ONE

Here begins a happy day in 2381. The morning sun is high enough to touch the uppermost fifty stories of Urban Monad 116. Soon the building’s entire eastern face will glitter like the bosom of the sea at daybreak. Charles Mattern’s window, activated by the dawn’s early photons, deopaques. He stirs. God bless, he thinks. His wife yawns and stretches. His four children, who have been awake for hours, now can officially start their day. They rise and parade around the bedroom, singing:

God bless, god bless, god bless!

God bless us every one!

God bless Daddo, god bless Mommo, god bless you and me!

God bless us all, the short and tall,

Give us fer-til-i-tee!

They rush toward their parents’ sleeping platform. Mattern rises and embraces them. Indra is eight, Sandor is seven, Marx is five, Cleo is three. It is Charles Mattern’s secret shame that his family is so small. Can a man with only four children truly be said to have reverence for life? But Principessa’s womb no longer flowers. The medics have declared that she will not bear again. At twenty-seven she is sterile. Mattern is thinking of taking in a second woman. He longs to hear the yowls of an infant again; in any case, a man must do his duty to god.

Sandor says, “Daddo, Siegmund is still here.”

The child points. Mattern sees. On Principessa’s side of the sleeping platform, curled against the inflation pedal, lies fourteen-year-old Siegmund Kluver, who had entered the Mattern home several hours after midnight to exercise his rights of propinquity. Siegmund is fond of older women. He has become quite notorious in the past few months. Now he snores; he has had a good workout. Mattern nudges him. “Siegmund? Siegmund, it’s morning!” The young man’s eyes open. He smiles at Mattern, sits up, reaches for his wrap. He is quite handsome. He lives on the 787th floor and already has one child and another on the way.

“Sorry,” says. Siegmund. “I overslept. Principessa really drains me. A savage, she is!”

“Yes, she’s quite passionate,” Mattern agrees. So is Siegmund’s wife, Mamelon, according to what Mattern has heard. When she is a little older, Mattern plans to try her. Next spring, perhaps.

Siegmund sticks his head under the molecular cleanser. Principessa now has left the bed. Nodding faintly to her husband, she kicks the pedal and the platform deflates swiftly. She begins to program breakfast. Indra, reaching forth a pale, almost transparent little hand, switches on the screen. The wall blossoms with light and color. “Good morning,” says the screen heartily. “The external temperature, if anybody’s interested, is 28°. Today’s population figure at Urbmon 116 is 881,115, which is + 102 since yesterday and + 14,187 since the first of the year. God bless, but we’re slowing down! Across the way at Urbmon 117 they’ve added 131 since yesterday, including quads for Mrs. Hula Jabotinsky. She’s eighteen and has had seven previous. A servant of god, isn’t she? The time is now 0620. In exactly forty minutes Urbmon 116 will be honored by the presence of Nicanor Gortman, the visiting sociocomputator from Hell, who can be recognized by his distinctive outbuilding costume in crimson and ultraviolet. Dr. Gortman will be the guest of the Charles Matterns of the 799th floor. Of course we’ll treat him with the same friendly blessmanship we show one another. God bless Nicanor Gortman! Turning now to news from the lower levels of Urbmon 116—”

Principessa says, “Hear that, children? We’ll have a guest, and we must be blessworthy toward him. Come and eat.”

When he has cleansed himself, dressed, and breakfasted, Charles Mattern goes to the thousandth-floor landing stage to meet Nicanor Gortman. As he rises through the building to the summit, Mattern passes the floors on which his brothers and sisters and their families live. Three brothers, three sisters. Four of them younger than he, two older. All quite successful. One brother died, unpleasantly, young. Jeffrey. Mattern rarely thinks of Jeffrey. Now he is passing through the floors that make up Louisville, the administrative sector. In a moment he will meet his guest. Gortman has been touring the tropics and is about to visit a typical urban monad in the temperate zone. Mattern is honored to have been named the official host. He steps out on the landing stage, which is at the very tip of Urbmon 116. A force-field shields him from the fierce winds that sweep the lofty spire. He looks at his left and sees the western face of Urban Monad 115 still in darkness. To his right, Urbmon 117’s eastern windows sparkle. Bless Mrs. Hula Jabotinsky and her eleven littles, Mattern thinks. Mattern can see other urbmons in the row, stretching on and on toward the horizon, towers of super-stressed concrete three kilometers high, tapering ever so gracefully. It is a thrilling sight. God bless, he thinks. God bless, god bless, god bless!

