The Summons

GEORGINA MAY HIGGINSON

“Barely seven,” remarked Tott.

“Dreadfully sad,” murmured Halliwell, the most sensitive of the group. Something else had needed to be said, even though words were inadequate.

“You’ll have noticed the date, sir,” Diamond said for the benefit of Farr-Jones.

“October,‘88. You’re assuming this little girl was the victim of the hit-and-run accident?”

“We’re certain of it. This is the only child’s grave we could find for 1988.”

Farr-Jones blew out a plume of white breath. “Did this child actually die in a road accident? Have you checked with records?”

“DI Hargreaves just has, on her personal.”

Julie reported, “A child of this name was knocked down and killed by a car, here in Steeple Ashton, opposite the village stores, at 4:45 P.M. on this date. The driver was never traced.”

Diamond added, “The next of kin are John Higginson, father, resident in Belfast, and Prue Shorter, mother, who still lives here. She is the photographer who worked with Britt Strand.”

Up to now, each statement had made sense to Farr-Jones. The last one did not, and his face showed it.

Diamond explained, “Miss Shorter offered to work for Britt some time in the summer of 1990, almost two years after the child was killed. She had a strong suspicion by then that Britt had been the driver of that car, but she wanted to be certain, because she planned to avenge the killing of her daughter by taking the life of the person who caused it. So she worked as her photographer through the summer and autumn of 1990 until she was totally sure, and the right opportunity came.”

“Weren’t we aware of any of this at this time?”

“The accident? It was in the records as a hit and run, but we had no reason to link it with the Britt Strand murder. We routinely checked all the witnesses for previous convictions and Miss Shorter was clean. The fact that she happened to be the parent of an accident victim didn’t show on the computer.”

“It wouldn’t,” Wigfull confirmed.

Farr-Jones asked, “How did you get on to her, then?”

Diamond unexpectedly tiptoed on the spot like one of the cygnets in Swan Lake. “You’ll have to forgive me, sir, but I need to take a leak. It must be the cold.”

“Here?” said Farr-Jones, frowning.

“I happened to notice that Prue Shorter has a fire going in her cottage. What say we nick her now?”

It was the most civilized arrest in the combined experience of all the detectives. The timing couldn’t have been bettered. “How many of you are there?” Prue Shorter asked. “Eight, is it? I’m afraid I haven’t got chairs for all of you. Would you like to handle the knife, Mr. Diamond? It’s the large one in the drawer behind you.”

She passed a steaming Dundee cake across the kitchen table for Diamond to cut.

Several of the officers looked to the Chief Constable for guidance in this unprecedented situation. He had the good sense to give it his endorsement. “When I was a small boy, I used to read the Rupert books,” he surprised them all by saying. “Rupert Bear-the original ones by Mary Tourtel with yellow covers and black-and-white illustrations. They always seemed to end with Rupert coming home from some adventure to find that homely Mrs. Bear had baked a cake.”

There was an uncomfortable silence. Senior policemen rarely provided such insights into their personal lives.

Prue Shorter ended it by saying, “Personally, I could never believe in animals wearing clothes. I liked the Famous Five.”

“Enid Blyton,” said Wigfull, the walking encyclopedia.

Tott said, “Wasn’t one of them known as-”

“George. Yes,” Prue Shorter said quickly, and added almost unheard, “Georgina.”

Their arrival at the cottage door had not fazed her. She had asked them in and said, “Now that you’ve come, I can’t tell you how relieved I am. What do you want first, my dears, a slice of cake or my confession?”

After that, it had seemed churlish to mention that two uniformed officers were posted outside the back door to prevent her escaping. Regardless, she had welcomed them in and made filter coffee for all.

Diamond finished cutting the cake and put the knife into the kitchen sink, out of Prue Shorter’s reach. He still had a vivid memory of Britt Strand’s lacerated body. This homely Mrs. Bear could wield a knife as well as bake cakes. “Are you ready to talk?” he asked her.

