The Voices Beyond

The New Country, October 1934

Aron’s boots leak; they are always wet. He is standing in the soft mud outside the row of grey huts that seem to cower beneath the fir trees. He is staring at Sven, who has finally told him the truth.

‘So we’re not in America?’

‘No.’

‘Then where are we?’ asks Aron, afraid of the answer.

‘We’re in a different country,’ Sven explains. ‘The ship brought us across the Baltic, to a city called Leningrad, and we have travelled north from the coast.’

Aron is aware of that; there is no sea here. Only forest. But there is a great deal he doesn’t understand.

‘So Hibinogorsk isn’t in America?’

Sven shakes his head. ‘It’s in northern Russia, by a mountain called Hibina.’

Aron is still staring at him, and Sven goes on. ‘Russia is part of a union, just like America, but this one is known as the Soviet Union.’

Aron has heard of Russia, and he vaguely remembers the word ‘Soviet’ from some lesson at school, but it means nothing to him.

‘But you said...’

‘I said we were going to the new country. That’s where we are now: in the east, where the sun rises. The sun and the wealth that comes with abundance.’

Aron says nothing, but he is thinking about the fact that he had nothing but a piece of black bread for breakfast. One small piece. He looks around the mining town, at the grey huts and the muddy streets.

‘America is not the Promised Land,’ Sven says. ‘It is the kingdom of evil. The poor and the blacks are hunted down like dogs in America. They are captured and hanged from trees so that the rich white folk can use them for target practice, just for fun. Do you really want to go there?’

Aron doesn’t reply.

‘No, you don’t. I can see it in your face. You want to stay here, where everyone works side by side.’

‘I want to go home,’ Aron says eventually. ‘Back to Rödtorp. I wrote and told Mum we were coming home.’

‘She doesn’t know that.’

‘She does.’

‘She knows nothing,’ Sven says, shuffling unsteadily to one side. ‘I never posted the letters.’

Aron can’t believe his ears.

‘In any case, we can’t leave the Soviet Union at the moment,’ Sven says quietly. ‘We can’t afford it. We will leave this country and go home... but not yet.’

Aron has been listening to the same thing for the past three years. The same empty promises. As far as he is concerned, his stepfather, the proud Swedish worker, has begun to shrink.

The Soviet Union? Aron tries to find out more about this country. He has started to understand the language now, the Russian language that he thought was American, and he can hold a conversation of sorts with the workers in the camp.

He is also allowed to go to school for a few hours each day. Aron is studying with a Russian teacher, herr Kopelev. He listens and repeats the words, and learns the language much faster than Sven. He can swear in Russian, and he can reel off such high-flown phrases as ‘Comrades, a groaning table awaits you after the world revolution!’ and ‘Do not allow your possessions to consume you, Comrade — private property is the root of all evil!’

But what everyone talks about is food. Including Aron — he dreams of Swedish food. Plaice, salted and fried. Eel, smoked and oily or boiled and firm. Potatoes, grated potatoes. Pork. Minced salt pork. Grated potatoes and minced pork turned into Öland dumplings, steaming hot.

Everyone talks about food, all the time. Rumours spread in Russian, and one morning down in the ditch he passes them on to Sven.

‘People are starving. Dying on the streets.’

Sven stops digging and looks at him. ‘What are you talking about?’

‘That’s what I’ve heard. There’s no food.’

‘Where? Where are these people starving?’

‘In the south. In Kraine,’ Aron says, wiping his nose with his glove.

‘Ukraine,’ Sven corrects him.

‘That’s it... Ukraine. There are farms there, so that’s where the food ought to be, but there’s none left. The soldiers have taken all the produce.’

‘It’s not soldiers who take the food,’ Sven says, driving his spade into the mud. ‘It’s the wealthy farmers who hide it, then eat at night.’

‘But all the cows are dead,’ Aron insists, ‘so they’ve started slaughtering their children. They’ll eat anything down there.’

‘Don’t listen to that kind of nonsense.’ Sven leans closer. ‘I’ll tell you a story about Stalin.’

‘Who?’

‘The leader. The captain who steers this whole ship, Josef Stalin.’ Sven looks up at the pale sky, then back at Aron. ‘Twenty years ago, he was the one who led the struggle against the old guard, the Tsar and his followers. On one occasion, he was arrested by the Tsar’s police and sentenced to a beating. He was to run the gauntlet between two rows of police officers, standing ready with their barbed whips. Do you know what Stalin did then?’

Aron shakes his head.

‘Before he moved forward to accept his punishment, he picked a blade of grass and placed it between his teeth. Then he began to walk. Stalin didn’t run between the whips — he walked. He took his time, as if he were strolling through a meadow. And when he reached the end, with his back covered in blood, he opened his mouth and showed the last police officer the blade of grass. There wasn’t a tooth-mark on it. So, although Stalin was beaten that day, he still won. Do you understand?’

Aron nods.

‘That’s how strong we have to be if we’re going to get through this,’ Sven says, straightening up for a moment. ‘Start digging.’

Aron makes no move to obey him. ‘I’m not like Stalin.’

Sven looks sharply at his stepson. ‘But you can be.’

The Homecomer

The Homecomer was sitting in his car in a deserted lay-by with an open wooden box on the passenger seat. The box could have contained tins or jars, but it was marked with a yellow sticker and the words DANGER — EXPLOSIVES!

Inside, there were twenty sticks of pale-yellow plastic explosive. Side by side. Fast asleep. Encased in protective wrapping. There were also detonators, and the rolls of plastic cable were fuse wire.

All of this belonged to him now. Wall no longer needed anything.

The Homecomer hid the boxes under a blanket, then got out of the car and went over to one of the picnic tables. There was no one around; all the other cars just went whizzing by until, eventually, an old yellow sports car pulled in. He recognized the car, although the driver was different. Rita was sitting behind the wheel, and there was no sign of Pecka.

She got out and slowly came over to join the Homecomer. He raised a hand in greeting, but she just gazed blankly at him. Her eyes were red from crying.

Something was wrong.

‘Where’s Pecka?’

Rita merely shook her head. ‘Gone,’ she said.

‘Gone?’

‘He was hit by a car... on Thursday night.’

The Homecomer stared at her. ‘Where did it happen?’

‘On this road... a bit further north. He only went out to get us a pizza... A couple of smartly dressed guys rang the doorbell while I was waiting for him, but I didn’t answer.’

‘Smartly dressed?’

‘Two men and a boy.’

‘Kloss,’ the Homecomer said. ‘The Kloss brothers. And the boy who saw Pecka on the ship. One of them must be his father.’

Rita looked down, unable to suppress a sob. The Homecomer sighed. ‘Pecka’s uncle is dead, too.’

‘Einar?’

‘That’s right. I found him outside his cottage; he was lying dead in his boat. So Kloss must have been to see him, too.’

Rita sat down. For a moment, the Homecomer felt as if he had his daughter sitting beside him, but he pushed the thought aside.

‘Einar must have heard about Pecka,’ Rita said quietly. ‘He was very fond of Pecka. They were almost like father and son.’

They sat in silence for a little while; the Homecomer was thinking about fathers and sons, about Pecka and Wall and all the others who had died. The world was full of them.

After a while, Rita stood up. ‘We can’t stay here any longer,’ she said. ‘We’ve got to get out.’

‘That’s exactly what the Kloss brothers want,’ the Homecomer said. ‘They think they’ve won.’

Rita glanced over at the road, down towards the coast and the Ölandic Resort; she seemed to be thinking something over.

‘There is something we could do,’ she said after a moment or two. ‘For Einar Wall and Pecka.’

‘Oh?’

‘It’s something he talked about... something he was planning when he got the sack from the Ölandic, before he and Wall decided to go for the ship instead.’

‘An attack on the Kloss family?’

Rita nodded. ‘He said he was going to ruin their business. Get his revenge. Pecka was going to make sure that no one wanted to stay at the Ölandic Resort. They would lose millions... He told me exactly what he was going to do.’

The Homecomer also got to his feet. He gave a brief smile. ‘Let’s do it.’

Gerlof

At the beginning of July, a shimmering heatwave had moved in across the island. The sun rose above the Baltic Sea at half past four in the morning, and by seven any trace of the night’s chill had disappeared. At nine, the heat out on the alvar was almost overwhelming. Some birds, like the cuckoo, had already fallen silent.

Gerlof realized that, up to now, the summer had merely been warm. This was heat, with glaring sunshine from a white sky making the air quiver, and not a breath of wind.

Like many other villagers, he preferred to spend time down by the shore, where there was at least the hint of a sea breeze. Sometimes John was there too, sanding down the gig or replacing a rotten plank.

Gerlof was sitting in the shade of the boathouse in a low deckchair, wearing his straw hat. ‘I won’t be here for much longer,’ he said to John.

John wrinkled his nose and carried on with his work. ‘You’ve been saying that for years.’

‘I didn’t mean that,’ Gerlof said quickly. ‘I meant physically, down here in the village. Both my daughters will be arriving with their families soon, and there’s not enough room in the cottage. So I’ll be moving back up to the home in Marnäs.’

‘When?’

‘Next weekend... In ten days.’

John looked at Swallow and shook his head. ‘She won’t be ready by then.’

‘I know,’ Gerlof said gloomily. ‘And I’m not sure how often I’ll be able to get down to the village. But my thoughts will be with you.’

Otherwise, his thoughts were mainly occupied by two young boys: Aron Fredh and Jonas Kloss.

Not that Aron was a boy any more, if he had survived the trip to the Soviet Union, but that was how Gerlof pictured him. A young boy in the sunshine, standing by a freshly dug grave. Had the knocking sound from down in the ground scared him that day? Gerlof assumed it had; he remembered a tall, gaunt man had come to fetch Aron from the churchyard. His stepfather, Sven, the committed communist.

Then he thought about Jonas Kloss, another frightened boy. He had also been scared by ghostly goings-on, but Gerlof wasn’t convinced that it was only his fear of the cairn ghost and his experiences on board the ship that had made Jonas so tense.

He suspected that Jonas also had family problems.

When John had finished working on the gig for the day, Gerlof slowly made his way back up to the garden. But the sun was too strong; he couldn’t sit outside any longer.

After a while, one of his grandsons helped him to set up a parasol. It provided shade for him and a small part of the garden, but the rest of the lawn was looking very much the worse for wear.

Gerlof took out his handkerchief and wiped his brow. It was twenty-eight degrees in the shade. Plants were dying, animals hiding away.

A few species of bird seemed to be enjoying the warmth and the light. When Gerlof looked inland he saw a shadow high in the sky: a hawk searching out rodents in the grass down below. Its wings were spread wide like black sails, and it hovered above the alvar, circling effortlessly.

Gerlof wondered whether the hawk was happy, experiencing such freedom.

Or perhaps it wasn’t free at all.

Just hungry.

Gerlof was hungry, too; he went inside for a bowl of yoghurt with cinnamon. The phone rang while he was standing in the kitchen. It was Tilda, with news.

‘We’ve heard from the coastguard.’

‘About the ship?’

‘No, it’s still missing. But they’ve found a body out in Kalmar Sound — a seaman.’

It was the summer heat, Gerlof thought. As the waters of the Sound warmed up, bodies floated to the surface.

‘Was he from the Elia?’

‘Possibly. The Kalmar police are dealing with the matter. He had ID on him, so they’re checking it out.’

‘Good,’ Gerlof said. ‘I’m checking out a few things, too.’

He heard Tilda sigh, but carried on anyway. ‘I’m trying to track down the old man on the ship... The American, if that’s what he actually was.’

‘According to Jonas Kloss, he was a Swedish-American,’ Tilda said.

‘Yes, but if he’s the person I think he is, then he emigrated to Russia, not America. That fits in better with what was going on at the time. And, if that’s the case, his name is Aron Fredh.’

‘I don’t recognize the name,’ Tilda said. ‘But let me know if you find him.’

‘It’s not easy. There are far too many people on the island at the moment.’

‘Tell me about it,’ Tilda said drily. She was silent for a moment, then added, ‘The discovery of the body means that we’re going to have to question Jonas Kloss. And this time it will be a formal interview, not just a chat.’

‘At the station?’

‘We’ll probably do it at his home, if he feels safer there.’

But does he? Gerlof thought. Out loud, he said, ‘I’d like to be there, if that’s all right.’

Tilda laughed. ‘Hardly.’

But Gerlof refused to give in. ‘I can be... what did you call it? A witness, an independent observer to make sure that everything is done properly.’

After a brief silence, Tilda said, ‘In that case, the boy would have to agree.’

‘I think he will.’

‘And you’d only be allowed to sit there,’ Tilda stressed. ‘You wouldn’t be allowed to say a word, or to talk about it afterwards.’

‘I can do all that.’

‘Really?’ Tilda sounded far from convinced.

Jonas

‘We’re having visitors, JK,’ Uncle Kent said.

He was standing straight-backed in the heat on the decking, and he looked far from pleased. He was gazing out at the deserted coast road, and Jonas could see the corner of his left eye twitching slightly, just as it had done that evening in Marnäs.

He had tried to avoid his uncle as much as possible after that evening but, as he was working on the decking right next to the front door of the house, it wasn’t always possible. Uncle Kent walked past him morning and evening. Sometimes in a suit, sometimes in shorts and a T-shirt. Sometimes he said a quick hello, sometimes he seemed too stressed even to notice Jonas.

This evening he was wearing a dark-grey suit and had stopped on his way from the car to tell Jonas about the impending visit.

‘Who’s coming?’

Kent looked at him, weighing him up. ‘The police,’ he said. ‘They’re coming here tomorrow evening, JK. They want to talk to you.’

‘What about?’

Kent turned his attention to the Sound. ‘They want to discuss the mysterious ship you claim you saw out there. Nothing else... So all you have to do is answer their questions. And I’ll be there the whole time.’

Jonas glanced at the house and saw two heads through the panoramic window: his brother, Mats, and his cousin Urban were sitting on the sofa, watching TV. He knew that they knew he’d told the truth about the cinema visit; they hadn’t said anything to him, but they knew. And he was still waiting for some kind of retribution.

‘Is that all right, JK?’ Kent said.

Jonas nodded and turned to look in the other direction, at the coast road and the ridge. There wasn’t a soul in sight. The cairn was still there, of course, but there had been no sign of the ghost over the past few days. It was as if Gerlof’s revelation that the cairn wasn’t a real grave had frightened it away.

‘One more thing... Do you know what a player is, JK?’

His uncle leaned closer. His shirt was unbuttoned beneath his jacket, and Kent was wearing some kind of male fragrance, as heavy and cloying as alcohol.

Jonas shook his head.

‘A player is someone who’s part of a business enterprise, or perhaps a game of some kind. There are small players and major players... and you are a small player in a very big game. Do you understand?’

Jonas nodded hesitantly.

‘Good.’ Kent blinked and lowered his voice so that he was almost whispering in Jonas’s ear: ‘And you know what your father did, don’t you? Why he wasn’t around last summer?’

Jonas nodded again.

‘He’s back with us now, so everything is all right.’ Kent leaned even closer. ‘But if you got the idea that you’re a major player, JK, and you decided to tell the police about the evening when we went to Marnäs... well, they might just decide to take him away again. Is that what you want?’

Jonas shook his head.

‘Nobody wants that,’ Kent said. ‘So you give them basic answers to their questions about the ship, but don’t tell them anything else. OK?’

‘OK.’

‘Good. If you do that, we can win this game.’

Kent straightened up, patted Jonas on the shoulder and went indoors. A little while later, Jonas heard the treadmill start up.

The Homecomer

The farm was illuminated by a single floodlight attached to a pole high above the barn. The rest was in darkness, full of the sounds of animals lowing and bleating and thudding against the wooden walls. An old silo loomed up against the sky like a blunt-nosed rocket.

It was Friday, and even though a large farm never closes down, tonight it was likely to be less busy than usual. The working week was over; everybody wanted some time off.

But not the Homecomer. He crouched in the shadow of the silo, keeping quiet and still as he waited for Rita, who had disappeared in the direction of the barns, carrying a plastic bucket.

‘Won’t be long,’ she had said, without asking for any help.

The Homecomer waited. The night air was warm and dry, with the faint smell of dung. He looked around, at the silo and the barn and the new machines. There were still those on the island who made a good living from farming, he realized. Perhaps the old-fashioned smallholdings had all disappeared.

He heard soft footsteps on the grass and saw a slender figure coming towards him — Rita, moving quickly and quietly.

‘There you go,’ she said, sounding out of breath. ‘Nobody saw me.’

The bucket was no longer empty. It was heavy and full to the brim, its lid firmly closed. It was impossible to see what was inside.

The Homecomer took the bucket and looked at the other object Rita was carrying. It was a red plastic box with some kind of long hose. ‘What’s that?’

‘A high-pressure pump. Which means we have everything we need.’

He nodded. ‘Time to visit the Kloss family, in that case.’

The New Country, May 1935

‘We can go home now,’ Sven says at the beginning of summer, when the ground has dried out and it is easier to dig. ‘Home to Rödtorp.’

Aron looks at him. ‘Is that true?’

‘It’s true. I’ve handed in my passport to the office, and the secretary has sent it to Leningrad. Soon it will come back with the right stamps for the journey, and then we can go.’

Aron believes him. Now, he thinks. Now.

But the days of summer pass, and there is no sign of the passport.

The only thing that does arrive is an increase in food rations, so that Aron no longer shakes with hunger every morning and night. There is an abundance of berries in the forest this summer, and wagons deliver plenty of meat and apples.

But, just as the food pours into the camp, people begin to disappear.

One of the first to vanish is Michail Suntsov, an old labourer from Minsk who lives in the room next to the one occupied by the Swedes. Suntsov has told Aron extraordinary tales of life in the Soviet Union and has whittled him a beautiful fighter plane from birch wood, which Sven has hung up above their beds.

But one day Suntsov is gone. As they set off in the morning to carry on digging, some strange men in uniform are waiting for him. They take him aside and speak to him, and Suntsov doesn’t turn up to work that day.

He is simply not there any more. His bed is empty and, when Sven asks the others in the room, no one knows what has happened. Or perhaps they do know, but no one is talking.

Those who whisper too much also disappear. This almost always happens at night. They are taken away in the darkness by uniformed men who are no more than shadows in the room. The workers are led out, alone or in twos, and they are never seen again.

And there is still no sign of Sven’s passport.

Autumn comes, bringing back the cold. The grass is covered in frost and the ground is hard.

Sven gradually loses his determined expression; his eyes begin to flicker from side to side. His back is bent, and his limp is worse than ever.

‘We’re going home anyway,’ he assures Aron. ‘I’ve written to the Swedish consulate in Leningrad, explained the situation... told them we’re not free to travel as we wish. So things will soon be sorted out.’

But he sounds less than certain.

And nothing happens. The days pass, the first snow falls, they carry on digging.

One day, Sven is called into the office after work. Aron watches him go, sees the door close. Sven is in there all evening, or so it seems.

When he returns to the hut, he sounds stressed. ‘They had my passport,’ he says. ‘They’ve had it all the time. And the letter, the one I wrote to the consulate... They keep all letters; they’ve also confiscated letters from Sweden.’

He slumps down on the bed and goes on, ‘They’re talking about crushing the conspirators.’

‘What does that mean?’ Aron asks. ‘What’s a conspirator?’

Sven shakes his head and looks over at the closed door of the office. ‘I shouldn’t have handed in my passport,’ he says to himself. ‘I shouldn’t have done that.’

He sits there, mumbling to himself. Aron goes to bed and gazes up at the model plane hanging from the ceiling. The only proof that Suntsov ever existed.

He closes his eyes and tries to sleep. He still has his own passport; he keeps it in his pocket and never shows it to anyone.

Sven is still sitting on the edge of the bed, but Aron falls asleep.

He is woken by a hand on his shoulder. A hard hand in a leather glove, shaking him.

‘Up!’ he hears in Russian.

It is an order, issued quietly.

Aron opens his eyes and sees three men standing in the hut. A tall man by his bed, and two others over by the door. They are all wearing dark coats and caps, some kind of field uniform.

‘Up!’ the man with the leather gloves says again, dragging Aron out of bed.

The floor is ice cold. The man picks up Aron’s clothes and boots and throws them at him.

‘Come with us.’

Aron gets dressed and is led silently out of the hut, half asleep and feeling lost — but then he sees that he is not alone. Another man is being led outside.

Sven. They have woken Sven, too.

A fourth man in uniform is standing in the snow beside a black car, a number of documents in his hand. Aron can see that one of them is Sven’s passport, but the man doesn’t give it back, and nor does he introduce himself. He simply reads out both their names, slowly and in Russian.

‘Is this you?’

Sven nods.

‘In that case, you will come with us.’

They are pushed into the back seat of the car, with a guard on each side, so that Aron has to sit on Sven’s knee. The car drives away from the labour camp, into the darkness.

Sven moves cautiously, putting his mouth close to Aron’s ear. ‘Keep calm,’ he whispers in Swedish.

‘I am calm.’

‘It’s important. We have to keep calm.’

But Sven seems anything but calm; his upper body is twisting and moving back and forth, as if he is in pain.

Aron does feel calm. He is surprised to find that he is almost enjoying the trip. This is the first time he has ever been in a car, and somehow he has the sense that he is leaving all his troubles behind. Sven keeps his eyes lowered, but Aron gazes around, studying the gun belt the man next to him is wearing. A black pistol butt is sticking up out of a holster, but he can’t see what model it is. A Mauser? He’s heard that the Soviet police usually carry Mausers.

He suddenly remembers his dream: to be a sheriff in America.

It is a long journey through the darkness, but Sven says nothing, and Aron keeps quiet, too.

Eventually, they see lights. Floodlights, on top of a black structure looming up above the forest — a watchtower, Aron realizes.

He can also see barbed wire. The car drives in through an open metal gate, which is then closed behind them. It pulls up in front of a low stone building, and Sven and Aron are led out of the car and in through a doorway.

A guard carrying a machine gun takes them down a long corridor with a cement floor, past a series of closed wooden doors.

They can hear sounds all around them, muffled thuds and loud cries.

The soldier opens one of the doors. He gives Aron a shove. ‘Get down there,’ he says.

He steps aside, and Aron sees a flight of wide stone steps plunging down into the underworld.

Gerlof

Gerlof has never visited the Kloss family — he has never even set foot on their land. The garden consists of a sparse but attractive rockery with viper’s bugloss and juniper bushes sheltered from the road by a stone wall. Side by side beyond the wall lie two single-storey houses that look like boxes made of pine and glass, flanked by garages and smaller guest chalets.

Back in the fifties, Gerlof could have bought a plot of his own on the coast road, but he had turned down the opportunity. He had been a ship’s captain in those days and hadn’t wanted to see a single drop of seawater when he wasn’t working, which was why his cottage was where it was. Out of sight of the water.

John gave him a lift, but it wasn’t a member of the Kloss family who met him when he got out of the car. A middle-aged woman with short grey hair and a steady gaze was waiting on the drive.

‘Gerlof Davidsson?’

‘That’s right.’

He had never met the woman, but he recognized the firm handshake and the look in her eyes — she was a civilian police officer. Perhaps it was also her sensible clothing; in spite of the fact that it was a warm evening, she was wearing a dark skirt, a white blouse and a cardigan.

‘Cecilia Sander. I’m with the County Police — I’m responsible for conducting interviews with children, and I’m here to talk to Jonas Kloss. I believe you’re acting as an independent observer?’

‘That’s right,’ Gerlof said again.

‘You know what that involves?’

‘Yes. I listen and remember.’

‘Good.’ Cecilia Sander turned around and headed towards the house furthest south. ‘Everything’s arranged. We’re in here.’

Gerlof followed her across the recently sanded wooden decking to a sliding glass door, then into a large room with a polished stone floor and pale wooden panelling. It was wonderfully cool indoors; concealed fans in the ceiling seemed to be doing an excellent job.

Veronica Kloss was standing by the door, wearing jeans and a white top. Her dark hair tumbled around her shoulders; she smiled and held out her hand. ‘Gerlof?’

‘Good evening... We’ve met before,’ he said, hoping she would remember.

‘Really? Where was that?’

‘Up at the home in Marnäs, when you came to talk about the Kloss family, and the story of the Ölandic Resort.’

‘Yes, of course, I was there last summer,’ Veronica said. ‘It was very enjoyable... A lot of elderly people have so many stories to tell.’

‘To those who are prepared to listen,’ Gerlof said.

He relaxed and allowed himself to be led further into the room, past a treadmill and a wine rack.

Several people were seated on sofas around an oak coffee table. There was more tension in the air in here. He recognized Jonas Kloss, who looked more stressed than anyone else. His Uncle Kent was sitting beside him, with a healthy tan; he was wearing a light-brown summer jacket.

There were also three teenage boys smartly dressed in shirts and dark-blue jeans. Jonas’s brother and cousins, Gerlof assumed.

A younger woman was moving around the table, pouring iced water; at first Gerlof assumed she was another sister, but when she said, ‘You’re welcome,’ in broken Swedish, he realized she must be the housekeeper. Some people could still afford such a luxury.

‘Right,’ Cecilia Sander said, sitting down at the end of the table, where she could see everyone. ‘Let’s get started. It would be best if just Jonas and one member of the family stays; the rest of you can go.’

‘In that case, I’ll stay,’ Kent Kloss said quickly. ‘I’m his uncle. His parents aren’t here.’

He smiled at the police officer, but she didn’t smile back.

‘Where are they, Jonas?’ she asked.

‘Mum’s at home... She lives in Huskvarna. Dad’s here, but he...’

Jonas paused and looked at his uncle.

‘He’s working in our restaurant,’ Kent Kloss explained. ‘He has to be there, otherwise we lose our alcohol licence.’

Jonas didn’t say anything.

‘OK, Jonas,’ Cecilia Sander said, opening her notebook. ‘Let’s have a little chat.’

She glanced at her papers, then went on. ‘One evening towards the end of June, the twenty-eighth, you were supposed to be going to the cinema in Kalmar. But that didn’t happen, so you went down to the shore instead.’

‘Yes.’

‘Why didn’t you go to the cinema?’

‘Because I was too young for the film that was on. I wasn’t allowed to go with them.’

Kent cleared his throat and leaned forward. ‘The older boys cooked this up behind our backs — needless to say, it wasn’t the right thing to do. We’ve spoken to them about the way they treated Jonas, and they’re all very sorry.’

Cecilia Sander listened carefully to what he had to say but kept her eyes fixed on Jonas. ‘So you went down to the shore. What happened then?’

Jonas glanced around the table. ‘I... I saw a ship coming towards me... when I’d rowed out a little way in the dinghy.’

‘Can you tell me what happened next?’

‘She was called Elia, the ship I mean... I climbed on board.’

He started to tell the story Gerlof had already heard twice. It was a slow process, but it was impressively consistent.

Cecilia listened and made notes until the end of the story, when Jonas had jumped overboard and made his way ashore, then she reached into her bag and took out a number of photographs.

‘I’m going to show you a rather unpleasant picture now. I’m telling you so you’re prepared. It’s the photograph of a dead man who was found floating in the Sound a few days ago, five nautical miles to the north...’

She held up a picture of a chalk-white face with closed eyes and a thin beard. A man in his fifties, wearing overalls. The face was swollen; Gerlof could see that he had been underwater for some time.

‘Do you recognize him?’ Cecilia Sander asked.

Jonas glanced at the photograph, looked away, then back, this time for longer. He nodded. ‘He was on the ship... He was the one who was lying by the hatch.’

Cecilia nodded. ‘He’s German, and his name is Thomas Herberg,’ she said. ‘His wallet was in his pocket, so we were able to identify him.’

No one said a word, so she picked up another picture. ‘And the ship you boarded, the Elia... could this be her?’

Gerlof leaned forward. The photograph had been taken at an angle from the front, and showed a small cargo ship with a black-painted hull and two wooden structures on deck. He felt quite proud when he saw that it was very similar to the drawing he had done in the boathouse, with Jonas’s help. The big difference was that the ship in the photograph was safely tied up at a quayside.

‘Yes... I think so,’ Jonas said.

Gerlof glanced at Kent Kloss, who had looked at the picture then immediately turned away to gaze out of the window.

‘You got part of the name right,’ Cecilia said. ‘She’s actually called Ophelia, and she’s an old cargo ship from Hamburg.’

She turned the picture over and added, ‘Thomas Herberg was the captain.’

Ophelia, Gerlof thought. Not Elia — but perhaps the crew had painted over part of the name?

‘I have some more pictures,’ Cecilia Sander said, lining up four more. They were photographs of young men, aged between twenty and thirty. They were all staring into the camera with serious expressions, and Gerlof thought the pictures looked like police photographs. He didn’t recognize any of the faces, but Jonas quickly pointed to the fourth man.

‘I recognize him — that’s Peter Mayer. He was the one who suddenly appeared, the one with the axe.’

‘So you know his name? Have you seen him elsewhere?’

Jonas nodded. ‘At the cinema in Marnäs,’ he said at once. ‘When I was little... He was selling the tickets.’

Cecilia Sander made a note. ‘And is that the only time?’

Jonas glanced over at his uncle, who stared back. Then he looked at Cecilia Sander and nodded.

‘OK,’ she said. ‘In that case, I have just one final picture, Jonas. Have you ever seen this person?’

It was an enlarged and slightly blurred photograph of an elderly man with a grey beard; he was wearing a black jacket and staring straight into the camera. Gerlof could see part of a wooden sign behind the man; he recognized it as the name of the unit on the first floor at the residential home in Marnäs, just below Gerlof’s unit.

Eventually, he recognized the man, too: it was Einar Wall, fisherman and suspected arms smuggler. But Wall had lived in a cottage on the coast, not in the home, so why had the picture been taken there? Did he have a relative in Marnäs?

Jonas shook his head. ‘No.’

There was a brief silence as Cecilia Sander finished making notes, then she looked up at Jonas.

‘Good,’ she said. ‘We’ve finished then. You’ll receive a printed copy of this interview so that we’re all in agreement on what was said here today... And if there’s anything else, I’ll be in touch. Thank you very much, Jonas.’

Jonas gave a brief nod and got to his feet. He almost ran to the glass door leading out on to the veranda; Gerlof could see he was glad it was all over.

The Homecomer

It was late on Friday evening, and the Homecomer wiped the sweat from his brow in the cramped kitchen as he tightened the last water pipe. The plastic bucket Rita had brought from the farm was standing beside him; it was empty now.

He and Rita had driven into the Ölandic Resort with the bucket and the high-pressure pump, and no one had stopped them. Presumably they looked like campers — an elderly father and his daughter, or possibly granddaughter.

Unscrewing the pipe work had taken quite a while, giving the two of them time to have a chat. Rita had talked about her family. She had no contact with her parents, and her brother worked in the far north of Norway, so she had come to Öland the previous autumn to try to find a new life. And because of Pecka; they had met at a music festival.

‘What about you?’ she said. ‘Do you have family in the USA?’

‘I never said I was in the USA,’ the Homecomer replied. ‘I was in the Soviet Union.’

‘Which no longer exists,’ Rita said. She didn’t ask any more questions.

At last, everything was done.

‘Here we go,’ Rita said, switching on the pump.

The Homecomer took a step back and listened to the low hum. This was the beginning of the nightmare for the Kloss family.

Everything was heading towards its conclusion now. That was how it felt. Pecka and Wall were dead. His wife was dead, too — and he might not have long left either.

The Homecomer looked out of the window.

He saw the campsite with its rows of tents and chalets, but he was thinking about a prison camp.

The New Country, December 1935

Life is work. The sleep of exhaustion and hard work; nothing else.

Aron and Sven are trapped. They are prisoners by night and slaves by day; they are never free. They labour with axes and saws along with Matti, a tall, thin Finn, and Grisha, a short, stocky Ukrainian. They fell fir trees from morning till night and drag the logs down to the river. There are no horses yet — while they are waiting for the horses to arrive, the men have to act as beasts of burden.

Where are they? Somewhere in the north of the Soviet Union, that’s all they know. This is where they were sent, after brief questioning and instant verdicts.

Documents were produced, stamped, copied. Aron could read Russian well enough by now to realize that he and Sven had been convicted of sabotage and sentenced to eight years in a labour camp.

What is sabotage? They have no idea.

But the punishment is work: even more work.

After a few days in a crowded cell near the court, they were transported by night to a train, where they were pushed into a wagon lined with wire cages full of prisoners. They were given a little soup, and the train began to move.

They travelled for hours, perhaps days. The cold got more and more intense. There were no windows in the wagon, just cracks in the walls, but they presumed they were heading north.

There was no toilet either, just a hole in the floor which soon froze over. After that, the prisoners just had to squat down in the darkest corner. After a while, there was a stinking pile there, growing bigger with every visit.

From time to time, the train stopped and more prisoners were hustled into the cages. They were guarded by young men in uniform, soldiers with rifles and sub-machine guns. Aron looked at them, remembering how it had felt to hold his very own gun when he was a little boy.

‘Have you seen the knives attached to the barrels?’ he whispered to Sven.

‘Those aren’t knives,’ Sven said wearily. ‘They’re called bayonets.’

Aron was amazed. ‘So they can use their guns to shoot someone, and stab them as well?’

Sven didn’t reply, he just leaned back against the wall and closed his eyes. Aron sat alone by the wire mesh, staring at the guns.

Eventually, the train stopped, and this time it didn’t move off again. When the doors opened, it was twilight. The prisoners were brought out on to a snow-covered platform; they were lined up and marched off. Straight into the forest.

Aron’s first sight of the camp was a bundle of clothes powdered with snow in a great big pile by the side of the track. Then he saw a blackened hand sticking out of the pile like a claw and realized he was looking at a heap of dead bodies.

‘They don’t bury people here,’ he said.

Sven didn’t respond, but another prisoner behind them mumbled something in Norwegian; he said the ground was frozen solid.

Everything was frozen here.

The second thing Aron saw was a fence covered in ice, with shadows sitting or lying by some of the posts — enormous chained dogs. Further away, there was a watchtower, three storeys high, overlooking a row of low huts.

They were taken into one of the huts; the place was already packed. Aron glanced out through a cracked window at a white world. Beyond the fence and the snowdrifts there was dense coniferous forest, and far away on the horizon he could see high mountains.

Trees.

Mountains.

Aron has seen more trees and more mountains this winter than in his whole life. There were no mountains on Öland, and hardly any trees; here in the new country, huge trees reach up to the sky everywhere you turn.

The landscape outside the camp is utterly desolate, and bitterly cold. The snow has settled early. The white days in the forest beyond the fence become routine, but every other week they are allowed a bath.

They learn that the camp is only a couple of years old; the prisoners built it themselves. There was nothing there but an empty field when the first prison colonies arrived after a long march. They dug holes in the ground to sleep in, then built small shelters, and finally proper huts.

About fifty prisoners from ten different countries live in Sven and Aron’s hut. When they are not working, they all gather round the stove, which is nothing more than a rusty barrel that gives off hardly any heat. They eat dry bread and thin meat soup, and two or three men squash together in each bed.

Aron hears the wind howling outside the hut and thinks about the storms on Öland, but these are distant childhood memories; he feels like an adult now. He is seventeen years old.

He wakes up, kills a few bedbugs, then gets up. If there is any wood left he pushes a few sticks into the iron stove, lights it and hears Sven and the other men slowly begin to move around.

Almost every morning someone goes to wake some lie-a-bed but finds a cold body that will never move again.

Death picks his way among the bunks, and Aron quickly gets used to the sight of blue lips and frozen eyes, a stiff body being carried out of the hut. No one has the energy to wash the corpse, so it joins the rest, like a log on a woodpile.

Time to get to work.

The brigade marches out into the forest at seven o’clock every morning, then the men are divided into smaller groups. They are accompanied by a foreman, but Sven and Aron hardly ever see him. The groups are sent off with an axe and a two-man saw to fell trees then drag the logs down to the river.

The logs float away, but there is no escape for the prisoners. There is nothing around them but endless forests and snow, with rumours of bears and wolves.

And there is no point in going on strike, or trying to cheat the system. The logs on the riverbank are counted at the end of each day, and any group that fails to fulfil its quota receives reduced food rations. Less food means death, sooner or later.

So they chop and haul and drag, and they are always, always cold. The work helps to keep their arms and legs warm, but their hands are ice cold. Sven has managed to buy boots and gloves with hardly any holes in them for himself and Aron; other prisoners have to make do with bits of cloth wrapped around their fingers and toes.

Matti the Finn has no gloves, no protection at all for his hands. His reserves of fat are beginning to run out; he is so cold that he no longer even shakes. Aron can see that the fingers on his left hand are white and covered in ice; they have turned into a solid lump. Matti is trying to work, but he is moving as if he is in a trance.

‘Have a rest, Matti,’ Sven says. ‘When we get back this evening you can thaw out.’

Matti leans on a pine tree but becomes more and more confused. He starts speaking Finnish, and after a while they can hear him singing quietly to himself.

The others keep on working. They have to meet their quota.

But in the twilight Matti is suddenly nowhere to be seen. Aron, Grisha and Sven have chopped down a tree; when they look up, they see only meandering footprints in the snow. Sven follows the trail, but loses it in the darkness. They shout for Matti in all directions, but there is no reply.

They search and search, until the whistles summoning them to gather for the march back to the camp echo through the trees. They have to leave, without Matti.

The foreman yells and swears when the prisoners have been counted and it becomes clear that one is missing, but there is nothing he can do except lead the column back to the camp.

That night, the temperature outside is minus eighteen degrees. Aron listens to the wind and thinks about the endless forest. About Matti.

The next morning, the brigade marches off once more; the men are divided into groups and head for their work stations. Thin snowflakes are falling, but the forest is silent. They pick up their saws.

But then they hear someone singing loudly among the trees. The language is Finnish, and they recognize the voice.

‘Matti!’ Sven shouts.

He stumbles away, and Aron follows him.

The sound of the song leads them to Matti. Eventually, they find him at the bottom of a tall pine tree, slumped in the snow, holding his fists up in front of him; they are two clumps of ice. Small, thin mushrooms are sticking up out of the snow all around him in a wide semicircle.

‘Matti?’

Sven rushes forward and gives his comrade a shake, but there is no response.

Matti is no longer listening; his eyes are frozen shut, and he is singing at the top of his voice.

Slowly, Aron walks over to the pine tree. He looks at the strange semicircle in the snow; he can’t understand how mushrooms can grow in the middle of winter.

Suddenly he realizes what the mushrooms are.

They are fingers.

The Finn has snapped off his frozen fingers and arranged them in front of him in the snow.

Matti goes on singing, bellowing with his eyes tight shut.

Aron stares silently at the fingers. Ten of them, pointing accusingly up at the sky.

Matti is taken to the sick bay for a speedy amputation of his hands and feet, but it doesn’t help. He dies the same night.

Something turns to iron inside Aron that day. The softness is gone, and the suffering around him no longer affects him so deeply. He notices the sick and the dying in the camp but lowers his head and keeps on walking.

Both he and Sven become more cautious in their dealings with other prisoners in the camp, but new groups are constantly arriving. And many of them are eager to talk.

For a few weeks they work with an American, Max Hingley from Chicago, who came to the new country as a committed communist at the end of the twenties and ended up as a slave labourer on a canal-building project two years later. They work together in the forest every day, then suddenly Hingley is gone. The word is that he was taken from his hut during the night and sentenced by a troika the very next day. No one knows why.

‘I suppose they thought he was a spy,’ someone says.

‘A spy?’ Sven says. ‘But Hingley was a committed communist.’

There seem to be new rules now. And new opinions to replace the views that are dead and gone.

A young Soviet prisoner joins their brigade and is placed on its northern outpost, in the Swedes’ little group. He introduces himself as Vladimir Nikolajevitch Jegerov; he tells them that he is one year older than Aron and comes from Kiev in the Ukraine. He explains that he has such a long name because it is normal practice to take the father’s name as one’s middle name.

‘But call me Vlad,’ he says. ‘That’s easier for a foreigner.’

‘Call me Aron,’ Aron says in Russian.

In a brigade full of silent men, Vlad is talkative. His mother was Russian and his father Ukrainian, but both are dead now. It was the great famine that took them, two years ago. Vladimir was sentenced to four years in a labour camp for hiding half a loaf. He misses Ukrainian bread, both white and black.

‘I also miss the stewed meat we used to have,’ he says. ‘And the apples, the apricots, the potatoes, the sugar, the cream, and those wonderful sweet cherries...’

Aron listens open-mouthed. Dribbling. He had decided not to make any friends, but when Vlad talks about food, he could listen to him for ever.

Vlad has learned to survive in the camp. He has made himself a pair of boots from birch bark, his padded jacket has no holes in it, and somehow he manages to hold on to his sheepskin hat in spite of all the thieves. He also has a stock of paper and his own pen, and he teaches Aron how to write in Russian.

There are many new letters to get to grips with, and some letters that Aron recognizes don’t sound the same here, but slowly he learns the alphabet. He writes a Russian word in the way he thinks it would be written using Swedish letters, while Vlad writes it in Russian. Then they compare.

After almost three years, Russian is the language of everyday life for Aron. He speaks Swedish only with Sven, and those occasions are becoming increasingly rare.

Vlad has somehow managed to hide away a fresh onion, which he shares with Aron. While they are eating he says that he saw Max Hingley being taken away by men in grey uniforms. They were from the secret police, the GPU, and they came in the middle of the night.

‘It was because he was a foreigner.’

