Until I Find You

8. Safe Among the Girls

It was Jack’s impression that the older girls at St. Hilda’s never liked having boys in their school. Although the boys couldn’t stay past grade four, their presence—even the presence of little boys—was seen as a bad influence. According to Emma Oastler: “Especially on the older girls.”

Emma was a menacing girl, and an older one. The grade-six girls were the oldest students in the junior school; they opened and closed the car doors for the little kids at the Rosseter Road entrance. When Jack started kindergarten in the fall of 1970—the first year St. Hilda’s admitted boys—Emma was in grade six. He was five; she was twelve. (Some problem at home had caused her to miss a year of school.) On Jack’s first day, Emma opened the car door for him—a formative experience.

Jack was already self-conscious about the car—a black Lincoln Town Car from a limousine service, which Mrs. Wicksteed used for all her driving needs. (Neither Mrs. Wicksteed nor Lottie drove, and Alice never got her driver’s license.) The limo driver was a friendly Jamaican—a big man named Peewee, who was nearly as black as the Town Car. He was Mrs. Wicksteed’s favorite driver.

What kid wants to show up for his first day of school in a chauffeured limousine? But Alice had not done badly by yielding to Mrs. Wicksteed’s way of doing things. It seemed that the Old Girl was not only paying Jack’s tuition at St. Hilda’s; she was paying for the limo.

Because Alice often worked at the Chinaman’s tattoo parlor until late at night, Lottie got Jack up for school and gave him breakfast. Mrs. Wicksteed had sufficiently roused herself in time to do the boy’s necktie, albeit a little absentmindedly. Lottie laid out his other clothes at bedtime—on school mornings, she also helped him get dressed.

On those mornings, Jack would go into his mom’s semidark room and kiss her good-bye; then Lottie would cross the sidewalk with him to the corner of Spadina and Lowther, where Peewee would be waiting in the Town Car. To her credit, Alice had offered to accompany her son on his first day.

“Alice,” Mrs. Wicksteed said, “if you take Jack to school, you’ll make it an occasion for him to cry.”

Mrs. Wicksteed was firmly opposed to creating occasions for Jack to cry. While doing his necktie one morning, she told him: “You will be teased, Jack. Don’t make it an occasion to cry. Cry only when you’re physically hurt—and in that case, cry as loudly as you can.”

“But what do I do when I get teased?” Jack asked her.

Mrs. Wicksteed wore a plum-colored dressing gown over a pair of her late husband’s barber-pole pajamas. She always did the boy’s tie while sitting at the kitchen table, warming her stiff fingers over her first cup of tea. Her white hair was in curlers and her face glistened with avocado oil.

“Be creative,” she advised him.

“When I get teased?”

“Be nice,” Lottie suggested.

“Be nice twice,” Mrs. Wicksteed said.

“And the third time?” Jack asked her.

“Be creative,” she said again.

When the necktie was done, Mrs. Wicksteed kissed him on his forehead and on the bridge of his nose; then Lottie wiped the avocado oil off his face. Lottie would kiss Jack, too—usually in the front hall, before she opened the outside door and led him by the hand to Peewee.

Lottie’s limp, which was almost as disturbingly provocative to Jack as Tattoo Peter’s missing leg, was a frequent topic of conversation between Jack and his mother. “Why does Lottie limp?” he must have asked his mom a hundred times.

“Ask Lottie.”

But when he left for his first day of school, Jack still hadn’t summoned the courage to ask his nanny why she limped.

“What’s with the lady’s limp, mon?” Peewee asked him in the limo.

“I don’t know. Why don’t you ask her, Peewee?”

“You ask her, mon—you’re the gentleman of the house. I’m just the driver.”

Jack Burns later thought he’d be able to see the intersection of Pickthall and Hutchings Hill Road from his grave—the way Peewee slowed the Town Car to a crawl, the way the older girls skeptically took for granted the arrival of another rich kid in another limo. It was a warm September morning; Jack was again aware of the girls’ untucked middy blouses, loosely gathered at their throats by those gray-and-maroon regimental-striped ties. (In two years, they would all be wearing button-down collars with the top button unbuttoned.) But he would remember best the rebellious posture of their hips.

