The Weed That Strings the Hangman's Bag

* SIXTEEN *

IT WAS DIFFICULT, AT first, to see the thing. Black metal on black painted wood was nearly invisible. If it hadn't been for the patterned spray of carbon, I shouldn't have noticed it at all.

Black on black on black. I was proud of myself.

The bicycle clip was pushed down over a wooden strut, as if the strut were an ankle. Beneath it ran a length of electric flex, which connected a row of toggle switches above the stage to the colored footlights below. Even from where I stood, I could see the glint of copper wire where a section of the flex had been stripped of its insulation.

"Good Lord!" the Inspector said. "Whatever makes you think this belongs to the vicar?"

"Several things," I told him, ticking them off on my fingers. "In the first place, I heard him say on Thursday afternoon that he had lost his bicycle clip. In the second place, I know for a fact that it wasn't here yesterday afternoon before the show. Rupert let me have a good look round just before the matinee. And finally, it has the vicar's initials on it. Look here: If you squat a bit and look edge-on, you can see them: D.R. — Denwyn Richardson. Cynthia scratched them on with a needle because he's forever losing things."

"And you're quite sure the clip wasn't here on Saturday afternoon?"

"Positive. I was holding on to that very spot on the railing when Rupert took me up on the bridge — to show me how Galligantus worked."

"I beg your pardon?" The look on the Inspector's face was a puzzle.

"Galligantus. That's the name of the giant in Jack and the Beanstalk. Here, I'll show you. Is it all right to climb up there?" I asked, pointing to the bridge.

"It's extremely irregular, but carry on."

I scrambled up the ladder to the catwalk behind the puppet stage, with the Inspector hot on my heels.

Galligantus was still firmly in position.

"In the third act, as Jack is hacking away at the beanstalk, Rupert pulls this iron lever, which releases Galligantus. He's spring-loaded, you see."

There was a very long silence. Then the Inspector took out his notebook and unscrewed the cap of his biro.

"All right, Flavia," he said with a sigh, "tell me more."

"When Jack chops down the beanstalk, the giant's supposed to come crashing down from the sky. But he didn't, of course ... Rupert did instead."

"Therefore Rupert couldn't have operated the lever. Is that what you're saying?"

"Exactly! If he had, Galligantus would have been triggered. But he wasn't, of course, because the vicar's bicycle clip was clamped over the end of the lever. Black on black. Rupert mustn't have noticed it."

"Good Lord!" the Inspector exclaimed, realizing what I was saying. "Then it wasn't — "

"A tragic accident? No, Inspector. I should hardly say so."

He let out a low whistle.

"See this? Someone's cut away the insulation from this cable," I went on, "right down to the bare wire, then shoved the bicycle clip down on top to cover it. The other end of the bicycle clip is clamped over the end of Galligantus's lever."

"Forming an electrical jumper," he said. "A deliberate short circuit."

"Precisely," I said. "Here — you can see the deposit of carbon where it arced. See where the wood beneath it is a little charred?"

Inspector Hewitt leaned in for a closer look, but said nothing.

"It seems to me," I added, "that the bicycle clip couldn't have been put there until sometime after the first performance. Otherwise, Galligantus couldn't have fallen."

"Flavia," the Inspector said, "you must promise me you will discuss this with no one. Not a word. Do you understand?"

I stared at him for a moment, as if the very thought of doing so were highly offensive.

"He was electrocuted, wasn't he?" I asked.

The Inspector nodded. "Dr. Darby thinks it most likely. We'll have the autopsy results later today."

We'll have the autopsy results? Was the Inspector including me? Did he count me as part of his team? I needed to choose my words carefully.

"My lips are sealed," I said. "Cross my heart and — "

"Thank you, Flavia," he said firmly. "A simple promise is sufficient. Now run along and let me get on with it."

Run along? What jolly cheek! What utter gall!

I'm afraid I made a rude noise on my way out.

As I suspected she would be, Feely was still flirting with Dieter beneath the oaks.

Father stood near the door of the church with the perplexed look on his face of a man trying to decide if he should rush to the aid of someone who has unwittingly wandered into the tiger's cage, but can't quite make up his mind about which of the cage's two occupants is in greater need of saving from the other.

"Feely," he called out at last, "we mustn't keep Mrs. Mullet waiting."

My stomach curdled instantly. Today was Sunday, the day of the week upon which we were force-fed, like Strasbourg geese, upon one of Mrs. Mullet's failed culinary experiments, such as stuffed sow's liver brought whole to the table and passed off as Mock Denbighshire Sweet Loaf.

