down from day to day such details of their search as might be worth keeping. Now and then he glanced at Peter as if he wished to say something, hesitated, fell to work again over the notebook. Finally he ventured.

“How’s the boy?”

“Not so well to-day. I’m having a couple of men in to see him to-night. He doesn’t sleep.”

“Do you sleep?”

“Not much. He’s on my mind, of course.”

That and other things, Peter.

“Don’t you think—wouldn’t it be better to have a nurse. You can’t go like this all day and be up all night, you know. And Marie has him most of the day.” McLean, of course, had known Marie before. “The boy ought to have a nurse, I think.”

“He doesn’t move without my hearing him.”

“That’s an argument for me. Do you want to get sick?”

Peter turned a white face toward McLean, a face in which exasperation struggled with fatigue.

“Good Lord, boy,” he rasped, “don’t you suppose I’d have a nurse if I could afford it?”

“Would you let me help? I’d like to do something. I’m a useless cub in a sickroom, but I could do that. Who’s the woman he liked in the hospital?”

“Nurse Elisabet. I don’t know, Mac. There’s no reason why I shouldn’t let you help, I suppose. It hurts, of course, but—if he would be happier—”

“That’s settled, then,” said McLean. “Nurse Elisabet, if she can come. And—look here, old man. I ‘ve been trying to say this for a week and haven’t had the nerve. Let me help you out for a while. You can send it back when you get it, any time, a year or ten years. I’ll not miss it.”

But Peter refused. He tempered the refusal in his kindly way.

“I can’t take anything now,” he said. “But I’ll remember it, and if things get very bad I’ll come to you. It isn’t costing much to live. Marie is a good manager, almost as good as—Harmony was.” This with difficulty. He found it always hard to speak of Harmony. His throat seemed to close on the name.

That was the best McLean could do, but he made a mental reservation to see Marie that night and slip her a little money. Peter need never know, would never notice.

At a cross-street the car stopped, and the little Bulgarian, Georgiev, got on. He inspected the car carefully before he came in from the platform, and sat down unobtrusively in a corner. Things were not going well with him either. His small black eyes darted from face to face suspiciously, until they came to a rest on Peter.

It was Georgiev’s business to read men. Quickly he put together the bits he had gathered from Harmony on the staircase, added to them Peter’s despondent attitude, his strained face, the abstraction which required a touch on the arm from his companion when they reached their destination, recalled Peter outside the door of Harmony’s room in the Pension Schwarz—and built him a little story that was not far from the truth.

Peter left the car without seeing him. It was the hour of the promenade, when the Ring and the larger business streets were full of people, when Demel’s was thronged with pretty women eating American ices, with military men drinking tea and nibbling Austrian pastry, the hour when the flower women along the Stephansplatz did a rousing business in roses, when sterile women burned candles before the Madonna in the Cathedral, when the lottery did the record business of the day.

It was Peter’s forlorn hope that somewhere among the crowd he might happen on Harmony. For some reason he thought of her always as in a crowd, with people close, touching her, men staring at her, following her. He had spent a frightful night in the Opera, scanning seat after seat, not so much because he hoped to find her as because inaction was intolerable.

And so, on that afternoon, he made his slow progress along the Karntnerstrasse, halting now and then to scrutinize the crowd. He even peered through the doors of shops here and there, hoping while he feared that the girl might be seeking employment within, as she had before in the early days of the winter.

Because of his stature and powerful physique, and perhaps, too, because of the wretchedness in his eyes, people noticed him. There was one place where Peter lingered, where a new building was being erected, and where because of the narrowness of the passage the dense crowd was thinned as it passed. He stood by choice outside a hairdresser’s window, where a brilliant light shone on each face that passed.

Inside the clerks had noticed him. Two of them standing together by the desk spoke of him: “He is there again, the gray man!”

“Ah, so! But, yes, there is his back!”

“Poor one, it is the Fraulein Engel he waits to see, perhaps.”

“More likely Le Grande, the American. He is American.”

“He is Russian. Look at his size.”

“But his shoes!” triumphantly. “They are American, little one.”

The third girl had not spoken; she was wrapping in tissue a great golden rose made for the hair. She placed it in a box carefully.

“I think he is of the police,” she said, “or a spy. There is much talk of war.”