He hears a cheerful hum of rotors. A quickboat is landing. Out steps a tall, sturdy man dressed in high-spectrum garb. He must surely be the visiting sociocomputator from Hell.

“Nicanor Gortman?” Mattern asks.

“Bless god. Charles Mattern?”

“God bless, yes. Come.”

Hell is one of the eleven cities of Venus, which man has reshaped to suit himself. Gortman has never been on Earth before. He speaks is a slow, stolid way, no lilt in his voice at all; the inflection reminds Mattern of the way they talk in Urbmon 84, which Mattern once visited on a field trip. He has read Gortman’s papers: solid stuff, closely reasoned. “I particularly liked ‘Dynamics of the Hunting Ethic,’ ” Mattern tells him while they are in the dropshaft. “Remarkable. A revelation.”

“You really mean that?” Gortman asks, flattered.

“Of course. I try to keep up with the better Venusian journals. It’s so fascinating to read about alien customs. Such as hunting wild animals.”

“There are none on Earth?”

“God bless, no,” Mattern says. “We couldn’t allow that! But I love gaining insight into different ways of life.”

“My essays are escape literature for you?” asks Gortman.

Mattern looks at him strangely. “I don’t understand the reference.”

“Escape literature. What you read to make life on Earth more bearable for yourself.”

“Oh, no. Life on Earth is quite bearable, let me assure you. There’s no need for escape literature. I study offworld journals for amusement. And to obtain a necessary parallax, you know, for my own work,” says Mattern. They have reached the 799th level. “Let me show you my home first.” He steps from the dropshaft and beckons to Gortman. “This is Shanghai. I mean, that’s what we call this block of forty floors, from 761 to 800. I’m in the next-to-top level of Shanghai, which is a mark of my professional status. We’ve got twenty-five cities altogether in Urbmon 116. Reykjavik’s on the bottom and Louisville’s on the top.

“What determines the names?”

“Citizen vote. Shanghai used to be Calcutta, which I personally prefer, but a little bunch of malcontents on the 778th floor rammed through a referendum in ’75”

“I thought you had no malcontents in the urban monads,” Gortman says.

Mattern smiles. “Not in the usual sense. But we allow certain conflicts to exist. Man wouldn’t be man without conflicts, eh? Even here. Eh?”

They are walking down the eastbound corridor toward Mattern’s home. It is now 0710, and children are streaming from their apartments in groups of three and four, rushing to get to school. Mattern waves to them. They sing as they run along. Mattern says, “We average 6.2 children per family on this floor. It’s one of the lowest figures in the building, I have to admit. High-status people don’t seem to breed well. They’ve got a floor in Prague — I think it’s 117 — that averages 9.9 per family! Isn’t that glorious?”

“You are speaking with irony?” Gortman asks.

“Not at all.” Mattern feels an uptake of tension. “We like children. We approve of breeding. Surely you realized that before you set out on this tour of—”

“Yes, yes,” says Gortman, hastily. “I was aware of the general cultural dynamic. But I thought perhaps your own attitude—”

“Ran counter to norm? Just because I have a scholar’s detachment. You shouldn’t assume that I disapprove in any way of my cultural matrix. Perhaps you’re guilty of projecting your own disapproval, eh?”

“I regret the implication. And please don’t think I feel the slightest negative attitudes in relation to your matrix, although I admit your world seems quite strange to me. Bless god, let us not have strife, Charles.”

“God bless, Nicanor. I didn’t mean to seem touchy.”

They smile. Mattern is dismayed by his show of irritability.

Gortman says, “What is the population of the 799th floor?”

“805, last I heard.”

“And of Shanghai?”

“About 33,000.”

“And of Urbmon 116?”

“881,000.”

“And there are fifty urban monads in this constellation of houses?”

“Yes.”

“Making some 40,000,000 people,” Gortman says. “Or somewhat more than the entire human population of Venus. Remarkable!”

