The White Princess

“You must not mind . . .” she goes on. “You must not object . . .”

“Object to what?” It is hardly a challenge, my voice is so calm and pleasant.

“Nothing.” She loses her nerve before my smiling serenity. “Nothing at all.”

Lady Katherine comes to my rooms before dinner obediently wearing a new gown from the royal wardrobe but keeping to her chosen color of deepest black. She is wearing the gold brooch of intertwined hearts on a thin chain of gold, lying over a veil of white lace that covers her shoulders. The warm cream of her skin glows under the fabric, veiled and visible at the same time. When the king enters my presence chamber, his eyes rake the room for her, and when he sees her he gives a little start, as if he had forgotten how beautiful she is, and he is shaken by desire all over again. She curtseys as politely as the other ladies, and when she comes up she is smiling at him, a hazy smile like a woman who laughs through her tears.

Henry gives me his arm to lead me in to dinner and the rest of the court take their places behind us, my ladies following me in order of precedence, the gentlemen behind them. Lady Katherine Huntly, her dark eyes fixed modestly on the ground, takes her rightful place behind My Lady the King’s Mother. As Henry and I lead the way down the wide stone stairs to the great hall to the blast of trumpets and the murmur of applause from the people who have crowded into the gallery to see the royal family at their dinner, I sense, more than I actually see, that the boy who is to be called Peter Warboys, or perhaps Pero Osbeque or John Perkin, has walked past the woman who was once his wife, bowed his head low to her, and taken his place with the other young noblemen of Henry’s court.

The boy seems to be at home at court. He goes from hall to stable to hawking mews to gardens and he is never seen to miss his way, never asks anyone which is the direction of the treasure house, or where would he find the king’s tennis court? He will fetch a pair of gloves for the king without asking where they are kept. He is comfortable with his companions, too. There is an elite of handsome young men who lounge in the king’s rooms and run errands for him, who like to call at my rooms to listen to the music and chatter with my ladies. When there are cards they are quick to take a hand, if there is archery they will take a bow and excel each other. Gambling, they are free with money; dancing, they are graceful on the floor; flirting is their principal occupation, and every one of my ladies has a favorite among the king’s young men and hopes that he sees her half-hidden glance.

The boy falls into this life as if he had been born and bred at a graceful court. He will sing with my lutenist if invited, he will read in French or Latin if someone hands him the storybook. He can ride any horse in the stables with the relaxed, easy confidence of a man who has been in the saddle since he was a boy, he can dance, he can turn a joke, he can compose a poem. When they put on an impromptu play he is quick and witty, when called to recite he has lengthy poems by heart. He has all the skills of a well-educated young nobleman. He is, in every way, like the prince he pretended to be.

Indeed, he stands out from these handsome young men in only one thing. Night and morning he greets Lady Katherine by kneeling at her feet and kissing her outstretched hand. Every morning, first thing, on the way to chapel, he drops down to his knee, pulls his hat from his head, and kisses, very gently, the hand she holds out to him and stays still for the brief moment that she rests her hand on his shoulder. In the evening, when we leave the great hall, or when I say that the music must stop in my rooms, he bows low to me with his odd, familiar smile, and then he turns to her and kneels at her feet.

“He must be ashamed that he brought her so low,” Cecily says after we have all observed this for several days. “He must be kneeling for her forgiveness.”

“Do you think so?” Maggie asks her. “Don’t you think that it is the only way that he can touch her? And she touch him?”

I watch them more closely after that, and I believe Maggie is right. If he can pass something to her, he makes sure that their fingertips brush. If the court is riding he is quickly at the shoulder of her horse to lift her into the saddle, and at the end of the day he is first into the stable yard, his own horse’s reins tossed to a groom so that he can lift her down, holding her for one moment before putting her gently on her feet. When they are playing cards their shoulders lean together at the table, when he is standing beside her horse and she is mounted high above him, he steps backwards until his fair head can brush against her saddle and her hand can drop from the reins to touch the nape of his neck.

She never rebuffs him, she does not avoid his touch. Of course, she cannot; while she is his wife she must be obedient to him. But clearly, there is a passion between them that they do not even try to hide. When they pour the wine at dinner he looks from his table over to hers and raises his glass to her and gets a quick half-hidden smile in return. When she walks past the young men playing at cards she pauses, just for a moment, to look at his hand, and sometimes leans down as if to see better, and he leans back and their cheeks brush, like a kiss. Throughout the court they move, two exceptionally beautiful young people, kept apart by the specific order of the king and yet going through the day in parallel; always with one eye on the other, like performers separated by the movement of a dance who are certain to come together again.

Now that it is safe to travel in England again, Arthur my son must go to Ludlow Castle and Maggie and his guardian Sir Richard Pole will attend him. I see them off from the stable yard, my half brother Thomas Grey at my side.

“I can’t bear to let him go,” I say.

He laughs. “Don’t you remember our mother when Edward had to go? Lord save her, she went with him, all that long way, even though she was pregnant with Richard. It is hard for you, and hard on the boy. But it is a sign that things are getting back to normal. You should be glad.”

Arthur, bright and excited high on his horse, waves his hand at me and follows Sir Richard and Maggie out of the stable yard. The guard falls in behind him.

“I don’t think I can be glad,” I say.

Thomas squeezes my hand. “He’ll be back for Christmas.”

Next day the king tells me he will take a small company to London to show the crowds Perkin Warbeck, the pretender.

“Who’s going with you?” I ask, as if I don’t understand.

Henry flushes slightly. “Perkin,” he says. “Warbeck.”

Finally they have settled on a name for him, and not just for him. They have named and described a whole family Warbeck with uncles and cousins and aunts and grandparents, the Warbecks of Tournai. But though this extensive family is established, at least on paper, all with occupations and addresses, none of them is summoned to see him. None of them writes to him with reproaches, or offers of help. Though there are so many of them, so well recorded, not one offers a ransom for his return. The king weaves them into the story of Perkin Warbeck and we never ask to see them, any more than one might ask to see a black cat or a crystal slipper or a magic spindle.

In London the boy gets a confused reception. The men, who have seen their taxes rise and rise and unlawful fines invade every part of their income, curse him for the expense that his invasions have caused, and groan at him as he rides by. The women, always quick to malice, start by catcalling and throwing dirt; but even they soften, they cannot help but admire his downturned face, his shy smile. He rides through the streets of London with the modest air of a boy who could not help himself, who was called and answered a call, who could not help but be himself. Some people rage against him, but many shout out that he is a fair boy, a rose.

Henry makes him go on foot, leading a broken-down old horse, with one of his followers in chains, mounted up. The man in the saddle, grim-faced, is the sergeant farrier who ran from Henry’s service to be with the boy. Now all of London can see him, head bowed, bruised, tied to the saddle like a Fool. Usually people would throw filth, and then laugh to see the rider and the humiliated groom spattered with mud from the gutters, showered with the contents of chamber pots flung from overhead windows. But the boy and his defeated supporter make a strangely silent pair as they go through the narrow streets to the Tower and then someone says, terribly clearly, into a sudden hush: “Look at him! He’s the spit of good King Edward.”

Henry hears of this the moment the words are out of the man’s mouth; but too late to call the words back, too late to deafen the crowd. All he can do is make sure that the crowd never again sees the boy who looks so like a York prince.

So that is to be the first and last time that the boy has to walk the streets of London inviting abuse. “You will confine him to the Tower,” My Lady orders her son.

“In time. I wanted the people to see that he was nothing, no threat, an idle foolish boy. Nothing more than a little lad, the boy that I always called him—lighter than air.”

“Well, they have seen him now. And they don’t call him lighter than air. They don’t know what to call him, though we have told them his name over and over again. And the name that they want to give him should never be spoken. Surely, now you will charge him and execute him?”

“I gave him my word that he should not be killed when he surrendered to me.”

“That’s not binding.” Anxiety makes her overrule him. “You’ve broken your word for less than this. You don’t have to keep your word to such as him.”

His face is suddenly illuminated. “Yes, but I gave my word to her.”

My Lady turns a furious glare on me, accusing me at once. “Her? She never had the nerve to ask for mercy for him?” she suddenly rages, her face filled with hatred. “She never soiled her mouth speaking for such a traitor? For what reason? What did she dare to say?”

Coolly, I show her a mutinous face and silently I shake my head. “No, not me,” I say icily. “You are mistaken, again. I have not asked for mercy for him. I have not spoken for or against him. I have no opinion on the matter, and I never have done.” I wait while her anger curdles into embarrassment. “I think His Grace must mean another lady.”

Horrified, My Lady turns back to her son as if he is betraying her, as if it is she who is suffering infidelity. “Who? What woman has dared to ask you for his life? Who do you listen to—instead of me, your own mother, who has guided every step of your way?”

“Lady Katherine,” he says. He has a silly little smile on his face at her very name. “Lady Katherine. I have given my word of honor to the lady.”

She sits in my room like a dignified widow, always in black, with her hands always filled with some work or another. We sew shirts for the poor and always she is hemming a sleeve or turning a collar, her head bowed over her work. The chatter and laughter of the women go on around her, all the time, and sometimes she raises her head and smiles at a joke, and sometimes she quietly replies, or adds her own story to the conversation. She speaks of her childhood in Scotland, she speaks of her cousin the King of Scotland and of his court. She is not lively, but she is courteous and pleasant company. She has charm; I sometimes find myself smiling when I look at her. She has poise. She is living in my court and my husband is visibly in love with her and yet she never shows, by so much as a sideways glance to me, that she is aware of this. She could taunt me, she could flaunt herself, she could embarrass me, but she never does.

She never mentions her own husband, she never speaks of this last extraordinary year: the little ship that took them to Ireland, their lucky escape from the Spanish who would have captured them, their triumphant landing and victorious march from Cornwall into Devon, and then their defeat. She never speaks of her husband at all, and so she avoids giving his name. The great question—what is the true name of this young man who never walks past her without a smile—is never answered by her.

He, himself, is like a nameless person. The Spanish ambassador addresses him once, in public, as Perkin Warbeck, and the young man turns his head slowly, like a playactor, like a dancer, and looks away, far away. It is a snub so confident, so graceful, that you would swear that only a prince could do it. The ambassador looks a fool, and the boy looks mildly regretful that he is forced to cause a moment’s embarrassment to a man who should have known how to behave.

It is Henry the king who rescues the court from the scandalous sight of a paroled traitor snubbing the ambassador of our greatest ally. We expect him to reprimand the boy and send him out, but instead the king blunders off his throne, down the presence chamber in a hurry, turns towards my ladies, catches Lady Katherine’s hand, and says suddenly, “Let’s have some dancing!”

The musicians strike up at once, and he takes both her hands and faces her. He is flushed, as if he is the one who has made a blunder, instead of the pretender and his wife. And she is as she always is, as cool as a stream in winter. Henry bows to start the dance, she curtseys, and then she smiles, like the sun coming out from behind a cloud. Radiant, she smiles at my husband and I can see his heart lift at that small, tiny approval.

PALACE OF SHEEN, RICHMOND, CHRISTMAS 1497

The Christmas season brings my children home to me. Henry, Margaret, and Mary return to us from Eltham Palace and Arthur comes from Ludlow with his guardian, Sir Richard Pole, and my darling Maggie. I run down to the stable yard to greet the troop from Ludlow as they come riding in, on an evening when the persistent cold rain of the day is just turning to swirling flakes of snow.

“Thank heaven you are in before it got any colder!” I fall on Arthur as if I would save him from darkness itself. “But you’re so warm!” I stop myself exclaiming “and so lovely!” for my oldest boy is, as he always is, a revelation to me. In the few months of his absence he has grown a little taller. I can feel the wiry strength of his arms as he hugs me, he is a prince in every sense. I cannot believe this is the baby I held in my arms and the toddler whose steps I guided, when I see this coltish youth whose head now comes to my chin, and who steps back from my embrace to bow to me with all the elegance of his grandfather, my father, King Edward.

“Of course I’m warm,” he says. “Sir Richard had us in a breakneck canter for the last half hour.”

“I wanted to get in before nightfall,” Sir Richard explains and he dismounts and bows low to me. “He’s well,” he says shortly. “Healthy, strong, and learning something new every day. He’s very good in dealing with the people in Wales. Very fair. We’re making a king here. A good king.”

Maggie tumbles down from her horse, curtseys to me, and then bounds up to hug me. “You’re looking well,” she observes, stepping back to scrutinize me. “Are you happy?” she asks doubtfully. “How is everything here? His Grace the King?”

Something makes me turn and look towards the shadow of the doorway, to the open door. The torchlight is behind her, but I can see the silhouette of Katherine Huntly, her velvet dress black against the flickering darkness of the doorway. She is watching me greet my son, though her own baby boy is far away tonight and she is not allowed to see him. She is hearing my son’s guardian say that he is a good Prince of Wales though she thought her own son was born for that position, and he was always addressed with that title.

I beckon her forwards. “You remember Lady Katherine Huntly,” I say to Sir Richard.

Maggie curtseys to her and for a moment we three women stand still, as the drifting snow swirls around us as if we were untitled statues in a wintry garden. What should the names be on the bases of the statues? Are we two cousins and a sister-in-law, destined to live together in silence, never speaking the truth? Or are we two unlucky daughters of the defeated House of York and an imposter who has won her place with us by the low means of charming the king? Will we ever know for sure?

His Grace the King appoints six ladies-in-waiting at his own cost to serve Lady Katherine. They will work for her, as my ladies serve me, running errands, writing notes, giving small gifts to the poor, keeping her company, helping her choose her clothes and dressing her, praying with her in chapel, singing and making music with her when she is merry, reading with her when she wants to be quiet. She has her own set of rooms on my side of the great palace: her bedchamber, her privy chamber, her presence chamber. Sometimes she sits with me, sometimes she joins My Lady the King’s Mother, where she gets a chilly welcome, and sometimes she retreats with her ladies to her own presence chamber, a little court within a court.

Even the boy is given two servants of his own who go with him everywhere and serve him, fetching his horse, attending him when he rides, preparing his bedchamber, squiring him in to dine. They sleep in his room, one on a pallet bed, one on the floor, so that they are, as it were, his jailers; but when the boy turns to one of them to give him his gloves or ask for his cape, it is clear that they serve him gladly. He lives in the king’s side of the building, in the rooms inside the royal wardrobe, guarded like treasure. The doors to the wardrobe and the treasure house are locked at night so that—without being imprisoned in any way—it happens that he is locked inside each night, as if he were a precious jewel himself. But during the day he walks in and out of the palace, nodding casually to the yeomen of the guard as he strolls by, rides out on a fast horse, either with the court or on his own or with his chosen friends, who seem proud to ride with him. He takes a boat out on the river, where he is not watched nor prevented from rowing as far as he likes. He is as free and as lighthearted as any of the young men of this young, lighthearted court, but he seems—without ever claiming preeminence—to be a natural leader, finer than his peers, acknowledged by them almost as if he were a prince.

In the evening he is always in my rooms. He comes in and bows to me, says a few words of greeting, smiles that curiously warm and intimate smile, and then seats himself near to Katherine Huntly. Often we see them talking, head to head, low-voiced, but there is no sense of conspiracy. When anyone comes near them they look up and make a place for whoever passes by, they are always courteous and charming and easy. If they are left alone they speak and reply, question and answer, almost as if they were singing together, almost as if they wanted nothing more than to hear each other’s voice. They may talk of the weather, of the score in the archery competition, of almost nothing; but everyone senses their irresistible affinity.

Often I see them sitting in the oriel window, side by side, shoulder brushing against shoulder, knees just touching. Sometimes he leans forwards and whispers in her ear and his lips nearly brush her cheek. Sometimes she turns her face towards him and he must feel her warm breath on his neck, as close as a kiss. For hours in the day they will sit like this, quiet as obedient children on a settle, tender as young lovers before their betrothal, never touching, but never more than a hand-span apart, like a pair of cooing doves.

“My God, he adores her,” Maggie remarks, watching this restrained, unstoppable courtship. “Surely he cannot always be at arm’s length? Do they never slip away to her rooms?”

“I don’t think so,” I say. “They seem to have settled for being constant companions, but no longer husband and wife.”

“And the king?” Maggie asks delicately.

“Why, what have you heard?” I ask dryly. “You’ve only been at court a few days, people must have rushed to tell you everything. What have you heard already?”

She makes a grimace. “It’s common talk that he can’t take his eyes off her, when they ride out he is always near her, when he dances he asks for her as his partner, he sends out the best dishes for her. He is constantly offering gifts which she quietly returns, again and again he sends her to the royal wardrobe, he orders silks for new gowns, but she will only wear black.” She looks at me, and finds me impassive. “You’ve seen all this? You know all this?”

I shrug. “I have seen most of it now, with my husband. I saw it once before with someone else’s husband. I was once the girl that everyone watched as they turned their backs on the queen. I was once the girl that got the gowns and the gifts.”

“When you were the king’s favorite?”

“Just as she is. Worse than she is, for I gloried in it. I was in love with Richard and he was in love with me and we courted right under the nose of his wife, Anne. I wouldn’t do that now. I would never do that now. I didn’t realize then how painful it is.”

“Painful?”

“And demeaning. For the wife. I see the court look at me as they wonder what I am thinking. I see Henry look at me as if he hopes that I don’t notice that he stammers like a boy when he talks to her. And she . . .”

Maggie waits.

“She never looks at me at all,” I say. “She never looks at me to see how I am taking it, or to see if I notice her triumph. She never looks at me to see if I observe that my husband adores her; and oddly it is only her gaze that I could endure. When she curtseys to me or speaks to me, I think she is the only person who understands how I feel. It is as if she and I are in this together, and we have to manage it somehow together. She cannot help that he has fallen in love with her. She does not seek his favor, she does not entice him. Neither she nor I can help it that he has fallen out of love with me, and in love with her.”

“She could leave!”

“She can’t leave,” I say. “She can’t leave her husband, she could not bear to leave him here, and Henry seems determined that he shall live at court, live here like a kinsman almost as if he were . . .”

“As if he were your brother?” Maggie whispers, quiet as a breath.

I nod. “And Henry won’t let her go. He looks for her every morning in chapel, he can’t close his eyes and say his prayers until he has seen her. It makes me feel . . .” I break off and I blot my eyes with the corner of my sleeve. “I’m such a fool but it makes me feel unwanted. It makes me feel plain. I don’t feel like the first lady of the court of England. I don’t feel that I am where I should be, in my mother’s place. I’m not even in my usual second place to My Lady the King’s Mother. I have dropped below that. I am humbled. I am Queen of England but disregarded by the king my husband, and the court.” I pause and try to laugh, but it comes out as a sob. “I feel plain, Maggie! For the first time in my life! I feel humbled! And it’s hard.”

“You are the first lady, you are the queen, nobody and nothing can take that from you,” she insists fiercely.

“I know. I know that really,” I say sadly. “And I married without love, and now it seems that he loves someone else. It is ridiculous that I should care at all. I married him thinking of him as my enemy. I married him hating him and hoping for his death. It should be nothing to me that he now lights up when another woman enters the room.”

