Three good giants

AN EXPLANATION BY WAY OF PREFACE.

I FREELY admit what all the world knows about FRANCOIS RABELAIS.

Long before the day when Fielding and Smollett began to be read on the sly, and before the comic Muse of Congreve and Wycherly began to be looked at askance, that English moral sentiment, over which Ma-caulay was to philosophize more than a century later, had solidified in ignoring Rabelais. Nothing is to be said against the, sertimfem irself. This has always been fairly righteous, if just a bit undiseriminating. A great humorist, showing himself content to grovel in ,the dirt, is, beyond question, deserving of black looks tin;! -t-hut

I have read Rabelais twice in my life. Each time, I have read

him in that old French, which has no master quite so great as he; and each time in Auguste Desrez's edition, which, in its careful Table des Matieres, learned glossary, quaint notes, Gallicized Latin and Greek words, and a complete Rabelaisiana, shows the devotion of the rare editor, who does not distort, because he understands, the Master whom he edits. When I first peeped into his pages I was a lad, altogether too young to be tainted by profanity, while I skipped, true boy-fashion, whole pages to pick out the wondrous story of his Giants. When I came back to him, after many years, I was both older and, I hope, wiser. Being older, I had learned to gauge him better, both in his strength and in his weakness. I had come to see wherein an old prejudice was too just to be safely resisted ; and, on the other hand, wherein it had got to be so deeply set that it had hardened to injustice. As I went on, it did not take me long to discover that it was quite possible for my purpose — following, indeed, the path unconsciously taken in my boyhood — to divide Rabelais sharply into incident and philosophy. That this had not been thought of before surprised, but did not daunt me. I said to myself: 1 shall limit the incident strictly to his three Giants; I shall hold these, from grandfather to grandson, well together ; keep all that is sound in them; cut away the impurity which is not so much of as arouxtf^hem-', eh}? 3! them out as a sculptor might, and leave his philosophy with, face to the wall. This done, I turned the scouring hose, full'.ui.id..s"ti:Dmg, upon the incidents themselves, clearing out both dialecii&s and. -profanity thoroughly. I did not stop until I had left the famous trio, (JRANDGOUSIER, GARGANTUA, and PANTAGRUEL where I had, from the first, hoped to place them, — high and dry above the scum which had so long clogged their rare good-fellowship, and which had made men of judgment blind to the genuine worth that was in them.

In this way I believed that I saw the chance to free Rabelais' Giants, so long kept in bonds, from a captivity which has dishonored them. To do this was clearly running against that good old law which has invariably made all Giants — far back from fairy-time— thunder-voiced, great-toothed, rude-handed, hard-hearted, bloody-minded creatures and truculent captors, never, on any account, pitiful captives. But, to such, the Rabelaisian Giants are none of kin. No more are they of blood to that Giant that Jack slew, or that Giant Despair, in whose garden-court Bunyan dreamt that he saw the white bones of slaughtered pilgrims.

Public sentiment has hitherto illogically retched at the name of Rabelais, while it swallows without qualm "Tristram Shandy" and "Gulliver's Travels." Shall it always retch? The time, I think, is practically taking the answer into its own hands. Rabelais, through some cotemporaneous influence, rising subtly in his favor among men who are neither afraid nor ashamed to judge for themselves, is, in one sense, slowly becoming a naturalized citizen of our modern Literary Republic. Literature and Art are joining hands in his rehabilitation. Mr. Walter Besant, a novelist, has been so good as to write his life; to say bright words about him ; and to quote clean things from him. Mrs. Oliphant, a purist, has consented to admit him into her "Foreign Classics for English Readers." Three years ago M. Emile Hebert's bronze statue of him was unveiled at that Chinon, his birthplace, which he lovingly calls "the most ancient city of the world." And, to crown all, as the latest expression of a tardy recognition, his bust by M. Trupheme was, only the other day, uncovered at that Meudon of which he was, for a time, the famous, if not always orthodox, Cure.