“Foolishness! Does a police officer sigh always? Or a spy have such sadness in his face? And he grows thin and white.”

“The rose, Fraulein.”

The clerk who had wrapped up the flower held it out to the customer. The customer, however, was not looking. She was gazing with strange intentness at the back of a worn gray overcoat. Then with a curious clutch at her heart she went white. Harmony, of course, Harmony come to fetch the golden rose that was to complete Le Grande’s costume.

She recovered almost at once and made an excuse to leave by another exit.

She took a final look at the gray sleeve that was all she could see of Peter, who had shifted a bit, and stumbled out into the crowd, walking along with her lip trembling under her veil, and with the slow and steady ache at her heart that she had thought she had stilled for good.

It had never occurred to Harmony that Peter loved her. He had proposed to her twice, but that had been in each case to solve a difficulty for her. And once he had taken her in his arms, but that was different. Even then he had not said he loved her—had not even known it, to be exact. Nor had Harmony realized what Peter meant to her until she had put him out of her life.

The sight of the familiar gray coat, the scrap of conversation, so enlightening as to poor Peter’s quest, that Peter was growing thin and white, made her almost reel. She had been too occupied with her own position to realize Peter’s. With the glimpse of him came a great longing for the house on the Siebensternstrasse, for Jimmy’s arms about her neck, for the salon with the lamp lighted and the sleet beating harmlessly against the casement windows, for the little kitchen with the brick stove, for Peter.

Doubts of the wisdom of her course assailed her. But to go back meant, at the best, adding to Peter’s burden of Jimmy and Marie, meant the old situation again, too, for Marie most certainly did not add to the respectability of the establishment. And other doubts assailed her. What if Jimmy were not so well, should die, as was possible, and she had not let his mother see him!

Monia Reiff was very busy that day. Harmony did not leave the workroom until eight o’clock. During all that time, while her slim fingers worked over fragile laces and soft chiffons, she was seeing Jimmy as she had seen him last, with the flower fairies on his pillow, and Peter, keeping watch over the crowd in the Karntnerstrasse, looking with his steady eyes for her.

No part of the city was safe for a young girl after night, she knew; the sixteenth district was no better than the rest, rather worse in places. But the longing to see the house on the Siebensternstrasse grew on her, became from an ache a sharp and insistent pain. She must go, must see once again the comfortable glow of Peter’s lamp, the flicker that was the fire.

She ate no supper. She was too tired to eat, and there was the pain. She put on her wraps and crept down the whitewashed staircase.

The paved courtyard below was to be crossed and it was poorly lighted. She achieved the street, however, without molestation. To the street-car was only a block, but during that block she was accosted twice. She was white and frightened when she reached the car.

The Siebensternstrasse at last. The street was always dark; the delicatessen shop was closed, but in the wildgame store next a light was burning low, and a flame flickered before the little shrine over the money drawer. The gameseller was a religious man.

The old stucco house dominated the neighborhood. From the time she left the car Harmony saw it, its long flat roof black against the dark sky, its rows of unlighted windows, its long wall broken in the center by the gate. Now from across the street its whole facade lay before her. Peter’s lamp was not lighted, but there was a glow of soft firelight from the salon windows. The light was not regular—it disappeared at regular intervals, was blotted out. Harmony knew what that meant. Some one beyond range of where she stood was pacing the floor, back and forward, back and forward. When he was worried or anxious Peter always paced the door.

She did not know how long she stood there. One of the soft rains was falling, or more accurately, condensing. The saturated air was hardly cold. She stood on the pavement unmolested, while the glow died lower and lower, until at last it was impossible to trace the pacing figure. No one came to any of the windows. The little lamp before the shrine in the wildgame shop burned itself out; the Portier across the way came to the door, glanced up at the sky and went in. Harmony heard the rattle of the chain as it was stretched across the door inside.

Not all the windows of the suite opened on the street. Jimmy’s windows—and Peter’s—opened toward the back of the house, where in a brick-paved courtyard the wife of the Portier hung her washing, and where the Portier himself kept a hutch of rabbits. A wild and reckless desire to see at least the light from the child’s room possessed Harmony. Even the light would be something; to go like this, to carry with her only the memory of a dark looming house without cheer was unthinkable. The gate was never locked. If she but went into the garden and round by the spruce tree to the back of the house, it would be something.

