Timbuktu

1

MR. BONES KNEW THAT WILLY WASN’T long for this world. The cough had been inside him for over six months, and by now there wasn’t a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music—something tight and flinty and percussive—and the attacks came so often now as to be almost constant. Every time one of them started, Mr. Bones half expected Willy’s body to explode from the rockets of pressure bursting against his rib cage. He figured that blood would be the next step, and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on every day, the end was drawing near.

What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible for him to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy’s presence. Habits die hard, and no doubt there’s some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Subtract Willy from the world, and the odds were that the world itself would cease to exist.

Such was the quandary Mr. Bones faced that August morning as he shuffled through the streets of Baltimore with his ailing master. A dog alone was no better than a dead dog, and once Willy breathed his last, he’d have nothing to look forward to but his own imminent demise. Willy had been cautioning him about this for many clays now, and Mr. Bones knew the drill by heart: how to avoid the dogcatchers and constables, the paddy wagons and unmarked ears, the hypocrites from the so-called humane societies. No matter how sweetly they talked to you, the word shelter meant trouble. It would begin with nets and tranquilizer guns, devolve into a nightmare of cages and fluorescent lights, and end with a lethal injection or a dose of poison gas. If Mr. Bones had belonged to some recognizable breed, he might have stood a chance in the daily beauty contests for prospective owners, but Willy’s sidekick was a hodgepodge of genetic strains— part collie, part Labrador, part spaniel, part canine puzzle— and to make matters worse, there were burrs protruding from his ragged coat, bad smells emanating from his mouth, and a perpetual bloodshot sadness lurking in his eyes. No one was going to want to rescue him. As the homeless bard was fond of putting it, the outcome was written in stone. Unless Mr. Bones found another master in one quick hurry, he was a pooch primed for oblivion.

“And if the stun guns don’t get you,” Willy continued, clinging to a lamppost that foggy morning in Baltimore to prevent himself from falling, “there’s a thousand other things that will. I’m warning you, kemo sabe. You get yourself some new gig, or your days are numbered. Just look around this dreary burg. There’s a Chinese restaurant on every block, and if you think mouths won’t water when you come strolling by, then you don’t know squat about Oriental cuisine. They prize the taste of dog, friend. The chefs round up strays and slaughter them in the alley right behind the kitchen—ten, twenty, thirty dogs a week. They might pass them off as ducks and pigs on the menu, but the in-crowd knows what’s what, the gourmets aren’t fooled for a second. Unless you want to wind up in a platter of moo goo gai pan, you’ll think twice before you wag your tail in front of one of those Chink beaneries. Do you catch my drift, Mr. Bones? Know thine enemy—and then keep a wide berth.”

Mr. Bones understood. He always understood what Willy said to him. This had been the case for as long as he could remember, and by now his grasp of Ingloosh was as good as any other immigrant who had spent seven years on American soil. It was his second language, of course, and quite different from the one his mother had taught him, but even though his pronunciation left something to be desired, he had thoroughly mastered the ins and outs of its syntax and grammar. None of this should be seen as strange or unusual for an animal of Mr. Bones’s intelligence. Most dogs acquire a good working knowledge of two-legged speech, but in Mr. Bones’s case there was the advantage of being blessed with a master who did not treat him as an inferior. They had been boon companions from the start, and when you added in the fact that Mr. Bones was not just Willy’s best friend but his only friend, and then further considered that Willy was a man in love with the sound of his own voice, a genuine, dyed-in-the-wool logomaniac who scarcely stopped talking from the instant he opened his eyes in the morning until he passed out drunk at night, it made perfect sense that Mr. Bones should have felt so at home in the native lingo. When all was said and done, the only surprise was that he hadn’t learned to talk better himself.

It wasn’t for lack of earnest effort, but biology was against him, and what with the configuration of muzzle, teeth, and tongue that fate had saddled him with, the best he could do was emit a series of yaps and yawns and yowls, a mooning, muddled sort of discourse. He was painfully aware of how far from fluency these noises fell, but Willy always let him have his say, and in the end that was all that mattered. Mr. Bones was free to put in his two cents, and whenever he did so his master would give him his full attention, and to look at Willy’s face as he watched his friend struggle to make like a member of the human tribe, you would have sworn that he was hanging on every word.

That gloomy Sunday in Baltimore, however, Mr. Bones kept his mouth shut. They were down to their last days together, perhaps even their last hours, and this was no time to indulge in long speeches and loopy contortions, no time for the old shenanigans. Certain situations called for tact and discipline, and in their present dire straits it would be far better to hold his tongue and behave like a good, loyal dog. He let Willy snap the leash onto his collar without protest. He didn’t whine about not having eaten in the past thirty-six hours; he didn’t sniff the air for female scents; he didn’t stop to pee on every lamppost and fire hydrant. He simply ambled along beside Willy, following his master as they searched the empty avenues for 316 Calvert Street.

Mr. Bones had nothing against Baltimore per se. It smelled no worse than any other city they’d camped in over the years, but even though he understood the purpose of the trip, it grieved him to think that a man could choose to spend his last moments on earth in a place he’d never been to before. A dog would never commit such a blunder. He would make his peace with the world and then see to it that he gave up the ghost on familiar ground. But Willy still had two things to accomplish before he died, and with characteristic stubbornness he’d gotten it into his head that there was only one person who could help him. The name of that person was Bea Swanson, and since said Bea Swanson was last known to be living in Baltimore, they had come to Baltimore to find her. All well and good, but unless Willy’s plan did what it was supposed to do, Mr. Bones would be marooned in this city of crab cakes and marble steps, and what was he going to do then? A phone call would have done the job in half a minute, but Willy had a philosophical aversion to using the telephone for important business. He would rather walk for days on end than pick up one of those contraptions and talk to someone he couldn’t see. So here they were two hundred miles later, wandering around the streets of Baltimore without a map, looking for an address that might or might not exist.

Of the two things Willy still hoped to accomplish before he died, neither one took precedence over the other. Each was all-important to him, and since time had grown too short to think of tackling them separately, he had come up with what he referred to as the Chesapeake Gambit: an eleventh-hour ploy to kill both birds with one stone. The first has already been discussed in the previous paragraphs: to find new digs for his furry companion. The second was to wrap up his own affairs and make sure that his manuscripts were left in good hands. At that moment, his life’s work was crammed into a rental locker at the Greyhound bus terminal on Fayette Street, two and a half blocks north of where he and Mr. Bones were standing. The key was in his pocket, and unless he found someone worthy enough to entrust with that key, every word he had ever written would be destroyed, disposed of as so much unclaimed baggage.

In the twenty-three years since he’d taken on the surname of Christmas, Willy had filled the pages of seventy-four notebooks with his writings. These included poems, stories, essays, diary entries, epigrams, autobiographical musings, and the first eighteen hundred lines of an epic-in-progress, Vagabond Days. The majority of these works had been composed at the kitchen table of his mother’s apartment in Brooklyn, but since her death four years ago he’d been forced to write in the open air, often battling the elements in public parks and dusty alleyways as he struggled to get his thoughts down on paper. In his secret heart of hearts, Willy had no delusions about himself. He knew that he was a troubled soul and not fit for this world, but he also knew that much good work was buried in those notebooks, and on that score at least he could hold his head high. Maybe if he had been more scrupulous about taking his medication, or maybe if his body had been a bit stronger, or maybe if he hadn’t been so fond of malts and spirits and the hubbub of bars, he might have done even more good work. That was perfectly possible, but it was too late to dwell on regrets and errors now. Willy had written the last sentence he would ever write, and there were no more than a few ticks left in the clock. The words in the locker were all he had to show for himself. If the words vanished, it would be as if he had never lived.