Rabelais himself never, it is clear, appreciated his Giants save for the contrasted jollity which they lent to his satires.

AN EXPLANATION BY WAT OF PREFACE.

" Mieulx est de ris que de larmes escripre, four ce que rire est le propre de Ihomme" was his maxim. But this maxim never rose to a creed. His Giants seem, almost against his will, to stride beyond the territory of mere burlesque. They are as easily free from theology as from science. They have never been of La Bamette. They are as far from Mont-pellier. To these colossal creations, heroes fashioned in ridicule of the old fantastico-chivalric deeds of their age, as they come down more and more from the clouds, are more and more given the feelings common to this earth's creatures. All three bear, from their birth, a sturdy human sympathy not natural to their kind, as mediaeval superstition classed it. Two of them, in being brought to the level of humanity, join with this a simple Christian manliness and a childlike faith under all emergencies, not set on their own massive strength, but fixed on God, whom they had been taught to know, and honor, and serve — and all this by whom? Forsooth, by the same Frangois Eabelais, laugher, mocker, and "insensate reviler." From Grandgousier, the good-hearted guzzler, through Gargantua, with his heady youth and wise old age, to "the noble Pantagruel," the gain in purity and Christian manhood is steady. The royal race of Chalbroth follows no track beaten down by other kingly lines known to history. While their line descends from father to son, it ascends in virtue.

One charge — a legacy from the narrow times when run-mad commentators spied a plot in every folio—has followed, to this day, Rabelais and his work. Wise men have, to their own satisfaction, proved the latter to be an enigma filled with hidden meanings, dangerous to state and morals; with mad attacks directed, from every chapter, against ordered society; with satiric thrusts lurking, in every sentence, against Pope, and King, and nobles; in brief, a Malay-muck run with a pen, instead of a knife, against the moral foundations of the world. All these, if not true, are certainly "like, very like" the Rabelais as he is painted by purists in the gallery of great authors. If true, they have wrought more subtly than all else in the forging of those heavy chains which have been bound, coil upon coil, around his hapless big men. It is not to be wondered at that even their mighty number of cubits should have been smothered under the fine, slow-settling dust of three centuries. Happily, however, fair play has been, of old, the standing boast of all English-speaking men. Fra^ois Rabelais — never once deigning to ask for it at home, when living — has, in penalty therefor, been ferociously denied it abroad, when dead. To that sentiment — moved, it may be, by a concurrent testimony given, in this age, to the memory of the author himself —I appeal now in behalf of his Giants. That they have fared badly through all these centuries, mostly by reason of him, cannot be gainsaid. That of themselves, however, they have in no wise merited such ostracism, is what I have ventured to claim in this compilation. Freed alike from that prejudice which has hunted them down, and from those formidable points of ignorance Pertaining thereunto," which have, so far, blocked every avenue to modern sympathy, I would have them honored, among all stout lovers of fair play, as I leave them in this " Explanation by way of Preface."

J. D.

CHAPTER VIII.

Gargantua goes to Paris, and the Big Mare that takes him there 32

CHAPTER IX.

The Parisians laugh at Gargantua. He takes his Revenge by stealing the Great Bells of Notre Dame . . 3.S

CHAPTER X.

Ponocrates, the new Teacher, desires Gargantua to show him how he used to study with old Master Holofernes . . 40

CHAPTER XI.

The Two Hundred and Fifteen Games of Cards Gargantua knew how to play. What it was he said after he had gone through the List, and what it was Ponocrates remarked . 44

CHAPTER XII.

Gargantua is dosed by Ponocrates, and forgets all that Holofernes had taught him ....... 48

CHAPTER XIII.

How Gargantua was made not to lose one Hour of the Day . 52

CHAPTER XIV.

How the Awful War between the Bunmakers of Lerne and Gargantua's Country was begun ...... 5T

PAGE

CHAPTER XV.

How old King Grandgousier received the News .... 67

CHAPTER XVI.