She knew the garden quite well. Even the darkness had no horror for her. Little Scatchy had had a habit of leaving various articles on her windowsill and of instigating searches for them at untimely hours of night. Once they had found her hairbrush in the rabbit hutch! So Harmony, ashamed but unalarmed, made her way by the big spruce to the corner of the old lodge and thus to the courtyard.

Ah, this was better! Lights all along the apartment floor and moving shadows; on Jimmy’s windowsill a jar of milk. And voices—some one was singing.

Peter was singing, droning softly, as one who puts a drowsy child to sleep. Slower and slower, softer and softer, over and over, the little song Harmony had been wont to sing:—

“Ah well! For us all some sweet hope lies Deeply buried from human eyes. And in the—hereafter—angels may Roll—the—stone—from—its—grave—away.”

Slower and slower, softer and softer, until it died away altogether. Peter, in his old dressing-gown, came to the window and turned down the gaslight beside it to a blue point. Harmony did not breathe. For a minute, two minutes, he stood there looking out. Far off the twin clocks of the Votivkirche struck the hour. All about lay the lights of the old city, so very old, so wise, so cunning, so cold.

Peter stood looking out, as he had each night since Harmony went away. Each night he sang the boy to sleep, turned down the light and stood by the window. And each night he whispered to the city that sheltered Harmony somewhere, what he had whispered to the little sweater coat the night before he went away:—

“Goodnight, dear. Goodnight, Harmony.”

The rabbits stirred uneasily in the hutch; a passing gust shook the great tree overhead and sent down a sharp shower on to the bricks below. Peter struck a match and lit his pipe; the flickering light illuminated his face, his rough hair, his steady eyes.

“Goodnight, Peter,” whispered Harmony. “Goodnight, dear.”

CHAPTER XXIV

Walter Stewart had made an uncomplicated recovery, helped along by relief at the turn events had taken. In a few days he was going about again, weak naturally, rather handsomer than before because a little less florid. But the week’s confinement had given him an opportunity to think over many things. Peter had set him thinking, on the day when he had packed up the last of Marie’s small belongings and sent them down to Vienna.

Stewart, lying in bed, had watched him. “Just how much talk do you suppose this has made, Byrne?” he asked.

“Haven’t an idea. Some probably. The people in the Russian villa saw it, you know.”

Stewart’s brows contracted.

“Damnation! Then the hotel has it, of course!”

“Probably.”

Stewart groaned. Peter closed Marie’s American trunk of which she had been so proud, and coming over looked down at the injured man.

“Don’t you think you’d better tell the girl all about it?”

“No,” doggedly.

“I know, of course, it wouldn’t be easy, but—you can’t get away with it, Stewart. That’s one way of looking at it. There’s another.”

“What’s that?”

“Starting with a clean slate. If she’s the sort you want to marry, and not a prude, she’ll understand, not at first, but after she gets used to it.”

“She wouldn’t understand in a thousand years.”

“Then you’d better not marry her. You know, Stewart, I have an idea that women imagine a good many pretty rotten things about us, anyhow. A sensible girl would rather know the truth and be done with it. What a man has done with his life before a girl—the right girl—comes into it isn’t a personal injury to her, since she wasn’t a part of his life then. You know what I mean. But she has a right to know it before she chooses.”

“How many would choose under those circumstances?” he jibed.

Peter smiled. “Quite a few,” he said cheerfully. “It’s a wrong system, of course; but we can get a little truth out of it.”

“You can’t get away with it” stuck in Stewart’s mind for several days. It was the one thing Peter said that did stick. And before Stewart had recovered enough to be up and about he had made up his mind to tell Anita. In his mind he made quite a case for himself; he argued the affair against his conscience and came out victorious.

Anita’s party had broken up. The winter sports did not compare, they complained, with St. Moritz. They disliked German cooking. Into the bargain the weather was not good; the night’s snows turned soft by midday; and the crowds that began to throng the hotels were solid citizens, not the fashionables of the Riviera. Anita’s arm forbade her traveling. In the reassembling of the party she went to the Kurhaus in the valley below the pension with one of the women who wished to take the baths.