The girls never stood still—sometimes with their arms around another girl, sometimes with all their weight on one foot while they tapped the other. Sitting down, they bounced one leg on one knee—the crossed leg constantly in motion. The extreme shortness of their gray pleated skirts drew Jack’s attention to their legs and the surprising heaviness of their upper thighs. The girls picked at their fingers, at their nails, at their rings; they scratched their eyebrows and their hair. They looked under their nails, as if for secrets—they seemed to have many secrets. Among friends, there were hand signals and subtle evidence of other sign language.

At the Rosseter Road entrance, where Peewee stopped the Town Car, the grade-six girls struck Jack as particularly secretive yet unrestrained. At eleven or twelve, girls think they look awful. They have ceased being children, at least in their estimation, but they have not yet developed into the young women they will become. At that age, there are great differences among them: some have begun to look and move like young women, others have boys’ bodies and move as if they were shy young men.

Not Emma Oastler, who was twelve going on eighteen. When she opened the car door for Jack, he mistook the faintest trace of a mustache on her upper lip for perspiration. The hair on her strong, tanned arms had turned blond in the summer sun, and her thick, dark-brown braid fell over her shoulder and framed one side of her almost-pretty face. The weight of her braid, which reached to her navel, served to separate and define her budding breasts. Maybe a quarter of the grade-six girls had noticeable breasts.

When Jack got out of the limo and stood next to Emma, he came up to her waist. “Don’t trip on your necktie, honey pie,” Emma said. The boy’s tie hung down to his knees, but until Emma warned him, he hadn’t considered the danger of tripping on it. And Jack’s gray Bermuda shorts, which he’d outgrown, were too short to be “proper”—or so Mrs. Wicksteed had observed. (Unlike the girls, the boys wore short socks.)

Emma roughly lifted Jack’s chin in her hand. “Let’s have a look at those eyelashes, baby cakes—oh, my God!” she exclaimed.

“What?”

“I see trouble ahead,” Emma Oastler said. Searching her face, Jack saw trouble ahead, too. He also realized his earlier mistake—the mustache. Up close, there was no way you could confuse the soft-looking fuzz on Emma’s upper lip with beads of perspiration. At five, Jack didn’t know that young women were sensitive about having mustaches. It looked like a neat thing to have; naturally, he wanted to touch it.

If your first day of school, like your first tattoo, is a pilgrim experience—well, here was Jack’s. And touching Emma Oastler’s mustache would certainly prove to be character-forming. “What’s your name?” Emma asked, bending closer.

“Jack.”

“Jack what?”

For an agonizing moment, her furbearing lip made him forget his last name. But more than her mustache made him hesitate. He had been christened Jack Stronach. His father had abandoned him, without marrying his mother; Alice saw no reason for either of them to bear William’s name. But Mrs. Wicksteed disagreed. While Alice made a point of not being Mrs. Burns, Mrs. Wicksteed believed that no child should suffer from illegitimacy; at her instigation, Jack’s name was legally changed, making him “legitimate” in name only. Furthermore, Mrs. Wicksteed was an assimilationist; in the Old Girl’s view, a Jack Burns would be more easily assimilated into Canadian culture than a Jack Stronach. No doubt she thought she was doing the boy a favor.

But Jack’s hesitation to tell Emma Oastler his last name had attracted the attention of a teacher—the one they called The Gray Ghost. Mrs. McQuat was a spectral presence. She’d mastered the art of the sudden appearance; no one ever saw her coming. In her previous life, she may have been a dead person. What else could explain the chill that accompanied her? Even her breath was cold.

“What have we here?” Mrs. McQuat asked.

“Jack somebody,” Emma Oastler replied. “He forgot the rest of his name.”

“I’m sure you can inspire him to remember it, Emma,” Mrs. McQuat said.

Although The Gray Ghost was not Asian, her eyes were forcibly slanted by how tightly her hair had been pulled back and knotted into a steel-gray bun. Her thin lips looked sealed in contrast to Emma’s, which were usually parted. Emma’s mouth was as open as a flower, and on her upper lip, her mustache was as fine as powder—like a dusting of pollen on a petal.

