The Vault

twenty-four

BACK IN BATH THAT Sunday evening, there was no better news of John Wigfull. He had not recovered consciousness. His closest relative, a brother, had travelled down from Sheffield and was at the bedside; the hospital were making arrangements for him to spend the night there.

The search of the fields around the scene of the attack had produced a number of lumps of wood that could conceivably have been used as clubs. They were being tested for bloodstains, but no one was optimistic that the weapon had been found. And the door-to-door enquiries had proved negative for witnesses, except a couple of people who remembered seeing a red car- Wigfull's, presumably-outside Westwood Manor late Saturday evening.

"How late?" Diamond asked the DI who was on the phone from Trowbridge.

"Ten-thirty was the first sighting, but it's a little-used lane, sir. The car could have been there some hours without being noticed."

Trying to be positive after he came off the phone, Diamond pointed out to Sergeant Leaman that this narrowed the time-span. He still firmly believed that the attack took place on Saturday in daylight, the direct result of Wigfull's questioning of suspects. The way to discover Wigfull's assailant was to go for broke and find the killer of Peg Redbird.

"Did John Wigfull do anything about her phone?" he asked Leaman.

"Her phone, sir?"

"The calls she made on the day of her death. If they can do it for my phone bill, they can do it for us, pronto. It's all routinely logged. The date, the time, the duration and, worst of all, the charge."

Til see to it."

A little later, Leaman reported that British Telecom would supply a list by the morning. This young sergeant's support was a real asset. Together, they went down to the canteen for supper.

The ever-cheerful, ever-saucy Pandora greeted them with an offer of roast lamb at half the price listed on the board.

"What's the catch?" Leaman asked.

"The catch," said Diamond, "is that it was cooked this morning. It's as dry as Deuteronomy."

Pandora dipped a formidable ladle into a pot. "Not when I pour some of this delicious gravy over it. See, you're slavering at the mouth already, Mr D, or is it me you're drooling over?"

"That's a leading question."

"Lead me anywhere you like, darling. My shift ends at ten."

He was too wary of double meanings to say anything about Pandora's shift. "Thanks. I'll see if I survive the roast lamb."

They spotted Keith Halliwell sitting alone, staring ahead with a look that could have stripped paint. It was quickly apparent that Frankenstein jokes were not the cure. Canteen humour palls after a long, unproductive day.

He said, "If we can talk shop for a moment, sir, I'd like to put out that appeal tomorrow-for information on the two labourers known as Banger and Mash. I prepared a press release. Would you mind giving it the OK?"

In the last hours the mystery of the bones in the vault had gone as tepid as the half-price lamb, but Diamond somehow conjured up some interest. "No more progress, then?"

"I don't expect any until someone's memory is jogged."

"Right you are. I'll run an eye over it before I leave tonight. How are the press treating you?"

"It isn't so crazy as yesterday. They realize there isn't any mileage in this story now we've finished in the vault."

"There's an unexplained death."

"Yes, but a nineteen-eighties unexplained death. The Franken-steinconnection doesn't hold up."

Diamond's thoughts swung back to the other case. "It's mighty odd that we have links with the killing of Peg Redbird."

"The writing box?"

"Yes. Apparently Mary Shelley's copy of Milton came out of it, so there's some chance the box actually belonged to her. Joe Dougan seems convinced."

"What happened to it?"

"The box? Don't know. It was gone from Peg's desk by the time we arrived on the scene. Joe could have nicked it and hidden it, with the idea of taking it back to America. Or someone else may have understood its value and carted it away."

Leaman reminded him, "It was still on the desk when Penny-cook came for his money."

"It was still there when Joe decided to quit at eleven."

"According to Joe."

"According to Joe, yes."

Doubts of Joe's testimony hung in the air.

"Was the box worth killing for?" asked Leaman.

Diamond put down his knife and fork. The lamb had the texture of car tyres. "To you or me, probably not. To someone who has set his heart on owning it, yes. You had a unique object there. Remember the last Commandment."

Leaman and Halliwell exchanged an uneasy look. They didn't know which was the last Commandment and they wouldn't have expected Diamond to know, either. This was the second reference to the Old Testament in a few minutes from a man not noted for his piety.

" 'Thou shalt not covet.' They weren't thought up on the spur of the moment, those Commandments."

Sergeant Leaman was puzzled by the reference. "Isn't coveting when you get a craving for someone else's property? I thought the writing box was up for sale."