“But you do care?”

“Yes. I find that I do.”

The court prepares joyfully for Christmas. Arthur is summoned to his father, who tells him that his betrothal to the Spanish princess Katherine of Aragon is confirmed and will take place. Nothing can delay it, now that the monarchs of Spain are confident that there is no pretender threatening Henry’s throne. But they write to their ambassador to ask him why the pretender has not been executed, as they had expected either his death in battle or a prompt beheading on the battlefield. Why has he not been put on trial and swiftly dispatched?

Lamely, the ambassador replies to them that the king is merciful. As merciless usurpers themselves, they do not understand this, but they allow the betrothal to go ahead, stipulating only that the pretender should die before the marriage ceremony. That is mercy enough, they suggest. The ambassador hints to the king that Isabella and Ferdinand, the King and Queen of Spain, would prefer it if there was not a drop of doubtful blood left in the country, not Perkin Warbeck, nor Maggie’s brother; they would prefer it if there were no heir of York at all.

“Not Lady Huntly’s baby?” I ask. “Shall we be Herods now?”

Arthur comes to walk with me in the garden, where I am huddled in my furs and striding out for warmth, my ladies trailing away behind me. “You look cold.”

“I am cold.”

“Why don’t you go indoors, Lady Mother?”

“I am sick of being indoors. I am sick of everyone watching me.”

He offers me his arm, which I take with such a glow of pleasure to see my boy, my firstborn child, with the manners of a prince.

“Why are they watching you?” he asks gently.

“They want to know how I feel about Lady Katherine Huntly,” I say frankly. “They want to know if she troubles me.”

“Does she?”

“No.”

“His Grace, my father, seems very happy to have captured Mr. Warbeck,” he begins carefully.

I cannot help but giggle at my boy Arthur practicing diplomacy. “He is,” I say.

“Though I am surprised to find Mr. Warbeck in favor, and at court. I thought that my father was taking him to London and would imprison him in the Tower.”

“I think we are all surprised at your father’s sudden mercy.”

“It’s not like Lambert Simnel,” he says. “Mr. Warbeck isn’t a falconer. What is he doing coming and going so freely? And is my father paying him a wage? He seems to have money to pay for books and to gamble. Certainly my father gives him the best clothes and horses, and his wife, Lady Huntly, lives in state.”

“I don’t know,” I say.

“Does he spare him for your sake?” he asks very quietly.

My face is quite expressionless. “I don’t know,” I say again.

“You do know, but you won’t say,” Arthur asserts.

I hug his arm. “My son, some things are safer left unsaid.”

He turns to face me, his innocent face puzzled. “Lady Mother, if Mr. Warbeck is indeed who he said he was, if he is being allowed the run of the court for that reason, then he has a greater right to the throne than my father. He has a greater right to the throne than me.”

“And that is exactly why we will never have this conversation,” I reply steadily.

“If he is who he says he is, then you must be glad he is alive,” he pursues, with all the doggedness of a young man in pursuit of the truth. “You must be glad to see him. It must be as if he were snatched from death, almost as if he were risen from the dead. You must be happy to see him here, even if he never sits on the throne. Even if you pray that he never sits on the throne. Even if you want the throne for me.”

I close my eyes so that he does not see the glow of my happiness. “I am,” I say shortly; and he is a wise young prince, for he does not speak of this again.

We have dancing and celebrating, a joust and players. We have a choir sing most beautifully in the royal chapel, and we give away sweetmeats and gingerbread to two hundred poor children. The broken meats from the feast feed hundreds of men and women at the kitchen door for the twelve days. Henry and I lead out the dancers on the first day of Christmas, and I look behind me, down the line and see that Lady Katherine is dancing with her husband, and they are handclasped, both flushed, the handsomest couple in the room.

Every day provides a new entertainment. We have a masque hunt led by a great giant of a man playing the Spirit of the Greenwood on a big bay horse, we have mummers and a performance of strange tall men, Egyptians, who eat live coals and are so terrifying that Mary ducks her head into my lap and Margaret cries and even Harry leans back in his little chair to feel my comforting hand on his shoulder. And all through the dancing and masquing and jockeying for position, there is Lady Katherine Huntly, the most beautiful woman at court, in her black velvet. There is my husband, quite unable to take his eyes off her, there is her husband always half a pace to the left or the right of her, always with her, but only rarely her partner, exchanging one swift unreadable glance with her before she goes forwards to the king, in obedience to his beckoning wave, and curtseys to him and waits, composed and lovely, for him to make awkward conversation.

I see that in this season of celebration he prefers to watch entertainers with her, or ride beside her, or dance with her, or listen to music, anything where he does not have to find words to say. He cannot speak to her. For what could he say? He cannot court her: she is the wife of his prisoner, a proclaimed traitor. He cannot flirt with her: there is something very sobering about her dark black gown and her luminously pale face; he cannot fall to his knees and declare his love for her, though truly I think this is what he would most naturally do, because that would be to dishonor her since she is in his keeping, to dishonor me, his faultless wife, and to dishonor his own name and position.

“Shall I take her to one side and simply tell her that she must demand to go back to Scotland?” Maggie asks me directly. “Shall I tell her that she has to free you from this constant insult?”

“No,” I say, taking a careful stitch of a plain shirt. “For I am not insulted.”

“The whole court sees the king looking hound-eyed at her.”

“Then they see a king making a fool of himself; he is not making one of me,” I say sharply.

Maggie gasps at my daring to speak against the king.

“It’s not her at fault,” I continue. We both glance across the sunny chamber to where Lady Katherine is sitting, hemming a collar for a poor man’s shirt, her dark head bowed over the task.

“She has the king dancing to her tune like she was a tuppenny fiddle player,” Maggie says bluntly.

“She does nothing to encourage him. And it keeps her husband safe. While the king is besotted with her, he will not kill her husband.”

“It’s a price you’re prepared to pay?” Maggie whispers, shocked. “To keep the boy safe?”

I cannot help but smile. “I think it’s a price that both she and I are paying. And I would do so much more than this, to keep this young man safe.”

Maggie sees me to bed as if she were still my chief lady-in-waiting instead of a beloved visitor, and blows out the candle by my bedside before leaving the room. But I am wakened by the tolling of the chapel bell, and someone hammering on my door and then bursting into the room. My first thought is that despite his passive appearance, the boy has raised a secret army and is coming against Henry, and there is an assassin with a naked blade in the palace. I jump out of bed and grab at my robe and scream: “Where is Arthur? Where is the Prince of Wales? Guards! To the prince!”

“Safe.” Maggie comes running in, her hair down in its nighttime plait, barefooted, wearing only her nightgown. “Richard has him safe. But there is a fire, you must come at once.”

I throw a robe over my gown and hurry out of the door with her. There is a babel of noise and confusion, the bell ringing and men shouting and people running from one place to another. Without needing to say a word, Maggie and I dash side by side to the rooms of the royal nursery and there, thanks to God, are Harry, Margaret, and Mary, the two older ones tumbling down the stairs with their nursemaids shrieking to them to go as fast as they can but to be careful, and Mary big-eyed in the arms of her nursemaid. I drop to my knees and hold the oldest two to me, feeling their warm little bodies, feeling my heart thud with relief that they are safe. “There is a fire in the palace,” I tell them. “But we are not in danger. Come with me and we will go outside and watch them put it out.”

A guard of yeomen go running past me, carrying flails and buckets of water. I tighten my grip on my children’s hands. “Come on,” I say. “Let’s go outside and find your brother and your father.”

We are halfway down the gallery to the great hall when the door to Lady Katherine’s room flies opens and she dashes out, her black cape flung over her white nightgown, her dark eyes wide, her hair a rich tumble around her face. When she sees me she halts. “Your Grace!” she says and curtseys low and stays down, waiting for me to go past her.

“Never mind that, come at once,” I say. “There is a fire, come at once, Lady Katherine.”

She hesitates.

“Come!” I command. “And all your household with you.”

She pulls her hood over her hair and hurries to walk behind me. As I go on with my children I just glimpse, out of the corner of my eye, the young man that is called Perkin Warbeck, wrapped in a cloak, slide from Lady Katherine’s inner private room and fall in behind us, with my household.

I glance back to be sure, and he meets my gaze, his smile warm and confident. He shrugs and spreads his hands, a gesture wholly French, completely charming. “She is my wife,” he says simply. “I love her.”

“I know,” I say, and hurry onwards.

The front doors are wide open and they have made a line of people passing pails of water up the stairs. Henry is in the stable yard, making them hurry, drawing water from the well, urging the lad to work harder at the pump. It is painfully slow, we can smell the acrid hot smoke on the wind and the bell tolls loudly as the men shout for more water and say that the flames are taking hold. Arthur is there with Sir Richard, his guardian, wearing nothing but his breeches and a cape over his bare shoulders.

“You’ll freeze to death!” I scold him.

“Go and get a jacket from our traveling carts,” Maggie orders him. “They’re not unpacked yet.”

Arthur ducks his head in obedience to her and goes to the stables.

“It’s a terrible fire, in the wardrobe rooms, you’ll lose your gowns, and God knows how many jewels!” Henry shouts at me above the noise. I can hear a crack as the expensive window glass shatters in the heat and then there is a noise like a blast as one of the roof beams caves in and the flames shoot upwards like an explosion.

“Is everyone out of the building?” I shout.

“As far as we can tell,” Henry says. “Except . . . my love, I am sorry . . .” He steps away from the line of men frantically slopping pails of water one to another. “I am so sorry, Elizabeth, but I am afraid the boy is dead.”

I glance behind me. Lady Katherine is there, but the boy has melted into the crowds of people milling around the front doors of the palace, starting back as another roar comes from the fire and flames lick out of an upper window.

“Will you tell her?” Henry asks me. “There is no doubt that he is lost to the blaze. He was sleeping in the wardrobe rooms, of course, and they were locked. It’s where the fire started. We must prepare ourselves for his death. It’s a tragedy, it’s a terrible tragedy.”

Something about Henry alerts me. He is strangely like our son Harry, when he looks at me with his blue eyes as honest and as open as a summer sky and tells me some great fib about his homework, or his sister, or his tutor.

“The boy is dead?” I ask. “He has died in the fire?”

Henry looks down, shrugs his shoulders, heaves a sigh, puts his hand over his eyes as if weeping. “He can’t have got out of that,” he said. “It was raging by the time anyone knew of it, it was like hell.” He puts out his hand to me. “He won’t have suffered,” he says. “Tell her that it would have been merciful and quick. Tell her that we are all so sorry.”

“I’ll tell her what you say,” is all I promise, and I leave my husband to command the men who are bellowing for sand to fling on the flames and “Water! More water!” I walk back to where Lady Katherine is standing with Harry and Margaret beside her.

“Lady Katherine . . .” I beckon her out of their hearing and she drops a quick kiss on my son’s copper head and comes to me.

“The king believes that your husband was in his bed in the wardrobe rooms,” I say levelly. There is no intonation in my voice at all, I am as bland as milk.

She nods, expressionless.

“The king fears that he must have died in the blaze,” I say.

“It is the wardrobe rooms that are on fire?”

“It’s where the fire started, and it has taken hold.”

Both of us absorb the curious fact that the fire should start not in the kitchen, nor the bakery, nor even in the hall where there are great fires always burning, but in the wardrobe rooms where the strictest watch is kept, where the only naked flames are the candles, which are lit when the seamstresses are at work and doused when they leave for the evening.

“I suppose,” I observe, “that since the king thinks that your husband is dead, he will not look for him.”

She is very still as she takes in this thought, then she looks up at me. “Your Grace: the king holds our son, my little boy. I could not leave without him. And my husband will not leave without us. I see that he has a chance to escape, but I don’t even have to ask him what he will do; he would never leave without us. He would have to be carried out half-dead to go without us.”

“It may be that this chance has come from God,” I point out. “A fire, confusion, and the expectation of his death.”

She meets my eyes. “He loves his son, and he loves me,” she says. “He is as honorable . . . as honorable as any prince. And he has come home now. He will not run away again.”

Gently, I touch her hand. “Then he had better reappear soon, with some explanation,” I advise her shortly, and I walk away from her to stand with my children, and promise them that their ponies will have been taken from their stables and are safely turned out in the damp winter fields.

In the morning the flames are doused down but the whole palace, even the gardens, smells terribly of wet timbers and dank smoke. The wardrobe rooms are the great storehouse of the palace and priceless treasures have been lost to the flames, not just the costly gowns and ceremonial costumes, but the jewels and the crowns, even the gold and silver plate for the table, some of the best pieces of furniture and stores of linen. Thousands of pounds of goods have been destroyed, and Henry pays men to sift through the embers for jewels and melted metals. They bring up all sorts of rescued objects, even the lead from the windows has melted and twisted out of shape. It is terrible what has been lost; it is amazing what has survived.

“How did Warbeck ever get out of this alive?” Lady Margaret bluntly demands of Henry, as the three of us stand, looking at the ruin that was the king’s apartments, the charred roof beams open to the sky still smoking over our heads. “How could he survive it?”

“He says that his door caught fire and he was able to kick it open,” Henry says shortly.

“How could he?” she asks. “How could he not die of the smoke? How could he not be burned? Someone must have let him out.”

“At least no one was killed,” I say. “It’s a miracle.”

The two of them look at me, their faces like a mirror of suspicion and fear. “Someone must have let him out.” The king repeats his mother’s accusation.

I wait.

“I shall make inquiry among the servants,” Henry swears. “I will not have a traitor in my palace, in my own wardrobe rooms, I will not be betrayed under my own roof. Whoever is protecting the boy, whoever is defending him, should take warning. Whoever saved him from the fire is a traitor, as he is. I have spared him so far, I will not spare him forever.” Suddenly he turns on me. “Do you know where he was?”

I look from his flushed angry face to his mother’s white one. “You would do better to discover who set the fire,” I say. “For someone has destroyed our most valuable goods to burn the boy out. Who would want him dead? It was no accidental blaze in those rooms, someone must have heaped up clothes and kindling and put a flame to it. It could only be someone trying to kill the boy. Who would that be?”

It is the way that My Lady stammers that gives her away to me, listening for one of them to lie. “H—he h—has dozens of enemies, dozens,” she says flatly. “Everyone resents him as a traitor. Half the court would want to see him dead.”

“By fire? In his bed?” I say, and my voice is as sharp as an accusation. She drops her glance to the ground, unable to meet my eye.

“He’s a traitor,” she insists. “He is a lost soul, a brand fit for burning.”

Henry glances at his mother, uncertain as to what we are saying. “Nobody can think that I wanted him dead,” he says. “All I have ever said is that it would have been better for Lady Katherine if she had never married him. No more than that. Nobody could think that I wanted his death.”

His mother shakes her head. “Nobody could accuse you. But perhaps someone thought they were doing you a service. Protecting you from your own generosity. Saving you from yourself.”

“If he had died, then Lady Katherine would be a widow,” I say slowly. “And free to marry again.”

My Lady takes the cross at her belt firmly in her hands and holds it tightly, as if she is warding off temptation. I wait for her to speak but for once she chooses to be silent.

“Enough of this,” Henry says suddenly. “We should not be troubled amongst ourselves. We are the royal family, we should always be united. We have been saved from the flames and our household is safe too. It is a sign from God. I shall build a new palace.”

“Yes,” I agree. “We should rebuild.”

“I shall call it Richmond, after my title and my father’s title before me. I shall call it the Palace of Richmond.”

ON PROGRESS, SUMMER 1498

The boy continues to sleep in the rooms of the wardrobe in the different houses as we go on our summer progress along the coast of Kent following the pilgrim road to Canterbury, the high hills of the Weald spreading out around us. As the warm sunshine makes the hedges green and the apple trees bob with white and pink blossom, Lady Katherine allows the king to buy her new clothes, she stops wearing mourning black like a widow, like a woman who has lost her husband, and instead puts on the king’s choice for her, a gown of tawny medley, trimmed with black velvet, which sets off her creamy skin, flushed now with early-summer sunshine, and her dark shining hair that she wears under the bonnet of tawny velvet that he orders for her.

They ride together, quite alone, leading the court, and I and my ladies follow behind, the gentlemen of the court with us, the boy among them, sometimes riding near to me and smiling across.

Henry orders a new riding coat for himself, tawny velvet—like hers—and he and the young woman match perfectly as their horses go side by side down the trim lanes of Kent, cantering when the ground is soft, walking on the stony roads, always a discreet distance ahead of the rest of us, until we come in sight of the sea.

Henry talks to her now, he has found his voice, asking her about her childhood and her early years in Scotland. He never speaks of her husband, it is as if the two and a half years of her marriage never existed. They never speak of the boy, they never refer to him as they ride together. She is courteous, she never pushes herself forwards; but when the king orders a new saddle put on a new horse for her, she is obliged to ride with him and smile her thanks.

I see the boy as he watches this, and I see his brave smile and the set of his head, as if he were not watching the wife he loves being taken away from him. He rides behind them, noting how she leans towards Henry to hear something he says, how Henry puts his hand on her reins, as if to steady her horse. When the boy sees this, his chin comes up and his smile brightens, as if he had sworn to himself that he will be afraid of nothing.

For me, it is a curious pain to watch my husband of more than twelve years ride away from me with another woman, a beautiful young woman, at his side. I have never seen Henry in love before; now I see him shy, charming, eager, and it is like seeing him anew. The court is discreet, forever coming between me and the king and his constant companion, falling back to ensure they are uninterrupted, entertaining me so that I don’t watch them. It reminds me of Queen Anne, whose health was failing even then, silently watching her husband seek me out, and how I danced with him before her. I knew I was breaking her heart, I knew that she had lost her son to death and was now losing her husband to me, but I was too dazzled and too entranced to care. Now I know what it is to be a queen and see the young men of the court write poems and send letters to another woman, see someone else be named as the most beautiful woman of the court, the queen of everyone’s choice, and see your husband run after her too.

It is a humbling experience, but I don’t feel humbled. I feel as if I understand something that I did not know before. I feel that now I have learned that love does not follow merit; I did not love Henry because he impressed me as a conquerer of England, as a victor of battle. I loved him because I first came to understand him, and then I pitied him, and then my love just flowered for him. And now that he does not love me, it makes no difference to how I feel. I love him still for I see him being, as he often is, mistaken, ill-judging, fearful, and this does not make me jealous but, on the contrary, it makes me tender towards him.

And I am not even angry towards Lady Katherine for her part in this. When she dismounts from her expensive new horse at the end of a beautiful day and Henry puts her husband aside with one touch on his shoulder, so that she has to slide from her saddle into Henry’s arms, she sometimes looks over at me as if this is no joy but a trouble to her. Then I am not angry with her, but I am sorry for her, and for me. I think that no one could understand how I feel but another woman, no one could understand her dilemma but me.