It was to the Kurhaus, then, that Stewart made his first excursion after the accident. He went to dinner. Part of the chaperon’s treatment called for an early retiring hour, which was highly as he had wished it and rather unnerving after all. A man may decide that a dose of poison is the remedy for all his troubles, but he does not approach his hour with any hilarity. Stewart was a stupid dinner guest, ate very little, and looked haggard beyond belief when the hour came for the older woman to leave.

He did not lack courage however. It was his great asset, physical and mental rather than moral, but courage nevertheless. The evening was quiet, and they elected to sit on the balcony outside Anita’s sitting room, the girl swathed in white furs and leaning back in her steamer chair.

Below lay the terrace of the Kurhaus, edged with evergreen trees. Beyond and far below that was the mountain village, a few scattered houses along a frozen stream. The townspeople retired early; light after light was extinguished, until only one in the priest’s house remained. A train crept out of one tunnel and into another, like a glowing worm crawling from burrow to burrow.

The girl felt a change in Stewart. During the weeks he had known her there had been a curious restraint in his manner to her. There were times when an avowal seemed to tremble on his lips, when his eyes looked into hers with the look no women ever mistakes; the next moment he would glance away, his face would harden. They were miles apart. And perhaps the situation had piqued the girl. Certainly it had lost nothing for her by its unusualness.

To-night there was a difference in the man. His eyes met hers squarely, without evasion, but with a new quality, a searching, perhaps, for something in her to give him courage. The girl had character, more than ordinary decision. It was what Stewart admired in her most, and the thing, of course, that the little Marie had lacked. Moreover, Anita, barely twenty, was a woman, not a young girl. Her knowledge of the world, not so deep as Marie’s, was more comprehensive. Where Marie would have been merciful, Anita would be just, unless she cared for him. In that case she might be less than just, or more.

Anita in daylight was a pretty young woman, rather incisive of speech, very intelligent, having a wit without malice, charming to look at, keenly alive. Anita in the dusk of the balcony, waiting to hear she knew not what, was a judicial white goddess, formidably still, frightfully potential. Stewart, who had embraced many women, did not dare a finger on her arm.

He had decided on a way to tell the girl the story—a preamble about his upbringing, which had been indifferent, his struggle to get to Vienna, his loneliness there, all leading with inevitable steps to Marie. From that, if she did not utterly shrink from him, to his love for her.

It was his big hour, that hour on the balcony. He was reaching, through love, heights of honesty he had never scaled before. But as a matter of fact he reversed utterly his order of procedure. The situation got him, this first evening absolutely alone with her. That and her nearness, and the pathos of her bandaged, useless arm. Still he had not touched her.

The thing he was trying to do was more difficult for that. General credulity to the contrary, men do not often make spoken love first. How many men propose marriage to their women across the drawing-room or from chair to chair? Absurd! The eyes speak first, then the arms, the lips last. The woman is in his arms before he tells his love. It is by her response that he gauges his chances and speaks of marriage. Actually the thing is already settled; tardy speech only follows on swift instinct. Stewart, wooing as men woo, would have taken the girl’s hand, gained an encouragement from it, ventured to kiss it, perhaps, and finding no rebuff would then and there have crushed her to him; What need of words? They would follow in due time, not to make a situation but to clarify it.

But he could not woo as men woo. The barrier of his own weakness stood between them and must be painfully taken down.

“I’m afraid this is stupid for you,” said Anita out of the silence. “Would you like to go to the music-room?”

“God forbid. I was thinking.”

“Of what?” Encouragement this, surely.

“I was thinking how you had come into my life, and stirred it up.”

“Really? I?”

“You know that.”

“How did I stir it up?”

“That’s hardly the way I meant to put it. You’ve changed everything for me. I care for you—a very great deal.”

He was still carefully in hand, his voice steady. And still he did not touch her. Other men had made love to her, but never in this fashion, or was he making love?

“I’m very glad you like me.”

“Like you!” Almost out of hand that time. The thrill in his voice was unmistakable. “It’s much more than that, Anita, so much more that I’m going to try to do a hideously hard thing. Will you help a little?”

“Yes, if I can.” She was stirred, too, and rather frightened.

Stewart drew his chair nearer to her and sat forward, his face set and dogged.

“Have you any idea how you were hurt? Or why?”