She said with sublime composure, “Don’t you want to tell them how you sussed me out, ducky? Take your applause while you’ve got the chance. I’m totally gobsmacked by your brilliant detective work, but I’m not sure if the rest of them are.”

Farr-Jones, in thrall to this redoubtable woman, said, “Yes, Mr. Diamond, why don’t you give us the rundown on your investigation?”

“Not only mine,” Diamond pointed out. “There were two of us. DI Hargreaves must take a lot of the credit. In fact, she deserves a commendation.”

Julie looked down at her coffee.

Diamond was less modest. “You want to know what led us here?” he said. “It was the old, old story of observation and deduction. Some of it didn’t mean much at the beginning. For example, when Julie and I first came to this cottage we noticed a child’s violin in one of the alcoves in the other room. There was also a drawing pinned to the notice board, a stick figure, obviously the work of a young child. Not much to go on, but the next time I visited, the violin was gone. It emerged that Miss Shorter had been married briefly and given birth to a girl, who had died young, at the age of seven. I didn’t follow up by asking what she died of, and you may think that was a mistake on my part, but with the benefit of hindsight I doubt if I’d have got the truthful answer. I was straying into dangerous territory. Right?”

Prue Shorter gave a nod.

“Of course,” Diamond went on, “you’re constantly recording things in your memory and ninety-nine percent turn out to be unimportant. It took some painstaking work and smart deduction on Julie’s part and mine to discover that Britt Strand had once owned a car, an MGB. Still does, according to the computer records. She suddenly stopped driving at the end of 1988. We found the car eventually and discovered clear evidence of a collision. Jake Pinkerton, her boyfriend at the time, allowed her to hide the thing in the woods behind his recording studio at Conkwell. Naturally, we questioned him. At the time of the incident, Britt Strand confided to Pinkerton that she’d knocked someone down, but she wouldn’t say whether it was a man or woman. Why? I thought. Why did it matter what sex the victim was? The reason she wouldn’t even tell her boyfriend was that she was too ashamed to give him the whole truth. She had knocked down a child and done nothing about it.”

“Left her lying in the road with a fractured skull,” added Prue Shorter in a hard, accusing tone in sharp contrast to the genial persona she had projected up to now. “It was in the papers next day and she still didn’t come forward.”

Tott said, “Deplorable.”

“Even so,” Farr-Jones remarked to Diamond, “the link between a child’s violin and a hit-and-run accident is pretty tenuous.”

Diamond said sharply, “There’s more to it than that.” He was piqued. “A whole lot more. There’s the drinking. We heard from Jake Pinkerton that Britt had been a whiskey drinker in the old days. She gave it up completely after the accident. Went TT.”

“That was a great help after my little girl was dead,” said Prue Shorter acidly.

“Let’s come to you, then.” Diamond addressed her directly for the first time. “A resourceful lady. A whiz at making cakes. A good mixer in more senses than one.”

She laughed.

“I mean it,” he insisted. “You’re a natural at making friends, or what are we all doing here around your kitchen table? You could charm anybody, even your worst enemy, and that’s precisely what you did. But not with cakes. You had your expertise as a professional photographer. Local freelance, taking news pictures for the Bath Chronicle and the Wiltshire Times and sometimes selling stuff to the nationals. Really good pictures. You were nicely placed to show your work to Britt and convince her that she’d be better off using the local talent than some hotshot from London. This was mid-1990, wasn’t it.”

Prue Shorter nodded.

“The dates are important,” he said, looking around the table. “The little girl was killed in October, 1988, so we’re talking about a time at least a year and a half later. Quite a long interval.” He turned to Prue Shorter again. “What I haven’t mentioned yet is how you got to know that Britt was responsible. After all, you didn’t know that her car was still in existence. You got to the truth by an altogether different route from ours.”

She said, “‘Responsible’ isn’t the word I’d use for her.”