Aron stiffens, clutching a piece of onion in his hand. ‘A foreigner?’

‘The secret police assume all foreigners are spies.’

They munch on the onion in silence, and after a moment Aron says, ‘I’m not a spy.’

‘Are you sure?’ Vlad smiles and leans forward. ‘You ought to become a Soviet citizen... you and Sven. You ought to get yourselves Russian passports, then you can travel freely when you’re released.’

‘We don’t want to become Soviet citizens,’ Aron says. ‘We want to go home.’

Vlad nods. ‘But you have to get out of here first. Then you can go home.’

‘Yes, but how do we do that?’

‘You take passports from those who don’t need them.’

At first, Aron doesn’t understand. ‘But surely everyone needs their passport?’

Vlad shakes his head. ‘Not if they’re fitili.’

Fitili means candle wicks. It is the word used to describe those who will soon be extinguished — the dying prisoners.

Aron listens, and thinks things over.

He talks to Sven that night, in the darkness between the bunks when the other prisoners have fallen asleep, when they are snoring and snuffling loudly.

Aron whispers in Swedish, passing on Vlad’s warning and his advice.

‘He means... steal a Soviet passport?’ Sven whispers back when Aron has finished. ‘Turn thief in order to become a citizen? Is that what he said?’

Aron nods. ‘Take a passport. From a dying candle.’

They stare at each other in the darkness, listening to the snores and snuffles.

Gerlof

The interview at Villa Kloss was over; everyone had begun to get to their feet. It took the longest for Gerlof, who was there in his capacity as an independent witness, but he was deliberately being slow. He had remained silent while Cecilia Sander was questioning Jonas, but had kept an eye on Kent Kloss the whole time. The owner of the Ölandic Resort was smiling now, as if he had won a tennis match.

Gerlof wanted to wipe that smile off his face, so as he leaned on his stick for support he looked over at Kent and said quietly, as if he was just chatting, ‘By the way, I saw your dredger passing by Stenvik back in the spring... I presume it was on the way down to the Ölandic?’

In fact, it was John who had seen the dredger out in the Sound, but Kloss didn’t know that.

He nodded. ‘Yes, we had to clear some mud.’

‘From the bottom of the harbour?’

‘That’s right.’

Kloss wasn’t really listening; he glanced at his watch.

‘I know there’s a harbour at the resort,’ Gerlof went on. ‘It started off as a narrow steamboat jetty and was converted into a cargo dock after the war...’

Kloss didn’t say anything; he was already moving away from the table. But Gerlof stuck out his walking stick, almost barring Kent’s way, and asked, ‘Do you use the cargo dock?’

Kloss stopped and looked at him. ‘Well, you say cargo dock — it’s really just an old stone jetty that we’ve shored up with concrete.’

‘And you keep it in working order?’

‘Yes — as I said, we usually do some dredging in the spring; otherwise it just silts up.’

‘So what’s the depth by the jetty?’

‘A few metres... Three, maybe?’

Gerlof waved his stick at the picture of the Ophelia, which was still lying on the table. ‘That’s deep enough,’ he said. ‘I should think the draught of that ship is around two metres. So she could easily have been moored at the Ölandic’s jetty.’

Kent Kloss stared at him. Gerlof definitely had his attention now. He went on, ‘No one down in Borgholm seems to have seen her, and since the waters off this part of the coast are so shallow, there aren’t many other harbours. So was she in your cargo dock?’

Kent Kloss didn’t say anything, but now Cecilia Sander was also beginning to show an interest. She had gathered up her papers, but suddenly she looked at Kent. ‘Was she your ship?’

Kent Kloss turned to face her, and answered tersely, ‘The answer is no. Not really.’

‘You mean you don’t know?’

‘She wasn’t ours, I do know that... but it’s possible we might have been using her.’ Kloss lowered his gaze. ‘We had a ship in the dock at midsummer, but I don’t remember her name... She was delivering cargo; we’d rented part of the hold.’

‘For what?’ Cecilia Sander demanded.

Kent looked down at his hands and studied his nails. ‘For... food supplies,’ he said eventually.

‘It was fish,’ Gerlof said. ‘Wasn’t it?’

‘Fish, exactly. They brought fish from the Baltic to our restaurants. They unloaded over the midsummer holiday, then they left.’

‘You must have had some contact with them?’

‘Not since then.’ Kent Kloss shrugged, but Gerlof thought it was an act, that he was making an effort to appear relaxed. ‘And it was our kitchen manager who dealt with the delivery. I didn’t even know what Captain Herberg looked like; all I have is the phone number of the company in Hamburg.’

‘And have you seen the ship’s log?’ Sander asked.

‘I’m sorry, I haven’t,’ Kent said.

Sander jotted something down in her notebook. She nodded to herself, but didn’t seem entirely satisfied.

Gerlof wasn’t satisfied either. A delivery of fish from overseas. Perhaps that sounded logical at this time of year, but was it that simple?

He looked out of the window and saw Jonas on the decking, talking to a middle-aged man in a jacket. The man’s expression was serious and, occasionally, he glanced over towards the house. Jonas’s father, Niklas, Gerlof guessed.

‘We’ll be in touch,’ Cecilia Sander said as she left. She looked straight at Kent Kloss and added, ‘We’ll be working with Customs and Excise and with the coastguard on this case.’

Gerlof followed her outside. The sun had almost disappeared, but the heat was still there. At least Kloss had a big blue pool in which to cool off.

Jonas was already hard at work; he had switched on a small sander and was moving it over the decking with long, even strokes. His father had disappeared.

Gerlof turned and saw Kent Kloss standing by John Hagman’s car. John had wound down the window, and they were talking. They stopped when Gerlof reached the car. Kloss stared at him; the self-assured look was back in his eyes. Just you try, it seemed to be saying.

Five minutes later, John started up the car and reversed on to the road.

‘I see you were chatting with the enemy,’ Gerlof said.

‘Kloss isn’t an enemy. Just a rival,’ John said.

‘What did he want?’

‘He was asking if I had any elderly guests staying on the campsite.’

‘You must have, surely?’ Gerlof said. ‘You’ve got your regulars, haven’t you?’

‘Of course. And then he wanted to know if there were any elderly men on their own, someone who might not have stayed here before in the summer. New faces. There are a few; he asked me if they were from overseas, but I haven’t a clue.’

‘So he’s looking for elderly foreigners? Just like us.’

‘That’s right. He wanted me to tell him which caravans they were staying in, but I can’t do that. I can’t betray the confidence of my guests.’

‘Of course not,’ Gerlof said, in spite of the fact that he had been thinking of asking John exactly the same thing. ‘What do you know about Kent’s brother?’

‘His name is Niklas.’

‘Indeed. And what else do you know about Niklas Kloss?’

‘Not much,’ John said, glancing back at the coast road. ‘He runs the restaurant, but I don’t see much of him. It’s Kent Kloss who’s around most of the time, and sometimes their sister, Veronica.’

‘It was the same today,’ Gerlof said thoughtfully. ‘Kent Kloss was there while the boy was being interviewed. It should really have been Jonas’s father, but he seemed to be hiding.’

‘Niklas Kloss is the black sheep of the family,’ John said. ‘If you believe the gossip.’

‘What’s he supposed to have done?’

John nodded in the direction of the houses on the coast road. ‘He also inherited a plot of land here, but he couldn’t afford to build on it, so after a few years he sold it. Gambling debts, apparently. And then of course he ended up in jail.’

‘Did he? What for?’

‘No idea. Fraud, maybe, or theft... It’s not very long since he came out.’

Gerlof nodded pensively. ‘In that case, I can understand why he avoids the police.’

The Homecomer

The second weekend in July, there wasn’t a cloud in the sky over Öland; from morning till evening, the island was bathed in light and warmth, and the sun attracted visitors from all over southern Sweden. This was when the real wave of tourists arrived from the mainland. The holiday season was well under way. There were no traffic jams, as there had been at midsummer, but from Friday to Sunday a steady stream of cars and caravans passed over the bridge before dispersing all over the island, from north to south.

The beaches were packed with people during the day, the campsites and hotels at night. Summer cottages were opened up, barbecues set up, lawnmowers hummed into life. For the next few weeks, every road, every electrical supply cable and every sewage outlet on the island would be used to its maximum capacity, until calm returned in August.

The holiday complexes were also full to bursting, as were the nightclubs. This was the most important month of the year for the Ölandic Resort outside Stenvik.

The Homecomer was standing in a picnic area just off the main road, watching the cars pass by. Rita was beside him; she looked tired but resolute. She tilted her head in the direction of her own car: ‘Well, we’ve done what we had to do... I’ll be on my way.’

The Homecomer nodded, thinking once again that he could have been her father or grandfather. He took out his wallet and removed a wad of notes. ‘A bit more from the ship,’ he said. ‘Where will you go?’

She took the money but made no attempt to count it. ‘Copenhagen,’ she said. ‘I’ve got friends there. I’m going to stay out of the way for a while... What about you?’

‘I’m staying here on the island,’ the Homecomer said.

‘How long for?’

‘Until I die.’

Rita smiled briefly, as if he were joking. ‘Thanks for everything.’

She gave him a quick hug, then walked away. Heading for new adventures.

The Homecomer remained where he was. Several cars had stopped, and the picnic tables were beginning to fill up with people. He knew that the Kloss family would be looking forward to the arrival of all the tourists.

The Ölandic Resort was ready. But no one except the Homecomer and Rita knew that disaster was on its way to the complex. It was already creeping through the ground.

The New Country, February 1936

The day when disaster strikes is just like any other working day.

There are four of them in the forest: Aron, Vlad, old Grisha and Sven. They are shifting logs, and on this particular occasion they have an old horse to help them. His name is Bokser, and he drags the sledge down to the river and back again. Bokser is half dead; he has scabs as big as saucers on his neck, but he still has to work. He is the third horse the commandant has requisitioned from a farm to the south of the camp; the first two froze to death. The meat tasted like dry bacon.

Bokser is a luxury, and no one knows how long they will be allowed to keep him. Other brigades don’t have a horse; the prisoners have to pull the sledges instead.

The four of them work hard, felling trees and loading up the logs; they are behind with their quota. They are always behind. The trees would have to fall down by themselves in their thousands for them to catch up. There should have been seven of them in the brigade today, but two are sick and one is in solitary confinement, accused of trying to cheat the system.

The logs are lying on the ground. Vlad counts to three, then he and Grisha and Aron lift them on to the sledge, one after the other, and Sven secures them with a chain. Grisha whines and complains after each one. They have done all this thousands of times before.

Aron’s movements are mechanical; in his mind, he is on the shore down below Rödtorp, where the sun is shining and the waves murmur among the rocks. Where the sand is soft and you can go for a swim whenever you like.

‘Aron,’ Sven says quietly.

Aron blinks, and he is back in the cold, the endless exhaustion. He turns his head and sees Sven standing by the sledge laden with logs; there is a strange expression on Sven’s face. A resolute expression. His hands are moving, turning something around and around.

Then everything falls apart. The world shakes and shatters.

‘Look out!’ Sven yells in Swedish.

Vlad is still bending down next to the sledge, but Aron begins to move. He realizes what is happening. The chain has come off, and the logs are moving. Nothing can stop them now.

‘Vlad!’ Aron shouts.

At the same time, he jumps back, and almost gets away. He hears the crash as the first log falls off the sledge, but the end of it catches his shoulder, dislocating the joint.

The next log strikes him, knocks him to the ground and hits him in the face.

Aron feels no pain. He feels only the power, the weight of the tree trunk pressing him down into the snow. He sees the rest of the logs rolling down, long and black against the sky. They bounce on the frozen ground like millstones, crushing everything in their path, but by some miracle every single one misses his head, and they go rolling down the slope.

He can hear Grisha’s voice shouting through the racket. Bokser neighing frantically. They have both survived.

But somewhere under the logs is Vlad. Vladimir from the Ukraine. With his warm coat and his sheepskin hat.

Aron knows he is there, but he can’t see Vlad. His eyes are swollen shut. When the pain from his broken bones takes over his entire body, Aron is no longer there. He has gone away, drifted off into unconsciousness as if it were the sea, gently lapping on the shore near Rödtorp.

aron

aron

Aron!

Faint noises in the darkness, echoing shouts that sound like his name. He can hear them, but he doesn’t want to go back.

Aron opens his eyes. No, he isn’t lying on warm sand, he is lying in the snow among the fir trees. And a huge shadow is looming over him.

‘Aron! Can you hear me?’

It is Sven’s voice, full of energy. He shouts right in Aron’s face. ‘We’re going to do it! We’re going to swap!’

Sven bends down and Aron feels hands on his body. Hard blows that make his broken ribs throb with agonizing pain.

‘Stop it,’ Aron whispers.

But Sven won’t stop.

‘We have to hurry up, Aron... I’ve sent Grisha to get help. They’ll be here soon — we have to hurry!’

Aron feels someone pulling off his clothes. It is Sven, his hands tugging at buttons and laces.

‘We’re swapping over!’

Aron stops listening; he turns his head to the side and vomits. Into the snow, and all over his upper body, which is now naked.

Then he loses consciousness once more.

Aron wakes up to a faint light. He is lying on something soft, but it isn’t snow. He is in a bed.

‘Vladimir Jegerov?’ a voice says beside his bed.

Aron turns his head and sees a nurse. She is pale and thin; she is a prisoner just like him, but at least she works indoors.

The nurse smiles; she has kind eyes.

Afterwards, he can’t remember whether he nods in response to her question, but she goes on. ‘You’ve been in an accident involving some logs, Vladimir. Your right leg is broken, and so is your nose. Your shoulder was dislocated, but we managed to put it back. You were lucky... One of your comrades wasn’t so fortunate.’

‘Who?’

The nurse holds a steaming cup of tea up to his lips.

‘A foreigner,’ she says. ‘A young Swede... The logs rolled over him like a tank. He was crushed to death.’

Vlad, Aron thinks. But he doesn’t say a word, he just sips his tea.

‘You’ll be in here for a while,’ the nurse says. She smiles again, and leaves him.

Every movement hurts, but Aron slowly raises his left hand and feels his face. The shape is different; it is swollen and covered in scabs. Crushed and numb. He lifts the sheet and sees splints on his right leg. He is wearing underpants and felt boots, but they are not his own. They are Vlad’s.

Aron closes his eyes. No point in thinking about it.

Sven did this. He loosened the chain and released the logs. He swapped their clothes.

This was his plan: Aron the foreigner would become Vlad the Soviet citizen.

Someone coughs. Aron turns his head and discovers that he is lying in a crowded hospital hut with at least thirty other men. There isn’t much room, but there are lamps and stoves and it is light and warm.

And the sheets might not be clean but they are sheets, and he can’t see any bedbugs. The tea is real, not ersatz. And there is a plate of freshly sliced onion by his bed.

He has heard rumours about this in the camp: that prisoners who are injured or fall seriously ill are very well cared for.

It’s strange, but all he can do right now is rest between the sheets, enjoying the sensation.

He relaxes.

Vlad is dead, but it is Aron who has ended up in paradise.

Lisa

Lisa hadn’t felt well that morning. She didn’t have a temperature, but she was weak and shaky. Lady Summertime had done her sixth gig at the hotel on Friday night, and it had been extremely lucrative. The club had been packed, she had filled it with smoke and, in the darkness, three wallets and two mobiles had found their way into her bag. However, the credit cards lay untouched; she had been too exhausted to drive down to Borgholm to deal with them.

Lady Summertime had stuck to water all evening, but Lisa was still unsteady on her feet when she got up in the caravan the next morning. It felt like a stomach bug, as if something were in the process of waking up down there. She only had a sandwich for breakfast, but she felt bloated and full. She went down to the shore with her swimsuit and a towel, but she stayed away from the water, dozing in the sun instead.

Several days of shimmering heat had brought crowds of people to the shore, and Lisa felt almost hemmed in by all the beach towels and summer bodies. Kids, clutter and chaos everywhere. The stench of suntan lotion was worse than ever, the holidaymakers yelled and screamed to one another in the water, beach flies buzzed around, trying to get into her mouth. Lisa swallowed and closed her eyes.

By lunchtime, she had had enough and made her way back to the caravan. Several times she stubbed her toes on the stony ground; her feet weren’t cooperating, somehow. Was she dehydrated, in spite of all the water she’d drunk at the club?

Her mobile was lying on the bed; she’d forgotten to take it with her to the shore, and she saw that Silas had called twice. Shit. But she didn’t have the energy to ring him back.

She had a sandwich with no butter for lunch, then got back into bed for a few hours and drifted off to sleep. When she raised her head the interior of the caravan was oppressively hot, even though the sun was quite low over the sea. It was quarter past six; the whole day had gone.

Time to get up, have a shower and head for the May Lai Bar.

She was there by half past seven, but didn’t feel any better. Her case of vinyl albums was as heavy as lead as she trudged down the stairs, panting and pouring with sweat.

Dinner was available in the hotel kitchen, but she didn’t go there. She filled up her water bottle in the ladies’ room, put on her wig and her make-up and emerged as Lady Summertime. A somewhat shaky DJ.

She entered the booth and started the show. No cheerful shout-outs over the microphone tonight. Summertime put on a track without saying anything at all and switched on the disco lights. She had a long shift to get through; all she could do was grit her teeth and look happy.

No, there was no way she could look happy.

But she carried on working, and after nine o’clock the cellar gradually began to fill up. Earlier than usual — a typical Saturday night with lots of people. The temperature was rising, and the bartender was happy to supply anyone who was thirsty with water from his soda pistols.

But the bar staff also seemed to be moving slowly this evening, as if they were sleepwalkers who’d taken too many tablets. And, in spite of the crowd, there wasn’t much action on the dance floor; most people were hanging around at the sides.

Summertime glanced at the tempting wallets and purses sticking up out of the pockets of shorts and jeans, but she didn’t feel up to going after them. She could hear Silas muttering in her head, but this evening she just concentrated on playing music, focused and determined.

She kept on drinking water, but it didn’t make her feel any better. Her stomach was like a gurgling washing machine with worn cogs. It went round and round, refusing to settle.

Summertime swallowed; she could feel her false eyelashes starting to come away because she was sweating so much. She tried to keep her balance at the mixer desk.

At some point after ten o’clock, she just couldn’t do it any more. Her stomach started to bubble, and Lisa knew her body sufficiently well after twenty-four years to realize that an eruption was imminent. Something had to come out, one way or another.

She couldn’t stay in the booth, so with trembling fingers she put on the longest track she had: the Beach Boys favourite ‘Here Comes The Night’, which lasted almost eleven minutes. Then she backed away from the decks. It was OK, hardly anyone was dancing, and she definitely had to get to the ladies’ toilets.

But the door was open and there was a long queue stretching back into the cloakroom — and as Lisa pushed people aside in a panic and forced her way in, she saw a young girl in a white blouse, with an equally white face, leaning over the hand basin and bringing up yellow liquid in a seemingly endless cascade. Into the basin, over her blouse, splashing up on to the mirror. Lisa could hear similar noises from inside the cubicles, a chorus of retching.

She swallowed hard to keep the vomit down, and turned away. It was happening; her stomach could no longer tie itself in knots, and it was ready to get the show on the road.

The apocalypse was coming. Any minute now.

‘Excuse me,’ she gasped. ‘Excuse me, could you move, please... I have to get through!’

Several girls in the queue weren’t listening; the sounds from inside the toilets had made them start throwing up, too. They were bent double, vomit all over their bags and shoes, their hair limp with sweat. It was like a gastric ward in the middle of an outbreak of salmonella. Stinking pools on the tiled floor, revolting smells in the air. Total chaos.

Lisa broke away from the queue and ran for the door. She needed a bush to squat behind, or a car if the worst came to the worst. But the stairs were too far away, she wasn’t going to get there, wasn’t going to make it outside.

The world was spinning, the cramps in her gut were sheer agony. Far away, she could hear the thump of the Beach Boys track, like a beating heart.

She spotted the door to the VIP room next to the stairs and rushed towards it.

‘Hey, you!’ a voice said behind her.

A fucking security guard. But Lisa couldn’t talk now; she simply opened the door, saw a load of suits sitting around the table but, most important of all: an ice bucket. She bent over it and opened her mouth.

It was disgusting, it was embarrassing, but at the same time it was liberating. Just to open her mouth and let it all out.

Behind her she heard ‘Here Comes the Night’ die away; it was followed by a deafening silence.

Unprofessional, Summertime thought. A black mark.

But Lisa was too ill to care. She lifted her head from the rapidly filling ice bucket, took a deep breath, then threw up again.

Jonas

Jonas was woken late on Saturday night by strange grunting noises from the guest chalet next door. Agonized moans, suppressed groans. Then he heard a thud, a glass door sliding open, then more groaning and coughing behind the chalet.

He listened in the darkness. It sounded like Mats out there; was he sick?

Jonas turned over and tried to get back to sleep, but it was impossible. It was too hot, and the moaning and groaning were still going on outside.

Eventually, he got up and opened the door. The night air was still warm, with not a breath of wind. A slender moon shone down on the Sound.

‘Mats?’ he called out quietly.

He got a groan in response and took a couple of steps away from the door. He saw his older brother crouching in the shadows; Mats was on the grass with his head down, like a defeated footballer. He was a pathetic sight and, oddly enough, this made Jonas feel incredibly fit and healthy. He raised his voice: ‘What’s wrong? Are you sick?’

Mats slowly raised his head. There was a pool on the grass beneath him, a pool that shone in the moonlight. ‘Jonas...’ he said. ‘Can you fetch me some water, bro? From the house?’

Jonas went into Uncle Kent’s house, into the kitchen, and found a bottle of mineral water in the fridge. When he got back, Mats had managed to stand up, but his head was still drooping.

Jonas passed him the bottle. ‘Have you been on the beer?’

Mats shook his head. ‘I’ve been cutting the grass over at Ölandic... I don’t know what this is.’

Then he staggered back into his chalet with the water, without saying thank you. Jonas went back to bed; he still suspected that his brother had been out partying.

But that probably wasn’t true, because when he got up in the morning everybody was sick, or so it seemed. Only Jonas and Paulina were up for breakfast. The chalet doors and bedroom doors were closed — total silence reigned in Villa Kloss, for once.

Uncle Kent came into the kitchen after a while, just as Jonas was tucking into a cheese sandwich.

They stared at one another. Jonas hadn’t dared to ask his uncle if he had said the right things during the interview with Cecilia Sander, but she had gone away and hadn’t been in touch since, so surely that meant things had gone well?

‘Good morning,’ Kent said eventually, but his voice was quiet, and Jonas could see that his uncle wasn’t feeling too good either. His face was grey, in spite of his tan.

He didn’t say any more; he opened the fridge and took out a bottle of juice. Grapefruit juice. He looked down at the pale-yellow liquid and seemed to be giving it some thought before finally taking a couple of cautious sips.

The telephone rang; Kent went over and answered it. ‘Yes?’

He listened for a long time, then said wearily, ‘You’re joking. You are joking?’

He listened again.

‘OK,’ he said at last. ‘Yes, I’ve got some problems with my gut as well... It’s like Montezuma’s Revenge. We’ll have to bring in extra staff. Someone must be OK, for fuck’s sake? So bring in whoever you can get hold of. What about the guests?’

There was a protracted silence.

‘Right, well, clean up as best you can. Everyone will have to pitch in... Have we got a suction pump?’

Silence again.

‘OK, I’ll be in right away.’ He sounded exhausted.

He poured the rest of the juice down the sink, then turned to Jonas.

‘JK, if your aunt turns up, tell her we’re in a hell of a mess. There’s some kind of gastric epidemic over at the resort. It’s affecting the staff, and the guests too, apparently. The toilets are starting to get blocked, so I have to get over there. Tell Veronica she can reach me on my mobile.’

Jonas nodded. ‘Mats is sick too,’ he said. ‘He’s been throwing up.’

‘Everybody’s sick,’ Kent said. ‘Aren’t you, JK?’

Jonas shook his head.

‘But you might be,’ Kent said. He threw a final poisonous glance at Jonas, as if the whole thing were somehow his fault, then he was gone, lumbering towards his car.

Jonas made himself another sandwich. It was a bit odd, but he felt perfectly fine. He wondered whether to go over and see Kristoffer.

Tomorrow was the beginning of a new working week. The decking would soon be finished, beautifully sanded and stained dark brown with Chinese wood oil. Then he would get paid. And in a week’s time he would start work over at Aunt Veronica’s house, which would mean he was slightly further away from both the cairn and Uncle Kent.

The thought cheered him up, because there was something bad quivering in the air this summer. Something much worse than gastroenteritis.

Gerlof

Swallow was slowly beginning to regain her former beauty, with the help of new boards and strong-smelling creosote. Gerlof had brought a flask of coffee down to the gig by the boathouse, where John and Anders were busy painting the hull on this warm evening. John looked suspiciously at the coffee as Gerlof poured it out.

‘Have you boiled it properly?’

Gerlof stopped in mid-movement. ‘What are you talking about?’

‘You have to boil your drinking water, Gerlof.’

‘Why?’

‘There’s an outbreak of gastroenteritis all along the coast,’ John explained. ‘People have ended up in hospital. It’s a real epidemic. Haven’t you read the paper?’

‘Not yet,’ Gerlof said as he carried on pouring the coffee. ‘I feel perfectly all right.’

‘Stenvik doesn’t really seem to have been affected,’ John said. ‘The problem is mainly at the Ölandic Resort.’

‘That’s unfortunate.’ Gerlof sipped his coffee. ‘Right in the middle of the high season, too... It’s a bit of a disaster, I’d say.’

‘Absolutely. Apparently, the sewage disposal system on the campsite has broken down, things are so bad... and people have started to leave. They’re packing up their tents and caravans and heading home.’

Gerlof had expected John to look pleased, but he knew that if something was bad for one campsite, it was bad for all of them. People who went home because of a bad experience in a holiday village or campsite usually bad-mouthed the whole island.

He liked standing here in the glow of the setting sun, with a warm breeze blowing in off the Sound. But he wouldn’t be here for much longer. In five days, he was due to move back into his room at the residential home in Marnäs, and in a way the summer would be over, as far as he was concerned. It would be much more difficult to get out and about.

Which was a shame. This might be his last summer in the village.

Gerlof swatted a fly away from his cheek and looked to the south. The inlet was quiet. A few people were swimming by the jetty, and there were still plenty of sun-worshippers on the beach.

A short distance away, he could see the cairn, and thought about what he had told Jonas. That’s not the real cairn.

Then he screwed up his eyes; something wasn’t right.

‘The bunker door is open,’ he said.

John stopped what he was doing. ‘What are you talking about?’

Gerlof pointed to the other end of the inlet, at the debris the stonemasons had left behind on the rocks above the shore.

‘The door of the old bunker... it’s open. It’s usually closed, isn’t it?’

‘That’s right,’ John said. ‘The army fixed a padlock to it many years ago. I haven’t checked, but I should think it’s still there.’

Gerlof saw signs of movement; a figure emerged from the bunker, but he was too far away for Gerlof to be able to make out any details.

He thought back to what Jonas Kloss had said about the man who suddenly appeared by the cairn, then simply disappeared.

‘Perhaps he’s a phantom soldier,’ he said.

The Homecomer

The Homecomer walked slowly out of the bunker and into the diminishing warmth of the sun. He secured the door with a padlock he had brought from Einar Wall’s collection.

His back was stiff and aching. He had been stooping beneath the low concrete ceiling for over an hour. It had felt like being back in that endless ditch in the Soviet Union.

He had managed to get into a rhythm, digging inside the bunker, but it was a slow process. Behind each rock he dug out there seemed to be two more, bigger than the first. The ground here on the island consisted of more stones than earth. He drove the pickaxe into the wall, prised out stones and earth that came rattling down, then repeated the same movement two hundred times or more during the course of an evening, toiling away like a miner in a prison camp.

The sweat was pouring off him on this warm evening; his arms ached.

Outside, in the bottom of the dip, he stretched his limbs, looking to the south. He couldn’t see the Ölandic Resort from here, but he thought about the hum of the high-pressure pump he and Rita had used down there. It had done its job.

He glanced to the north. The shore was almost deserted by now, but there were still a few holidaymakers by the jetty. Perhaps they had come from the Ölandic, escaping the problems with the water in the resort.

On the other side of the inlet, he could see a couple of old fishermen by a boathouse, painting a wooden gig. It was a peaceful scene, and it made the Homecomer think of his grandfather, who would always work on his nets and boats in the evenings at Rödtorp, totally absorbed in the task.

A sense of peace.

He could go over to the old men, talk to them, swap stories. Find a little serenity, just for a while. But he knew who he carried inside him. Sooner or later, Vlad would emerge, and he was always on his guard.

The New Country, March 1936

Aron is eighteen years old. He wears his dead friend Vlad’s warm clothes, sleeps in Vlad’s bunk and eats out of Vlad’s mess tin. Some of the prisoners know or suspect that he is not really a Soviet citizen, that his name is not Vladimir, but Sven has managed to keep them quiet. So far.

Old Grisha is the biggest problem. Grisha knows, and he wants money to maintain his silence.

‘Ready money,’ he says to Aron one evening when they are alone. ‘Real roubles. Otherwise, I’ll go to Polynov.’

Vlad merely nods. Polynov is the commandant, a moustachioed former police officer who struts around with a riding crop when he inspects the prisoners. But Polynov is interested in only two things: an orderly camp and strong vodka.

Grisha is the only one who cares about money. He is the last capitalist in the camp.

Capitalists deserve to die.

Aron has to do something, but he can’t ask his stepfather for help. Sometimes, he can meet Sven’s eye in the exercise yard, but he dare not speak to him. Sven is a foreigner.

Nor can he visit Vladimir’s grave. Vlad was buried with the other prisoners who had died, in an ever-growing cemetery in the forest to the south of the camp. There is no cross over the grave, but on one of the walls in Aron’s hut Sven has carved ARON FREDH 1918–1936 next to hundreds of other names. For appearances’ sake.

Sven looks thinner and shorter each time Aron sees him. His stepfather reminds him of a restless dog, constantly moving. He sidles along by the huts, staring at people. If one of his fellow prisoners happens to say the wrong thing to him, there is always trouble; Sven spits or throws a punch, but he usually hits nothing but thin air. He can’t even fight any more.

Had Aron really been afraid of his stepfather when he was little? Now, as Vlad, he isn’t afraid of him at all. Sven is like an old mongrel among a pack of young dogs.

Sometimes, he sneaks into Vlad’s hut and hides little notes to Aron in his bed, written in Swedish. This is incredibly dangerous. Vlad rips them up and eats the scraps of paper; he daren’t even read what Sven has written.

Sven’s plan to make Aron a Soviet citizen has worked but, like Vlad, he no longer believes they will be able to escape from the new country.

How could it happen? How could Sven and Aron ever get away?

First of all, they would have to get through the barbed wire surrounding the camp, past the guards. Then they would somehow have to find their way through the vast Russian forests, through the snow and the cold. Through a country where, according to the rumours, citizens receive one hundred roubles if they go to the police with the severed hand of a fugitive.

It is too risky. And eventually it becomes impossible, because, one day, Sven is gone.

Aron assumes he was taken during the night, just like all the other foreigners. One day, there is no sign of him in the exercise yard, and when Aron looks in his hut he sees only an empty bed. Two days later, another prisoner has taken it over, because it is closer to the stove.

This happens all the time, of course; prisoners simply disappear. Someone comes for them during the night, and they are taken away. No one asks questions.

Vlad keeps quiet. He doesn’t care about foreigners.

But Sven is Aron’s only link with his home in Sweden, and he has to find him. He tries searching for Sven in different parts of the camp but is met with silence and frightened looks.

Only a white-haired farmer from Karelia gives him a thin smile one day as they stand in the mud in the yard.

‘Pfff!’ he says, blowing air through his lips and making his moustache quiver. ‘Pfff... and they’re gone. All foreigners end up as a fart in the wind. They are convicted of spying and sent up a chimney. You know that, don’t you, Swedish boy?’

Inside Vlad, Aron recoils. ‘Sven isn’t a spy,’ he says.

‘He’s been convicted by the troika,’ the farmer says. ‘No foreigner escapes.’

Aron doesn’t say anything, and the farmer leans forward and lowers his voice. ‘I’ve spoken to Grisha. He told me what you did in the forest. You swapped clothes, didn’t you? What a miracle... A dead Soviet citizen came back to life!’

Aron clenches his fist. ‘Shut your mouth,’ he snarls. ‘I don’t know what you’re talking about.’ Vlad is beginning to take over.

‘You don’t know what I’m talking about?’ the farmer says. ‘Well, perhaps Polynov would want to know.’

He is still smiling beneath his moustache, so Vlad takes a step forward and punches him right on his hairy upper lip.

Unfortunately, it isn’t a very hard blow; he is too tired. The farmer merely shakes it off, then he measures up to Vlad and punches him back, almost as ineffectually.

They circle around one another. It is a pathetic fight, like a stumbling dance in the mud, but it attracts a crowd, and soon a ring of yelling prisoners forms around them.

In the end, a guard steps in and separates them.

It is over. Vlad’s chest is aching from a hard blow with an elbow, and he has managed to graze the farmer’s cheek.

The guard calls over a colleague, and Vlad and his opponent are taken away to see Polynov.

Polynov is the king of the camp.

It is a strange feeling, being led into his office. It has a well-scrubbed wooden floor; there is a small collection of wine in a cupboard on the wall and there is even a rug.

Commandant Polynov looks like a fat toad sitting on his throne, which is a rickety wooden chair. On the desk in front of him is a half-empty glass of vodka and an old army revolver. Hanging on the wall are two framed portraits, one of Jagoda, the chief of the secret police, and one of the president, Josef Stalin. In his mind’s eye, Aron sees Stalin, the great leader, with a blade of grass in his mouth.

‘What’s happened?’ Polynov asks, sighing over the trail of mud the prisoners are leaving on his floor. ‘Why were you fighting? Haven’t we broken you yet?’

‘Comrade Commandant,’ the farmer says, pointing to Vlad. ‘He started it.’

‘That’s not true,’ Vlad responds. ‘The Kulaks just love fighting, everyone knows that.’

‘Shut up, you little bastard!’ the farmer yells.

The commandant plays with the revolver as he listens wearily to the prisoners’ bickering. ‘Enough,’ he mutters.

Polynov gets to his feet, suddenly stone-cold sober. His gaze bores first through Vlad, then the farmer. He places the gun on the desk in front of the two prisoners. ‘Sort this out among yourselves.’

Vlad stares at the cracked wooden butt of the revolver. He doesn’t really know what the commandant wants.

But the farmer understands and wipes the blood from his cheek.

‘Comrade Commandant,’ he says in an authoritative tone of voice. ‘I have important information which I feel I must pass on to you.’ He points to Aron. ‘This prisoner is not what he claims—’

At that moment, Vlad picks up the revolver. It seems to fit perfectly in his hand. The farmer must be stopped, whatever he is thinking of saying about Aron, so he places the barrel of the gun on his fellow prisoner’s chest and pulls the trigger.

A sudden recoil through his hand, a loud bang, and the farmer is lying on the rug, twitching like a rag doll, staring up at the ceiling.

Vlad takes aim and fires again, but the only sound is a dry click.

Polynov reaches out and takes the revolver. ‘There was only one bullet.’

He nods, and the guard steps forward with his rifle, aims it at the farmer’s chest and fires.

The world stops.

‘... Ukrainian?’

Aron turns his head. The commandant has asked a question.

‘So you’re Ukrainian?’

Aron takes a deep breath and straightens up, almost standing to attention. He is calm now; he allows Vladimir Jegerov to come forward.

‘I am a Russian Ukrainian, herr Commandant. My father came from Stalingrad and my mother from Kiev, but they are no longer with us.’

‘Why are you here?’

Vlad answers without hesitation. ‘I hid a loaf of bread for my little sister to eat, herr Commandant. She lived for another week because of that loaf.’

‘So you stole bread from the state? And they didn’t shoot you?’

‘They sent me here, herr Commandant,’ Vlad says. ‘I have five months left to serve.’

‘Good,’ says Polynov. ‘You can certainly shoot.’

Vlad grows even taller as the commandant continues. ‘We have too many idiots among the guards. Untrained drunks. They keep on missing when they fire.’

‘I don’t drink,’ Vlad says.

The commandant glances at his bottle of vodka, then he bellows, ‘Jakov!’

The head of the guards enters the room, and Polynov points to Vlad. ‘A new recruit for you.’

Jakov steps forward. He is short but sticks his nose in the air just centimetres from Vlad’s chin. ‘Your first order, Comrade.’ He jerks his head towards the farmer’s body. ‘Fetch a couple of prisoners. Bury him after dark.’

Polynov goes over to a cupboard and takes something out. ‘This is a Winchester that the Tsar’s bandits had stashed away... It’s old, but it works. Wear it over your shoulder so that everyone can see it. If you lose it, you’re back on hard labour.’

Vlad does not lose the rifle. He has been a Swedish prisoner in the camp; now he is a Soviet guard and can feel the weapon straightening his spine.

There are many advantages to his new role — on the very first day, he is allowed to collect five kilos of potatoes, but he does not have permission to leave the camp. However, he can move around more freely, and he has an important task to carry out.

The following evening, he is on guard duty, patrolling the fence, and he arranges to meet Grisha by the furthest huts. Grisha creeps along in the shadows behind the buildings; Vlad stands and waits just a few metres from the fence.

But Grisha is wary. He won’t come out into the light, so Vlad takes something out of his pocket. It is a paper bag, rustling in his hand. ‘Dried apricots and fresh tobacco,’ he says quietly.

At last Grisha steps forward. He takes the bag, slips it inside his jacket. Fruit and tobacco are hard currency, but he still seems disappointed. ‘Is that all?’

Vlad shakes his head. ‘I’ve hidden the money over there.’ He nods towards a dark spot further along. ‘Five hundred roubles... If you promise to keep quiet about me, it’s yours.’

Grisha looks at him. A guard earns about eight roubles a day; five hundred is a fortune.

But he still has doubts.

‘What about the dogs?’

Vlad smiles. ‘Can you see any dogs? They’re over by the main gate tonight.’

Grisha is still standing behind the hut, undecided.

Vlad has had enough; he shrugs wearily. ‘Please yourself... I’ll take the money if you don’t want it.’

And he sets off along the fence. He is holding his breath, watching for a movement out of the corner of his eye.

And there it is.

Grisha is old, but he moves fast. He rushes past Vlad, heading for the fence post where the money is supposed to be.

When he is two steps away from the fence, Vlad raises the rifle to his shoulder.

‘Prisoner trying to escape!’ he shouts.

Then he aims at Grisha’s back and fires. Once, twice.

It’s like shooting a seal.

Other guards come running, but Vlad has aimed well. All they can do is prod at the body, then return to their own posts.

Grisha will be left there by the fence for a few days, as a warning.

Lisa

It took forty-eight hours of a sky-high temperature, an unbearable stench and a distinct shortage of toilet paper in the caravan but, eventually, Lisa began to feel better. Slightly better, anyway. After throwing up in the VIP room, she had somehow managed to drag herself back to the caravan, where she had collapsed into bed and spent all night vomiting helplessly. The gastroenteritis turned her into a five-year-old, a five-year-old with a temperature, dizzy and confused.

She spent Sunday lying in a daze.

By Monday, she was able to move, keep down a little water. Blink at the sun outside.

By Tuesday, she was almost back to being an adult. Her stomach ached, but it was calmer now. She couldn’t eat anything, but at least she managed to get out of bed.

Toast. She ought to have some toast, but she just didn’t want any. Paulina was fine and had called in with several bottles of mineral water; Lisa drank some, then waited. Her stomach gurgled rather worryingly, but nothing came back up. She drank a little more and gazed out of the window.

It was still summer out there.

She had cancelled only one gig at the May Lai Bar. Nobody at the hotel seemed to care, because the whole complex had been affected by the same sickness bug.

And now it was over. Although that wasn’t quite true, because the news had spread.

The May Lai Bar was virtually empty that night. Lisa thought the whole resort felt a bit like a ghost town as she drove down to the hotel. The campsite was just a huge field, with the odd tent and caravan here and there; the long rows of campers had gone. Apparently, lots of people had taken one look at the headline in the local paper — RESORT STRICKEN BY GASTROENTERITIS — and had quickly packed up and gone home. Or moved to other large campsites on the island, where there were no bugs in the water.

But how could one complex be affected, and not the rest?

Anyhow, the show at the Ölandic must go on, so Lady Summertime stepped into her booth at nine o’clock. She felt like a little bird back in her cage as she put on the first record and picked up the microphone. ‘Good evening, everybody! Lady Summertime is here with all your favourites. Let’s go — it’s the Bee Gees with “You Should Be Dancing”!’

Her voice echoed through the club as if it were an empty waiting room; she sounded weary and mechanical, and nobody took any notice of the Bee Gees. A few shadowy figures were sitting at the bar with tall glasses, but there was nobody on the dance floor. And it stayed that way. Nobody wanted to move tonight.

Lady Summertime did her job, anyway.

At twenty past eleven, she glanced up from her decks and saw a mobile phone lying next to an empty glass on one of the high oak tables along the right-hand wall, which cheered her up no end. There was also a pair of black sunglasses; Summertime looked around, but there was no sign of the owner. Turning back to the decks, she did a smooth segue from Fleetwood Mac to Elton John while covertly keeping an eye on the table. The phone was still there, partly hidden behind the glass. It was small and black, probably one of the latest Ericsson models. The table was triangular, fixed to the wall at chest height. She wouldn’t have to bend down to pick up the phone, she could just reach out and...