How Grandgousier tried to buy Peace with Five Cart-loads of Buns ........... 71

CHAPTER XVII.

How Gargantua, with a Big Tree, broke down a Castle, and passed the Ford of Vede ....... 74

CHAPTER XVIII.

How Gargantua combed Cannon-Balis out of his Hair, and how he ate Six Pilgrims in a Salad before Supper ... 82

CHAPTER XIX.

How Friar John comes to the Feast, and how King Grandgousier had recruited his Army ....... 89

CHAPTER XX.

Gargantua's Mare scores a Victory . ... 95

CHAPTER XXI.

Showing what Gargantua did after the Battle, and how Grandgousier welcomed him Home . . . 102

CHAPTER XXII.

PAGE

Grandgousier's Death. Gargantua's Marriage. Pantagruel is Born 109

CHAPTER XXIII.

The Strange Things Pantagruel did as a Baby .... 113

CHAPTER XXIV.

After studying at several Universities, Pantagruel goes to

Paris ........... 118

CHAPTER XXV.

Pantagruel finds Panurge, whom he loves all his life . . .127

CHAPTER XXVI.

Pantagruel beats the Sorbonne in Argument, and Panurge proves that an Englishman's fingers are not so nimble as a Frenchman's ......... 131

CHAPTER XXVII.

What sort of Man Panurge was, and the many Tricks he knew ......... . 141

CHAPTER XXVIII.

Showing why the Leagues are so much shorter in France than in Germany .......... 146

CHAPTER XXIX.

PAGE

How the Cunning of Panurge, with the Aid of Eusthenes and Carpalim, discomfited Six Hundred and Sixty Horsemen . 150

CHAPTER XXX.

How Carpalim went hunting for Fresh Meat, and how a Trophy

was set up .......... 156

CHAPTER XXXI.

The Strange Way in which Pantagruel obtained a Victory over the Thirsty People ........ 160

CHAPTER XXXII.

The Wonderful Way in which Pantagruel disposed of the Giant Loupgarou and his Two Hundred and Ninety-Nine Giants . 165

CHAPTER XXXIII.

How Pantagruel finally conquers the Thirsty People, and the strange business Panurge finds for King Anarchus . . 172

CHAPTER XXXIV.

Gargantua comes back from Fairy-Land, after which Pantagruel prepares for another Trip ...... 178

CHAPTER XXXV.

Pantagruel starts on his Travels, and lands at the Island of Pictures 180

CONTENTS.

CHAPTER XXXVI.

Panurge bargains with Dindeno for a Ram, and throws his Ram

overboard 108

CHAPTER XXXVII. The Island of Alliances ........ 195

CHAPTER XXXVIII.

How Pantagruel came to the Islands of Tohu and Bohu. The Strange Death of Widenostrils, the Swallower of Windmills, 199

CHAPTER XXXIX.

A Great Storm, in which Panurge plays the Coward . . . 203

CHAPTER XL.

The Island of the Macreons and its Forest, in which the Heroes who are tempted by Demons die ..... 210

CHAPTER XLI.

Pantagruel touches at the Wonderful Island of Ruach, where Giant Widenostrils had found the Cocks and Hens which killed him. How the People lived by Wind . . . 218

CHAPTER XLII.

Pantagruel, with his Darts, kills a Monster which Cannon-Balis could not hurt. The Power of the Sign of the Cross . 223

CHAPTER XLIII.

Which tells of several Islands, and the Wonderful People who

FULL-PAGE ILLUSTRATIONS.

PAOK GARGANTUA ON THE TOWER OF NOTRE DAME . FRONTISPIECE

FRIAR JOHN ATTACKS THE BUNMAKERS 63

GARGANTUA DESTROYS THE CASTLE 79

THE DEFEAT OF PICROCHOLE 99

PANTAGRUEL ENTERS PARIS 123

THE DISPUTATION 137

THE DEATH OF LOUPGAROU 169

PANTAGRUEL IN THE GRAVEYARD 213

THE ISLE OF GANABIM 239

THE QUEEN OF LANTERNS 243

ENGRAVINGS IN THE TEXT.