“And this isn’t the biggest constellation, not by any means!” Mattern’s voice rings with pride. “Sansan is bigger, and so is Boshwash! And there are several larger ones in Europe — Berpar, Wienbud, I think two others. With more being planned!”

“A global population of—”

“—75,000,000,000,” Mattern cries. “God bless! There’s never been anything like it! No one goes hungry! Everybody happy! Plenty of open space! God’s been good to us, Nicanor!” He pauses before a door libeled 79915. “Here’s my home. What I have is yours, dear guest.” They go in.

Mattern’s home is quite adequate. We has nearly ninety square meters of floor space. The sleeping platform deflates; the children cots retracts; the furniture can easily be moved to provide play area. Most of the room, in fact, is empty. The screen and the data terminal occupy two-dimensional areas of wall that in an earlier era had to be taken up by bulky television sets, bookcases, desks, file drawers, and other encumbrances. It is an airy, spacious environment, particularly for a family of just six.

The children have not yet left for school; Principessa has held them back, to meet the guest, and so they are restless. As Mattern enters, Sandor and Indra are struggling over a cherished toy, the dream-stirrer. Mattern is astounded. Conflict in the home? Silently, so their mother will not notice, they fight. Sandor hammers his shoes into his sister’s shins. Indra, wincing, claws her brother’s cheek. “God bless,” Mattern says sharply. “Somebody wants to go down the chute, eh?” The children gasp. The toy drops. Everyone stands at attention. Principessa looks up, brushing a lock of dark hair from her eyes; six has been busy with the youngest child and has not even heard them come in.

Mattern says, “Conflict sterilizes. Apologize to each other.”

Indra and Sandor kiss and smile. Meekly Indra picks up the toy and hands it to Mattern, who gives it to his younger son, Marx. They are all staring now at the guest. Mattern says to Gortman, “What I have is yours, friend,.” He makes introductions. Wife, children. The scene of conflict has unnerved him a little, but he is relieved when Gortman produce four small boxes and distributes them to the children. Toys. A blessful gesture. Mattern points to the deflated platform. “This is where we sleep,” he explains. “There’s ample room for three. We wash at the cleanser, here. Do you like privacy when voiding waste matter?”

“Please, yes.”

“You press this button for the privacy shield. We excrete in this. Urine here, feces there. Everything is reprocessed, you understand. We’re a thrifty folk in the urbmons.”

“Of course,” Gortman says.

Principessa says, “Do you prefer that we use the shield when we excrete? I understand some outbuilding people do.”

“I would not want to impose my customs on you,” says Gortman.

Smiling, Mattern says, “We’re a post-privacy culture, naturally. But it wouldn’t be any trouble for us to press the button, if—” He falters. A troublesome new thought. “There’s no general nudity taboo on Venus, is there? I mean, we have only this one room, and—”


“I am adaptable,” Gortman insists. “A trained sociocomputator must be a cultural relativist, of course!”

“Of course,” Mattern agrees, and he laughs nervously.

Principessa excuses herself from the conversation and sends the children, still clutching their new toys, off to school.

Mattern says, “Forgive me for being overobvious, but I must bring up the matter of your sexual prerogatives. We three will share a single platform. My wife is available to you, as am I. Within the urbmon it is improper to refuse any reasonable request, so long as no injury is involved. Avoidance of frustration, you see, is the primary rule of a society such as ours, where even minor frictions could lead to uncontrollable oscillations of disharmony. And do you know our custom of nightwalking?”

“I’m afraid I—”

“Doors are not locked in Urbmon 116. We have no personal property worth guarding, and we all are socially adjusted. At night it is quite proper to enter other homes. We exchange partners in this way all the time; usually wives stay home and husbands migrate, though not necessarily. Each of us has access at any time to any other adult member of our community.”

“Strange,” says Gortman. “I’d think that is a society where there are so many people living so close together; an exaggerated respect for privacy would develop; rather than a communal freedom.

“In the beginning we had many notions of privacy. God bless, they were allowed to erode! Avoidance of frustration must be our goal, otherwise impossible tensions develop. And privacy is frustration.”