Who’d left it behind? A rich guy? A poor girl? She hadn’t noticed who had been standing at that particular table, which was unprofessional.

Her shift was almost over. She put on ‘Sweet Dreams’ by Eurythmics, still watching the table. It was as if she had developed tunnel vision; Summertime could see nothing but the mobile, apart from the odd quick glance at the guests dotted around the room.

No one appeared to be looking at her.

When there were two minutes left of the track, she switched on all the flashing white spotlights, dimming the wall lights, and sent a curtain of smoke swirling across the dance floor. Then she quickly slipped out of the booth, as if she were going to the loo.

But instead she moved into the room.

No one by the door, no security guards. The customers at the bar were chatting to each other, apart from one, who was talking to Morten, the Danish bartender. And there was still no sign of anyone near the mobile. Summertime was only two metres away from it now. Three short steps through the white smoke. Then two more, and she was standing by the wall. She turned in a single elegant movement, hiding the table from view while at the same time sweeping her hand across and picking up the phone. A second later, it was safe in the pocket of her denim shorts.

She looked around and saw that one of the doormen had come into the club. It was... what was the guy’s name? Lisa couldn’t remember, and he was too far away for her to be able to read his badge. He wasn’t looking in her direction at the moment, but what about a few seconds earlier?

If that were the case, surely he would have come over to her by now?

The phone felt heavy in her pocket, but she couldn’t dump it now. She had to get back to the booth.

She put on her headphones. ‘Sweet Dreams’ was almost over, and she couldn’t allow a single second of silence. She mixed to Lou Reed’s ‘Perfect Day’, a quieter track to slow things down. A few couples actually got up to dance; perhaps someone would find the love of their life tonight.

Halfway through ‘Perfect Day’ a skinny girl in a black dress came in and went straight over to the table by the wall. The table where the mobile had been.

Summertime saw her, but did nothing. The girl picked up the glass, looked at the table, bent down and peered at the floor, gazed around the club.

Summertime pretended she hadn’t noticed her; she adjusted her headphones and bent over the decks.

The girl went over to the bar and spoke to Morten. He shook his head but reached under the counter for his own mobile. The girl nodded and took it.

Summertime glanced over at the door. The security guard was still there, but she was hidden by the door of the booth, so she took the stolen phone out of her pocket, slowly, slowly. She held it lightly between the fingers of one hand and with the other she picked up a couple of LPs and put them in the case under the table. At the same time, she reached out and slipped the phone through the gap at the bottom of the pane of glass at the front of the booth.

Just before it disappeared from view, it started flashing and vibrating. The girl had used Morten’s phone to call her own number, of course. She was gazing around the room, in spite of the fact that the music was drowning out the ringtone.

Summertime put on another slow number, ‘Don’t Give Up’, even though her shift was now over. She was nervous, she wanted to look busy.

The mobile was flashing away. After a minute or so, a couple swaying around the dance floor just a couple of metres away noticed it. The man bent down, picked it up and answered, sticking his finger in his ear so that he could hear. He looked over at the bar, where the girl was waving her hand. He went over to her and Lisa watched the end of the pantomime:

Thank you so much, where did you find it?

On the dance floor.

Thanks again, I looked everywhere...

The phone had been found, the drama was over. And so was Lisa’s shift. The last notes died away and she grabbed the microphone.

‘That was Peter Gabriel and Kate Bush with “Don’t Give Up”. Never give up, people! Lady Summertime isn’t giving up either; I’m just taking a little break until midnight, making way for our live band, The Fun Boys, who will be playing out on the terrace...’

She took off the headphones. She would go up to the hotel kitchen for something to eat before she started again in half an hour.

On her way out, she nodded to the tall security guard and gave him a relaxed smile. His name was Emanuel, according to his badge. He looked down at her and nodded back, but Lisa couldn’t read his expression.

Gerlof

There was a dull, rumbling noise outside Gerlof’s garden, silencing the insects and muffling the birdsong. He turned his head and could just make out a big, black shadow behind the trees on the village road.

Nothing else happened for a long time. The sun carried on shining, the shadow stayed where it was, the rumbling noise continued.

Gerlof was tired, and his legs were aching, but after a while he got up and went over to the gate.

There was an enormous car out on the road, with tinted windows. One of those SUVs, built to withstand a collision with a traffic island or a pushchair in the city. A plethora of chrome and glass sparkled in the sunlight.

The driver’s window slid down, and Gerlof saw Kent Kloss sitting there, one hand resting on the leather-covered steering wheel, his mobile pressed to his ear.

Kent obviously had two cars. Gerlof opened the gate and slowly made his way over to the car.

‘Hello there,’ he said. ‘Thanks for the other day.’

They hadn’t seen each other since Jonas’s interview at Villa Kloss.

‘No, thank you,’ Kent said.

He looked tired, and made no move to switch off the engine.

‘Did you want something, Kent?’

Kloss nodded. ‘I’ve come to pick up JK.’

‘JK?’

‘Jonas... my nephew. I’ve come to take him home.’

Gerlof didn’t move. He had no intention of fetching Jonas.

‘How are things over there?’ he asked instead.

‘Absolutely fine. It’s just as hot as it is here.’

‘I meant at the resort,’ Gerlof said. ‘I hear you’ve had some problems down there.’

Kloss lowered his gaze. ‘That’s right — gastroenteritis. It’s been chaos all weekend... But the toilets have been cleaned and everything’s fine now.’

‘And the guests?’

‘They’re coming back,’ Kent said quickly. ‘One by one.’

But he looked far from convinced and started revving the engine impatiently.

Gerlof wondered what Kent was really doing here. Why did he need to pick up his nephew in the car? Did he want to keep an eye on him?

‘Any news about the Ophelia?’ he asked.

‘Sorry?’

‘The cargo boat you hired.’

Kent looked down at the sea. ‘Not as far as I know,’ he said. ‘She’s disappeared, but...’ He paused, then added, ‘I’m trying not to think about her.’

‘No,’ Gerlof said. ‘After all, she was being used to move contraband.’

Kent took his foot off the accelerator. ‘What did you say?’

‘You were smuggling alcohol on board the Ophelia.’

Kloss stared at him and shook his head. ‘We were transporting fish,’ he said, revving the engine once more in what could be perceived as a threatening manner.

‘Smuggling alcohol is an ancient occupation,’ Gerlof went on. ‘Not only on Öland; it used to go on all along the coast throughout southern Sweden. Do you remember Algoth Niska?’

Kloss didn’t say anything, so Gerlof went on, ‘When I was young, Algoth and his gang used to sail out into international waters and meet up with ships from Poland and Germany. They would buy vodka for one or two kronor a litre. Tobacco, too, and sometimes arms. They would bring the whole lot back to the island and hide it all over the place, in boathouses, wells, under piles of logs... even in shelters way out on the alvar.’ He looked down at Kent Kloss. ‘What happens nowadays?’

‘No idea.’

‘I’m sure it’s tempting to sell the alcohol on,’ Gerlof said. ‘When the high season begins, the police keep a close check on bottles brought on to the island over the bridge, but they don’t monitor vehicles as they leave. So once you’ve unloaded the cargo from the ship, the contraband can be transferred to cars and distributed that way. Am I right?’

Kent managed a thin smile. ‘As I said... the Ophelia was carrying fish.’

‘I’m sure there was some fish on board. An old cargo that you could show Customs... but that was a mistake. She had no refrigeration unit, so the fish went rotten in the heat. That was fine as long as the hold was left open, but when someone battened down the hatches the crew suffocated.’

Kent took his foot off the accelerator again. ‘We’re looking into the matter,’ he said. ‘There are one or two security guards at the Ölandic who have turned out to be somewhat unreliable...’

‘Like Peter Mayer?’ Gerlof said.

‘He no longer works for us; he was dismissed last year. Another guard disappeared at midsummer.’

‘And Einar Wall? Do you know him, too?’

‘Only in a business capacity... He supplied a small amount of fish and game to our restaurants.’

Gerlof was beginning to suspect what had happened at midsummer. A small group of people knew that there was a cargo ship with cash on board moored at the Ölandic dock, and those people had come up with a plan. Einar Wall had been part of the group, along with his nephew Peter Mayer and an old man who had returned home from overseas. They had decided to rob a ship that was being used to smuggle contraband, and that was exactly what they had done.

But things hadn’t exactly gone according to plan.

‘Peter Mayer died on the main road,’ Gerlof said. ‘And Einar Wall died not far from his cottage.’

He hadn’t asked a question, and Kent’s only response was to rev the engine yet again.

But Gerlof hadn’t finished. ‘You ought to be careful, Kent. Things could happen.’

Kent looked up at him. ‘Are you threatening me, you doddery old fool?’

It was quite an amusing insult, but Gerlof remained serious. He shook his head. ‘Not me. It’s someone else who constitutes a threat.’

‘Who do you mean?’

Gerlof took a risk, and said the name that was spinning around in his head: ‘Aron Fredh.’

Kent’s expression was grim, and Gerlof knew that the name meant something to him. After a few seconds, Kent smiled wearily. ‘Aron Fredh... that’s another story.’

‘Is it?’

‘Aron Fredh was a snotty kid who went off to the USA with his stepfather, Sven, who was another loser.’

‘Was he?’

‘Absolutely,’ Kent said. ‘Sven Fredh was supposed to move the cairn for us, but he cocked it up completely.’

‘Sven built the cairn?’

Kent nodded. ‘Sven Fredh moved the stones down to the coast back in the twenties, along with my grandfather and his brothers. But the whole thing fell down... it almost landed on top of Sven, and it crushed his foot. They had to start all over again, and they gave Sven the sack.’

Gerlof listened; this was news to him. He raised his voice above the noise of the engine. ‘I’ve met Aron.’

‘This summer?’

Kent was interested now, but Gerlof shook his head. ‘When I was young... in the summer of 1930. Aron Fredh and I worked in the churchyard together, digging a grave.’

Kent leaned forward. ‘In that case, you should be able to find him, Gerlof. You know what he looks like.’

‘Not now. I’m too old.’

‘But you have a good memory, in spite of your age... I mean, you remember ships and people and all kinds of things. You could make some money out of this.’

‘Money? Why is Aron Fredh so dangerous?’

But he didn’t get a reply. The gate squeaked behind him; Jonas had emerged from the cottage. The boy approached the car, looking at his uncle the way a dog looks at its master.

‘Time for dinner, JK,’ Kent said.

Jonas nodded and got into the car.

Kent gave Gerlof one last long look. ‘Perhaps we’ll speak again,’ he said. He put the car into gear and drove off.

Gerlof watched him go. It had been an interesting conversation, but of course he realized that, although Kent Kloss had said quite a lot, he had admitted nothing.

Jonas

The Chinese wood oil was dripping from his brush, and the sweat was pouring down Jonas’s face. He swept the brush back and forth across the decking. When he had done four planks, he took a break and drank at least half a litre of water (guaranteed clean bottled water) before resuming his task.

Only a few planks left, then he could go for an evening swim. Uncle Kent’s decking would soon be finished; next week, he would move over to Aunt Veronica’s and do the same thing all over again.

The sight of wood ingrained with dirt and the smell of Chinese oil — that was what this summer meant to Jonas.

As the sun began to sink towards the strip of land on the horizon, he decided to call it a day. He let out a long breath; he would go for a swim, then he was free for the evening. Uncle Kent had announced that he would be holding an inaugural barbecue to celebrate the newly renovated decking, but Jonas didn’t want to be there. He had a feeling that Uncle Kent was somehow keeping an eye on him. He had picked Jonas up in the car from Kristoffer’s earlier on, even though Jonas was perfectly capable of walking home on his own.

He fetched his trunks and went across the coast road, out on to the deserted ridge.

For the first few days after midsummer, he had avoided going down to the shore alone. His fear of the water hadn’t completely gone, but he had no intention of letting it get the better of him.

The blue viper’s bugloss coming through the stones had started to dry out and turn dark purple. The grass was yellow, and the bushes had begun to lose their leaves. Only the cairn looked unchanged, apart from the fact that another rock had fallen down. How many were lying on the grass now — was it ten or eleven? Jonas quickly walked past, without stopping to count them.

He ran down the old stone steps that led to the dip, then on to the shore. It was only about fifty metres but, halfway, he suddenly stopped.

He had heard something down in the dip. From the old quarry, where the stonemasons had left behind a V-shaped wound and broken rocks.

A scraping noise, over to the right. Jonas looked, but all he could see was pink rock and grey gravel. No people.

But the noise came again, several times. It sounded as if someone was hacking rhythmically at the ground, with either a pick or a spade.

No, not at the ground. Underground.

Jonas couldn’t see very far, because there was a large rocky outcrop jutting out in front of him. However, if he stepped down into the bottom of the dip, he would have a better view.

The ground was very uneven here; he was wearing his old trainers, so he had to be careful, occasionally jumping from stone to stone. There was some kind of thorny bush growing through the gravel and clutching at him, but he managed to wriggle past. Now, he could see further.

There was a metal door set in the rock, almost directly below the cairn up on the ridge.

The bunker. Now he remembered. Gerlof had mentioned it, too.

He vaguely recalled from previous summer holidays that the bunker had always been secured with a rusty old padlock — but now the door was open. And that was where the scraping noises were coming from.

Someone was in there.

Not the cairn ghost, he knew that. Gerlof had said there was no ghost.

So he moved a little closer. He had never seen inside, but he and Casper had played outside the door, winding each other up and wondering if there were dead soldiers in there.

The noise continued.

Jonas took one more step. Now he was only a couple of metres from the entrance to the bunker, and he could see the sun shining on a dusty cement floor. But the light reached only a short distance; beyond that point, it was pitch black.

He listened hard. Perhaps Mats and their cousins had opened the door? They had been at home during the day, but he didn’t know where they’d gone after that. They never bothered to tell him what they were doing.

Were they sitting inside the bunker in the darkness, watching him right now? If so, he couldn’t risk looking like a coward. If he turned away, he would do it quickly and resolutely, as if he had something important to do.

Or perhaps he would stay. Walk right up to the door and see what was in there. He took one step, and waited. The noise from inside had stopped.

So he took another step.

There was a wide block of stone in front of the door, like some kind of threshold. Jonas didn’t stand on it but leaned forward so that he could stick his head into the bunker. He held his breath and listened.

The air was very still, with a musty smell. He was looking into a small room, with another narrow doorway at the far end, where the sunlight didn’t reach. The first room contained only one piece of furniture: a rickety wooden table. One of the legs was broken, but someone had used a block of stone to keep it more or less level.

There was something on the table.

Jonas blinked and looked again; it was still there. Small and flat, thinner at one end.

Now he could see what it was: a gun.

Jonas suddenly forgot that he wasn’t supposed to go inside the bunker; he was too curious. Was it a real gun?

He stepped inside, on to the cement floor. He reached out and picked up the gun.

It was very heavy — and old: the wooden butt was covered in scratches. But it was definitely a real gun.

He looked up; he had heard a slight noise, a faint scraping, and he held his breath again. The sound was coming from the inner room, from the darkness. Someone was in there.

The ghost?

Jonas had to get out.

He quickly wrapped the gun in his beach towel and backed out of the bunker.

He decided not to bother going for a swim; he wasn’t hot any more. He made his way back through the dip and up the steps, back on to the ridge, still clutching his treasure from the bunker.

He ran past the cairn, across the road to Villa Kloss and back to his own little chalet. He closed the door and drew the curtains, then sat down on the bed to look at his acquisition.

A real gun.

The Homecomer

The Homecomer was standing in the darkness in the bunker’s inner room. He was still holding the pick, but it was resting on the ground. He had used it to break through the cement wall at the back, where there were the most cracks, and now there was a pile of earth and stones at his feet. However, he still had a few metres to go before he was far enough in, right under the cairn.

There was no treasure there, he was well aware of that. But he kept on going anyway.

As he was just about to raise the pick, he heard a noise behind him.

He stopped and held his breath. He could hear a faint shuffling from the outer room, like cautious footsteps, and he realized he hadn’t closed the door. But it was evening; no one should be down in the dip at this time of day. And since the bunker was hidden from the coast road and the houses on the other side, he knew that no one had seen him go inside.

Perhaps it was a mistake to work here while the sun still hovered over the Sound, but it was a question of time and energy. He couldn’t do everything at night.

Now it sounded as if the person in the other room had turned around and was on their way out.

The Homecomer tried to relax; his legs were beginning to stiffen up.

Silence descended, but he didn’t move for several minutes. Finally, he put down the pick and edged towards the door.

The outer room was empty. The metal door was half open.

The sunlight enabled him to see the bare surface of the rickety wooden table — and then he remembered what he had done. He had put the Walther there. He had wanted to keep it free from dust and dirt, so he had left it there while he broke down the wall.

And now the table was empty.

The Homecomer had committed the ultimate sin for any soldier: he had lost his gun.

Fortunately he had another.

The New Country, July 1936

At the beginning of the year, all Party membership books must be renewed with a photograph. Enemies of the state who have somehow acquired a false identity will be unmasked in this way, and will be purged — but Aron calmly settles down in front of the camera in the office. A photograph is nothing but an advantage as far as he is concerned. He has stolen Vladimir Jegerov’s name and life, and with his own Party book Vlad becomes even more credible.

Afterwards, it feels odd to see the photograph once it has been developed; Aron has not looked in a mirror for several years. He sees a hardened young man with a broken nose and a red scar running across his forehead. He doesn’t recognize himself; it is Vlad that he sees.

Vladimir has not only become a member of the Party, he has also been given a domestic passport and a guard’s uniform. This almost makes him a free man; he can move around without restrictions outside the camp, and he has moved into a small room in the military barracks that is actually warm. An old babusjka prepares his food each evening and takes care of his uniform. Trying to keep his boots clean and shiny in the spring mud and the summer dust is a hopeless task, but Vlad has found two pairs and alternates between them.

He has only one rifle, but he never lets it out of his sight, and he cleans it meticulously every night. It must always be in good working order.

After a few months, the spring begins to make its presence felt even in the north of the Soviet Union. Some of the prisoners go crazy and hurl themselves towards the light. Towards the fence. Vlad does not hesitate: he positions himself with his legs wide apart and shoots them.

And he is good at it.

He has shot seven prisoners by the fence since Grisha. All trying to escape. Commandant Polynov has praised him for his vigilance and has even given him a bonus of one hundred roubles.

A wood-fuelled crematorium has been built at the far end of the camp; the bodies are dealt with there.

In the summer, the heat pushes through the forest, and the camp becomes drowsy. The prisoners work more slowly, but there are also fewer escape attempts.

There is a sense of peace in the Soviet Union, in a way. The Kulaks and the class enemies have been broken, and all foreign spies have also been removed. Perhaps the future is here at last.

But at the beginning of July, a new vice-commandant arrives at the camp, a lieutenant. His name is Fajgin, and he has come from somewhere in the south, wearing a new uniform and a spotless cap.

Polynov gathers the guards in his office, but it is Fajgin who speaks, with fire in his eyes. The emblem of the NKVD, the People’s Commissariat for Internal Affairs, is on his shirt collar; it shows a sword striking down a serpent.

‘We have important news,’ the lieutenant says. ‘More enemies have been unmasked in the south, both in the towns and in rural locations. More than ever.’ He leans across the desk. ‘This is a huge conspiracy, involving thousands of people.’

‘Kulaks?’ asks the guard next to Vlad.

‘We have got rid of the Kulaks,’ Fajgin replies. ‘These enemies are even more dangerous. They are Trotskyites. Intellectuals. Fanatics.’

‘Is this war?’ someone else asks.

‘Yes. This is war. But not on the streets. These enemies hide, they try to blend in and look like us. Be like us. Then they strike, through sabotage and disturbances. Or murder, which is what they did to Kirov.’

The guards stand in silence. Kirov. They all remember the murder of Sergei Kirov, the leader of the Leningrad Party organization, two years ago. Kirov was both popular and respected, one of the few leaders who could challenge Stalin. Suddenly, he was dead, shot by a madman.

Fajgin rests his clenched fists on the desk and goes on. ‘They have a plan, drawn up by the traitor Trotsky. He is directing them from outside our country; they are ready to die for him.’

Trotsky. So many names for Vlad to keep in his head. Wasn’t Trotsky a friend of Stalin? Evidently not.

Fajgin gives a little smile for the first time, and points to a folder in front of him. ‘And, believe me, they will die. We have lists of those who are on their way here by train, and details of how they will be dealt with... The Trotskyites will have their own building here in the camp.’

There have been punishment blocks with barred windows for a long time in the camp, and this is where many of the new prisoners from the south end up when the trains deliver them. The new block that is built behind them is different. It is called the Sty, even though there are no pigs in the camp. It is a long, low building with thick timber walls, and it is right next door to the crematorium. The innermost room has a sloping floor.

The new arrivals are sorted into two categories, according to Fajgin’s list: the first or second category. The second is the largest group; they are set to work in the brigades.

Those in the first category remain in camp. They are allocated a special platoon of guards, who are issued with new Mausers. Vlad is not selected for this group; he still has his old Winchester and continues to spend the long shifts patrolling the fence.

But he knows what is going to happen inside the Sty.

The work is carried out at night.

A wind-up gramophone begins to play patriotic marching music when a Trotskyite is taken into the innermost room. The music is very loud, virtually drowning out any other sounds.

However, sometimes Vlad is on duty outside the Sty, and he hears the shots echoing through the timber walls. The shots come at regular intervals, every night.

Not everything has been thought through; they should have added another door or some kind of hatch at the back of the Sty. As it is, all the bodies have to be transported to the crematorium through the front door, long after midnight, when the summer night is dark enough.

In the mornings, grey smoke rises from the chimneys.

But there are too many enemies this year; the trains just keep on coming.

The number of Trotskyites swells to a flood. Summer turns to autumn, and the emaciated rag dolls are all over the camp, staggering around.

In September, Vlad and a dozen or so other guards are summoned to Commandant Polynov’s office, where Fajgin is also waiting. Fajgin’s chin is up, but Polynov’s head is drooping. He looks very old; his face is swollen, with dark hollows under his eyes. He finished off his wine collection long ago.

Vlad also notices that the portrait of Jagoda has been removed. Stalin’s picture is still there, but there is another face beside him. A younger man, with an expression as merciless as Jagoda’s.

‘Our commissariat has a new leader,’ Polynov says quietly, nodding towards the portrait. ‘His name is Comrade Ezhov. Jagoda has been arrested... he was caught reading Trotskyite literature.’

The commandant sighs. ‘The putrefaction is spreading. We need more firing squads.’

He picks up a bottle of vodka and takes a long swig. He is very drunk.

‘We will be getting more work,’ he goes on. ‘A lot more work. All of us. We have to clear it... cleanse it from... from...’

He falls silent, as if he has lost his way. Fajgin takes over.

‘The Sty and the crematorium are no longer adequate when it comes to dealing with Category One prisoners, and we cannot start piling up corpses inside the camp. We have to find a better solution, so we are going to organize a special place for our most dangerous enemies, the Trotskyites. We are going to clear the ground and prepare a gravel pit for them deep in the forest, where no music will be necessary.’

Gerlof

Gerlof was posing in the churchyard, leaning on his stick in front of a clicking camera. He wasn’t entirely comfortable with the situation, but it had been his decision. It was all in a good cause, he told himself.

The plan was to lure Aron Fredh from wherever he was hiding.

He looked up at the photographer, who was also a reporter. Bengt Nyberg was a veteran on the local paper, which carried stories about most of the things that happened in the north of the island.

‘I noticed you wrote about the gastroenteritis outbreak,’ Gerlof said.

Bengt looked quite pleased. ‘Yes, down at the Ölandic. I think they wanted to keep it as quiet as possible, but it was a bit of a scoop for me. Hundreds of people were affected... The whole of their sewage system was knocked out by the amount of use their toilets were subjected to.’

‘But you didn’t come down with it yourself?’

‘No, I avoided the water. And it seems to have been very localized... They think it was in the pipes in the complex itself, that some kind of parasite got into the system.’

‘Dear me,’ Gerlof said. ‘And right in the middle of the high season.’

‘Yes, it’s bad news for the Kloss family,’ Bengt said. ‘But good for the other campsites.’

They fell silent. Gerlof gazed around the churchyard, at the neatly mown grass and the rows of gravestones around the church. He had been visiting this place for seventy years, and many new graves had appeared. His wife and all of his older relatives had ended up here.

He turned his attention back to the reason he was here, and the story he wanted to tell. ‘It happened somewhere around here. I can’t say exactly where, but I know we were standing fairly close to the wall.’

Bengt took a few more pictures of Gerlof pointing dramatically at the graves with his stick. Then he lowered the camera. ‘So which grave was it?’

‘I don’t remember. I dug quite a lot of graves that summer. But it was in this area...’

He was lying, of course, but he didn’t want to name the Kloss family in the newspaper. He didn’t think Kent Kloss would appreciate that.

‘But I remember what I heard,’ he went on. ‘Three sharp knocks, then three more... And that was when we stopped filling in the grave. We brought the coffin back up and called Dr Blom. He turned up on his bike, but there was nothing he could do.’

‘He was dead?’ the journalist asked. ‘The man in the coffin?’

‘As dead as a doornail.’

Gerlof looked around again. It was just as warm and sunny today as it had been all those years ago; it was a strange feeling. As if a whole lifetime hadn’t passed at all. He remembered exactly where they had stood, the priest, the doctor, the Kloss brothers, and Bengtsson the gravedigger slightly behind the others. And Aron Fredh, further away.

Nyberg took one more picture and jotted something down in his notepad. He seemed satisfied, and looked up at Gerlof. ‘Well, that’s certainly a hair-raising story... A summer mystery.’

‘So are you going to write about it?’

‘Yes, I’ll put something together. It won’t be very long, but we’ll have a picture and a short article. Material like this is very useful when it comes to filling an empty column.’

‘And when will it be in the paper?’

‘I don’t know,’ Nyberg said. ‘Tomorrow, with a bit of luck, although we’re not exactly short of news this month, even though it is holiday time.’

Gerlof assumed he was talking about the deaths of Einar Wall and Peter Mayer the previous week. He leaned forward. ‘You’re welcome to say that I’d like to hear from any witnesses.’

‘Witnesses?’

‘Yes, anyone else who remembers the knocking. Anyone who was in the churchyard that day. They can get in touch with me.’

Bengt Nyberg nodded, without asking who Gerlof thought these witnesses might be, after some seventy years.

They parted company at the church gate, after Nyberg had revealed what the headline was likely to be. It was less than subtle:

GERLOF STILL HAUNTED BY KNOCKING FROM THE GRAVE

You could call it sensationalism, but Gerlof was still pleased when he opened the paper two days later. The article was in a prominent position, and he thought plenty of people would read it. He knew that everyone else who had heard the sound of knocking on that day was long dead.

Everyone except himself, and possibly Aron Fredh.

Lisa

A settled stomach was what everyone needed. Lisa felt pretty good this morning; the sun was shining and life felt better. She should have known it wouldn’t last long.

About an hour after she had woken up, she went down to the shore. The rocks were warm beneath her feet. She carried on out on to the jetty, right to the very end, and jumped in without hesitating. The sandy seabed was soft and the water was warm, over twenty degrees, and she stretched out with a sigh of pleasure. Closed her eyes, floated along, chilled out. No worries.

She swam back and forth not far from the jetty until a large group of children arrived for their swimming lesson and started splashing around. She got out and went back to the campsite.

When she saw her caravan, she realized something was wrong.

It was moving. The door was ajar, and it was rocking slightly.

Lisa slowed down but kept on walking. She remembered an old saying: Don’t go knocking if the trailer is a-rocking.

But if a caravan was rocking when it ought to be empty, surely you should check it out?

Lisa didn’t knock, she simply opened the door.

‘Hello?’ she said quietly.

It was dark inside, and she couldn’t see properly after being out in the sunshine, but she clearly heard a voice: ‘Hello, Summertime.’

It was a male voice. It sounded calm, but Lisa’s stomach turned to ice. Something was wrong. She didn’t climb the steps into the caravan but leaned forward and stuck her head around the door so that she could see as far as the bedroom area.

A tall figure was sitting in the middle of her narrow bed.

Kent Kloss, wearing white shorts and a red top. He nodded to her, and she realized that he had opened her bag.

Her DJ bag. Kloss was slowly going through her vinyl LPs. He hadn’t got very far yet, but he was making steady progress.

‘Come on in!’ he said with a smile. ‘Make yourself at home!’

Lisa stepped inside, but this certainly didn’t feel like home. The caravan was hot and cramped and seemed to be quivering around her. She dropped her beach bag and gave him a quick smile in return.

‘Hi, Kent... How did you get in?’

He was still smiling. ‘I have a spare key. We own this caravan — don’t you remember? We allow you to live here, as our employee.’

The last sentence sounded slightly threatening. Lisa didn’t quite know what to do, so she nodded.

‘I wanted to see if everything was OK,’ Kent went on. ‘So I came in, and I was curious. I love old dance music, so I thought I’d have a look at what you’ve got.’

‘Fine by me,’ Lisa said. ‘Those are the LPs I play over at the club... I’ve got nothing to hide.’

His response was instant. ‘Haven’t you?’

She shook her head, moved a step closer.

Kent carried on flicking through the records, then suddenly jerked his head towards the bed beside him. ‘And what about all this?’

Lisa looked down and saw a small pile at the foot of the bed. Wallets and purses, which of course she recognized. And the mobile phones next to them.

Her entire haul from the May Lai Bar was lying on the bed for all to see. Kloss had already found it.

‘They were among the records,’ Kent said. ‘I presume you were hiding them?’

Lisa didn’t say a word.

I can explain — that was probably what you were supposed to say under the circumstances.

She knew she looked guilty. She didn’t have a chance, but she made an attempt to sound both honest and bored. ‘Oh, those... I found them in the bar. People lose all kinds of stuff in there. I asked if anyone owned them, but no one came forward. So I brought them back here... but maybe someone saw me in the club and misunderstood.’

Kent Kloss stared at her. ‘You’re right, someone did see you. It was Emanuel, one of our security guards. He saw you pick up a mobile phone from a table on Tuesday night.’

Lisa took another step towards him. ‘I found that one, too.’

‘I’m sure you did. And now I’ve found you.’

Kent Kloss got to his feet. Perhaps he was just irritated; he moved closer to her.

‘I’ve met all sorts over the years,’ he said. ‘Campsite security guards who steal from chalets, bartenders who help themselves out of the till, light-fingered cleaners in hotel rooms... I know the score.’

Lisa was aware of a strong smell emanating from him, but it wasn’t aftershave. Kent stank of booze, and there was a menacing glint in his eye.

‘Are you working for him?’ he said quietly.

‘For who?’

The slap came without warning, striking her hard and fast across the nose and cheek, and she staggered backwards. She stumbled over her beach bag and ended up on the floor. The caravan was rocking like a ship on stormy seas.

Kloss didn’t wait for her to recover. ‘Is that what you’re doing? Are you spying on us?’

Lisa blinked, felt her nose. ‘Who would I be spying for?’ she said, trying to get up.

‘Don’t move!’

Kloss took a deep breath, gathered his strength and kicked her hard in the thigh. The pain was horrendous; Lisa whimpered, but didn’t move. She could hear her own shallow breathing in the silence that followed. She reached up to her nose and felt drops of warm blood.

‘I don’t know who... who you’re talking about.’

‘Don’t you?’ he sneered.

Lisa released Lady Summertime, who snapped, ‘You and your family steal from the guests, too.’

‘Do we?’

She nodded. ‘Fourteen hundred for a bottle of champagne, Kent. Sparkling wine that’s probably smuggled in for fifty kronor a bottle... Isn’t that daylight robbery?’

‘Don’t change the subject. One of us has a problem here, and it’s not me.’

Summertime braced herself for another blow, but went on: ‘Call the cops, then.’

Kloss looked down at her. ‘Not yet.’

A blood vessel was throbbing on his suntanned forehead; he remained motionless for a few seconds, then relaxed. He took at step back and sat down on the bed, legs wide apart, leaving his crotch exposed.

‘There’s something you can help me with,’ he said.

Lady Summertime considered giving him a swift kick, right there in the middle. But Lisa pushed her aside. She got up cautiously, still expecting him to hit her again, but nothing happened. Kent Kloss had vented his anger, and he hadn’t called the police.

He glanced out of the window, as if to check that no one could see him, his fingers drumming on his thighs. Eventually, he spoke. ‘A man has come over to the island this summer, and he’s... he’s caused some problems. I didn’t know who he was at first, but now I do. His name is Aron Fredh.’

He was looking closely at Lisa, as if she might react to the name. But she’d never heard of Aron Fredh. Would Kent hit her again if she said the wrong thing?

‘OK,’ she said. ‘Aron Fredh.’

Kloss looked down at his tanned hands. ‘I don’t know what he looks like; he’s keeping a low profile... but I need to find him. I think you might be able to help me track him down. He’s here somewhere; I think he might be staying over at the resort, on the campsite or in a chalet under a false name. He must be, because he managed to poison our drinking water, and that can only be done from inside the complex.’

Poison our drinking water. Lisa had extensive experience of the effects of that particular event.

‘The Ölandic Resort is enormous,’ she said. ‘How am I supposed to find him?’

Kent was smiling again now. It was as if the slap and the kick had never happened. ‘You snoop around, of course... After all, that’s what you’re good at.’

Lisa let out a long breath. ‘So you just want me to find this man, among all the guests, when you haven’t a clue what he looks like?’

‘He’s an old man, we know that, but in good shape for his age. And he’s probably alone. That description fits a number of men at the resort; we’ll tell you where they’re staying and, when their caravans or chalets are empty, you go and check them out. Discreetly.’

‘When they’re empty?’

‘Of course... We don’t want the guests to know what’s going on.’

‘And how will I know when it’s safe?’

‘The security guards will keep an eye on things. Most caravans and chalets are empty in the middle of the day.’

Lisa didn’t have much choice. ‘What am I looking for?’

‘Anything unusual. Guns, balaclavas, bundles of cash. You’ll know when you see it... This is no ordinary holidaymaker.’

‘And then I’m free to leave?’

Kloss got to his feet.

‘We’ll see. You’re not going to be arrested, anyway. And you can carry on gigging for the time being... as long as you keep your fingers to yourself.’

‘And what if I get caught snooping around?’

A victorious smile spread across Kent’s face. ‘You’ve already been caught, Summertime. That’s why you’re going to do this.’

Gerlof

There had been a few comments on the newspaper article about the knocking from the grave, and Gerlof was still hoping that it had been read by the right person. It was a bit like a personal ad. If Aron Fredh was still on the island, of course.

He sat down to wait for visitors. These were his last few days in the cottage; after the weekend, he was going back to his room in the residential home in Marnäs.

But on Friday he had a visit from a murderer. Not the one he was looking for this summer, but a murderer he himself had tracked down many years earlier.

Gerlof was in the garden as usual, in the shade of the parasol. It was always open these days; the heat of the sun was merciless.

His hearing aid was switched on, and suddenly he heard a rustling sound behind him, in the meadow. Footsteps, definitely footsteps. Gerlof turned his head, and a few seconds later the man appeared among the juniper bushes, wearing jeans and a shirt and loafers. He stopped on the other side of the boundary, in the tall grass. Gerlof recognized him.

This was the man who had killed his grandson.

The visitor remained where he was, and they looked at each other for a few seconds. Gerlof was glad his daughter Julia wasn’t in the village today.

‘Good afternoon,’ the man said quietly.

‘Good afternoon.’

Gerlof wondered if he ought to be afraid, but he wasn’t. Not at all. This murderer didn’t look dangerous, just tired and pale in the sunshine. Much older. And he had nothing in his hands.

So Gerlof nodded to him. ‘Come and sit down.’

The man walked slowly across the garden and sat down on the opposite side of the table.

‘So you’re out,’ Gerlof went on.

The man shook his head. ‘I haven’t been released. I’m out on parole. My first unsupervised outing, so I wanted to call round and...’ The man fell silent and looked around, over towards the gate and the cottage, then asked, ‘Are you alone?’

‘My grandchildren have gone for a swim. My daughters haven’t arrived yet.’

The man seemed to relax, at least until they heard a loud buzzing and a hornet appeared. Gerlof knew that their sting could be dangerous, but they were less aggressive than their smaller relatives. Perhaps their size made them calmer.

The hornet zoomed past, and in the silence that followed Gerlof asked, ‘So how long are you out for?’

‘Twenty-four hours. The probation service releases prisoners in stages. First of all, for just a few hours, then a little longer... if you behave yourself.’

‘And have you behaved yourself? Are you cured?’

The man looked down at his hands. ‘Cured... How am I supposed to know that?’

‘I’m sure you know how you feel,’ Gerlof said. ‘Whether you’re at peace with the rest of the world.’

‘I’ve tried,’ his visitor said. ‘I’ve had the opportunity to talk about... about my thoughts.’

‘So all that hatred is gone?’

The man nodded and looked up. ‘Do you hate me, Gerlof?’

Gerlof looked away. ‘That’s exactly what I’m wondering.’

He met the visitor’s gaze, searching for anger, but he found none. Only weariness. He changed the subject.

‘Niklas Kloss,’ he said. ‘Have you heard of him?’

The man nodded. ‘He’s one of the wealthy Kloss siblings, isn’t he? The owners of the Ölandic Resort?’

‘Yes, but Niklas is the black sheep of the family. He’s been in prison.’

The man nodded again, as if he recalled the story. ‘Not where I was. I’ve never met him.’

‘But you’ve heard of him?’

‘There’s always talk... I know why he was inside. Smuggling... on a massive scale. He was caught by customs with a truck full of spirits from Germany, worth millions. Kloss wasn’t driving, but he was the one responsible. So they say.’

Gerlof picked up on the last three words. ‘You don’t believe it was him?’

‘I think it was more likely to be his older brother, Kent Kloss. But Niklas went down for it; he got a couple of years. That’s all I know.’

‘I’m not surprised,’ Gerlof said.

‘No. People have always smuggled booze and tobacco across the Baltic, but the quantities are greater now. It’s difficult to understand who’s going to consume the amount that comes in. It will soon be like medieval times, when Swedes drank several litres of beer every day.’

‘But I don’t suppose it all stays on the island.’

‘No, some of it is probably transported over to the mainland.’

The man fell silent. Gerlof thought that, for a little while, he had felt as if he were chatting to just anyone, as if the man were an ordinary visitor — but every time there was a silence, the tension was there again.

‘It was brave of you to come here,’ he said eventually.

The man didn’t respond, so Gerlof went on, ‘I hope you can come back... To the island, I mean.’

‘That’s my goal,’ the man said. ‘To come home. Prison... that’s not a home.’

Gerlof had made a decision.

‘You asked if I hated you. I think it would be miserable to sit here in the sun, towards the end of my life, hating people.’

The man nodded; perhaps he was relieved. He got to his feet and gazed around the garden. ‘I’ll go back the same way I came, past the old mill... and the cairn.’

‘They’re still there,’ Gerlof said.

He raised a hand to wave, and his visitor was gone.

The Homecomer

It was late in the evening, and the Homecomer was reading the local paper. It was on sale in the shop at the Ölandic Resort, and he had been buying it in order to follow the problems with the drinking water. However, he had found another interesting article in yesterday’s paper. The headline had caught his attention:

He looked at the photograph again and saw an old man leaning on his walking stick among the graves in a churchyard. Marnäs churchyard. The man had told the reporter an old story.

The Homecomer recognized the man after all the years that had passed, and he remembered the open grave.

He shivered, even though it was still warm down by the sea. He could feel the dead reaching out, clutching at him with invisible hands.

Terrifying noises echoed inside his head.

The sound of knocking from inside a coffin.

He had never been back to that churchyard, not in seventy years.

He felt alone. He was alone. Pecka and Wall were dead. Rita had left the island. He missed his wife and his child, but of course there was no way he could see them.

The road was dark and deserted.

The Homecomer didn’t have a telephone of his own, so he was standing in a kiosk. He had called Directory Enquiries to ask for Gerlof Davidsson’s number. He picked up the receiver and keyed it in.

The New Country, November 1936

The Trotskyites are standing in a line, silent and frozen. The wind is bitterly cold, but they are wearing only their dirty underclothes, so that none of them can hide any kind of weapon. Spindly legs, trembling arms. They are not only undressed, their hands are bound with wire. Sometimes a metre-long rope binds two prisoners together, so that when one of them falls his or her neighbour is almost pulled down, too. But not quite.

Vlad has noticed that, when an enemy falls forward, the man or woman attached by the rope always struggles to remain upright, standing with their feet wide apart and fighting to keep their balance. Often, they take a step to one side, as if the enemy who is still alive wants to get as far away as possible from the one who is already dead.

It is strange, Vlad thinks as he lowers the Winchester, that an enemy wants to live as long as possible. Even if it is only for a few extra seconds on the edge of a newly dug grave, where death is already clutching at them.

A deserted gravel pit — this is where the prisoners are transported to from the camp, in a steady stream of trucks. This is where they are lined up and shot, in a forest south of the camp, north of Lake Onega.

The end of the world.

Vlad is happy to get out of the camp, but the battle against the Trotskyites is no easier out here than it is in there. Arctic winds blow across the sand, and the young NKVD guards accompanying him just want to get the day’s work done and go back to the barracks.

