He stands in the doorway watching the boy sleep. His guitar hangs down his back, warm from the sun, strings still humming.
He doesn’t mind being here, though he was sorry to have to leave the forest. His time accompanying the sounds of shivering leaves, whirling dust devils, and powerful Chinook winds was special to him. There was calming joy in transposing nature to music. Adapting the chords of yellow-shouldered blackbirds, prairie dogs, and wild pigs. Bringing their voices into each movement he played.
Wil brought Dad’s leftover blackberry crumble to the forest with him. Una brought some elk jerky and a thermos of cinnamon-spiced chocolate. She sat with him beneath a spreading oak while he played, although she left before he finished, as it was her turn to clean the workshop.
His guitar always sounds a little melancholy when Una leaves.
The AWOL boy that his mother has taken into their home has been awake for a day now, but he hasn’t come down for anything, even meals. Dad offered to carry him, but Ma said he needed more time.
“Can’t fret over AWOLs,” his father told her. “They never stay long, and they’re too desperate to be grateful.” But Ma just ignores him. She’s taken the boy under her protection, and that is that.
Wil wonders how the boy can sleep when the sun blasts from the windows over his head and the roar of tribal construction in town echoes down the ravine. The boy’s chest rises and falls, and then his legs churn beneath the sheets as if he’s running. Wil is not surprised: AWOLs know much about running. Sometimes he thinks that’s all they know.
Wil is confident the boy will be calmed. Wild animals, rattlesnakes, and feral teenagers go quiet in Wil’s presence. Even when his guitar hangs silent on his back, his presence calms them—perhaps in anticipation of what he’ll deliver. Although Wil’s just a teenager himself, he’s got old-soul style, a storyteller vibe that he got from his grandfather—
But he doesn’t want to think about his grandfather now.
While he considers what music may reach this AWOL, the boy wakes. His wide pupils constrict, revealing pale blue eyes that focus on Wil standing in the doorway.
Wil takes a few steps into the room and sits cross-legged on the mountain-lion skin, swinging his guitar into his lap in a single, practiced movement.
“My name’s Chowilawu,” he tells the boy. “But everyone calls me Wil.”
The boy stares at him guardedly. “I heard you talking yesterday. The medicine woman is your mom?”
He nods. The kid looks about thirteen—three years younger than Wil—but something about his eyes makes him seem like he’s going on one hundred. More old-soul style, but of the world-weary kind. Life has done a number on this AWOL.
“Okay if I play my guitar here?” Wil asks, his voice as gentle as he can make it.
The boy squints suspiciously. “Why?”
Wil shrugs. “It’s easier for me than talking.”
The boy hesitates, chewing on his lip. “Sure, okay.”
It starts that way with them. Being an AWOL breaks kids’ spirits—makes them distrustful of the world. But since they can’t see the trickery in listening to a guitar, or how Wil’s music breaks through barriers that betrayal built, they surrender, listening to his fingers caress the strings, his music finally gives voice to their souls’ sorrow.
His ma took a music-therapy seminar at Johns Hopkins, but she only knows its theories. Wil has seen how music heals since the day he picked up a guitar on his third birthday. Not all the AWOLs and not all ChanceFolk with sick spirits heal, though. Some are too far gone. Too early to tell into which camp this boy will fall.
Wil plays for two straight hours, until he smells lunch and feels the cramp in his back. The AWOL sits on the bed, having been awake and listening the whole time. His arms are wrapped around his legs; his chin rests on his knees; his eyes stare at the blanket. The chords of Wil’s music fade to silence.
“Time to eat.” Wil gets to his feet, his guitar swinging over his shoulder to hang down his back. “Probably soup and cornbread. You coming down?”
The boy reminds him of a rabbit, frozen, trapped between staying or fleeing. Wil waits, letting the quiet hum in widening ripples till the boy unwraps his arms from his legs and gets off the bed, standing straighter than Wil expected he would.
“My name’s Lev. I was a tithe.”
Wil accepts this with a nod and no judgment. Maybe this kid will be okay after all.