That was where Bea Swanson entered the picture. Willy knew it was a stab in the dark, but if and when he managed to find her, he was convinced that she would move heaven and earth to help him. Once upon a time, back when the world was still young, Mrs. Swanson had been his high school English teacher, and if not for her it was doubtful that he ever would have found the courage to think of himself as a writer. He was still William Gurevitch in those days, a scrawny sixteen-year-old boy with a passion for books and beebop jazz, and she had taken him under her wing and lavished his early work with praise that was so excessive, so far out of proportion to its true merit, that he began to think of himself as the next great hope of American literature. Whether she was right or wrong to do so is not the question, for results are less important at that stage than promise, and Mrs. Swanson had recognized his talent, she’d seen the spark in his fledgling soul, and no one can ever amount to anything in this life without someone else to believe in him. That’s a proven fact, and while the rest of the junior class at Midwood High saw Mrs. Swanson as a squat, fortyish woman with blubbery arms that bounced and wiggled whenever she wrote on the blackboard, Willy thought she was beautiful, an angel who had come down from heaven and taken on a human form.

By the time school started again in the fall, however, Mrs. Swanson was gone. Her husband had been offered a new job in Baltimore, and since Mrs. Swanson was not only a teacher but a wife, what choice did she have but to leave Brooklyn and go where Mr. Swanson went? It was a tough blow for Willy to absorb, but it could have been worse, for even though his mentor was far away, she did not forget him. Over the next several years, Mrs. Swanson kept up a lively correspondence with her young friend, continuing to read and comment on the manuscripts he sent her, to remember his birthday with gifts of old Charlie Parker records, and to suggest little magazines where he could begin submitting his work. The gushing, rhapsodic letter of recommendation she wrote for him in his senior year helped clinch a full scholarship for Willy at Columbia. Mrs. Swanson was his muse, his protector, and good-luck charm all rolled into one, and at that point in Willy’s life, the sky was definitely the limit. But then came the schizo flip-out of 1968, the mad fandango of truth or consequences on a high-voltage tension wire. They shut him up in a hospital, and after six months of shock treatment and psychopharmacological therapy, he was never quite the same again. Willy had joined the ranks of the walking wounded, and even though he continued to churn out his poems and stories, to go on writing in both sickness and in health, he rarely got around to answering Mrs. Swanson’s letters. The reasons were unimportant. Perhaps Willy was embarrassed to stay in touch with her. Perhaps he was distracted, preoccupied with other business. Perhaps he had lost faith in the U.S. Postal Service and no longer trusted the mail carriers not to snoop inside the letters they delivered. One way or the other, his once voluminous exchanges with Mrs. Swanson dwindled to almost nothing. For a year or two, they consisted of the odd, desultory postcard, then the store-bought Christmas greeting, and then, by 1976, they had stopped altogether. Since that time, not one syllable of communication had passed between them.

Mr. Bones knew all this, and that was precisely what worried him. Seventeen years had gone by. Gerald Ford had been president back then, for Chrissakes, and he himself would not be whelped for another decade. Who was Willy trying to kid? Think of all the things that can happen in that time. Think of the changes that can occur in seventeen hours or seventeen minutes—let alone in seventeen years. At the very least, Mrs. Swanson had probably moved to another address. The old girl would be pushing seventy by now, and if she wasn’t senile or living in a trailer park in Florida, there was a better than even chance that she was dead. Willy had admitted as much when they hit the streets of Baltimore that morning, but what the fuck, he’d said, it was their one and only shot, and since life was a gamble anyway, why not go for broke?

Ah, Willy. He had told so many stories, had talked in so many different voices, had spoken out of so many sides of his mouth at once, that Mr. Bones had no idea what to believe anymore. What was true, what was false? It was difficult to know when dealing with a character as complex and fanciful as Willy G. Christmas. Mr. Bones could vouch for the things he’d seen with his own eyes, the events he’d experienced in his own flesh, but he and Willy had been together for only seven years, and the facts concerning the previous thirty eight were more or less up for grabs. If Mr. Bones hadn’t spent his puppyhood living under the same roof with Willy’s mother, the whole story would have been shrouded in darkness, but by listening to Mrs. Gurevitch and measuring her statements against her son’s, Mr. Bones had managed to stitch together a reasonably coherent portrait of what Willy’s world had looked like before he came into it. A thousand details were lacking. A thousand others were muddled in confusion, but Mr. Bones had a sense of the drift, a feeling for what its shape both was and wasn’t.

It wasn’t rich, for example, and it wasn’t cheerful, and more often than not the air in the apartment had been tinged with sourness and desperation. Considering what the family had been through before it landed in America, it was probably a miracle that David Gurevitch and Ida Perlmutter managed to produce a son in the first place. Of the seven children born to Willy’s grandparents in Warsaw and Lodz between 1910 and 1921, they were the only two to survive the war. They alone did not have numbers tattooed on their forearms, they alone were granted the luck to escape. But that didn’t mean they had an easy time of it, and Mr. Bones had heard enough stories to make his fur tingle. There were the ten days they spent hiding in an attic crawl space in Warsaw. There was the month long walk from Paris to the Free Zone in the south, sleeping in haylofts and stealing eggs to stay alive. There was the refugee internment camp in Mende, the money spent on bribes for safe conducts, the four months of bureaucratic hell in Marseille as they waited for their Spanish transit visas. Then came the long coma of immobility in

Lisbon, the stillborn son Ida delivered in 1944, the two years of looking out at the Atlantic as the war dragged on and their money ebbed away. By the time Willy’s parents arrived in Brooklyn in 1946, it wasn’t a new life they were starting so much as a posthumous life, an interval between two deaths. Willy’s father, once a clever young lawyer in Poland, begged a job from a distant cousin and spent the next thirteen years riding the Seventh Avenue IRT to a button-manufacturing firm on West Twenty-eighth Street. For the first year, Willy’s mother supplemented their income by giving piano lessons to young Jewish brats in the apartment, but that ended one morning in November of 1947 when Willy poked his little face out from between her legs and unexpectedly refused to stop breathing.

