The Testaments

Acknowledgements

The Testaments was written in many places: in the dome car of a train stuck on a siding due to a mudslide, on a couple of ships, in a number of hotel rooms, in the middle of a forest, in the centre of a city, on park benches, and in cafés, with words inscribed on the proverbial paper napkin, in notebooks, and on a laptop. The mudslide was beyond my control, as were some of the other events affecting the writing venues. Others were entirely my own fault.

But before the actual placing of words on pages, The Testaments was written partly in the minds of the readers of its predecessor, The Handmaid’s Tale, who kept asking what happened after the end of that novel. Thirty-five years is a long time to think about possible answers, and the answers have changed as society itself has changed, and as possibilities have become actualities. The citizens of many countries, including the United States, are under more stresses now than they were three decades ago.

One question about The Handmaid’s Tale that came up repeatedly is: How did Gilead fall? The Testaments was written in response to this question. Totalitarianisms may crumble from within, as they fail to keep the promises that brought them to power; or they may be attacked from without; or both. There are no sure-fire formulas, since very little in history is inevitable.

My thanks first to the readers of The Handmaid’s Tale: their interest and curiosity has been inspiring. And many thanks to the large team who brought the book to life as a gripping, beautifully made, and award-winning MGM and Hulu television series: Steve Stark, Warren Littlefield, and Daniel Wilson on the producing end; showrunner Bruce Miller and his excellent writing room; the fine directors; and the amazing cast, for whom this was definitely not just another show: Elisabeth Moss, Ann Dowd, Samira Wiley, Joseph Fiennes, Yvonne Strahovski, Alexis Bledel, Amanda Brugel, Max Minghella, and so many others. The television series has respected one of the axioms of the novel: no event is allowed into it that does not have a precedent in human history.

Every published book is a group effort, so many thanks are due to the wild posse of editors and first readers on both sides of the Atlantic who have helped with this thought experiment in countless ways, from I love that! to You can’t get away with this! to I don’t understand, tell me more. This group includes, but is not limited to, Becky Hardie of Chatto/Penguin Random House U.K.; Louise Dennys and Martha Kanya-Forstner of Penguin Random House Canada; Nan Talese and LuAnn Walther of Penguin Random House U.S.; Jess Atwood Gibson, who is ruthless; and Heather Sangster of Strong Finish, the demon copy editor who picks every nit, including those yet unhatched. And thanks to the proofreading and production teams led by Lydia Buechler and Lorraine Hyland at Penguin Random House U.S. and Kimberlee Hesas at Penguin Random House Canada.

Thanks also to Todd Doughty and Suzanne Herz of Penguin Random House U.S.; to Jared Bland and Ashley Dunn of Penguin Random House Canada; and to Fran Owen, Mari Yamazaki, and Chloe Healy of Penguin Random House U.K.

To my now-retired agents, Phoebe Larmore and Vivienne Schuster; to Karolina Sutton, and to Caitlin Leydon, Claire Nozieres, Sophie Baker, and Jodi Fabbri of Curtis Brown; to Alex Fane, David Sabel, and the team at Fane Productions; and to Ron Bernstein of ICM.

In the special services department: to Scott Griffin for sailing advice; to Oberon Zell Ravenheart and Kirsten Johnsen; to Mia Smith, whose name appears in the text as a result of an auction in aid of the charity Freedom from Torture; and to the several Second World War resistance members from France, Poland, and the Netherlands whom I have known over the years. The character Ada was named for my aunt-by-marriage, Ada Bower Atwood Brannen, who was one of the first female hunting and fishing guides in Nova Scotia.

To those who keep me trundling through time and who remind me what day it is, including Lucia Cino of O.W. Toad Limited and Penny Kavanaugh; to V.J. Bauer, who designs and tends the website; to Ruth Atwood and Ralph Siferd; to Evelyn Heskin; and to Mike Stoyan and Sheldon Shoib, to Donald Bennett, to Bob Clark and Dave Cole.

To Coleen Quinn, who makes sure I get out of the Writing Burrow and onto the open road; to Xiaolan Zhao and Vicky Dong; to Matthew Gibson, who fixes stuff; and to Terry Carman and the Shock Doctors, for keeping the lights on.

And as always to Graeme Gibson, my partner in many strange and wonderful adventures for almost fifty years.