“So you can go into any room in this whole gigantic building and sleep with—”

“Not the whole building,” Mattern says, interrupting. “Only Shanghai. We frown on nightwalking beyond one’s own city.” He chuckles. “We do impose a few little restrictions on ourselves, you see, so that our freedoms don’t pall.”

Gortman turns toward Principessa. She wears a loinband and metallic cup over her left breast. She is slender but voluptuously constructed, and even though her childbearing days are over she has not lost the sensual glow of young womanhood. Mattern is proud of her, despite everything.

Mattern says, “Shall we begin our tour of the building?”

They go toward the door. Gortman bows gracefully to Principessa as he and Mattern leave. In the corridor, the visitor says, “Your family is smaller than the norm, I see.”

It is an excruciatingly impolite statement, but Mattern is able to be tolerant of his guest’s faux pas. Mildly he replies, “We would have had more children, but my wife’s fertility had to be terminated surgically. It was a great tragedy for us.”

“You have always valued large families here?”

“We value life. To create new life is the highest virtue. To prevent life from coming into being is the darkest sin. We all love our big bustling world. Does it seem unendurable to you? Do we seem unhappy?”

“You seem surprisingly well adjusted,” Gortman says. “Considering that—” He stops.


“Go on.”

“Considering that there are so many of you. And that you spend your whole lives inside a single colossal building. You never do go out, do you?”

“Most of us never do,” Mattern admits. “I have traveled, of course — a sociocomputator needs perspective, obviously. But Principessa has never left the building. I believe she has never been below the 350th floor, except when she was taken to see the lower levels while she was in school. Why should she go anywhere? The secret of our happiness is to create self-contained villages of five or six. floors within the cities of forty floors, within the urbmons of a thousand floors. We have no sensation of being overcrowded or cramped. We know our neighbors, we have hundreds of dear friends; we are kind and loyal and blessworthy to one another.”

“And everybody remains happy forever?”

“Nearly everybody.”

“Who are the exceptions?” Gortman asks.

“The flippos,” says Mattern. “We endeavor to minimize the friction of living in such an environment; as you see, we never deny one another anything, we never thwart a reasonable desire. But sometimes there are those who abruptly decide they can no longer abide by our principles. They flip; they thwart others; they rebel. It is quite sad.”

“What do you do with flippos?”

“We remove them, of course,” Mattern says. He smiles, and they enter the dropshaft once again.


Mattern has been authorized to show Gortman the entire urbmon, a tour, that will take several days. He is a little apprehensive; he is not as familiar with some parts of the structure as a guide should be. But he will do his best.

“The building,” he says, “is made of superstressed concrete. It is constructed about a central service core two hundred meters square. Originally, the plan was to have fifty families per floor, but we average about 120 today, and the old apartments have all been subdivided into single-room occupancies. We are wholly self-sufficient, with our own schools, hospitals, sports arenas, houses of worship, and theaters.”

“Food?”

“We produce none, of course. But we have contractual access to the agricultural communes. I’m sure you’ve seen that nearly nine tenths of the land area of this continent is used for food production; and then there are the marine farms. Oh, we have plenty of food on this planet, now that we no longer waste space by spreading out horizontally over good land.”

“But aren’t you at the mercy of the food-producing communes?”

“When were city-dwellers not at the mercy of farmers?” Mattern asks. “But you seem to regard life on Earth as an affair of fang and claw. Actually the ecology of our world is neatly in mesh. We are vital to the farmer — their only market, their only source of manufactured goods. They are vital to us — our only source of food. Reciprocal indispensabilities, eh? And the system works. We could support many billions of additional people. Someday, god blessing, we will.”

The dropshaft, coasting downward through the building, glides into its anvil at the very bottom. Mattern feels the oppressive bulk of the whole urbmon over him, and is vaguely surprised by the intensity of his distress; he tries not to show that he is uneasy. He says, “The foundation of the structure is four hundred meters deep. We are now at the lowest level. Here we generate our power.” They cross a catwalk and peer into an immense generating room, forty meters from floor to ceiling, in which sleek green turbines whirl. “Most of our power is obtained,” he points out, “through combustion of compacted solid refuse. We burn everything we don’t need, and sell the residue as fertilizer. We have auxiliary generators that work on accumulated body heat, also.”

“I was wondering about that,” Gortman murmurs. “What you do with the heat.”