Lady Katherine comes to my rooms at the end of the day, to sit with my ladies, and finds that I smile at her gently, patiently, just as Queen Anne used to smile at me. I know she cannot prevent what is happening, just as I could not help myself with Richard. If the king honors a woman with his attention, then she is powerless under his admiration. What I don’t know is how she feels. I fell in love with Richard, who was King of England and the only man who could rescue me and my family from our descent into obscurity. What she feels for the King of England, married as she is to a declared traitor who is living on borrowed time, I can’t imagine.

THE TOWER OF LONDON, SUMMER 1498

We come back to London and Henry rules that we will spend a week in the Tower before going to Westminster. The boy rides in under the portcullis, as taut as a bowstring. His eyes flick across to me just once and meet mine, blank to blank, and then he looks away.

As usual, the lords who have homes in London go to their great houses and only a small court lives with us, the royal household, within the precincts of the Tower. The king, My Lady the King’s Mother and I are housed in our usual rooms in the royal apartments. The Lord Chamberlain’s office puts the boy in the Lanthorn Tower, with the other young men of the court, and I see him make a little gesture with his hand, as he turns towards the stone arch of the perimeter wall, and his smile grows brighter, the set of his head indomitable, as if he refuses to see ghosts.

Edward of Warwick is in the Garden Tower, where the lost princes were once kept. Sometimes I see his face at the window when we are crossing the green, just as people used to say they saw my little brothers. I am not allowed to visit him; the king rules that it would distress him, and would upset me. I will be allowed to go later—in some unspecified better time. The boy never glances towards the face at the window, never strays towards the dark doorway and the tight spiral stone staircase that leads to the rooms over the archway. He walks around the Tower and the gardens and the chapel as if he were blind to the old buildings, as if he cannot and will not see the place where William Hastings was beheaded on a log of wood for loyalty to his old master my father, the place where the uncrowned King Edward used to play on the green, where the boy they called the little Prince Richard used to shoot arrows at the butts before they went inside to the darkness, and never came out again.

WESTMINSTER PALACE, LONDON, SUMMER 1498

We come back to Westminster Palace early in the summer to celebrate Trinity Sunday in the abbey. In the morning when we go to chapel I look around for Lady Katherine, who is missing from my ladies. Her husband, the boy, is not in his usual place among the king’s favored companions. I lean towards Cecily in her dark dress, in double mourning for her husband and daughter, who died this spring, and say tersely: “In God’s name, where are they?”

Dumbly, she shakes her head.

Then, while Henry, My Lady, and I are breakfasting in the king’s privy chamber after chapel, two servants come in and kneel before the breakfast table, their heads down, saying nothing.

“What is it?” Henry asks, though surely it is obvious to all of us that something has happened to the boy. I drop a piece of bread onto my plate, half rise to my feet, with a sense of sudden dread of what is going to come next.

“Forgive me, Your Grace. But the boy has got away.”

“Got away?” Henry repeats the words almost as if they have no meaning. “How do you mean: got away?”

His mother glances at him sharply, as if she hears like me the detachment in his voice like a man repeating words he has prepared.

“The boy?” she demands. “The Warbeck boy?”

“Escaped,” one of them says.

“How could he escape? He’s not imprisoned?” I ask.

They bow their heads at the incredulity in my voice. “He had a key cut to fit the lock.” One of them looks up to tell me. “His companions were asleep, perhaps drugged, they slept so heavily. He opened the door and walked out.”

“Walked out?” Henry repeats.

“He had a key.”

“Walked out?”

“Perhaps he drugged the guards.”

Some strange prescience teaches me to look, not at Henry’s well-manifested surprise and growing anger, but at his mother. She is looking at him, not with her usual expression of approbation and approval, but as if she has never seen him before, as if he is doing something which surprises even such a wily old plotter as herself. I sink back down into my chair again.

“How could he have got a key? How could he have got drugs?” Henry demands, loud enough to be heard through the door in the presence chamber where anyone could be waiting to wish him the best of the day, ears pricked for gossip.

Nobody replies that the boy could have got anything he wanted, since Henry himself had given him free run of the court and an allowance of money which would cover the price of some leather trim for his saddle, or a feather for his hat, or indeed cheap sleeping powders and a fee to a locksmith. Nobody points out that if the boy wanted to escape, he could have walked down to the stables and taken his horse and ridden away any day since last October. He did not have to wait till the nighttime, when he would be locked in and then need a key to get himself out. The whole story has a fairy-tale quality to it, like his name, like his history. Now the boy, who once passed as a prince only because someone dressed him in a silk shirt, disappears from a locked room in the dead of night.

“He must be recaptured!” Henry shouts.

He snaps his fingers for one of his clerks and the man bustles in, his tonsure shining, his writing desk around his neck, his quills sharpened at the ready. Henry rattles off a string of orders: the ports to be locked shut, the sheriffs of every county to be on alert to look for the boy, messengers to ride down the main highways to alert all the inns and guesthouses along the way.

“Pay a reward for his recapture, dead or alive,” his mother suggests.

I keep my gaze on my plate and I don’t say quickly, “Oh, they are not to hurt him!” I am a princess of York and I know that the stakes are always those of life or death. And he will have known this too; he will have known, when he slipped away into the darkness, that he was signing his own death warrant. Once he broke his parole they would be certain to go after him with a sword.

“I think I’ll tell them to bring him in alive,” Henry says carelessly, as if it does not much matter either way. “I would not want to distress Lady Katherine.”

“She will be distressed,” I observe.

“Yes, but now she must see that her husband has run away and left her, run like a coward and left her as if he did not regard himself as married anymore,” Henry said firmly to me, impressing me with his view. “She must see that he can care nothing for her if he would just go—abandon her completely.”

“Faithless.” His mother nods.

“You had better go and break the news to her,” Henry says. “Tell her that he organized his own escape and he did it quite without honor, drugging a guard and sneaking out like a thief. Leaving her alone, and their son fatherless. She must despise him for this. I expect she will get her marriage annulled.”

I rise from my seat and as he pulls back the heavy wooden chair for me I turn and face him, my gray eyes looking into his dark ones. “I shall certainly tell her that you think she should despise him, I shall certainly tell her that you think she should regard herself as a single woman, as you have always done. In addition, shall I assure her that your motives are chivalrous when you call for her marriage to be annulled?” I ask icily, and I walk out and leave him and his mother to call for a map of the kingdom and calculate where the boy might be.

That night, Henry comes to my bedroom, surprising me and Cecily, who was going to be my bedmate for the night. She scuttles from the room, pulling her robe around her as Henry strolls in, bringing a jug of mulled ale, and a glass of wine for me, just as he used to do when we were happy together.

He gives me my glass, sits at the fireside, pours himself a tankard of ale, and drinks a deep draft, like a man who has reached a safe haven and can afford to celebrate.

“He was plotting, you know,” he says shortly. “Plotting his escape with Flanders, with France, with Scotland. The usual allies. The friends who never forget him.”

I don’t ask who “he” is. “They helped him get out?” I ask.

Henry chuckles, puts out his booted foot, and kicks a log that is teetering on the edge of the fire. “Well, someone certainly helped him. Bundled him out and set him free.”

I find that I am looking at him coldly, trying to understand what he is saying. “Was he drugged like his guards?” I ask eventually. “Was he drugged and kidnapped and put out of the castle?”

Henry does not meet my eyes. Again, he reminds me of Harry, who will twist his finger in his hair and look at his boots and tell me whatever little lie would best suit his case.

“How would I know?” Henry says. “How ever would I know what these traitors will do?”

“So where is he now?”

He chuckles. This, he is willing to admit. “I know where. I’ll give him a few days to know his predicament. He’s on his own, he has no supporters. He’ll sleep cold and damp. I’ll pick him up tomorrow, or the day after, soon.”

I curl my feet up in my chair. “And why is this a triumph for us? Since you come to me to celebrate?”

He smiles at me. “Ah, Elizabeth. You know me so well! It is a triumph, though it is a hidden one. I had to break this new habit, this accidental accord that had come about. I never thought he would be like this, at the heart of my own court! There he was, happy as a pig in clover, sneaking into his wife’s rooms—don’t deny it, I know he was—and dancing with the ladies, writing poems, singing songs, going hunting, all at my expense, dressed like a prince and everywhere greeted like one. That’s not what I wanted when I dragged him out of sanctuary and named him as a common pretender. I had him in chains at Exeter. I had him confessing everything I put before him. He signed anything I wanted, he took whatever name I gave him. He was humbled to dirt, the son of a drunk boatman. I didn’t expect him to bob up, bob up into her bedroom. I didn’t expect him to come to court and charm everyone he met. I didn’t expect him to live like a prince when I had made him confess that he was a liar and a cheat. I didn’t think she would . . . who would have dreamed that she would . . . a princess?”

“Stand by him?”

“Go on loving him,” he says quietly. “When I had made him look a fool.”

“What did you want? What did you hope would happen?”

“I thought everyone would see that he was a pretender, like the other feigned lad, Simnel, my falconer. I thought they would cluster to see him and laugh at his impertinence and then forget all about him. I thought he would be humbled by being kept around us, I thought he would sink.”

“Sink?”

“I thought he would disappear into the crowd of hangers-on and placemen and toadies and beggars who go with us everywhere. Chased off now and then, reprimanded here and there, but always trailing along behind, living hand to mouth. I thought he would become one of them. I thought he would be the page boy at the back of the procession, the one that no one likes, who gets a kicking when the Master of the Horse is drunk. I thought people would despise him. I didn’t expect him to shine.”

“I did nothing to recognize him.” I make it clear. “I never brought him into my company. He was never invited into my rooms.”

“No,” Henry says thoughtfully. “But he strolled in as if he belonged there. He made his own place. People liked him, gathered round him. He was just . . .” He pauses and then he says the one betraying word: “Recognized.”

I give a little gasp. “Someone recognized him as Prince Richard? My brother?”

“No. No one would be such a fool. Not at my court. Not surrounded by spies. He was recognized for himself. People saw him as a power, as a person, as a Someone.”

“People just happen to like him.”

“I know. I can’t have that. He has that damned charm that you all have. I can’t have him at court being happy, being charming, looking like he belongs here. But—and this was the problem—I had given my word to him when he surrendered to me. His wife went down on her knees to me, and I gave my word to her. And she held me to it. She would never have allowed me to imprison him or put him on trial.”

He frowns at the glowing embers of the fire, quite unaware that he is confiding to his wife the commands of his mistress.

“And there’s another thing. I established that he is the son of a Flanders boatman—which I thought a very good story at the time—but of course that makes him no subject of mine, so I can’t try him for treason. He’s not my subject, he’s not treasonous. I wish someone had warned me of that when we were going to such trouble to find his parents in Flanders. We should never have found them in Flanders, we should have found them in Ireland, somewhere like that.”

I absorb in silence the cynicism of the creation of the boy’s story.

“So now I have two bad choices: either I can’t try him for treason because he’s foreign, or—”

“Or?”

“Or he’s not foreign but the rightful king!” Henry bursts out laughing, swigs from his tankard, looks at me bright-eyed over the dull pewter. “You see? If he’s who I say he is, then I can’t try him for treason. If he’s who he says he is, then he should be King of England and I am the traitor. Either way I was stuck with him. And every day he grew more and more happy that I was stuck with him. So I had to get him out, I had to make him betray the sanctuary that I had given him.”

“Sanctuary?”

He laughs again. “Wasn’t he born in sanctuary?”

I take a breath. “It was my brother Prince Edward who was born in sanctuary,” I say. “Not Richard.”

“Well, anyway,” he says carelessly. “So the main thing is that I’ve got him out of his comfortably safe billet at my court. Now he’s on the run, I can prove that he’s plotting against me. He’s broken his word that he would stay at court. He’s dishonored his promise to his wife too. She thought he would never leave her; well, he has. I can arrest him for breaking his parole. Put him in the Tower.”

“Will you execute him?” I ask, keeping my voice light and level. “Do you think you will execute him?”

Henry puts down his tankard and throws off his cloak and then his nightgown. He gets into my bed naked, and I just glimpse that he is aroused. Winning excites him, catching someone out, tricking someone, getting money off them or betraying their interest brings him so much pleasure that it makes him amorous.

“Come to bed,” he says.

I show no sign of unwillingness. I don’t know what might depend upon my behavior. I untie the ribbons on my nightgown and I drop it to the floor, I slide between the sheets and he grabs me at once, pulls me beneath him. I make sure that I am smiling as I close my eyes.

“I can’t execute him,” he says quietly, thrusting inside me with the words. I keep my smile on my face as he makes love while speaking of death. “I can’t behead him, not unless he does something stupid.” Heavily he moves on me. “But the joy of him is that he is certain to do something stupid,” he remarks, and his weight bears down on me.

For a manhunt for a known traitor, a claimant to the throne, the ghost that terrorized Henry’s life for thirteen years, the pursuit is curiously leisurely. The guards who slept on duty are cautioned and return to their posts, though everyone expected them to be tried and executed for their part in the escape. Henry sends out messengers to the ports but they travel easily, setting out to north and west, south and east, as if riding for pleasure on a sunny day. Inexplicably, Henry sends out his own personal guard, his yeomen, in boats, rowing upstream, as if the boy might have gone deeper into England, and not to the coast to get back to Flanders, to Scotland, to safety.

His wife has to sit with me while we wait for news. She has not gone back into widow’s black but she is no longer gorgeous in tawny velvet. She wears a dark blue gown and she sits half behind me, so that I have to turn to speak to her, and so that visitors to my rooms, even the king and his mother, can hardly see her, hidden by my great chair.

She sews—heavens, she sews constantly; little shirts for her son, exquisite nightcaps and nightgowns fit for a prince, little socks for his precious feet, little mittens so that he does not scratch his peerless complexion. She bends her head over her work and she sews as if she would stitch her life together again, as if every small hemming stitch would take them back to Scotland, to the days when it was just her and the boy, in a hunting lodge, and he was full of the stories of what he had done and what he had seen and who he said that he was—and nobody asked him what he might do and what he might claim and who he would have to deny.

They find him within a few days. Henry seems to know exactly where to look for him, almost as if he had been bundled, drugged, thrown out of a boat onto the riverbank, and left to sleep it off. They say that he had gone up the valley of the Thames, on foot, stumbling on the tow path, splashing through marshes, following the course of the river through thick woodland and over hedged fields, to the charterhouse at Sheen, where the former prior had once been a good friend to my mother, and where the current prior took the boy in and gave him sanctuary. Prior Tracy himself rode to Henry, asked for an audience, and begged for the young man’s life. The king, bombarded with pleas for clemency, with a holy prior down on his knees refusing to rise until the boy is granted his life, once again decides to be gracious. With his mother seated beside him, as if they are both judges on the Last Day, he rules that the boy should stand on a scaffold of empty wine barrels for two days, to be seen by everyone who passes by, mocked, cursed, scorned, and a target for any urchin with a handful of filth, and then be taken to the Tower of London, and there be imprisoned pending the king’s pleasure: that is, forever.

THE TOWER OF LONDON, SUMMER 1498

They keep him in the Garden Tower. I imagine Henry laughing his new overconfident ringing laugh at the irony of the boy who said he was Prince Richard being returned to where Prince Richard was last seen. They put the boy in the very rooms where Prince Richard and Prince Edward were kept.

The window that overlooks the green was where their little faces could sometimes be seen, and sometimes they would wave at people who gathered on the green to see them or, coming out of chapel, call a blessing to them. Now there is one pale face at the window—the boy’s—and people who see him closely say that he has lost his looks, he is almost unrecognizable for the bruises on his face. His nose has been broken and is ugly, squashed cross-wise against his handsome face. He has a bloody scar behind his ear where someone kicked him when he was down, and the ear itself is half torn away and has gone sticky and fetid.

No one now would mistake him for a York prince. He looks like an alehouse brawler, injured many times, who has gone down once too often and cannot rise again. No one will fall in love with his smile now that his front teeth have been kicked in. No one ever again will be swayed by his York charm. No one gathers on the green now to wave at him, no one reports that they have seen him, as if seeing him is an event, something to write home to a village: I have seen the prince! I went to the Tower and I looked towards his window. I saw him wave, I saw his radiant smile.

Now he is a prisoner, like any other in the Tower. He has been sent there to avoid attention and little by little everyone will forget him.

His wife, Lady Katherine, will not forget him, I think. Sometimes I look at her downturned face and I think she will never forget him. She has learned a deep fidelity that I do not recognize. She has changed from her eternal hemming of fine linen to working on a thick homespun. She is sewing a warm jacket, as if she knows someone who lives inside damp stone walls and who will never again bask in the sun. I don’t ask her why she is making a warm thick jacket lined with silks of deep red and blue—and she does not volunteer a reason. She sits in my rooms, her head bent over her sewing, and sometimes she glances up and smiles at me, and sometimes she puts down her work and gazes out of the window, but she never says one word about the boy she married, and she never ever complains that he broke his parole, broke his word to her, and is paying for it.

Margaret comes to visit court, traveling from my son’s court in Ludlow, and of all the places in my rooms, she chooses a seat beside Lady Katherine, saying nothing. Each young woman takes a silent comfort from the other’s nearness. It is part of Henry’s great joke on the House of York that Margaret’s brother, Teddy, is housed in the same tower as Katherine’s husband; he lives on the floor below. The two boys, one the son of George Duke of Clarence, and one who claimed to be the son of Edward King of England, are in rooms so close that if the boy stamped on the floor then Teddy would hear him. Both of them are walled up behind the thick cold stones of our oldest castle for the crime of being a son of York, or—worse—claiming to be one. Truly, it is still a cousins’ war; for here is a pair of cousins, imprisoned for kinship.

WESTMINSTER PALACE, LONDON, AUTUMN 1498

The child I am carrying sits heavily against my spine and my legs ache as if I have an ague. Sitting, lying, walking, all cause me pain. This is the child that we conceived the night of Henry’s deep joy that the boy had run from court and broken his parole. I think he weighs so heavily on my back because his father lay so heavily on me that night, because there was no pleasure in our coupling, there was no love in it, there was Henry bearing down on me, on England, on the boy, aroused by his own triumph.

I miss my mother in this season, when the leaves fall like a blizzard of brown and gold and my windows are hazy with mist in the morning. I miss her when I see the bright shiver of yellow birch leaves reflected in the gray of the river water. Sometimes I can almost hear her voice in the plashing of the water against the stone pilings of the pier, and when a seagull suddenly cries, I almost start up, thinking it is her voice. If it is her son in the Tower, I owe it to her, to him, to my house, to try to get him released.

I approach My Lady the King’s Mother first. I speak to her when she is kneeling in the royal chapel; she has finished her prayers but she is resting her chin on her hands, her eyes on the beautifully jeweled glass monstrance, the wafer of the Host gleaming palely within. She is transfixed, as if she is seeing an angel, as if God is speaking to her. I wait for a long time. I don’t want to interrupt her instructing God. But then I see her settle on her heels and sigh, and put her hand to her eyes.

“May I speak with you?” I ask quietly.

She does not turn her head to glance at me, but her nod tells me that she is listening. “It will be about your bro . . .” she starts and then presses her lips together and her dark eyes flick towards the crucifix, as if Jesus Himself must take care not to hear such a slip.