He grew up American, a Brooklyn boy who played stick-ball in the streets, read Mad magazine under the covers at night, and listened to Buddy Holly and the Big Bopper. Neither one of his parents could fathom such things, but that was just as well as far as Willy was concerned, since his great goal in life at that stage was to convince himself that his mother and father were not his real parents. He found them alien, wholly embarrassing creatures, a pair of sore thumbs with their Polish accents and stilted foreign ways, and without really having to think about it he understood that his only hope of survival lay in resisting them at every turn. When his father dropped dead from a heart attack at forty-nine, Willy’s sorrow was mitigated by a secret sense of relief. Already at twelve, just barely on the brink of adolescence, he had formulated his lifelong philosophy of embracing trouble wherever he could find it. The more wretched your life was, the closer you were to the truth, to the gritty nub of existence, and what could be more terrible than losing your old man six weeks after your twelfth birthday? It marked you as a tragic figure, disqualified you from the rat race of vain hopes and sentimental illusions, bestowed on you an aura of legitimate suffering. But the fact was that Willy didn’t suffer much. His father had always been a riddle to him, a man prone to weeklong silences and sudden outbursts of rage, and more than once he had slapped down Willy for the smallest, most trifling infraction. No, it wasn’t hard to adjust to life without that bag of explosives. It didn’t take any effort at all.

Or so reckoned the good Herr Doktor Bones. Ignore his opinion if you will, but who else are you prepared to trust? After listening to these stories for the past seven years, had he not earned the right to be called the world’s leading authority on the subject?

That left Willy alone with his mother. She was hardly anyone’s idea of a good time, but at least she kept her hands to herself and showed him considerable amounts of affection, enough warmth of heart to counterbalance the periods when she nagged him and harangued him and got on his nerves. By and large, Willy tried to be a good son. At those rare moments when he was able to stop thinking about himself, he even made a conscious effort to be nice to her. If they had their differences, they were less a result of personal animosity than of starkly opposing world views. From hard-won experience, Mrs. Gurevitch knew that the world was out to get her, and she lived her life accordingly, doing everything in her power to stay clear of harm’s way. Willy also knew that the world was out to get him, but unlike his mother he had no qualms about fighting back. The difference was not that one was a pessimist and the other an optimist, it was that one’s pessimism had led to an ethos of fear, and the other’s pessimism had led to a noisy, fractious disdain for Everything-That-Was. One shrank, the other flailed. One toed the line, the other crossed it out. Much of the time they were at loggerheads, and because Willy found it so easy to shock his mother, he rarely wasted an opportunity to provoke an argument. If only she’d had the wit to back off a little, he probably wouldn’t have been so insistent about making his points. Her antagonism inspired him, pushed him into ever more extreme positions, and by the time he was ready to leave the house and go off to college, he had indelibly cast himself in his chosen role: as malcontent, as rebel, as outlaw poet prowling the gutters of a ruined world.

Lord knows how many drugs that boy ingested in the two and a half years he spent on Morningside Heights. Name an illegal substance, and Willy either smoked it or snorted it or shot it into his veins. It’s one thing to walk around pretending you’re the second coming of François Villon, but feed an unstable young man enough toxic confections to fill a dump site in the Jersey Meadowlands, and his body chemistry is bound to be altered. Sooner or later, Willy might have cracked up anyway, but who would argue that the psychedelic free-for-all of his student days didn’t accelerate the process? When his roommate walked in on him one afternoon in the middle of his junior year and found Willy buck naked on the floor—chanting names from the Manhattan phone book and eating a bowl of his own excrement—the academic career of Mr. Bones’s future master came to an abrupt and permanent end.

The loony bin followed, and then Willy returned to his mother’s apartment on Glenwood Avenue. It wasn’t the ideal place for him to live, perhaps, but where else could a burnout like poor Willy go? For the first six months, not much good came of the arrangement. Other than Willy’s switch from drugs to alcohol, things were essentially the same as they had been. The same tensions, the same conflicts, the same misunderstandings. Then, out of the blue, in late December 1969, Willy had the vision that changed everything, the mystical encounter with blessedness that turned him inside out and set his life on an entirely different course.

It was two-thirty in the morning. His mother had gone to bed several hours before, and Willy was parked on the living room sofa with a pack of Luckies and a bottle of bourbon, watching television out of the corner of one eye. Television was a new habit for him, a by-product of his recent stay in the hospital. He wasn’t particularly interested in the images on the screen, but he enjoyed having the hum and glow of the tube in the background and found comfort in the gray-blue shadows it cast on the walls. The Late Late Show was on just then (something to do with gigantic grasshoppers devouring the citizens of Sacramento, California), but most of the air-time had been given over to chintzy exhortations on behalf of miracle breakthrough products: knives that never went dull, lightbulbs that never burned out, secret-formula lotions that removed the curse of baldness. Yak yak yak, Willy muttered to himself, it’s the same old suds and blather. Just as he was about to stand up and turn off the television, however, a new commercial came on, and there was Santa Claus popping out of someone’s fireplace in what looked like a suburban living room in Massapequa, Long Island. Given that Christmas was just around the corner, Willy had grown used to commercials that featured actors dressed up as Santa Claus. But this one was better than most—a roly-poly guy with rosy cheeks and an honest-to-goodness white beard. Willy paused to watch the beginning of the spiel, fully expecting to hear something about rug shampoos or burglar alarms, when all of a sudden Santa uttered the words that would change his destiny.

“William Gurevitch,” Santa said. “Yes, William Gurevitch of Brooklyn, New York, I’m talking to you.”

Willy had drunk only half a bottle that night, and it had been eight months since his last full-blown hallucination. Nobody was going to trick him into swallowing this garbage. He knew the difference between reality and make-believe, and if Santa Claus was talking to him from his mother’s television set, that could only mean he was a lot drunker than he supposed.

“Fuck you, mister,” Willy said, and without giving the matter another thought, he clicked off the machine.

Unfortunately, he wasn’t able to leave things as they were. Because he was curious, or because he wanted to make sure he wasn’t having another breakdown, Willy decided it would be all right if he turned the television back on—just for a peek, a last little peek. It wasn’t going to hurt anyone, was it? Better to learn the truth now than to walk around with that sack of Yuletide shit preying on his mind for the next forty years.

And lo and behold, there he was again. There was Santa bloody Claus, wagging his finger at Willy and shaking his head with a sad, disappointed look in his eyes. When he opened his mouth and started to talk (picking up precisely where he had left off ten seconds earlier), Willy didn’t know whether he should burst out laughing or jump through the window. It was happening, folks. What could not happen was happening, and right then and there Willy knew that nothing in the world would ever look the same to him again.

“That wasn’t nice, William,” Santa said. “I’m here to help you, but we’re never going to get anywhere if you don’t give me a chance to talk. Do you follow me, son?”

The question seemed to call for a response, but Willy hesitated. Listening to this clown was bad enough. Did he really want to make things worse by talking back to him?

“William!” Santa said. His voice was stern and reproachful, and it contained the power of a personality that was not to be trifled with. If Willy was ever going to squirm out of this nightmare, his only hope would be to play along.

“Yeah, boss,” he mumbled, “I read you loud and clear.”

The fat man smiled. Then, very slowly, the camera moved in on him for a close-up. For the next several seconds Santa stood there stroking his beard, apparently lost in thought.

“Do you know who I am?” he finally said.

“I know who you look like,” Willy said, “but that doesn’t mean I know who you are. At first I thought you were some asshole actor. Then I thought maybe you were that genie in the bottle. Now I don’t have a clue.”

“The thing I look like is the thing I am.”

“Sure, pal, and I’m Haile Selassie’s brother-in-law.”

“Santa Claus, William. A.k.a. Saint Nick. Father Christmas himself. The only force for good left in the world.”

