TWELVE. NIPPON SERIES


An office.

A gap has been left in the corrugated wall, perhaps deliberately, to expose a detailed but highly stylized map of Tokyo set into the station's wall. The wall of this shelter and the wall of the station have become confused. Poly-tie binds the cardboard house directly into the fabric of the station, into the Prefecture itself.

This is quite clearly an office.

On the wall around the official, integral subway map, fastened to granite composite and brown cardboard with bits of masking tape: a postcard with a cartoon of orange-waistcoated figures escorting a child through a pedestrian crossing, a restaurant receipt (?), a newspaper clipping, a small plastic clipboard with what seem to be receipts, possibly from an ATM, a souvenir program from the 1995 Nippon Series (baseball), and two color photos of a black-

and-white cat. In one photo, the cat seems to be here, among the shelters.

Tucked behind a sheet of cardboard are four pens and three pairs of scissors. A small pocket flashlight is suspended by a lanyard of white poly-tie.

To the right, at right angles to the wall above, a cardboard shelf is cantilevered with poly-tie. It supports a box of washing detergent, a book, a dayglo orange Casio G-Shock wristwatch, a white terry face cloth, a red plastic AM/FM cassette-player, and three disposable plastic cigarette-lighters.

Below, propped against the wall, is something that suggests the bottom of an inexpensive electronic typewriter of the sort manufactured by Brother.

A box of Chinese candy, a cat-brush, a flea-collar.

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