“It is about the boy,” I correct her. The king and the court have quite given up calling him Mr. Warbeck or Mr. Osbeque. The names, the many names that they pinned on him, never quite stuck. To Henry he was for so long the juvenile threat, the naughty page, “the boy,” that now this is the name that signifies him: a boy. I think this is a mistake, there have been so many boys, Henry has feared a legion of boys. But still Henry likes to insult him with his youth. He is “the boy” for Henry, and the rest of the court follows suit.

“I can do nothing for him,” she says regretfully. “It would have been better for him, for all of us, if he had died when everyone said that he was dead.”

“You mean, after the coronation?” I whisper, thinking of the little princes and the grief in London, while everyone wondered where the children had gone, and my mother was sick with heartbreak in the darkness of sanctuary.

She shakes her head, her eyes on the cross, as if that one great statement of truth can protect her from her constant lies. “After Exeter, they reported him dead.”

I take a breath to recover from my mistake. “So, Lady Mother, since he did not die at Exeter . . . what if he were to agree to go quietly back to Scotland and live with his wife?”

For the first time she looks at me. “You know how it is. If your destiny puts you near to the throne you cannot take yourself away from it. He could go to Ethiop and there would still be someone to run after him and promise him greatness. There will always be wicked people who will want to trouble or unseat my son, there will always be evil snapping at the heels of a Tudor. We have to hold our enemies down. We always have to be ready to hold them down. We have to hold their faces down into the mud. That is our destiny.”

“But the boy is down,” I urge her. “They say that he has been beaten, his beauty is gone, his health is broken. He claims nothing anymore, he agrees to whatever they put to him, he will take any name you choose for him, his spirit is destroyed, he is no longer claiming to be a prince, he no longer looks like a prince. You have defeated him, he is down in the mud.”

She turns her head away from me. “He could be diminished, he could be dirty, he could be starved, and yet he would still shine,” she says. “He always looks the part that he chooses to play. I heard it from someone who had gone to stare at him, they had gone to laugh at him, but they said that he looked like Jesus: battered and wounded and pained but still the Son of God. They said he looked like a saint. They said he looked like a broken prince, a damaged lamb, a dimmed light. Of course, he can’t be freed. He can never be freed.”

This vengeful old harridan is Henry’s chief and only councillor, so if she refuses me there is no point in approaching Henry. All the same, I wait until he has dined well and drunk deeply and we are seated in his mother’s comfortable private rooms. When she steps out for a moment, I take my chance.

“I want to ask for mercy for the boy,” I say. “And for my cousin Edward. While I am carrying a new child, a new heir for the Tudors, our line must be safe. Surely we can release these two young men? They can be no threat to us now. In our nursery already we have Prince Arthur and Henry, the two girls, and another child is on the way. I would be at peace in my mind, I would be at peace carrying our child, if I know that those two young men were released, into exile, wherever you wish. I would be able to give birth to my child if I could be easy in my mind.” It’s my trump card and I expect Henry to at least listen to me.

“It’s not possible,” he says at once, without even considering the request. Like his mother, he does not look at me as he tells me that my cousin and the boy who passed as my brother are lost to me.

“Why is it not possible?” I insist.

He extends his thin hands. “One”—he counts on his fingers—“the King and Queen of Spain will not send their daughter to marry Arthur unless they are sure our succession is certain. If you want to see your son married, we have to see the boy and your cousin dead.”

I nearly choke. “They can’t demand such a thing! They have no right to order us to kill our own kinsmen!”

“They can. They do. It is their condition for the wedding and the wedding must go ahead.”

“No!”

He continues listing his reasons. “Two—he’s plotting against me.”

“No!” It is such a contradiction of what my servants have told me about the boy in the Tower, a boy quite without his own will. “He is not! It’s not possible. He does not have the strength!”

“With Warwick.”

Now I know that it is a lie. Poor Teddy would plot with no one, all he wants is someone to talk to. He swore loyalty to Henry when he was a little boy; his years in terrible solitude have only made his decision more certain for him. He thinks of Henry now as an all-seeing, all-powerful god. He would not dream of plotting against such a power, he would tremble with fear at the thought of it. “That can’t be so,” I say simply. “Whatever they have told you about the boy, I know that it can’t be said of Teddy. He is loyal to you and your spies are lying.”

“I say it is so,” he insists. “They are plotting and if their plots are treasonous, they will have to die as traitors.”

“But how can they?” I ask. “How can they even plot together? Are they not kept apart?”

“Spies and traitors always find ways to plot together,” Henry rules. “They are probably sending messages.”

“You must be able to keep them apart!” I protest. Then I feel a chill as I realize what is, more probably, happening. “Ah, husband, don’t tell me that you are letting them plot together so that you can entrap them? Say you wouldn’t do that? Tell me that you would not do such a thing? Not now, not now that the boy is in your power, and broken on your orders. Tell me that you wouldn’t do such a thing to poor Teddy, not to poor little Teddy, who will die if you entrap him?”

He does not look triumphant, he looks anxious. “Why would they not refuse each other company?” he asks me. “Why should I not test them and find them true? Why would they not stay silent to each other, turn away from men who come to tempt them with stories of freedom? I have been merciful to them. You can see that! They should be loyal to me. I can test them, can’t I? It is nothing but reasonable. I can offer them each other’s company. I can expect that they shrink from each other as a terrible sinner? I am doing nothing wrong!”

I feel a wave of pity for him, as he leans forwards to the little fire, and I am shaken by nausea at what I fear he is planning. “You are King of England,” I remind him. “Be a king. No one has the power to take that from you. You don’t have to test their loyalty. You can afford to be generous. Be kingly. Release them to exile and send them away.”

He shakes his head. “I don’t feel generous,” he says meanly. “When is anyone ever generous to me?”

GREENWICH PALACE, LONDON, WINTER–SPRING 1499

I go to our most beautiful palace for my confinement and Henry and My Lady the King’s Mother prepare a celebration dinner in the great hall in January. Everyone is there to celebrate my confinement but my sister Cecily. She is staying away. She has lost her second child, her daughter Elizabeth, and having made a loveless marriage to further her rise in the Tudor world, finds that she is a childless widow; she has gained nothing.

This is bitter for any woman, and especially hard on Cecily. She will stay away from court until she has put off her black gown. I am sorry for her, but there is nothing that I can do, so I say farewell to the court and step into my beautiful rooms for my first confinement without her.

My Lady the King’s Mother has the best rooms adjoining Henry’s as usual, but I like my own set of rooms that I have prepared for my confinement. They face the river and I order my ladies to pin back the dark tapestries showing scenes from the Bible that My Lady has hung for my edification, and instead I watch the boats going by and people, wrapped up against the cold, striding up and down the riverbank, hugging themselves, their breaths making little clouds around their muffled heads.

I am not well with this baby; it was an unlovely conception and I fear a difficult birth. While I am confined I cannot help but think of the two in the Tower, my cousin and the boy who called himself my brother, and I wonder what they can see from their windows and if the winter afternoons and evenings when the sun sets so early and the sky is so dark seem so very long to them. Poor Teddy must be accustomed, it has been nearly thirteen years since he was free; he has grown to manhood in prison, knowing nothing but the cold walls of his chamber and the little square panes of his window. When I think of him I believe that the baby stirs in me, and I know that I have been very wrong not to save him from this life that is more like death. I have failed him, my kinsman, my cousin. I have failed as a cousin and I have failed as a queen.

Now another young man looks out of a small window at a darkening sky and sees the winter day slide away, and I put my hand on my broad belly and whisper, “Never. That will never happen to you,” as if I could save my baby though I cannot save my brother.

Lady Katherine Huntly comes into confinement with me for company and stitches an exquisite nightcap in white pin-tucked linen for my child, though she is never allowed to see her own. She is allowed to visit the prisoner in the Tower and she is away for a day and a night and comes back in silence, and bends over her sewing, trying to avoid speaking to anyone of what she has seen or heard.

I wait till the ladies are at the door of my chamber, taking the dishes for dinner from the servants at the threshold and bringing them in to spread on the big table before the fire so that we can feast and be merry during our long time of waiting before Lent reduces the choice. “How is he?” I ask shortly.

At once she glances around to see if they can hear us, but there is no one in earshot. “Broken,” she says simply.

“Is he ill?”

“Wasted.”

“Does he have books? Letters? Is he very alone?”

“No!” she exclaims. “People are constantly allowed to come in to see him.” She shrugs. “I don’t understand why. Almost anyone can go and speak to him. He lives in a presence chamber, the door standing open, any fool in London can come in and pledge allegiance. He is hardly guarded at all.”

“He doesn’t speak to them, does he?”

A little shake of her head shows that he says nothing.

“He must not speak to anyone!” I say with sudden energy. “His safety depends on his not speaking to them, to anyone.”

“They speak to him,” she tries to explain to me. “His guards don’t keep the door shut, they force it open. He is surrounded by people who come and whisper promises to him.”

“He must not reply!” I take her hands in my anxiety that she understands. “He will be watched, he is being watched. He must do nothing that could cause suspicion.”

She looks up and meets my eyes. “He is himself,” she says. “He has caused suspicion all of his life. Even if he does nothing but breathe.”

The labor is long and I am faint with pain by the time that I hear a little weak cry. They give me birthing ale and the familiar scent and the taste remind me of when I had Arthur and my mother was there with her strong arms around me and her voice leading me into dreams where I felt no pain. When I wake, hours later, they tell me that I have given birth to a boy, another boy for the Tudor dynasty, and that the king has sent his congratulations and a rich gift, and his Lady Mother is on her knees for me in her chapel even now, giving thanks that God continues to smile on her house.

They take him away to be christened Edmund, which I take to be the morbid choice of My Lady, as he was a martyred king; but when it is time for me to be churched I find that I am unwilling to leave the confinement chamber. The heaviness and the weariness that came with the baby do not leave me, not even when they take him with his wet nurse to the palace at Eltham and Lady Margaret’s confessor, John Morton, puts aside his great cope and mitre as Archbishop of Canterbury and comes like a parish priest to the grille in my chamber and invites me to confess my sins, be blessed, and return to the world. I go slowly to the ironwork grille and rest my hands on the twisted Tudor roses, and I feel imprisoned like the boy, and unlikely to be freed.

“I have a sin of fear,” I say to him, my voice very low so that he can only just hear me in the empty chamber.

“What do you fear, my daughter?”

“Years ago, a long, long time ago, I cursed a man,” I whisper.

He nods. He will have heard worse things than this, I have to remember that he will have heard far worse things than this. I also have to remember that everything I say will almost certainly be reported to My Lady the King’s Mother. There is hardly a priest in England who does not come under her influence, and this is John Morton, whose life has intertwined with hers and who thinks her half a saint already.

“Who was it you cursed, my child?”

“I don’t know who it was,” I say. “My mother and I swore a curse against the man who killed the princes. We were so heartbroken when we heard they were missing. My mother especially . . .” I break off, not wanting to remember that night when she sank to her knees and put her head to the stone floor.

“What curse was it?”

“We swore that whoever had taken our boys would lose his own,” I say, the words barely audible, I am so ashamed now of what we did then. I am so fearful now of the consequences of the curse. “We swore that the murderer would be left with only a girl as his heir, and his line would die out. We said he would lose a son in one generation and a son in the next—he would lose a young son and then a young grandson in their boyhood.”

The priest sighs at the magnitude of the curse, even as the politician in him calculates what this means. We kneel together in silence. He puts a hand on his ivory crucifix.

“You regret this now?”

I nod. “Father, I deeply regret it.”

“You wish to lift this curse?”

“I do.”

He is silent, praying for a moment. “Who is it?” he asks. “Who killed the princes, your brothers? Who d’you think? Where will your curse fall?”

I sigh and lean my forehead against the iron Tudor rose of the grille, feeling the forged petals bite into my skin. “Truly,” I say. “Before God, I don’t know for sure. I have suspected more than one; but still I don’t know. If it was Richard, the King of England, then he died without an heir, and he saw his son die before him.”

He nods. “Does that not prove his guilt? Do you think it was him? You knew him well. Did you ask him?”

I shake my head. “I don’t know,” I say fretfully. “He said it was not him, and I believed him then. That’s what I always tell everyone. I don’t know.”

He pauses as a thought strikes him. “If the princes, or even one of them, had survived, then whoever kills him now will receive the curse.”

I can feel him flinch as I glare at him through the screen, as he arrives so slowly at understanding. “Exactly,” I say. “That’s the very thing. I have to lift the curse. Before anything else happens. I have to do it now.”

He is aghast at the prospect that is opening before him. “The curse would light on the man who ordered your brother’s death,” he says, as rapidly as prayer. “Even if it were a just death. Even if it were a legal execution. The curse would fall on he who ordered it?”

“Exactly,” I say again. “It would take his son and his grandson when they were still children. It would mean that such an executioner would find his line ends after two generations, with a girl. If it were the man who killed my brother Edward he would be doubly cursed.”

The archbishop is white. “You must pray,” he says fervently. “I will pray for you. We must give alms, set a priest to pray daily. I will give you spiritual exercises, prayers for every day. You must go on pilgrimage and I will tell you alms that you must give to the poor.”

“And will that lift the curse?”

He meets my eyes and I see my own terror reflected back at me, the Queen of England, mother to three precious beloved sons. “No one has power to curse,” he says staunchly, repeating the official belief of the Church. “No mortal woman. What you and your mother said was meaningless, the ravings of distressed women.”

“So nothing will happen?” I ask.

He hesitates and he is honest. “I don’t know,” he says. “I will pray on it. God may be merciful. But it may be that your curse is an arrow into the dark and you cannot stop its flight.”

THE ISLE OF WIGHT, SUMMER 1499

I come out of confinement to find a court intent on merrymaking. We are to make a long progress along the south coast, passing through Kent and Sussex and Hampshire as if they had never lifted a blade against the king, as if they had never mustered for the boy. At Portsmouth we are to take ship and go to the Isle of Wight, that dim blue mass on the horizon. We are going to be happy. Most important, we are going to be seen to be happy.

Henry wears a smile like a mask. Lady Katherine is on his arm, everywhere he walks, her beautiful new horse, a black mare, goes shoulder to shoulder with his warhorse. He has taken to riding his warhorse again as if to remind everyone that he is a commander as well as a king. She inclines her head when he talks to her, she smiles as she listens. When he is merry we can hear her laugh, and when he asks her she sings for him, Scots songs, songs from the highlands, filled with melancholy for a land that is lost, until he says: “Lady Katherine, sing us something merry!” and she laughs and starts a round and the whole court joins in.

I watch them as if I were gazing down from far away. I can see them walking together but only dimly hear what they say. I watch them as I know Queen Anne, wife to my Richard, watched me from her high window when we walked in the garden below and he put my hand in his arm and I leaned towards him, longing for his touch. I cannot blame Lady Katherine for ensnaring the King of England, for I did exactly the same. I cannot blame her for being young—she is eight years younger than me—and this summer I am as tired as if I were ninety years old. I cannot blame her for being beautiful—all courts are mad for beauty and she is a delight to watch. But most of all I cannot blame her for turning the king’s head away from me, his true wife, for I think she is doing the only thing she can do to save her husband.

I don’t think she is taken with him as he—vividly—is taken with her. I think she is holding him just where she wants him to be: at arm’s length but within arm’s reach, just at the right proximity so that she can influence him, divert him, soothe him, and soften him, in order to keep her husband alive.

She must have heard—who has not?—the rumors that there is to be a rescue of the boy. The Duchess Margaret sent her embassy to see her beloved protégé and nephew and everyone thinks that she had them whisper to him to wait, that help would come. Everyone knows she will try to save him. She has great influence in Europe, and the greatest kings still call themselves friends of the boy even though they are told he was an imposter. Support is gathering for the boy; if his wife can keep him alive for another season, someone will get him out.

Still the king does not act against the boy but keeps him imprisoned, with constant visitors. Lady Katherine is always at Henry’s side, always there with a quick smile and a soft question to remind him to be merciful to the boy that she married in error. Quick to show him that she can forgive and perhaps—who knows?—one day she may go on to love another? The boy does not have to die to set her free for she is already considering an annulment. Henry, at her side every day, often suggests that she should write to the Pope to ask to be freed from her marriage. It would be little more than a formality. She was tricked into marriage by a man bearing a false name. She was utterly dazzled by a silk shirt. It can be overturned by a single letter from Rome. She assures him that she is considering it, she takes it to God in her three daily prayers. Sometimes she slides a shy sideways smile at him and says that she is tempted by the thought of being a single woman again: free.

Henry, in love for the first time in his life, mooning like a calf, follows her with his eyes, smiles when she smiles, and believes her when she assures him that she thinks of him as a great prince, a puissant king, who can forgive a nonentity like her husband. She understands his greatness by the quality of his mercy. He invites her into his presence chamber when people come to him with requests, and he glances at her to make sure that she is listening when he is generous in forgiving a fine or overturning a judgment. He has her on his arm when he talks with the ambassador from Spain, who tactfully—when speaking before the woman he would make a widow—does not insist that the boy and Teddy be killed at once, though the monarchs of Spain continue to urge the betrothal between Arthur and their daughter and the death of the two young men.

We stay at Carisbrook Castle, behind the gray stone perimeter walls, and we ride out every day into the lush green meadows around the castle, where the larks rise up into a blue sky quite empty of clouds. Lady Katherine declares she has never known such a bonny summer, and the king says that every English summer is like this and that when she has been in England, when she has been happy in English summers for years, she will forget the cold rain of Scotland.

He comes to my room at least once a week and he sleeps in my bed, though often he falls asleep as soon as he lies back on the pillows, tired from riding all day and dancing in the evening. He knows that I am unhappy, but guiltily he dares not ask me what is the matter, for fear of what I might say. He thinks I might accuse him of infidelity, of preferring another woman, of betraying our marriage vows. He wants to avoid any conversation like that, so he smiles brightly at me, and walks briskly with me, and comes to my bed and says cheerfully, “God bless, my dear, good night!” and closes his eyes on my reply.

I am not such a fool as to complain of a disappointment in love. I am not such a fool as to weep that my husband is looking away from me, away and towards a younger, more beautiful woman. It is not for disappointed love that my feet are heavy, and I don’t want to dance or even walk, and my heart aches on waking. It is not for disappointed love for Henry nor the pain of a betrayed wife. It is for the boy in the Tower, and my fear, my increasing fear, that we are far away from London so that the guards Henry has set on him, and their friends in the alleyways and inns, can conspire together, can plot, can send messages, can weave a rope long enough to hang themselves, and hang the boy with them, and that all these tales of the boy in his room and people coming and going are not mistakes, not slackness of the guard, but a part of the story that Henry is weaving that the boy from Tournai, the watergate keeper’s son, faithless and craven to the last, plots with other furtive men of the dark alleys, and leads them like fools to their death.