Jack tried to hold back his hand, his right index finger in particular. As quickly as Mrs. McQuat had appeared, she’d disappeared—or else Jack had closed his eyes, in an effort to stop himself from touching Emma’s mustache, and he’d missed The Gray Ghost’s departure.

“Think, Jack.” Emma Oastler’s breath was as warm as Mrs. McQuat’s was cold. “Your full name—you can do it.”

“Jack Burns,” the boy managed to whisper.

Was it his name or his finger that surprised her? Maybe both. The simultaneity of saying his name at the exact same moment he ran his index finger over her downy upper lip was completely unplanned. The incredible softness of her lip made him whisper: “What’s your name?”

She seized his index finger and bent it backward. He fell to his knees and cried out in pain. The Gray Ghost made another of her signature sudden appearances. “I said inspire him, Emma—not hurt him,” Mrs. McQuat admonished.

“Emma what?” Jack asked the big girl, who was breaking his finger.

“Emma Oastler,” she said, giving his finger an extra twist before she let it go. “And don’t you forget it.”

Forgetting Emma or her name would be impossible. Even the pain she caused him seemed natural—as if Jack had been born to serve her, or she’d been born to lead him. Mrs. McQuat may have recognized this in Jack’s pained expression. He would realize only later that The Gray Ghost had undoubtedly been at St. Hilda’s when Jack’s father was sleeping with a girl in grade eleven and impregnating a girl in grade thirteen. Why else would she have asked, “Aren’t you William Burns’s boy?”

That rekindled Emma Oastler’s interest in Jack’s eyelashes, in a hurry. “Then you’re the tattoo lady’s kid!” Emma exclaimed.

“Yes,” Jack said. (And to think he had worried that no one would know him!)

Another teacher was closely observing the new arrivals, and Jack recognized her perfect voice as if he’d heard it every night in his dreams—Miss Caroline Wurtz, who had cured his mother of her Scottish accent. Not only did she excel in enunciation and diction, but the pitch of her voice would have been recognizable anywhere—especially in Jack’s dreams. In Edmonton, where she was from, Miss Wurtz would have been considered beautiful—without qualification. In a more international city, like Toronto, her fragile prettiness was the perishable kind. (More likely, she may have suffered some disappointment in her personal life—an illusory love, or an encounter that had passed too quickly.)

“Please give my regards to your mom, Jack,” Miss Wurtz said.

“Yes, thank you—I will,” the boy replied.

“The tattoo lady has a limo?” Emma asked.

“That is Mrs. Wicksteed’s car and driver, Emma,” Miss Wurtz said.

Once again, The Gray Ghost was gone—Mrs. McQuat had simply disappeared. Jack was aware of Emma’s guiding hand on his shoulder, and of his jaw brushing her hip. She bent over him and whispered in his ear; what she said was not for Miss Wurtz to hear: “It must be nice for your mom and you, baby cakes.” Jack thought she meant the Lincoln Town Car or Peewee, but Mrs. Wicksteed’s patronage of “the tattoo lady” and her bastard son was a story that had gained admittance to St. Hilda’s before Jack entered kindergarten. Emma Oastler was referring to Mrs. Wicksteed’s broader role as their patroness. The boy also misunderstood what Emma said next: “Way to go, Jack. Not everyone is lucky enough to be a rent-free boarder.”

“Thank you,” Jack replied, reaching for her hand. He was happy to have made a friend on his first day of school. Since Mrs. Wicksteed’s divorced daughter had also referred to Jack and his mom as rent-free boarders, Jack wondered if Emma’s mom might be divorced. Maybe women in that situation were particularly sympathetic to a good Old Girl like Mrs. Wicksteed taking Jack and Alice under her wing.

“Is your mother divorced?” Jack asked Emma Oastler. Unfortunately, Emma’s mother had been bitterly divorced for several years, and at least one consequence of her divorce had been so spectacularly ugly that she would permanently think of herself as Mrs. Oastler. For Emma, the subject was still as sore as a boil.