“Santa, huh? And you wouldn’t happen to spell that S-A-N-T-A, would you?”

“Yes, I would. That’s exactly how I’d spell it.”

“That’s what I figured. Now rearrange the letters a little bit, and what do you have? S-A-T-A-N, that’s what. You’re the goddamn devil, grandpa, and the only place you exist is in my mind.”

Notice how Willy struggled against the apparition, how determined he was to thwart its charms. He wasn’t some pea-brained psycho who let figments and specters push him around. He wanted no part of this one, and the disgust he felt, the downright hostility he expressed whenever he recalled the first moments of the encounter, was precisely what convinced Mr. Bones that it was true, that Willy had experienced an authentic vision and was not making the story up. To hear him tell it, the situation was a scandal, an insult to his intelligence, and merely having to look at that bovine lump of clichés brought his blood to a boil. Let someone else make with the ho-ho stuff. Christmas was a fraud, a season for quick bucks and ringing cash registers, and as the symbol of that season, as the very essence of the whole consumerist shebang, Santa was the biggest fake of them all.

But this Santa was no fake, and he was no devil in disguise. He was the true Father Christmas, the one and only Lord of the Elves and Spirits, and the message he’d come to preach was one of goodness, generosity, and self-sacrifice. This unlikeliest of fictions, this contradiction of everything Willy stood for, this absurd display of hokum in the red jacket and the fur-fringed boots—yes, Santa Claus in all his Madison Avenue glory—had sprung forth from the depths of Television Land to debunk the certitudes of Willy’s skepticism and put his soul back together again. It was as simple as that. If anyone was a fraud, Santa said, it was Willy, and then he let him have it in no uncertain terms, lecturing the frightened and bewildered boy for the better part of an hour. He called him a sham, a poseur, and a no-talent hack. Then he upped the ante and called him a zero, a douche bag, a dunderhead, and little by little he broke down the wall of Willy’s defenses and made him see the light. Willy was on the floor by then, weeping his eyes out as he begged for mercy and promised to mend his ways. Christmas was real, he learned, and there would be no truth or happiness for him until he began to embrace its spirit. That would be his mission in life from now on: to embody the message of Christmas every day of the year, to ask nothing from the world and give it only love in return.

In other words, Willy decided to turn himself into a saint.

And so it happened that William Gurevitch concluded his business on this earth, and from his flesh a new man named Willy G. Christmas was born. To celebrate the event, Willy scuttled off to Manhattan the next morning and had himself tattooed with a picture of Santa Claus on his right arm. It was a painful ordeal, but Willy suffered the needles gladly, triumphant in the knowledge that he now bore a visible sign of his transformation and would carry its mark with him forever.

Alas, when he returned to Brooklyn and proudly showed his mother this new ornament, Mrs. Gurevitch went wild, erupting in a tantrum of tears and angry disbelief. It wasn’t just the idea of the tattoo that bent her out of shape (although that was part of it, given that tattooing was proscribed by Jewish law—and given what role the tattooing of Jewish skin had played in her lifetime), it was what this particular tattoo represented, and in that Mrs. Gurevitch saw the three-color Santa Claus on Willy’s arm as a token of betrayal and incurable madness, her outburst at that moment was perhaps understandable. Until then, she had managed to delude herself into thinking that her son would make a full recovery. She blamed his condition on the drugs, and once the noxious residues were flushed out of his system and his blood count returned to normal, she felt it would only be a matter of time before he turned off the television set and went back to college. But not anymore. One glance at the tattoo, and all those vain hopes and false expectations shattered at her feet like so much glass. Santa Claus was from the other side. He belonged to the Presbyterians and the Roman Catholics, to the Jesus-worshipers and Jew-haters, to Hitler and all the rest of them. The goyim had taken hold of Willy’s brain, and once they crawled inside you they never let go. Christmas was only the first step. Easter was just a few months down the road, and then they’d drag out those crosses of theirs and start talking about murder, and before long the storm troopers would be breaking down the door. She saw the picture of Santa Claus emblazoned on her son’s arm, but as far as she was concerned it might just as well have been a swastika.

Willy was frankly perplexed. He hadn’t meant any harm, and in his present blissful state of remorse and conversion, the last thing he wanted was to offend his mother. But talk and explain as he did, she refused to listen. She shrieked at him and called him a Nazi, and when he persisted in trying to make her understand that Santa Claus was an incarnation of the Buddha, a holy being whose message to the world was one of merciful love and compassion, she threatened to send him back to the hospital that very afternoon. This brought to mind a sentence that Willy had heard from a fellow patient at Saint Luke’s—”I’d rather have a bottle in front of me than a frontal lobotomy”—and suddenly he knew what was in store for him if he let his mother have her way. So rather than go on beating a dead horse, he climbed into his overcoat and left the apartment, heading in a beeline for God knows where.

Thus began a pattern that continued for the next umpteen years. Willy would stay with his mother for several months, then leave for several months, then come back. The first departure was probably the most dramatic, if only because Willy still had everything to learn about the wandering life. He was gone for just a short spell, and although Mr. Bones was never quite certain what Willy meant by short, whatever happened to his master during the weeks or months he was away proved to him that he had found his true calling. “Don’t tell me that two and two is four,” Willy said to his mother when he returned to Brooklyn. “How do we know that two is two? That’s the real question.”

The next day, he sat down and started writing again. It was the first time he’d picked up a pen since before the hospital, and the words poured out of him like water gushing from a broken pipe. Willy G. Christmas proved to be a better and more inspired poet than William Gurevitch had ever been, and what his early efforts lacked in originality, they made up for in hell-bent enthusiasm. Thirty-three Rules to Live By was a good example. Its opening lines read as follows:

Literary pursuits were one thing, but how you conducted yourself in the world was quite another. Willy’s poems might have changed, but that still didn’t answer the question about whether Willy himself had changed. Did he actually become a new person, or was the plunge into sainthood no more than a passing impulse? Had he boondoggled himself into an untenable position, or was there something more to be said about his rebirth than the tattoo on his right biceps and the ridiculous moniker he took such pleasure in using? An honest answer would be yes and no, perhaps, a little of both. For Willy was weak, and Willy was often belligerent, and Willy was prone to forget things. Mental mishaps dogged him, and whenever the pinball machine in his head speeded up and went tilt, all bets were off. How could a man of his ilk propose to don the mantle of purity? Not only was he an incipient lush, and not only was he a bred-in-the-bone liar with a strong paranoiac bent, he was too damn funny for his own good. Once Willy started in with the jokes, Santa Claus burst into flames, and the whole hearts-and-flowers act burned to the ground with him.

Still and all, it would be wrong to say that he didn’t try, and in that trying hung a large part of the story. Even if Willy didn’t always live up to his expectations for himself, at least he had a model for how he wanted to behave. At those rare moments when he was able to focus his thoughts and curb his excesses in the beverage department, Willy demonstrated that no act of courage or generosity was beyond him. In 1972, for example, at no small risk to himself, he rescued a four-year-old girl from drowning. In 1976, he came to the defense of an eighty-one-year-old man who was being mugged on West Forty-third Street in New York—and for his pains received a knife wound in his shoulder and a bullet in his leg. More than once he gave his last dollar to a friend down on his luck, he let the lovelorn and the heartsick cry on his shoulder, and over the years he talked one man and two women out of suicide. There were fine things in Willy’s soul, and whenever he let them come out, you forgot the other things that were in there as well. Yes, he was a bedraggled, demented pain in the ass, but when all was right in his head, Willy was one in a million, and everyone who crossed paths with him knew it.