“No. There’s a certain proportion of accidents that occur at all these places, isn’t there?”

“This was not an accident.”

“No?”

“The branch of a tree was thrown out in front of the sled to send us over the bank. It was murder, if intention is crime.”

After a brief silence—

“Somebody who wished to kill you, or me?”

“Both of us, I believe. It was done by a woman—a girl, Anita. A girl I had been living with.”

A brutal way to tell her, no doubt, but admirably courageous. For he was quivering with dread when he said it—the courage of the man who faces a cannon. And here, where a less-poised woman would have broken into speech, Anita took the refuge of her kind and was silent. Stewart watched her as best he could in the darkness, trying to gather further courage to go on. He could not see her face, but her fingers, touching the edge of the chair, quivered.

“May I tell you the rest?”

“I don’t think I want to hear it.”

“Are you going to condemn me unheard?”

“There isn’t anything you can say against the fact?”

But there was much to say, and sitting there in the darkness he made his plea. He made no attempt to put his case. He told what had happened simply; he told of his loneliness and discomfort. And he emphasized the lack of sentiment that prompted the arrangement.

Anita spoke then for the first time: “And when you tried to terminate it she attempted to kill you!”

“I was acting the beast. I brought her up here, and then neglected her for you.”

“Then it was hardly only a business arrangement for her.”

“It was at first. I never dreamed of any thing else. I swear that, Anita. But lately, in the last month or two, she—I suppose I should have seen that she—”

“That she had fallen in love with you. How old is she?”

“Nineteen.”

A sudden memory came to Anita, of a slim young girl, who had watched her with wide, almost childish eyes.

“Then it was she who was in the compartment with you on the train coming up?”

“Yes.”

“Where is she now?”

“In Vienna. I have not heard from her. Byrne, the chap who came up to see me after the—after the accident, sent her away. I think he’s looking after her. I haven’t heard from him.”

“Why did you tell me all this?”

“Because I love you, Anita. I want you to marry me.”

“What! After that?”

“That, or something similar, is in many men’s lives. They don’t tell it, that’s the difference. I ‘m not taking any credit for telling you this. I’m ashamed to the bottom of my soul, and when I look at your bandaged arm I’m suicidal. Peter Byrne urged me to tell you. He said I couldn’t get away with it; some time or other it would come out. Then he said something else. He said you’d probably understand, and that if you married me it was better to start with a clean slate.”

No love, no passion in the interview now. A clear statement of fact, an offer—his past against hers, his future with hers. Her hand was steady now. The light in the priest’s house had been extinguished. The chill of the mountain night penetrated Anita’s white furs; and set her—or was it the chill?—to shivering.

“If I had not told you, would you have married me?”

“I think so. I’ll be honest, too. Yes.”

“I am the same man you would have married. Only—more honest.”

“I cannot argue about it. I am tired and cold.”

Stewart glanced across the valley to where the cluster of villas hugged the mountainside There was a light in his room; outside was the little balcony where Marie had leaned against the railing and looked down, down. Some of the arrogance of his new virtue left the man. He was suddenly humbled. For the first time he realized a part of what Marie had endured in that small room where the light burned.

“Poor little Marie!” he said softly.

The involuntary exclamation did more for him than any plea he could have made. Anita rose and held out her hand.

“Go and see her,” she said quietly. “You owe her that. We’ll be leaving here in a day or so and I’ll not see you again. But you’ve been honest, and I will be honest, too. I—I cared a great deal, too.”

“And this has killed it?”

“I hardly comprehend it yet. I shall have to have time to think.”

“But if you are going away—I’m afraid to leave you. You’ll think this thing over, alone, and all the rules of life you’ve been taught will come—”

“Please, I must think. I will write you, I promise.”

He caught her hand and crushed it between both of his.

“I suppose you would rather I did not kiss you?” humbly.

“I do not want you to kiss me.”

He released her hand and stood looking down at her in the darkness. If he could only have crushed her to him, made her feel the security of his love, of his sheltering arms! But the barrier of his own building was between them. His voice was husky.

“I want you to try to remember, past what I have told you, to the thing that concerns us both—I love you. I never loved the other woman. I never pretended I loved her. And there will be nothing more like that.”

“I shall try to remember.”