“How did you discover that it was Britt who killed your daughter?” he pressed her.

“The roses,” she answered in a voice drained of the animation she’d displayed before. “They appeared on the grave the day after the funeral. A dozen in a plain transparent wrapper. No message. No indication who supplied them. I spent weeks trying to find out, asking at all the florists in Bath, Bristol, Trowbridge, Westbury, Melksham. I guessed they were placed there by the hit-and-run driver, you see. I knew. But I couldn’t trace the shop. She must have got them from London. I had to wait a whole year before I got any closer to her.”

“On the anniversary of the accident?”

“Yes. I should have realized and watched the churchyard, but I didn’t. A fresh bunch appeared, still with no clue as to who brought them. But instead of doing the rounds of the florists this time, I asked the people who live in Church Road, outside the church, if they’d seen anyone. Not many cars go up there, except at the weekend, unless there’s a funeral. This happened to be a Tuesday. Well, one of the people opposite had noticed a taxi draw up toward dusk, and a woman in a headscarf and black coat get out and go into the churchyard. The taxi waited about ten minutes, until she came back. It had one of those illuminated signs on the top. It was from Abbey Taxis, who work out of Bath.”

“Ah. You traced the driver?”

“The next day. He remembered her. And she’d had the roses with her. Even better, she had a slight foreign accent and he gave me a good description. She was blond, attractive, well dressed. The trouble was that he couldn’t tell me her name or address. She’d picked up the taxi from the rank outside the station and that’s where he put her down at the end. I got him to drive me around Bath several afternoons in the hope that he would spot her, but we had no luck. Then one evening some weeks after all this he phoned me and said he’d been talking to one of the other Abbey drivers who believed he knew the woman. He’d driven her more than once from the station to a house in Larkhall and she was a Swedish journalist.” She spread her hands. “That was all I had, but it was enough. I asked in the newspaper office. She didn’t work for the local rag, but they knew about her. It’s their business to know about local people. It wasn’t too promising when I discovered that this woman didn’t drive or drink, but I’m not easily discouraged. I got to know everything I could about her. I got the job with her, joined her on a couple of stories, at Longleat and the Trim Street squat.”

“You’re so good with people that you managed to suppress the anger you felt toward the woman who killed your daughter.”

“No,” she interrupted Diamond. “You’re telling it wrong. I wasn’t certain she’d done it. If I’d been certain, I would have killed her before I did. I couldn’t have waited!”

The way she stated this was chilling.

Diamond accepted the correction with a nod. “I was saying that you won Britt’s confidence completely, took all the photos she wanted and took them well. Visited her flat in Larkhall. Got to know her routine, her friends, her landlord, and I’m sure this was one-sided. She didn’t visit you. She wouldn’t. You were the photographer, the junior partner in this team, so you brought the prints to her to see. She didn’t know you lived in Steeple Ashton where she’d killed the child. Your phone has a Devizes number, and that was all she needed to know to stay in contact.”

He took some more coffee. No one else spoke. He took a bite of the cake. He had their attention for as long as he chose to go on. “In September or October of 1990, Britt got on to John Mountjoy’s enrollment racket. As usual, she confided in you, gave you the background, the suspicion that he was enrolling Iraqis who had no intention of becoming students, except to satisfy their visa requirements. You took some external shots of the college. And now we come to the day before the murder, October the seventeenth-two years to the day since your daughter was killed in the car accident. This was the day you confirmed beyond all doubt that Britt had been the driver of that car.”

“The roses?” said Farr-Jones.

Prue Shorter nodded.

“You watched her bring them to the grave?” said Diamond.

“And I knew for sure,” she said in a low voice.