Whenever he talked to Mr. Bones about those early years, Willy tended to dwell on the good memories and ignore the bad. But who could blame him for sentimentalizing the past? We all do it, dogs and people alike, and in 1970 Willy had been nowhere if not in the pink of youth. His health was as robust as it would ever be, his teeth were intact, and to top it off he had money in the bank. A small sum had been set aside for him from his father’s life insurance policy, and when he came into this money on his twenty-first birthday, he was kept in pocket change for close to a decade. But above and beyond the boon of money and youth, there was the historical moment, the times themselves, the spirit abroad in the land when Willy set forth on his career of vagabondage. The country was crawling with dropouts and runaway children, with long-haired neo-visionaries, dysfunctional anarchists, and doped-up misfits. For all the oddness he demonstrated in his own right, Willy hardly stood out among them. He was just one more weirdo on the Amerikan scene, and wherever his travels happened to take him—be it Pittsburgh or Pittsburgh, Pocatello or Boca Raton—he managed to latch on to like-minded souls for company. Or so he said, and in the long run Mr. Bones saw no reason to doubt him.

Not that it would have made any difference if he had. The dog had lived long enough to know that good stories were not necessarily true stories, and whether he chose to believe the stories Willy told about himself or not was less important than the fact that Willy had done what he had done, and the years had passed. That was the essential thing, wasn’t it? The years, the number of years it took to go from being young to not-so-young, and all the while to watch the world change around you. By the time Mr. Bones crept forth from his mother’s womb, Willy’s salad days were but a dim memory, a pile of compost moldering in a vacant lot. The runaways had crawled back home to mom and dad; the potheads had traded in their love beads for paisley ties; the war was over. But Willy was still Willy, the boffo rhymester and self-appointed bearer of Santa’s message, your basic sorry excuse rigged out in the filthy duds of tramphood. The passage of time had not treated the poet kindly, and he didn’t blend in so well anymore. He stank and drooled, he rubbed people the wrong way, and what with the bullet wounds and the knife wounds and the general deterioration of his physical self, he’d lost his quickness, his heretofore astonishing knack for slithering out of trouble. Strangers robbed him and beat him up. They kicked him while he slept, they set his books on fire, they took advantage of his aches and pains. After one such encounter landed him in the hospital with blurred vision and a fractured arm, he realized that he couldn’t go on without some kind of protection. He thought of a gun, but weapons were abhorrent to him, and so he settled on the next best thing known to man: a bodyguard with four legs.

Mrs. Gurevitch was less than thrilled, but Willy put his foot down and got his way. So the young Mr. Bones was torn from his mother and five siblings at the North Shore Animal Shelter and moved to Glenwood Avenue in Brooklyn. To be perfectly honest, he didn’t remember much about those early days. Ingloosh was still virgin territory to him back then, and what with Mrs. Gurevitch’s bizarrely mangled locutions and Willy’s penchant for talking in different voices (Gabby Hayes one minute, Louis Armstrong the next; Groucho Marx in the morning, Maurice Chevalier at night), it took several months to get the hang of it. In the meantime, there were the agonies of puppyhood: the struggles with bladder and bowel control, the newspapers on the kitchen floor, the snout-whacks from Mrs. Gurevitch every time the pee dribbled out of him. She was a crotchety old complainer, that one, and if not for Willy’s gentle hands and soothing endearments, life in that apartment would have been no picnic. Winter was upon them, and with everything ice and stinging salt pellets on the streets below, he spent ninety-eight percent of his time indoors, either sitting at Willy’s feet as the poet cranked out his latest masterpiece or exploring the nooks and crevices of his new home. The apartment consisted of four and a half rooms, and by the time spring came Mr. Bones was familiar with every stick of furniture, every blot on the rugs, every gash in the linoleum. He knew the smell of Mrs. Gurevitch’s slippers and the smell of Willy’s underpants. He knew the difference between the doorbell and the telephone, could distinguish between the sound of jangling keys and the clatter of pills in a plastic vial, and before long he was on a first-name basis with every cockroach who lived in the cupboard under the kitchen sink. It was a dull, circumscribed routine, but how was Mr. Bones to know that? He was no more than a lame-brained pup, a nincompoop with floppy paws who ran after his own tail and chomped on his own shit, and if this was the only life he’d ever tasted, who was he to judge whether it was rich or poor in the stuff that makes life worth living?

Was that little mutt in for a surprise! When the weather at last turned warm and the flowers unfurled their buds, he learned that Willy was more than just a pencil-pushing homebody and professional jerk-off artist. His master was a man with the heart of a dog. He was a rambler, a rough-and-ready soldier of fortune, a one-of-a-kind two-leg who improvised the rules as he went along. They simply upped and left one morning in the middle of April, launched out into the great beyond, and saw neither hide nor hair of Brooklyn until the day before Halloween. Could a dog ask for more than that? As far as Mr. Bones was concerned, he was the luckiest creature on the face of the earth.

There were the winter hibernations, of course, the returns to the ancestral home, and with them the inevitable drawbacks to life indoors: the long months of hissing steam radiators, the infernal ruckus of vacuum cleaners and Waring blenders, the tedium of canned food. Once Mr. Bones caught on to the rhythm, however, he had little cause for complaint. It was cold out there, after all, and the apartment had Willy in it, and how bad could life be if he and his master were together? Even Mrs. Gurevitch eventually seemed to come round. Once the housebreaking issue was resolved, he noticed a distinct softening in her attitude toward him, and though she continued to grumble about the hairs he deposited throughout her domain, he understood that her heart was not fully in it. Sometimes she would even let him sit beside her on the living room sofa, softly stroking his head with one hand as she flipped through her magazine with the other, and more than once she actually confided in him, unburdening herself of assorted worries in regard to her wayward, benighted son. What a sorrow he was to her, and what a sad thing it was that such a fine boy should be so screwed up in the head. But half a son was better than no son, farshtaist?, and what choice did she have but to go on loving him and hope that things turned out for the best? They’d never allow him to be buried in a Jewish cemetery—not with that funny business on his arm, they wouldn’t—and just knowing that he wouldn’t be laid to rest beside his mother and father was another sorrow, another torment that preyed on her mind, but life was for the living, wasn’t it?, and thank God they were both in good health— touch wood—or at least not so bad, all things considered, and that in itself was a blessing, something to be thankful for, and you couldn’t buy that at the five-and-dime, could you?, they didn’t have commercials for that on TV. Color, black-and-white, it didn’t matter what kind of set you had. Life wasn’t for sale, and once you found yourself at death’s door, all the noodles in China weren’t going to stop that door from opening.