Anita left Semmering the next day, against the protests of the doctor and the pleadings of the chaperon. She did not see Stewart again. But before she left, with the luggage gone and the fiacre at the door, she went out on the terrace, and looked across to the Villa Waldheim, rising from among its clustering trees. Although it was too far to be certain, she thought she saw the figure of a man on the little balcony standing with folded arms, gazing across the valley to the Kurhaus.

Having promised to see Marie, Stewart proceeded to carry out his promise in his direct fashion. He left Semmering the evening of the following day, for Vienna. The strain of the confession was over, but he was a victim of sickening dread. To one thing only he dared to pin his hopes. Anita had said she cared, cared a great deal. And, after all, what else mattered? The story had been a jolt, he told himself. Girls were full of queer ideas of right and wrong, bless them! But she cared. She cared!

He arrived in Vienna at nine o’clock that night. The imminence of his interview with Marie hung over him like a cloud. He ate a hurried supper, and calling up the Doctors’ Club by telephone found Peter’s address in the Siebensternstrasse. He had no idea, of course, that Marie was there. He wanted to see Peter to learn where Marie had taken refuge, and incidentally to get from Peter a fresh supply of moral courage for the interview. For he needed courage. In vain on the journey down had he clothed himself in armor of wrath against the girl; the very compartment in the train provoked softened memories of her. Here they had bought a luncheon, there Marie had first seen the Rax. Again at this station she had curled up and put her head on his shoulder for a nap. Ah, but again, at this part of the journey he had first seen Anita!

He took a car to the Siebensternstrasse. His idea of Peter’s manner of living those days was exceedingly vague. He had respected Peter’s reticence, after the manner of men with each other. Peter had once mentioned a boy he was looking after, in excuse for leaving so soon after the accident. That was all.

The house on the Siebensternstrasse loomed large and unlighted. The street was dark, and it was only after a search that Stewart found the gate. Even then he lost the path, and found himself among a group of trees, to touch the lowest branches of any of which resulted in a shower of raindrops. To add to his discomfort some one was walking in the garden, coming toward him with light, almost stealthy steps.

Stewart by his tree stood still, waiting. The steps approached, were very close, were beside him. So intense was the darkness that even then all he saw was a blacker shadow, and that was visible only because it moved. Then a hand touched his arm, stopped as if paralyzed, drew back slowly, fearfully.

“Good Heavens!” said poor Harmony faintly.

“Please don’t be alarmed. I have lost the path.” Stewart’s voice was almost equally nervous. “Is it to the right or the left?”

It was a moment before Harmony had breath to speak. Then:—

“To the right a dozen paces or so.”

“Thank you. Perhaps I can help you to find it.”

“I know it quite well. Please don’t bother.”

The whole situation was so unexpected that only then did it dawn on Stewart that this blacker shadow was a countrywoman speaking God’s own language. Together, Harmony a foot or so in advance, they made the path.

“The house is there. Ring hard, the bell is out of order.”

“Are you not coming in?”

“No. I—I do not live here.”

She must have gone just after that. Stewart, glancing at the dark facade of the house, turned round to find her gone, and a moment later heard the closing of the gate. He was bewildered. What sort of curious place was this, a great looming house that concealed in its garden a fugitive American girl who came and went like a shadow, leaving only the memory of a sweet voice strained with fright?

Stewart was full of his encounter as he took the candle the Portier gave him and followed the gentleman’s gruff directions up the staircase. Peter admitted him, looking a trifle uneasy, as well he might with Marie in the salon.

Stewart was too preoccupied to notice Peter’s expression. He shook the rain off his hat, smiling.

“How are you?” asked Peter dutifully.

“Pretty good, except for a headache when I’m tired. What sort of a place have you got here anyhow, Byrne?”

“Old hunting-lodge of Maria Theresa,” replied Peter, still preoccupied with Marie and what was coming. “Rather interesting old place.”

“Rather,” commented Stewart, “with goddesses in the garden and all the usual stunts.”

“Goddesses?”

“Ran into one just now among the trees. ‘A woman I forswore, but thou being a goddess I forswore not thee.’ English-speaking goddess, by George!”

Peter was staring at him incredulously; now he bent forward and grasped his arm in fingers of steel.

“For Heaven’s sake, Stewart, tell me what you mean! Who was in the garden?”