Henry shows no sign of thinking of the boy or my cousin Teddy at all. He is as merry as a king sure of his throne, certain of his inheritance, and confident of his future. When the Spanish ambassador comes and speaks gravely of traitors yet living in confinement, Henry slaps him on the back and tells him to assure their majesties of Spain the kingdom is safe, our troubles are all over, the infanta must come at once, and she and Arthur will be married at once. There is no obstacle.

“There is the boy,” the ambassador remarks. “And Warwick.”

Henry snaps his fingers.

WESTMINSTER PALACE, LONDON, SUMMER 1499

We return to London and Henry retires into his private rooms with his mother to review all the reports that have gathered in his absence. Within a day there is a stream of men coming and going by the private stair, almost unobserved by the court. Only I watch them and wonder at so many yeomen of the guard coming from their duty at the Tower to speak privately with the king.

That evening, when the young men of the court visit my rooms to dance with my ladies and to flirt in the hour before dinner, Henry is grim and gray-faced.

“You have had some bad news,” I say as he glances back at the court lining up behind us.

He shoots a hard look at me. “Do you know what it is?” he demands. “Have you known all this time?”

I shake my head. “Truly, I know nothing. I have seen people reporting to you all the day and now I see you looking ill, you are so weary.”

He takes my hand in a painfully tight grip. “You are missing a cousin,” he says.

At once my thoughts go to Teddy in the Tower. “My cousin? He’s gone?”

“Edmund de la Pole,” he says, spitting out the words. “Another false York. Son of your aunt Elizabeth. The one that she swore to me I could trust.”

“Edmund?” I repeat.

“He’s run away,” Henry says shortly. “Did you know?”

“No, of course not.”

The court is ready. Henry glances over his shoulder as if he always fears who is behind him. “I am sick,” he says. “Sick to my belly.”

He sits at the head of the great table and they bring him the best that the kingdom can supply, but I can see as he takes a small portion from one dish and then another that he tastes nothing. The meat has lost its savor and the marchpane its sweetness. He glances down the table to Lady Katherine, seated at the head of my ladies, and she looks back at him and gives him her sweet, promising smile. He looks at her not as if she is a woman that he desires, but a puzzle that he cannot solve, and the smile dies on her lips as she swallows and turns her face down.

After dinner he goes to his privy rooms with his mother, and they send out for sweet wine and biscuits and cheese and talk into the night. It is long after midnight when he comes to my bedroom and sits heavily on the chair before the fire, and looks into the embers.

“What’s the matter?” I ask. I was half-asleep but I slide from the bed and take a stool to sit beside him. “What is the matter, husband?”

Slowly, his head drops till he is resting it on his hand and then even lower so that his hands are over his face. “It’s the boy,” he says, muffled. “It’s the damned boy.”

The flames flicker quietly in the little room. “The boy?” I repeat.

“I set people about him that were entrusted to lead him into danger,” he says, his head still down, his face hidden from me. “I thought I would entrap him into plotting his freedom.”

“To kill him,” I say steadily.

“To execute him for a crime,” he corrects me. “Breaking his word of surrender. I had some villains come to him and promise they would get him free, they would help him escape. He consented. Then I had them go to Warwick . . .”

I clap my hand over my mouth to stop myself crying out. “Not Teddy!”

“Warwick too. It has to be done. And it has to be done now. The two young fools have cut a hole in the vaulting between their rooms and they whisper to each other.”

“They talk to each other? Teddy and the boy?” There is something unbearably tender about the thought of those two, whispering hopes and cheer to each other. “He talks to Teddy?”

“I sent them a plan of escape. The boy agreed, Warwick too once they explained it to him. I sent them a plan that they should take England, raise an army, kill me.”

“They must have known it was hopeless . . .”

“The boy knows, but he is desperate to be free. And then—all of a sudden—it is not hopeless.” He pauses and chokes as if vomit is rising unstoppably in his throat. “Elizabeth, there was my little plot, half a dozen conspirators, a code book, a message to the duchess, plans for an uprising, enough to see a man hanged, all planned and controlled by me, and . . . and . . .” He stops as if he cannot bear to continue. “And then . . .”

I rise from my stool and put my hand on his bowed shoulder. It is like touching the back of the chair, he is rigid with fear. “What then? What happened then, my dear?”

“They have been joined by others. Others that I had not instructed. Others that are supposed to be loyal to me. They are getting messages from all over the country. Men who will risk their lives and their fortunes to get Warwick out of the Tower, men who will put their families and their livelihoods and their property at risk to set the boy free. There is another rebellion brewing, another rebellion after all we have gone through! I have no idea how many men are ready to rise, I have no idea who is faithless and ready to betray me. But it is starting all over again. England wants the boy. They want the boy on the throne, and they are ready to throw me down.”

“No,” I say. I can’t believe what I am hearing as Henry leaps up, shrugging off my hand from his shoulder, gone from despair to sudden rage.

“It’s the Yorks!” he shouts at me. “Your family again! Edmund de la Pole missing! Your cousin at the heart of plots! The white rose painted on every street corner! Your family and your retainers and your servants and your damned charm and family loyalty and magic—God knows what it is that works for you. God knows why it works for him. He has lost his looks, he is beaten to ugliness, I saw to that. He has lost his charm—he can’t smile with no teeth. He has lost his fortune and his ruby brooch, and his wife is in my keeping, but still they flock to him. Still they would turn out for him, still I am threatened by him. There he is, imprisoned in the Tower, no friends but the ones I allow him, no companions but the scum that I send to him, and still he musters an army against me and I have to defend myself, and defend you and defend our sons.”

I sink down before his rage; almost, I could kneel before him. “My lord—”

“Don’t speak to me,” he says furiously. “This is his death warrant. I can do nothing now but have him killed. Wherever he is, whatever shape he takes, whatever name he goes by, they seek him out, they believe in him, they want him as King of England.”

“He was not plotting!” I say urgently. “You say yourself it was your plot. It was not him and Teddy! He was innocent of anything but what you set men to do to him. He did nothing but agree to your plan.”

“He threatens me by breathing,” Henry says flatly. “His broken smile is my undoing. Even in prison with a smashed face, he is a handsome prince. There is nothing for him but death.”

WESTMINSTER PALACE, LONDON, AUTUMN 1499

Henry summons the council of all his lords to listen to the charges of treason against Teddy; they call him “Edward naming himself of Warwick” as if no one has a name that can be trusted anymore. They call the boy Perkin Warbeck and list dozens of named others. Alarmed, frightened into obedience, the council commands the sheriffs to pick out a jury from the citizens of London who will hear the evidence and choose a verdict.

Lady Katherine comes to my rooms, her face whiter than the lace she has in her hand. She is making a trim for a man’s collar and the bright beads for the lace making tremble on the cushion.

She kneels on the floor before me; slowly she removes her headdress and her hair tumbles down. She bows low, almost to my feet. “Your Grace, I beg for mercy,” she says.

I look at her bowed head, the lustrous dark hair. “I have no power,” I say.

“Mercy for my husband!”

I shake my head. I lean forwards and touch her shoulder. “Truly, I have no power in this court. I had hoped that you would speak to the king for them both.”

“He promised me,” she says, her voice a little whisper of sound. “He promised me this summer. But now my husband is to be tried before a jury.”

I don’t offer her a lie that perhaps they will not convict, nor suggest that the evidence will not be damning.

“Could you not persuade the king as you did once before?” I ask her. “Could you not find a smile for him, could you not allow him—allow him whatever he wants?”

Her dark eyes flicker up to mine in one long look, as if to acknowledge the irony that I should urge her to seduce my husband to save the boy. We know what the boy means to both of us.

“I paid my side of the bargain this summer, when he said my husband would be safe,” she says. “His Grace said that if he stayed quietly in prison he could be released, later. I gave the king what he wanted in return. I have nothing more to bargain with.”

I roll back my head and close my eyes for a moment. I am beyond weariness, both of kings and the bargains they make and the women who have to find ways to please them. “You have lost your influence?”

She nods, looking me straight in the eye and admitting her shame. “I have nothing left to tempt him.” She pauses to apologize to me. “I am sorry. I did not know what else I could do this summer when they told me that my husband was in prison and taking a beating. I had nothing else to offer.”

I sigh. “I will speak with him,” I say. “But I have nothing to offer him either.”

I send my chamberlain to request an audience with the king and I am shown into his privy chamber. His mother stands behind the throne and does not move when I enter. The groom of the chamber sets a seat for me and I face Henry across the polished dark table, his mother standing like a sentry against the world, behind him.

“We know why you are here,” My Lady says briefly. “But there is nothing that can be done.”

I ignore her and look at my husband. “My lord, I don’t come to plead for the two of them. I am here because I am afraid that you are putting us in danger,” I say softly.

At once he is alert. This is a man always ready to be alert to danger.

“We are in danger every day that the boy lives,” he replies.

“Aside from that. There is a danger that you don’t know.”

“You have come to warn us?” Lady Margaret asks scornfully.

“I have.”

Henry looks at me for the first time. “Has someone spoken to you? Has someone tried to recruit you?”

“No, of course not. I am known to be completely faithful to you.” I look at his hard-faced mother. “Everyone at court but the two of you knows I am completely faithful.”

“What is it then? Speak.”

I draw a breath. “Years ago, when my mother and all my sisters and I were in sanctuary, Richard came to us to tell us that the princes were missing. Mother and I swore an oath against the man who had killed them,” I say.

“That was Richard himself,” My Lady insists quickly.

Henry’s hand stirs slightly as if to silence her.

“Richard put them to death,” she repeats, as if repetition will make it so.

I ignore her, and go on. “We swore that whoever had taken them and put them to death would himself see his own son die in childhood. And his grandson would die young also. And his line would end with a girl and she would have no heir.”

“Richard’s son died, as soon as they named him Prince of Wales,” My Lady reminds her silent son. “It is proof of his guilt.”

He turns and glances at her. “You knew of this curse?”

She blinks like an old reptile, and I know that John Morton reported my words to My Lady as promptly as he prayed to God.

“You did not think you should warn me?” Henry asks.

“Why should anyone warn you?” she asks, knowing that neither of them can answer such a question. “We had nothing to do with their deaths. Richard killed the boys in the Tower,” she asserts steadily. “Or it was Henry Stafford, the Duke of Buckingham. Richard’s line is ended, the young Duke of Buckingham is not strong. If this curse has any power it will fall on him.”

Henry returns his hard gaze to me. “So what is your warning?” he asks me. “What is our danger? What can it possibly be to do with us?”

I slide off my chair and I kneel before him as if he might judge me too. “This boy,” I say, “the one who claims to be Prince Richard of York . . . If we put him to death, that curse might fall on us.”

“Only if he is the prince,” Henry says acutely. “Are you recognizing him? Do you dare to come here and tell me that you recognize him now? After all that we have been through? After claiming to know nothing all the time?”

I shake my head and bow lower. “I don’t recognize him, and I never have. But I want us to take care. I want us to take care for our children. Husband, my lord, we might lose our son in his youth. We might lose a grandson in his youth. Our line might end with a girl and then with nothing. Everything that you have done, everything that we have endured might end with a Virgin Queen, a barren girl, and then . . . nothing.”

Henry does not sleep that night at all, not in my bed nor in his own. He goes to the chapel and he kneels beside his mother on the chancel steps, and the two of them pray, their faces buried in their hands—but nobody knows what they pray for. That is between them and God.

I know they are there, for I am in the royal gallery in the chapel, on my knees, Lady Katherine beside me. Both of us are praying that the king will be merciful, that he will forgive the boy and release him and Teddy, that this reign which began in blood with the sweat might continue with forgiveness. That the long Cousins’ War might end with reconciliation, and not continue to another generation. That the Tudor way might be merciful and the Tudor line not die out in three generations.

As if he fears losing his nerve, Henry will not wait for the jury to take their places in the capital’s Guildhall. Impulsively, he summons his Knight Marshall and the Marshall of the Household to Whitehall in Westminster to give sentence. There is no evidence brought against the boy; oddly, they don’t even call him into court by name. Though Henry worked so hard to give the boy the dishonorable name of a poor drunk man on the watergate in Tournai, they do not use it on this one important document. Though they find him guilty, they do not inscribe the name of Perkin Warbeck on the long roll of the treasonous plotters. They leave his name a blank. Now, as they sentence him to death, they give him no name at all, as if nobody knows who he is anymore, or as if they know his name but dare not say it.

They rule that he shall be drawn on a hurdle through the city of London to the gallows at Tyburn, hanged, cut down while still living, and his innards torn out of his stomach and burned before his face. Then he shall be beheaded and his body divided into four parts, the head and quarters to be placed where the king wishes to put them.

Three days later they try my cousin Teddy before the Earl of Oxford in the great hall at Westminster. They ask him nothing, he confesses to everything that they put to him, and they find him guilty. He says that he is very sorry.

WESTMINSTER PALACE, LONDON, SATURDAY, 23 NOVEMBER 1499

Lady Katherine comes to my bedroom like a woman heading for refuge. I hear her quick tread approach the outer door, and the slap of her leather slippers running rapidly through my privy chamber, where the conversation of my ladies-in-waiting is suspended as she goes by, then she taps on my door and my maid opens it a crack.

“You can come in,” I say shortly. I am alone, seated on a chair at the window, looking outwards to the river that my mother loved, listening to the low buzz of talk from my rooms behind me, and the distant cry of the seagulls over the water as they swoop and wheel, their white wings very bright against the gray of the sky.

She looks around the empty room for a companion and sees that I am solitary, though a queen is never on her own.

“Can I sit with you?” she asks, her pale face like a desolate child’s. “Forgive me, I cannot bear to be alone.”

She is wearing black again, anticipating widowhood. I feel a swift unfair pang of envy; she can show her grief, but I, about to lose a cousin and the boy who said he was my brother, have to maintain the illusion of normality in a Tudor-green dress with a smiling face. I cannot recognize the boy in death any more than I could in life.

“Come in,” I say.

She enters and pulls up a stool to sit beside me. She has her lace making with her, his beautiful white collar is almost complete, but for once her hands are still. The collar is nearly made but the throat that it was going to encircle will wear a rope halter instead. She looks from her work to me and she sighs, and leaves it aside.

“Lady Margaret Pole has arrived,” she remarks.

“Maggie?”

She nods. “She went straight to the king to ask for mercy for her brother.”

I don’t ask her what the king said. We wait until I hear the challenge at the presence chamber door, the opening of the inner doors, the embarrassed silence that falls as Margaret crosses my privy chamber and the women watch her pass by to my bedroom door. No one can find anything to say to a woman whose brother is to be executed for treason. Then she taps on the door, and I rise up and in a moment we are holding each other, clinging together and looking into the other’s strained face.

“His Grace says there is nothing he can do,” Margaret remarks. “I went down on my knees to him. I laid my face on his shoe.”

I put my wet cheek against hers. “I asked him too, Lady Katherine as well. He is decided. I don’t see what we can do but wait.”

Margaret releases me and sinks to a stool beside me. Nobody says anything, there is nothing to say. The three of us, still hoping like fools, clasp hands and say nothing.

It grows dark, but I don’t call for candles; we let the gray light seep into the room and we sit in the twilight. Then I hear a knock on the outer door, and the ring of riding boots on the floor, and one of my ladies peeps around the bedroom door to say: “Will you see the Marquis of Dorset, Your Grace?”

I rise to my feet as my half brother, Thomas Grey, great survivor that he is, comes into the room and looks around at the three of us. “I thought you would want to know at once,” he says without introduction.

“We do,” I say.

“He’s dead,” he says, before we have time to build any false hopes. “He died well. He confessed and died in Christ.”

Lady Katherine makes a little choking noise and puts her face in her hands. Margaret crosses herself.

“Did he confess the imposture?” I ask.

“He said that he was not the boy that he had pretended to be,” Thomas says. “He had been commanded, if he wanted a merciful death, to tell the crowd, to tell everyone that there was no hope of a living York prince. So he told them that: he was not the boy.”

I can feel a little scream of laughter growing inside me, bubbling in my throat. “He told them he was not the boy that he had pretended to be?”

Thomas looks at me. “Your Grace, he swore he would leave no one in any doubt. The king allowed him to be hanged and not gutted, but only if he made everything clear.”

I can’t help myself, my peal of laughter fights its way out of my grim lips and I laugh aloud. Katherine looks shocked. “He admitted he was not the boy that he had said? When earlier, at Exeter, in his written confession, they made him say that he was the boy Perkin!”

“It was clear to everyone what he meant, if you had been there—” my half brother checks for we all know I could not have been there “—but if you had been there you would have seen him penitent.”

“And what name did they call him?” I ask, recovering myself. “As they led him to the scaffold?”

Thomas shakes his head. “They didn’t name him, not that I heard.”

“He died without being given or acknowledging a name?”

Thomas nods. “That’s how it was.”

I rise to my feet and open the shutters to look out over the dark river. A few lights are bobbing, reflected on the water, as I listen to hear any noise, any singing. It is the feast of St. Clement, and I can hear a choir, very faintly in the distance, a sweet sad singing like a lament.

“Was he in pain?” Lady Katherine rises to her feet, white-faced. “Did he suffer?”

Thomas faces her. “He went up to the scaffold with courage,” he said. “His hands were tied behind his back and they helped him gently up the ladder. There were hundreds there, thousands, pushing to see, they had built the scaffold very high so that everyone could see him. But there was no one catcalling or shouting. It was as if they were sorry. Or curious. Some people were crying. It wasn’t like a traitor’s execution at all.”

She nods rapidly, swallowing tears.

“He spoke very briefly, saying he was not who he had pretended to be, then he went up the ladder and they put the noose around his neck. He looked around for a moment, just for a moment, as if he thought something might happen . . .”

“Was he hoping for a pardon?” she breathes, her face agonized. “I could not get him a pardon. Did he think he might be pardoned?”

“Perhaps a miracle,” Thomas suggests. “He looked around and then he bent his head and prayed and they took the ladder out from under his feet and he dropped.”

“Was it quick?” Margaret whispers.

“It took an hour, or perhaps more,” Thomas said. “No one was allowed close to him, so nobody could drag hold of his feet and break his neck to make it quicker. But he hung quietly enough, and then he was gone. He died like a brave man, and the people at the front of the scaffold were praying for him, all the time.”

Lady Katherine drops to her knees and bows her head in prayer, Margaret closes her eyes. Thomas looks from one to another of us, three grieving women.

“So it’s over,” I say. “This whole long joust of fear and playacting and deception and deceit is over.”

“Except for Teddy,” Margaret says.

Margaret and I go together to the king to try to save Teddy but he will not see us. Margaret’s husband, Sir Richard, comes to me in my rooms and begs me not to intercede for his wife’s only brother. “Better for us all if he is put to the death than returned to that prison,” he says bluntly. “Better for us all if the king does not think of Margaret as a woman of the House of York. Better for us all if the young man dies now, without a rebellion forming around him again. Please, Your Grace, teach Margaret to see this with patience. Please, teach her to let her brother go. It’s been no life for him, not since he was a little boy. Let it end here, and then perhaps people will forget that my son is of the House of York and he, at least, will be safe.”

I hesitate.