Vlad is wearing two freshly laundered linen shirts, a well-worn but warm army greatcoat and sturdy new boots. He is protected from the wind, and the job he has to do makes him even warmer. He raises the rifle, takes aim, fires and lowers it, over and over again.

The guards are standing three paces away, with their guns trained on the prisoners. The most effective method would be to walk right up to each one and place the barrel of the gun against the back of the neck, of course, but operating from a short distance away means that the person firing the shot does not get dirty.

In Vlad’s opinion, it ought to be impossible to miss even from three paces away, if you hold the gun steady. But a guard will move the gun surprisingly often, so that the enemy is hit in the back, or the shoulder, or not at all. The prisoner jerks, but remains standing.

This is bad. Vlad never misses. He is in charge here, which means he is the one who has to step forward and fire a second shot.

On these cold autumn days, many of the prisoners seem to be foreigners, immigrants from the west who came to seek their fortune in the new country: Polacks, Germans, Canadians. A few Americans, some Norwegians and an endless stream of Finns. Sometimes, as Vlad raises his gun, he sees a prisoner turn his head. In spite of the fact that all hope is gone, someone starts pleading for their life, offering love or money, or simply begging for mercy.

Occasionally, he hears muttered prayers in Swedish or Finland-Swedish. Aron would like to stop and listen.

But Vlad does not listen to the enemy; he simply takes aim and silences the flow of words.

The guards have brought white cabbage, tinned meat and vodka to the gravel pit, and while a team of prisoners is busy shovelling sand over the bodies Vlad and his men can sit down and eat. After his time in the labour camp, he has built himself up with regular, decent food, but he still doesn’t drink alcohol. He gives away his ration to his colleagues. This makes him popular, but it also means that the aim of some guards is even worse after their break.

At the end of this particular day, a black car sweeps into the gravel pit. Commandant Fajgin steps out, accompanied by two other men. One is short, the other tall.

Fajgin stands swaying by the car for a moment. He is the camp commandant now; Polynov was dismissed because of his drinking, but Fajgin has not learned from this. He has started to work his way through his predecessor’s stock of vodka. Right now, he is talking and gesticulating, but his two companions appear to be treating him like thin air. They step forward to watch the last prisoners fall.

Vlad recognizes the shorter man: Grigorenko, a local Party secretary. The tall man is younger, thirty-five or forty, and is wearing a neatly pressed NKVD uniform with four stripes on the collar tab. A major.

Eventually, the trio begins to move towards the grave and the guards.

‘Attention!’ Fajgin bellows.

So this is an inspection of men and weapons. Perhaps the major has been instrumental in sending prisoners to their final destination and wants to see how they are dealt with.

But, in fact, he wants more than that.

Vlad realizes later that Fajgin must have boasted about his being a crack shot, because he jerks his head in Vlad’s direction. The major stops in front of Vlad. He has a dark-blue scar running across his forehead, possibly from a blow with a sabre during the civil war. He looks Vlad and the old army greatcoat up and down with a critical expression, then turns his attention to the battered rifle, still warm in Vlad’s hands.

‘You never hesitate, Comrade?’

‘No, Major.’

‘You are always on your guard against the enemies of our country?’

‘Yes, Major.’

‘You work hard and sleep well?’

‘Always, Major.’

The officer nods. He reaches out a black-gloved hand and draws Vlad to one side, away from the others. ‘Are you happy here in the north, Comrade Jegerov, in the cold and the wind?’

Vlad understands that he can be honest on this occasion, so he shakes his head.

‘The People’s Commissariat needs more people in Leningrad,’ the major says. He makes a point of turning his back on Fajgin, and adds, ‘We need people with a steady hand, people who can do their job. People who are sober.’

‘I drink nothing but water,’ Vlad says.

‘Comrade Jegerov,’ the major says, leaning closer, ‘do you know what chernaya rabota is?’

‘No, Major.’

‘It is secret work in Leningrad. Black work. Hard work with long hours, often at night, in the fight against the enemy.’

Vlad stands up very straight.

Leningrad. The big city. And the gateway to Aron’s homeland.

He is ready.

Gerlof

It was Saturday evening, and Gerlof was in his cottage, after spending another oppressively hot day in the garden. His head and body felt stupefied by all the long, sunny days. They sucked all the energy out of both him and nature.

He was just about to go to bed when the phone rang, which was unusual at this late hour. The boys were in their rooms, so Gerlof picked up the receiver and answered quietly, ‘Davidsson.’

His hearing aid was still switched on, but there was only silence in his ear. No voices, just a faint rushing sound in the background.

‘Hello?’

Silence.

Who would call at this time of night and not introduce themselves? It was unlikely to be John, or either of his daughters. Gerlof began to suspect who was on the other end of the line.

‘Aron?’ he said.

There was no reply, but he was still convinced.

‘Aron,’ he said again, more firmly this time. ‘Talk to me.’

After a few long seconds, a male voice spoke in his ear. ‘So you remember the knocking.’

Gerlof swallowed in the darkness; his mouth was suddenly dry. It was an old man’s voice on the phone, but it was as hard as granite. The voice of a battle-scarred soldier.

He took a deep breath. ‘Yes. And so do you.’

‘I do.’

Gerlof waited, then went on. ‘You were frightened that day, when you and I were standing in the grave on the lid of the coffin. We were both frightened, weren’t we?’

Another silence, then the voice spoke again. ‘Kloss was knocking because of me.’

‘What do you mean?’ Gerlof said.

‘He wanted to scare me away.’

‘Why?’

There was no reply, but he heard something else in the background, a faint buzzing sound. Some kind of electrical machine had been switched on near the phone, and the buzzing was accompanied by a muted metallic whinnying.

Gerlof continued, ‘Edvard Kloss died when a barn wall came down on top of him. I’ve always wondered if it fell over by itself, or if someone gave it a helping hand...’

He paused, but there was still no response.

‘According to the gossip, it was one of his brothers. Either Sigfrid or Gilbert had loosened the props that were holding the wall up, and gave it a push when Edvard was standing in the right place... But, of course, it could have been someone else. Some disgruntled worker.’

The rushing sound and the strange buzzing were still going on.

‘I found out recently that your stepfather, Sven Fredh, used to work for the Kloss brothers, and that he moved the old cairn for them. But that didn’t go too well, did it?’

‘It fell down,’ the voice said. ‘The brothers were on Sven’s back all the time; they really got to him, and he couldn’t work out how to arrange the stones. They started rolling towards his legs, and he ended up with a limp for the rest of his life.’

‘And Sven wanted compensation from Edvard Kloss?’

‘Yes, but of course Kloss insisted it was Sven’s fault.’

‘You were injured, too, Aron... I remember the day we met up in the churchyard — you had a long scratch on your forehead. How did you get that, Aron?’

Silence.

‘It’s so long ago,’ Gerlof said. ‘I think you can tell me now.’

For the first time, the voice at the other end of the line sounded stressed. ‘It was after the barn wall had come down. When I crawled in underneath it.’

‘So you were there that night?’

‘Yes. But I didn’t bring the wall down on top of Edvard Kloss.’

‘In that case, it was Sven,’ Gerlof said. ‘He brought the wall down, then he sent you in to get Edvard’s wallet. Is that what happened?’

‘Yes. Edvard had to pay.’

‘Pay what, Aron?’

‘What he owed Sven for his crushed foot... and for my mother.’

Gerlof listened, trying to think. ‘So he had harmed Astrid in some way?’

‘Harmed?’ the voice said quietly. ‘You could say that.’

Gerlof didn’t ask any more questions. He had already suspected who Aron Fredh’s father was; it wasn’t the first time a serving girl had ended up pregnant by the master of the house.

‘So Edvard Kloss was your father. Was he your sister Greta’s father, too?’

‘Everyone knew,’ the voice said. ‘But he always denied it.’

Gerlof sighed. ‘I know you feel bitter towards him, Aron. But Edvard’s grandchildren have nothing to do with these old grievances. You do realize that, don’t you?’

Once again, there was a long silence before Aron spoke. ‘Those grandchildren took the croft away from me. They took everything I had here.’

Now it was Gerlof’s turn to keep quiet. What could he say?

‘And you took a ship from them,’ he said eventually, ‘and the crew suffocated in the hold... How could you do that?’

When the voice eventually spoke, there was no trace of regret.

‘The crew were criminals. And they weren’t supposed to be on board; I had to move them below deck. But it was Kloss’s ship, with plenty of cash, and that was what mattered. So we took the money and sank the ship.’

‘Where is she?’ Gerlof asked.

‘Far out in the Sound. Five nautical miles north-west of Stenvik.’ Gerlof sighed again, even more heavily this time. ‘Don’t make any more trouble, Aron.’

The voice didn’t speak for a while, but when it did reply it was every bit as hard as before. ‘I’m doing what I’ve learned to do. I had to make my way out into the world and learn how things are done... I became a soldier.’

‘In Russia,’ Gerlof said.

‘In the Soviet Union. I was a soldier in the new country.’

‘But the war is over now, Aron. There’s plenty of help available; you don’t have to keep on making mistakes. Otherwise, you’ll be hearing that knocking sound for the rest of your life.’

‘I don’t need any help. I haven’t got long left.’ Aron sounded worryingly sure of himself.

‘What are you going to do now, Aron?’ Gerlof said eventually.

The only reply was a click.

Gerlof slowly put down the phone; his hand was shaking. He reached out to open the veranda window, to let in some cool, fresh air.

Out there in the darkness, he could hear the bush crickets chirruping, but he couldn’t see any shadows moving around. The trees, the grass and the plants were resting now, after another trying day in the sun.

Gerlof knew that the plantlife on Öland was tougher than any soldier. Nature would always have the upper hand. If the earth and the plants were in good shape, there would be food. If not, people would starve.

Most things were sparse and tough on the island. There were no plentiful resources to be extracted, and no one had ever discovered oil or a goldmine. Tourism was no more than a moderate success; there were no plans to open enormous hotels or casinos with the aim of creating a Swedish Las Vegas.

It was hard to make a fast buck here and, as a consequence, Öland had escaped the invasions of fortune hunters or armies which had destroyed so much in other defenceless places around the world. There was plenty of sunshine and stone and there were many hardy plants on the island, but not much else.

For which Gerlof was very grateful.

He was also glad that a strong leader hadn’t suddenly appeared, demanding that everyone should report on their neighbour for their own good. Gerlof and his fellow islanders had therefore managed to avoid the difficult decisions which others had been forced to make in uncertain times.

There were a number of guns here, of course, but, fortunately, not many. Nor was the population divided into different sects or tribes, each believing they had a right to more power and higher status than others, and therefore any disputes had been restricted to local village issues. People had argued about land, but those quarrels had never gone beyond harsh words or court judgements.

The island had been lucky, on the whole.

But now there was a problem.

Gerlof closed the window before any mosquitoes found their way in, and picked up the phone again. He felt sleepy but wanted to make one call.

John answered almost right away, and Gerlof got straight to the point. ‘Aron Fredh rang me.’

‘Did he now? Where was he?’

‘He didn’t say... but it sounded as if he was outdoors, in a phone box.’

‘Well, there aren’t many of those around.’

‘No,’ Gerlof said. ‘And the interesting thing was that I could hear something in the background... a kind of humming. Or maybe rattling, with a faint whinny from time to time. I couldn’t work it out, but I’ve been giving it some thought, and I think it might be an electric horse.’

‘An electric horse?’

‘You know, one of those rides for children — you put money in and it moves around for a while.

John was quiet for a moment. ‘There’s a phone box by the shop down at the resort... I think they’ve got some rides there, too.’

‘You mean Aron is staying at the Ölandic? Well, they do say you should keep your friends close and your enemies closer...’

‘Did he sound sorry?’ John wanted to know.

‘Not in the slightest. But at least we talked; we’ll just have to hope that he calls again, even if I am moving back to the home on Monday.’

‘I’ll give you a lift.’

‘Thanks, John. Goodnight.’

Gerlof put the phone down, then went and sat on his bed to think things over.

An old soldier had come home to the island, hell-bent on revenge, spreading fear all around him. No one knew who he was, and no one knew where he was either. As long as it was high season, as long as Öland was packed with summer visitors, he could move around freely. Who could stop him?

The Kloss family?

Gerlof?

Lisa

Lisa didn’t have a gig on this hot Sunday, but of course she had a different kind of job to do for Kent Kloss. She was supposed to snoop around the Ölandic Resort, looking for a particular man.

A man who was old but apparently dangerous.

At around two o’clock, she parked her car by the hotel and walked over to the top campsite. She was wearing shorts and a yellow T-shirt, just like an ordinary holidaymaker. A white baseball cap pulled well down over her eyes and a pair of oversized sunnies meant that she could carry out her task without anyone noticing. She hoped.

The first time she had seen the Ölandic Resort, towards the end of June, the expanse of grass that made up the campsite had been fresh and green, but since then the sun had blazed down almost non-stop. Now the grass was dry and yellow, almost brown in places, and the short blades crunched underfoot as she moved among the caravans.

The campsite felt a bit like a burning desert, quivering in the heat. But following the previous week’s outbreak of gastroenteritis there were plenty of empty spaces, and Lisa could see several families packing up and getting ready to leave. She wasn’t interested in them, of course, but in the guests who were staying.

She was hunting for golf balls in the grass.

It was Kent Kloss’s idea, and she wasn’t sure whether it was brilliant or completely stupid: he had placed a white ball next to each caravan or chalet that he wanted her to investigate. As if the balls had just happened to land on the campsite...

So Lisa kept her eyes on the ground, and after about fifty metres she spotted the first flash of white in the yellow grass. It was next to a fairly new caravan with a small awning.

She stopped a few metres away and glanced around. There was no one nearby.

A risky business, she thought, and wished she could have worn her wig, like Lady Summertime.

She was nervous. Even if the security guards had been told to leave her alone, the occupants of the caravan might turn up. What was she supposed to say then — that she was cleaning?

If the neighbours saw her, she could pretend that this was her caravan and simply walk in. Which would be fine until the real owner appeared.

Lisa couldn’t just stand here, so she stepped inside the awning and tried the door. Locked. In which case there wasn’t much she could do except peer through the window. Very quickly.

She pressed her forehead against the glass. What was she looking for?

‘Anything unusual,’ Kent Kloss had said.

A gun, perhaps, or bundles of notes.

But all she could see was a neat and tidy interior, much tidier than her own caravan, with folded towels and a small pile of books. Empty worktops. No guns.

So she moved on, and found another golf ball at the end of the same row. This caravan was silver-grey and bigger than most of the others; it was almost as broad as hers was long.

The door inside the awning was ajar — only a fraction, but it was obviously not locked.

Going inside was extremely risky.

She looked around. The long expanse of grass between the rows was completely deserted.

OK. She stepped inside.

A fat black fly was buzzing against the windowpane; it rested for a few seconds, then started up again. It wanted to get out into the sunshine, but Lisa didn’t dare open the window. She didn’t dare touch anything, and kept on glancing outside.

Still no one in sight. But if you didn’t lock your door, you weren’t far away. She didn’t have much time.

She noticed a grey blanket on the bed; it looked as if there was something small and round underneath it. She didn’t really want to go that far inside but decided to take a chance. She took three quick steps over to the bed and pulled back the blanket.

The puppy was a dachshund. It had been fast asleep; it gave a start, leapt up on its short little legs and started barking at Lisa.

She backed away in a blind panic, out through the door; she closed it behind her and scurried away across the grass, her cap well pulled down.

The barking died away, but it was several minutes before her heart began to slow down. Fortunately, no one was taking any notice of her.

Only the holiday village left now. There were a couple of suspect older guests staying there, according to Kent Kloss, so Lisa might as well check them out while she was here. She walked down towards the water, past a small grove of ash trees, and reached the chalets.

There was a golf ball lying outside the third one in the first row, as if a player on the course had somehow pulled off a diagonal shot right across the campsite and through the trees.

The chalet looked closed up and empty, but Lisa moved carefully anyway. She stepped up on to the little veranda and tapped on the door. After a short silence, she heard a thud, then the door opened and a man in very small red trunks and with an equally red face peered out. He was in his seventies, tall and thin and completely bald.

‘Yes?’ he said.

Lisa stepped back, but immediately regained her equilibrium.

‘Oh, hi,’ she said. ‘I was wondering if you had any soap powder? I’m staying just over there, and I’ve run out.’

The man stared at her; he looked as if he’d only just woken up.

‘No.’

‘OK, no problem.’ Lisa beamed at him. ‘Bye, then.’

Then she was gone, hurrying away as fast as she could. Had she seen anything suspicious? No. She hadn’t seen anything at all.

The other interesting chalet was two rows down, twenty metres closer to the water. One last white golf ball shone out in the grass. She picked it up as a souvenir, then went up to the door and knocked gently.

No answer.

She glanced around, then pushed down the handle. And the door opened.

Nothing else happened. She stuck her head inside.

‘Hello?’

No response. No barking dog, and the bed was empty. If she saw a blanket, she certainly wasn’t going to lift it up, but she might as well have a quick look.

The place was neat and tidy; the bed had been made, and there was a suitcase next to it, but no sign of any other personal effects. Oh yes — there was a rucksack on the worktop in the kitchenette, next to over a dozen bottles of mineral water and some kind of red pump.

The rucksack was made of black leather and looked full.

Lisa always found suitcases and bags tempting, of course. There might be anything in there. Money. Jewellery. Rubbish.

She checked once more to make sure there was no one behind her, then slipped inside the chalet. She took off her sunglasses, went over to the worktop and opened the rucksack.

It contained a couple more bottles of water and a man’s clothing: rolled-up flannel shirts, jeans, sweaters. But she could also see something pale down at the bottom; it looked like wood. She took it out.

A wooden box. A snuff box? It was old and scratched.

And there was something else underneath it; a shiny metal tube was sticking up, and at first Lisa thought it was some kind of pipe. Then she realized she was staring at a gun.

A revolver.

She didn’t pick it up. She backed away, still clutching the box. She just wanted to get out of the chalet; she had seen enough, and she had no intention of getting caught again this summer. She didn’t feel safe, because if the door had been left unlocked, perhaps the occupant had just popped out for a few minutes and...

She turned around and shot outside.

There was no one in sight. Lisa kept her head down and moved about thirty metres away, to the edge of the forest. She stopped in the shade of a tall ash tree and took out her mobile.

‘Kent Kloss.’

His voice was loud and authoritative, but she spoke quietly. ‘It’s Lisa Turesson.’

‘Yes?’

‘I think I’ve found something.’

‘On the campsite?’

‘In one of the chalets — the last one. I’ve just been in there, and I...’ She fell silent.

She saw an old man; he had appeared from behind the trees and stopped in the shade. And he was looking at her.

Lisa recognized him. At first, she couldn’t work out where from, and then she realized that she had seen him from approximately the same distance a few weeks ago, at midsummer. The man had been standing out on the rocks by the shore, in the fenced-off part of the resort.

He set off towards the chalet she had just left. Lisa was horrified when she saw that she hadn’t closed the door behind her. It was standing wide open, like a warning signal.

The man disappeared inside.

‘He’s here,’ she whispered. ‘He’s back.’

‘Keep him there,’ Kent Kloss said. ‘We’re on our way.’

Lisa stood there, not knowing what to do. Keep him there? How the hell was she supposed to do that?

After less than thirty seconds, the man emerged from the chalet.

‘I can’t,’ she said into her phone. ‘He’s leaving.’

It was definitely the man from the shore. Aron Fredh, if that was his name. An old, white-haired man with a compact body; he looked strong, in spite of his age. He was moving fast, away from the chalets and up towards the car park. In seconds, he was hidden by the trees.

‘Stop him,’ Kloss said in her ear.

‘I can’t,’ she said again.

She didn’t move. Aron Fredh had a revolver in his rucksack, and she had taken enough risks already today.

She opened her left hand and looked at the object she had taken from the chalet. A small wooden box. She turned it over; there were stains on the bottom. Snuff, perhaps, or oil. Or blood.

Gerlof

The cottage was full of people again. Lena and Julia had arrived with their husbands for two weeks’ holiday with the children. They had all had morning coffee, and his daughters had helped Gerlof pack his bags, so now there was nothing left to do before he set off for Marnäs. He had glanced at his phone from time to time, but it had remained silent all morning.

John Hagman looked at him. ‘Ready to go?’

Gerlof nodded. ‘Back to the institution.’

As they drove away from Stenvik and the cottage, Gerlof watched the bright landscape passing by and wondered if summer was over — as far as he was concerned, anyway. Time passed so quickly during this late phase of his life.

The residential home was bathed in sunlight, its windows shining. The car park was empty, and the place felt deserted when he walked in. At first, he couldn’t understand why, then he realized that many of the staff were on holiday.

Most of the residents were still there, of course, dozing in the heat. As he passed the coffee bar, he saw Raymond Matsson sitting at a table with a younger relative who had come to visit. The relative must have been in his fifties, but could well be a grandchild, as Raymond himself was ninety-seven years old.

The relative leaned forward and yelled in a voice that sounded as if it were coming through a megaphone, ‘Have you eaten today, Raymond?’

‘What?’ Raymond raised his head. ‘Beaten? Who’s been beaten?’

‘No, Raymond, I’m asking you... have you eaten?’

Gerlof moved on, without waiting for Raymond’s answer.

It shouldn’t be like this, he thought; younger people shouldn’t be yelling at the elderly. Raymond ought to be sitting there talking about his long life, about everything he had learned from having experienced almost the whole of the twentieth century, from horse-drawn carriages to space shuttles. But perhaps Raymond had nothing to say in spite of all that, no wisdom to share.

What did Gerlof have to tell?

Only that both the summer and the century had gone so fast. The six weeks he had been away from here, on parole in the summer cottage, had felt like six minutes.

He followed John, who had unlocked the door of his room and carried his suitcase inside.

‘Gerlof!’

He heard a voice behind him as he was about to go in. It was Boel, the supervisor of the home, and she was smiling. She even winked at him.

‘So you couldn’t stay away any longer?’ she joked.

Gerlof nodded. ‘I gave up.’

‘Now it’s my turn to escape,’ Boel said. ‘I’m going on holiday on Friday; my husband and I are off to Provence.’

‘Have a lovely time.’

‘What about you?’ Boel said. ‘Have you had a good rest?’

‘Yes, I feel fine. I take after my grandfather.’

‘So, he was big and strong, like you?’

‘Tough rather than strong,’ Gerlof said, launching into a story. ‘When my grandfather was eighty years old, he was out fishing all by himself one day, just off Blå Jungfrun. A storm blew up and his skiff capsized. But my grandfather wasn’t afraid; he simply swam ashore, towing the boat behind him, then lay down underneath it on the shore. He couldn’t light a fire, because his matches were wet, so he lay there for three days with no food, all alone, as the storm raged and his clothes slowly dried out. When the wind dropped he rowed home to Stenvik, and he was perfectly fine.’

‘Impressive,’ Boel said.

‘He was a good role model,’ Gerlof said. ‘And I’ve been working on my gig this summer.’

Boel stopped smiling. ‘Don’t even think about going out in it on your own. Not at your age.’

She moved on, and Gerlof went into his room. John was pulling up the blinds.

Everything looked just the same as usual. The long plastic mat was still there in the little hallway, the bathroom was clean, and all the framed diplomas that gave him the right to command a ship at sea were in their proper places on the walls.

The telephone was still there, too. Gerlof went over and picked it up and got a signal straight away. Good.

‘I’ve told Julia and Lena that if anyone rings the cottage asking for me they’re to pass on this number.’

John nodded; he knew exactly who Gerlof meant.

‘What else are you going to do?’

‘It’s back to the bottle for me, I think.’ Gerlof pointed to his desk, where he was working on another ship in a bottle. This one was a two-masted schooner; he had almost finished whittling the hull, and the next job was the masts and the rigging. Then came the tricky task of getting the ship in through the narrow neck.

But he would also have plenty of time to think about Aron Fredh.

Gerlof could try to persuade himself that Aron had done what he came to do and had left the island, but he didn’t believe it. Not as long as Kent Kloss was still around.

Lisa

Kent was sitting in Lisa’s caravan, weighing the old wooden box in his hand. Lisa was perched on her bed, as far away from him as possible. Kloss didn’t look well; there was a hunted expression in his eyes. And he stank of booze again this evening. Of a lot more than one Cosmo.

He looked at her. ‘So this was in the rucksack in his chalet?’

‘Yes.’

‘And you saw a gun in there, too?’

Lisa nodded.

‘What kind of gun?’

‘I don’t know... a revolver?’

Kent’s expression was far from pleasant. ‘You should have taken that as well.’

‘I didn’t have time.’

He stared at the box and sighed. ‘Aron Fredh registered as Karl Larsson when he rented the chalet. He paid cash, and didn’t give a home address. That meant he could stay at the Ölandic, go anywhere he wanted, and spy on us... But if he comes back, we’ll have him.’ He glanced up. ‘What else did you see in the rucksack?’

‘Not much... Some clothes, and several bottles of water.’

Kent smiled wearily. ‘I’m not surprised he had his own water; after all, he’d poisoned ours... We know how he did it now.’

‘Did what?’

‘How he caused the gastroenteritis epidemic,’ Kent explained. ‘He brought a high-pressure pump in with him, then all he had to do was unscrew the pipes in the chalet, then pump water polluted with dung all through our system.’

‘It affected the staff, too,’ Lisa reminded him.

‘Yes, but the guests were his priority.’ Kent rubbed his eyes, as if he hadn’t slept for several days. ‘We’ve purified the water now, but of course a lot of people have already left. So this is a lost season, as far as we’re concerned... A complete waste of time.’

Lisa looked at him. ‘Why did he do it?’

‘What?’

‘I mean... He must really hate you.’

Kent’s eyes were weary and red-rimmed, but his expression was dark. ‘That’s not something you need to concern yourself with,’ he said. ‘That would be a mistake.’

‘OK.’

Kent stared at her for a long time, then he glanced down at the wooden box again. ‘I’ve seen this before.’ He pointed at the double cross burned into the bottom. ‘This is our house mark. My grandfather had one exactly the same; all three Kloss brothers had a snuff box made of apple wood. But Sigfrid’s and Gilbert’s are on a shelf in my kitchen. Edvard’s was missing — until now.’

He weighed the box in his hand and added, ‘Sigfrid, my grandfather, always carried his box with him. I assume Edvard did the same.’

‘So what does that mean?’

‘It means that Edvard Kloss had this box with him when he died. And that Aron Fredh was there, and took it.’

In the silence that followed, Lisa considered asking how Edvard had died — whether Aron Fredh had murdered him, perhaps — but she decided to say nothing.

Kloss was beginning to look quite pleased. ‘At least he’s on the run now. We’re watching the chalet, so he can’t come back there.’

‘Maybe he’ll leave the island,’ Lisa said.

Kloss didn’t reply. Lisa was relieved when he got to his feet and moved towards the door. She still remembered the slap he had delivered, and she couldn’t relax when Kent Kloss was around.

‘So we’re done?’ she said.

Kloss stopped in the doorway. ‘Not exactly.’

‘What do you mean?’

‘We haven’t finished yet.’ Kloss was smiling, but the hunted look was still in his eyes. ‘Keep working,’ he said. ‘I’ll be in touch.’

He walked out and shut the door behind him.

Lisa stayed where she was, feeling the walls of the caravan closing in on her. The heat was oppressive; it felt as if some kind of explosion were imminent.

Jonas

There wasn’t a sound. It was quarter past ten, and the sun had gone down; a white half-moon was drifting slowly across the Sound, occasionally veiled by thin, wispy clouds. The heat along the coast had been swept away by a cool sea breeze this evening.

Jonas was lying in his little chalet, listening to voices chatting and laughing on the coast road. Boys’ voices, but deeper than his own.

It was his brother, Mats, and their cousins. They were down on the ridge with some of their friends from other houses in the village. They all had their bikes and mopeds with them; the older boys met up in different places every evening — down by the restaurant or the jetty, or up by the main road.

Jonas had given up trying to keep tabs on them. He was lying on his bed on top of his very own secret: the gun he had found in the bunker. He still hadn’t told anyone about it, not even his dad.

He didn’t know if he could trust his father.

Or whom he could trust, in fact.

The laughter outside continued. Jonas ought to get to sleep, but it was impossible. The air inside the chalet was too warm, and he felt wide awake. Eventually he sat up, reached under the mattress, felt the butt of the gun and pulled it out.

It was big and heavy. He felt as if he had grown in stature, just from holding it.

He tucked the barrel into the waistband of his trousers at the back, then pulled on his shirt. He left it loose, just like the gangsters in films did to hide their guns.

Then he went out into the night.

It was dark, but still mild in spite of the breeze. Dry summer air, with the scent of flowers and herbs.

He could see the group of boys over on the ridge, still laughing. He walked through the garden in front of Villa Kloss, picking his way among a series of marker posts that had been driven into the ground; someone was obviously planning a building project. He crossed the coast road, feeling the gun rubbing against his back with every step he took.

As he got closer, he could see that there were five boys in the group. He recognized Mats, who was sitting on his bike. His brother seemed to have grown taller since midsummer, as did Urban and Casper.

The boys fell silent as he approached.

‘It’s your kid brother,’ someone said.

Nobody said hello, but they all turned to look at him.

Perhaps this was the moment to produce the gun, but Jonas didn’t do that. He just went over and stood between Mats and Casper, as if he were one of the gang.

The boys resumed their discussion; apparently they had been talking about girls.

‘Of course they ought to shave,’ someone said.

‘Under the arms, anyway.’

Someone laughed. ‘And in other places!’

‘I shave under my arms, too,’ Mats said firmly. ‘I mean, you can’t have a girl lying with her head on your arm if you haven’t shaved there... She’d feel as if she had a grizzly bear in her face!’

They were all laughing now. Jonas had nothing to say; he was an outsider.

But he did have one advantage.

He took a step forward and stood next to cousin Casper. He fumbled behind his back and got hold of the gun.

‘Look what I’ve got,’ he said quietly to Casper.

He pulled out the gun. He had intended to hold it up so that everyone could see, but it was too heavy, so he just held it in front of him, with the moonlight shining on the barrel.

Once again, they all turned to look at him, and the conversation about girls came to an abrupt end.

‘It’s a gun,’ he said, in case anyone hadn’t realized.

A hand reached out, but he moved the gun away. ‘I found it,’ he said.

‘Don’t do anything stupid,’ Mats said.

Jonas shook his head — he was in control. He would just press the trigger a little bit, a little bit more...

Suddenly, a bright light swept over the group. ‘What’s all this?’

There was a familiar voice behind the light: Uncle Kent’s. He must have come up from the shore; he was carrying a torch.

Jonas lowered the gun. He would have hidden it behind his back, but it was too late; Uncle Kent had already seen it.

‘Give it to me.’

It wasn’t a polite request. He was already holding out his hand, and he took the gun off Jonas.

Kent drew him aside and leaned closer. Jonas could smell alcohol on his uncle’s breath.

‘It looks real. Where did you find it?’

What could Jonas say?

‘Down in the dip,’ he said eventually.

‘And whose is it?’

‘Don’t know.’

Kent pushed the gun into his waistband, just as Jonas had done.

‘Show me, JK,’ he said. ‘Show me exactly where you found it.’

The boys were all looking at him now; he was definitely the centre of attention. There was nothing to say; he set off along the ridge and down the stone steps. Kent followed him, lighting the way with his torch.

When they reached the dip, Jonas turned north and led Kent to the door of the bunker. It was closed and locked.

‘It was here,’ he said.

‘By the door?’

Jonas shook his head. ‘The bunker was open.’

Kent shone the beam of his torch on the rusty metal door and the padlock.

‘So someone has a key...’ he muttered. ‘Unless they’ve changed the lock.’

He went over and tugged at it, but it didn’t move.

‘There was someone inside,’ Jonas said. ‘It sounded as if he was digging.’

‘Digging? Someone was in there digging?’

Jonas nodded, and Kent stood in silence for a moment, then straightened up. ‘OK,’ he said. ‘Good. Let’s go home.’

Kent turned and made his way back to the stone steps. The gun was still tucked in his waistband, as if it belonged to him now.

The Homecomer

Trapped and frightened... The Homecomer had dreamed the old dream again, the nightmare about a little boy being forced to crawl in beneath the barn wall.

‘In you go,’ Sven had growled, sweaty and stressed in the forest. ‘Get in there and fetch his money.’

Into the darkness. Aron had crawled in over the cold earth, in beneath the hard wooden wall. Past the nails reaching out for him. One of them had scratched his forehead, but he had kept on going.

Towards the body.

Edvard Kloss, his real father, who was lying there underneath the wall.

Trapped. Motionless.

Aron had felt something hard in Edvard’s trouser pocket: a wooden snuff box. He took it, and fumbled in the other pocket, where he found a fat wallet and pulled it out.

At which point the body twitched. There was a whimpering sound, and a hand closed around Aron’s arm.

Edvard Kloss was still alive.

Aron had panicked in the darkness. He raised the hand holding the wooden box and struck at the body. Hit his father on the head, on the temple, several times. Over and over again.

Edvard fell silent, and the hand around Aron’s arm lost its grip.

The Homecomer woke in the car with a start.

His father was gone. He was alone.

The morning sun was finding its way through the birch trees and had reached the car, but its rays did not warm the Homecomer. He remembered too much.

They had found the chalet where he was staying at the Ölandic; he had got away with only his rucksack, nothing more. He had had to leave his shoes, clothes and two guns. And Kloss had stolen Sven’s snuff box.

He couldn’t go back. Nor could he sleep in the car any longer — his old bones were too stiff. If this was his last week on the island (and that was how he felt), then he needed to be well rested.

He needed a proper bed.

He had to find a new hiding place, somewhere in or near Stenvik.

It was seven o’clock, and the summer’s day had begun. Cars and trucks were starting to zoom past along the main road.

The Homecomer started the car. He pulled out of the car park and headed north.

Right now, he was on the run, but it was only temporary.

The New Country, May 1937

After six long years, Aron is back in Leningrad as a new man: Vladimir Nikolajevitch Jegerov. Back by the wide bay leading out into the Baltic Sea — the bay that was the gateway to the new country for Aron and Sven.

Back then, they stayed in a hotel, but now Vlad is living in the barracks while he waits for a single room of his own.

Vlad the soldier has not brought very much with him when it comes to mementoes of the long, hard years in the north. A Party membership card, a uniform, a few minor scars on his face and a torso pitted with the marks left by scratching countless mosquito stings and louse bites. And his name and citizenship, of course. It has become Aron’s name now, his whole identity: Vlad Jegerov. The Swede within him is carefully locked away.

The old concrete buildings in Leningrad are not as tall as he remembers them. The city seems low, stretching out along the banks of the shining River Neva, but new palaces exuding power have been built in honour of Stalin.

Vlad’s workplace is not as beautiful as the palaces, but it is substantial and impressive. It is Kresty Prison, a red-brick five-storey building surrounded by a wall four metres high and built in the shape of a huge cross. On each floor the corridors run straight through the prison, with rows of cell doors on each side. There are thousands of prisoners behind those doors, twenty or thirty men in each cell. Very little noise seeps out, and it takes a death scream to persuade the guards to open them.

The cellar is also soundproofed. That is where Vlad will be working, in the innermost interrogation room. The air is thick with the smell of sweat and blood and cheap cleaning products, and the doors are even more impressive.

The new colleagues Vlad encounters in the corridors are tall and grim-faced, but they have a certain style and elegance; they move gracefully in their dark-blue NKVD uniforms. They glance at his grey coat and worn boots and smile at one another. Vlad realizes he is a country bumpkin.

‘Come in, Comrade Jegerov.’

His new commanding officer, Captain Rugajev, welcomes him into his office and offers him tea and a piece of dried black pudding. The captain carefully studies the new guard’s Party membership book and other documents, giving Vlad the chance to look around the room.

He sees Stalin gazing into the future on the wall behind Rugajev, of course. To the right of his portrait is a poster featuring a Soviet worker dragging a long, venomous serpent out from under a stone, with the caption ‘We will eradicate spies and saboteurs!’

Eventually, Rugajev nods and hands back the papers. Then he smiles at Vlad’s scruffy uniform, just as amused as everyone else in Kresty. He gets to his feet.

‘Look in here, Comrade.’ Rugajev opens a cupboard, which is full of neatly pressed uniforms and shiny leather boots. ‘We were issued with new outfits in the spring as a reward for our hard work. Choose one that fits you.’

Vlad quickly glances along the row and picks out a uniform. Rugajev hands over a gun belt with a leather holster, and a brand-new pistol. A Mauser.

‘There is a great deal of night work here in Kresty Prison.’ The captain nods towards the portrait on the wall. ‘Our leader works late into the night, and so do we.’ Then he nods towards the picture of the worker and the serpent. ‘And that is our job, day and night. But you were hunting down our enemies up in the north, weren’t you, Comrade Jegerov? All the time?’

Vlad nods. He understands what the Mauser is for.

‘Can you type, Comrade?’

‘No, Captain.’

‘Then learn. You will be conducting many interrogations, and they must be documented and filed. Go and see Comrade Trushkin in the morning.’

Before he does anything, Vlad changes his clothes in one of the guardrooms. He takes off his old uniform and puts on his new black boots, billowing blue trousers with sharp, dark-red lines, a light-brown jacket, the leather gun belt with the Mauser in its holster and, finally, the wide peaked cap with a brown band around it and the red star in the centre.

He looks in the mirror and lifts his chin, like a sheriff. Now he fits in here. He is ready.

And there is a lot of work, just as Rugajev said.

The first prisoner Vlad interrogates is an emaciated, worn-down man who is fetched from his cell in dirty underclothes; he was arrested for crimes against Article 58 of the Soviet Penal Code, which is always used when charging enemies of the state.

Vlad positions himself on the cement floor just a metre away from the prisoner, his legs wide apart. Perhaps Rugajev has given him something simple to start with, because this man is already broken. Fear shines in his eyes when he is placed in the interrogation chair.

Vlad hears the rustle of papers behind him. He turns his head; he hadn’t noticed, but an older colleague has entered the room and sat down at a desk over by the wall. He is there to record proceedings and is feeding a sheet of paper into his typewriter.

It is time. Vlad looks at the prisoner. ‘Tell me about your crimes,’ he says quietly.

The man starts talking almost before Vlad has finished, his head drooping. ‘I am a Trotskyite. At the beginning of the year, I decided to sabotage several machines that were absolutely essential for production at my tractor factory in Charkov. I threw hammers and chisels into the machinery, and it was only thanks to the intervention of a quick-thinking foreman that a total shutdown was avoided.’

‘What else did you do?’

‘I recruited several other workers to my Trotskyite group, in order to increase the incidence of sabotage within the factory.’

‘And who are these individuals?’

The saboteur starts reeling off names, and the typewriter clatters into action.

They are given a dozen or so names.

When the saboteur has finished, he seems relieved. He looks up at Vlad. ‘I am evil,’ he says. ‘Aren’t I?’

He is still looking at Vlad, who does not reply.

Aron doesn’t know what to say either.

The typewriter has stopped clattering. In the silence that follows, the last sheet of paper is removed, and the typist hands it to Vlad.

It is time for the saboteur’s signature.

Vlad holds out the document and the prisoner signs it with a trembling hand.

As Vlad watches him sign the confession, he feels better. Standing erect in his new uniform in front of an enemy of the state is terrific. Getting him to admit his crimes is a small but important victory in a major war.

After completing his first few shifts, Vlad begins to learn how to type. How to feed the paper into the roller, how to tap out the words. Comrade Trushkin teaches him with patience, one key at a time.

Grigori Trushkin is a couple of years older than Vlad, a Russian worker’s son who, like many other guards, was trained in the Young Pioneers and Komsomol. He was only four years old when the Bolsheviks brought down the Tsar; he remembers nothing other than the Communist government. After leaving school, he was forged into a young OGPU soldier when the wealthy farmers had to be broken at the beginning of the thirties. Trushkin can discuss Marxism and class struggles without any problem, but he also enjoys chess, and loves to play Stravinsky’s Rite of Spring on his gramophone, in spite of the fact that it has been banned for many years.

‘Stravinsky came from my home town,’ he says proudly.

Trushkin takes Vlad out and about in Leningrad, and does what Sven never did with Aron: he allows him to discover the city.

The heels of their boots tap loudly on the wide, cobbled streets of Leningrad, and their blue uniforms make them highly visible. They are never stopped by the police and asked to show their identity papers, not once. They merely nod, like colleagues. And all around them on the pavements, ordinary citizens lower their voices and glance away nervously.

Vlad feels good when he is with Grigori Trushkin. So does Aron. They wander along the quayside by the River Neva and visit a dimly lit teahouse, eventually ending up in a smoky restaurant where vodka glasses are frequently raised — but Trushkin doesn’t drink as much as many of his colleagues. He prefers hot chocolate.

Later, in a grocery shop in the city, Vlad finds anchovies and smoked eel from the Baltic. He buys some pieces of fish and savours every mouthful — and suddenly Aron is thinking of the island across the sea, and his own shore.

He ought to get in touch, write home to his mother. But it’s impossible, of course. Countries outside Russia are full of spies, and anyone who is in contact with foreigners also becomes a spy. Letters are much too dangerous.

After three months’ hard work, Vlad is given a reward by Rugajev: a watch, presumably confiscated from an enemy of the state. He places it on his left wrist so that he will know what time it is when he is interrogating prisoners or writing up reports.