Stewart was amused and interested. It was not for him to belittle a situation of his own making, an incident of his own telling.

“I lost my way in your garden, wandered among the trees, broke through a hedgerow or two, struck a match and consulted the compass—”

Peter’s fingers closed.

“Quick,” he said.

Stewart’s manner lost its jauntiness.

“There was a girl there,” he said shortly. “Couldn’t see her. She spoke English. Said she didn’t live here, and broke for the gate the minute I got to the path.”

“You didn’t see her?”

“No. Nice voice, though. Young.”

The next moment he was alone. Peter in his dressing-gown was running down the staircase to the lower floor, was shouting to the Portier to unlock the door, was a madman in everything but purpose. The Portier let him out and returned to the bedroom.

“The boy above is worse,” he said briefly. “A strange doctor has just come, and but now the Herr Doktor Byrne runs to the drug store.”

The Portier’s wife shrugged her shoulders even while tears filled her eyes.

“What can one expect?” she demanded. “The good Herr Gott has forbidden theft and Rosa says the boy was stolen. Also the druggist has gone to visit his wife’s mother.”

“Perhaps I may be of service; I shall go up.”

“And see for a moment that hussy of the streets! Remain here. I shall go.”

Slowly and ponderously she climbed the stairs.

Stewart, left alone, wandered along the dim corridor. He found Peter’s excitement rather amusing. So this was where Peter lived, an old house, isolated in a garden where rambled young women with soft voices. Hello, a youngster asleep! The boy, no doubt.

He wandered on toward the lighted door of the salon and Marie. The place was warm and comfortable, but over it all hung the indescribable odor of drugs that meant illness. He remembered that the boy was frail.

Marie turned as he stopped in the salon doorway, and then rose, white-faced. Across the wide spaces of the room they eyed each other. Marie’s crisis had come. Like all crises it was bigger than speech. It was after a distinct pause that she spoke.

“Hast thou brought the police?”

Curiously human, curiously masculine at least was Stewart’s mental condition at that moment. He had never loved the girl; it was with tremendous relief he had put her out of his life. And yet—

“So it’s old Peter now, is it?”

“No, no, not that, Walter. He has given me shelter, that is all. I swear it. I look after the boy.”

“Who else is here?”

“No one else; but—”

“Tell that rot to some one who does not know you.”

“It is true. He never even looks at me. I am wicked, but I do not lie.” There was a catch of hope in her voice. Marie knew men somewhat, but she still cherished the feminine belief that jealousy is love, whereas it is only injured pride. She took a step toward him. “Walter, I am sorry. Do you hate me?” She had dropped the familiar “thou.”

Stewart crossed the room until only Peter’s table and lamp stood between them.

“I didn’t mean to be brutal,” he said, rather largely, entirely conscious of his own magnanimity. “It was pretty bad up there and I know it. I don’t hate you, of course. That’s hardly possible after—everything.”

“You—would take me back?”

“No. It’s over, Marie. I wanted to know where you were, that’s all; to see that you were comfortable and not frightened. You’re a silly child to think of the police.”

Marie put a hand to her throat.

“It is the American, of course.”

“Yes.”

She staggered a trifle, recovered, threw up her head. “Then I wish I had killed her!”

No man ever violently resents the passionate hate of one woman for her rival in his affections. Stewart, finding the situation in hand and Marie only feebly formidable, was rather amused and flattered by the honest fury in her voice. The mouse was under his paw; he would play a bit. “You’ll get over feeling that way, kid. You don’t really love me.”

“You were my God, that is all.”

“Will you let me help you—money, I mean?”

“Keep it for her.”

“Peter will be here in a minute.” He bent over the table and eyed her with his old, half-bullying, half-playful manner. “Come round here and kiss me for old times.”

“No!”

“Come.”

She stood stubbornly still, and Stewart, still smiling, took a step or two toward her. Then he stopped, ceased smiling, drew himself up.

“You are quite right and I’m a rotter.” Marie’s English did not comprehend “rotter,” but she knew the tone. “Listen, Marie, I’ve told the other girl, and there’s a chance for me, anyhow. Some day she may marry me. She asked me to see you.”

“I do not wish her pity.”