“The king is hunting Edmund de la Pole,” he says. “The king wants all of the House of York sworn to his service or dead. Please, Your Grace, tell Margaret to give up her brother that she may keep her son.”

“Like me?” I whisper, too low for him to hear.

WESTMINSTER PALACE, LONDON, 28 NOVEMBER 1499

On the day of Teddy’s execution there is a great storm which thunders over the palace, and the fury of lightning makes us close the shutters and gather around the fires. It pours down on Tower Green, making the grass wet and treacherous in the afternoon as Teddy walks unsteadily along the path to the scaffold of wood, where the black-masked headsman waits with his axe. There is a priest with him, and witnesses before the scaffold, but Teddy sees no friendly face though he looks around for someone to wave at. He was always taught to smile and wave when he saw a crowd, he remembers that one of the House of York must always smile and acknowledge their friends.

There is a clap of lightning that makes him stop in his tracks like a nervous colt. He has never been out in a storm. For thirteen years, he has not felt rain on his face.

My half brother Thomas Grey tells me that he thinks that Teddy did not know what was going to happen to him. He confesses his little sins and gives a penny to the headsman when they tell him to do so. He was always obedient, always trying to please. He puts his fair York head down on the block and he stretches out his arms in the gesture of assent. But I don’t think he ever knew that he was agreeing to the scything down of the axe and the end of his little life.

Henry will not dine in the great hall of Westminster that night, his mother is at prayer. In their absence, I have to walk in alone, at the head of my ladies, Katherine behind me in deepest black, Margaret wearing a gown of dark blue. The hall is hushed, the people of our own household quiet and surly, as if some joy has been taken from us, and we will never get it back.

There is something different about the hall as I walk through the silent court and when I am seated, and can look around, I see what has changed. It is how they have seated themselves. Every night the men and women of our extensive household come in to dine and sit in order of precedence and importance, men on one side, women on the other of the great hall. Each table seats about twelve diners and they share the common dishes that are placed in the center of the table. But tonight it is different; some tables are overcrowded, some have empty places. I see that they have grouped themselves regardless of tradition or precedent.

Those who befriended the boy, those who were of the House of York, those who served my mother and father or whose fathers served my mother and father, those who love me, those who love my cousin Margaret and remember her brother Teddy—they have chosen to sit together; and there are many, many tables in the great hall where they are seated in utter silence, as if they have sworn a vow never to speak again, and they look around them saying nothing.

The other tables are those that have taken Henry’s side. Many of them are old Lancastrian families, some of them were in his mother’s household or serve her wider family, some came over with him to fight at Bosworth, some, like my half brother Thomas Grey or my brother-in-law Thomas Howard, spend every day of their lives trying to show their loyalty to the new Tudor house. They are trying to appear as usual, leaning across the half-empty tables, talking unnaturally loudly, finding things to say.

Almost without trying to, the court has sorted itself into those who are in mourning tonight, wearing gray or black or navy ribbons pinned to their jerkins or carrying dark gloves, and those who are trying, loudly and cheerfully, to behave as if nothing has happened.

Henry would be horrified if he saw the numbers that are openly mourning for the House of York. But Henry will not see it. Only I know that he is facedown on his bed, his cape hunched over his shoulders, unable to walk to dinner, unable to eat, barely able to breathe in a spasm of guilt and horror at what he has done, which can never be undone.

Outside the storm is still rumbling, the skies are billowing with dark clouds and there is no moon at all. The court is uneasy too; there is no sense of victory, and no sense of closing a chapter. The death of the two young men was supposed to bring a sense of peace. Instead we are all haunted by the sense that we have done something very wrong.

I look across at the table where Henry’s young companions always sit, expecting them at least to be cracking a jest or playing some foolish prank on each other, but they are waiting for dinner to be served in silence, their heads bowed, and when it comes they eat in silence, as if there is nothing to laugh about at the Tudor court anymore.

Then I see something that makes me glance across to the groom of the servery, wondering that he should allow it—certain that he will report it. At the head of the table of the young men, where the boy used to sit, they have put his cup, his knife, his spoon. They have set a plate for him, they have poured wine as if he were coming to dine. In their own way, defiantly, the young men are showing their loyalty to a ghost, a dream; expressing their love for a prince who—if he was ever there at all—is gone now.

WESTMINSTER PALACE, LONDON, WINTER 1499

Henry is ill, desperately ill. He falls into illness as if he cannot face the brightness of the world after the storm. He keeps to his chamber and only his most trusted servants are allowed in and out and they will not tell anyone what is the matter with him. People whisper that he has taken the sweat, that the illness he brought to England has finally caught up with him. Other people say that he has a growth in his belly and point to the plates that return untouched from his room. He cannot eat, he is as sick as a dog, the cooks say. His mother visits him every day, sitting with him for a couple of hours in the evening. She has her physicians attend him, and once I see an alchemist and an astrologer going quietly up the private staircase to his rooms. Secretly, for it is against the law to consult astrologers or any sort of fortune-tellers, he has his stars drawn up; and they tell him that he will grow stronger, and he was right to kill an enemy, a weak defenseless enemy. His strength depended on the destruction of a youth in his keeping, it is quite all right to destroy the weak. It is quite all right to destroy a dependent helpless prisoner.

But still the king gets no better, and his mother spends all her time in the chapel praying for him, or in his room begging him to sit up, turn his face from the wall, drink a little wine, taste a little meat, eat. The Master of the Revels comes to me to make plans for the Christmas feasts, the dancers must rehearse and the choristers practice new music, but I don’t know if we are going to have a silent court in mourning with an empty throne, and I tell him we can plan nothing until the king is well again.

The other men charged with treason in the last plot for the York prince are all hanged or fined or banished. Occasional pardons are issued in the king’s name, with his initial weakly scrawled at the foot of the page. Nobody knows if he has locked himself up, sick with remorse, or if he is just too tired to go on fighting. The plot is over, but still the king does not come out of his chamber; he reads nothing and will see no one. The court and the kingdom wait for him to return.

I go to visit My Lady the King’s Mother and find her with all the business of the throne on the table before her, as if she were regent. “I have come to ask you if the king is very ill,” I say. “There is much gossip, and I am concerned. He will not see me.”

She looks at me and I see that the papers are shuffled into piles, but she is not reading them, she is signing nothing. She is at a loss. “It’s grief,” she says simply. “It is grief. He is sick with grief.”

I rest my hand on my heart and feel it thud with anger. “Why? Why should he grieve? What has he lost?” I ask, thinking of Margaret and her brother, Lady Katherine and her husband, of my sisters and myself, who go through our days and show the world nothing but indifference.

She shakes her head as if she cannot understand it herself. “He says he has lost his innocence.”

“Henry, innocent?” I exclaim. “He entered his throne through the death of a king! He came into the kingdom as a pretender to the throne!”

“Don’t you dare say it!” She rounds on me. “Don’t you say such a thing! You of all people!”

“But I don’t understand what you mean,” I explain. “I don’t understand what he is saying. He has lost his innocence? When was he innocent?”

“He was a young man, he spent his life aspiring to the throne,” she says, as if the words are forced from her, as if it is a hard confession, choked out of her. “I raised him to be like this, I taught him myself that he must be King of England, that there was nothing else for him but the crown. It was my doing. I said that he should think of nothing but returning to England and claiming his own and holding it.”

I wait.

“I told him it was God’s will.”

I nod.

“And now he has won it,” she says. “He is where he was born to be. But to hold it, to be sure of it, he has had to kill a young man, a young man just like him, a boy who aspired to the throne, who was also raised to believe it was his by right. He feels as if he has killed himself. He has killed the boy that he was.”

“The boy that he was,” I repeat slowly. She is showing me a boy I had not seen before. The boy who was named for the Tournai boatman was also the boy who said he was a prince, but to Henry he was a fellow-pretender, someone raised and trained for only one destiny.

“That was why he liked the boy so much. He wanted to spare him, he was glad to bind himself to forgive him. He hoped to make him look like a nothing, keeping him at court like a Fool, paying for his clothes from the same purse as he paid for his Fool and his other entertainments. That was part of his plan. But then he found that he liked him so much. Then he found that they were both boys, raised abroad, always thinking of England, always taught of England, always told that the time would come when they must sail for home and enter into their kingdom. He once said to me that nobody could understand the boy but him—and that nobody could understand him but the boy.”

“Then why kill him?” I burst out. “Why would he put him to death? If the boy was him, a looking-glass king?”

She looks as if she is in pain. “For safety,” she said. “While the boy lived they would always be compared, there would always be a looking-glass king, and everyone would always look from one to the other.”

She says nothing for a moment and I think of how Henry always knew that he did not seem like a king, not a king like my father, and how the boy that Henry called Perkin always looked like a prince.

“And besides, he could not be safe until the boy was dead,” she says. “Even though he tried to keep him close. Even when the boy was in the Tower, enmeshed in lies, entrapped with his own words, there were people all over the country pledging themselves to save him. We hold England now; but Henry feels that we will never keep it. The boy is not like Henry. He had that gift—the gift of being beloved.”

“And now you will never be safe.” I repeat her words to her and I know that my revenge on them is here, in what I am saying to the woman who has taken my place in the queen’s rooms, behind this table, just as her son took the place of my brother. “You don’t have England,” I tell her. “You don’t have England, and you will never be safe, and you will never be beloved.”

She bows her head as if it is a life sentence, as if she deserves it.

“I shall see him,” I say, going to the door that adjoins his set of rooms, the queen’s doorway.

“You can’t go in.” She steps forwards. “He’s too ill to see you.”

I walk towards her as if I would stride right through her. “I am his wife,” I say levelly. “I am Queen of England. I will see my husband. And you shall not stop me.”

For a moment I think I will have to physically push her aside, but at the last moment she sees the determination in my face and she falls back and lets me open the door and go in.

He is not in the antechamber, but the door to his bedroom is open and I tap on it lightly, and step into his room. He is at the window, the shutters open so that he can see the night sky, looking out, though there is nothing but darkness outside and the glimmering of a scatter of stars like spilled sequins across the sky. He glances round as he sees me come in, but he does not speak. Almost I can feel the ache in his heart, his loneliness, his terrible despair.

“You’ve got to come back to court,” I say flatly. “People will talk. You cannot stay hiding in here.”

“You call it hiding?” he challenges.

“I do,” I say without hesitation.

“They are missing me so much?” he asks scathingly. “They love me so much? They long to see me?”

“They expect to see you,” I say. “You are the King of England, you have to be seen on your throne. I cannot carry the burden of the Tudor crown alone.”

“I didn’t think it would be so hard,” he says, almost an aside.

“No,” I agree. “I didn’t think it would be so hard either.”

He rests his head against the stone window arch. “I thought once the battle was won, it would be easy. I thought I would have found my heart’s desire. But—d’you know?—it is worse being a king than being a pretender.”

He turns and looks at me for the first time in weeks. “Do you think I have done wrong?” he asks. “Was it a sin to kill the two of them?”

“Yes,” I say simply. “And I am afraid that we will have to pay the price.”

“You think we will see our son die, that our grandson will die and our line end with a Virgin Queen?” he asks bitterly. “Well, I have had a prophecy drawn up, and by a more skilled astrologist than you and your witch mother. They say that we will live long and in triumph. They all tell me that.”

“Of course they do,” I say honestly. “And I don’t pretend to foresee the future. But I do know that there is always a price to be paid.”

“I don’t think our line will die out,” he says, trying to smile. “We have three sons. Three healthy princes: Arthur, Henry, and Edmund. I hear nothing but good of Arthur, Henry is bright and handsome and strong, and Edmund is well and thriving, thank God.”

“My mother had three princes,” I reply. “And she died without an heir.”

He crosses himself. “Dear God, Elizabeth, don’t say such a thing. How can you say such things?”

“Someone killed my brothers,” I say. “They both died without saying good-bye to their mother.”

“They didn’t die at my hand!” he shouts. “I was in exile, miles away. I didn’t order their deaths! You can’t blame me!”

“You benefit from their deaths.” I pursue the argument. “You are their heir. And anyway, you killed Teddy, my cousin. Not even your mother can deny that. An innocent boy. And you killed the boy, the charming boy, for being nothing but beloved.”

He puts one hand over his face and blindly stretches his other hand out to me. “I did, I did, God forgive me. But I didn’t know what else to do. I swear there was nothing else I could do.”

His hand finds mine and he grips it tightly, as if I might haul him out from sorrow. “Do you forgive me? Even if no one else ever does. Can you forgive me? Elizabeth? Elizabeth of York—can you forgive me?”

I let him draw me to his side. He turns his head towards me and I feel that his cheeks are wet with tears. He wraps his arms around me and he holds me tightly. “I had to do it,” he says into my hair. “You know that we would never have been safe while he was alive. You know that people would have flocked to him even though he was in prison. They loved him as if he was a prince. He had all that charm, all that irresistible York charm. I had to kill him. I had to.”

He is holding me as if I can save him from drowning. I can hardly speak for the pain I feel but I say: “I forgive you. I forgive you, Henry.”

He gives a hoarse sob and he puts his anguished face against my neck. I feel him tremble as he clings to me. Over his bent head I look at the stained-glass windows of his room, dark against the dark sky, and the Tudor rose, white with a red core, that his mother has inset into every window of his room. Tonight it does not look to me as if the white rose and the red are blooming together as one, tonight it looks as if the white rose of York has been stabbed in its pure white heart and is bleeding scarlet red.

Tonight, I know that I do indeed have much to forgive.

AUTHOR’S NOTE

This book is written on a number of levels. It is a fiction about a mystery—so two steps from any historically recorded fact; but at the heart of it are some historical facts that you can rely on, or study for yourself. The death of the princes, traditionally blamed on Richard III, was not, I believe, his act, and the suggestion that one prince actually survived has been made by several historians whose books are listed below. I am inclined to believe the version I tell here. However, nobody knows for sure, not even now.

The support that the dowager queen Elizabeth gave to the Simnel rebellion suggests to me that she was fighting Henry VII (and her own daughter) for a preferred candidate. I cannot think she would have risked her daughter’s place on the throne for anyone but her son. She died before the young man who claimed to be Richard landed in England, but it seems that her mother-in-law, Duchess Cecily, supported the pretender. Sir William Stanley’s support (for the pretender against his brother’s stepson) is also recorded. Stanley went to his death without apologizing for taking the side of the pretender; this suggests to me that he thought that the pretender might win, and that his claim was good.

The treatment of the young man who was eventually so uncertainly named as Perkin Warbeck is also very odd. I suggest that Henry VII plotted to get “the boy” out of his court by setting a fire in the royal wardrobe which blazed out of control and destroyed the Palace of Sheen, subsequently engineered his escape, and then finally entrapped him in a treasonous conspiracy with the Earl of Warwick.

Most historians would agree that the conspiracy with Warwick was allowed if not sponsored by Henry VII to remove the two threats to his throne, and their deaths were indeed requested by the Spanish king and queen before they would allow the marriage of the infanta and Prince Arthur.

It is possible that we will never know the identity of the young man who claimed to be Prince Richard and confessed to being “Perkin Warbeck.” What we can be sure of is that the Tudor version of events is not the truth. Anne Wroe’s meticulous research shows the construction of the lie.

This book does not claim to reveal the truth either: it is a fiction based on many studies of these fascinating times and gives, I hope, an insight into the untold stories and the unknown characters with affection and respect.

Touchstone Reading Group Guide

The White Princess

By Philippa Gregory

The White Princess opens with Elizabeth of York grieving the loss of her lover, Richard III, who was killed at the battle of Bosworth by his Lancastrian rival, Henry Tudor. As soon as Henry claims the crown to become Henry VII, he cements his succession by demanding Elizabeth’s hand in marriage.

While Elizabeth dutifully bears a male Tudor heir and endures her husband’s suspicion of her York relations, her mother, Elizabeth of Woodville, concocts a plan for revenge. Making the most of her York connections, Elizabeth Woodville secretly supports an uprising against Henry, placing her daughter, now Queen to Henry’s King, between two families.

When Henry learns of the treasonous plot, he imprisons his mother-in-law and becomes preoccupied with capturing “the boy”—the handsome leader of the rebellion whose adherents claim is the true York heir. But when the King arrests the imposter, who strongly resembles Elizabeth’s missing brother, Prince Richard, his Tudor court is thrown into turmoil. Elizabeth must watch and wonder as her loyalty between family and crown is divided once more.

For Discussion

1. How would you describe the grief Elizabeth experiences in the aftermath of her uncle, Richard III’s death? What notable details about their relationship does her grief expose? How does Richard’s untimely demise imperil the future of the York line?

2.

“Henry Tudor has come to England, having spent his whole life in waiting…and now I am, like England itself, part of the spoils of war.”

Why does Elizabeth consider herself a war prize for Henry, rather than his sworn enemy for life? What role does politics play in the arrangement of royal marriages in fifteenth-century England?

3. Why are Maggie and Teddy of Warwick, the orphaned children of George, Duke of Clarence, in a uniquely dangerous position in the new court led by Henry Tudor? Why do Elizabeth and her family go to such great efforts to keep these York cousins away from Henry and his mother, Margaret, even though they know full well of their existence?

4. The mysterious disappearance of the young York princes, Richard and Edward, during their captivity in the Tower of London haunts all of the figures in

The White Princess.

What does the curse that Elizabeth and her mother cast on the boys’ presumed murderer reveal about their family’s belief in mysticism and witchcraft? How does the fact of this curse complicate Elizabeth’s dreams for her own offspring and their Tudor inheritance?

5.

“Daughter mine, you have known for all your life that you would be married for the good of the country and the advancement of your family. You will do your duty like a princess…and I expect you to look happy as you do it.”

Why is Elizabeth’s betrothal to Henry Tudor, the future king of England, an especially advantageous marriage for the York family? What might their union represent to England in the aftermath of the War of the Roses? To what extent does Henry’s decision to refuse his future bride and her family at his coronation suggest about his true feelings for the Yorks?

6. How does King Henry VII justify his rape of his betrothed, Elizabeth of York? To what extent is their impending marriage a union that he desires as little as she? Why does Henry’s mother, Lady Margaret Beaufort, demand proof of Elizabeth’s fertility prior to their actual wedding? Why isn’t Elizabeth’s mother, Elizabeth Woodville, able to do more to protect her daughter from such violation?

7.

“The king says he is only acting to protect Teddy. He says that Teddy might be seized by rebels and used by them as a figurehead. He says that Teddy is safer in the Tower for now.”

How does the rebellion against King Henry in the north of England endanger young Teddy? To what extent is King Henry justified in keeping Teddy confined to the Tower? Why does he keep him sequestered as long as he does?

8. In what ways does Elizabeth’s terror of confinement during her first pregnancy seem warranted? How have her various experiences of hiding in sanctuary and the crypt during her childhood and young adulthood affected her? How might her fears of what happened to her brothers in the Tower play into her concerns for her own confinement?

9.

“He once said to me that nobody could understand the boy but him—and that nobody could understand him but the boy.”