Cheerily Mattern says, “Obviously 800,000 people within one sealed enclosure will produce an immense thermal surplus. Some of this heat is directly radiated from the building through cooling fins along the outer surface. Some is piped down here and used to run the generator. In winter, of course, we pump it evenly through the building to maintain temperature. The rest of the excess heat is used in water purification and similar things.”

They peer at the electrical system for a while. Then Mattern leads the way to the reprocessing plant. Several hundred schoolchildren are touring it; silently the two men join the tour.

The teacher says, “Here’s where the urine comes down, see?” She points to gigantic plastic pipes. “It passes through the flash chamber to be distilled, and the pure water is drawn off here — follow me, now — you remember from the flow chart, the part about how we recover the chemicals and sell them to the farming communes—”

Mattern and his guest inspect the fertilizer plant, too, where fecal reconversion is taking place. Gortman asks a number of questions. He seems deeply interested. Mattern is pleased; there is nothing more significant to him than the details of the urbmon way of life, and he had feared that this stranger from Venus, from a place where men live in private houses and walk around in the open, would regard the urbmon way as repugnant or hideous.

They go onward. Mattern speaks of air-conditioning, the system of dropshafts and liftshafts, and other such topics.

“It’s all wonderful,” Gortman says. “I couldn’t imagine how one little planet with 75,000,000,000 people could even survive, but you’ve turned it into — into—”

“Utopia?” Mattern suggests.

“I meant to say that, yes,” says Gortman.


Power production and waste disposal are not really Mattern’s specialties. He knows how such things are handled here, but only because the workings of the urbmon are so enthralling to him. His real field of study is sociocomputation, after all, and he has been asked to show the visitor how the social structure of the giant building is organized. Now they go up, into the residential levels.

“This is Reykjavik,” Mattern announces. “Populated chiefly by maintenance workers. We try not to have too much status stratification, but each city does have its predominant populations — engineers, academics, entertainers, you know. My Shanghai is mostly academic. Each profession is clannish.” They walk down the hall. Mattern feels edgy in this low level, and he keeps talking to cover his nervousness. He describes how each city within the urbmon develops its characteristic slang, its way of dressing, its folklore, and heroes.

“Is there much contact between cities?” Gortman asks.

“We try to encourage it. Sports, exchange students, regular mixer evenings. Within reason, that is. We don’t have people from the working-class levels mixing with those from the academic levels, much. It would make everyone unhappy, eh? But we attempt to get a decent flow between cities of roughly similar intellectual level. We think it’s healthy.”

“Wouldn’t it help the mixing process if you encouraged intercity nightwalking?”

Mattern frowns. “We prefer to stick to our propinquity groups for that. Casual sex with people from other cities is a mark of a sloppy soul.”

“I see.”

They enter a large room. Mattern says, “This is a newlywed down. We have them every five or six levels. When adolescents mate, they leave their family homes and move in here. After they have their first child they are assigned to homes of their own.”

Puzzled, Gortman asks, “But where do you find room for them all? I assume the every room in the building is full, and yon can’t possibly have as many deaths as births, so — how—?”

“Deaths do create vacancies, of course. If your mate dies and your children are grown, you go to a senior citizen dorm, creating room for the establishment of a new family unit. But you’re correct that most of our young people don’t get accommodations in the building, since we form new families at about two percent a year and deaths are far below that. As new urbmons are built, the overflow from the newlywed dorms is sent to then. By lot. It’s hard to adjust to being expelled, they say, but there are compensations in being among the first group into a new building. You acquire automatic status. And so we’re constantly overflowing, casting out our young, creating new combinations of social units — utterly fascinating, eh? Have you read my paper, ‘Structural Metamorphosis in the Urbmon Population’?”

“I’m afraid I haven’t encountered it,” Gortman replies. “I’ll be eager to look it up.” He glances around the dorm. A dozen couples are having intercourse on a nearby platform. “They seem so young,” he says.

“Puberty comes early among us. Girls generally marry at twelve, boys at thirteen. First child about a year later, god blessing.”

“And nobody tries to control fertility at all?”