“You are wasting your life here. You cannot marry, you say, without a dot. There is a chance in America for a clever girl. You are clever, little Marie. The first money I can spare I’ll send you—if you’ll take it. It’s all I can do.”

This was a new Stewart, a man she had never known. Marie recoiled from him, eyed him nervously, sought in her childish mind for an explanation. When at last she understood that he was sincere, she broke down. Stewart, playing a new part and raw in it, found the situation irritating. But Marie’s tears were not entirely bitter. Back of them her busy young mind was weaving a new warp of life, with all of America for its loom. Hope that had died lived again. Before her already lay that great country where women might labor and live by the fruit of their labor, where her tawdry past would be buried in the center of distant Europe. New life beckoned to the little Marie that night in the old salon of Maria Theresa, beckoned to her as it called to Stewart, opportunity to one, love and work to the other. To America!

“I will go,” she said at last simply. “And I will not trouble you there.”

“Good!” Stewart held out his hand and Marie took it. With a quick gesture she held it to her cheek, dropped it.

Peter came back half an hour later, downcast but not hopeless. He had not found Harmony, but life was not all gray. She was well, still in Vienna, and—she had come back! She had cared then enough to come back. Tomorrow he would commence again, would comb the city fine, and when he had found her he would bring her back, the wanderer, to a marvelous welcome.

He found Stewart gone, and Marie feverishly overhauling her few belongings by the salon lamp. She turned to him a face still stained with tears but radiant with hope.

“Peter,” she said gravely, “I must prepare my outfit. I go to America.”

“With Stewart?”

“Alone, Peter, to work, to be very good, to be something. I am very happy, although—Peter, may I kiss you?”

“Certainly,” said Peter, and took her caress gravely, patting her thin shoulder. His thoughts were in the garden with Harmony, who had cared enough to come back.

“Life,” said Peter soberly, “life is just one damned thing after another, isn’t it?”

But Marie was anxiously examining the hem of a skirt.

The letter from Anita reached Stewart the following morning. She said:—

“I have been thinking things over, Walter, and I am going to hurt you very much—but not, believe me, without hurting myself. Perhaps my uppermost thought just now is that I am disappointing you, that I am not so big as you thought I would be. For now, in this final letter, I can tell you how much I cared. Oh, my dear, I did care!

“But I will not marry you. And when this reaches you I shall have gone very quietly out of your life. I find that such philosophy as I have does not support me to-night, that all my little rules of life are inadequate. Individual liberty was one—but there is no liberty of the individual. Life—other lives—press too closely. You, living your life as seemed best and easiest, and carrying down with you into shipwreck the little Marie and—myself!

“For, face to face with the fact, I cannot accept it, Walter. It is not only a question of my past against yours. It is of steady revolt and loathing of the whole thing; not the flash of protest before one succumbs to the inevitable, but a deep-seated hatred that is a part of me and that would never forget.

“You say that you are the same man I would have married, only more honest for concealing nothing. But—and forgive me this, it insists on coming up in my mind—were you honest, really? You told me, and it took courage, but wasn’t it partly fear? What motive is unmixed? Honesty—and fear, Walter. You were preparing against a contingency, although you may not admit this to yourself.

“I am not passing judgment on you. God forbid that I should! I am only trying to show you what is in my mind, and that this break is final. The revolt is in myself, against something sordid and horrible which I will not take into my life. And for that reason time will make no difference.

“I am not a child, and I am not unreasonable. But I ask a great deal of this life of mine that stretches ahead, Walter—home and children, the love of a good man, the fulfillment of my ideals. And you ask me to start with a handicap. I cannot do it. I know you are resentful, but—I know that you understand.

“ANITA.”

CHAPTER XXV

The little Georgiev was in trouble those days. The Balkan engine was threatening to explode, but continued to gather steam, with Bulgaria sitting on the safety-valve. Austria was mobilizing troops, and there were long conferences in the Burg between the Emperor and various bearded gentlemen, while the military prayed in the churches for war.

The little Georgiev hardly ate or slept. Much hammering went on all day in the small room below Harmony’s on the Wollbadgasse. At night, when the man in the green velours hat took a little sleep, mysterious packages were carried down the whitewashed staircase and loaded into wagons waiting below. Once on her windowsill Harmony found among the pigeons a carrier pigeon with a brass tube fastened to its leg.