In what Jack misinterpreted as a gesture of intimacy and unspoken understanding, Emma squeezed his hand. He was sure she didn’t mean to hurt him, although her grip was as fierce as the handshake of the front-desk clerk at the Hotel Bristol in Oslo. “Are you Norwegian?” he asked her, but Emma was breathing too hard to hear him. Either in her concerted effort to crush his hand or because she was struggling to control her loathing of what a man-hating monster her mother had become in the aftermath of her divorce, Emma’s newly acquired chest was heaving. A tear, which Jack first mistook for a rivulet of sweat, had run down her cheek and now clung to her mustache—like a droplet of dew on new moss. Jack’s misgivings about attending St. Hilda’s momentarily evaporated. What a splendid idea it was to have the grade-six girls serve as guides to the younger children in the junior school!

On the stone stairs leading to the basement entrance, he stumbled, but Emma not only held him up; she hoisted him to her hip and carried him into his first day of school. Jack threw his arms around her in a flood of gratitude and affection; she returned his embrace so ferociously that he feared he might suffocate against her warm throat. They say that apparitions appear to those who are near fainting, which would explain why Jack first mistook The Gray Ghost for an apparition. There was Mrs. McQuat again—just as Emma Oastler was about to break his back or asphyxiate him with her twelve-year-old bosom.

“Let him go, Emma,” The Gray Ghost said. Jack’s shirt was untucked and hung almost to his bare knees, though it didn’t dangle as low as his tie. He was slightly dizzy and gasping for breath. “Help him tuck in his shirt, Emma,” The Gray Ghost said. As soon as she spoke, she was gone—returned to her world of the spirits.

Kneeling, Emma was Jack’s height. His gray Bermuda shorts were not only too short; they were too tight. Emma had to undo the top button and unzip the boy’s fly in order to tuck in his shirt. Under his shorts, her hands cupped and squeezed his buttocks as she whispered in his ear: “Nice tushy, Jack.”

Jack had caught his breath sufficiently to pay her a compliment in kind. “Nice mustache,” he said—thus cementing their friendship for his remaining years at St. Hilda’s, and beyond. Jack thought it must be a good school, as his mom had said, and here—in his first, exciting meeting with Emma Oastler—was probable evidence (at least to Jack) that he would be safe with the girls.

“Oh, Jack,” Emma whispered in his ear—her incredibly soft upper lip brushing his neck. “We’re gonna have such a good time together.”

The arched doorways in the junior-school corridor made Jack Burns think of Heaven. (If there were a passageway to Heaven, Jack used to think, surely it would have arches like that.) And the black-and-gray triangles on the linoleum floors made him feel that school and the grown-up life after it was a game to be played—maybe a game he hadn’t yet been exposed to, but a game nonetheless.

Another game was the miniature, broken-window view of the playground from the second-floor washroom—it was the only boys’ washroom at St. Hilda’s. The frosted-glass windowpanes were small and framed in black-iron squares. One of the panes was broken; it remained unrepaired through Jack’s fourth-grade year. And the low urinals in the boys’ washroom were not quite low enough when he was in kindergarten. He needed to stand on tiptoe and aim high.

There were the infrequent but intimidating appearances in that second-floor hallway of those older girls who were boarders; one could gain access to their residence through the junior school. Only girls in grade seven and up were admitted to residency, and there were no more than one hundred boarders out of the five hundred girls in the middle and senior school. (St. Hilda’s was a city school—most of the students lived at home.)

The older girls who were boarders struck Jack as much older. Their detectable sullenness wasn’t limited to the daughters of diplomats or the other foreign students, nor was their gloom regional in nature—the cousins who were called “the Nova Scotia sluts” were as depressed as the girl from British Columbia whom Emma Oastler called “the B.C. bitch.” The boarders had about them a noticeable air of being banished. The boarders’ choir made the most mournful music in the school.

Sightings of the girls in residency were unusual in the junior school, but once, in his grade-three year, Jack was emerging from the boys’ washroom (still zipping up his fly), when he saw a couple of grade-thirteen girls striding toward him—a flash of nail polish, kneesocks rolled down to their ankles, shapely legs, wide hips, full breasts. Jack panicked. In his haste, his penis got snagged in his zipper. Naturally, he screamed.