"Father," Feely said, taking the bull by the horns, "I'd like you to meet Dieter Schrantz."

Father, of course, like everyone else in Bishop's Lacey, was aware that there were German prisoners of war working in the neighbourhood. But until that moment, he had never been put in the position of having to converse with someone he always referred to, at home in Buckshaw's drawing room, as the Enemy.

He offered his hand.

"It's a pleasure to meet you, sir," Dieter said, and I could see that Father was taken aback by Dieter's perfect English. But before he could respond, Feely fired off the next round: "I've invited Dieter to tea," she said. "And he's accepted."

"Providing you approve, of course, sir," Dieter added.

Father seemed flustered. He pulled his spectacles from his waistcoat pocket and began polishing them on his handkerchief. Fortunately, Aunt Felicity arrived in time to intervene.

"Of course he approves!" she said. "Haviland's never been one to hold a grudge, have you, Havvie?"

Like a man in a dream, Father looked round him and remarked, to no one in particular, "Interesting weather."

I took immediate advantage of his momentary confusion.

"Go on ahead without me," I said. "I just want to pop in and make sure Nialla's all right. I'll be home directly."

And no one lifted a finger to stop me.

Mrs. Mullet's cottage was nestled at the far end of Cobbler's Lane, a narrow, dusty track that ran south from the high street and ended at a stile. It was a cozy little place with hollyhocks and a ginger cat dozing in the sun. Her husband, Alf, was sitting on a bench in the yard, carving a willow whistle.

"Well, well," he said when he saw me at his gate, "to what do we owe this most prodigious great pleasure?"

"Good morning, Mr. Mullet," I said, falling effortlessly into my best prunes-and-prisms voice, "I hope you're keeping well?"

"Fair ... fair to troublesome digestion. Sometimes kicks like a kangaroo — elsewise, burns like Rome."

"I'm sorry to hear that," I said, meaning every word of it. We de Luces were not the only ones subjected to Mrs. Mullet's culinary concoctions.

"Here," Alf said, handing me the wooden whistle. "Give 'er a blow. See if you can fetch up an elf."

I took the slender piece of wood and raised it to my lips.

"Perhaps I'd better not," I said. "I don't want to wake Nialla."

"Ha!" he said. "No fear o' that. She's gone afore the sun."

"Gone?"

I was astonished. How could she be gone?

"Where?" I asked.

"God only knows." He shrugged. "Back to Culverhouse Farm, maybe — maybe not. That's all I know. Now give us a toot."

I blew into the whistle, producing a high, shrill, piercing wail.

"Wizard tone," I said, handing it back.

"Keep it," Alf said. "I made it for you. I thought you'd be round before long."

"Smashing!" I said, because I knew it was expected of me.

As I walked back to Buckshaw, I thought how similar my life was to the lives of those swarming clerics in Anthony Trollope who seemed to spend their days buzzing from cloister to vicarage and from village to the bishop's palace like black clockwork beetles scuttling to and fro in a green maze. I had dipped into The Warden during one of our compulsory Sunday afternoon reading periods, and followed it a few weeks later by skimming bits of Barchester Towers.

I must confess that, since there was no one of my own age group in his writings, I did not care much for Trollope. Most of his fossilized clergymen, for instance, quite frankly made me want to spew my sausages. The character with whom I most identified was Mrs. Proudie, the tyrant wife of the rabbity bishop, who knew what she wanted and, for the most part, knew how to get it. Had Mrs. Proudie been keen on poisons, she might have become my favorite character in all of literature.

Although Trollope had not specifically mentioned it, there was no doubt in my mind that Mrs. Proudie had been brought up in a home with two older sisters who treated her like dirt.

Why did Ophelia and Daphne despise me so? Was it because Harriet had hated me, as they claimed? Had she, while suffering from "the baby blues," stepped off into thin air from a mountain in Tibet?

In short, the question was this: Had I killed her?

Did Father hold me responsible for her death?

Somehow the sparkle had gone out of the day as I plodded glumly along the lanes. Even the thought of Rupert's murder and its messy aftermath did little to cheer me.

I gave a couple of toots on the willow whistle, but it sounded like a baby cuckoo, fallen from its nest, crying woefully for its mother. I shoved the thing into the bottom of my pocket and trudged on.

I needed some time alone — some time to think.