The pressure is increasing from above, with constant demands to elicit more and more names.

Comrade Trushkin conducts interrogations that are at least as harsh as anyone else’s, but one evening, as Vlad is about to run and catch him up a few blocks to the north of Kresty, he sees Trushkin stop by a park bench, then bend down and drop something on the ground before quickly moving on.

Vlad walks up to the bench and picks up an envelope addressed to a woman in Leningrad.

He stares at the name: Olga Bibikova. He recognizes the address; he has written it down himself after an interrogation.

Maxim Bibikov’s wife. But Bibikov is dead; he got a bullet in the back of his neck three days ago.

Vlad doesn’t understand, so he hurries along and catches up with Trushkin. ‘Comrade.’ He holds up the letter. ‘What’s this?’

Trushkin looks, and smiles like a shy schoolboy. This is unusual.

‘It’s just a letter.’ He grabs the envelope and slips it in his pocket. ‘I leave it in a dry spot on the street in the hope that someone will find it and post it.’

‘But why?’ Vlad asks. ‘What kind of letter is it?’

Trushkin laughs, quietly and nervously. ‘It’s just a message.’

‘About what?’

‘I wrote and told Bibikov’s wife that he died of tuberculosis,’ Trushkin says. ‘So that she won’t have to keep wondering what’s happened to him.’

Vlad looks around; there is no sign of anyone else in a blue uniform. Vlad wants to move on, but Aron makes him stay, ask more questions. It transpires that Trushkin has written a series of anonymous letters to the relatives of those who have been executed, informing them that their husband or father has passed away following a heart attack or a lung infection. Short letters, admittedly, but still...

‘It saves them wondering what’s happened,’ Trushkin says again, with a shrug. ‘It’s just to give them peace of mind.’

Aron nods silently, but Vlad is furious. Letters are dangerous. They leave a trail. And he knows that this is wrong, writing letters and sympathizing with the enemy.

‘Stop writing them,’ he says to Trushkin. ‘Immediately.’

Sympathy is the wrong attitude — it means the battle is lost.

Vlad refuses to participate in this particular battle, in spite of the fact that anxious wives and parents regularly turn up at the prison. They stand there with warm clothes and food parcels for the prisoners, pleading for help. As a guard, Vlad is used to it. He listens to them, his face expressionless, and gives the response he has been taught to give: ‘Razberemsja. We will take a closer look at this case.’

Silently, he wonders, how can these people still be at liberty? They are related to criminals; they should all be arrested. This does happen frequently, but there are still many left out there.

Why haven’t we seized all our enemies yet?

Vlad must not lose his grip, not here at Kresty in his uniform. If a woman with frightened eyes stops him in the street, perhaps with a child in her arms, he simply stares her down and goes on his way.

And if she won’t give up, if she calls after him and catches him up, he stops, plants his legs in their shiny boots wide apart, and replies, ‘I’m sorry. Your husband has been moved elsewhere.’

Which is always true.

Gerlof

As the sun blazed down on the landscape outside the windows, Gerlof drifted around the corridors of the residential home. It was cool and airy inside, and it was easy to get about. There were no raised thresholds, no stones, no clumps of grass — but it was lonely. Very little happened.

He had few visitors. John was busy with the shop and the campsite, and Tilda was away on holiday. His daughters popped in, but they were always on the way to somewhere else.

There was a poster by the main door advertising a course that was due to begin in August: ‘Make Friends with the Net’. Gerlof assumed it didn’t have anything to do with learning to fish.

He missed the talks they had during the rest of the year. Veronica Kloss had come in to talk about her family history, and it had been really interesting. Now, of course, he knew quite a lot more about the Kloss family than she had mentioned that day.

There was a small library in the home, so he went down there and found a book by an Anglo-American historian, Robert Conquest, about the Soviet Union in the thirties. He borrowed it and took it up to his room. He wanted to know what kind of life Aron and Sven Fredh had encountered when they reached the new country, and the title of the book made him fear the worst. It was called The Great Terror.

One quiet Friday towards the end of July, Gerlof took the lift down to the ground floor. It was just as cool and quiet down there. Using his walking stick for support, he made his way slowly along the corridor. Greta Fredh’s room had been almost at the end, if he remembered rightly. It was now occupied by someone called Blenda Pettersson, according to the name on the door.

He remembered what Aron had said on the phone: ‘They took everything I had here.’ He had meant the croft by the shore. Nothing else. Hadn’t he?

Gerlof looked at the nameplate, but didn’t knock.

‘Hello there — are you lost?’

A dark-haired, tanned young woman was smiling at him; she was wearing a red uniform and was obviously a temporary member of staff.

Gerlof shook his head and introduced himself. ‘I live upstairs,’ he said. ‘I’m just having a little wander round, calling in on my neighbours.’

‘Oh, I see. Our residents down here tend to spend most of their time in their rooms; the heat makes them very tired. Do you know Blenda?’

Gerlof shook his head again, but the girl had already opened the door. ‘We can go in, I need to check on her anyway... Hi, Blenda!’

Gerlof felt like an intruder, but followed her anyway.

He walked into a small apartment that was almost an exact replica of his own: a hallway with a worn plastic mat, a spacious bathroom with an adapted shower on the left, and a bedroom beyond the hallway. A woman with thin white hair was slumped in an armchair.

Gerlof couldn’t work out whether she was awake or not. The girl chatted away to Blenda, but got no response. She tidied the bed, filled a glass with water and set out several tablets. Then the visit was over.

But Gerlof lingered outside the door. ‘The lady who used to live in this room before Blenda... Greta, wasn’t it?’

‘Greta Fredh, that’s right. She died last summer, when I was filling in over the holidays. It was in the middle of August.’

‘Did she have a fall?’ Gerlof asked, vaguely remembering something Sonja Bengtsson, the gravedigger’s daughter, had told him.

‘That’s right.’ The girl lowered her voice, as if Death might be listening. ‘Greta fell and hit her head in the bathroom. The lock might as well have been glued shut; we had to send for a locksmith to let us in... but by then it was too late.’

Gerlof looked at the door. ‘Did Greta have any visitors? Any relatives who sometimes came to see her?’

The girl thought for a moment. ‘Veronica Kloss used to come and read books and magazines to her... You know, the woman who runs the Ölandic?’

Gerlof nodded. He knew very well. ‘But they weren’t related, were they?’

‘Greta sometimes claimed they were, but she was very confused towards the end.’

‘Any other visitors?’

‘Not as far as I know. Not while she was alive. Her brother was here a couple of times earlier this summer, but I think he was just collecting some of her things.’

Gerlof gave a start. ‘Did this brother tell you his name?’

‘Yes... Arnold.’

‘Aron,’ Gerlof said.

‘Oh yes, Aron. But he didn’t say much; he was very quiet.’

‘What did he look like?’

‘Old, but in good shape. Tall and broad-shouldered... He seemed to have lots of energy, even though he must have been getting on for eighty.’ She looked at Gerlof, and quickly added, ‘Mind you, that’s no age.’

‘Age is all in the mind,’ Gerlof responded.

He thanked the girl and set off along the corridor. He saw the name ‘Wall’ on the room next door. Ulf Wall. Who was that? The father of Einar Wall, who had been murdered? Perhaps, because the picture of Einar Wall that the police had shown him seemed to have been taken just here.

Ulf Wall’s door was firmly closed. Gerlof didn’t knock; he kept on going. He was desperate for a cup of coffee, and he could only get one back in his own section.

Jonas

Uncle Kent was wearing a black T-shirt and khaki camouflage shorts; he was almost behaving like a soldier, marching up and down in front of the family and staff at Villa Kloss — and for the first time in days he looked quite pleased with himself, Jonas thought.

‘The alarm is triggered by a motion sensor,’ he said. ‘It’s switched off using a remote control. You have one minute to deactivate it once you step on to our land. It’s also millennium-proof, so it will work after New Year.’

Jonas listened to Kent’s presentation, surrounded by Mats and their cousins, Aunt Veronica, his father, Paulina and a gardener who had only just started working for the family. His name was Marc, and he came from somewhere abroad; he was muscular and very tanned.

They were gathered in the garden at the front of the house, which currently looked like a moonscape. The grass, the shrubs and the viper’s bugloss were gone; everything had been ripped up and replaced with fine gravel. Over the past few days, Jonas had realized what the temporary markers that had appeared the previous week were for.

They had now been replaced by a dozen small posts, buried in the ground with only a couple of centimetres showing. They were made of black plastic, but Jonas thought they looked like the wooden poles in a gill net.

‘Sensors’, that’s what Kent called them. He reminded everyone several times that they were extremely sensitive, then pointed to a panel next to the garage.

‘This is the control panel for the external alarm. You use one code to activate it and a different one to switch it off.’

He pointed towards the house.

‘The control panel for the intruder alarm is on the wall just inside. You open the door and switch it off. It covers the guest chalets as well.’

He gazed at the assembled group. ‘Good,’ he said. ‘So now we have both an external and internal alarm to guard against intruders; everyone will be given the codes. Any questions?’

No one said anything. All Jonas wanted to do was slip away.

‘What about the hares?’

Jonas looked around; his father had put up his hand.

‘I’m sorry?’ Kent said.

‘There are hares all over the place at night,’ Niklas went on. ‘Won’t they set off the alarm when they run across the garden?’

‘Yes,’ Kent said. ‘Which is why we’re getting a fence next week. One and a half metres high, all the way round Villa Kloss, with an automatic gate. The hares won’t get over that.’

Aunt Veronica was standing slightly apart from everyone else; she had remained silent so far. She wasn’t in camouflage gear, just a pale-green dress, and now she was shaking her head. ‘I’m not having some kind of Berlin Wall around my part of the property,’ she said.

‘It’s quite a low fence,’ Kent insisted. ‘Even the boys will be able to see over it.’

Veronica stared at him. ‘Our family is not going to hide.’

‘No, but we do need to protect ourselves until things calm down. This isn’t just a petty quarrel between neighbours, Veronica.’

Her eyes narrowed. ‘Don’t do anything stupid.’ With that, she turned and went back to her own house.

Kent ignored her; he took several small pieces of paper out of his pocket and addressed the group once more. ‘Good, that’s everything, then... Come and collect your copy of the alarm codes.’

Jonas joined the queue; as he was waiting, he looked over at the cairn. It had been quiet there for the past few days; one or two tourists had stopped to gaze at the stones, but there had been no sign of an old man.

‘Can you see anything, JK?’

Jonas turned his head and saw Uncle Kent smiling at him. He was holding out a piece of paper, and Jonas took it. ‘No,’ he said. ‘Not a thing.’

Kent glanced down at the road. ‘I know someone is watching us,’ he said quietly. ‘An old man who sometimes sneaks into the bunker... But we’re going to take care of that particular problem.’

Lisa

‘Are you feeling all right?’

Lisa was playing her guitar at the restaurant in Stenvik. It was Saturday night, and the place was more or less full; there were a couple of empty tables inside, but the outside tables were packed. Presumably, most people were there for the beer and pizza and the view over the bay rather than for the music, but it didn’t matter.

The odd ‘Yeeaah...’ drifted back to her.

‘Good to be here!’ she said into the microphone.

It was all a bit of a cliché, but it did feel good to be there, even if her voice was starting to sound hoarse after several weeks of shout-outs and singing, constantly trying to make herself heard above the hum of conversation. It was much nicer to be out here in the evening sun by the sea, rather than down in the cellar in the nightclub. Any pleasure in playing Lady Summertime over there had completely disappeared.

Here in the village, her audience consisted only of ordinary holidaymakers who wanted to relax. Playing records in the May Lai Bar had been something completely different over the past week; it had felt like playing in a tomb. The upper-class brats who had been there at the beginning of July, throwing their money around, had moved on to Gotland or Stockholm, leaving the place empty and much too quiet.

However, here at the restaurant, there were people to entertain, and she was enjoying herself.

‘Thank you!’ she said in response to scattered applause. ‘And now here’s a song by Olle Adolphson, which you just might recognize...’

It was a warm evening with a golden sunset. Lisa brought out the old Swedish songs about the beauty and fragility of the summer, knowing that all this would soon be over. It was almost August. The summer was short, there was no denying it. Life wasn’t that simple; you couldn’t just drift around doing whatever you wanted while the sun was shining.

She had less than a week left in Stenvik, then she would be going home, back to the city and its exhaust fumes. Back to Silas, to answer his questions about why she hadn’t sent any money, and what she was going to do about it.

The setting sun was in Lisa’s eyes, but she tried to focus on her audience. Most tables were full, but right at the back she could just see a man on his own, with a glass of water in front of him. He was only a dark shadow against the sun, but he was nodding in time with the music.

Was it the man from the campsite? Was he watching her? Did he want the wooden box back?

Concentrate, she thought.

She closed her eyes and sang, trying to forget about the man. Otherwise, she would lose it.

She managed two more songs, with her eyes shut. When she looked up, the man had disappeared.

‘Thank you!’ she shouted, and it was over. She slid off her stool and made her way into the darkness of the restaurant.

Niklas Kloss was standing by the till. He had seemed tired and distracted over the past week, moving at a completely different speed from the waiters and waitresses and spending most of his time hanging around by the chiller cabinet. She presumed that the outbreak of gastroenteritis at the Ölandic had given the whole Kloss family sleepless nights.

‘Well done,’ he said.

That was it. Time to go home. But as Lisa left the restaurant, someone stepped out of the shadows. A slim figure, moving quietly across the gravel.

‘Lisa?’

It was Paulina, and she was smiling a little uncertainly. ‘Nice music,’ she said.

‘Thanks.’

Lisa wondered how long Paulina had been standing there listening. Why hadn’t she sat down at one of the tables? Was she shy, or didn’t she have any money?

‘You are going back now, Lisa?’ she said, nodding towards the campsite.

‘Yep,’ Lisa said, picking up her guitar case. ‘Back to the caravan for a rest before my last gigs.’

Paulina walked beside her in the darkness, past the maypole with its withered garlands. As they were crossing the coast road, she jerked her head towards Villa Kloss and said quietly, ‘He has a suggestion.’

‘Oh yes?’

Lisa didn’t need to ask who ‘he’ was — Kent Kloss, of course.

‘He has a job for you. For us,’ Paulina went on.

‘Another gig?’

‘No, a different kind of job... here in the village.’

Lisa looked at Paulina. ‘What does he really want? Is he exploiting you?’

Paulina gazed at her for a moment, trying to work out what Lisa meant, then she shook her head. ‘No,’ she said. ‘I’m not like that. I just work for him.’

She sounded so definite that Lisa was sorry she had asked the question and quickly changed the subject. ‘So how did you get the job here?’

‘An advert. He put an advert in lots of newspapers, and I answered.’

‘Just like me,’ Lisa said with a sigh.

Paulina looked at her. ‘He’s going to talk to us soon. He wants more help.’

‘I know,’ Lisa said wearily. ‘I’ve already helped him, down on the campsite.’

She knew that this wasn’t a request for help, of course. Kent Kloss didn’t make requests. He gave orders.

‘He’ll pay,’ Paulina said.

‘Will he, indeed? And is this job legal?’

Paulina didn’t say anything, and Lisa shrugged. Legal or not, she had her price.

‘OK,’ she said. ‘In that case, maybe I’ll help him one last time before I go home.’

The Homecomer

There was a hotel in the village on the coast to the north of Stenvik — a huge white colossus not unlike the Ölandic Hotel, right by the harbour in Långvik.

The Homecomer pulled into the car park, then went into Reception. A young girl in a white blouse and shorts who looked as if she was about to go and play tennis welcomed him. He smiled at her.

‘Do you have any vacancies?’

‘We had a cancellation yesterday evening,’ the girl said, looking at her computer. ‘It’s a double room.’

‘I’m on my own, but I’ll take it.’

‘Excellent.’ The receptionist entered something into the computer. ‘Do you have some form of ID? A driving licence?’

The Homecomer stared at her. He hadn’t been asked for anything like that at the Ölandic.

‘No,’ he said. ‘Nothing Swedish... I’m from overseas.’

‘So you have a passport?’ the receptionist said. ‘We have to register overseas guests.’

The Homecomer didn’t say anything.

Register. That meant they would contact the police. Or Kloss. Had Kent Kloss asked them to keep an eye open for him?

‘It’s in the car,’ he said in the end. ‘I’ll go and get it.’

He backed away and hurried out of the hotel; he could feel the receptionist watching him the whole time.

He got in the car and drove away. Out of Långvik, up on to the main road. There were lots of cars there; it was easy to blend in, become one of the crowd.

Then he suddenly remembered a hiding place where he could stay. He had been there before.

A place near to the Kloss family property but still out of the way.

He turned off the main road, constantly checking in his rear-view mirror. No one.

The New Country, February 1938

Aron has turned twenty, and this year is full of work and news. From the cellar in Leningrad, he hears radio reports of political trials and major purges of Party officials in Moscow. But Vlad himself is promoted to the rank of lieutenant within the NKVD.

This brings privileges. Each month, Vlad receives a book of coupons that he can use to shop at Insnab, the new shop for employees of the state, which sells foreign goods and clothes.

His new rank also brings respect. As an NKVD man, Vlad wears his uniform in the street, attracting brief glances from his fellow citizens — deferential looks from babusjkas, admiration from small boys. He stands for law and order, a symbol of security in a world full of enemies.

But there is a great deal of work. Night work. With Captain Rugajev, Comrades Trushkin and Popov, and all the rest.

The interrogation of the prisoners often takes place in shifts, down in the cellar, with posters on the walls displaying slogans such as ‘TOWARDS THE FUTURE WITH COMMUNISM!’ and ‘CARRY OUT YOUR TASK WITH SOVIET HONOUR!’

Vlad and the other interrogators grow tired, and tiredness makes them violent, but at least they are allowed to rest sometimes. The prisoners are never allowed to rest. A prisoner who must be broken is placed on a hard chair in bright light and is bombarded with questions, often day and night, non-stop:

‘Why are you spying for Japan?’

‘Why didn’t you raise your glass in a toast to the Party?’

‘Why did you laugh at that particular joke?’

The questions are endless.

So is the stream of prisoners. Higher powers in Moscow have established that there are thousands of enemies of the state, perhaps millions. Every NKVD commissariat has been issued with a quota of people who are to be deported and executed, which means that people must be arrested.

The black vans go out every night, picking up more and more enemies of the state and delivering them to the prison. Sometimes they are dressed in expensive furs, sometimes in flimsy pyjamas. Sometimes they have small children in their arms, or following behind them in tears.

Late at night, Aron occasionally hears knocking in the darkness of the cellar, a protracted, quiet tapping. It unsettles him, but every time he approaches the rhythmic sounds they stop.

‘It’s a kind of language,’ Trushkin explains.

‘A language?’

‘The prisoners are talking to one another from cell to cell, tapping out a code on the wall.’

‘Oh?’

‘We try to stop them,’ Trushkin says, ‘but they just carry on knocking.’

Aron relaxes slightly. It is people who are knocking.

The prisoners are processed as if they are on a conveyor belt; everything is organized to be as quick and easy as possible.

All prisoners are examined, stripped naked, their bodily orifices are searched, then they are immediately taken down to the cellar, shaking and terrified. Vlad stands there in his uniform, his black boots firmly planted on the cement floor, and Aron hears him ask the same questions over and over again:

‘Why have you been slandering the Party?’

‘Why did you sabotage the machinery?’

‘What are the names of the agents you recruited?’

When Vlad’s voice begins to grow hoarse, one of his colleagues takes over.

Comrade Trushkin never tires as an interrogator, no matter how long his shift, and Vlad regards him as a role model. Trushkin hurls himself at every prisoner, spitting out question after question:

‘Why did you join the Trotskyites?’

‘Why do you want to leave your homeland?’

‘Why didn’t you think about your children?’

Sometimes, other prisoners are brought in, those who are already broken, to help persuade intractable saboteurs to admit to the crimes of which they are accused.

Sometimes, prisoners who suffer from claustrophobia are locked up in particularly confined spaces, where the walls and ceiling seem to close in around them. Shivering prisoners are put in ice-cold cells; those with a fever are sluiced down with cold water. Torture is an approved interrogation method, and a dubinka, a rubber baton, is used on their backs and the soles of their feet.

There are many methods, but the goal is always the same: to obtain a written confession, the scribbled signature at the bottom of the notes taken during the interrogation, scrawled in ink which is often mixed with drops of blood.

The confession provides proof that the interrogation has gone well. Proof that the enemy is guilty.

Vlad writes down all the names they gabble. Names, titles, crimes.

Then the notes are read and signed by the criminal.

And after that: Vysshaia mera. The ultimate punishment under the law.

The bullet.

The death chamber in the cellar is also used as a barbershop. When the prisoners are led in, they never know what is coming, because the prison authorities have decided that the executioners and the barbers should wear the same uniform.

The door has extra soundproofing and is firmly closed. A gramophone in one corner plays energetic marching music at full volume. The back wall is white and looks harmless, but in fact it is a sheet of plasterboard with timber and a thick layer of sand behind it to catch the bullets.

The prisoners’ fate becomes apparent only when they are forced to stand in a white square on the cement floor, facing the wall, but by then it is too late. Four or five seconds of stillness as the music plays, then the executioner steps forward and fires.

And the gramophone keeps on playing.

Captain Rugajev often selects Vlad to serve in the death chamber, and Aron knows why: his aim is perfect. Many of the guards are less than adept with a pistol and have to use two bullets, sometimes even three. But Vlad takes careful aim.

If it is not possible to shoot a prisoner — perhaps because the body will have to be shown to some foreign diplomat afterwards — then a chloroform mask is placed over the face, and a doctor administers a fatal injection so that the death looks like the result of a sudden heart attack.

After a long shift, the floor must always be washed. Some of the cleaners cannot be trusted, so occasionally a prisoner is given the job, but often the guards have to do it themselves.

One evening, Trushkin and Vlad are working together in the cellar, with a stiff brush and a hosepipe.

‘Do you know what we are, Comrade?’ Trushkin asks as he sluices down the walls. ‘It’s just come to me.’

‘No,’ Vlad says. ‘What are we?’

‘We are like a small part of a combine harvester,’ Trushkin says. ‘Do you know what that is?’

Vlad shakes his head.

‘It’s a fantastic machine. They’ve started appearing on the kolkhozy instead of sickles and scythes. I saw one trundling along outside Moscow last year.’

‘What does it do?’

‘Everything! It’s a single machine that does everything in the fields — the work that one or two hundred farmers would have done. And, of course, it never gets tired!’

Aron pictures a human monster striding across a field, so he asks, ‘What’s it made of?’

‘Iron bars, metal drums and rotating cogs and wheels.’

‘And a scythe?’

‘Knives,’ Trushkin explains. ‘Long rows of knives, so the crop is cut down and fed into the thresher, where the grain is separated from the chaff. Then all you have to do is start baking bread... And when I saw it rolling along, I thought that our organization is like a combine harvester, driven by Comrade Stalin.’ He rinses away the last traces of blood from the corner of the cellar. ‘You and I are the knives.’

Aron brushes the water away. A combine harvester? But it is not enough to thresh the grain, it must also be crushed in order to obtain flour.

Trushkin never tires of the threshing process in the cellar, but after a long, hard summer, at the end of July 1938 he is sent away on a well-earned holiday by the Black Sea. Vlad continues the nightshifts without him.

‘What state are you spying for?’ he asks.

‘What is your codename?’

‘Who recruited you?’

There seems to be no end to the interrogations, or the paperwork.

Aron’s only consolation is that the struggle cannot continue for ever. Peace must surely come soon, and the croft on the island across the Baltic Sea will still be there, waiting for him. The croft and the shore, his sister and his mother. He will go home, when the last enemy is gone.

But they keep on coming. On the night of 4 August 1938, a prisoner is brought down to the cellar with a bag over his head and a coat draped around his shoulders. The bag is nothing new as far as Vlad is concerned; it happens often in the summer when the nights are light and the transportation of enemies has to be carried out more openly.

Otherwise, this prisoner looks like all the rest. He is wearing stained underclothes beneath the coat and his legs are covered in cuts and bruises.

‘Number 3498,’ the clerk says, inserting a new sheet of paper in his typewriter.

Vlad is ready. Three buckets of ice-cold water are standing by the wall and the dubinka is lying on the table. He quickly pulls the bag off the prisoner’s head — and stands there holding it in his hand.

It is Trushkin.

Comrade Trushkin, Aron’s friend, is sitting on the chair in front of him.

Trushkin doesn’t say a word; his lips are cracked, but he looks at Vlad. He is staring straight into Aron.

Aron turns to his colleague. ‘I don’t understand,’ he says.

‘What don’t you understand?’

Aron looks back at Trushkin. ‘I don’t understand why he has been brought here. Why we have to...’

The clerk picks up a document and reads, ‘Prisoner 3498 has been in contact with the relatives of enemies of the people. He has sent letters to them.’

Aron clears his throat, looks into the prisoner’s bloodshot eyes. Comrade Trushkin knows where he is: at the start of the hard road leading to a full confession. He knows that the chair on which he is sitting will get wet, that the floor beneath him will soon be covered in stains.

‘Anything else?’ Vlad asks over his shoulder.

‘Indeed. He was planning a coup from within the organization when they picked him up down in Sochi. He was the spider at the centre of a web of foreign spies... I’m sure we will get plenty of new names tonight.’

Aron nods stiffly. His colleague adds, ‘You two know one another, don’t you?’

‘What?’ Aron says.

‘You and Trushkin. You used to go drinking together in your free time, didn’t you? You’re friends, aren’t you?’

Vlad shakes his head. ‘That is incorrect.’

The room falls silent. He is expecting Trushkin to say something, to open his mouth and protest, but it doesn’t happen. Trushkin merely stares blankly at him.

‘That is incorrect,’ Vlad says again. ‘We are not friends.’

Aron wonders if anyone has the cellar under surveillance. An ear pressed to the door? An eye peeping in through a gap? One of his commanding officers could walk in at any moment, wondering what they’re doing, why nothing is happening — so he walks resolutely up to the prisoner, removes his coat and pulls up his vest. Trushkin’s back is still milky white, free of cuts and bruises.

‘Let us begin,’ Vlad says.

He suppresses Aron’s whining objections. They both know that Trushkin was wrong: they are not parts of a combine harvester down here in the cellar. They are parts of a windmill. They work at the millstones, and Stalin is the master miller. But the mill is driven by the wind, and right now the wind is blowing so hard across the new country that no one can stop it. Not even Stalin.

The quota of enemies must be met, new names are needed, and Vlad can see that Trushkin understands this. They must both do their duty now.

Trushkin is looking down at the cement floor. Only his back is visible.

Aron crawls away, but Vlad steps forward.

He picks up the dubinka and begins the interrogation.

Jonas

Uncle Kent’s wooden decking looked brand new, in Jonas’s opinion. He was very pleased with himself. It was time to move on to Aunt Veronica’s decking; the only thing left to sort out between him and Kent was his wages.

The money.

He had put it off as long as possible, and now it was late evening. Eventually, he went over to the house. There was a faint light showing in the windows of the living room, so he slid open the glass door.

It was hot and stuffy inside; the fans were turned off. Jonas could see bills and sports gear all over the floor and the bag of golf clubs had fallen over just by the door. He listened but couldn’t hear a thing. He was reaching out to switch on the main light when a voice said, ‘Don’t put the light on.’

Jonas stopped and peered into the room. The TV wasn’t on, but someone was sitting in the armchair in front of it.

The cairn ghost, he thought. The cairn ghost has come into the house.

‘Evening, JK — how’s it going?’

Jonas recognized Kent’s voice and took a couple of steps across the stone floor.

‘Fine...’ he said. ‘I’m due to be paid today. For the decking.’

Kent nodded slowly. ‘Absolutely. Come over here.’

Jonas slowly moved closer and saw Uncle Kent get up, swaying slightly. There was an empty bottle on the table.

Kent smiled and took out his wallet. ‘There you go, JK.’

Jonas went over and took the money. ‘Thanks.’

‘You’re welcome,’ Kent said, patting his forehead. His fingers were ice-cold. ‘Are you happy here, JK?’

Jonas nodded.

‘Good,’ Kent said. ‘That’s good. I like people to be happy at Villa Kloss.’ He looked around. ‘I’ve always been happy here. We used to have some wild parties back in the day, me and Niklas and our friends... We used to bring girls down from Stockholm and crack open the bubbly. I had a water bed in those days, as big as the swimming pool. We’d party around the clock sometimes. Have a little nap in the sun in the morning, then start all over again down on the shore at lunchtime.’

He looked at Jonas and wrapped his hand around the back of the boy’s neck. ‘But there is one thing I can tell you, JK, and it’s important. Are you listening?’

Jonas felt as if his whole body had gone rigid, but he managed another nod.

‘One thing I’ve learned,’ Kent said, ‘is that there’s always clearing up to do after a party. The longer you party, the more clearing up you have to do. Can you remember that?’

Jonas held his breath, then said, ‘OK.’

‘Well done, JK.’ Kent removed his hand. ‘I realize you might have been wondering about what happened near Marnäs the other night... me, too. But I only wanted to talk to Mayer, ask him what he was up to. Last season, he stole money from us so, obviously, we had no choice but to sack him. And then this year he boarded our ship in the Ölandic dock, locked the crew in the hold and cast off. So I wanted to speak to him, but he ran away from me, straight through the forest and out on to the road. And then a car came along and...’

Kent looked out at the alarm system in the garden and sighed. ‘Everything’s going to be fine. Things have been a bit messy over the past few weeks, what with all the problems we’ve had in the complex, but it’s all right now... He’s not going to get to us. We’ll retaliate.’

Jonas didn’t say anything. He was thinking about the gun Kent had taken. He edged slowly backwards, away from the hand.

Uncle Kent turned away and sat down again. Jonas kept moving towards the door, past the bills and the golf clubs.

Kent looked around. ‘Where are you going, JK?’

‘Just outside.’

‘Don’t leave the garden,’ Kent said. ‘We have to stay here now; the alarm system will protect us. It’s safest here, inside Villa Kloss.’

Jonas slid open the glass door and quickly stepped out on to the decking, almost bumping into Aunt Veronica, who was on her way into the house.

‘Hi, Jonas — still up and about?’

He smiled at her.

‘You’re starting work over at my place tomorrow, aren’t you? That’s great — I need lots of help!’

Jonas nodded. He was looking forward to it, too.

Veronica glanced into the room, spotted Kent and lowered her voice. ‘How’s he doing?’

‘OK... I think,’ Jonas said.

‘He’s had a lot to deal with.’

‘Yes.’

‘I’ll just pop in and see him... Sleep well, Jonas.’

She went inside and closed the glass door.

Jonas walked across the decking, past the small, faint lights. He looked back through the big window into Kent’s living room. Veronica had gone over to the armchair and was shaking Kent, saying something Jonas couldn’t hear.

Kent muttered a response, but Veronica kept on talking, a serious expression on her face.

Slowly, Kent sat up. He listened to his sister and nodded, without saying anything else.

Jonas stopped spying on them and went back to his own chalet. He was exhausted.

Lisa

It was Thursday night in the May Lai Bar, the midnight hour, and Lady Summertime had only an hour of her shift left. Thank goodness. The purple wig was making her head more and more itchy.

This was Summertime’s penultimate gig at the club, and it hadn’t gone well. The place wasn’t even half full and the atmosphere was non-existent. The dance floor was deserted and, on top of all that, Lisa felt as if she were being watched up in her booth.

Which she was, of course. The security guards were around all the time, and she suspected that Kent Kloss had told them to keep an eye on her.

Lisa bent over the mixer desk; she was making sure Summertime behaved herself. There would be no more little excursions on to the dance floor, and she was keeping her fingers to herself. Staying on the right side of the law was the sensible thing to do, but the excitement had gone.

Half an hour after midnight, Kent Kloss himself arrived, which was unusual, and sat down at the bar. He ordered something from the bartender, slapped a few regular customers on the back and chatted with a couple of the guards who came over to him. Lisa noticed that he was drinking only mineral water; he carried on chatting and laughing, but he didn’t even glance over at the DJ booth. Not once.

Lisa started to feel nervous. Lady Summertime was fumbling with the controls, and the transitions between tracks were anything but smooth.

Eventually, the agony was over.

‘Thank you and goodnight,’ she said after the last song, ‘The End’ by The Doors.

And that was that. No one applauded; the remaining guests finished off their drinks and wandered out into the night. A thick cloud of weariness hovered just below the ceiling.

It’s the heat, Lisa thought, but she knew that wasn’t true. There’s no atmosphere in a half-empty club. She gathered up her records, finishing just as the last guests left the room. But before she could follow them, Kent Kloss came over.

‘Hi, Summertime. Need any help with your bags?’

‘I’m fine, thanks.’

She shook her head firmly, but he followed her up the stairs anyway. They emerged into the warm air and headed for her Passat. A small black shadow flitted past across the night sky — a bat, hunting for insects.

‘Are you behaving yourself?’ Kent said when they reached the car.

‘Absolutely. I’m being positively angelic.’

‘Keep it up. Don’t do anything stupid.’

Kent seemed to be stone-cold sober, but he had stopped smiling when they left the club.

‘At least we’ve been lucky with the weather this summer,’ he said. ‘Everything else has gone to hell in a handcart, but the sun is shining.’ He looked over at the brightly lit hotel and added, ‘Eight pallets of vodka and Russian champagne... Know anyone who might be interested?’

Lisa shook her head. ‘How come?’

Kent smiled wearily. ‘That’s how much we’ve got left. Eight pallets, unsold. We had a major delivery by ship at midsummer, but we’ve sold only half the amount I’d calculated. It was the gastroenteritis... We’d have earned two million this summer, tax-free, if he hadn’t added water polluted with dung to our system.’

Lisa didn’t reply; she just looked at her watch. It was gone two o’clock. ‘I have to go,’ she said.

Kent moved a step closer. ‘Has she spoken to you?’

Lisa unlocked the car. ‘You mean Paulina? Yes, she has.’

‘And you’re in?’

‘That depends.’

‘On what?’ Kent’s voice had a harder edge now.

Lisa knew she had nothing going for her, but decided to give it a try anyway: ‘Then can I go home?’

‘You can go home if you do this,’ Kloss said, ‘or wherever the hell you like. I won’t go to the police. No one will come looking for you.’

Lisa nodded. ‘OK. What do I have to do?’

‘I want you to watch. I want you to keep watch on Villa Kloss, you and Paulina. Aron Fredh is bound to turn up there, I’m certain of it... and you know what he looks like.’

‘And what will you be doing while we’re keeping watch?’

Kent opened the car door for her and leaned closer. ‘I will be setting the trap.’

Gerlof

The telephone in Gerlof’s room rang after coffee time on Friday morning, and he picked up the receiver with a certain amount of trepidation.

‘Davidsson.’

‘Gerlof?’

He recognized both the voice and the accent. It was someone who had come back home to Öland, but not the person he had been hoping to speak to.

‘Good morning, Bill,’ he said. ‘How are things in Långvik?’

‘Fine, but it’s time to say goodbye. The summer is over... I’m heading back to Michigan tomorrow.’

‘That’s a shame. My boat isn’t quite ready yet.’

‘In that case, we’ll have to take her out next summer.’

‘Maybe,’ Gerlof said. ‘If I’m still here.’

Bill laughed. ‘We’re going to live until we’re a hundred, Gerlof.’

‘Look after yourself, Bill.’

‘I always do,’ the American said. ‘By the way, did you get hold of that guy you were looking for?’

‘Yes, I found him. But it turns out he didn’t actually come from the USA; he was in the Soviet Union.’

‘Oh yeah? What was he doing there?’

‘Who knows?... But I suppose he believed in a better future in the workers’ paradise.’

‘I guess so,’ Bill said. ‘Like Oswald.’

‘Oswald who?’

‘Lee Harvey Oswald. He went to the Soviet Union at the end of the fifties, then changed his mind and came back home with a Russian wife and a young daughter.’

It took a few seconds before Gerlof remembered the events in Dallas. ‘You mean the assassin,’ he said.

‘That’s right, the gunman who shot JFK,’ Bill said. ‘But I don’t suppose your guy is planning anything quite so terrible.’

‘Absolutely not,’ Gerlof said, feeling anything but certain.

The Homecomer

Aron was sitting right at the top of his new hiding place. He had made himself at home as best he could, with blankets and a thin mattress, and he had slept well for the last few nights.

He felt safe, strangely enough, like an eagle in its nest at the top of a tree. He could see out towards the bay and the Sound, and inland as well.

This evening there were fluffy white clouds scudding in across the island. Some of them resembled human heads, others distorted monsters.

He could see the children gathering on the shore for their swimming lessons and holidaymakers running along the jetty and jumping into the water, from morning till night.

He could see cars coming and going.

He noticed that some visitors had already started shutting up their summer cottages, getting ready to head back home to the mainland.

The sun would carry on shining for a long time, but summer in the holiday village was almost over.

He gazed out across the Sound. The waves were tipped with white this evening, licked by the wind. The sea was immense and powerful, constantly moving.

Aron’s dream was to die here by the Sound. He wanted to look out across the water, then close his eyes, with peace in his heart. And perhaps it would happen, if he stayed close to the sea for the time he had left, and kept away from his enemies until it was time to face them.

He would be ready. Everything was prepared.

Slowly, Aron began to climb down from the tower, past his bed on the ground floor, out through the door and down the steps. His car was hidden among the trees a short distance away.

He was heading up to Marnäs for one last conversation with Gerlof Davidsson.

The New Country, 1940–45

The war against the counter-revolution has been long and hard, and Vlad is very tired.

So many are gone now. Denounced and condemned. There is a constant insistence that every enemy who is unmasked must give the names of more enemies, who in turn give even more names, like an ever-growing mill wheel.

They have crushed so many.

Trushkin has been shot.

Teachers and scientists have also been shot.

Homosexuals and soldiers have been shot.

Poets, porters and priests have been shot.

So many.

Captain Rugajev, Vlad’s first commanding officer at Kresty, was removed by Zakowski, the top man in Leningrad. Zakowski was then shot by Jagoda, the NKVD Chief of Police; the following year, Jagoda was executed by his successor, the vodka drinker Nikolai Yezhov, a bloodthirsty individual who soon ended up in Lubyanka Prison, condemned to death by the new leader of the NKVD, Lavrenti Beria.

Vlad’s new commanding officer at Kresty has survived for several months in his post. His name is Karrek, and he is a hard-bitten old soldier from the First World War. Major Karrek doesn’t say much, but he always carries a little notebook with him. It is said that he jots down any rumours about his men. Karrek continues to administer the ultimate punishment under the law down in the cellar, often by his own hand.

Trucks trundle away every night, transporting the bodies to a military area outside the city. Vlad has heard that enormous excavators are needed to dig mass graves big enough to accommodate all the corpses.

To think that there were so many enemies, so many traitors.

Vlad is certain that no one suspects him of being a Trotskyite, or an imperialist, or any other kind of traitor to his country. He is loyal to Stalin, to the Party and to his commanding officer; he is no enemy of the state.

He is clean.

And yet. The fear and the doubts are there when he goes to bed, and the walls press in around him. What is Karrek writing down in his notebook? Vlad is terrified of turning up at work one day and being met by evasive glances, by the realization that no one is calling him ‘Comrade’ any longer. After all, he was once a foreigner, and sometimes he isn’t completely convinced that he is not a spy.

He remembers his friend Vladimir, and the question he asked up in the north when Aron said he wasn’t a spy: ‘Are you sure?’

Is he? Aron sees what goes on in the cellar, he notices and remembers everything — doesn’t that make him a kind of spy? Perhaps he is spying for some foreign power that has yet to get in touch with him. If Sven was a spy, perhaps Sven’s secret plan was to place Aron in the Party, so that other agents would be able to contact him later.

These dark thoughts always come at night, when he is lying in his bed. He sees bloody faces floating in the darkness, he listens for the sound of knocking. He waits for the sound of a car stopping outside the building, for footsteps hurrying up the stairs. Loud banging on the door, like knuckles against a coffin lid.

There are sometimes footsteps in the stairwell, but so far no one has come to his door.

What can Aron do, while he waits?

Nothing. He just has to let Vlad get on with his work. Day and night, nothing but work.

On 4 May 1940, Vlad is called into Karrek’s office. The major is sitting at his desk with his notebook in front of him. He gives a brief nod.

‘Come forward, Jegerov.’

Vlad steps up to the desk. He notices a bowl of pickled gherkins, but Karrek doesn’t offer him any. He merely leans back and studies Vlad. ‘How are you?’ he says.

‘Very well, Major.’

Karrek adjusts his cufflinks. ‘I have been called to Moscow to serve in Lubyanka Prison. I am to take over as the commandant. It is a great honour. I need to take a number of men with me, and I have selected the very best.’

At first, Vlad doesn’t understand, but then he stands to attention.

Three months later, Major Karrek is transferred to Moscow. He takes Vlad and two others with him to the capital.

They arrive in a city where a certain air of calm has descended after all the trials and purges. There is far less suspicion, and everyone seems relieved that the threat of war has been removed, now that the Soviet Union and Nazi Germany have become allies.

Perhaps the future has arrived, Vlad thinks. At long last.

The summer of 1941 is scorching. Aron finds it oppressive, as if a thunderstorm is coming. And the storm breaks at midsummer.

On 22 June, Hitler invades the Soviet Union in a lightning attack that sweeps aside all opposition. Polikarpov aircraft are shot down by swarms of Messerschmitts. German Panzer divisions advance across the wheatfields of the Ukraine.