"Well, yes." Diamond retreated slightly. "In theory it was, but she wasn't willing to part with it. And Joe was extremely keen to own it. I call that coveting."

"I see," said Leaman in a tone that was not quite convinced. "It's not the Commandment I would have thought of."

" 'Thou shalt not kill'?" said Halliwell.

"We could all have thought of that," said Diamond.

"So is Joe a murderer?" said Leaman.

Diamond answered opaquely, "I can't at the moment think of anyone with a stronger interest in possessing the writing box. And tomorrow morning, he's off to Paris," he added in a fatalistic tone.

Halliwell became animated. "Can't we catch him with it?"

"He'll have arranged for it to be shipped, if he is our man. Unless…" The words trailed away for a moment while a better hypothesis fell into place. "… unless his wife took it with her. Suppose she didn't walk out on him that night. Suppose they planned it together over that meal they had in Brock Street. She would go ahead with the writing box. He would create a smokescreen by pretending she was missing. Days later, he'd announce that she had turned up in Paris and he was joining her."

"Big thing for a woman to lug about," said Leaman.

Diamond shook his head. "It wasn't that heavy. It was a woman's writing case, remember. It was designed to be portable. And she had no other luggage."

"Sir, are you saying his wife was in on the murder?" Leaman asked in a tone that showed he was not persuaded. He was so new to Diamond's inner circle that he didn't realise the risks he was taking.

"I don't know what passed between them. He could have told her anything."

"So Mr Wigfull was right to be suspicious of Joe Dougan."

That was tactless in the extreme. In view of Wigfull's condition, Diamond chose to ignore it. "Is the ACC about?"

"She was in most of the day," said Halliwell. "Wants to be part of the action, by the look of it."

"I'd better see if she's there."

He got up, leaving Leaman and Halliwell bemused. For Peter Diamond actually to go looking for the Assistant Chief Constable was about as likely as rocking-horse manure.

SHE WAS dictating letters into a tape-recorder in her office. "Peter, come in. How's it going?"

The use of his first name still grated. She was so new in the job.

He summarised the day's work: the questioning of Ellis Somerset at the Antiques Fair; the finding of Wigfull's car; the visit to the scene of the attack; the interview with Joe; the news that Donna Dougan was alive and shopping in Paris; and the helicopter trip to Brighton to establish that Ralph Pennycook had visited Peg Redbird on the evening she was killed.

Georgina complimented him, "You've quartered the ground pretty thoroughly by the sound of it."

She got up, and for a moment he thought she was about to make a move towards the whisky cupboard, but she only went to the window and closed it.

"Draughty. The days are hot, but have you noticed how temperatures are starting to drop in the evenings now?"

"Yes." And something to warm our insides wouldn't come amiss, he thought.

"So you've interviewed all the people who spent time with Miss Redbird on the evening she was killed?"

"There was another, I believe."

"Oh?"

"Peg had an appointment with someone else that evening. 'Other business', Ellis Somerset called it when he told me. She was trying for a quick sale of the Blakes she bought from Camden Crescent. She upset Somerset the way she put it, teasing him about expecting an offer that night."

She gave a prim tug at her ear lobe. "An offer of a sexual character?"

"That was the implication."

"Did Somerset have a relationship with her, then?"

"He says not. He was keen, he admits, but she kept him at arm's length. So he was jealous when she spoke of this other meeting late in the evening."

"Are you sure he wasn't making this up?"

"Why should he?"

"It's one of the oldest tricks of all, inventing an extra suspect to deflect suspicion."

There was a glint in Diamond's eye. Georgina had made a telling point. "You're assuming Somerset killed her?"

"He was the last to see her alive, wasn't he?"

"True."

"Then he's got to be in the frame."

"Yes, but what's his motive? Anger at being jilted?"

Georgina smiled. "I do believe you're a romantic, Peter. No, I don't think he'd kill her for that. The motive is theft. That writing box had been revealed as valuable, and so had the watercolours from Camden Crescent. He was in on the secret, but he wasn't getting a share of the loot."

He let Georgina's theory shake down with his own.

"Have you got a piece of paper, ma'am?"

"Paper? What for?"

"I'd like to show you something."

"Will this do?" She handed him the pad she kept by the phone.

"This is my shopping-list," he explained, while he was writing.

He slid the pad back across the big desk. "Her visitors that evening."

She studied what he had written:

The ACC examined the list for some time. "This 'X' is the mysterious art fancier, if we believe in his existence?"

"Yes."

"And you believe Pennycook visited her after Somerset?"