“Control fertility?” Mattern clutches his genitals in shock at the unexpected obscenity. Several copulating couples look up, amazed. Someone giggles. Mattern says. “Please don’t use that phrase again. Particularly if you’re near children. We don’t — ah — think in terms of control.”

“But—”

“We hold that life is sacred. Making new life is blessed. One does one’s duty to god by reproducing.” Mattern smiles, feeling that he sounds too earnest. “To be human is to meet challenges through the exercise of intelligence, right? And one challenge is the multiplication of inhabitants in a world that has seen the conquest of disease and the elimination of war. We could limit births, I suppose, but that would be sick, a cheap, anti-human way out. Instead we’ve met the challenge of overpopulation triumphantly, wouldn’t you say? And so we go on and on, multiplying joyously, our numbers increasing by three billion a year, and we find room for everyone, and food for everyone. Few die, and many are born, and the world fills up, and god is blessed, and life is rich and pleasant, and as you see we are all quite happy. We have matured beyond the infantile need to place layers of insulation between man and man. Why go outdoors? Why yearn for forests and deserts? Urbmon 116 holds universes enough for us. The warnings of the prophets of doom have proved hollow. Can you deny that we are happy here? Come with me. We will see a school now.”


The school Mattern has chosen is in a working-class district of Prague, on the 108th floor. He thinks Gortman will find it especially interesting, since the Prague people have the highest reproductive rate in Urban Monad 116, and families of twelve or fifteen are not at all uncommon. Approaching the school door, Mattern and Gortman hear the clear treble voices singing of the blessedness of god. Mattern joins the singing; it is a hymn he sang too, when he was their age, dreaming of the big family he would have:

And now he plants the holy seed.

That grows in Mommo’s womb,

And now a little sibling comes —

There is an unpleasant and unscheduled interruption. A woman rushes toward Mattern and Gortman in the corridor. She is young, untidy, wearing only a flimsy gray wrap; her hair is loose; she is well along in pregnancy. “Help!” she shrieks. “My husband’s gone flippo!” She hurls herself, trembling, into Gortman’s arms. The visitor looks bewildered.

Toward her there runs a man in his early twenties, haggard, eyes bloodshot. He carries a fabricator torch; its tip glows with heat. “Goddamn bitch,” he mumbles. “Allatime babies! Seven babies already and now number eight and I gonna go off my head!” Mattern is appalled. He pulls the woman away from Gortman and shoves the dismayed visitor through the door of the school.

“Tell them there’s a flippo out here,” Mattern says. “Get help, fast!” He is furious that Gortman should witness so atypical a scene, and wishes to take him away from it.

The trembling girl cowers behind Mattern. Quietly, Mattern says, “Let’s be reasonable, young man. You’ve spent your whole life in urbmons, haven’t you? You understand that it’s blessed to create. Why do you suddenly repudiate the principles on which—”

“Get the hell away from her or I gonna burn you too!”

The young man feints with the torch, jabbing it straight at Mattern’s face. Mattern feels the heat and flinches. The young man swipes past him at the woman. She leaps away, but she is clumsy with girth, and the torch slices her garment. Pale white distended flesh is exposed, with a brilliant bum-streak slashed across it. She cups her jutting belly and falls, screaming. The young man jostles Mattern out of the way and prepares to thrust the torch into her side. Mattern tries to seize his arm. He deflects the torch; it chars the floor. The young man, cursing, drops it and throws himself on Mattern, pounding frenziedly with his fists. “Help me!” Mattern calls. “Help!”


Into the corridor erupt dozens of schoolchildren. They are between eight and eleven years of age. They continue to sing their hymn as they pour forth. They pull Mattern’s assailant from him. Swiftly, smoothly, they cover him with their bodies. He can dimly be seen beneath the flailing, thrashing mass. Dozens more rush from the schoolroom and join the heap. A siren wails. A whistle blows. The teacher’s amplified voice booms, “The police are here! Everyone off!”

Four men in uniform have arrived. They survey the situation. The injured woman lies groaning, rubbing her burn. The insane man is unconscious; his face is bloody and one eye appears to be destroyed. “What happened?” a policeman asks. “Who are you?”

“Charles Mattern, sociocomputator, 799th level, Shanghai. The man’s a flippo. Attacked his pregnant wife with the torch. Attempted to attack me.”