Seen from the Mulford Gates, Buckshaw always had about it a rather sad and abandoned air, as if some vital essence were missing. But now, as I walked along beneath the chestnuts, something was different. I spotted it at once. Several people were standing on the gravel sweep in the forecourt, and one of them was Father, who was pointing at the roof. I broke into a run, dashing across the lawn like a sprinter, chest out, fists going like pistons at my side.

I needn't have bothered. As I drew closer, I saw that it was only Aunt Felicity and Daffy, both standing on one side of Father, with Feely at the other.

At her right hand stood Dieter. I couldn't believe my eyes!

Feely's eyes were sparkling, her hair was shining in the summer sun, and her smile was dazzlingly perfect. In her gray skirt and canary yellow sweater set, with a single strand of Harriet's cultured pearls draped round her neck, she was more than vibrant ... she was beautiful — I could have throttled her.

"Ruskin found square drip moldings abominable," Father was saying, "but he was being facetious, of course. Even the best of our British sandstone is but a pale mockery of the fine-grained marble one finds in Greece."

"Quite true, sir," Dieter agreed. "Although, was it not your Charles Dickens who thought that the Greeks used marble only because of the way it took paint and color? Still, the style and the material mean nothing when the molding is placed under a portico. It is the architect's joke, isn't it?"

Father considered for a moment, rubbing his hands together behind his back as he stood staring at the front of the house.

"By Jove!" he said at last. "You may have hit on something."

"Ah, Flavia!" Aunt Felicity said as she spotted me. "Think of the Devil and she shall appear. I should like to paint presently and you shall be my assistant. I relish the brushwork but I simply can't bear the sticky tubes and the dirty rags."

Daffy rolled her eyes and edged slowly away from her mad old aunt, fearing, I think, that she was going to be put to work as well. I relented enough to ask her one question. There were times when curiosity trumped even pride.

"What's he doing here?" I whispered into her ear, giving a slight tip of my head towards Dieter.

Of course I already knew, but it was a rare opportunity to talk sister-to-sister without rancor.

"Aunt Felicity insisted. Said he should walk us home and stay to tea.

"I think she's got her eye on him," she added with a coarse snicker.

Although I'm quite accustomed to Daffy's excesses, I must admit that I was shocked.

"For Feely," she explained.

Of course! No wonder Father was exercising his rusty charm! One daughter fewer would mean a one-third reduction in the number of surplus mouths he had to feed. Not that Feely ate that much — she didn't — but coupled with a similar reduction in the dose of daily insolence he would need to put up with, palming her off on Dieter was well worth the effort.

Then, too, I thought, there would be an end to the vast outlays of cash for the constant re-silvering of Buckshaw's looking glasses. Feely was hell on mirrors.

"And your father ..." Father was saying to Dieter.

I knew it! He was already greasing the skids!

"... I believe you said something about books?"

"He's a publisher, sir," Dieter said. "He's the 'Schrantz' of Schrantz and Markel. You may not have heard of them but they publish in German, editions of — "

"Of course! The Luxus Ausgaben Schrantz und Markel. Their Pliny — the one with the Durer plates — is quite remarkable."

"Come along, Flavia," Aunt Felicity said. "You know how tiresome it is to paint brickwork once it's in shadow."

From a distance, I must have looked like a sinking galleon as, with Aunt Felicity's easel over my shoulder, a stretched canvas under each arm, and a wooden box of paints and brushes in each hand, I waded barefoot through the shallow waters of the ornamental lake, towards the island upon which the folly was situated. Aunt Felicity brought up the rear, carrying a three-legged stool. In her tweed suit, floppy hat, and smock, she reminded me of photos I had seen in Country Life of Winston Churchill dabbling with his paints at Chartwell. The only thing missing was the cigar.

"I've wanted for ages to render the south front as it was in the days of dear Uncle Tar," she shouted, as if I were on the far side of the world.

"Now, then, dear," she said, when I had finally set up the painting gear to her satisfaction, "it's time for a quiet talk. Out here, at least, we shall not be overheard — save by the bees and the water rats."

I looked at her in astonishment.

"I expect you think I know nothing about the kind of life you lead."

This was the sort of statement of which I had learned to be exceptionally wary: Its implications were immense and, until I saw which way the conversational wind was blowing, I knew that it was best to keep quiet.

"On the contrary," she went on, "I know a great deal about what you must feel: your loneliness, your isolation, your older sisters, your preoccupied father ..."

I was about to say that she must be mistaken, when I suddenly saw that the coming chat could be turned to my advantage.