PORTRAIT OF FRANgois RABELAIS v

CASTLE GRANDGOUSIER 1

THE GIANT CHALBROTH 2

THE GIANT HURTALI ON THE ARK 4

INITIAL K 6

KING GRANDGOUSIER KEEPS OPEN HOUSE .... 7

THE KING AND QUEEN LOVE TRIPES 8

INITIAL W . 11

TAGB " THE QUEEN LOOKED AT HER BABY " 11

AN UNCOMMON BABY CARRIAGE 12

" THE SERVANTS GOT TO BE SAD TOPERS " . . . 13

INITIAL W 15

MAKING GARGANTUA'S SUIT 16

MEASURING GARGANTUA FOR HIS SUIT 17

GARGANTUA AT PLAY 18

GARGANTUA'S HORSE 19

GARGANTUA'S RH>ING-LESSONS 20

"A NOBLE LORD CAME ON A VISIT" ..... 21

" ONLY THREE LITTLE STEPS " 22

INITIAL O 24

TUBAL HOLOFERNES 25

THE FRIEND WHO KNEW LATIN . . . . . . 26

FLIGHT OF THE TUTOR 28

INITIAL W 29

EUDEMON 30

INITIAL T 32

GARGANTUA'S MARE 33

PONOCRATES 34

INITIAL T 35

GARGANTUA ENTERS PARIS . 36

THE CITY WAS EXCITED . . „ 38

INITIAL G ........... 40

GARGANTUA GETS UP ........ 41

GARGANTUA BREAKFASTS ........ 42

GARGANTUA GOES TO CHURCH .43

INITIAL T 44

GARGANTUA LOOKS INTO THE KITCHEN ..... 46

INITIAL W 48

PONOCRATES DOSES GARGANTUA 49

FA6K GARGANTUA AT HIS LESSONS 50

INITIAL E 52

GARGANTUA LEARNS TO SHOOT 53

GARGANTUA LEARNS TO CLIMB 54

GARGANTUA STUDIES ASTRONOMY 55

INITIAL W 57

THE BUNMAKERS OF LERNE 58

THE ANGER OF PICROCHOLE 59

CAPTAIN SWILLWIND'S CAVALRY ...... 61

SPOILING THE MONKS 62

FRIAR JOHN TO THE RESCUE 66

INITIAL W .... 67

PICROCHOLE'S ARMY 68

GRANDGOUSIER WRITES TO GARGANTUA 69

INITIAL K 71

GRANDGOUSIER'S EMBASSY ....... 72

INITIAL G 74

GARGANTUA HURRIES HOME 75

GYMNASTE WARMS HIMSELF ....... 76

THE CASTLE OF ROCHE-CLERMAUD . . „ . . . 77

CANNONADING GARGANTUA 78

INITIAL G 82

GARGANTUA COMBS HIS HAIR 83

" AND SUCH A SUPPER ! " 85

THE PILGRIMS IN THE GARDEN 87

INITIAL I 89

FRIAR JOHN ARRIVES ........ 91

THE ADVANCE-GUARD STARTS ...... 93

GRANDGOUSIER'S ARMY ........ 94

INITIAL T 95

MOUNTING FOR THE FRAY 96

FAOS THE ASSAULT 97

PlCROCHOLE TAKES COURAGE 98

THE FLIGHT OF PICROCHOLE , 101

INITIAL W 102

GARGANTUA'S CAPTIVES 103

GARGANTUA REWARDING THE ARMY 105

THE WONDERFUL WINDING STAIRWAY 107

INITIAL A 109

THE DREADFUL DROUGHT Ill

INITIAL G 113

THE FUNERAL OF QUEEN BADEBEC 114

PANTAGRUEL'S PORRINGER 115

PANTAGRUEL CARRIES HIS CRADLE 117

INITIAL S 118

THE GREAT CROSS-BOW OF CHANTELLE . . . .118

THE GREAT RAISED STONE 119

PANTAGRUEL VISITS HIS ANCESTORS' TOMB . . . .120