The policemen haul the flippo to his feet. He sags, dazed, battered, in their midst. The police leader says, rattling the words into one another, “Guilty of atrocious assault on woman of childbearing years currently carrying unborn life, dangerous countersocial tendencies, menace to harmony and stability, by virtue of authority vested in me I pronounce sentence of erasure, carry out immediately. Down the chute with the bastard, boys!” They haul the flippo away. Medics appear and cluster about the fallen woman. The children, once again gaily singing, return to the classroom. Nicanor Gortman looks stunned and shaken. Mattern seizes his arm and whispers fiercely, ” All right, so those things happen sometimes. I don’t deny it. But it was a billion to one against having it happen where you’d see it! It isn’t typical! It isn’t typical!”

They enter the classroom.


* * *

The sun is setting. The Western face of the neighboring urban monad is streaked with red. Nicanor Gortman sits quietly at dinner with the members of the Mattern family. The children, voices tumbling in chaotic interplay, chatter of their day at school. The evening news comes on the screen; the announcer mentions the unfortunate event on the 108th floor. “The mother was not seriously injured,” he says, “and no harm came to her unborn child. Sentence on the assailant has been carried out and a threat to the security of the whole urbmon has thus been eliminated.” Principessa murmurs, “Bless god.” After dinner Mattern requests copies of his most recent technical papers from the data terminal and gives the whole sheaf to Gortman to read at his leisure. Gortman thanks him energetically.

“You look tired,” Mattern says.

“It was a busy day. And a rewarding one.”

“Yes. We really covered ground, didn’t we?”

Mattern is tired too. They have visited nearly three dozen levels already; he has shown Gortman town meetings, fertility clinics, religious services, business offices, all on this first day. Tomorrow there will be much more to see. Urban Monad 116 is a varied, complex community. And a happy one, Mattern tells himself firmly. We have a few little incidents from time to time, but we’re happy.

The children, one by one, go to sleep, charmingly kissing Daddo and Mommo and the visitor good night and running across the room, sweet nude little pixies, to their cots. The lights automatically dim. Mattern feels faintly depressed; the unpleasantness on 108 has spoiled what was otherwise an excellent day. Yet he still thinks that he has succeeded in helping Gortman see past the superficialities to the innate harmony and serenity of the urbmon way. And now he will allow the guest to experience for himself one of their most useful techniques for minimizing the interpersonal conflicts that could be so destructive to their kind of society. Mattern rises.

“It’s nightwalking time,” he says. “I’ll go. You stay here … with Principessa.” He suspects that the visitor would appreciate some privacy.

Gortman looks uneasy.

“Go on,” Mattern says. “Enjoy yourself. People don’t deny pleasure to people, here. We weed the selfish ones out early. Please. What I have is yours. Isn’t that so, Principessa?”

“Certainly,” she says.

Mattern steps out of the room, walks quickly down the corridor, enters the dropshaft, and descends to the 770th floor. As he gets out he hears sudden angry shouts, and he stiffens, fearing that he will become involved in another nasty episode, but no one appears. He walks on. He passes the black door of a chute access and shivers a little, and he cannot avoid thinking of the young man with the fabricator torch, and what has become of him. And then, without warning, there swims up from memory the face of the brother he had once had who had gone down that same chute, the brother one year his senior, Jeffrey, the whiner, the stealer, Jeffrey the selfish, Jeffrey the unadaptable, Jeffrey who had had to be given to a chute. For an instant Mattern is sickened and dizzied. He starts to fall, and wildly seizes a doorknob to steady himself.

The door opens. He goes in. He has never been a nightwalker on this floor before. Five children lie asleep in their cots, and on the sleeping platform are a man and a woman, both younger than he is, both asleep. Mattern removes his clothing and lies down by the woman’s left side. He touches her thigh, then her small cool breast. She opens her eyes and he says, “Hello. Charles Mattern, 799.”

“Gins Burke,” she says. “My husband Lenny.”

Lenny awakens. He sees Mattern, nods, turns over, and returns to sleep. Mattern kisses Gina Burke lightly on the lips. She opens her arms to him. He trembles in his need, and sighs as she receives him. God bless, he thinks. It has been a happy day in 2381, and now it is over.

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