"Yes," I said, staring off over the water and blinking, as if to stop a tear, "it can be difficult at times...."

"That's precisely what your mother used to say about living at Buckshaw. I remember her coming here summers, as a girl, as had I before her."

Picturing Aunt Felicity as a girl was not an easy task.

"Oh, don't look so shocked, Flavia. In my youth, I used to run wild here on the island like a Pawnee princess. 'Moo-noo-tonowa,' I called myself. Pinched nice bits of beef from the larder and pretended I was cooking dog over a campfire lighted with rubbing sticks and snuff.

"Later, even in spite of the great difference in our ages, Harriet and I were always the greatest of chums. 'The Wretched Outcasts' we used to call ourselves. We would come out here to the island to talk. Once, when we hadn't seen one another for a very long time, we sat out all night in the folly, wrapped in blankets, jabbering away until the sun came up. Uncle Tar sent Pierrepoint, the old butler, to bring us Plasmon biscuits and calf's-foot jelly. He had spotted us from the windows of his laboratory, you see, and — "

"What was she like," I interrupted. "Harriet, I mean."

Aunt Felicity made a dark slash of color on her canvas, which I guessed was supposed to represent the trunk of one of the chestnuts in the drive.

"She was exactly like you," she answered. "As you very well know."

I gulped. "She was?"

"Of course she was! How could you not be aware of it?"

I could have filled her ears with the horrid tales that Feely and Daffy had told me, but I chose not to.

"Zipped lips save ships."

Dogger had said that to me once when I asked him a rather personal question about Father. "Zipped lips save ships," he had answered, turning back to his deadheading, and I hadn't the nerve to ask which of the three of us were the mutes and which the vessels.

I had mumbled something unsatisfactory then, and now I found myself doing it again.

"Good heavens, child! If you want to see your mother, you have no more than to look in the glass. If you want to know her character, look inside yourself. You're so much like her it gives me the willies."

Well, then.

"Uncle Tar used to invite us down to Buckshaw for the summer," she went on, either unaware of or choosing to ignore my burning face.

"He had some extraordinary idea that the presence of young females in the house held it together in some abstruse chemical fashion — something about bonds and the unsuspected dual gender of the carbon molecule. Mad as a March hare, Tar de Luce was, but a lovely old gentleman, for all that.

"Harriet, of course, was his favorite; perhaps because she never grew weary of sitting on a tall stool in that stinking laboratory, and taking down notes as he dictated them. 'My whiz-bang assistant,' he used to call her. It was a private joke: Harriet told me once that he was referring to a spectacular experiment gone awry that might have wiped Buckshaw off the map — to say nothing of Bishop's Lacey and beyond. But she swore me to silence. I don't know why I'm telling you this."

"He was investigating the first-order decomposition of nitrogen pentoxide," I said. "It was work that led eventually to the development of the atomic bomb. There are some letters among his papers from Professor Arrhenius of Stockholm that make it quite clear what they were onto."

"And you, as it were, are left to carry the torch."

"I beg your pardon?"

"To carry on the glorious name of de Luce," she said. "Wherever it may lead you."

This was an interesting thought; it had never occurred to me that one's name could be a compass.

"And where might that be?" I asked, somewhat slyly.

"You must listen to your inspiration. You must let your inner vision be your Pole Star."

"I try," I said. I must sound to Aunt Felicity like the village idiot.

"I know you do, dear. I've heard several reports of your doings. For instance there was that horrid business with Bunpenny, or whatever his name was."

"Bonepenny," I said. "Horace. He died just over there."

I pointed across the lake to the wall of the kitchen garden.

Aunt Felicity plowed on regardless. "You must never be deflected by unpleasantness. I want you to remember that. Although it may not be apparent to others, your duty will become as clear to you as if it were a white line painted down the middle of the road. You must follow it, Flavia."

"Even when it leads to murder?" I asked, suddenly bold.

With her brush extended to arm's length, she painted in the dark shadow of a tree. "Even when it leads to murder."

We sat for a few moments in silence, Aunt Felicity dabbing away at her canvas with no particularly exciting results, and then she spoke again: "If you remember nothing else, remember this: Inspiration from outside one's self is like the heat in an oven. It makes passable Bath buns. But inspiration from within is like a volcano: It changes the face of the world."

I wanted to throw my arms around this dotty old bat in her George Bernard Shaw costume and hug her until the juices ran out. But I didn't. I couldn't.

I was a de Luce.

"Thank you, Aunt Felicity," I said, scrambling to my feet. "You're a brick."