How does King Henry feel about the series of young men who emerge during his reign, claiming York blood and demanding recognition by him? How does Henry’s own status as an outsider and foreigner affect his feelings toward these pretenders?

10. Describe the images of maternity that appear throughout

The White Princess.

How does Margaret Beaufort’s unusually close attachment to her adult son, Henry, compare to the motherly love Elizabeth Woodville expresses for her daughter, Elizabeth of York? When Elizabeth is forbidden to feed her newborn son, Arthur, and must give him up to a wet nurse, how does she come to understand her maternal obligations as queen? How does the imperative to produce male heirs for the throne define royal motherhood?

11. What does Elizabeth Woodville’s correspondence with old York families and former members of her household suggest about her fidelity to the reign of her new son-in-law, King Henry? Given that she has committed acts of treason against the king in fomenting and supporting rebellion, why does Henry allow her to live in Bermondsey Abbey? How does Elizabeth feel about her mother’s open betrayal of her husband?

12.

“I have a spy in every port in England. Nobody can come or go without me knowing it within two days.”

How does Henry’s paranoia about treachery in his kingdom influence his governance? How does it impact his ability to lead his nation? Why does Elizabeth feel she ought to help Henry navigate the complex social expectations England has of its King?

13. Describe the curious personage of “the boy”—the golden-haired young man who is known variously at court as Pero Osbeque, Perkin Warbeck, and Peter Warboys. What

is

his true identity? How does Elizabeth receive him? To what extent does she believe he is her long-lost brother, Richard? Why doesn’t Henry choose to have him put to death immediately?

14.

“I was once the girl that everyone watched as they turned their backs on the queen.”

How does Elizabeth experience her husband’s infatuation with Lady Katherine Huntly, the beautiful wife of “the boy”? What does Elizabeth recognize about the pain that she caused to Queen Anne, Richard III’s wife, when she was the other woman? How would you characterize the nature of her feelings toward Lady Katherine?

15. In the final scene of

The White Princess

, Henry begs Elizabeth of York to forgive him for the deaths of “the boy”—either her brother, Richard of York, or an exceptionally convincing pretender—and of her innocent cousin, Teddy of Warwick. Given all that Henry has done to her family, why does Elizabeth choose to forgive him? How does the image of a broken king begging his wife for forgiveness give a clearer picture of Elizabeth’s power in their marriage?

Enhance Your Book Club

1.

“I dream that I am in his arms and he is waking me with a kiss.”

In Elizabeth’s dreams she is reunited with her deceased lover, Richard. Members of your book group may want to keep a dream diary for a week and share what occurs to them while they sleep. How closely do their dreams mirror real life? What and whom do they dream about? Do people from their past ever visit them in their dreams? How do they interpret the meanings of their dreams?

2.

“‘Choose to be brave,’ she urges me. ‘All the women of your family are as brave as lions. We don’t whimper and we don’t regret.’”

As Elizabeth enters childbirth for the first time, her mother urges her bravery. Ask members of your group to remember times when they have chosen to be brave. What challenge did they face, and how did they maintain their courage?

3. Of the many unanswered secrets in

The White Princess,

Elizabeth’s mother never completely reveals what she knows about the whereabouts of her two missing sons. Ask each member of the group to write down an anonymous secret on a slip of paper—it can be a secret kept or a secret revealed. Then, ask each member of the group to select one slip from the pile and read it aloud. How many of these secrets can be connected to their authors? What kinds of secrets do people guard? Your group may want to consider why parents keep secrets from their children.

4. If you loved

The White Princess,

make sure you check out the rest of Philippa Gregory’s bestselling novels, which can be found at

PhilippaGregory.com

.

A Conversation with Philippa Gregory

Can you elaborate a bit more on the legend of Melusina that surrounds Elizabeth’s maternal grandmother, Jacquetta?

Melusina was the founder of the House of Luxembourg, a water goddess who appears as a matter of fact on their family tree. Jacquetta of the House of Luxembourg used the symbols of Melusina in heraldry. The presence of a water goddess in the Rivers’ family tree probably encouraged the belief that Jacquetta and her daughter Elizabeth used witchcraft. They were both rumored to create enchantments and Jacquetta was actually tried and found guilty of being a witch - the trial was overthrown by her son-in-law the king. Her biography has not been written – I wish someone would do it! But I have published a biographical essay about her in my history, The Women of the Cousins’ Wars, and I wrote a novel about her, The Lady of the Rivers.

How likely is it that King Henry would have enlisted spies within his court to eavesdrop on his own wife, Queen Elizabeth? Was this practice commonplace?

Henry VII was a spy master, the greatest that England had seen until then. His son increased the surveillance network and Cecil and then Walsingham under Elizabeth created a fully fledged secret service. This was not new–Edward IV had a series of watchers and Richard III had spies watching Henry Tudor. Henry VII’s surveillance of his own court and even his own family proved to be essential in defending his throne against the York conspiracies.

At many points in the novel, characters refer to the irresistible charm of the Yorks. Why were the Yorks so beloved by their subjects?

It is that mysterious human trait: charm. Edward IV was famously handsome and engaging, taking the throne by public acclaim and recapturing it with popular support. His brother George was also famously attractive. Richard III was adored in the lands where he spent most of his time: the North of England. The women of the family tended to be beauties and Elizabeth of York was very popular. Henry VIII perhaps inherited it, his father Henry VII could not learn it.

In The White Princess you contend that Elizabeth would have despised Henry Tudor as the murderer of her uncle, King Richard III. How compelling is the historical evidence that Elizabeth and Richard were in fact lovers?

The most compelling piece of historical evidence is missing: a letter from Elizabeth to the Duke of Norfolk begging him to assist her marriage to Richard, which makes clear that she is in love with him and that they are lovers. The letter was copied but the original lost. Other suggestive evidence is the record of gossip at the time, and perhaps most persuasive–Richard had to deny in public that he was intending to marry Elizabeth–so many people thought that was his intention.

In the novel, you examine the rise of pretenders: lookalikes like Lambert Simnel and Perkin Warbeck who sought to gain political advantage through tenuous or false connections to the royal family. To what extent was the mysterious disappearance of the princes in the Tower the explanation for this upsurge of imposters? Were pretenders always a problem in this era?

There was a surge of imposters against the Tudors and also a lot of potential rival heirs. Henry Tudor was the last most likely heir of the Lancastrian side but the Yorks were very fertile and there were many possible heirs that could claim the throne and show a better claim than the Tudors. Henry’s fear of rival claims was rightly strong. His inability to produce the bodies of the princes or explain how they died made his problem even worse since anyone could coach a pretender. Personally, I think that “the boy” the youth that Henry said was Perkin Warbeck probably was Richard of York, and this opinion is shared by several historians whose books are listed in the bibliography at the end of the novel. It’s a fascinating mystery–we certainly don’t yet have a definitive answer.

This is your twenty-fifth book. How did the experience of writing The White Princess compare with some of your earlier books? Which one has been your favorite book to write?

The White Princess was one of the most controversial books, I think. My view of Henry Tudor was not common when I started the novel but during the writing a very fine biography by Thomas Penn was published that tended to share my view of him as suspicious verging on paranoid. Imagining what this would be like for his wife–herself the daughter of a phenomenally popular king–was also new. But while the material was new and difficult, the writing was very fluent. I really loved Elizabeth of York and her mother Elizabeth Woodville and some of the central characters of the books were great favorites that I had worked on through several previous novels.

Before becoming a novelist, you were also a journalist and historian. Do you ever think of returning to either of these professions?

Of course, I am still a historian. Mostly I present my research in fictional form so I am a novelist as well, but my book The Women of the Cousin’s War, written with fellow historians David Baldwin and Mike Jones, was published as a popular history book. I enjoyed telling the history of Jacquetta Duchess of Bedford, without fictional devices but I enjoyed writing Lady of the Rivers, my novel based on her life, even more.

The White Queen TV series will be airing in spring 2014 on BBC One in the UK and later in the year on Starz in the US. How involved were you with this production? What do you think viewers have to look forward to most in this small screen adaptation?

It’s a real epic, ten hours based on three books: The White Queen, The Red Queen, and The Kingmaker’s Daughter, beautifully shot with fantastic performances. I think it’s going to be completely absorbing for viewers and introduce them to an historical period that few people know well. I am particularly pleased the way the dramatization has kept the heart of the piece based on the women and on their battles for power and supremacy. I was executive producer and focused most of my attention on the scripts, which reflect the books very closely.

What’s next for Philippa Gregory?

I’m really enjoying researching and writing my new novel about Margaret of Warwick, who goes on to be chief confidante and best friend of Katherine of Aragon. She’s a most interesting character, on the edge of the court, a royal but a woman who chooses to keep a distance from the throne. The challenge has been to move on and away from Elizabeth of York, who has been a most engaging heroine, but Margaret’s eventful and courageous life is keeping my attention.

GARDENS FOR THE GAMBIA

Philippa Gregory visited The Gambia, one of the driest and poorest countries of sub-Saharan Africa, in 1993 and paid for a well to be hand-dug in a village primary school at Sika. Now, nearly 200 wells later, she continues to raise money and commission wells in village schools, community gardens, and in The Gambia’s only agricultural college. She works with her representative in The Gambia, headmaster Ismaila Sisay, and their charity now funds pottery and batik classes, beekeeping, and adult literacy programs. A recent deep well paid for by the Rotary Club of Temecula provides clean water to a clinic.

GARDENS FOR THE GAMBIA is a registered charity in the UK and the United States and a registered NGO in The Gambia. Every donation, however small, goes to The Gambia without any deductions. If you would like to learn more about the work that Philippa calls “the best thing that I do,” visit her website,

PhilippaGregory.com

, and click on GARDENS FOR THE GAMBIA, where you can make a donation and join with Philippa in this project.

“Every well we dig provides drinking water for a school of about 600 children and waters the gardens where they grow vegetables for the school dinners. I don’t know of a more direct way to feed hungry children and teach them to farm for their future.”

Philippa Gregory

TURN THE PAGE FOR AN EXCERPT FROM PHILIPPA GREGORY’S

The White Queen

NOW AVAILABLE FROM TOUCHSTONE

AND DON’T MISS THE STARZ DRAMA SERIES, BASED ON HER BEST-SELLING COUSINS’ WAR NOVELS, PREMIERING IN 2013

SPRING 1464

My father is Sir Richard Woodville, Baron Rivers, an English nobleman, a landholder, and a supporter of the true Kings of England, the Lancastrian line. My mother descends from the Dukes of Burgundy and so carries the watery blood of the goddess Melusina, who founded their royal house with her entranced ducal lover, and can still be met at times of extreme trouble, crying a warning over the castle rooftops when the son and heir is dying and the family doomed. Or so they say, those who believe in such things.

With this contradictory parentage of mine: solid English earth and French water goddess, one could expect anything from me: an enchantress, or an ordinary girl. There are those who will say I am both. But today, as I comb my hair with particular care and arrange it under my tallest headdress, take the hands of my two fatherless boys and lead the way to the road that goes to Northampton, I would give all that I am to be, just this once, simply irresistible.

I have to attract the attention of a young man riding out to yet another battle, against an enemy that cannot be defeated. He may not even see me. He is not likely to be in the mood for beggars or flirts. I have to excite his compassion for my position, inspire his sympathy for my needs, and stay in his memory long enough for him to do something about them both. And this is a man who has beautiful women flinging themselves at him every night of the week, and a hundred claimants for every post in his gift.

He is a usurper and a tyrant, my enemy and the son of my enemy, but I am far beyond loyalty to anyone but my sons and myself. My own father rode out to the battle of Towton against this man who now calls himself King of England, though he is little more than a braggart boy; and I have never seen a man as broken as my father when he came home from Towton, his sword arm bleeding through his jacket, his face white, saying that this boy is a commander such as we have never seen before, and our cause is lost, and we are all without hope while he lives. Twenty thousand men were cut down at Towton at this boy’s command; no one had ever seen such death before in England. My father said it was a harvest of Lancastrians, not a battle. The rightful King Henry and his wife, Queen Margaret of Anjou, fled to Scotland, devastated by the deaths.

Those of us left in England did not surrender readily. The battles went on and on to resist the false king, this boy of York. My own husband was killed commanding our cavalry, only three years ago at St. Albans. And now I am left a widow and what land and fortune I once called my own has been taken by my mother-in-law with the goodwill of the victor, the master of this boy-king, the great puppeteer who is known as the Kingmaker: Richard Neville, Earl of Warwick, who made a king out of this vain boy, now only twenty-two, and will make a hell out of England for those of us who still defend the House of Lancaster.

There are Yorkists in every great house in the land now, and every profitable business or place or tax is in their gift. Their boy-king is on the throne, and his supporters form the new court. We, the defeated, are paupers in our own houses and strangers in our own country, our king an exile, our queen a vengeful alien plotting with our old enemy of France. We have to make terms with the tyrant of York, while praying that God turns against him and our true king sweeps south with an army for yet another battle.

In the meantime, like many a woman with a husband dead and a father defeated, I have to piece my life together like a patchwork of scraps. I have to regain my fortune somehow, though it seems that neither kinsman nor friend can make any headway for me. We are all known as traitors. We are forgiven but not beloved. We are all powerless. I shall have to be my own advocate, and make my own case to a boy who respects justice so little that he would dare to take an army against his own cousin: a king ordained. What can one say to such a savage that he could understand?

My boys, Thomas, who is nine, and Richard, who is eight, are dressed in their best, their hair wetted and smoothed down, their faces shining from soap. I have tight hold of their hands as they stand on either side of me, for these are true boys and they draw dirt to them as if by magic. If I let them go for a second, then one will scuff his shoes and the other rip his hose, and both of them will manage to get leaves in their hair and mud on their faces, and Thomas will certainly fall in the stream. As it is, anchored by my grip, they hop from one leg to another in an agony of boredom, and straighten up only when I say, “Hush, I can hear horses.”

It sounds like the patter of rain at first, and then in a moment a rumble like thunder. The jingle of the harness and the flutter of the standards, the chink of the chain mail and the blowing of the horses, the sound and the smell and the roar of a hundred horses ridden hard is overwhelming and, even though I am determined to stand out and make them stop, I can’t help but shrink back. What must it be to face these men riding down in battle with their lances outstretched before them, like a galloping wall of staves? How could any man face it?

Thomas sees the bare blond head in the midst of all the fury and noise and shouts “Hurrah!” like the boy he is, and at the shout of his treble voice I see the man’s head turn, and he sees me and the boys, and his hand snatches the reins and he bellows “Halt!” His horse stands up on its rear legs, wrenched to a standstill, and the whole cavalcade wheels and halts and swears at the sudden stop, and then abruptly everything is silent and the dust billows around us.

His horse blows out, shakes its head, but the rider is like a statue on its high back. He is looking at me and I at him, and it is so quiet that I can hear a thrush in the branches of the oak above me. How it sings. My God, it sings like a ripple of glory, like joy made into sound. I have never heard a bird sing like that before, as if it were caroling happiness.

I step forward, still holding my sons’ hands, and I open my mouth to plead my case, but at this moment, this crucial moment, I have lost my words. I have practiced well enough. I had a little speech all prepared, but now I have nothing. And it is almost as if I need no words. I just look at him and somehow I expect him to understand everything—my fear of the future and my hopes for these my boys, my lack of money and the irritable pity of my father, which makes living under his roof so unbearable to me, the coldness of my bed at night, and my longing for another child, my sense that my life is over. Dear God, I am only twenty-seven, my cause is defeated, my husband is dead. Am I to be one of many poor widows who will spend the rest of their days at someone else’s fireside trying to be a good guest? Shall I never be kissed again? Shall I never feel joy? Not ever again?

And still the bird sings as if to say that delight is easy, for those who desire it.

He makes a gesture with his hand to the older man at his side, and the man barks out a command and the soldiers turn their horses off the road and go into the shade of the trees. But the king jumps down from his great horse, drops the reins, and walks towards me and my boys. I am a tall woman but he overtops me by a head; he must be far more than six feet tall. My boys crane their necks up to see him; he is a giant to them. He is blond haired, gray eyed, with a tanned, open, smiling face, rich with charm, easy with grace. This is a king as we have never seen before in England: this is a man whom the people will love on sight. And his eyes are fixed on my face as if I know a secret that he has to have, as if we have known each other forever, and I can feel my cheeks are burning but I cannot look away from him.

A modest woman looks down in this world, keeps her eyes on her slippers; a supplicant bows low and stretches out a pleading hand. But I stand tall, I am aghast at myself, staring like an ignorant peasant, and find I cannot take my eyes from his, from his smiling mouth, from his gaze, which is burning on my face.

“Who is this?” he asks, still looking at me.

“Your Grace, this is my mother, Lady Elizabeth Grey,” my son Thomas says politely, and he pulls off his cap and drops to his knee.

Richard on my other side kneels too and mutters, as if he cannot be heard, “Is this the king? Really? He is the tallest man I have ever seen in my life!”

I sink down into a curtsey but I cannot look away. Instead, I gaze up at him, as a woman might stare with hot eyes at a man she adores.

“Rise up,” he says. His voice is low, for only me to hear. “Have you come to see me?”

“I need your help,” I say. I can hardly form the words. I feel as if the love potion, which my mother soaked into the scarf billowing from my headdress, is drugging me, not him. “I cannot obtain my dowry lands, my jointure, now I am widowed.” I stumble in the face of his smiling interest. “I am a widow now. I have nothing to live on.”

“A widow?”

“My husband was Sir John Grey. He died at St. Albans,” I say. It is to confess his treason and the damnation of my sons. The king will recognize the name of the commander of his enemy’s cavalry. I nip my lip. “Their father did his duty as he conceived it to be, Your Grace; he was loyal to the man he thought was king. My boys are innocent of anything.”

“He left you these two sons?” He smiles down at my boys.

“The best part of my fortune,” I say. “This is Richard and this is Thomas Grey.”

He nods at my boys, who gaze up at him as if he were some kind of high-bred horse, too big for them to pet but a figure for awestruck admiration, and then he looks back to me. “I am thirsty,” he says. “Is your home near here?”

“We would be honored . . .” I glance at the guard who rides with him. There must be more than a hundred of them. He chuckles. “They can ride on,” he decides. “Hastings!” The older man turns and waits. “You go on to Grafton. I will catch you up. Smollett can stay with me, and Forbes. I will come in an hour or so.”

Sir William Hastings looks me up and down as if I am a pretty piece of ribbon for sale. I show him a hard stare in reply, and he takes off his hat and bows to me, throws a salute to the king, shouts to the guard to mount up.

“Where are you going?” he asks the king.

The boy-king looks at me.

“We are going to the house of my father, Baron Rivers, Sir Richard Woodville,” I say proudly, though I know the king will recognize the name of a man who was high in the favor of the Lancaster court, fought for them, and once took hard words from him in person when York and Lancaster were daggers drawn. We all know of one another well enough, but it is a courtesy generally observed to forget that we were all loyal to Henry VI once, until these turned traitor.