PANTAGRUEL SETTLES AT ORLEANS 121

PANTAGRUEL IN THE LIBRARY 125

INITIAL O 127

PANTAGRUEL MEETS PANURGE 129

INITIAL W 131

AT THE GATES OF SORBONNE 133

THAUMASTES VISITS PANTAGRUEL 134

"THE GREAT COLLEGE WAS PACKED" 135

PANURGE REPLIES 139

INITIAL T 141

PANURGE GETS MONEY 142

PANURGE AND THE DIRT-CARTS 143

PANURGE'S FUN 145

INITIAL A 146

PAGE

PANTAGRUEL MARCHES TO ROTTEN 147

INITIAL S . 150

THE VOYAGE BEGINS 151

PANURGE DISCOMFITS THE HORSEMEN . . . . . . 153

INITIAL W 156

CARPALIM CATCHES SOME FRESH MEAT 157

THE TROPHY .......... 158

INITIAL W ......... 160

THE KING OF THE THIRSTY PEOPLE 161

THE SOLDIERS TRY PANTAGRUEL'S PASTE .... 163

INITIAL A ........... 165

THE FIGHT WITH LOUPGAROU ....... 167

INITIAL A ......... 172

WELCOME TO PANTAGRUEL .... . 173

"GRANDER AND MlGHTIER THAN EVER!" .... 175

PANTAGRUEL RETURNS .... .176

INITIAL O 178

INITIAL A ..... 180

PANTAGRUEL PICKS HIS SHIPS . . 181

PANTAGRUEL SETS SAIL ... 182

LANDING AT THE ISLE OF PICTURES . . 183

PANTAGRUEL BUYS SOME STRANGE ANIMALS . . 185

THE LAND OF SATIN .... . . 187

INITIAL F .......

PANURGE WANTS A SHEEP . . 189 PANURGE BUYS A RAM . ....

PANURGE THROWS HIS RAM OVERBOARD . . . .193

THE SHEEP AND SHEPHERDS DROWN . 194 INITIAL A ...

THE ACE-OF-CLUBS NOSES . . .197

INITIAL P 199

PA B

GIANT WIDENOSTRILS, THE SWALLOWER OF WINDMILLS . 201

INITIAL T . 203

A STORM COMES ON . 204

PANTAGRUEL HOLDS THE MAST 205

A SEA BREAKS OVER PANURGE 206

LAND IN SIGHT 20T

IT WAS LATE IN THE AFTERNOON ...... 208

INITIAL T 209

PANCTRGE REVIVES 211

" THE DAEK AND GLOOMY FOREST " , . . . .212

THE DEMONS AND THE HEROES 215

" WE HAD LOST ANOTHER GOOD HERO " 217

INITIAL A 218

THE LAND OF WIND 219

"WITHOUT WIND WE MUST DIE" 221

INITIAL A 223

PANTAGRUEL SPIES A MONSTER ...... 224

SHOOTING AT THE WHALE ....... 225

PANTAGRUEL TRIES HIS HAND ...... 226

DEATH OF THE MONSTER ........ 227

LANDING THE MONSTER ........ 228

ON WILD ISLAND ......... 229

INITIAL N 231

THE HOSPITABLE FOLK OF PAPIMANY 232

"THE MAYOR RODE UP" . . . . . . . . 233

ENTERING THE FROZEN SEA ....... 234

A SHOWER OF FROZEN WORDS ...... 235

LANDING ON THE ROCKS 236

MASTER GASTER ......... 237

SHARP ISLAND 241

THE SHORES OF LANTERN-LAND 245

THREE GOOD GIANTS

CASTLE GRANDGOUSIER.

THREE GOOD GIANTS.