As Mr. Bones discovered, the differences between Mrs. Gurevitch and her son were much smaller than he had at first supposed. It was true that they often disagreed, and it was true that their smells had nothing in common—the one being all dirt and male sweat, the other a mélange of lilac soaps,

Pond’s facial cream, and spearmint denture paste—but when it came to talking, this sixty-eight-year-old Mom-san could hold her own with anyone, and once she let fly with one of her interminable monologues, you quickly understood why her offspring had turned into such a champion chatterbox. The subjects they talked about might have been different, but their styles were essentially the same: lurching, nonstop runs of free association, numerous asides and parenthetical remarks, and a full repertoire of extraverbal effects, replete with everything from clicks to chortles to deep glottal gasps. From Willy, Mr. Bones learned about humor, irony, and metaphorical abundance. From Mom-san, he learned important lessons about what it meant to be alive. She taught him about anxiety and tsuris, about bearing the weight of the world on your shoulders, and—most important of all—about the benefits of an occasional good cry.

As he trudged along beside his master that dreary Sunday in Baltimore, Mr. Bones found it odd that he should be thinking about these things now. Why hark back to Mrs. Gurevitch?, he wondered. Why recall the tedium of the Brooklyn winters when there were so many fuller and more buoyant memories to contemplate? Albuquerque, for example, and their blissful sojourn in that abandoned bed factory two years ago. Or Greta, the voluptuous she-hound he’d romped with for ten nights running in a cornfield outside of Iowa City. Or that nutty afternoon in Berkeley four summers ago when Willy had sold eighty-six Xeroxed copies of a single poem on Telegraph Avenue for a dollar apiece. It would have done him a world of good to be able to relive some of those things now, to be back somewhere with his master before the cough began—even last year, even nine or ten months ago, yes, maybe even hanging out with that tubby broad Willy had shacked up with for a while—Wanda, Wendy, whatever her name was—the girl who lived out of the back of her station wagon in Denver and liked to feed him hard-boiled eggs. She was a pistol, that one, a bawdy sack of blubber and booze, always laughing too much, always tickling him on the soft part of his belly and then, whenever his pink doggy dick came popping out of its sheath (not that Mr. Bones objected, mind you), roaring with even more laughter, so much laughter that her face would turn fifteen shades of purple, and so often was this little comedy repeated during the short time they spent with her that he had only to hear the word Denver now for Wanda’s laugh to start ringing in his ears again. That was Denver for him, just as Chicago was a bus splashing through a rain puddle on Michigan Avenue. Just as Tampa was a wall of light shimmering up from the asphalt one August afternoon. Just as Tucson was a hot wind blowing off the desert, bearing with it the scent of juniper leaves and sagebrush, the sudden, unearthly plenitude of the vacant air.

One by one, he tried to attach himself to these memories, to inhabit them for a few more moments as they flitted past him, but it was no use. He kept going back to the Brooklyn apartment, to the languors of those cold-weather confinements, to Mom-san padding around the rooms in her fluffy white slippers. There was nothing to do but stay there, he realized, and as he finally gave in to the force of those endless days and nights, he understood that he had returned to Glenwood Avenue because Mrs. Gurevitch was dead. She had left this world, just as her son was about to leave it, and by rehearsing that earlier death, he was no doubt preparing himself for the next one, the death of deaths, which was destined to turn the world upside down, perhaps even destroy it entirely.

Winter had always been the season of poetic labor. Willy kept nocturnal hours when he was at home, and most often he would start his day’s work just after his mother went to bed. Life on the road did not allow for the rigors of composition. The pace was too hurried, the spirit too peripatetic, the distractions too continuous for anything but an infrequent jotting, the odd note or phrase dashed off on a paper napkin. During the months he spent in Brooklyn, however, Willy generally put in three or four hours a night at the kitchen table, scratching out his verses into 8-½” by 11” spiral notebooks. At least that was the case when he wasn’t off on a binge somewhere, or too down in the dumps, or stymied by a lack of inspiration. He sometimes muttered to himself as he wrote, sounding out the words as he put them down on paper, and sometimes he even went so far as to laugh or growl or pound his fist on the table. At first, Mr. Bones assumed these noises were directed at him, but once he learned that carryings-on of this sort were part of the creative process, he would content himself with curling up under the table and dozing at his master’s feet, waiting for the moment when the night’s work was done and he would be taken outside to empty his bladder.

Still, it hadn’t been all slump and torpor, had it? Even in Brooklyn there had been some bright spots, some deviations from the literary grind. Go back thirty-eight years on the dog calendar, for example, and there was the Symphony of Smells, that unique and shining chapter in the annals of Willydom, when for one whole winter there were no words at all. Yes, that surely was a time, Mr. Bones said to himself, a most beautiful and crazy time, and to recollect it now sent a warm glow of nostalgia coursing through his blood. Had he been capable of smiling, he would have smiled at that moment. Had he been capable of shedding tears, he would have shed tears. Indeed, if such a thing were possible, he would have been laughing and crying at the same time—both celebrating and mourning his beloved master, who was soon to be no more.

The Symphony went back to the early days of their life together. They had left Brooklyn twice, had returned to Brooklyn twice, and in that time Willy had developed the keenest, most ardent affection for his four-legged friend. Not only did he feel protected now, and not only was he glad to have someone to talk to, and not only did it comfort him to have a warm body to curl up against at night, but after living with the dog at such close quarters for so many months, Willy had judged him to be wholly and incorruptibly good. It wasn’t just that he knew that Mr. Bones had a soul. He knew that soul to be better than other souls, and the more he saw of it, the more refinement and nobility of spirit he found there. Was Mr. Bones an angel trapped in the flesh of a dog? Willy thought so. After eighteen months of the most intimate, clear-eyed observations, he felt certain of it. How else to interpret the celestial pun that echoed in his mind night and day? To decode the message, all you had to do was hold it up to a mirror. Could anything be more obvious? Just turn around the letters of the word dog, and what did you have? The truth, that’s what. The lowest being contained within his name the power of the highest being, the almighty artificer of all things. Was that why the dog had been sent to him? Was Mr. Bones, in fact, the second coming of the force that had delivered Santa Claus to him on that December night in 1969? Perhaps. And then again, perhaps not. To anyone else, the matter would have been open to debate. To Willy— precisely because he was Willy—it wasn’t.

Still and all, Mr. Bones was a dog. From the tip of his tail to the end of his snout, he was a pure example of Canis familiaris, and whatever divine presence he might have harbored within his skin, he was first and foremost the thing he appeared to be. Mr. Bow Wow, Monsieur Woof Woof, Sir Cur. As one wag neatly put it to Willy in a Chicago bar four or five summers back: “You want to know what a dog’s philosophy of life is, pal? I’ll tell you what it is. Just one short sentence: If you can’t eat it or screw it, piss on it.’ “

Willy had no problem with that. Who knew what theological mysteries were at work in a case like this? If God had sent his son down to earth in the form of a man, why shouldn’t an angel come down to earth in the form of a dog? Mr. Bones was a dog, and the truth was that Willy took pleasure in that dogness, found no end of delight in watching the spectacle of his confrere’s canine habits. Willy had never kept company with an animal before. As a boy, his parents had turned him down every time he’d asked for a pet. Cats, turtles, parakeets, hamsters, goldfish—they would have nothing to do with them. The apartment was too small, they said, or animals stank, or they cost money, or Willy wasn’t responsible enough. As a result, until Mr. Bones came into his life, he had never had the opportunity to observe a dog’s behavior at close hand, had never even bothered to give the subject much thought. Dogs were no more than dim presences to him, shadowy figures hovering at the edge of consciousness. You avoided the ones who barked at you, you patted the ones who licked you. That was the extent of his knowledge. Two months after his thirty-eighth birthday, all that suddenly changed.

