Eleven

Howard Mott, the criminal defense lawyer, ignored the flashing red light that meant his telephone was ringing. With his feet up on an ottoman and the rest of him sunk into a favorite armchair, Mott was listening to the final act of Tosca on a new compact disc that magically had recaptured the voice of Leontyne Price with Karajan conducting.

It was 9:47 P.M. and Mott had been lost in the opera since a dinner of roast pork tenderloin that a second cognac was helping him digest in his study-cum-music room on the second floor of the large old house on Thirty-fifth Street Northwest in Cleveland Park. His household had been given firm instructions not to disturb him for any reason — his household consisting solely of his pregnant wife, the former Lydia Stallings.

The red telephone light stopped flashing, but stayed on, which meant that Lydia had taken the call. The light was still on a minute or so later when she entered and silently handed him the yellow three-by-five Post-it notepad she always used for messages. This message read: “G. Haynes on phone. I. Gelinet murdered. Needs advice & counsel.”

Mott sighed and looked at his watch. There were at least fifteen or twenty minutes of Leontyne Price to come. He took a ballpoint pen from his shirt pocket and scrawled something on the yellow notepad. Lydia read it, borrowed the pen and wrote, “He be hungry?”

Mott quickly answered the written question with a firm headshake, hoping it would discourage her from preparing a meal that would feed everyone within walking distance. He blamed his wife’s growing compulsion to feed the world on her pregnancy and the two years she had spent in the Peace Corps.

In the kitchen, Lydia Mott picked up the beige wall phone and said, “Mr. Haynes? Howie’s worried that you may not have eaten and wonders if you could make it out here by ten or ten-fifteen? He’ll be having some soup and sandwiches then and thought you might like to join him.”


Haynes hung up the hotel room phone and memorized the Thirty-fifth Street address he had written down. He put his hand back on the phone, hesitated, picked it up, tapped a number for an outside line, then tapped 411 and asked directory assistance for the number of Mac’s Place.

Haynes recognized the faintly Teutonic tones of Herr Horst when a man’s voice answered with, “Reservations.” Haynes identified himself and asked to speak to Michael Padillo, adding that it was a personal call.

Thirty seconds later another voice said, “This is Michael Padillo.”

“Granville Haynes. Sorry, but it’s bad news.”

“All right.”

“Isabelle’s dead. She was murdered sometime this afternoon in her apartment. Tinker Burns and I found her.”

There was the usual silence. When he had first joined homicide, Haynes often suspected that such silences would never end or, at best, continue on and on into next week. But he soon discovered that they ended quickly, usually with a sob, a curse or an expression of disbelief. Sometimes with all three.

Padillo, however, ended his brief silence with the essential question: “Who killed her?”

“They don’t know.”

“They have any idea?”

“Not yet.”

“What happened?”

“She was found in the bathtub, her head under water, her wrists and ankles wired with what looked like coat hangers. No other visible marks or abrasions.”

“Drowned?”

“Maybe. An autopsy will tell.”

There was another silence before Padillo said, “You’ve known her a long time, haven’t you?”

“About as long as I can remember.”

“Does this have anything to do with Steady?”

“It might.”

“I want... well, I’d like to talk to you about it.”

“All right.”

“Where are you now?”

“The Willard.”

“Can you come over here?”

“I have to see a lawyer first.”

“Can you make it by midnight?”

“Probably.”

“I’ll be here,” Padillo said.


The table was the one McCorkle and Padillo always reserved for themselves, the one near the swinging kitchen doors that everybody else shunned. It allowed them to keep an eye on both the help and the customers. It also allowed the chef to poke his head out occasionally to ask a question, register a complaint or merely satisfy himself that someone was really eating his cooking.

When the call for Padillo came, the three of them had almost finished a celebratory dinner in honor of Erika McCorkle’s completion of her university studies. All celebration ended when Padillo returned to the table, sat down as if he had grown suddenly weary, pushed away his plate and said, “Isabelle’s dead. Apparently murdered.” He then repeated in a low voice everything he had been told about the death.

McCorkle was the first to speak, but only after he leaned back in his chair to study Padillo carefully. It was then that he sighed and said, “I’m sorry, Mike. There was always something splendid and unique about Isabelle. I’m going to miss her.” He paused. “They have any idea of who did it?”

“No.”

Erika McCorkle had turned pale. When she tried to speak, it came out as a croak. She cleared her throat, and this time it came out as a whisper. “In her — bathtub?”

Padillo nodded.

“Drowned?”

“Possibly.”

Still whispering, she said, “Then it’s all my fault.”

“Why yours?” Padillo said. “And why all the whispering?”

She made no reply, letting the silence continue until she finally spoke again in a voice not much louder than her whisper. “Because I used to daydream about her drowning. But not in a bathtub. In the Anacostia.”

McCorkle, an eyebrow raised, looked at Padillo, as if hoping for an explanation. But Padillo only shrugged. McCorkle turned back to his daughter and asked, “Why did you dream about her... drowning?”

“I told you. I was jealous.”

“You didn’t tell me” McCorkle said.

She frowned, staring at him. A moment later the frown vanished and she said, “Right. It wasn’t you. It was Granville Haynes I told. This afternoon.”

“You told him you were jealous of Isabelle because of her and Steady?”

The frown returned. “Not of her and Steady.” She looked at Padillo. “Of Isabelle and you.”

Padillo stared at her as his right hand dipped automatically into his shirt pocket, seeking the cigarettes he had abandoned five years ago. “Christ, kid,” he said. “Isabelle and I ended it when you were thirteen, maybe fourteen.”

Although her expression seemed to be one of pity, there was only scorn in Erika McCorkle’s voice when she said, “You have no idea, do you?”

“Of what?” Padillo said.

“Of what vicious daydreams a lovesick thirteen-year-old can have when the man she’s in love with is fucking somebody else?”

Nodding calmly, Padillo said, “Go on.”

“With what?”

“With why it’s all your fault.”

“Because I used to daydream about it and — and, oh God, I’m so sorry she’s dead.”

McCorkle leaned toward his daughter. “Erika, may I say something?” he asked in a gentle voice.

She nodded.

“This is the silliest goddamn conversation we’ve ever had.”

It was as if he had struck her. First came the surprise, then the hurt and finally the anger. “You guys can’t even remember what it was like being thirteen.”

“Thank God,” McCorkle said.

“It hurt.”

“Everybody hurts at thirteen,” Padillo said. “They hurt so much they later write books about it. The same book. Over and over. But you’re a long way from thirteen.”

“And you’re suddenly more—” She stopped and began again. “I’m sorry. I guess the shock brought on the silly talk. Poor Isabelle. When I was thirteen she was everything I wanted to be and now that she’s dead I just can’t accept it.”

“You and Haynes talked about her?”

Erika nodded. “He told me how they used to go skinny-dipping when they were six or seven, around in there, and I told him how I’d daydreamed about her drowning in the Anacostia but he said there wasn’t much chance of that because she was a damn fine swimmer and — aw, hell, Pop, can we go home now?”

“What a great idea,” McCorkle said.

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