"Can I tell you why? He's hopeless about times, but I did establish that it was dark when he called at the shop for his money. That's after 8.30 this time of year. She was alone, then, so Somerset had left. The watercolours were stacked on the safe, so we know he'd already delivered them."

"That makes sense," she admitted.

"By the time Dougan arrived at 9.30, Peg was no longer there, if he's speaking the truth. She could have been dead."

"You're telling me now that Pennycook was the last to see Miss Redbird alive?"

"Pennycook, or X. Pennycook didn't stay long. She handed him the money, he counted it and left. He said she wasn't talkative. She seemed to want to get rid of him."

"When exactly did Pennycook leave?"

He spread his hands.

"But he'd gone by 9.30, when Dougan arrived?"

"That's my reading of it."

"He'd left, and so had Miss Redbird, apparently. Yet you have X, the mystery man, slotted in between Pennycook and Dougan. That's impossible, isn't it? The time is too short."

"No, ma'am, I don't think it is. The way I see it, she finished with Pennycook as quickly as she could and went for her meeting with X. She wasn't seen again."

"She went out?"

"Taking the pictures she intended to sell."

The ACC scrutinised the list again. "Why would she have gone out when she knew Dougan was coming back?"

"She didn't know how soon. She may have thought she was safe for a couple of hours."

She put her hand nervously to her tight-curled silver hair as if to check that it was still there. "Do you have a theory who X might be?"

"Yes, I do, ma'am. Someone with a special interest in early English watercolours. Councillor Sturr."

Sharply, she said, "What do you know about John Sturr's interests?"

The remark hit him hard. In Georgina's eyes, he was a yob who knew sod all about art. She wasn't far wrong, but he didn't like it taken for granted. "He showed me some of his pictures at the Victoria Gallery last week."

"Showed you? Personally?"

Nonchalantly he said, "A private view. Not the most exciting stuff I've seen. He claims to have one of the best private collections in the country, as I'm sure you know. If I were selling a couple of Blakes locally, that's who I'd approach."

The muscles at the side of her face tightened. "This is not a good way to go, Peter."

"I know." He left unsaid his determination to go on, regardless. She could see it in his look.

She said, "You're not seriously suggesting a member of the Police Authority is implicated in these events?"

"I'd like to know if Mr Sturr was in communication with Peg Redbird last Thursday."

"But he spent last Thursday evening at my house. The dinner party I gave. You know that."

"Would you mind telling me precisely when he arrived, ma'am?"

"But you know."

"I turned up late, if you remember."

White-faced, she said, "This is absurd. I invited everyone at seven-thirty for eight, and he was there. It must have been after ten-thirty when he left with Ingeborg Smith. Yes, I'm sure of it. After we looked at your interview on Newsnight."

"He didn't leave the party at any point and return later?"

"Don't be ridiculous, superintendent. Let it rest, will you?"

Staunchly, Diamond said, "I still need to speak to him, ma'am."

"John Sturr's integrity is not in doubt. He has an alibi supplied by me. That's enough."

He let a few seconds pass, inviting her to modify the last statement. She did not.

"Ma'am, if there is someone else in Bath well known as a collector of early nineteenth century watercolours, I'll be glad to have the name. I'll see them first thing tomorrow."

She clutched at that. She was as uncomfortable as Diamond. "I'm sure there are several serious collectors in a city like ours."

Diamond nodded. "I don't know who they are. The only name I have is John Sturr. That's who Ellis Somerset thought of. He didn't name anyone else." He let that take root, then said, "Councillor Sturr and I have an understanding. I can handle him civilly."

"No."

"Would you prefer to question him yourself, ma'am?"

She didn't dignify that with an answer.

He said in a measured, unemotional voice, "Ma'am, this morning when we got the news of John Wigfull you asked me to take over, to give it top priority."

"Finding his attacker, yes. If you think John Sturr is the kind of man who bludgeons police inspectors…"

"This is the way I'm working. If I can't proceed-"

She blurted out, "I've vouched for him personally. Isn't that enough for you?"

"You vouched for his presence at your dinner party. You don't know what went on before and after it."

"God, you don't give up."

He waited.

She got up and walked to the window, twisting a handkerchief into a thin cord and wrapping it tightly around her fingers. "When do you propose to see him?"

"Now."

She winced, but she had given up the struggle. "The questions relate to the possible sale of the pictures from Camden Crescent?"

"Yes, ma'am, and his movements."

She reached for the phone. "Then I'll call him and soften the blow-if I can."