Tilt-a-Whirl

CHAPTER TWENTY-THREE

“You need to be the one on TV,” the chief says to Ceepak. Ceepak nods.

We're standing around the police cars parked higgledy-piggledy in front of the Sea Spray Hotel. Several state police and some local guys are scouring the beach, looking for clues.

Our man was here. Not so long ago. Popped in through the patio door and helped himself to the inn-fax. Who knows-maybe Squeegee even ordered room service. Anything's possible with this screwball.

There's a long line of tourists standing next to suitcases and luggage carts outside the lobby doors. The line snakes back inside, past the concierge desk. Everybody's waiting for the valet parking guys to bring their cars up from the garage so they can get the hell out. Squeegee seems to have that effect on people. So does seeing a SWAT team running through your hotel lobby. It's only July 11th, but summer might be over in Sea Haven.

The chief checks his watch.

“We were supposed to do the press conference at 1100.”

“Let's do it at 1130,” Ceepak says.

He's talking to the chief but looking up and down the road, searching for any sign of the enemy. The picture of Ashley was the last straw-this thing is extremely personal now.

“The FBI should be at headquarters….”

“Yeah.”

Ceepak scans the horizon.

“Let's wait to see what they say,” the chief suggests.

“Yeah.”

“They deal with these kidnapper loony-tunes all the time. And we need some goddamn specifics. Where the hell do we make the drop and pick up the girl? The scum is pretty damn vague about the goddamn particulars.”

Ceepak is only half-listening.

He turns to the chief.

“There's only one way to be certain,” he says quietly.

“Yeah. I know. You need to take him out, John. Eliminate his potential to do more damage.”

Ceepak stares across the road at a plastic bag blowing in the branches of a tree.

“I have an M23 SWS in my office,” the chief says.

“How's the scope?”

“Dead on.”

“That'll work.”

I figure SWS must be military mumbo-jumbo for some kind of rifle, because I remember one of Ceepak's many medals.

Marksmanship.

“I'm Christopher Morgan.”

This big man in a dark suit is waiting for us when we return to headquarters.

“FBI Critical Incident Response Group. You Ceepak?”

“Yes, sir. This is my partner, Danny Boyle.”

“Boyle.” Morgan nods in my general direction but fixes his attention on Ceepak. It's easy for these two guys to see eye to eye because they're both six-two and look like they play on the same football team. If Morgan wasn't black, he could be Ceepak's brother.

“We're here to help,” Morgan says.

“Appreciate that.”

“The FBI's primary objective in these instances is always the safe return of the victim. Once Ashley Hart is home, we'll move on to phase two: nailing the bastard who did it.”

“That'll work.”

“Any idea why the bad guy wants you involved?”

“I'm not sure.”

Morgan flips through some pages in his yellow legal pad.

“You talk to her mom?” Ceepak asks.

“Yeah.”

“How's she holding up?”

“Good. All things considered. I told her to grab some air, take a quick walk around the block.”

“What about the reporters?”

“She can handle them,” Morgan assures us. “Used to be in TV, herself. Told me she carries a wig and an ugly-ass floppy hat in her handbag at all times. Helps her avoid her adoring public when she's not in the mood to be adored.”

“Smart lady.”

“Well,” Morgan says, “the media awaits. You ready for your close-up, Mr. Ceepak?”

“Sure. Right after you tell me what I say.”

Morgan hands him a sheet of paper. “Make it your own, but those are your talking points. This guy Squeegee? He'll be watching. Or listening. They usually do. It's how they get their rocks off. They like to watch you squirm a little before their big payday.”

“So I'm talking directly to him?” Ceepak says, his eyes skimming the page of notes.

“Right. Just look him in the eyes and let the son of a bitch know you're his best friend in the whole damn world.”

* * *

There are about a hundred microphones set up in front of our porch steps.

Mayor Sinclair, Chief Cosgrove, Christopher Morgan (very FBI with his Ray-Ban sunglasses and suit), and Ceepak stand on the second step, looking like some kind of four-man boys’ choir.

The TV people are all over our lawn. Thank God it's gravel. If it were grass, it'd be dead. Behind the circle of reporters is an army of big guys lugging video cameras and fuzzy microphones on poles. Behind them are the other TV people-the young ones with clipboards, the ones who stare at monitors and keep a cell phone stuck to one ear at all times.

Mayor Sinclair speaks first.

“Thanks for coming out, everybody. Well, we have good news and bad news.”

Did I tell you-our mayor can be a real jerk?

He's wearing khaki shorts, a polo shirt, and snazzy sunglasses dangling around his neck on a Croakie because he's the young, hip mayor of Fun-In-The-Sun City.