“You also had the opportunity to do something about it the next day. Britt had accepted the invitation to the meal with Mountjoy and told you she would take him back to Larkhall and tape the conversation. She aimed to confront him with the evidence that night, and she did. He admits it. But he didn’t kill her. Neither did G.B., her latest admirer, who was jealous as hell and followed them back to the house. Nor Billington, who came home unexpectedly to collect the key of his car. The murder was committed after each of the men had left. You visited her late that night, when she was alone in the house, around midnight or after, on some pretext you’d given over the phone-maybe even the truth, that you knew for certain that she was the hit-and-run driver.”

Prue Shorter gave a nod. “That was the only way I was going to get admitted at that time of night.”

“She agreed.”

“Right away.”

“And you went to the house armed with a knife-”

“A kitchen knife.”

Diamond thought fleetingly of the knife she had given him to cut the cake, then banished the idea. “She invited you upstairs. You also brought with you the roses she’d placed on your daughter’s grave. You stabbed her a number of times and filled her mouth with the roses.”

She eyed him challengingly.

“One question,” he said. “Before leaving the house, did you remove a cassette from her tape recorder?”

“You won’t find it here,” she said. “I chucked it in the river. She taped almost everything. It could have given me away.”

Speaking more to the police than to her, he admitted, “The significance of those roses was a real puzzle to DI Hargreaves and me. We hadn’t seen them in a churchyard. We only saw them at the scene of the murder. For a time we assumed the obvious, that they indicated a jealous lover. We also made the mistake of assuming that the person who killed her must have bought them. One thing was certain: whoever bought them took care to make sure we didn’t trace them to a local florist’s. It was only yesterday evening that we worked out that she had bought them herself, to place on the grave of the little girl she had knocked down and killed.”

Prue Shorter slammed her hand on the table. “You make it sound like an act of sympathy. She did it to salve her bloody conscience, the bitch. On the anniversary of Georgina’s death these revolting roses appeared on her grave, my child’s grave, defiling it. They weren’t placed there for my baby’s sake, or mine, oh, no. She left them to convince herself, herself, her bloody self that she wasn’t callous and cold-hearted. But she was, or she’d never have left my child dying in the street. She didn’t care. Her life went on untroubled, the high-powered job, the glamor, the traveling, the lovers. Buying a dozen red roses once a year was no sacrifice at all. I gave them back to her. Stuffed them into her lying mouth after I’d stabbed her. They ended up on her bleeding corpse instead of my daughter’s grave.” She glared red-eyed around the table. “Don’t look at me with your pious faces. None of you knows what I went through. You can’t know what it was like to bring up a child alone, trying to make up for the father who abandoned her and struggling to earn enough to keep us at the same time. You didn’t nurse her through attacks of asthma and bronchitis. You didn’t comfort her when she had nightmares about starting school. And you weren’t taken to a mortuary and asked to identify her pathetic little corpse.” She covered her eyes and sobbed.

Farr-Jones glanced toward Julie, who went to Prue Shorter and placed an arm around her shoulders.

Presently she looked up and said, “My dears, I didn’t mean to do that. I’m sorry. Who would like more coffee?”

Diamond phoned Stephanie at lunchtime and told her he would be home that evening. “In time for a celebration supper,” he said. “I’ll pick up something we’d both enjoy. And a bottle.”

“What’s the celebration?” she asked. “Did you recapture that convict?”

“Yes-but there’s more to it than that, Steph. I’ll tell you tonight.”

“What’s happened? You sound quite like your old self- disgustingly chipper.”

“My old self? There’s nothing old about me, as you’ll discover.”

The line went quiet for a moment. Then she said, “Are you sure you’re all right? That bee sting hasn’t affected you in some way?”

“I’d forgotten all about the bee sting.”

She asked warily, “What did you take for it?”

“I’m perfectly okay, I promise you. Just happy at the outcome.”

“Well, that’s a relief,” she said. “I thought you’d be totally knackered by now.”

“Not at all,” he told her. “It was a challenge, and I was equal to it. In the end, it was a piece of cake.” He laughed. “A piece of cake, my love.”