The railway line between Leningrad and Moscow is cut on 21 August. Kiev falls on 26 September.

Aron cannot go home to Sweden now, not even if he is granted safe conduct by Stalin himself.

He is trapped in a country where, for the first time, everyone is affected by the war. There is no bread. Sugar is rationed, so is soap.

A quarter of the population joins the Red Army, but they are unable to drive back the fascists. During 1941 alone, the Soviet Union loses almost three million soldiers.

At the end of October, the Germans are outside Moscow. Kalinin in the north and Kaluga in the south have already fallen. Shops and abandoned apartments are looted. Moscow’s sixteen bridges and Stalin’s dachas are mined. Stalin himself prepares to leave Moscow, but on 18 October he eventually decides to stay and sleep on an underground train.

General Zhukov assures him that the city can be held.

The NKVD is given free rein to execute deserters and workers who attempt to flee. Vlad is one of those operating out in the streets, just behind the fortifications.

The German army stops to rest and to prepare the final onslaught on Moscow, which is a mistake. Four hundred thousand well-rested Soviet troops, together with a thousand tanks and a thousand planes are on their way from the Far East on special trains. They arrive at the end of October, and gather outside Moscow.

At the beginning of November, Stalin holds a military parade in the besieged city in order to stiffen the resolve of his people and to boost morale. Vlad helps to carry chairs from the Bolshoi Theatre for members of the Politburo. He hears the leader give an inspiring speech about the defence of the mother country, with music provided by the NKVD ensemble.

That night, the temperature drops to arctic levels as if to order, and in the middle of November Zhukov launches a counter-attack. On 5 December, the Red Army manages to stop the progress of the Germans.

Slowly, the war turns for the Soviet Union, but the cost is incalculable. Over eight million Soviet troops perish in the conflict. In addition, almost ten million civilians die of starvation or in Nazi massacres.

The NKVD is reorganized after the war. The prison service is placed under the jurisdiction of the Ministry of Internal Affairs, the MVD, while counter-espionage and the hunt for class enemies becomes the remit of the Ministry for State Security, the KGB. Vlad moves to the KGB.

Moscow gradually begins to thaw out after the winters endured during the war; there is more food, and people have more time to enjoy themselves. Vlad has been living in the same small apartment for five years now, in a block for employees of the state. There is a communal bathroom, but he has his own kitchen. He is not well paid but has been able to buy himself a car after the war, a brown Pobeda. He goes on several outings, but never to the north. Never to the place where the old camps lay.

When he has a free evening, he sometimes goes to the Bolshoi. He chooses the cheapest seats right at the back, and watches a play or a ballet.

Vlad often has to work at night, long shifts of twelve hours or more at the prison on Lubyanka Square. In recent years, a dirty stream from the great flood of the war has poured into Moscow’s prisons: defeated officers, German scientists, Russians who allied themselves with Hitler, rebels from the Baltic states, diplomats who have been arrested and even more prisoners of war. They must all be interrogated, categorized, weighed and measured.

‘Where exactly on the Eastern Front did you serve?’

‘What kind of rocket boosters were you testing?’

‘Are you prepared to work for us now?’

The cells fill up. The anxiety grows. Sometimes, in the mornings, the prisoners throw out a lifeless body when the door is opened. It might be a suicide, or an informant who has been beaten to death. Sometimes, the prisoners throw out their food as well, if they are on hunger strike. There are force-feeding procedures. Aron and another guard push two tubes up the prisoner’s nose, then start pumping in milk. The prisoner can choose whether to suffocate or swallow. They all choose to swallow.

Vlad is in control, but Aron is tired now. He is tired of picking people up, tired of the interrogations, tired of being a guard. He is thirty years old, but often feels as if he were sixty.

The interrogations continue, the transportations continue, the shootings continue. Traitors are shot, deserters are shot, enemies are shot. Russians or foreigners, it makes no difference.

‘Do you know why we put a bullet in the back of their neck?’ Karrek asks late one night, after several glasses of vodka.

Aron and the other guards shake their heads. They’ve never given it any thought; they’ve just done it, year after year, bullet after bullet, even if the first shot wasn’t fatal. Sometimes it took a second bullet when the prisoner was lying down. Sometimes a third. There are rumours that sometimes the sand that was thrown over a body kept on moving.

‘You don’t know?’

‘No.’

‘It’s obvious,’ Karrek says. ‘Because the back of the neck can’t stare at us.’

Gerlof

‘I don’t know how you have the patience,’ John Hagman said.

‘It keeps my hands flexible,’ Gerlof replied.

He was sitting at the table opposite John, concentrating on finishing off the rigging for a clipper, the classic Cutty Sark. It was a fiddly job, using wire hooks and thread and thin yardarms made of toothpicks.

When the very last tiny knot had been tied, he let out a long breath.

‘I don’t really understand it either, John,’ he admitted. ‘And I haven’t even got a customer for this one, I’ve just—’

He was interrupted by the sound of the telephone. He stared at it, then pulled himself together and picked up the receiver.

‘Davidsson.’

‘Good evening,’ a voice said quietly.

Gerlof recognized it; he was more prepared this time. He nodded to John.

‘Good evening, Aron. How are you?’

‘Fine.’

‘I’m not,’ Gerlof said. ‘I’ve been reading a book, a history book about the terrible things that happened in the Soviet Union in the thirties. The Great Terror.’

‘I don’t read books.’

‘But you’re familiar with the Great Terror.’

There was no reply, and Gerlof went on, ‘A million people were executed between 1936 and 1938 alone. Most were shot, according to the book. Others died under torture. A million, Aron, in less than two years.’

Still nothing.

‘What were you doing during those years, Aron? You said you were a soldier, but what did you do?’

‘I obeyed orders,’ the voice said. ‘I fought against Fascism.’

‘But you’re not a soldier any longer, Aron. You can give up now. You can start talking to the Kloss family.’

‘No. There are too many dead.’

‘Not here on the island,’ Gerlof said.

‘Yes. Here, too.’

‘Where?’

The voice seemed to hesitate before answering. ‘On Kloss land.’

‘Who are you talking about?’

‘A security guard,’ the voice went on. ‘He’s buried under the cairn between the shore and Rödtorp. He was shot.’

As Gerlof listened, he remembered Tilda talking about a security guard who had gone missing at midsummer. ‘Why are you telling me this, Aron?’

‘Who else would I tell?’

Gerlof thought for a moment. ‘I heard about your sister,’ he said. ‘I know that your younger sister died in the home at Marnäs last year, Aron. Was she your only family?’

‘I have a daughter. But she’s not here.’

‘So you must have a wife, too.’

‘Not any more.’

‘What happened?’

The voice didn’t respond.

‘Goodbye,’ it said eventually, and Gerlof heard a click at the other end of the line. He sighed and put down the phone.

So that was that. He looked at John.

‘He’s somewhere else now... I couldn’t hear the same background noises. There was no whinnying horse this time.’

‘The question is, why did he call you?’

‘I suppose he wants some kind of contact, like everyone else,’ Gerlof said. ‘Everyone wants to feel human. Even murderers have that need within them.’

He stared at the telephone.

‘Aron had a family,’ he said. ‘He talked about a daughter, and about a wife who isn’t around any more. I think he’s completely alone now, and that’s not good... It felt as if that was our last conversation, as if he was just calling to say goodbye.’

When John had left, Gerlof picked up the phone again and called Tilda. She was back in Sweden, but didn’t want to talk.

‘I’m on holiday,’ she said.

‘It’s about a police matter,’ Gerlof said.

‘As I said, I’m on holiday.’

‘Unfortunately, this can’t wait. The security guard who disappeared at midsummer — is he still missing?’

‘As far as I know,’ Tilda said.

‘I’ve got some information.’ He explained what Aron Fredh had told him about the body near Rödtorp.

At least Tilda was listening.

‘I’ll ask them to check,’ she said. ‘Where exactly is Rödtorp?’

‘It’s where the Ölandic Resort is now. Aron Fredh grew up there.’

‘Inside the complex?’

‘Yes, down by the water,’ Gerlof said. ‘So this will mean more hassle for the Kloss family, if what he says is correct... as I’m sure he’s well aware.’

Gerlof could hear Tilda writing something down, then she said, ‘We have to try and find this man.’

Gerlof sighed. ‘Talk to Kent Kloss.’

Jonas

Something bad had happened. Jonas could feel it in the air around Villa Kloss.

He didn’t speak to anyone, he just kept on working, and Veronica’s decking was half finished. After several weeks on his knees, he had developed a routine when it came to sanding down and oiling the wood, and fortunately he was able to make much faster progress; there were only three days left of his summer holiday in Stenvik. Everyone seemed to be hurrying to get things finished before the summer was over.

Jonas hadn’t seen much of his father; Niklas often worked late at the restaurant, and stayed in bed in the mornings. He emerged later and later with each passing day, wearing dark glasses, but he always had a smile for Jonas before he went off to work.

Mats was going home on Saturday morning, Jonas and Niklas on Sunday. Either Veronica or Uncle Kent would give them a lift to the station.

Jonas was hoping it would be Veronica.

He had a good view of Villa Kloss from the decking, and he could see brief family meetings here and there: Uncle Kent and Niklas had a lunch meeting by the garage, Veronica and Niklas had a chat afterwards by the pool, and later in the evening he noticed Kent and Veronica sitting on Kent’s decking. Whispered conversations, every one.

Something had definitely happened — but there was still work to do and a blazing sun to bring him out in a sweat, so Jonas kept on slogging away.

At the beginning of the holiday he had been afraid that he would be lonely, but now he enjoyed spending time on his own during the day. Avoiding Kent and his cousins — even Mats and their father.

Urban and Mats got back very late from working at the Ölandic that evening. Urban went straight to his room, but Mats stopped to have a word with his kid brother. He crouched down on the decking and asked quietly, ‘Have you heard, bro?’

‘No, what?’

‘The police have found a body. Hidden under a cairn.’

Jonas immediately glanced over at the ridge, but Mats shook his head. ‘Not that one — another one, inside the Ölandic complex. The cops are all over the place.’

‘Who was it?’

‘A guy who worked for us, a security guard... I never met him, but he worked at the Ölandic.’

Jonas looked at his brother and wondered whether to tell him about the cairn ghost, but Mats straightened up. ‘Anyway, that was my last shift.’ He sounded relieved.

One by one, everyone returned to Villa Kloss. Jonas stood on the decking as the sun went down; he had the feeling that they were all keeping up a pretence in front of him. In spite of the fact that they chatted about the dry weather and the shortage of water and the fact that there would be no more swimming lessons after today, he knew that the adults were thinking about something else entirely.

The sun was cooled by the sea and became a red line on the horizon. Jonas turned around and saw Veronica sitting by the house with a glass of wine.

‘Hi, Jonas,’ she said.

He went over, expecting her to tell him about the body that had been found, but she just ruffled his hair.

‘Tired?’

‘A bit,’ he said.

Veronica took a sip of her wine; she seemed to be thinking something over. After a moment, she asked, ‘Has your father told you about our family, Jonas?’

Jonas shook his head. ‘Not really.’

His aunt leaned back in her chair and gazed out across the coast.

‘It’s a fascinating story,’ she began. ‘It all started with a farmer called Gillis, who acquired a lot of cheap land here on the coast in the nineteenth century. Everyone thought it was worthless, because after all you couldn’t grow crops on the coast... but he just kept on buying more, and held on to it all his life. Then he passed it on to his three sons, Edvard and Gilbert and my grandfather Sigfrid, and after his brothers died, Sigfrid fenced off a large portion of the land and created what became the Ölandic Resort. So we’ve owned that land for generations. The Kloss family has lived here for as long as anyone can remember, I think. People have tried to take it away from us, but they have never succeeded.’

She twirled the wine glass around in her fingers. ‘We should all be proud of our family. That’s what I tell Casper and Urban, and it applies to you, too, Jonas.’

He nodded — but, to him, the family was just a series of names. He had no idea who Gillis and Edvard and Gilbert and Sigfrid were.

He said goodnight to his aunt and went off to his little chalet.

As he lay beneath the cool sheet he could hear a lone bird outside, a subdued song that gradually fell silent in the twilight.

And just before he fell asleep he heard quiet footsteps crossing the decking; it sounded as if Uncle Kent was setting the alarm, or perhaps sneaking off down to the coast road. Jonas closed his eyes and covered his ears with the pillow and the duvet. All he wanted to do was sleep.

The Homecomer

Aron knew they were getting closer.

They were bound to have discovered the body by now, if Gerlof Davidsson had believed him, but that meant the police would be concentrating on the Ölandic Resort.

After the telephone conversation with Gerlof, he had waited until the sun went down before leaving Marnäs and driving back to the western side of the island.

He could move around in the darkness now. It was long after midnight, and the dip down below the coast road was full of shadows.

Was anyone there?

Standing at one end, he wasn’t at all sure. He could see the metal door of the bunker fifty metres away, and he listened hard to check if he could hear anything.

Silence.

Slowly and cautiously, he moved along the dip, just as he had for several weeks now.

The padlock was still in place; he took out the key and quietly unlocked the door. It squeaked slightly, but swung open.

He had finished digging the hole beneath the cairn, which was why he was being more careful than before. He no longer came here in daylight; he had become a nocturnal creature.

The moon emerged from a bank of cloud over the Sound, helpfully illuminating the entrance to the bunker as he looked inside. Everything looked fine, just as he had left it, his tools and the boxes in place.

A roll of electric cable lay just inside the entrance, and Aron picked it up and took it outside, closing the bunker door before he started paying out the thin cable behind him, concealing it under pebbles and larger limestone rocks.

Eventually, it was completely hidden. Good, he thought, as he straightened up.

Then he heard the sound of rustling in the darkness.

Someone had entered the dip at the far end and was moving towards him.

Aron wasn’t prepared to take any risks at this stage. He quickly turned around and hurried away.

After ten metres, he was out of the dip and could see the campsite and the jetty. The Sound shimmered before him beneath an almost full moon, but he moved away, into the darkness beyond the shore. Across the coast road, past the festival site and in among the low-growing trees.

Only when he reached the shadows in the forest did he stop and listen. He couldn’t hear any footsteps behind him.

And yet Aron could feel the blood surging through his arms and chest. His heart was pounding, damaged and worn after more than eighty years, but he thought it would go on beating for a little while longer.

He needed his heart to see out this week.

The New Country, October 1957

It is late autumn in Moscow, and Aron has just left a deathbed in a bedroom that is cramped and dusty and unbearable. Like many others, he has gone out on to the street this evening, scanning the sky for the Sputnik satellite, which is supposed to be whizzing around up there. A technological triumph. But the sky above him is dark grey.

His former commanding officer Major Karrek looked just as grey when Aron left him. Karrek has been at death’s door for a long time, his body swollen from alcohol abuse, yet at the same time shrivelled like a mummy in his tiny apartment. A young nurse has visited him every day over the past year, but in the evenings Aron is alone with Karrek. No one else comes to see him.

Soldiers die alone.

So much has happened in just a few years. Stalin also died eventually, sick and alone in his bed, because no one dared to disturb him. The new leader is called Nikita Khrushchev and, in common with everyone who had held that position, he carried out a purge when he took over. Lavrenti Beria, Stalin’s spymaster, was quickly condemned and executed and, once he was gone, Comrade Karrek had to leave his post. Karrek had done his duty as the governor of Lubyanka Prison, and no punishment awaited him, just a small state pension and total obscurity.

Karrek was evicted from his office, and he took it very hard. Only three years after Beria’s death, Karrek’s liver collapsed, destroyed by his drinking. The major was already thirsty beforehand, but once the great leader’s protective hands were gone Karrek went into freefall in a sea of vodka, like so many who had worked for the security of their country and dedicated their lives to tracking down the enemies of the people.

Towards the end, there was a look of terror in his eyes. He seemed to be waiting for something.

‘I’ve counted them, all those to whom I administered the ultimate punishment under the law,’ Karrek whispered, staring at Vlad. ‘You probably think that’s impossible, but I had a number inside my head, and I kept a tally of every shot.’

Vlad didn’t want to ask about the number, but Karrek coughed and went on. ‘Twelve thousand, three hundred and five.’ He lifted his right hand, the one that shook most after all the recoils. ‘By this... this hand. How does that sound?’

‘Incomprehensible,’ Vlad said.

Karrek was still staring at him with glassy eyes, but Vlad lowered his gaze and looked at his own right hand. For the first time, Aron thought about what it had done, and how often.

Had the index finger pulled the trigger thousands of times? Definitely.

And how many blows to backs and feet and heads with the dubinka? The number was incalculable. Most of those who had suffered were men, but there were women, too. Never children, however. There were sadists within the organization who beat children, even killed them — but not Vlad. His limit was the age of fifteen. Or thereabouts.

Traitors and enemies of the people. They got what they deserved.

Karrek died with a sigh. He fell asleep quietly and peacefully in his bed, unlike the twelve thousand, three hundred and five.

It is October, and Sputnik is whirling around in space, spinning and bleeping.

Aron is walking around Moscow, every bit as alone as the satellite. However, he thinks he sees familiar faces everywhere on the streets, and that frightens him.

Last week, he was recognized outside Kursky Station; he is sure of it. A middle-aged woman stopped just a few metres away and stared at him with terror in her eyes. What had Vlad done to her? Used the dubinka on her back? Kept her awake for three days? Or had he just broken her son’s arms, or shot her husband?

Aron doesn’t remember.

Whatever Vlad did, it was in a good cause.

A higher goal, a better future. Vlad and his colleagues had worked hard down in the cellar, clearing away one enemy after another, always looking to the future.

Is this the future? Has it arrived?

Aron has his doubts. He walks the streets and thinks about running away. Going to the Swedish embassy, a building he has never been anywhere near, or to Ovir, the official bureau for visa issues and registration, and telling them everything.

It is evening, a cold autumn evening, and Vlad seeks refuge from Moscow’s icy winds in an Azerbaijani restaurant not far from his apartment. He sits down at a corner table and orders vodka. He will have a kebab later, but the vodka is his main aim.

A chilled glass covered in condensation arrives, and Vlad drinks a silent toast to Stalin. Down with Khrushchev, the hypocrite who is himself up to his neck in blood.

He is drinking heavily for the first time in his life. The alcohol makes Aron feel sick, but Vlad orders one glass after another. When he has emptied his fifth and felt the vodka worm its way down into his belly, he looks up and sees his dead NKVD colleagues sitting at the table with him. They encourage him: keep on drinking! His stepfather, Sven, is sitting on his left; he and Aron are the same age now. Vladimir from the Ukraine is on his right, with shattered legs.

Old Grisha is there, too, and his stylish colleague Grigori Trushkin, whom Vlad interrogated for several nights until Trushkin was broken. But Trushkin is smiling and nodding at him. Drink, Comrade! So many summers, so many winters.

Vlad raises his glass to the dead, over and over again. He empties each glass methodically; he closes his eyes after the eleventh or twelfth and feels the room spinning. He is a satellite, spinning out into space.

This is what it’s like. This is what it’s like to be free and damned at the same time. Stupefyingly lonely, and increasingly drunk and sick.

Aron doesn’t remember any more.

Does he get thrown out of the restaurant, muttering in Swedish, or does he stagger out of his own accord? All he knows is that, suddenly, he is on his knees on the pavement, with his head hanging down and saliva dribbling from his mouth.

He has to get home; he will freeze to death out here. So he tries to stand up.

Then everything goes black, and when he comes round he sees nothing but cobbles. He has fallen over.

Where is he? He has no idea. He loses consciousness again.

Darkness.

A hand is shaking his shoulder. A slender hand, and he can hear a woman’s voice: ‘Are you all right, soldier?’

Her name is Ludmila, and her middle name is Stalina, but she never uses it. She calls herself Mila, and she helps him home. Once she has got him into bed, he looks at her and tells her, or tries to tell her, that this is the first time he has ever been drunk. He never, ever drinks.

Mila doesn’t believe him, of course.

‘At least you’re not aggressive,’ she says quietly. ‘A lot of men turn nasty when they’re drunk.’

Aron is not aggressive, he promises her that. He is not dangerous. And he will never drink again.

Mila sits by his bed for a while. Gradually, he is able to see her more clearly; she is dark and pretty.

‘What work do you do?’ she asks.

Both Aron and Vlad hesitate. ‘Civil servant,’ they say eventually. ‘What about you?’

‘I’m a nurse.’

After a brief silence, Aron asks, ‘Can I see you again? Do you live here?’

‘My mother lives in Moscow,’ Mila says. ‘I’m staying with her for a week. I work... somewhere else.’

Aron realizes that she works with secrets, just like him.

Mila gets to her feet. ‘I have to go.’

‘I’d really like to see you again.’

Mila looks around the room. ‘You have a telephone.’

‘Yes,’ Aron says. ‘My office needs to be able to get hold of me sometimes.’

Mila smiles. ‘I’ll give you my mother’s number. Give her a call and speak to her, and we’ll see if she’ll allow you to talk to me.’

Lisa

Kent Kloss looked tired; perhaps he had been drinking the night before. But he was sober now, moving animatedly back and forth and making Lisa’s caravan shake.

‘He was close last night. I could hear him creeping around down by the bunker, but he got away... Tonight, you two will be there, too, and we’ll get him.’

We? Lisa thought. Was he including her?

But she didn’t say anything; she just sat quietly on the sofa listening to Kent. Paulina was over by the door; she didn’t say anything either.

Kent was on his feet as usual, his head almost touching the ceiling, and even though his face was pale and tired, there was an energy in his body. He kept opening and closing his fists, turning his head and listening, shifting position.

He had placed a black bag on the worktop.

‘He’s got a day,’ Kent went on. ‘Maybe two... Before his luck runs out.’

Lisa had heard what had happened, of course: a security guard had been found shot and buried in the resort. She was almost certain that it was the same man who had appeared in the forest on her first day here, but she had no intention of asking Kent any questions about the matter. This wasn’t the time to reveal that she had met him just before he died.

Instead she asked, ‘So what’s he doing down there in the bunker?’

‘He’s spying,’ Kent said. ‘He’s spying on me and my family. And he’s using the bunker as his operational base.’

Lisa noticed that Kent had started using military terminology, but she kept quiet, and so did Paulina.

Kent unzipped the bag and took out two small items made of black plastic. ‘You’ll need these tonight.’

Lisa realized they were walkie-talkies. No surprise there — Kent Kloss liked his gadgets.

He glanced at his watch and went on, ‘It will be dark in an hour. We’ll meet on the coast road down below my house at ten, and I’ll explain what you have to do. Bring torches and the walkie-talkies... Any questions?’

Lisa and Paulina remained silent.

For the first time in many years, Lisa wished the police would turn up. Knock on the door and start investigating the whole thing. But she knew that Kent Kloss didn’t want the police anywhere near him, whatever he was intending to do to the man in the bunker.

Kent picked up the bag and opened the caravan door. ‘Good. See you later... Wrap up warm — it could be a cold night.’

He stepped outside and shut the door behind him.

Lisa stayed where she was as the smell of Kent’s aftershave gradually faded. ‘Bollocks,’ she said to the closed door. ‘It’s going to be a warm night.’

She looked at her walkie-talkie, which looked like a large black toy mobile phone. But Kent Kloss was serious, so no doubt it worked.

Then she looked over at Paulina, who was sitting with her hands clasped in her lap, a determined expression on her face. Lisa felt she had to say something. ‘So we’re going to do this?’

Paulina nodded. ‘We are.’

‘Why?’

Paulina was quiet for a moment. ‘Sick mother,’ she said eventually.

‘Your mother is sick?’

Paulina nodded again, and Lisa asked, ‘So Kent Kloss is paying you well?’

‘Yes.’

‘How much?’

‘A thousand.’

‘A thousand kronor?’

‘Dollars,’ Paulina said, taking an old tea caddy out of her bag. ‘He give me a hundred already.’ She opened the caddy and showed Lisa the notes.

‘OK. Good,’ Lisa said.

Paulina looked at her. ‘And you? Why you do this?’

Lisa hesitated before answering. ‘I have a relative who needs money.’

‘Relative?’

‘My father... my dad. He lives in Stockholm and he uses the street drugstore, if you know what I mean.’

Paulina obviously didn’t understand.

‘He’s a junkie,’ Lisa explained. She quickly got to her feet. ‘OK, we’d better make sure we’re ready.’

She wished she hadn’t mentioned Silas. She just wanted to get away now, dump this last job and drive away from the island right now.

But she knew she had to stay.

The walkie-talkie was silent, but Lisa’s mobile rang when Paulina had left. Lisa was lying on the bed. She stared at it for a long time without answering.

She knew who it was.

The phone kept on ringing: eight signals. Nine. Ten.

But Lisa didn’t take the call. She just stared out of the window, where the fiery yellow sun was on its way down over the Sound. Eventually, the ringing stopped; Lisa stayed where she was.

After half an hour she got up, pulled on a dark jacket and covered her blonde hair with a black cap.

The sun had disappeared; it was time to go.

Gerlof

For the past week, Gerlof had been hearing stories about Veronica Kloss. How fantastic she was, how well she looked after the elderly.

‘Incredible energy,’ the staff in the residential home said. ‘Never gave up. Happy to chat or to listen. Kept the old ladies going. Used to read to them.’

But if Veronica was so considerate, why hadn’t she been here this summer? Gerlof knew that the Kloss family had had a number of problems to sort out down at the Ölandic, but even so... He hadn’t seen her once.

Last summer, Veronica had been here almost every week. According to the temporary care assistant he had spoken to, Veronica had got on well with Greta Fredh, and had made several subsequent visits to read to Greta and the others.

Then Greta had died after a fall in her bathroom, and Veronica had stopped coming. Gerlof had talked to several residents who missed her and wished she would come back.

But why had she stopped? Was it only Greta who had been important to her?

The door of Ulf Wall’s room was often ajar, but the room inside was dark even when the sun was shining down on the home in Marnäs, and Gerlof had resisted the temptation to call in. He didn’t know much about Ulf, just that he was at least five years older than Gerlof, and might be the father of Einar Wall, the huntsman and arms dealer. And that he had been Greta Fredh’s neighbour.

Finally, on the last day of July, Gerlof pushed open the door and peered in. ‘Hello?’ he said quietly.

At first there was silence, followed by a brief response: ‘What do you mean?’

This question was rather difficult to answer, so Gerlof said nothing. He stepped into the hallway; the room was familiar because it was decorated and furnished exactly the same as his own, but it didn’t smell quite as good. There was no movement in the air in here.

There was no movement in Ulf Wall either. He was wearing a grey cardigan, sitting in an armchair next to the window, which was covered by a roller blind.

Gerlof made his way slowly along the hall. ‘Gerlof Davidsson,’ he said.

The man in the armchair stared at him, and nodded. ‘Yes. I know who you are, Davidsson.’

‘Good.’

‘You were in the paper a while ago.’

‘That’s right. And I heard about your son,’ Gerlof said. ‘That was a little while ago, too. My condolences. Einar was your son, wasn’t he?’

Wall continued to stare at him, not moving a muscle, but after a moment he nodded again. ‘But I’ve got two more,’ he said. ‘They’re better behaved than Einar... they don’t drink and they don’t go poaching.’

There was nowhere for a guest to sit, so Gerlof remained standing, swaying slightly on his weak legs. ‘I heard about your neighbour, too,’ he said. ‘Greta Fredh.’

‘That’s right — Aron’s sister. She died last summer.’

Gerlof swayed even more. Aron’s sister.

‘So you know Aron Fredh?’

‘We got into conversation,’ Wall said. ‘He was here a few times.’

‘When was that?’

‘Early summer... He came and had a look at his sister’s room. Took one or two things with him.’

‘And what did you talk about?’

‘Greta, mainly... he wanted to know what had happened.’

‘I heard she had a fall.’

Ulf Wall nodded once more. ‘He wanted to know if any of the Kloss family had been around at the time.’

‘The Kloss family?’ Gerlof said.

‘I told him what I knew.’

‘And what did you know?’

‘That she was here,’ Wall said. ‘Veronica Kloss kept on turning up for a while last year.’

‘So I heard,’ Gerlof said. ‘She used to give talks and read to the residents. But she hasn’t been here this year.’

‘No, she stopped coming. After the accident.’

‘When Greta fell?’

‘Yes. When she died in the bathroom.’

‘And the door was locked,’ Gerlof said.

‘Yes, Greta was very particular about locking the bathroom door. So that nobody could poke their head in.’ Wall had a brief coughing fit. ‘But Veronica Kloss was in there, too. She came out. I saw her running past my door.’

‘Did you?’

‘I did. And that’s what I told Aron Fredh, too.’

Gerlof thought for a moment. ‘Was your son Einar here at the same time as Aron?’

‘Once, yes. They had a chat.’

‘About the Kloss family?’

‘About all kinds of things... Einar was furious with Kent Kloss — he was always trying to beat down the price of the meat and fish Einar supplied.’

Gerlof realized that something had begun here in Ulf Wall’s room; it had started with a chance meeting between an arms dealer and a man who had come home. Two angry men with a common enemy.

‘So do you think they might have done business together?’

‘Very likely,’ Wall said. ‘But Einar didn’t say anything to me about it.’

Gerlof couldn’t stay on his feet any longer, and he was too polite to sit down on the bed, so he thanked Ulf Wall and left the room.

He paused in the corridor and looked at the room next door, where Greta Fredh had lived. He knocked on the door; no one answered, but he’d got into the habit of simply walking in, so he did the same again.

The old woman who had taken over the room was sitting there; she looked quite alarmed.

‘Good afternoon.’ Gerlof was slightly embarrassed at intruding like this, but he smiled and waved to show that he wasn’t a threat.

He looked around; so this was where Aron’s sister, Greta, had lived, and where she had died. In the bathroom, after a fall.

And the bathroom door had been locked — both Ulf Wall and the care assistant had said the same. It would have been impossible for anyone to push her over.

Gerlof was just about to leave when he noticed the mat in the hallway. He had one exactly the same — plastic.

And then he realized how it could have happened.

Veronica Kloss. Nice, kind Veronica, who came to the home to give talks. Who got involved with the residents, went to see them in their rooms, read to them. Last summer, until Greta Fredh was dead.

Gerlof turned and went out into the corridor.

‘Hello?’ he called out. There was no response, so he raised his voice like the former sea captain he was. ‘Hello! Anyone there?’

A young woman appeared. She wasn’t the care assistant he had spoken to before, but they were similar. ‘What’s happened?’

‘This room,’ Gerlof said, pointing with his stick. ‘You need to cordon it off and call the police.’

The girl looked bewildered. ‘Sorry?’

Gerlof tried to look as authoritative as possible and to sound utterly sure of himself. ‘This is a crime scene. Greta Fredh was murdered in that room.’

Jonas

On Saturday, the sky was grey above Villa Kloss. There wasn’t a breath of wind along the coast, but darker clouds were gathering over the mainland. It felt as if there was a storm on the way.

Jonas worked hard all day, brushing oil into Veronica’s decking, and at quarter past seven in the evening he finished the very last section. His aunt had already paid him, and he had put the envelope containing the money under his pillow, along with his wages from Uncle Kent.

Jonas narrowed his eyes and glanced up at the sun as he put away the brush and the tin of oil. He didn’t want to think about sandpaper, wood oil or decking ever again. He was thinking about the money now, and the fact that he and his father were going home. Veronica had promised to drive them tomorrow after lunch.

Mats had already left; he had caught the bus to Kalmar on the main road this morning.

Jonas cycled over to the Davidsson family’s cottage to say goodbye, as was the custom when someone was leaving the island to go home. Kristoffer was there, along with his mum and dad, but Gerlof had moved back to the residential home in Marnäs.

Jonas rode home in the sunset, feeling a little disappointed; he was sorry not to have seen Gerlof one last time.

The summer was almost over but it was still mild, and Jonas left the door of his chalet open when he went to bed, to let in the night air. Needless to say, it was almost as warm as the air inside the room.

He looked at his watch one last time: nearly ten o’clock. The garden was darker than usual, because someone had turned off the lights around the pool and down by the drive. But the alarm was switched on; Jonas could see the green flashing diodes.

He slid down in his bed, the sound of the crickets filling his ears. He didn’t think he would miss their loud chirping when he got back to town, although it was actually quite calming, a kind of rhythmic chomping from some invisible machine out there in the grass.

Suddenly, the crickets fell silent. Not for long, just a brief pause as if the needle on a record player had been lifted for a few seconds. And then they gradually resumed their song.

Was there someone out there? An animal? Or a person? Jonas listened for a while, but the crickets had returned to their usual rhythm.

He turned over, lay on his back. Through the white curtain, he could see the round moon suspended above the rocks and the Sound. Perhaps it was the full moon that was making the crickets sound so peculiar.

The bed was warm, but the sheets were lovely and cool. Outside, he could hear low voices; it sounded as if his father had come home from his last shift at the restaurant and was saying goodnight to Casper and Urban.

There had been no sign of Uncle Kent all day. Which was fine.

Jonas closed his eyes.

After a while, the voices fell quiet, then he heard footsteps and muted thuds from the other chalets as Casper and Urban went to bed, then there was silence.

The room seemed to get darker. Jonas slowly slipped away into the shadows of the summer night, as if a sooty grey fog had crept in under the door and wrapped itself around him. But he was tired, so very tired, and there was no danger here. No cairn ghost.

Only a guardian angel.

An angel was standing by his bed, tall and still. The angel placed a hand over his face, and whispered that everything was all right.

Sleep, just sleep.

The angel’s soft white hand was still there. And that was fine, everything was peaceful. Jonas sank deeper and deeper, down towards the bottom of the sea.

A little part of him knew that this was wrong, that is was dangerous to sink this deep, but by that time he couldn’t do anything about it.

The Homecomer

The three guest chalets stood side by side towards the back of the extensive plot that made up Villa Kloss. When the sun had gone down and the chalets were in darkness, there was no light here.

There was an alarm, but Aron knew the code, of course.

Silently, he opened the door of the chalet on the left. The room smelled of chloroform, thanks to the bottle he had found in Einar Wall’s boathouse.

There was a boy lying in the bed inside. A white handkerchief soaked in chloroform had been placed over his face, so he was fast asleep. A deep sleep beneath a white mask.

Good.

Aron picked him up. The boy’s breathing was calm and even as he was carried out of the chalet, across the grass and over to the far end of the garden, where a low wall ran alongside a narrow dirt track.

Aron stepped over the wall and on to the track. His car was parked a short distance away in the darkness. Keeping one arm around the boy’s back, he opened the boot and gently placed the thin body inside.

Then he closed the boot and turned around to visit the boy in the next chalet.

There ought to be room for two boys in the boot, and the third one could go on the back seat. There was no danger of suffocation — they wouldn’t be going far.

It was eleven thirty now.

In an hour, Aron would be back here on the coast for his final encounter with the Kloss family.

The New Country, 1960–80

Aron carries on seeing Ludmila, when she is not away because of her work. He misses her, of course, but he is more balanced now, a middle-aged man quietly working for the KGB. He has a new car, a white Volga.

It is slightly easier to travel now. The Soviet Union has opened up, slowly and cautiously, after the death of Stalin, and no one comes knocking late at night any more. Political dissidents are interrogated and imprisoned, but there are no longer any quotas involving thousands of class enemies. Aron’s gun remains in its holster.

There are, of course, memories of the past, among both the hunters and the hunted, but no one talks about them. There is an old Soviet saying: ‘Let he who mentions the past lose an eye.’ People may no longer believe in a future paradise, but they want peace and quiet.

Mila continues to work as a nurse, but one particular job has made her ill. In the autumn of 1960, she travelled south, was away for several months and returned with fear in her eyes and a terrible cough. She has been coughing ever since, a dreadful rasping that is worst at night. And when she does manage to get to sleep, she sometimes wakes up with a start, screaming.

Aron doesn’t ask any questions. Either Mila doesn’t want to tell him what happened, or she’s not allowed to, and that’s fine. He has secrets of his own.

They get engaged in May 1961 and marry the following year. Not in God’s name, but in the name of the state — a dignified, low-key ceremony at the Central Registry Office.

Aron and Mila can now move in together, but Vlad’s tiny apartment is not suitable. A recently renovated two-room apartment is waiting for them on Petrovka Street.

Aron never thought he would be someone’s husband but, at the age of forty-three, that is exactly what has happened. He just wishes that his mother and his sister, Greta, could see him now.

In time, they have a child, a daughter who is born in 1972, when Mila is thirty-eight years old. She is a much-longed-for baby, because Mila has had two miscarriages. Aron wonders if this is related to her illness.

The night before the child is due, Mila finally tells him what happened twelve years earlier. She tells him about the mass grave in the desert steppes that no one was allowed to talk about.

She even had to help with the digging. ‘Everyone had to dig,’ she says.

‘A mass grave?’ he asks. ‘Who’s buried there?’

‘The engineers.’

And Mila tells him about the rocket launch on the great plain to the east of the Aral Sea, in October 1960. The night when her lungs were destroyed.

‘I was at the hospital, several kilometres away, but we still felt the impact of the shockwave. At first, we thought it was the rocket lifting off, as planned, but that wasn’t the case... We had no idea how badly prepared everything was, how those in charge ignored safety regulations in order to stick to the timetable.’

Things had become more and more hectic before lift-off, with the generals hassling the engineers. It was late at night, everyone was tired. So in the end it went wrong, very badly wrong. A short circuit in the system meant that the second-stage engines fired too early, detonating the fuel tanks below the first-stage engines while the launch pad was still crowded with people.

‘The rocket started up without warning,’ Mila says. ‘It began spewing flames in all directions, then the fuel tanks exploded. A burning cloud billowed up into the night sky, and the whole launch pad was covered in fire... It annihilated those who were standing nearby and rolled like a burning wave towards those standing further away. They couldn’t escape.’

Mila had been spared the sight of the firestorm, when many of those trying to run away got caught on the barbed-wire fence surrounding the area and turned into living torches.

But she saw everything afterwards. Everything.

‘I went with one of the first fire engines to the scene of the accident to see what I could do for the injured on the spot and to arrange transportation to our hospital. We worked for several days among the smoking wreckage of the rocket and bodies charred beyond recognition. But we weren’t allowed to say a word about the accident afterwards. Not a word. All the dead were hidden in a mass grave.’

Mila falls silent, then starts coughing. She coughs for a long time.

Aron sits by her bed, attempting to comfort her, but she shakes her head. ‘It’s indescribable... You wouldn’t understand, you’ve spent your whole life sitting behind a desk... Have you ever seen a dead person, Vlad?’

At first, Aron doesn’t say anything, but then he begins to speak. ‘I haven’t spent all my time sitting behind a desk. And I have seen people die.’

‘Have you?’

Aron nods. He could spend several days telling Mila about the ‘black work’ he used to do, but instead he chooses to tell her about what happened one cold spring after Vlad had accompanied Major Karrek to Moscow. It was April 1940; Poland had fallen and it was the year before Hitler invaded the Soviet Union.

‘I was a soldier and I was given a special task,’ Aron says. ‘It began with a train journey away from the biting winds of the city, travelling inland with an NKVD commando of trusted men from the prisons in Moscow and Leningrad, handpicked by Major Karrek. He was my commanding officer, and had a great deal of power. He led a unit that reported directly to Stalin.

‘“We will be working in the darkness,” Karrek explained to us. “Black work.”

‘No one on the train told us where we were going, and we knew we weren’t allowed to ask questions.

‘The railway line was newly laid. It stopped somewhere between Leningrad and Moscow, in a huge, gloomy forest.

‘We got off the train and were transported further into the forest in trucks; eventually we arrived at a very basic barracks next to an extensive prison camp. I had seen high fences before, but behind this fence I could hear foreign languages which I think were German and Polish — even though we were definitely still in the Soviet Union.

‘On that first evening, Major Karrek changed his clothes. He put on leather gloves and dressed like a butcher, with a thick leather apron straining over his big belly to protect his green uniform, from his neck right down to his boots.

‘He gave us a short talk:

‘“We have been given an important task to carry out,” he said. “We are going to shoot dogs that have been captured. A great many dogs... to ensure that they do not escape and tear our children limb from limb.”

‘Our black work was carried out indoors at night, next door to the camp, in a freshly dug cellar that was soundproofed with sandbags and logs.

‘There were no desks. No one recorded proceedings.

‘Comrade Karrek had brought special guns for the job; they were made by a German manufacturer — Walther. My role was to be in charge of the weapons, to be constantly at the ready with reloaded magazines.

‘Comrade Karrek stepped forward in his butcher’s apron. “Let us begin.”

‘My colleagues led the prisoners down into the cellar and over to the brightly lit part of the room, one at a time. I saw that they were soldiers, officers of some kind, but none of them had caps, and some were not wearing jackets. Their hands were bound behind their backs. They were not permitted to speak, but I could see that they were foreigners.

‘Then I had to stop thinking and start counting.

‘As soon as a prisoner entered the room, his legs were kicked from beneath him and he was dragged over to the wall by the logs on his knees. By this time, Comrade Karrek was already moving towards him with his gun raised, and in a single movement he took aim at the back of the prisoner’s neck and fired.

‘Five seconds later, my colleagues lifted the body and took it out through another doorway to a large flatbed truck.

‘The floor was sluiced down and Karrek returned to the shadows. Everything was ready for the next prisoner.’

Aron falls silent, lost in the past.