“First, the bad news. We recently received a ransom demand from Ashley Hart's kidnapper. The police will have more to say about that in a second. The good news? Well, the ransom note means Ashley is alive. It also means Sea Haven's pristine sandy beaches are once again safe for everybody else to enjoy! Folks, this whole tragedy is a personal matter between the killer-kidnapper and the Hart family. So come on down, enjoy your stay, and have a sunny, funderful day!”

The doofus is beaming, proud of how he worked in the Chamber of Commerce's slogan like that.

“And now-Chief Cosgrove?”

The chief gives the mayor a look. Thank God he's never used it on me.

“Thank you, Mayor Sinclair. I'm going to turn this thing over to Officer John Ceepak, who is heading up the task force on our end.”

Ceepak takes the microphone.

“Thank you, Chief. First, as the mayor stated, we are in possession of the kidnapper's monetary demands. I assure you we are taking all steps necessary to facilitate Ashley Hart's safe return. We intend to do whatever needs to be done. You have my word on that.”

I'm watching the video feed on a monitor set up on the lawn. The Code is oozing out of his eyes.

“As I said, the monetary demands are clear and appear quite doable. However, what remains unclear are the details. The where. The how. You mention a very specific time frame….”

Now everybody knows he's talking directly to the kidnapper.

“… and we hope to meet it. However, to do so, we require more information. Any clarification would prove most helpful. Thank you.”

Ceepak steps back.

“Are you using us to talk directly to the kidnapper?” a reporter shouts from the crowd.

Morgan steps forward and eases Ceepak to the side.

“We have nothing further to say.”

Now all the reporters are screaming.

“Are you paying the ransom?”

“How do you know the girl is alive?’

Morgan simply turns his back on the crowd, gestures to everybody else on stage to do the same, and the choir walks up the porch steps and goes back inside.

We're sitting inside the interrogation room-Morgan, Ceepak, and me.

The mayor is out walking the beach, personally encouraging everybody he can to stick around town.

On the table in front of us are copies of the ransom fax, the photograph, and the scribbled note that came with it.

“I've sent all this material to Quantico. We'll run a handwriting analysis, try to work up a psychological profile….” Morgan has circled the phone number in the header with a felt-tip pen.

“Your man drops a lot of clues, doesn't he?” he says to Ceepak.

Ceepak nods. “You think he wants us to catch him?”

“You mean is this one of those ‘stop me before I do this again’ calls-for-help you see in the serial-killer movies?”

“Right.”

“Nah.” Morgan takes a sip of coffee. “I think he's trying to be clever. Show how smart he is. He knew you'd trace the fax number in about five minutes flat. That's why he did the auto-dial deal. Why he left the picture for you to find. He's Hansel, dropping bread crumbs like crazy.”

Ceepak rotates his copy of the Polaroid to show Morgan where he's been doodling on it with his pen, outlining something blurry in the background.

“More like a bread loaf, I'd say.”

“What you got? Lighthouse?”

“Could be.”

“The north shore,” I say.

“Danny's a local,” Ceepak explains. “Knows this island like nobody's business.”

Morgan hands the photo to me.

“Yeah. Okay. That looks like the old Ship John lighthouse. See how it's got this big band painted around the middle of the tower, here? Makes it look like a barber pole or a rugby shirt: white stripe, red stripe, white stripe. Makes it a daymark too.”

“Where's Ship John?” Ceepak asks.

“Bottom of the ocean. They named the lighthouse after a ship that sank in the shoals. That's why boats needed to see the lighthouse day and night … the shoals….”

“Hence the red band.”

“Right.”

“You know how to find this lighthouse, Danny?”

“Sure. It's been closed for years, but I know where it is.”

“Excellent.” Ceepak actually claps me on the back. Then he turns to Morgan. “Looks like he's sticking pretty close to familiar stomping grounds. We know he used to squat in an abandoned hotel up that way. Might be prudent to do some RST up that way. Reconnaissance, Surveillance, and Targeting.”

“I don't know.” Morgan leans back in his chair and rubs his eyes. “You don't want him going all jumpy. Don't forget-the guy's a junkie. No matter how smart he thinks he is, when he's wired he could do something pretty damn stupid.”

“That's why we'll go up tonight. Cover of darkness.”

Morgan looks at Ceepak for a second.

“You want me or my guys to go with you?”

“No, sir. Like you say-a big crowd will only draw unwanted attention. Danny and I can handle it. We're just going up for a look-see. Get our bearings for tomorrow. We have to figure the money drop will be somewhere in the general vicinity-”

Gus sticks his head in the door.

“Uh, excuse me, fellas. Ceepak?”

“Yeah?”

“Chief said to grab you guys. Another freaking fax is coming in.”