There was so much to absorb, so much evidence to assimilate, decipher, and make sense of that Willy hardly knew where to begin. The wagging tail as opposed to the tail between the legs. The pricked ears as opposed to the flaccid ears. The rolling onto the back, the running in circles, the anus-sniffs and growls, the kangaroo-hops and midair turns, the stalking crouch, the bared teeth, the cocked head, and a hundred other minute particulars, each one an expression of a thought, a feeling, a plan, an urge. It was like learning how to speak a new language, Willy found, like stumbling onto a long-lost tribe of primitive men and having to figure out their impenetrable mores and customs. Once he had surmounted the initial barriers, what intrigued him most was the conundrum he referred to as the Eye-Nose Paradox, or the Senses Census. Willy was a man, and therefore he relied chiefly on sight to form his understanding of the world. Mr. Bones was a dog, and therefore he was next to blind. His eyes were useful to him only in that they helped to distinguish shapes, to make out the broad outlines of things, to tell him whether the object or being that loomed up before him was a hazard to be shunned or an ally to be kissed. For true knowledge, for a genuine grasp of reality in all its manifold configurations, only the nose was of any value. Whatever Mr. Bones knew of the world, whatever he had discovered in the way of insights or passions or ideas, he had been led to by his sense of smell. At first, Willy could scarcely believe his eyes. The dog’s avidity for smells seemed boundless, and once he had found an odor that interested him, he would clamp his nose over it with such determination, such whole-hog enthusiasm, that everything else in the world would cease to exist. His nostrils were turned into suction tubes, sniffing up scents in the way a vacuum cleaner inhales bits of broken glass, and there were times—many times, in fact—when Willy marveled that the sidewalk did not crack apart from the force and fury of Mr. Bones’s snout-work. Normally the most obliging of creatures, the dog would grow stubborn, distracted, seem to forget his master entirely, and if Willy happened to tug on the leash before Mr. Bones was ready to move on, before he had ingested the full savor of the turd or urine puddle under scrutiny, he would plant his legs to resist the yank, and so unbudgeable did he become, so firmly did he anchor himself to the spot, that Willy often wondered if there wasn’t a sac hidden somewhere in his paws that could secrete glue on command.

How not to be fascinated by all this? A dog had roughly two hundred and twenty million scent receptors, whereas a man had but five million, and with a disparity as great as that, it was logical to assume that the world perceived by a dog was quite different from the one perceived by a man. Logic had never been Willy’s strength, but in this case he was driven by love as much as by intellectual curiosity, and therefore he stuck with the question with more persistence than usual. What did Mr. Bones experience when he smelled something? And, just as important, why did he smell what he smelled? Close observation had led Willy to conclude that there were essentially three categories of interest to Mr. Bones: food, sex, and information about other dogs. A man opens the morning paper to find out what his fellow creatures have been up to; a dog does the same thing with his nose, sniffing trees and lampposts and fireboxes to learn about the doings of the local dog population. Rex, the sharp-fanged Rottweiler, has left his mark on that bush; Molly, the cute cocker spaniel, is in heat; Roger, the mutt, ate something that didn’t agree with him. That much was clear to Willy, a matter beyond dispute. Where things grew complicated was when you tried to understand what the dog was feeling. Was he merely looking out for himself, digesting information in order to keep a leg up on the other dogs, or was there something more to these frantic sniff-fests than simple military tactics? Could pleasure be involved as well? Could a dog with his head buried in a garbage can experience something akin, say, to the heady swoon that comes over a man when he presses his nose against a woman’s neck and breathes in a whiff of ninety-dollar-an-ounce French perfume?

It was impossible to know for sure, but Willy tended to think that he did. Why else would it have been so difficult to wrench Mr. Bones away from the sites of certain smells? The dog was enjoying himself, that’s why. He was in a state of intoxication, lost in a nasal paradise he could not bear to leave. And if, as has already been established, Willy was convinced that Mr. Bones had a soul, did it not stand to reason that a dog of such spiritual inclinations would aspire to loftier things—things not necessarily related to the needs and urgencies of his body, but spiritual things, artistic things, the immaterial hungers of the soul? And if, as all philosophers on the subject have noted, art is a human activity that relies on the senses to reach that soul, did it not also stand to reason that dogs—at least dogs of Mr. Bones’s caliber—would have it in them to feel a similar aesthetic impulse? Would they not, in other words, be able to appreciate art? As far as Willy knew, no one had ever thought of this before. Did that make him the first man in recorded history to believe that such a thing was possible? No matter. It was an idea whose time had come. If dogs were beyond the pull of oil paintings and string quartets, who was to say they wouldn’t respond to an art based on the sense of smell? Why not an olfactory art? Why not an art for dogs that dealt with the world as dogs knew it?

Thus began the lunatic winter of 1988. Mr. Bones had never seen Willy so excited, so calm, so filled with steadfast energy. For three and a half months he worked on the project to the exclusion of everything else, scarcely bothering to smoke or drink anymore, sleeping only when absolutely compelled to, all but forgetting to write, read, or pick his nose. He drew up plans, made lists, experimented with smells, traced diagrams, built structures out of wood, canvas, cardboard, and plastic. There were so many calculations to be made, so many tests to be run, so many daunting questions to be answered. What was the ideal sequence of smells? How long should a symphony last, and how many smells should it contain? What was the proper shape of the symphony hall? Should it be constructed as a labyrinth, or was a progression of boxes within boxes better suited to a dog’s sensibility? Should the dog do the work alone, or should the dog’s owner be there to guide him from one stage of the performance to the next? Should each symphony revolve around a single subject—food, for example, or female scents—or should various elements be mixed together? One by one, Willy talked out these problems with Mr. Bones, asked for his opinions, solicited his advice, and begged his indulgence to serve as guinea pig for the numerous trials and errors that followed. The dog had rarely felt so honored, so implicated in the throb of human affairs. Not only did Willy need him, but that need had been inspired by Mr. Bones himself. From his humble origins as a mutt of no particular worth or distinction, he had been turned into the dog of dogs, an exemplar of the whole canine race. Of course he was happy to do his bit, to play along with whatever Willy asked of him. What difference did it make if he didn’t fully understand? He was a dog, wasn’t he?, and why should he object to sniffing a pile of urine-soaked rags, to pushing his body through a narrow trapdoor, or to crawling through a tunnel whose walls had been smeared with the traces of a meatball-and-spaghetti dinner? It might not have served any purpose, but the truth was that it was fun.