‘We worked through the night in that cellar. It was like... like a conveyor belt. Or a millstone, grinding away.

‘Comrade Karrek allowed himself a small glass of vodka after every tenth execution. On some nights, my piece of paper was covered in tiny strokes, and Karrek had drunk more than twenty-five vodkas. All I had done was to load guns and count bodies, but after a ten-hour shift I was still completely exhausted.

‘And Karrek’s eyelids would be drooping as dawn broke, when the black work was almost over, but even the very last shots found their mark. Only when the last prisoner had been removed did he take off the stained apron and count the marks on my sheet of paper. The politicians who had planned all this insisted on a final tally each morning.

‘I remember the smell of the forest when we emerged from underground; it was cold and fresh. But the stench of the cellar lingered on our uniforms when we returned to the barracks to wash and to sleep as the sun rose.

‘The stench of gunpowder and blood.

‘Early one morning, towards the end of our black work, a very drunken Karrek talked to us about tjistka, the necessary purge.

‘“Every tjistka is difficult,” he muttered, raising his glass. “But they pass. Soon, all our enemies will be gone, and then we can go home.”

‘And we did.’

Aron has finished his confession to Mila, but of course he has not told her everything.

He hasn’t said anything about Sven.

Or about Comrade Trushkin.

His wife has listened, with one hand resting on her belly. She gazes at him for a long time afterwards, but not with disgust. Only sorrow.

‘It was war,’ she says. ‘You wanted to win that war. You did what you had to do.’

Aron looks away. ‘I was someone else back then,’ he says. ‘I wasn’t myself.’

And then he takes a deep breath and at long last he tells her who he really is. He is not from the Ukraine, and his name is not Vladimir Jegerov.

‘My name is Aron,’ he says. ‘Aron Fredh, and I came here from Sweden in the thirties.’

Mila is still listening, and she does not recoil in horror.

‘I had to change my name and become someone else in order to survive,’ he says eventually. ‘But the executioner is gone now.’

Yes, Vlad is gone. He is dead. Aron is almost certain.

But he and Mila are alive, and twenty-four hours later they become parents.

Their daughter grows into a happy schoolgirl, tall and slender as a reed, with lots of energy. Aron loves his child; he plays with her for hours. When she is old enough, he begins to speak a little Swedish to her.

Mila sometimes goes out with friends from her army days, but Aron spends most of his time at home with his daughter.

He retires in the year she starts school. It feels as if a large part of Vlad’s spirit leaves him on that spring day, never to return.

Aron visits the KGB veteran association occasionally, to catch up with former colleagues, but he grows tired of their melancholy nostalgia and his visits become more and more infrequent. He gains nothing from the quiet conversations, and the fear of being caught up in bonds of friendship has been with him ever since his days with the NKVD.

Aron takes it easy. He lives for the beautiful light over Moscow, for the sun drifting over the river and the parks — and for his wife and daughter.

And yet: one day he would like to show them his home at Rödtorp, and the shore.

Gerlof

‘Kloss has installed a new alarm system,’ John Hagman says.

‘I can understand why,’ Gerlof replies. ‘They’re afraid of Aron Fredh.’

John had picked him up from the residential home on Saturday evening; they had driven down to Stenvik, to John’s little cottage, then on to the campsite, where John had collected the day’s fees from the holidaymakers.

Now they were sitting in John’s car south of the campsite, looking towards Villa Kloss. There were lights on in both houses, but Gerlof couldn’t see any movement at the windows. The sun had gone down and no doubt the alarm was switched on, so he was reluctant to go and ring the doorbell.

‘I understand him a little better now,’ he said. ‘Aron, I mean.’

‘In what way?’

‘I understand what drives him. The Kloss family have taken everything Aron Fredh had left on this island. Everything he has done this summer has been an act of revenge.’

‘They should have spoken to one another,’ John says.

‘Yes, but I presume Aron did that before he left Russia. I should imagine he got in touch and told them he wanted his share of the inheritance, as Edvard Kloss’s son.’

‘An unknown heir,’ John said.

‘Two heirs,’ Gerlof pointed out. ‘Greta Fredh was Edvard’s daughter, and Aron is his son. “Illegitimate children”, as we said in those days, but still with a legal right to Edvard’s land... Land on the coast around Stenvik, worth millions. This was bad news for the family and, even worse, Greta and Aron were entitled to claim their share of the Ölandic Resort.’

‘If I know the Kloss family as well as I think I do,’ John said, ‘they would never agree to that.’

‘No, and I think they made that pretty clear. They’d already demolished Aron Fredh’s childhood home, and his sister, Greta, is no longer alive. Apparently, Veronica Kloss was the last person to visit her the day she died.’

‘Interesting.’

‘Exactly,’ Gerlof said. ‘I’ve been thinking about it ever since I discovered how much the staff at the home trusted Veronica Kloss. She was able to come and go more or less as she wished. And that was why she was able to kill Greta.’

‘Do you know that for certain, Gerlof?’

‘Well, it wasn’t anybody else, at any rate. Greta Fredh was in her bathroom when she fell and broke her neck. And I’m told she always locked the door, so no one could have pushed her over.’

‘But you think Veronica managed to get to her somehow?’

‘Yes,’ Gerlof said. ‘There is a way to make a person fall over on the other side of a door... If they’re light enough, and if you have strong arms. And if the floor is flat.’

John was listening, and Gerlof went on. ‘There’s a long, narrow, plastic mat in the hallway in every room in the home. I think Veronica put the mat in the bathroom, with one end sticking out under the door. When Greta had gone into the bathroom and locked the door behind her, Veronica stood on the other side and yanked the mat away. Then gravity did the rest... Greta fell and broke her neck, and Veronica could simply replace the mat in the hallway and leave the room.’

‘So the murder weapon was a mat,’ John said.

‘It was still in Greta’s room. I told the staff to put it somewhere safe so that the police can take a look at it. There could be fingerprints, or other traces. The mats don’t get washed very often up there.’

‘Did you call your own personal police officer?’

Gerlof sighed. ‘Tilda, yes. Unfortunately, she wasn’t very interested... she just said that fingerprints on a mat don’t really count as proof. I think the only thing that would convince her is a confession from Veronica Kloss.’

‘Not much chance of that,’ John said.

‘No. And that’s why we’re sitting here. Like two owls.’ Gerlof glanced over at Villa Kloss and sighed again. It was almost ten o’clock, and he felt tired and powerless. ‘What can we do?’ he said. ‘This is like one of those old disputes over land; it just gets more and more bitter. We’ve got Aron Fredh on one side, and the Kloss siblings on the other. This could end very badly.’

‘Do you want to go home?’ John said.

‘Yes.’

John started up the car and set off along the coast road, away from Villa Kloss.

‘Perhaps I could stay the night at your place,’ Gerlof said.

‘Of course.’

‘Then we can try and have a word with the Kloss family tomorrow. When it’s light.’

‘Good,’ John said.

But Gerlof didn’t think there was anything good about it.

Lisa

What am I doing here? Lisa thought in the darkness down by the shore. How did I end up in the middle of all this?

She didn’t really remember; she just knew what she had to do. Kent Kloss had set a trap for Aron Fredh, and she was part of it.

She lay pressed against the rockface above the entrance to the dip; she could hear the rushing of the sea behind her and was vaguely aware that her new friend Paulina was crouching on the edge of the rock on the other side. It was after midnight, which meant it was technically Sunday morning and the month of August had just begun. Lisa and Paulina had already been in position for over an hour.

The moon had risen, but its light didn’t reach into the crevices in the rocks above the shore.

Kent had brought a powerful torch with him, and Lisa and Paulina had their walkie-talkies so they could alert him if anything happened. If someone approached the rocks, they were to press the ‘send’ button twice; if someone entered the dip, they were to press it three times.

Kent had hidden himself further along, somewhere near the bunker, with his camouflage jacket and his torch. Lisa thought he might be armed, too, possibly with a knife. It was just a feeling she had, the way he moved when he crept down from the ridge.

She couldn’t see much at the moment; the area all around her lay in darkness, thanks to Kent. Once the rest of the Kloss family had gone to bed, he had turned off all the lights on the outside of the house and the lighting in the garden.

At first, Lisa couldn’t understand why only Kent was down here with them; there was no sign of any other members of the family. Neither of his siblings, none of the boys.

But when she saw how silently Kent moved she began to realize that this was a mission he wanted to keep from the rest of them. He didn’t want anyone to see what happened here tonight.

Only those who were a part of the trap.

Lisa and Paulina were each holding one end of a length of rope, which was attached to an old nylon fishing net concealed under a thin layer of gravel at the entrance to the dip.

When (or if) Aron Fredh appeared, they were to raise the net and pull it tight, blocking the narrow track.

‘If he tries to run, he’ll get tangled up in the net,’ Kent had explained. ‘Just like a fish.’

‘And then?’

‘Then we can relax and have a chat,’ Kent had said, without explaining exactly who would be relaxing and chatting.

A cool breeze had begun to blow in off the Sound, and Lisa shivered. The height of summer was almost past; each night was a little darker and colder than the one before. Soon, she would be going home.

But, right now, she was here. She would get the job done as quickly as possible.

Absolutely nothing had happened since they began their watch, apart from the odd bat flitting past like a black rag in the darkness. They could hear the faint sound of the waves lapping down below; a boat occasionally chugged by out in the Sound — but nothing else. No old man had approached the dip.

Lisa cautiously stretched her upper body so that she wouldn’t get pins and needles. She blinked. Waited. Wondered which street corner Silas was hanging around on tonight. Then she heard something.

Not footsteps in the night, just a low, muted sound. A boat engine. But this one was much closer than the others had been, and it wasn’t going away. It was heading for the shore, slowing down just off the land belonging to the Kloss family. It seemed to have stopped; the engine was idling.

Lisa tried to twist around so that she could have a look, but she couldn’t see a thing. Without the moonlight, the sea was completely black.

Then she heard more noises, much closer. The crunch of gravel.

Someone was very close to her, down in the dip. But it wasn’t a man, it was a tall, slender figure. A woman.

‘Lisa?’

Paulina’s quiet voice. Lisa could see her only as a shadow in the darkness, the whites of her eyes shining. She must have left her hiding place and crept along the bottom of the dip; she was only a couple of metres away.

Lisa leaned over and whispered back. ‘Paulina... What are you doing?’

The other girl held out her hand. ‘Listen,’ she said, pointing towards the Sound. ‘Listen to me... Veronica Kloss is down there. She’s fetched the motor launch.’

‘The motor launch?’

Paulina kept her eyes fixed on Lisa. Her Swedish was much better now; she spoke with virtually no accent.

‘The Kloss launch,’ she said. ‘Veronica and Kent are going to shoot Aron Fredh. They’re going to take him out in the boat, attach weights to his body and throw him overboard.’

Lisa was trying to understand. ‘You mean... You mean murder?’

Paulina nodded, then she reached up and grabbed Lisa’s arm. ‘We have to go,’ she said. ‘Right now.’

Lisa blinked. ‘What?’

But Paulina didn’t answer, she just kept tugging at Lisa’s arm.

Eventually, Lisa got to her feet. ‘Is he here?’ she whispered.

Paulina shook her head. ‘Come on!’

‘But why?’

Lisa couldn’t understand what the rush was, but Paulina wouldn’t give up. She pulled even harder, and in the end Lisa dropped her end of the rope, swung her legs over the edge and scrambled down the slope.

Paulina turned away from her briefly, and shouted along the dip in a loud, shrill voice, ‘He’s got a gun! He’s outside the bunker!’

A man’s voice shouted in response, and Lisa saw a white light appear further along the dip. Kent Kloss had switched on his torch.

Lisa jumped down on to the gravel, managing to keep her balance. Paulina gave her a shove.

‘Run!’ she yelled. ‘Now!’

The loud cry galvanized Lisa into action, and she ran. Away from the dip, down towards the water. Paulina was running behind her, pushing her on. Across the gravel, down to the shore.

Behind them, the beam of the torch swept across the walls of the dip and suddenly it picked up a powerful figure in the darkness.

It looked like the old man, Lisa thought. Aron Fredh.

But he wasn’t down in the dip. He was standing up on the ridge, not far from the cairn. And he was holding something in his hand. Something shiny.

The Homecomer

It was time. Aron had left his car in the bathing area car park, at the far end of the inlet. Then he had walked south along the deserted coast road and turned off towards the cairn. He had crept silently through the long grass to the edge of the ridge, just above the entrance to the bunker. The cairn was now on his left, like a broad black cupola in the darkness.

He listened, and heard the throb of a small motorboat out in the Sound. Nothing else.

He moved on, keeping his eyes fixed on the ground. Finally, he dropped to his knees on the gravel at the very edge of the rocky outcrop.

Searching in the dark was hard, but after a couple of minutes he found what he was looking for: the end of the pale plastic tube he had run from the bunker and buried a few days earlier. It was sticking out from under a stone, protected from dust and moisture by a small piece of tape.

Aron removed the tape and carefully pulled a little more of the tube free of the gravel. It didn’t look like a fuse, but that was exactly what it was. The modern kind was hollow, like a thin tube, and the inside was filled with highly flammable gunpowder. The fuse wasn’t lit with a match but with a metal spark igniter. It was smaller than a pistol butt, and Aron was already holding it in his hand. He attached the igniter to the fuse, and slowly got to his feet.

He gazed down from his vantage point but saw only darkness. Then he heard a shout, echoing through the dip: ‘He’s got a gun! He’s outside the bunker!’

It was a woman, and he recognized the voice.

Paulina.

Aron understood her warning, but didn’t have time to react or move before the sky was suddenly lit up. A white light was switched on in the dip; it swept upwards in a broad arc and shone straight in his face.

‘Aron!’ a man’s voice yelled.

Kent Kloss. He had a torch in his left hand and a gun in his right hand. An old gun that Aron knew very well. It was his own Walther.

Aron remained standing in the beam of the torch; he knew Kloss could see him. It didn’t matter any more.

He nodded to Kloss, brought his hand into the light and felt the button under this thumb.

‘Drop the gun!’ he shouted. ‘Otherwise, up she goes.’

But he was still too close to the bunker to risk pressing the button, and he hesitated a fraction too long.

‘Fuck you,’ Kloss said.

He raised the gun and fired. The bullet sped upwards in the darkness, and Aron reacted fast. He crouched down and shuffled backwards. He dropped to his knees again, then flattened himself on the ground; the second bullet whistled over his head.

Aron had dropped the igniter and the fuse. He began to feel around, and that was when he heard the crunch of gravel.

Kent Kloss had started to climb up out of the dip.

Where was the igniter? He saw it glinting in the grass but didn’t have time to pick it up.

‘Aron!’ a voice yelled. ‘It’s over!’

Kloss had reached the top and was just a few metres away, waving his torch around. Aron could see that the gun was still in his hand. At any minute, he would spot his target, take aim and fire...

Aron reached out, but not for the igniter. There were plenty of sharp pieces of stone lying around among the gravel, and he picked one of them up.

He turned to face Kent Kloss, raising his arm ready to throw as hard as he could.

He was aiming for the torch.

Lisa

‘Run, Lisa! Don’t stop!’

Paulina was holding on to her arm, and she sounded so determined, so definite, that Lisa simply allowed herself to be dragged along, fleeing blindly through the night, away from the steep rocks and down towards the flat part of the inlet.

Lisa didn’t slow down, but kept catching her toes on the bigger stones sticking up through the gravel; she almost fell several times.

‘Wait,’ she panted eventually.

When they reached even ground, she stopped to catch her breath; she could see the lights of the campsite, perhaps three hundred metres away. She looked back one last time and saw that Aron Fredh had been joined by another figure up on the ridge. Kent Kloss, holding his torch high in the air. They shouted at one another, and then they came together.

Two shadowy figures seemed to merge into one, fighting on the edge just above the bunker.

Paulina had also stopped and turned. She was just as breathless as Lisa, panting and staring up at the ridge, where the beam of the torch was still whirling around.

‘I have to go back,’ she said, taking a step towards the ridge.

‘No!’

‘Yes. He needs help.’

‘Who?’

Paulina didn’t reply, and Lisa grabbed her arm. ‘He’s dangerous!’ she said, although she didn’t really know which of the men she meant.

For a few seconds, they stood there motionless, engaged in a static tug-of-war. Lisa thought she was gaining the upper hand, persuading Paulina to change her mind and stay.

But it was already too late. The beam of light disappeared — had Kent dropped the torch?

It looked as if there was only one figure left. It was moving along the ridge away from the cairn, swaying unsteadily. Paulina stared at it and let out what sounded like a curse, in a foreign language. Then she suddenly shouted, ‘Look out!’ She pushed Lisa to the ground; Paulina was strong, and practically covered Lisa with her own body.

A few long seconds passed. The entire coast seemed to be waiting.

And then the silence was smashed to pieces, and chaos broke out. The darkness disappeared in a flash of yellow light, and the night was split in two by an enormous explosion.

The Homecomer

Aron had missed the torch with the stone, but he had hit Kent Kloss instead, on the right shoulder, and the sharp blow had made him drop the gun. Aron heard it land somewhere down below.

He didn’t wait; he spun around and crawled along on all fours, away from the cairn, pulling the plastic fuse behind him like an umbilical cord.

The gun was no longer a problem, but Kent Kloss certainly was. He was like a wild animal now, younger and angrier than Aron.

‘Stop right there!’ he yelled. Kloss hurled himself at Aron, gripping his arm, pulling at his jumper. ‘Stop, for fuck’s sake!’

Kloss was growling and swearing, but Aron fought back and managed to pull away. He carried on crawling along the edge. Kloss kicked out at his legs to try to knock him over, but Aron gritted his teeth. He was a soldier now; he could deal with pain. He kept on going.

Just a few more metres... The igniter was lying on the ground, a little metal tube with a round button at one end. He reached out, so close...

He felt a hard blow on his back. Kloss loomed above him, the beam of the torch pointing downwards.

‘Give it up!’ he shouted, lifting his foot to deliver a vicious kick with his leather boot.

Aron grabbed hold of the boot and twisted the other man’s leg like a joystick. Kloss lost his balance, his arms flailing. The torch flew out of his hand and the gravel crunched as he tried to regain his footing, but Aron didn’t give him any time. He punched Kloss in the chest.

‘Shit!’

Kloss screamed and seemed to hover for a second, clawing at thin air, before he fell backwards.

It wasn’t a long fall, only a metre or so down a scree slope, but the landing was hard. Aron heard a dull thud at the bottom, followed by gravel rattling down on Kloss.

Aron was free now and quickly covered the remaining distance along the ridge. He picked up the igniter, which was still attached to the fuse.

Kloss would be back once he had found the gun. Aron didn’t have much time.

He found a small hollow in the ground and lay down, flattening his body. He cupped his hands and held up the igniter. He knew that he was still close to the cairn — dangerously close, in fact.

He bent his head and pressed the button, producing a spark that ignited the thin layer of explosive inside the plastic tube.

The flame burned incredibly fast, faster than the eye could see. Moving at a speed of two kilometres per second, a lightning flash shot along the tube and into the bunker, where the spark ignited a series of detonators inside the hole that had taken Aron several weeks to dig out.

Deep inside the hole lay the main charge. The detonators did their job.

The month of August began with a dull roar over Kalmar Sound.

At quarter to one in the morning there was an explosion, a protracted boom that echoed across the bay. It could be heard as far away as the Småland coast and sounded like a thunderclap.

Aron was dangerously close. He pressed his body down in the hollow, less than fifty metres from the cairn; he had no idea whether he would survive.

The plastic explosive had been placed one metre down in the ground below the centre of the cairn, and the effect when it went up was as if a slumbering phantom had awoken and risen up from the depths of the earth.

Everything inside the bunker was destroyed.

The concrete walls cracked, the cement floor turned into gravel, and the locked metal door splintered into jagged shards that went whirling out into the dip.

The explosion caused a part of the ridge above the bunker to collapse and tumble down on to the shore. A huge rock trundled across the dunes like a steamroller, crushing the Kloss family’s boathouse and everything it contained: fishing nets, deckchairs, life jackets and cool bags.

But the main force of the blast went straight upwards, where there was no concrete — just soft earth, loose gravel and all those rounded stones that Sven Fredh had once piled up to build a cairn on the ridge.

They were lifted from the ground, up into the night sky, scattering through the air as if a volcano had erupted. The smaller stones were carried out over the Sound, plummeting down into the water, where Veronica Kloss was sitting in the family’s motor launch, waiting for her brother Kent to arrive with Aron’s body. Veronica kept her eyes shut and clutched the wheel as she heard the debris raining down on the boat; by some miracle, the boat escaped serious damage.

Aron stayed where he was, flat on the ground with his arms over his head; he could feel metal and stone whizzing past and landing all around him.

But most of the cairn went in a different direction: inland, in a dense shower.

Somewhere above the coast road, gravity took over from the blast, catching the stones one by one and dragging them downwards.

Gravel fell, earth fell. And the stones began to fall, too, like an invisible enemy in the darkness. Many of them headed straight for Villa Kloss, for the nearest house, which was Kent’s.

They came crashing down in his garden, on his freshly sanded decking, in his swimming pool and on to the tiles on his roof.

Niklas Kloss was alone in the house. He was in bed in one of the guest rooms at the back, wide awake following the explosion. The windows had shattered, but as the sound of breaking glass died away he heard something else: a loud hammering on the roof. Tiles broke, rafters gave way.

Niklas lay there frozen in terror, waiting for the ceiling above him to collapse, but it held. Then suddenly the hammering stopped. An echo of the explosion bounced back and forth across the inlet, then that, too, faded away.

Everything went quiet.

In the dip below the ridge, Aron began to move. His clothes and skin were covered in dust, but he raised his head, realizing that he was still alive. Slowly, he got to his feet, thinking about the cheerful man from Esbo who had once taught him how to bury dynamite, how to adjust the angle. And how to set it off.

He glanced over at the coast road, at Villa Kloss, and saw black holes in the ground and in the roof.

The stones from the cairn had come crashing down like cannonballs.

Gerlof

John had been happy for him to stay over, and Gerlof had phoned the residential home to explain his absence. They had gone to bed at about eleven o’clock, but Gerlof hadn’t been able to get to sleep. He kept on thinking about Veronica Kloss.

His thoughts went round and round in circles, but at last he dropped off into a deep and dreamless sleep — until, all of a sudden, the ground shook.

The foundations of John’s little cottage vibrated, as if a tsunami had rolled through the bedrock. The windows rattled and the furniture shifted. Somewhere, a newspaper slid to the floor.

He heard John call out and stumble out of bed in the room next door.

Gerlof raised his head from the pillow and, at the same moment, he heard a dull roar. It was like a thunderbolt, but the sound didn’t come from the sky; it seemed to come from the south-west. From the shore. And it was followed by a series of smaller bangs, as if objects were thudding down.

An explosion?

Gerlof had always been afraid of mines when he was at sea, but he knew this wasn’t a mine.

He heard heavy footsteps. His bedroom door opened, and John appeared. ‘Gerlof? Are you awake?’

‘I am.’

‘Did you hear the bang?’

‘I did.’

They both listened for a moment, but everything was quiet. Very quiet.

John switched on the light, but nothing happened. The power was off.

‘What shall we do?’ he said, moving over to the window.

‘There’s not much we can do,’ Gerlof said. ‘It might have been gas cylinders... Can you see any sign of a fire out there?’

John shook his head. ‘It’s pitch dark.’

‘In that case, as I said, there’s not much we can do.’

‘No...’

‘Perhaps you could light some candles,’ Gerlof suggested. ‘And your old stove.’

‘Good idea,’ John said. ‘I’ll make some coffee.’

He hurried off to the kitchen. When John used to get stressed at sea, Gerlof had always given him a job to do. It calmed him down.

Gerlof stayed in bed, waiting for someone to phone or come knocking on the door, but everything remained quiet.

Something had happened in his village. Something terrible.

Aron Fredh, he thought. Aron had ramped up his war against the Kloss family, and Gerlof had been unable to stop him.

When he didn’t hear anything else from outside, Gerlof began to sink back into the darkness. He didn’t really want coffee. Not at this time of night.

Much later, after perhaps an hour, the sound of sirens began to approach from the main road, but by then Gerlof was fast asleep once more.

Lisa

Lisa had been pushed to the ground by Paulina, but she saw the explosion split the darkness. And felt it.

The glow was like an intense, golden-red sun on the ridge behind her, a sun that flared up and died away in a second. The next moment, she heard the roar and experienced something that felt like an earthquake. The ground beneath her vibrated, and the entire coast seemed to shake.

Ragnarök, she thought as she tried to crawl forward, away from the chaos. It was impossible, because Paulina was in the way, so she put her arms over her head to protect herself instead.

A shock wave swept over them, then came the debris. The gravel didn’t reach them, but Lisa heard a cascade of tiny stones splashing into the water.

For a few seconds there was silence.

Almost complete silence.

Then came a series of loud noises up on the ridge, along the coast road and over at Villa Kloss. Something large and heavy was crashing down on to the ground, like the irregular beat of a bass drum.

The noise continued; Lisa could hear planks of wood creaking and breaking at Villa Kloss. The air was filled with great clouds of dust. She pictured a Roman warship out in the Sound, firing enormous rocks at the island. A cloud of black grenades.

‘Come on!’ a voice yelled in her ear.

A definite order. Paulina was no longer pressed against her on the ground; she was on her feet, tugging at Lisa’s arms.

The crashing had stopped, but Lisa still wanted to stay where she was.

‘Move!’ Paulina insisted.

In the end, Lisa obeyed; she got to her feet and staggered north along the inlet, afraid of more flying stones. However, they hadn’t reached this far; in the moonlight she could see that most had landed in the garden at Villa Kloss, and on Kent’s house.

Lisa held her breath and stumbled on. Paulina was a shadow moving determinedly beside her, pressing on.

‘What happened?’ Lisa asked.

There was a smell of burning in the air now, and in the distance Lisa could hear the roof of Kent’s house beginning to collapse as several load-bearing beams cracked under the weight of the rocks.

She couldn’t see a great deal; the electricity seemed to have gone off all the way along the inlet. The village was in darkness, and she tripped over a root or a stone on the ground and almost fell; she couldn’t even see her own shoes.

The explosion was still reverberating, but perhaps it was only inside Lisa’s head.

‘What happened?’ she asked again.

The shadow beside her uttered one single word with great calmness, as if she had control over the chaos surrounding them: ‘Ammonal.’

The New Country, April 1998

The Soviet Union has collapsed and Russia is an independent country, but it is a country that Aron Fredh does not recognize. Everyone in this new country is becoming more and more obsessed by money, or so it seems. Nightclubs have opened in the area around Lubyanka Prison where he used to work; men who shun the light park their black Mercedes nearby and step out with giggling teenage girls on their arm. Capitalist gangsters who would never have dared to show their faces in the days of the Soviet Union now go out of their way to be seen.

Aron and Mila’s daughter is twenty-five years old, a dark-haired beauty who still lives at home. She samples the nightlife of Moscow sometimes, goes to nightclubs run by Westerners, but returns home disappointed. She is bored by the nouveau riche and their courtiers. Aron is glad, because this new Russia is a dangerous place, where capitalism is king and none of the old rules seems to apply. There are no new rules either. Young men are shot dead, girls are raped.

He rarely goes out. It is too stressful; there are too many big cars. Moscow is no longer his city, and that makes him sad. He longs for Öland, for the old world, where everything was so simple.

Mila doesn’t go out either, but for different reasons. She can hardly breathe these days. Her lungs are worse than ever. Some days, she doesn’t even get out of bed. Their home is filled with the sound of coughing and, eventually, Aron manages to get his wife to see a doctor, who sends her to a specialist clinic at the Pirogov Hospital.

She undergoes a series of tests and X-rays. The doctors confer in whispers. Finally, a consultant at the hospital explains the gravity of the situation.

‘I expect your wife has been a heavy smoker?’ he says to Aron when they are alone.

‘Definitely not. But she was involved in a serious accident when she was young — a huge explosion involving poisonous gases, and a terrible fire.’

The doctor nods; now he understands. ‘I’m afraid the diagnosis is incurable emphysema.’

‘Incurable...?’ Aron says.

‘She needs oxygen,’ the doctor explains. ‘You have to make sure that she has a supply of oxygen, and the best possible care. Private care... You know how things are these days.’

Aron knows that private care in the new land costs money, like everything else. Lots of money. He has heard tales of ambulance drivers demanding hard cash from the sick and injured.

‘What about overseas?’ he says quietly. ‘In... Sweden, for example?’

‘They have excellent health care over there, and it could well be cheaper, but of course that only applies to Swedish nationals,’ the doctor explains.

Aron goes home. Mila has been given her verdict. He thinks about Sweden, and Swedish health care. It’s free to Swedes, no doubt to their families as well. Perhaps it is time to go back to Öland.

There is another reason why Aron is keen to get away. The archives from the days of Stalinism are being opened, and citizens of the former Soviet Union are trawling through mountains of documents, searching for the names of victims of the Great Terror. And for the names of those few executioners who are still alive.

Aron begins to think about changing his identity for a second time. Leaving Vladimir Jegerov behind. Going home to the old country, and taking Mila with him.

But he needs help. Someone who can confirm who he really is.

It is much easier to make overseas telephone calls from Russia now; there is no need to fill in any forms — but Aron does not have any numbers to call. He has no idea which members of his family are still alive.

However, one evening he picks up the phone to try to find out more. A helpful Russian operator finds someone by the name of Greta Fredh on Öland. She is living in a residential home for senior citizens, but she does have her own telephone.

The operator puts him through. He hears the phone ringing out, and after a moment a woman’s voice says, ‘Greta Fredh.’

The voice is old and weak, but Aron recognizes his sister. He begins to explain who he is, stumbling over the Swedish words and phrases.

Greta doesn’t remember him. She doesn’t know who he is. Against the background of a faint rushing sound, he tries to explain. That he emigrated to another country, that he is thinking of coming home. To Rödtorp, the place where they grew up, by the water between the island and the mainland.

Doesn’t she remember?

There is only silence on the other end of the line.

‘Aron?’ his sister says at long last. ‘Is that really you?’

‘Yes, Greta. I’m coming home. To our croft.’

‘Our croft?’ Greta says.

‘Yes. The Kloss family own land — lots of land — and we’re related to them.’

‘Kloss...’ Greta says. ‘That’s right, Veronica is coming to the home to give a talk this summer. I’m looking forward to it.’

‘Tell her you’re a relative,’ Aron says.

‘I will.’

Aron thinks his sister is beginning to understand but realizes that her mind works slowly and that her memories are muddled.

‘It’s coffee time now,’ Greta says. ‘Bye, then, Aron. Goodbye.’

He puts down the phone, his hand trembling.

Mila is gazing at him from her bed. ‘What about your other relatives in Sweden?’ she says. ‘The Kloss family?’

The Kloss family. Aron is indeed related to them; he is Edvard’s son, even if his paternity was never acknowledged — it was such a closely guarded secret that Sven never spoke of it, and Aron’s mother, Astrid, only ever hinted at it. And Edvard died rather than admit it.

But could the younger members of the family help out? Perhaps.

He nods to his wife and picks up the phone again.

A further conversation with the international operator reveals that there are several individuals with the surname Kloss who still live on the island of Öland. One of them, Veronica, also has a home in Stockholm. She was the person Greta mentioned.

Aron is given her address and telephone number, and glances over at Mila. He has to make the call. He keys in the number with his index finger — his trigger finger — and waits.

After a while, a young man answers. His name is Urban Kloss, and it turns out that he is Veronica’s son. He understands Aron’s Swedish and confirms that this is the right family. They come from Öland, and spend the summers there.

But he doesn’t seem to have any idea who Aron Fredh is.

Aron asks him to fetch his mother. Once more, he listens to the faint rushing sound as he waits. After a moment, he hears the cool voice of a woman: ‘Veronica Kloss.’

Aron clears his throat and introduces himself, a little hesitantly, in Swedish. He explains who he is, where he is calling from.

‘We’re related,’ he says.

‘Related?’

As Aron goes on talking, his Swedish slowly improves. He tells Veronica about Rödtorp and the shore. About Edvard Kloss and Aron’s mother. About travelling to Stockholm with Sven, then on to Leningrad. About the journey north, and the hard labour. He stops at that point; he doesn’t want to tell her any more.

‘But we are related,’ he says again. ‘I’m Edvard’s son.’

Veronica has listened in silence; now she takes a deep breath. ‘I have nothing to say to you.’

There is a click, and the connection is broken.

That’s it. Aron sits there, lost for words, still holding the receiver. He looks at Mila, then back at the phone.

‘She’s gone,’ he says. ‘I suppose it all sounded a bit crazy...’

Mila nods. ‘In that case, we’ll go to Stockholm at Easter,’ she says. ‘When the air is a little warmer. We will go and visit your relative, young Weronikaya, so that you can speak to each other face to face.’

‘Veronica. It’s just Veronica,’ Aron says.

He’s not sure about this, but Mila is determined. ‘Veronica, then. You can take your papers and the old snuff box with you, to prove who you are. That you are her father’s brother.’

‘Her father’s stepbrother,’ Aron says quietly.

‘You’re family,’ Mila says firmly. ‘We need their help; they have to give the croft and the shore back to you.’

Lisa

Paulina led Lisa on through the darkness by the shore, away from the shattered ridge, without stopping. Northwards, past juniper bushes and boathouses. They had almost reached the stone wall surrounding the campsite.

Lisa was expecting Paulina to head for her caravan, but instead she turned off towards the road. She stopped a few metres away from the roadside and waited.

Lisa looked at her. ‘What’s ammonal?’ she said.

‘Dynamite buried underground. He’d dug out a channel and placed the dynamite in it.’

Lisa blinked. She had so many questions it was difficult to choose one.

Paulina was looking south towards the dark Sound. They could still hear the throb of a motorboat engine, but couldn’t see it.

Then came the sound of another engine, somewhat closer this time, and Lisa saw two headlights approaching.

A dark-coloured car was moving slowly along the coast road, coming from the south. It was probably her imagination, but she thought Paulina was smiling at the car.

‘It’s over, Lisa,’ she said.

Paulina was strangely calm after everything that had happened; she seemed so different.

Lisa stared at her. ‘Who are you?’

‘I don’t come from Lithuania,’ Paulina said, still watching the car. ‘I’m from Russia.’

The dark-blue Ford stopped beside them, the engine still running. Paulina turned to Lisa and took her trembling hand. ‘It’s time to leave Öland,’ she said. ‘Go home, Lisa.’

Then she walked away. Lisa watched as Paulina covered the short distance to the coast road. The driver of the Ford had reached over and opened the passenger door.

Paulina got in.

Lisa could see by the interior light that the old man was sitting at the wheel. Aron Fredh. He smiled wearily at Paulina as she sat down beside him and gently stroked his cheek.

The car swung across the coast road. It drove past the restaurant and disappeared into the night.

Lisa was left alone by the campsite, where people had begun to emerge from their tents and caravans to gaze up at the damaged ridge to the south, murmuring to each other in their confusion.

She opened her right hand; Paulina had given her something as she was leaving. It was a thick roll of notes. Swedish banknotes.

She closed her hand around it and thought about Silas, her father. Silas would want this money. Silas needed this money. And that need would never end.

But she was tired of giving her father money to feed his drug habit.

She slipped the roll of notes into her pocket and set off. Slowly at first, then faster. She went to her caravan and packed up her clothes, her records and her guitar, then she did what Paulina had told her to do — left the island. She wanted to get home before the police turned up.

The Homecomer

Aron stopped the car on the way to the main road, and he and Paulina changed places. He looked back, down towards the inlet.

Everything was in darkness. His head was pounding after the explosion, but at least his hearing seemed to be intact.

‘The cairn the Kloss family built is gone now,’ he said in Russian. ‘And their home and their boathouse. All gone... We’ve done what we came to do.’

Paulina looked at him. ‘I thought you were dead, Papa. You were so close to the bunker, and I...’

‘I always survive,’ Aron said tersely.

Paulina nodded. ‘And what about him?’

‘Him’, that was all she said. Aron had managed to meet up with his daughter in secret a few times over the summer, but Paulina had never mentioned Kent or Veronica Kloss by name.

‘He’s gone,’ Aron said.

‘But she survived,’ Paulina said. ‘She was down in the launch, waiting for him to bring down your body. He was going to shoot you... that’s what they’d planned.’

‘She survived? Veronica Kloss?’

‘Yes. I heard the engine afterwards... the boat was moving away.’

She started the car and set off. Not south towards the mainland, but north, where there was no bridge. Towards the furthest point of the island.

They didn’t meet any other cars, and when the road narrowed and the pine forest began Paulina turned on to a dirt track leading through the trees and switched off the headlights. It was almost two o’clock. Aron was exhausted, and every bone in his body was aching.

Paulina had cleared out her caravan and put her bags in the back seat earlier that evening. She opened one, took out two blankets and reclined the seats. They settled down in the darkness, and silence fell inside the car.

‘We couldn’t let the children come to any harm,’ Paulina said after a while. ‘You do understand that, don’t you, Papa?’

Aron didn’t respond at first. It had been his daughter’s idea to remove the boys from Villa Kloss before the cairn was blown up. She had crept in and placed cloths soaked in chloroform over their faces once they had fallen asleep, and she had given Aron the alarm code.

‘I know,’ he said eventually.

The children, he thought. As Vlad, he had harmed many young people in the thirties. Eighteen-year-olds, seventeen-year-olds, perhaps even younger. He had interrogated them, beaten them, sent them off to the camps without turning a hair. Or he had made them orphans.

‘What did you do with them?’ Paulina asked.

‘Who?’

‘The Kloss children.’

Aron closed his eyes and lay back. ‘I took them across the island and locked them in a boathouse.’

Paulina nodded. ‘We’ll phone someone in the morning and let them know,’ she said, then added, ‘My friend made it, too.’

‘What friend?’

‘Her name is Lisa.’

Silence fell once more; the forest was peaceful. After a few minutes, Aron could hear his daughter’s calm, even breathing, but he couldn’t get to sleep himself; his body was still throbbing and aching.

He must have dropped off eventually, because the sun was in his face when he opened his eyes, its rays shining between the tree trunks. Another glorious summer’s day. Paulina shifted slightly beside him, but she was still asleep.

Aron blinked in the bright light, surprised that he had woken up. Slowly, he began to unbutton his shirt.

Before long, his daughter woke behind the wheel. They exchanged a few quiet words, then she started the car and they continued their journey north across the island.

In Byxelkrok, they saw the sea again, and stopped at the harbour hotel for a cup of coffee. The waitress barely glanced at them.

The police might well be looking for them in the south; there might be patrol cars all over Borgholm; they might even have closed the bridge — but here in the north, no one was interested in them.

There was a telephone kiosk down by the harbour in Byxelkrok; Paulina drove up to it and looked at her father. ‘Are you going to call her now, Papa, and tell her where the children are?’

Aron nodded and got out of the car. He ambled over to the kiosk, picked up the receiver and held it to his ear, but he didn’t make the call.

Instead, he turned his back on Paulina and opened his jacket with his free hand. There was a small tear in the fabric, stained dark red, but the wound was no longer bleeding. Not much, anyway.

It had taken several hours after the explosion for him to realize what had happened, but when he woke at dawn Aron had known that the throbbing in his belly wasn’t normal. Silently, in order to avoid waking his daughter, he had unbuttoned his shirt and discovered a small, narrow wound in his right side.

Kent Kloss hadn’t missed with his first shot after all.

He had a first-aid box in the car, and had dressed the wound with adhesive tape and a clean bandage to stop the bleeding, but his guts were hurting, and when he pressed with his fingers he could feel a piece of lead inside him.

Aron had been shot, for the first time in his life. It was almost funny, but he had to keep it to himself.

Paulina mustn’t find out.

He put down the phone and slowly made his way back to the car. ‘All done,’ he said.

Paulina started the car and they continued northwards, heading for the last outpost: the harbour in Nabbelund and the ferry to Gotland.

‘What did you do with the guns?’ she asked.

Aron jerked his head towards a bag on the back seat. It had been filled with sticks of dynamite earlier on, but now it was almost empty.

‘They’re in there,’ he said. ‘I’ll drop them over the side once we’re far enough out.’

The Grankulla Bay inlet was surrounded by spits of land and low islets covered in dense forest, almost like a lagoon. Laange Erik, the tall white lighthouse, warned ships of shallow waters off the northern tip of the island.

Fortunately, the ferry to Gotland had made its way safely to the quayside and was ready for departure. Aron and Paulina left the old Ford in the car park and walked along the jetty. Aron felt the wind coming off the Baltic on his face. They went aboard; Paulina had booked their tickets all the way home. The ferry would take them to Visby; from there, it was a short flight to Stockholm, then on to Moscow.

Going home.

But of course this wasn’t how Aron had expected it to end; he had intended to die on Öland, in the croft by the shore.

There was a cafeteria on the ferry, a small shop and a passenger lounge equipped with tables and chairs. They chose seats over in a corner, where no one could hear them.

Aron sat down carefully; his stomach was hurting. He looked out of the window to the south, as if he could see Stenvik and all the damage he had caused there.

Then he sighed and said to his daughter, ‘I am a cleanser.’

Paulina was silent for a moment, then she said, quietly but firmly, ‘Not any more. You’ve finished with all that, Papa.’

Aron looked at his hands. ‘Cleansing and purging, that’s all I was good at. It was the only thing I was praised for when I was young, so that’s what I’ve done all my life. Apart from meeting your mother and taking care of you.’

