Trace

23

Lucy does not like to trust other people to do her work. As much as she relies on Rudy, she doesn't trust him with her work, not these days, because of Henri and the way he feels about her. Lucy looks at the printed results from the IAFIS search by herself while she sits in her office, headphones on, skipping through banal recordings of her neighbor Kate's banal telephone conversations. It is early morning, Thursday, one week before Christmas.

Late yesterday, Kate called her back. She left a message on Lucy's cell phone. "Hugs and kisses for the tickets," and "Who is the pool lady? Someone famous?" Lucy does have a pool lady and she is nobody famous. She is a brunette in her fifties and looks much too small to use a skimmer, and she's not a movie star and she's not a beast. Lucy's bad luck holds strong with IAFIS, which returned no good candidates, meaning the automated search came up empty-handed. Matching latent prints to latent prints, especially when some of the prints are partial ones, is a crap shoot.

Each of a person's ten fingerprints is unique. For example, a person's left thumbprint does not match his right thumbprint. With no ten-print card on file, IAFIS could only get a hit on unknown latents if the perpetrator left a latent print of his right thumb at one crime scene and a latent of the same thumb at another crime scene, and both latents were entered into IAFIS, and both latents were either complete prints or just so happened to include the same friction ridge characteristics in each print.

A manual or visual comparison of the latent prints tells another story, however, and here Lucy's luck gets a little better. Latent partial prints she recovered from the drawing of the eye do match some of the partial prints she recovered from the bedroom after Henri was attacked. This doesn't surprise Lucy, but she is happy for the verification. The beast who entered her house is the same beast who left the drawing of the eye, and the same beast also scratched her black Ferrari, although no print was recovered from the car. But how many beasts go around drawing eyes? So he did it, although none of these matches tell Lucy who he is. All she knows is that the same beast is causing all this trouble, and he does not have a ten-print card on file in IAFIS or anywhere else, it seems, and he continues to stalk Henri and must not know that she is far away from here. Or maybe he assumes Henri is coming back or at least hears about his latest exploits.

In the beast's mind, if Henri at least knows he taped a drawing on the door, then Henri is frightened and upset again and maybe she will never come back. What matters to the beast is that he overpower her. That is what stalking is all about. It is an overpowering of another person. In a sense, the stalker takes his victim hostage without ever laying a finger on her or in some cases ever meeting her. As far as Lucy knows, the beast has never met Henri. As far as Lucy knows. What does she know, really? Not a hell of a lot.

She flips through a printout from a different computer search she ran last night, and she deliberates over whether to call her aunt. It has been a while since Lucy called Scarpetta, and there is no good excuse, although Lucy has made plenty of excuses. She and her aunt both spend much of their time in South Florida, not even an hour from each other. Scarpetta moved from Del Ray to Los Olas last summer, and Lucy has visited her new home only once, and that was months ago. The more time that has passed, the harder it is to call her. Unspoken questions will hover between them and it will be awkward, but Lucy decides it isn't right if she doesn't call her under the circumstances. So she does.

"This is your wake-up call," she says when her aunt picks up.

"If that's the best you can do, you won't fool anyone," Scarpetta replies.

"What's that supposed to mean?"

"You don't sound like the front desk and 1 didn't ask for a wakeup call. How are you? And where are you?"

"Still in Florida," Lucy says.

"Still? As in maybe you're leaving again?"

"I don't know. Probably."

"Where to?"

"I'm not sure," Lucy says.

"Okay. What are you working on?"

"A stalking case," Lucy replies.

"Those are very hard."

"No kidding. This one especially. But I can't talk about it."

You never can.

"You don't talk about your cases," Lucy says.

"Usually not."

"So then what else is new?"

"Not a thing. When am I going to see you? I haven't seen you since September."

"I know. What have you been doing in the big bad city of Richmond?" Lucy asks. "What are they fighting over up there these days? Any new monuments? Maybe the latest artwork on the flood wall?"

"I've been trying to figure out what's going on with the death of this girl. Last night I was supposed to have dinner with Dr. Fielding. You remember him."

"Oh sure. How is he? I didn't know he was still there."

"Not so good," Scarpetta replies.

"Remember when he used to take me to his gym and we'd lift weights together?"

"He doesn't go to the gym anymore."

