SURI
By the time I get back into our suite, I’ve decided that I’m leaving tomorrow. I’m not helping Cross, I’m not spending any time with Lizzy, and I’m startling at every turn, worried about whether an encounter with Marchant Radcliffe would result in me slapping him or jumping his bones.
I’m tucking clothes into my suitcase, about to put in a call for the plane to get me in the morning, when the door opens and Lizzy sticks her head inside.
“Suri?” Her eyes double in size. “What are you doing?”
“Liz, I’m sorry, but I just can’t—”
“Suri—Suri, no.” She steps in, shaking her head vehemently. “No. You can’t go now. I need you here!”
Her proclamation irritates me. “That’s ridiculous. You just spent the night with your gajillion hooker friends.”
It’s mean, okay? I know it’s mean. But it’s not that mean. So when Lizzy sits down on the bed, drops her head into her hands, and starts to sob, I’m shocked. I step over and throw an arm around her.
“Lizzy—hey, I’m sorry. I didn’t mean to be so harsh, it’s just, I saw Marchant Radcliffe and—”
“I’M PREGNANT!”
“…What?”
“I’M PREGNANT! No one knows! And earlier today, Hunter said children are…a blight!”
So that’s what she’s been so weird about. “Oh, Lizzy. Oh man. This is big news! But it’ll be fine.” I rub her back as she sobs. “You’ll change his mind. He loves you and you’re getting married.”
“No we’re not! We can’t! I’ll be too fat to—” she hiccups— “I’ll be too fat to wear a dress!”
I pull her into my arms and hold her while she cries about stretch marks and pushing out a “ten pound vagina bomb” and try not to think about Marchant Radcliffe.
It’s going to be a long night.
MARCHANT
I’m in the kitchen, about to pop an Ativan, when I hear a knock on the back door. I know it’s Hawkins. I can feel it. And this time, I can shoot him, because he’s trespassing.
I run downstairs and punch the glass out of my gun cabinet, grab a .38 and load it quickly. By the time I get to the kitchen, I’ve stuck the gun inside the back of my jeans, because I’ve managed to convince myself it’s only Hunter. Or Rachelle. Or someone else coming to check on me.
But when I open the back door, I find myself staring at Hawkins—the little fuck.
He hits me in the face. Then two thugs grab me by the shoulders and haul me up against the stone wall of my house. I manage to reach my arm behind myself and dig my hand into the waist of my jeans. I work my sweaty fingers around the gun, and when I pull it free I point it toward Hawkins’ legs. I am stunned by the boom as the bullet hits him in the foot. Blood sprays like a fucking geyser.
He howls, and the goons rush to his aid. I dart back inside my kitchen, slamming the door behind me just in time for the bullet that punches through it to miss me.
I look out the square window, and I see one of the goons pointing a pistol at me. I’m slightly surprised to find that I’m not worried. Then I see Hawkins holding up his hand to them—a silent ‘stand down.’ He grimaces as Goon One helps him stand, and I see that my wild shot probably just grazed him. Pity.
Hawkins hobbles to the door and presses his face against the glass, and his panted breaths makes clouds of fog. “You’ll pay for this Radcliffe. I’ve given you more breaks…than I’d give my own damn cousin.”
And I realize for the first time that it’s not Monday. I don’t know what day it is, but I know I missed the deadline to pay Hawkins. I even had the money moved—but I lost track of time.
Fuck!
Hawkins spits on my door, and then he and his crew turn to go. I realize, belatedly, that they’re wearing dark clothes—hoods, even, unless my eyes are playing tricks on me.
It takes me a few minutes panting, chugging vodka from a bottle in my freezer, to calm down, and when I do, I realize I should call security. But as soon as I wrap my hand around my phone, someone bangs on my door. I mean really goes at it.
Shit. So the little bastard came back for another round. I chug some more Gray Goose and palm my gun. Then I pull the door open, stunned to see it’s Juniper, wearing nothing but thigh-highs, a thong, and a lacy dark blue bra.
Her eyes are wide, her hair a mess. She waves her arms and screams, “MARCHANT! COME NOW! THERE’S A FIRE!”