‘That was enough, Papa.’ Paulina reached across and stroked his cheek. ‘We’re going home now; we can rest and eat good food. We’re done with this country.’

She was efficient, as usual, focused, just as she had been when she had applied for the post with Kent Kloss — but Aron sensed a calmness in her after a stressful summer, and a kind of forgiveness, too.

He tried to relax. The quayside was empty now; everyone had either boarded the ferry or gone home. The Ford stood there abandoned; he had left it unlocked, with the keys in the ignition, so that anyone could take it if they felt like it.

Slowly, he got to his feet.

‘I’m hungry,’ he lied. ‘Can I get you something?’

Paulina shook her head. He patted her cheek, allowing his hand to linger a fraction longer. Then he walked out of the lounge.

One minute to departure.

It was time to decide; Aron made up his mind. He went over to the locker and took out his bag, then made a beeline for the gangplank. He jumped ashore only seconds before it was removed.

A young sailor was standing on the quay, holding the last hawser. He looked at Aron in surprise.

‘Changed your mind?’

Aron nodded. His stomach wasn’t hurting quite so much now that he no longer needed to hide the pain. The sun was beginning to warm the air, and he was hardly shivering at all.

The sailor threw the rope on board, and the ferry began to pull away. The stretch of open water between the ship and the quayside quickly grew; soon it was too late to jump on to the deck, even if Aron had been young and fit.

He caught a last glimpse of Paulina’s dark hair through the window. Her head was bowed, and she didn’t see him.

The pain he was feeling now was the pain at the thought of never seeing his daughter again. But in her bag was the money Aron had taken from the safe on the Ophelia — over half a million kronor. She would have a good life without him.

Cumulus clouds were beginning to gather above the horizon in the west, grey and hammer-shaped, a forewarning of the bad weather to come in the autumn. A storm was on its way.

He turned his back on the water. There was plenty of time now. His daughter would be stuck on the ferry from Öland to Gotland for several hours.

Taking short steps, he made his way back to the car; he got in and let out a long breath. He threw his bag on the back seat and heard the guns inside clink together. As he thought about them he saw Veronica’s face before him, with that cool expression. He saw her walking around the sunlit lawns at the Ölandic Resort, just as composed and triumphant as Lenin’s widow.

Aron was dying. He didn’t know how many hours he had left — but Veronica Kloss was going to live on.

Was she?

No, Vlad said inside his head. No, she wasn’t.

He started the car and glanced over his shoulder at the bag containing the guns. Then he swung the car around and drove south.

Jonas

For the second time that summer, Jonas woke up in a boathouse, confused and blinking. But this place had thick stone walls, and he wasn’t in a bed. He was lying on a pile of nets, fishing nets that were soft with age and stank of tar. The wind was howling around the boathouse, and he could hear the muted cry of gulls outside.

He realized that he wasn’t alone. Casper and Urban were over by the wall, wearing pyjamas; when he looked down, he saw that he was in his pyjamas, too.

His cousins seemed as drowsy as he was, somewhere between sleep and wakefulness.

Jonas knew he had fallen asleep in the chalet, but he had vague memories of the night: a white angel by his bedside, a sweetish smell filling his nostrils. Then rough hands in the darkness.

He closed his eyes, dozed, waited. Someone had left bottles of water on a stool by the wall, and all three boys had a drink. A thin strip of light was visible through a narrow gap under the door, and eventually Urban got up. He pushed the wooden door with both hands, harder and harder, but it was sturdy and impossible to move. It must be secured from the outside somehow. Urban gave up and went back to his pile of nets.

The three of them sat in silence. Jonas had lots of questions, but no one had any answers. As the light outside grew stronger, Urban and Casper started talking to him.

They both had a headache. So did Jonas.

‘It must have been some kind of drug,’ Urban said quietly. ‘They knocked us out while we were asleep.’

‘I remember someone carrying me,’ Casper chipped in. ‘It was a man... an old man. But he was strong.’

The cairn ghost, Jonas thought.

They sat there in the semi-darkness for a long time. None of them had a watch. All they could do was wait. Jonas leaned against the wall with his eyes closed, listening to the wind and the birds.

Then he heard something else: the sound of a car engine nearby. He raised his head. ‘Can you hear something?’

Casper and Urban listened, looking worried.

‘Is it him?’ Casper whispered.

‘Dunno.’

The car drove right up to the boathouse, then the engine was switched off. They heard slow, heavy footsteps approaching through the grass.

The rattle of a padlock, the sound of an iron bar being removed. The door opened.

An old man stood there looking at them, his expression forbidding. Jonas recognized him; it was the man he had seen by the cairn.

Ten metres behind the man he could see a blue Ford.

The man had a black gun in his hand, pointing at the floor, but from the easy way he was holding it Jonas could tell he was used to it. The gun was a tool. He would take aim in a second if it became necessary.

‘Out you come,’ he said.

Jonas and Casper stood up and stepped out through the low doorway. The light was very bright outside; it felt like afternoon. Urban came out last, but the cairn ghost stopped him with his free hand, looking closely at him.

‘You’re a Kloss, aren’t you?’ he said. ‘And Veronica is your mother?’

Urban nodded.

‘Good.’ The man pointed along the shore. ‘Off you go. There are houses a few kilometres down the coast. Run to one of them and call home. Call your mother and tell her where you’ve been. Tell her to come here as soon as possible. To Einar Wall’s boathouse. Alone.’

Urban looked at Jonas and Casper and opened his mouth. ‘I just want to say—’

‘Shut up,’ the man said. He pointed the gun at Urban with a hand that wasn’t quite steady. ‘Do you want a bullet in the back of your neck?’

‘No, but—’

‘Clear off, then.’

Urban glanced anxiously at Jonas and Casper once more — then he ran, loping across the grass by the shore.

The cairn ghost watched him go.

‘Good.’ He nodded to the two boys. ‘Now it’s just the three of us.’

Jonas didn’t dare say anything, but he suddenly realized that the man was sick. He was swaying slightly, and from time to time he pressed his hand against his stomach, as if he was in pain. His face was shiny with sweat, even though the heat of summer had passed.

The man might be sick, but he still moved like a soldier, with focus and determination.

He placed a piece of paper on the floor of the boathouse. Jonas caught a glimpse of five words written in pencil, in capital letters:

The man closed the door.

‘Let’s go.’

He gave Jonas a push in the direction of the car. Jonas walked obediently in front of the man with the gun, as prisoners must always do.

Gerlof

Gerlof and John were out in the car the following morning. It was almost eight thirty, but it wasn’t particularly light; dark clouds hung over the island.

John had woken Gerlof at seven, without even bothering to say good morning.

‘It’s the cairn,’ he said. ‘They’ve blown it up.’

‘The cairn?’

‘Not yours. The one Kloss built.’

Gerlof heard what he said, but he couldn’t quite believe it. He had heard the explosion — but the cairn?

Then he thought about it, and said, ‘Aron Fredh.’

John didn’t answer, but then it wasn’t a question; it had to be Aron.

‘We’d better get over there,’ Gerlof said.

John helped him to the car. They drove the short distance down to the coast road and turned off by the mailboxes. Past the campsite and over to the southern tip of the inlet, where the ridge rose above the water.

John drove slowly, and Gerlof had plenty of time to take everything in. First of all, he saw a small group of campers and holiday-home owners, then the police cars and an ambulance in front of a blue-and-white police cordon and, finally, the scene of the tragedy.

He realized that it must have been an enormous explosion as soon as he saw the cairn.

Or what was left of it. By now it was more of a crater, containing only earth and gravel. A few stones lay on the edge of the ridge — the rest had been spread inland in a great shower, right across the coast road. Many of them had landed on Villa Kloss, which was the only property within reach.

Aron might be a war-damaged lunatic, Gerlof thought, but his aim had been excellent. The explosion had destroyed only property belonging to his own family. Kent’s house was closest, and looked as if a bomb had hit it; the roof had collapsed and the decking was smashed to pieces. Every single panoramic window was shattered.

Gerlof gazed at the devastation and thought about Jonas Kloss.

He searched among the faces of the people standing around. Most of them were strangers as far as Gerlof was concerned, and he couldn’t see any members of the Kloss family. Then he recognized a middle-aged man in a pale-blue dressing gown, his spiky hair standing on end. He had forgotten the man’s name, but he came from Stockholm and lived next door to Villa Kloss.

John stopped the car and Gerlof wound down the window. He didn’t need to ask what had happened.

‘Anyone hurt?’ he said.

The neighbour shook his head. ‘I’m not sure. Our garden is a bit further away, so the stones didn’t hit us, but... well, what can you say?’

He nodded in the direction of Villa Kloss. ‘Was anyone there last night?’

‘One of the brothers was sleeping in a room at the back... Niklas Kloss. He’s OK, apparently.’

‘And the other brother, Kent? And the boys?’

The neighbour shook his head. ‘No idea.’

John and Gerlof sat in the car for a little while longer, staring at the wreckage, then John seemed to have had enough. He started the engine and put the car in reverse.

‘Wait, John,’ Gerlof said suddenly.

When the car had stopped, he got out and took a few steps on to the ruined property, using his stick for support. He had spotted a man walking across the grass, picking his way between the huge stones. Niklas Kloss.

Kloss was wearing brown shorts, with a grey coat hanging open on his upper body. It was an odd combination, but at least he looked unhurt. Gerlof raised his hand and Niklas Kloss came over to him; his eyes were empty, his movements stiff. He seemed to recognize Gerlof, but didn’t say hello.

‘Kent and the boys are gone,’ he said instead. ‘And Paulina.’

‘Gone?’

‘Veronica’s spent half the night looking for them... So have I.’

Gerlof looked at the two houses. ‘So the boys weren’t at home last night? And nor was Kent?’

‘I don’t know,’ Niklas said quietly. ‘They never tell me anything... Kent and Veronica never tell me anything.’

‘What is it you think they should be telling you?’ Gerlof asked.

Niklas didn’t answer; he turned away.

The door of the other house opened and Veronica Kloss stepped out on to her decking. She was better dressed than her brother, in jeans and a blouse, and the decking was undamaged. She looked over at the two men and came towards them.

Before she reached them Gerlof leaned over to Niklas and asked a brief question; it was something he had been wondering about for several weeks.

‘Were you involved in the smuggling, Niklas?’

Niklas looked at him blankly. ‘Smuggling?’

‘Spirits and tobacco.’

Veronica was almost upon them.

‘It wasn’t me,’ Niklas replied. ‘It was all down to my brother.’

Veronica’s expression was anything but blank, Gerlof saw; it was sharp and focused.

‘Niklas,’ she said quietly.

But her brother carried on talking, as if he hadn’t heard her. ‘Kent brought in spirits and cigarettes by boat and car every summer. But he’s the boss of the Ölandic Resort, and the boss can’t go to prison. So I took the fall.’ He looked at Veronica and added, ‘It was my sister’s idea.’

‘I expect she was thinking of the business,’ Gerlof said.

Veronica ignored him; her gaze was fixed on her brother. ‘Niklas, go indoors and call my husband in Stockholm. He should be in the office by now. Tell him to call my mobile, and keep calling until I answer.’ Then she turned to face Villa Kloss. ‘I have to go,’ she said.

‘What’s happened?’ Gerlof asked.

Veronica didn’t look at him, but she did reply. ‘He’s taken the boys.’

‘Who?’

Veronica Kloss didn’t say any more; she just hurried towards her car.

But Gerlof didn’t need an answer, of course — it could only be Aron Fredh.

Niklas was still standing there. Gerlof realized that he was in shock.

‘Niklas, have you seen a doctor?’

‘Not this year.’

Gerlof placed a hand on his shoulder and pointed to the ambulance. ‘Go over there and ask the paramedics to have a look at you... We’ll take care of things.’

Niklas nodded obediently. ‘You’ll find the boys?’

What could Gerlof say? After all, he and John were just two old seamen.

‘We will,’ he promised eventually.

He watched as Niklas slowly made his way over to the ambulance, then he got back in the car and sighed.

‘We’d better drive around, see if we can find the boys. I don’t really know where to look, but...’

‘That’s fine,’ John said. ‘I’ve got plenty of petrol. But can we just stop off at the shop?’

‘Do you have to work?’

‘No, Anders is working, if there are any customers... But I just need to make sure we have enough milk for the weekend.’

‘Of course,’ Gerlof said.

So John turned off, stopped in the car park outside the little shop in Stenvik and got out of the car. Gerlof stayed where he was, until John turned around. ‘Would you like a coffee before we set off?’

They drank their coffee among the boxes in the storeroom.

‘So Aron blew up the cairn,’ John said, ‘and abducted the Kloss children.’

‘It looks that way. And Veronica Kloss went after him.’

‘Yes.’

They sat in silence, listening to the ticking of the clock. Gerlof sipped his coffee. Where was Aron now? Where had he hidden himself? In a cottage somewhere?

All of a sudden, an image came into his head of Aron Fredh on that summer’s day when Gerlof had seen him in the churchyard, before they heard the knocking from inside the coffin. Aron, twelve years old, had appeared by the shed that served as a mortuary like a little ghost. He had reminded Gerlof of a ghost because...

‘He was white,’ Gerlof said out loud.

‘White?’ John said.

‘He was covered in white powder... The first time I saw Aron in the churchyard, his clothes were covered in flour dust.’

John nodded. ‘That makes sense — Sven Fredh was a miller’s labourer. Aron had probably been helping him before he came to the churchyard.’

‘So Sven worked for different farmers,’ Gerlof said slowly. ‘In the flour mills.’

‘The mills...’

‘Yes,’ Gerlof said. ‘I think that’s where he’s hiding. In a windmill that’s still standing.’

John frowned. ‘But which one? There must be thirty-five or forty in this parish alone.’

‘It can only be an abandoned mill,’ Gerlof said. ‘The kind of place that’s falling down, hidden among the trees and undergrowth somewhere... the kind of place people have forgotten about.’

‘There aren’t so many of those. I should think most of them have fallen down already.’

‘Some are still standing. There must be a mill on or near Kloss family land somewhere... That’s where Aron grew up.’

‘That cuts it down even more,’ John said.

Gerlof nodded. Suddenly, he remembered hearing voices from time to time when he was sitting in his garden. An old man and a younger woman had been talking among the trees, a barely audible conversation. As if they had been sitting in a hiding place, above the ground. In a tree, or some other tall structure...

‘I could be wrong,’ he said to John, ‘but I think it’s in Stenvik. The old mill in the forest, behind my garden.’

The Homecomer

It was a grey afternoon on the coast; the storm was almost upon the island. The hundred-year-old mill in the forest was being shaken like a lighthouse by the winds, swaying in time with the trees all around it, but it was still standing.

The interior of the mill consisted of one fairly small square room, with a high ceiling; there was also a loft, and the dusty machinery still stood in the middle of the room. There were no windows, only a number of narrow apertures, so it was dark even in the middle of the day.

After Aron had tied the two boys to old wooden chairs by the wall, he lit some paraffin lamps and stable lanterns he had found, and before long there was a bright light burning in each corner of the mill’s dusty floor, illuminating the wooden walls and the boys’ pale faces. They were keeping very quiet, but he knew they were waiting for Veronica Kloss to come and help them.

Aron was waiting for her, too, his forehead burning and an agonizing pain in his belly. He leaned against the back wall and listened to the wind.

It took time, but eventually Veronica found the right place. He heard the sound of a car engine approaching, then it was switched off. For a moment, there was only the desolate howling of the wind, then footsteps. High heels tapping on the wooden steps leading up to the door. Only one pair of feet. She was alone. Good.

The footsteps approached slowly but resolutely, making the whole of the old mill shudder.

After a brief silence, the door opened, and Veronica Kloss was standing there in jeans and a black jacket, her hair pulled back in a ponytail.

This was the first time Aron had seen her at close quarters. In the glow of the lamps, he noticed that she had dark shadows under her eyes, but her expression was intense. It was full of hatred.

He thought she was ugly. Attractive, perhaps, but still ugly.

‘Are you alone?’

Veronica gave a brief nod.

‘I have something to say first,’ she said. ‘You’re not right in the head. You’ve destroyed everything.’

‘I know that,’ Aron said. ‘With dynamite from the Wall family on the eastern side of the island... Pecka and Einar. The two men your brother killed.’

Veronica didn’t contradict him; she stepped inside the mill.

‘Take off your jacket,’ he said from the other end of the room, ‘and throw it behind you.’

She did as he said. Pulled down the zip and threw the jacket outside. Underneath, she was wearing only a thin white blouse. If she had been carrying some kind of weapon, it was gone now.

Aron was armed with the automatic assault rifle — the largest gun he had bought from Einar Wall. He was standing less than five metres away from her, partly hidden by the central post, and he pointed the barrel straight at Veronica.

‘Come here.’

Veronica went and stood between the two boys, her eyes glittering in the light.

‘Let them go,’ she said.

Aron shook his head. ‘No. Not until we’ve finished talking.’

Veronica nodded in the direction of the slightly older boy on the right. ‘Let my son go, then.’

‘Why?’

‘Because he’s the most important.’

‘Is he?’

Aron thought for a few seconds, then he reached out and pulled at the rope binding the younger boy’s wrists. Then the one around his ankles. The knots came undone, and the boy was free.

‘You can go,’ Aron said.

The boy stared at him, rubbing his numb hands. He didn’t move until Aron gave his shoulder a gentle push.

‘Go home.’

The boy moved towards the door, past Veronica. She didn’t even glance at him.

The door closed behind him.

Aron looked at Veronica Kloss and pointed to the empty chair, the one her nephew had just vacated. ‘Sit down.’

She didn’t move. ‘Why?’

‘You have a number of charges to answer.’

‘Such as?’

‘You and your brother flattened Rödtorp, and you killed my sister.’

When Veronica still didn’t move, he added, ‘And my wife.’

The New Country, April 1998

It is Easter, and Aron and Mila travel west. They leave their daughter at home and catch the train to Leningrad (which is once again known as St Petersburg) on Good Friday, and stay there overnight.

Mila would like to look around the city, perhaps visit the Winter Palace and see the River Neva — she has not been there since she was a student — but she is too weak. And Aron has no desire to wander around the streets feeling nostalgic. He does not want to renew his acquaintance with Kresty Prison down by the river, he does not want to reawaken old memories of the smells and sounds in there. Or of his friend Trushkin.

He can only think about Sweden, and about the island on the other side of the Baltic Sea.

On the morning of Easter Saturday they board the cruiser MS Baltika, which sails between Stockholm and St Petersburg. It is just as white as SS Kastelholm was, but bigger, and this time Aron doesn’t have to share a cabin with his seasick stepfather. They glide west along the Neva and out into the Baltic, full of anticipation.

The water is calm, and Mila seems to feel a little better in the sea air. She smiles at him as they stand by the rail.

So many summers, so many winters, Aron thinks.

The crossing is much faster than it was in the thirties, and it is still Easter when they arrive in Stockholm.

Aron realizes that this city has changed, too, of course. The derricks in the docks are gone, and the number of buildings has increased significantly.

The Swedish immigration official merely glances at Aron and Mila’s Russian passports, then he says ‘Welcome’ and waves them through. They stay in a small hotel not far from Nytorget, and Aron finds a map in the telephone directory. Veronica Kloss and her family live on Norr Mälarstrand. An impressive address, right by the water.

Mila smiles. ‘We’ll go over there in the morning, in plenty of time before we sail.’

Aron smiles back, but he is trembling inside. He feels like the bastard son when it comes to the Kloss family. And, of course, he is a bastard, the illegitimate offspring lumbering in among the posh folk, with no idea how to behave.

But they have a lovely evening in Stockholm. They wander through the narrow streets of the Old Town, just as Aron and Sven did; they take a ferry trip around the islands and spend the last of their money on a special dinner in a restaurant. Mila coughs quite a lot during the evening, and she is very tired, but she is smiling, too.

‘Everything will be all right.’

Maybe, Aron thinks. If I get down on my knees to Veronica Kloss.

The following day, it is time to go and see her.

Kungsholmen is a little distance away from their hotel. Aron is still hesitating but, eventually, they set off, and manage to find the right house. The outer door is made of dark wood, wide and sturdy. And closed. But there is a nameplate with ‘KLOSS’ engraved on it, and a button beside it.

Aron presses the button and waits by the entry phone, with Mila beside him.

‘Yes?’

It is a woman’s voice, and Aron’s heart begins to pound.

‘Veronica?’ he says quietly. ‘Veronica Kloss?’

‘Yes?’

Aron introduces himself again. He explains, with Mila at his side, that they have come to Sweden because they need help. That he has brought proof that they are related, a snuff box that used to belong to his father, Edvard Kloss.

There isn’t a sound from the speaker.

Then something rattles up above his head. A window opens, three floors up, and a white envelope drifts down through the air. Bizarrely, it reminds Aron of Comrade Trushkin and the letters he left on the streets of Leningrad.

‘Aron Fredh’ is written neatly on the front.

Slowly, he opens the envelope. There is no letter inside, just a piece of paper with a picture on it. A picture of a forest clearing, with a digger standing among the remains of a small house. A croft. The machine has rolled straight in and crushed the walls.

Needless to say, Aron recognizes the croft.

He drops the picture and stares at the door. It remains closed. Veronica Kloss has put down the phone upstairs in her apartment, and the lock never buzzes to let them in.

Aron turns and looks at his wife. She doesn’t understand Swedish, but she knows. Something has died in her eyes; hope is gone.

She takes his arm. ‘We have to go,’ she whispers. ‘We’ll miss the boat.’

They set off, walking in silence.

Mila’s breathing is laboured by the time they reach the hotel. They collect their luggage and take a taxi to the ferry. She is very low, and her cough is worse than ever. Aron wants to cheer her up, but he doesn’t know what to say. His croft is gone. Kloss has destroyed the dream he has cherished for so long.

They manage to catch the boat. Mila is very breathless, without a scrap of colour in her face, in spite of the sun that has been shining down on Stockholm. The ferry slips away from the land, out through the archipelago, leaving Sweden behind them.

‘We’ll come back,’ Aron says.

Mila nods wearily. It is almost time for dinner, but she shakes her head and goes to bed. She seems ill; perhaps she is suffering from seasickness, even though the sea is perfectly calm.

Aron eats as quickly as possible in the only restaurant on board, then goes back down to the cabin.

Mila is asleep, her breath rattling in her chest. Aron has the dizzying feeling that he has done this before, when he travelled with Sven, who was so ill. But this is far more serious.

Two days later, they are back in Moscow. They have travelled the same way as they did on the outward journey, by train from St Petersburg. Their daughter, Paulina, is waiting for them at the Belorussky Station. Aron notices that she has changed out of her winter coat; spring has arrived in Russia.

He climbs down from the carriage with a heavy tread and helps Mila down the steps; she is exhausted. They both hug their daughter for a long time.

And so they go home, and the hospital visits begin again. And the constant battle for oxygen.

At the end of June he calls his sister again, on the line beneath the Baltic Sea, but she doesn’t answer. A nurse speaks to him instead, with that faint rushing sound in the background, as before.

‘Greta Fredh is no longer with us, I’m afraid. She’s passed away.’

Aron doesn’t understand.

‘She had a fall. She fell in her bathroom.’

After a while, the news sinks in, and he puts down the phone.

His sister is dead, and there is no hope for his wife.

It takes ten months of hospital visits and vigils before Mila’s lungs give up. She is like a drowning woman at the end, fighting and fighting, but unable to get any air.

On 20 February 1999 she finally dies. Aron and Paulina are sitting with her, but Aron has to leave the room several times during the struggle. The feeling of powerlessness is the worst thing of all.

At the beginning of May, two months after the funeral, he travels back to Sweden. He buys an old Ford in Stockholm and drives down to Öland.

Greta’s room has been cleared, but he is allowed to look at the box containing the things she left behind. She had nothing — nothing of value, at least — but he takes a few family photos of himself when he was a little boy, and of their mother, Astrid.

The door of the room next to Greta’s is standing open; the nameplate says ‘WALL’. Aron looks inside. Two men are sitting there; one is older than Aron, the other is younger. But they bear a strong resemblance to one another; he assumes they are family.

‘Did you know the lady next door?’ he asks.

‘Who wants to know?’

‘Fredh. Aron Fredh.’

‘So you and Greta were related,’ the older man says. ‘She had a fall.’

He puts a little too much stress on the last word, and Aron pricks up his ears.

‘Yes,’ he says. ‘I’m her brother.’

‘My name is Wall,’ the older man says. ‘Ulf Wall... This is my son, Einar.’

Aron nods.

‘I’m related to the Kloss family as well,’ he says.

He notices that the younger man, Einar Wall, frowns slightly at the mention of that name, so he takes a step into the room. Purposefully, like a soldier.

The Homecomer

‘Kent is dead,’ Veronica Kloss said.

Aron nodded. ‘So is Greta. And Mila.’

Veronica stared at him in the glow of the paraffin lamps, and he stared right back.

‘Sit down,’ he said.

She hesitated briefly, then sat down on the empty chair next to her youngest son. He looked at her and she opened her mouth to say something to him, but Aron didn’t want to hear it.

‘Right,’ he said loudly. ‘Let’s begin.’

This was the last interrogation he and Vlad would ever conduct, he knew that. It was important to do it properly.

There was no desk in the mill, but he had brought a pen and paper and found a wooden box to lean on. He pushed the box over to Veronica.

‘Take the pen.’

She looked at him for a long time, but took it eventually.

‘And some paper.’

She took a sheet of paper.

Aron raised the assault rifle. ‘Start writing. I want you to admit that you killed my sister in the residential home last summer, after I told you we were related. And I want you to explain how you did it.’

The pen was poised over the paper.

‘And then?’ Veronica said.

‘When you’ve finished, I’ll let the boy go.’

‘And me?’

He lowered the rifle so that it was pointing at the makeshift desk.

‘Just write.’

Veronica gazed at the empty sheet of paper, then she began to write.

Aron’s eyesight was good; if he leaned forward slightly he could read her confession.

‘You’d put the mat under the bathroom door earlier on, and then you jerked it away...’ he said. ‘What happened next?’

Veronica looked down at her hands. ‘I couldn’t hear anything from the bathroom, so I left. No one saw me.’

Silence fell inside the mill. Veronica was still holding the pen, and Vlad was staring at her from behind Aron’s eyes.

‘Carry on writing,’ he ordered. ‘I want you to admit that you refused to help my wife, Ludmila Jegerov, who was seriously ill, in spite of the fact that we asked you for help several times. I want everything written down and signed.’

Jonas

It was overcast and windy outside, and Jonas fled from the mill as fast as he could. He ran along a narrow path between the trees and undergrowth. It was almost evening now, and he slipped several times on the damp grass but immediately got back on his feet and carried on going. The ropes had chafed his hands and legs, but he was free now.

He could feel the wind off the Sound in his face, and it drew him onwards. Juniper bushes whipped at his arms, tangled hazel branches scratched his face, but he gritted his teeth and forced his way through. He was free, and he just wanted to get away from the tall, black monster behind him — the windmill.

He had no intention of abandoning Casper and Aunt Veronica, but he had to get help from someone. The police, anyone.

The trees began to thin out. He put his head down and speeded up. Suddenly, something reached out towards him, something that grabbed his arm so firmly he was forced to stop dead. This wasn’t a juniper branch, this was a hand. A large hand, and it belonged to a man wearing a pulled-down cap. His gaze was penetrating.

‘Where are you off to?’

Jonas struggled to escape, but in vain, so in the end he gave up and said, ‘To the police.’

The grip on his arm relaxed slightly. The man pushed back his cap and looked at Jonas; he didn’t seem dangerous.

There was a movement behind them in the bushes, then came another voice: ‘Jonas?’

A quiet voice that Jonas recognized; it was Gerlof Davidsson. He emerged slowly from the undergrowth, leaning on his stick for support, and nodded to Jonas. At the same time, the other man let go of Jonas’s arm.

‘What are you doing here?’ Gerlof said.

Jonas jerked his head backwards, towards the clearing with the tall black tower. ‘He let me go.’

‘So you’ve been in the mill?’

Jonas nodded. His knees gave way and he felt sick.

‘Casper’s still there,’ he managed to gasp. ‘With the cairn ghost. And Aunt Veronica... She wanted him to let Casper go, but he chose me instead.’

Gerlof nodded as the other man helped Jonas to his feet.

‘The cairn ghost is called Aron Fredh,’ Gerlof said. ‘Is he still in the mill with your cousin and your aunt?’

‘Yes.’

‘What does he want? Do you know what he’s going to do with them?’

Jonas shook his head. ‘He’s got a big gun... and he said he wanted to talk to Aunt Veronica. He said she had to come to the mill on her own.’

Gerlof looked tired. ‘A confrontation.’ He glanced over towards the mill and asked quietly, ‘Exactly where are they sitting in there, Jonas? Can you remember? Are they downstairs, or up in the loft?’

‘Downstairs.’

‘Good. In the middle of the room, or by the wall?’

Jonas tried to think. ‘Me and Casper were sitting by the door. We were tied to chairs.’

‘And were you tied to the wall as well?’

Jonas shook his head. ‘He put ropes around our hands and our ankles.’

‘Good,’ Gerlof said, looking at the other man. ‘There is something we can do, John, but it’s a bit risky... There’s a trapdoor in the floor of the mill; it was used to drop heavy sacks of flour down on to the ground. If the boy is sitting on top of it, we can get him out. Veronica Kloss, too, perhaps.’

The other man adjusted his cap, frowning in the gathering twilight. He didn’t seem entirely happy with Gerlof’s plan. ‘How do we do that?’

Gerlof thought for a moment. ‘If I remember correctly, there’s a bolt securing the trapdoor from underneath. We’d have to knock it off — and fast.’

The man nodded. ‘I’ll find a suitable stone.’

Gerlof turned his attention back to Jonas. ‘Can you come with us just to make sure?’

Jonas hesitated, but in the end he agreed.

Gerlof smiled. ‘We have to be very, very quiet.’

Gerlof

Gerlof was trying to keep up with John and Jonas, but he was too slow. He was tired, and his feet were dragging on the ground. He was making a noise, rustling in the dry grass, which was no good at all.

He had to stop.

He saw John bend down and pick up a stone, long and flat like a hammer, then carry on with Jonas Kloss at his side.

Gerlof followed them at a steady pace. He knew his way around here; it was less than a hundred metres from his own garden on the other side of the trees and, over to the left, he could see the cairn. The real one from the Bronze Age, the one that was still intact.

The grove was becoming denser all around them, but in a narrow clearing up ahead they saw a tall shadow with spreading sails — the mill. Gerlof’s own father had brought his grain here sometimes; the mill had already been old all those years ago. It had been built at least a hundred and fifty years earlier, before the trees grew tall, when its sails could catch the wind from every direction. In northern Sweden, the mills had been driven by water, but here on the island there were no rivers, just the constant wind blowing across the flat landscape.

The wind had picked up, and the mill was visibly swaying.

The tall structure rested on a single round wooden post so that the body of the mill could be turned to bring the sails into the wind. But it was many decades since the sails had last moved; they were broken now, and the mill stood among the trees like a deserted watchtower.

No, not deserted — a dark-blue Ford was parked among the trees just outside and, a few metres away, Gerlof saw Veronica’s car. He was out of breath and could communicate only by gestures, but he waved to John to indicate that they should keep going.

As they drew closer to the mill, they could see flickering lights through the gaps in the walls and hear the low murmur of voices.

The space beneath the mill was about a metre high. It was dark under there, but Gerlof bent down and saw that the trapdoor next to the post was still there, secured with a heavy iron bolt.

Good. But had the wood swollen or warped over the years, meaning that the trapdoor was now stuck?

They would just have to take that risk.

He waved silently to John, and his old friend stooped down and began to creep towards the mill, with Jonas still beside him. The man and the boy edged underneath the mill, next to the post; they became two shadows.

Gerlof held his breath. There was nothing more he could do now except wait.

Then he heard a series of blows against the floor of the mill as John struck upwards as hard as he could: one, two, three, four blows.

There was a rattling sound, and then the trapdoor loosened and came crashing down.

The Homecomer

‘So here we are,’ Aron said to Veronica Kloss, his relative and his enemy.

She didn’t respond.

‘Here we are in the mill,’ he went on. ‘When the wind comes and the sails begin to turn, there is nothing that can stop the grinding process.’

Veronica still didn’t speak, but she had finished writing. The piece of paper with her confession on it was full. She held on to the pen but pushed the paper across to Aron. He carried on looking at her, and wiped his forehead. It was warm inside the mill, thanks to the paraffin lamps, but he had a temperature as well.

‘My wife needed care... I just wanted a small piece of land,’ he said slowly. ‘I just wanted the croft. That was what I’d dreamed of coming back to as an old man... Rödtorp, down by the water.’

‘You would never have got it,’ Veronica said.

‘No. You knocked it down to make sure of that.’

Veronica turned and looked at her son, who hadn’t made a sound.

‘It’s all about security,’ she said. ‘And planning for the long term. No one is going to come and take the Ölandic from us. Certainly not some bastard who turns up after sixty years, wanting our land... So I sent you away from Stockholm and I took care of your sister in the home, before she could start talking. Kent and I were in complete agreement; there was no way we were going to let you in.’

‘That was a mistake,’ Vlad said.

Veronica pointed at his bloodstained shirt with the pen. ‘That doesn’t look too good,’ she said matter-of-factly. ‘You’re bleeding, Aron.’

Vlad shook his head, but he could feel the sweat trickling down his brow. ‘Not any more.’

Veronica smiled. ‘I think you’re dying, Aron.’

Vlad blinked. ‘So are you.’

She shook her head. ‘I’m feeling fine, Aron. I’m going to live for a very long time... After all, I have our land to take care of.’

Vlad raised the gun and said quietly, ‘Your children will have to do that.’

He was going to say more, but all of a sudden he heard banging. It was coming from underneath him, from the floor.

The old trapdoor was down there — he hadn’t really thought about it until now, but it was shaking, the dust whirling up in the glow of the lamps.

Vlad didn’t have time to do anything. The trapdoor dropped open with a crash, and the boy who had been sitting on top of it fell through, still tied to the chair.

He had lost his hostage.

Vlad stared at the hole for a couple of seconds too long. He didn’t notice that Veronica Kloss was on her feet, he just heard the sound of breaking glass as she kicked over the nearest lamp.

The paraffin flared up, and Veronica flew towards him. She was fast; Vlad didn’t see her until she was standing right in front of him, still clutching the pen. In a single movement, she jabbed it straight into the wound in his belly.

‘That’s from Kent!’ she yelled, before delivering a second vicious blow.

Ice-cold pain in the wound.

Vlad dropped the gun and heard it clatter on to the floor. He fumbled for the pen, trying to pull it out, but Veronica was holding on to it, and pushed him against the wall.

‘It’s over!’ she hissed.

But he shook his head.

Vlad didn’t die; instead, he threw his whole weight against Veronica, pushing her backwards, past the beams and against the opposite wall.

‘Let go of me!’ She was screaming, tearing at him.

They danced around the cramped room, fighting, staring one another in the eye.

The burning paraffin spread all around them. The dry wooden floor had caught fire — but Vlad saw the piece of paper with Veronica’s confession on it whirling upwards in the heat, away from the flames.

The wind was pushing against the mill. It was swaying more and more violently, and it began to list like a capsizing ship. The walls creaked and the floor cracked. Two more lamps fell over and shattered.

Vlad closed his eyes; he felt seasick.

He let go of Veronica.

It’s over, he thought as the whole world began to tip.

Gerlof

‘Catch him!’ Gerlof yelled.

John had knocked off the iron bolt and was hunched beneath the mill. A thin, bound body came crashing through the open trapdoor. A boy.

Gerlof staggered forward, but he was too slow. John wasn’t fast enough either, but Jonas threw himself forward and managed to catch his cousin. He tucked his hands under Casper’s arms and dragged him away.

Through the thin wall, they could hear thuds and crashes, and a woman screaming.

‘They’re fighting!’ John shouted.

The whole mill was shaking. Gerlof saw it swaying above him, like an ancient oak tree. It was being buffeted by the storm, and the struggle inside wasn’t helping. The mill had run out of time — it was too old to remain standing any longer.

As the structure swayed, they heard a cracking sound from the plinth beneath the building. Then a loud bang as the base finally gave way.

Gerlof opened his mouth. ‘Get out, John!’ he shouted.

John hadn’t moved; it was as if he were frozen to the spot, staring at Gerlof. Eventually, he began to shuffle sideways.

Gerlof tried to get out of the way, too, edging backwards with his stick, but he wasn’t fast enough. His stiff legs made him feel as if he were wading through treacle.

‘John?’ he yelled again. He could no longer see his friend, and the mill was coming down. Gerlof heard shouts through the walls, and the sound of breaking glass.

He was still too close. The black shadow grew as it came towards him. He thought about Don Quixote and tried to turn around, to get away.

Something flared up in the darkness inside the mill.

Lamps, Gerlof remembered. Paraffin lamps.

Planks and beams crashed to the ground in front of him. Old nails were ripped out, and the air was full of debris swirling around in the wind.

As the mill collapsed, the sails broke.

Gerlof went down, too; he fell backwards on the grass and saw the fire catch hold. The flames began to crackle.

But suddenly he saw a slim figure crawling out of the ruined mill: Veronica Kloss. She didn’t get up; perhaps she had broken something, but at least she was alive. She crawled slowly across the grass towards her son.

Gerlof raised his head.

John? he thought.

And where was Aron Fredh?

The Homecomer

The mill had collapsed.

Aron Fredh was trapped, with one beam across his chest and another resting on his thighs. His legs were crushed, his stomach was bleeding and his body was ice cold.

He knew that this was the end. But the bullet wound no longer hurt, and his brain was still working.

The memories drifted through his mind. He heard voices, saw faces.

His mother’s eyes. His sister’s smile. The final whimper from his father, Edvard Kloss, who had also been trapped under planks of wood some seventy years ago, crushed and dying, but still refusing to take his son’s hand.

Aron blinked away the memories. He could see something shiny and slender poking up among the debris just a metre or so away. The barrel of the assault rifle. But he couldn’t reach it, and it didn’t matter. He was done with shooting.

He thought back to the time when he had been a soldier in the prison camp and had finally managed to get rid of the clumsy Winchester. He had handed it in at the guards’ office and been issued with his first Russian pistol, a Nagant. This meant he could start delivering shots to the back of the neck at close range.

It was more than six decades ago, in September 1936. But he remembered that day. There had been an endless series of executions by firing squad during the autumn, in the gravel pit outside the camp. The sound of shots echoed through the forest from morning till night, but it was such an isolated location that it might as well have been on the moon. No one could see or hear what happened in the battle for a bright future.

When Vlad arrived with his troop of two men, the guards had already lined up those who had been sentenced to death. There were about thirty of them, facing a wall of sand and with their backs to their executioners. They were tied together with rope, long enough to ensure that the others wouldn’t be pulled over when one of them fell.

There was a lot to do. Time to get to work.

Vlad’s comrades that day were called Daniljuk and Petrov, both ready with their own guns in case there was any problem with Vlad’s pistol. They were all looking forward to a meal and a couple of vodkas after work, and they just wanted to get the job done.

The prisoners stood with their heads bowed. One or two whispered to each other or begged for mercy one last time, or gabbled something to themselves in some foreign language.

‘More foreigners,’ Petrov said. ‘There’s no end to them.’

Vlad said nothing. He simply undid the safety catch on his new gun, went over to the first prisoner, placed his left hand on the man’s shoulder and raised the pistol.

And fired.

The pistol jerked and the prisoner fell forwards.

Vlad was already on his way to the next man.

He raised his gun and fired, raised his gun and fired.

Just another day’s work.

But the seventh prisoner in the line did something forbidden — he turned his head towards his executioner. Vlad saw his profile.

He had already raised the gun, but his hand stiffened.

The man in front of him had a sparse beard that couldn’t hide the cuts and bruises on his face — some old, many new. He took a little step to one side, and Vlad saw that he was limping.

‘Do you recognize me?’ the prisoner said quietly.

He was speaking in Swedish. Aron shouldn’t have recognized that faint, hoarse voice, but he did. It was the same voice that had spoken to him one dark night, urging him to crawl under the wall of the barn and take his father’s wallet so that they would have enough money to travel here. To the new country.

Suddenly, Aron couldn’t move. Couldn’t lift his arm.

‘You look well,’ Sven said.

Aron didn’t reply. He didn’t dare reply.

‘Are you happy here?’

Aron looked at his stepfather and tried to think. Happy?

He shook his head briefly.

‘Go back home to Sweden, then,’ Sven went on, ‘and blow the whole lot to kingdom come. Make sure they get what they deserve.’

Aron slowly moved his head; it was almost a weary nod.

He couldn’t talk any more; that wasn’t why he was here.

It was time to do something with the pistol. He had to do something right now.

Not fire at all?

Or turn the gun on himself?

Or...

Vlad hesitated for only a second, then he quickly placed his hand on the prisoner’s shoulder and aimed the gun at the back of his neck.

And fired.

Sven sank to the ground, and a little wooden box fell out of his trouser pocket.

Aron’s body jerked; he was back underneath the mill. But he remembered that day in the gravel pit. He had carried on working his way along the line of prisoners, surprised that the pistol was still working. And that he himself was still alive.

But now his life was over.

The fire was coming closer, and the mill was pressing him to the ground.

He closed his eyes for the last time.