"Damn. I'm shocked. Jack not go to the gym? That's like… Well, I don't know what it's like. It's not like anything, I guess. I'm shocked beyond words. See what happens when you leave? Everything and everybody fall apart."

"You won't be flattering me this morning. I'm not in a very good mood," Scarpetta replies.

Lucy feels a twinge of guilt. It is her fault Scarpetta isn't in Aspen.

"Have you talked to Benton?" Lucy asks casually.

"He's busy working."

"That doesn't mean you can't call him." Guilt grips Lucy's stomach hard.

"Right now it does mean that."

"He told you not to call him?" Lucy imagines Henri in Benton's town home. She would eavesdrop. Yes, she would, and Lucy feels sick with guilt and anxiety.

"I got to Jack's house last night and he didn't answer the door." Scarpetta changes the subject. "I have this funny feeling he was home. But he didn't come to the door."

"What did you do?"

"I left. Maybe he forgot. Certainly, he's got his share of stress. Definitely, he's preoccupied."

"That's not what this is about. He probably didn't want to see you. Maybe it's too late for him to see you. Maybe everything's too screwed up. I took it upon myself to do a little background check on Dr. Joel Marcus," Lucy then says. "I know you didn't ask me to. But you probably wouldn't have asked, am I right?"

Scarpetta doesn't answer.

"Look, he probably knows a hell of a lot about you, Aunt Kay. You may as well know something about him," she says, and she is stung. She can't help the way she feels, and she is angry and hurt.

"All right," Scarpetta says. "I don't feel this is necessarily the right thing to do, but you may as well tell me. I'd be the first to say I'm not having an easy time working with him."

"What interests me most," Lucy says, feeling a little better, "is how little there is on him. This guy's got no life. He was born in Charlottesville, father was a public school teacher, mother died in an automobile accident in 1965, went to Univcrsitv of Virginia for undor grad and medical school, so he's from Virginia and trained there but he never worked in the Virginia medical examiner system until he was appointed chief four months ago."

"I could tell you he never worked in the Virginia medical examiner system before last summer," Scarpetta replies. "You didn't need to launch some expensive background check or hack into the Pentagon or whatever you did for me to know that. I'm not sure I should be listening to this."

"His being appointed chief, by the way," Lucy says, "is totally bizarre, makes no sense. He was a private pathologist in some little hospital in Maryland for a while, and he didn't do a forensic fellowship or pass his boards until he was in his early forties and, by the way, he flunked his boards the first time he took them."

"Where did he do his fellowship?"

"Oklahoma City," Lucy replies.

"I'm not sure I should be listening to this."

"Was a forensic pathologist for a while in New Mexico, don't know what he did from 1993 to 1998 except get divorced from a nurse. No kids. In 1999 he moved to St. Louis and worked in that medical examiner's office until he moved to Richmond. He drives a twelve-year-old Volvo and he's never owned a house. You might be interested to know that the house he is renting now is in Henrico County, not too far from Willow Lawn Shopping Center."

"I don't need to hear this," Scarpetta says. "That's enough."

"He's never been arrested. Thought you'd want to know that. Only a few traffic violations, nothing dramatic."

"This isn't right," Scarpetta says. "I don't need to hear this."

"No problem," Lucy replies in the voice she gets when her aunt has just trampled her spirit and hurt her feelings. "That's about it anyway. I could find out a hell of a lot more, but preliminarily, that's it."

"Lucy, I know you're trying to help. You're amazing. I wouldn't want you after me. And he's not a nice man. And God knows what his agenda is, but unless we find out something that directly impacts his ethics or competence or something that might make him dangerous, then I don't need to know about his life. Do you understand? Please don't dig up anything else."

"He's dangerous all right," Lucy says in the voice she gets. "Put a loser like him in a position of power and he's dangerous. Good God. Who the hell hired him? And why? I can't imagine how much he must hate you."

"I don't want to talk about this."

"The governor's a woman," Lucy goes on. "Why the hell would a woman governor appoint a loser like him?"

"I don't want to talk about this."

"Of course, half the time, politicians don't do the picking. They just sign off on stuff, and she probably had bigger things to think about."

"Lucy, did you call me just to upset me? Why are you doing this? Please don't. I'm having a hard enough time."

Lucy is silent.

"Lucy? Are you there?" Scarpetta asks.

"I'm here."

"I hate the phone," Scarpetta says. "I haven't seen you since September. I think you're avoiding me."