That was what came back to him now: the fun of it, the ongoing rush of Willy’s excitement. Forget Mom-san and her sarcastic comments. Forget the fact that their laboratory was in the sub-basement of the building, next to the furnace and the sewage pipes, and that they worked on a cold dirt floor. They were collaborating on something important, enduring hardships together in the name of scientific progress. If there was anything to regret sometimes, it was simply the depth of Willy’s commitment to what they were doing. He was so consumed by it, so wrapped up in the nuts and bolts of the project, that it became increasingly hard for him to keep things in perspective. One day, he would talk about his invention as if it were a major discovery, a breakthrough on a par with the lightbulb, the airplane, or the computer chip. It would rake in bags of money, he said, turn them into millionaires many times over, and they would never have to worry about anything again. On other days, however, suddenly filled with doubts and uncertainties, he would present arguments to Mr. Bones that were so finely parsed, so hair-splitting in their exactitude, that the dog began to fear for his master’s health. Was it perhaps pushing things too far, Willy asked one evening, to include female scents in the orchestration of the symphonies? Wouldn’t those smells induce lust in the dog who inhaled them, and wouldn’t that undermine their aesthetic aspirations, turning the piece into something pornographic, a kind of smut for dogs? Immediately following that statement, Willy started bending words again, which happened whenever his mind was working at top speed. “Cure porn with corn,” he muttered to himself, pacing back and forth across the dirt floor, “pure corn will cure porn.” Once Mr. Bones had untangled the knots of the spoonerism, he understood Willy to mean that sentimentality was preferable to sex, at least as far as the symphonies were concerned, and that to remain faithful to the endeavor of bringing aesthetic pleasure to dogs, spiritual longings would have to be emphasized over physical ones. So, after two straight weeks of rubbing his nose in towels and sponges saturated with the aromas of bitches in heat, Mr. Bones was offered a whole new set of instruments: Willy himself, in all his vaporous guises. Dirty socks, undershirts, shoes, handkerchiefs, pants, scarves, hats— anything and everything that bore the scent of his master. Mr. Bones enjoyed these things, just as he had enjoyed the other things. For the fact was that Mr. Bones was a dog, and dogs enjoyed smelling whatever they were given to smell. It was in their nature; it was what they were born to do; it was, as Willy had correctly observed, their calling in life. For once, Mr. Bones was glad that he had not been endowed with the power of human speech. If he had, he would have been forced to tell Willy the truth, and that would have caused him much pain. For a dog, he would have said, for a dog, dear master, the fact is that the whole world is a symphony of smells. Every hour, every minute, every second of his waking life is at once a physical and a spiritual experience. There is no difference between the inner and the outer, nothing to separate the high from the low. It’s as if, as if…

Just as Mr. Bones was beginning to unfurl this imaginary speech in his head, he was interrupted by the sound of Willy’s voice. Damn, he heard him say. Damn, damn, and double damn. Mr. Bones jerked up his head to see what the trouble was. A light rain had begun to fall, a drizzle so faint that Mr. Bones hadn’t even felt it landing on his fluffy coat. But little beads of wetness were glistening in Willy’s beard, and the master’s black T-shirt had already absorbed enough moisture to be showing a fine polka-dotted pattern. This wasn’t good. The last thing Willy needed was to get drenched, but if the sky delivered what it seemed to have promised, that’s exactly what was going to happen. Mr. Bones perused the clouds overhead. Barring a sudden change of wind, in less than an hour the present feeble raindrops would develop into a fullblown, lusty downpour. Damn, he thought. How much farther to go before they found Calvert Street? They had been stumbling around for the past twenty or thirty minutes, and Bea Swanson’s house was still nowhere in sight. If they didn’t get there soon, they weren’t going to make it. They weren’t going to make it, because Willy wouldn’t have the strength to go on.

Given their predicament, the last thing Mr. Bones was expecting just then was that his master would start to laugh. But there it was, rumbling up from the depths of his stomach and bursting forth into the Sunday stillness: the old familiar haw. For a moment he thought that maybe Willy was trying to clear his throat, but when the first haw was followed by another haw, and then another, and still another after that, he could no longer doubt what his ears were telling him.

“Lookee here, ol’ bud,” Willy said, launching into his best cowboy twang. This was a voice reserved for special occasions, an accent that Willy called upon only when he found himself in the presence of life’s grandest, most dizzying ironies. Baffled though he was to hear it now, Mr. Bones tried to take heart from this sudden shift in the emotional weather.

Willy had come to a full stop on the sidewalk. The neighborhood all around them stank of poverty and uncollected garbage, and yet where should they be standing but in front of the loveliest little house Mr. Bones had ever seen, a toy-sized edifice made of red bricks and adorned with slatted green shutters, three green steps, and a brightly painted white door. A plaque was affixed to the wall, and Willy was squinting forward to read what it said, sounding more and more like a Texas ranch hand with each passing second.

“Two-oh-three North Amity Street,” he recited. “Residence of Edgar Allan Poe, eighteen-thirty-two to eighteen-thirty-five. Open to the public April to December, Wednesday through Saturday, noon to three forty-five P.M.”

It sounded like pretty dull stuff to Mr. Bones, but who was he to grumble about his master’s enthusiasms? Willy sounded more inspired than at any moment in the past two weeks, and even though his recitation was followed by another brutal coughing fit (more sputum, more gasping, more foot-stomping as he clung to the downspout for dear life), he quickly rebounded once the spasm was over.

“We done hit pay dirt, little pard,” Willy said, spitting out the last bits of mucus and pulmonary tissue. “It ain’t Miss Bea’s house, that’s for sure, but give me my druthers, and there’s no place on earth I’d rather be than here. This Poe fella was my grandpa, the great forebear and daddy of all us Yankee scribes. Without him, there wouldn’t have been no me, no them, no nobody. We’ve wound up in Poe-land, and if you say it quick enough, that’s the same country my own dead ma was born in. An angel’s led us to this spot, and I aim to sit here awhile and pay my respects. Seein’ as how I can’t take another step anyway, I’d be much obliged if you joined me, Mr. Bones. That’s right, take a seat beside me while I rest my pins. Never mind the rain. It’s just a few drops is all, and it don’t mean us no harm.”

Willy let out a long, laboring grunt and then eased himself to the ground. It was a painful thing for Mr. Bones to observe—all that effort to travel just a few inches—and the dog’s heart welled up with pity to see his master in such a sorrowful state. He could never be certain exactly how he knew it, but as he watched Willy lower himself to the sidewalk and lean his back against the wall, he knew that he would never get up again. This was the end of their life together. The last moments were upon them, and there was nothing to do now but sit there until the light faded from Willy’s eyes.

Still, the trip hadn’t worked out so badly. They’d come here looking for one thing and had found another, and in the end Mr. Bones much preferred the thing they’d found to the thing they hadn’t. They weren’t in Baltimore, they were in Poland. By some miracle of luck or fate or divine justice, Willy had managed to get himself home again. He had returned to the place of his ancestors, and now he could die in peace.

Mr. Bones raised his left hind paw and began working on an itch behind his ear. In the distance, he saw a man and a little girl walking slowly in the opposite direction, but he didn’t trouble himself about them. They would come, they would go, and it made no difference who they were. The rain was coming down harder now, and a small breeze was beginning to kick around the candy wrappers and paper bags in the street. He sniffed the air once, twice, then yawned for no particular reason. After a moment, he curled up on the ground beside Willy, exhaled deeply, and waited for whatever was going to happen next.