THE EMPEROR—they say—has sent you, you alone, his lowly subject, you tiny shadow thrown far off into the furthest corner by the imperial sun, you, of all people, the Emperor has sent a message from his deathbed. He had his messenger kneel down beside him and whispered the message directly into his ear; it was so important to him that he had the message repeated back into his own. With a nod he confirmed that what had been said was correct. In front of the entire audience of his death—every obstructing wall had been torn down and the great and good of the empire were gathered around, crowding onto the sweeping staircases that led up to him—in front of them all he sent the messenger on his way. The messenger, a strong, a tireless man, set off at once; pushing himself forward arm over arm, he clears a path through the crowd; if someone blocks his way, he points to the symbol of the sun emblazoned on his chest; and he gets through faster than anyone else ever could. But the crowd is so big; there’s no end to them and their city. If he could get onto the open road, he’d be flying along, and soon you’d hear the wonderful hammering of his fists on your door. But how futile his efforts are; he’s still fighting his way through the apartments of the innermost palace; he’ll never make it out of them; and even if he did, nothing would be gained; he’d still have to fight his way down the staircases; and even if he did that, nothing would be gained; he’d still have to cross the courtyards; and after the courtyards the second, outer palace; and again staircases and courtyards; and then another palace; and so on through thousands of years; and if finally he burst out of the outermost gate—but never, never can that happen—he’d still have the whole imperial capital ahead of him, the centre of the world, its buildings piled high and its streets clogged up. Nobody can push through that, least of all carrying a message from a dead man. — But you sit at your window and dream of what it says, when evening comes.