Sir William raises his eyebrow at his king’s choice for a stopping place. “Then I doubt that you’ll want to stay very long,” he says unpleasantly, and rides on. The ground shakes as they go by, and they leave us in warm quietness as the dust settles.

“My father has been forgiven and his title restored,” I say defensively. “You forgave him yourself after Towton.”

“I remember your father and your mother,” the king says equably. “I have known them since I was a boy in good times and bad. I am only surprised that they never introduced me to you.”

I have to stifle a giggle. This is a king notorious for seduction. Nobody with any sense would let their daughter meet him. “Would you like to come this way?” I ask. “It is a little walk to my father’s house.”

“D’you want a ride, boys?” he asks them. Their heads bob up like imploring ducklings. “You can both go up,” he says, and lifts Richard and then Thomas into the saddle. “Now hold tight. You on to your brother and you—Thomas, is it?—you hold on to the pommel.”

He loops the rein over his arm and then offers me his other arm, and so we walk to my home, through the wood, under the shade of the trees. I can feel the warmth of his arm through the slashed fabric of his sleeve. I have to stop myself leaning towards him. I look ahead to the house and to my mother’s window and see, from the little movement behind the mullioned panes of glass, that she has been looking out, and willing this very thing to happen.

She is at the front door as we approach, the groom of the household at her side. She curtseys low. “Your Grace,” she says pleasantly, as if the king comes to visit every day. “You are very welcome to Grafton Manor.”

A groom comes running and takes the reins of the horse to lead it to the stable yard. My boys cling on for the last few yards, as my mother steps back and bows the king into the hall. “Will you take a glass of small ale?” she asks. “Or we have a very good wine from my cousins in Burgundy?”

“I’ll take the ale, if you please,” he says agreeably. “It is thirsty work riding. It is hot for spring. Good day to you, Lady Rivers.”

The high table in the great hall is laid with the best glasses and a jug of ale as well as the wine. “You are expecting company?” he asks.

She smiles at him. “There is no man in the world could ride past my daughter,” she says. “When she told me she wanted to put her own case to you, I had them draw the best of our ale. I guessed you would stop.”

He laughs at her pride, and turns to smile at me. “Indeed, it would be a blind man who could ride past you,” he says.

I am about to make some little comment, but again it happens. Our eyes meet, and I can think of nothing to say to him. We just stand, staring at each other for a long moment, until my mother passes him a glass and says quietly, “Good health, Your Grace.”

He shakes his head, as if awakened. “And is your father here?” he asks.

“Sir Richard has ridden over to see our neighbors,” I say. “We expect him back for his dinner.”

My mother takes a clean glass and holds it up to the light and tuts as if there is some flaw. “Excuse me,” she says, and leaves. The king and I are alone in the great hall, the sun pouring through the big window behind the long table, the house in silence, as if everyone is holding their breath and listening.

He goes behind the table and sits down in the master’s chair. “Please sit,” he says, and gestures to the chair beside him. I sit as if I am his queen, on his right hand, and I let him pour me a glass of small ale. “I will look into your claim for your lands,” he says. “Do you want your own house? Are you not happy living here with your mother and father?”

“They are kind to me,” I say. “But I am used to my own household, I am accustomed to running my own lands. And my sons will have nothing if I cannot reclaim their father’s lands. It is their inheritance. I must defend my sons.”

“These have been hard times,” he says. “But if I can keep my throne, I will see the law of the land running from one coast of England to another once more, and your boys will grow up without fear of warfare.”

I nod my head.

“Are you loyal to King Henry?” he asks me. “D’you follow your family as loyal Lancastrians?”

Our history cannot be denied. I know that there was a furious quarrel in Calais between this king, then nothing more than a young York son, and my father, then one of the great Lancastrian lords. My mother was the first lady at the court of Margaret of Anjou; she must have met and patronized the handsome young son of York a dozen times. But who would have known then that the world might turn upside down and that the daughter of Baron Rivers would have to plead to that very boy for her own lands to be restored to her? “My mother and father were very great at the court of King Henry, but my family and I accept your rule now,” I say quickly.

He smiles. “Sensible of you all, since I won,” he says. “I accept your homage.”

I give a little giggle, and at once his face warms. “It must be over soon, please God,” he says. “Henry has nothing more than a handful of castles in lawless northern country. He can muster brigands like any outlaw, but he cannot raise a decent army. And his queen cannot go on and on bringing in the country’s enemies to fight her own people. Those who fight for me will be rewarded, but even those who have fought against me will see that I shall be just in victory. And I will make my rule run, even to the north of England, even through their strongholds, up to the very border of Scotland.”

“Do you go to the north now?” I ask. I take a sip of small ale. It is my mother’s best but there is a tang behind it; she will have added some drops of a tincture, a love philter, something to make desire grow. I need nothing. I am breathless already.

“We need peace,” he says. “Peace with France, peace with the Scots, and peace from brother to brother, cousin to cousin. Henry must surrender; his wife has to stop bringing in French troops to fight against Englishmen. We should not be divided anymore, York against Lancaster: we should all be Englishmen. There is nothing that sickens a country more than its own people fighting against one another. It destroys families; it is killing us daily. This has to end, and I will end it. I will end it this year.”

I feel the sick fear that the people of this country have known for nearly a decade. “There must be another battle?”

He smiles. “I shall try to keep it from your door, my lady. But it must be done and it must be done soon. I pardoned the Duke of Somerset and took him into my friendship, and now he has run away to Henry once more, a Lancastrian turncoat, faithless like all the Beauforts. The Percys are raising the north against me. They hate the Nevilles, and the Neville family are my greatest allies. It is like a dance now: the dancers are in their place; they have to do their steps. They will have a battle; it cannot be avoided.”

“The queen’s army will come this way?” Though my mother loved her and was the first of her ladies, I have to say that her army is a force of absolute terror. Mercenaries, who care nothing for the country; Frenchmen who hate us; and the savage men of the north of England who see our fertile fields and prosperous towns as good for nothing but plunder. Last time she brought in the Scots on the agreement that anything they stole they could keep as their fee. She might as well have hired wolves.

“I shall stop them,” he says simply. “I shall meet them in the north of England and I shall defeat them.”

“How can you be so sure?” I exclaim.

He flashes a smile at me, and I catch my breath. “Because I have never lost a battle,” he says simply. “I never will. I am quick on the field, and I am skilled; I am brave and I am lucky. My army moves faster than any other; I make them march fast and I move them fully armed. I outguess and I outpace my enemy. I don’t lose battles. I am lucky in war as I am lucky in love. I have never lost in either game. I won’t lose against Margaret of Anjou; I will win.”

I laugh at his confidence, as if I am not impressed; but in truth he dazzles me.

He finishes his cup of ale and gets to his feet. “Thank you for your kindness,” he says.

“You’re going? You’re going now?” I stammer.

“You will write down for me the details of your claim?”

“Yes. But—”

“Names and dates and so on? The land that you say is yours and the details of your ownership?”

I almost clutch his sleeve to keep him with me, like a beggar. “I will, but—”

“Then I will bid you adieu.”

There is nothing I can do to stop him, unless my mother has thought to lame his horse.

“Yes, Your Grace, and thank you. But you are most welcome to stay. We will dine soon . . . or—”

“No, I must go. My friend William Hastings will be waiting for me.”

“Of course, of course. I don’t wish to delay you . . .”

I walk with him to the door. I am anguished at his leaving so abruptly, and yet I cannot think of anything to make him stay. At the threshold he turns and takes my hand. He bows his fair head low and, deliciously, turns my hand. He presses a kiss into my palm and folds my fingers over the kiss as if to keep it safe. When he comes up smiling, I see that he knows perfectly well that this gesture has made me melt and that I will keep my hand clasped until bedtime when I can put it to my mouth.

He looks down at my entranced face, at my hand that stretches, despite myself, to touch his sleeve. Then he relents. “I shall fetch the paper that you prepare, myself, tomorrow,” he says. “Of course. Did you think differently? How could you? Did you think I could walk away from you, and not come back? Of course I am coming back. Tomorrow at noon. Will I see you then?”

He must hear my gasp. The color rushes back into my face so that my cheeks are burning hot. “Yes,” I stammer. “T . . . tomorrow.”

“At noon. And I will stay to dinner, if I may.”

“We will be honored.”

He bows to me and turns and walks down the hall, through the wide-flung double doors and out into the bright sunlight. I put my hands behind me and I hold the great wooden door for support. Truly, my knees are too weak to hold me up.

“He’s gone?” my mother asks, coming quietly through the little side door.

“He’s coming back tomorrow,” I say. “He’s coming back tomorrow. He’s coming back to see me tomorrow.”

When the sun is setting and my boys are saying their evening prayers, blond heads on their clasped hands at the foot of their trestle beds, my mother leads the way out of the front door of the house and down the winding footpath to where the bridge, a couple of wooden planks, spans the River Tove. She walks across, her conical headdress brushing the overhanging trees, and beckons me to follow her. At the other side, she puts her hand on a great ash tree, and I see there is a dark thread of silk wound around the rough-grained wood of the thick trunk.

“What is this?”

“Reel it in,” is all she says. “Reel it in, a foot or so every day.”

I put my hand on the thread and pull it gently. It comes easily; there is something light and small tied onto the far end. I cannot even see what it might be, as the thread loops across the river into the reeds, in deep water on the other side.

“Magic,” I say flatly. My father has banned these practices in his house: the law of the land forbids it. It is death to be proved as a witch, death by drowning in the ducking stool, or strangling by the blacksmith at the village crossroads. Women like my mother are not permitted our skills in England today; we are named as forbidden.

“Magic,” she agrees, untroubled. “Powerful magic, for a good cause. Well worth the risk. Come every day and reel it in, a foot at a time.”

“What will come in?” I ask her. “At the end of this fishing line of yours? What great fish will I catch?”

She smiles at me and puts her hand on my cheek. “Your heart’s desire,” she says gently. “I didn’t raise you to be a poor widow.”

She turns and walks back across the footbridge, and I pull the thread as she has told me, take in twelve inches of it, tie it fast again, and follow her.

“So what did you raise me for?” I ask her, as we walk side by side to the house. “What am I to be? In your great scheme of things? In a world at war, where it seems, despite your foreknowledge and magic, we are stuck on the losing side?”

The new moon is rising, a small sickle of a moon. Without a word spoken, we both wish on it; we bob a curtsey, and I hear the chink as we turn over the little coins in our pockets.

“I raised you to be the best that you could be,” she says simply. “I didn’t know what that would be, and I still don’t know. But I didn’t raise you to be a lonely woman, missing her husband, struggling to keep her boys safe; a woman alone in a cold bed, her beauty wasted on empty lands.”

“Well, Amen,” I say simply, my eyes on the slender sickle. “Amen to that. And may the new moon bring me something better.”

At noon the next day I am in my ordinary gown, seated in my privy chamber, when the girl comes in a rush to say that the king is riding down the road towards the Hall. I don’t let myself run to the window to look for him, I don’t allow myself a dash to the hammered-silver looking glass in my mother’s room. I put down my sewing, and I walk down the great wooden stairs, so that when the door opens and he comes into the hall, I am serenely descending, looking as if I am called away from my household chores to greet a surprise guest.

I go to him with a smile and he greets me with a courteous kiss on the cheek, and I feel the warmth of his skin and see, through my half-closed eyes, the softness of the hair that curls at the nape of his neck. His hair smells faintly of spices, and the skin of his neck smells clean. When he looks at me, I recognize desire in his face. He lets go of my hand slowly, and I step back from him with reluctance. I turn and curtsey as my father and my two oldest brothers, Anthony and John, step forwards to make their bows.

The conversation at dinner is stilted, as it must be. My family is deferential to this new King of England; but there is no denying that we threw our lives and our fortune into battle against him, and my husband was not the only one of our household and affinity who did not come home. But this is how it must be in a war that they have called “the Cousins’ War,” since brother fights against brother and their sons follow them to death. My father has been forgiven, my brothers too, and now the victor breaks bread with them as if to forget that he crowed over them in Calais, as if to forget that my father turned tail and ran from his army in the bloodstained snow at Towton.

King Edward is easy. He is charming to my mother and amusing to my brothers Anthony and John, and then Richard, Edward, and Lionel when they join us later. Three of my younger sisters are home, and they eat their dinner in silence, wide-eyed in admiration, but too afraid to say a word. Anthony’s wife, Elizabeth, is quiet and elegant beside my mother. The king is observant of my father and asks him about game and the land, about the price of wheat and the steadiness of labor. By the time they have served the preserved fruit and the sweetmeats he is chatting like a friend of the family, and I can sit back in my chair and watch him.

“And now to business,” he says to my father. “Lady Elizabeth tells me that she has lost her dower lands.”

My father nods. “I am sorry to trouble you with it, but we have tried to reason with Lady Ferrers and Lord Warwick without result. They were confiscated after”—he clears his throat—“after St. Albans, you understand. Her husband was killed there. And now she cannot get her dower lands returned. Even if you regard her husband as a traitor, she herself is innocent and she should at least have her widow’s jointure.”

The king turns to me. “You have written down your title and the claim to the land?”

“Yes,” I say. I give him the paper and he glances at it.

“I shall speak to Sir William Hastings and ask him to see that this is done,” he says simply. “He will be your advocate.”

It seems to be as easy as that. In one stroke I will be freed from poverty and have a property of my own again; my sons will have an inheritance and I will be no longer a burden on my family. If someone asks for me in marriage, I will come with property. I am no longer a case for charity. I will not have to be grateful for a proposal. I will not have to thank a man for marrying me.

“You are gracious, Sire,” my father says easily, and nods to me.

Obediently I rise from my chair and curtsey low. “I thank you,” I say. “This means everything to me.”

“I shall be a just king,” he says, looking at my father. “I would want no Englishman to suffer for my coming to my throne.”

My father makes a visible effort to silence his reply that some of us have suffered already.

“More wine?” My mother interrupts him swiftly. “Your Grace? Husband?”

“No, I must go,” the king says. “We are mustering troops all over Northamptonshire and equipping them.” He pushes back his chair and we all—my father and brothers, my mother and sisters and I—bob up like puppets to stand as he stands. “Will you show me around the garden before I leave, Lady Elizabeth?”

“I shall be honored,” I say.

My father opens his mouth to offer his company, but my mother says quickly, “Yes, do go, Elizabeth,” and the two of us slip from the room without a companion.

It is as warm as summer as we come from the darkness of the hall, and he offers me his arm and we walk down the steps to the garden, arms linked, in silence. I take the path around the little knot garden and we wind our way, looking at the trim hedges and the neat white stones; but I see nothing. He gathers my hand a little closer under his arm and I feel the warmth of his body. The lavender is coming into flower, and I can smell the scent, sweet as orange blossom, sharp as lemons.

“I have only a little time,” he says. “Somerset and Percy are mustering against me. Henry himself will come out of his castle and lead his army if he is in his right mind and can command. Poor soul, they tell me he is in his wits now, but he could lose them again at any moment. The queen must be planning to land an army of Frenchmen in their support and we will have to face the power of France on English soil.”

“I shall pray for you,” I say.

“Death is near us all,” he says seriously. “But it is a constant companion to a king come to his crown through the battlefield, and now riding out to fight again.”

He pauses, and I stop with him. It is very quiet but for a single bird singing. His face is grave. “May I send a page boy to bring you to me tonight?” he asks quietly. “I have a longing for you, Lady Elizabeth Grey, that I have never felt for any woman before. Will you come to me? I ask it not as a king, and not even as a soldier who might die in battle, but as a simple man to the most beautiful woman he has ever seen. Come to me, I beg you, come to me. It could be my last wish. Will you come to me tonight?”

I shake my head. “Forgive me, Your Grace, but I am a woman of honor.”

“I may never ask you again. God knows, I may never ask any woman again. There can be no dishonor in this. I could die next week.”

“Even so.”

“Are you not lonely?” he asks. His lips are almost brushing my forehead he is so close to me, I can feel the warmth of his breath on my cheek. “And do you feel nothing for me? Can you say you don’t want me? Just once? Don’t you want me now?”

As slowly as I can, I let my eyes rise to his face. My gaze lingers on his mouth, then I look up.

“Dear God, I have to have you,” he breathes.

“I cannot be your mistress,” I say simply. “I would rather die than dishonor my name. I cannot bring that shame on my family.” I pause. I am anxious not to be too discouraging. “Whatever I might wish in my heart,” I say very softly.

“But you do want me?” he asks boyishly, and I let him see the warmth in my face.

“Ah,” I say. “I should not tell you . . .”

He waits.

“I should not tell you how much.”

I see, swiftly hidden, the gleam of triumph. He thinks he will have me.

“Then you will come?”

“No.”

“Then must I go? Must I leave you? May I not . . .” He leans his face towards me and I raise mine. His kiss is as gentle as the brush of a feather on my soft mouth. My lips part slightly and I can feel him tremble like a horse held on a tight rein. “Lady Elizabeth . . . I swear it . . . I have to . . .”

I take a step back in this delicious dance. “If only . . .” I say.

“I’ll come tomorrow,” he says abruptly. “In the evening. At sunset. Will you meet me where I first saw you? Under the oak tree? Will you meet me there? I would say good-bye before I go north. I have to see you again, Elizabeth. If nothing more. I have to.”

I nod in silence and watch him turn on his heel and stride back to the house. I see him go round to the stable yard and then moments later his horse thunders down the track with his two pages spurring their horses to keep pace with him. I watch him out of sight, and then I cross the little footbridge over the river and find the thread around the ash tree. Thoughtfully, I wind in the thread by another length and I tie it up. Then I walk home.

At dinner the next day there is something of a family conference. The king has sent a letter to say that his friend Sir William Hastings will support my claim to my house and land at Bradgate, and I can be assured that I will be restored to my fortune. My father is pleased; but all my brothers—Anthony, John, Richard, Edward, and Lionel—are united in suspicion of the king, with the alert pride of boys.

“He is a notorious lecher. He is bound to demand to meet her; he is bound to summon her to court,” John pronounces.

“He did not return her lands for charity. He will want payment,” Richard agrees. “There is not a woman at court whom he has not bedded. Why would he not try for Elizabeth?”

“A Lancastrian,” says Edward, as if that is enough to ensure our enmity, and Lionel nods sagely.

“A hard man to refuse,” Anthony says thoughtfully. He is far more worldly than John; he has traveled all around Christendom and studied with great thinkers, and my parents always listen to him. “I would think, Elizabeth, that you might feel compromised. I would fear that you would feel under obligation to him.”

I shrug. “Not at all. I have nothing more but my own again. I asked the king for justice and I received it as I should, as any supplicant should, with right on their side.”

“Nonetheless, if he sends, you will not go to court,” my father says. “This is a man who has worked his way through half the wives of London and is now working his way through the Lancastrian ladies too. This is not a holy man like the blessed King Henry.”

Nor soft in the head like blessed King Henry, I think, but aloud I say, “Of course, Father, whatever you command.”

He looks sharply at me, suspicious of this easy obedience. “You don’t think you owe him your favor? Your smiles? Worse?”