“Sweet Jesus, it’s a boy!” one of the big girls said.

“I’ll say it is, and he’s caught his miserable thing in his zipper,” the other replied.

“When do they start playing with their things?” the first girl asked. “Stop screaming!” she said sharply to Jack. “You haven’t cut it off, have you?”

“Let me do that,” the second girl said, kneeling beside Jack. “I have a little brother—I know how to handle this.”

“You have to handle it?” the first girl asked. She knelt beside Jack, too.

“Let me see it—get your hands off the thing!” the girl with the little brother told Jack.

“It hurts!” Jack cried.

“You’ve just pinched some skin—it’s not even bleeding.” The girl was at least seventeen or eighteen—maybe nineteen.

“When does it get big?” the first girl asked.

“It doesn’t feel like getting big when it’s stuck in a zipper, Meredith.”

“It gets big when it feels like it?” Meredith asked.

The grade-thirteen girl held Jack’s penis in her hand; with the thumb and index finger of her other hand, she gently tugged at his zipper.

“Ow!”

“Well, what do you want me to do?” the girl who’d come to his assistance asked. “Wait for you to grow up?”

“You’ve got lady-killer eyelashes,” Meredith told Jack. “When you’re old enough, you’re going to get your penis stuck in all kinds of places.”

“Ow!”

“Now it’s bleeding,” the second girl said. Jack was unstuck, but she went on holding his penis in her hand.

“What are you doing, Amanda?” Meredith asked.

“Just watch,” Amanda said. She didn’t mean for Jack to watch. Without looking, he could feel his penis getting big—or at least a little bigger.

“What’s your name?” Meredith asked him.

“Jack.”

“Feeling better, eh, Jack?” Amanda asked.

“Sweet Jesus, look at that thing!” Meredith said.

“That’s nothing,” Amanda said. “You can get bigger than that, can’t you, Jack?” He was as big as he’d ever been before. He was afraid that if he got any bigger, he would burst.

“It’s beginning to hurt again,” he said.

“That’s a different kind of pain, Jack.” Amanda gave him a friendly squeeze before she let him go.

“Better not catch that whopper in your zipper, Jack,” Meredith warned him. She stood up and ruffled his hair.

“Maybe you’ll dream about us, Jack,” Amanda said.

The cut on Jack’s penis healed in a couple of days, but those dreams didn’t go away.

Miss Sinclair, Jack’s kindergarten teacher, echoed Alice’s conviction that Jack would be safe with the girls. This illusion was further advanced by the participation of the grade-six girls in the kindergartners’ nap time. Emma Oastler was a volunteer, along with two other grade-six girls—Emma’s good friends Charlotte Barford and Wendy Holton. They were Miss Sinclair’s nap-time helpers. These older girls were supposed to assist five-year-olds in falling asleep; that they kept the kindergartners awake was closer to the truth.

Miss Sinclair was distinguished in Jack’s memory for her habit of condemning him to nap with three grade-six girls. What he remembered best about Miss Sinclair was her absence.

The naps began with what Emma Oastler called “a sleepy-time story.” Emma was always the storyteller, an early indication of her future calling. While Wendy and Charlotte circulated among the children, making sure that their rubber mats were comfortably rolled out, their blankets snugly wrapped around them, and their shoes off, Emma began her story in the semidark room.

“You’ve had a bad day, and you’re very tired,” Emma’s stories always began. For stories intended to induce sleep, they had the opposite effect—the kindergartners were too terrified to nap. In an oft-repeated classic among Emma Oastler’s nap-time tales, Miss Sinclair lost the entire kindergarten class in the bat-cave exhibit at the Royal Ontario Museum. In reality, Jack’s first school trip to the Royal Ontario Museum was led by his grade-three teacher, Miss Caroline Wurtz.

Miss Wurtz was the teacher Jack would remember most fondly, and not only for her fragile beauty; she was an important mentor for him in his early mastery of stage presence, another area in which she excelled. Miss Wurtz was a maven in the dramatic arts; in the innumerable school plays in which Jack performed at St. Hilda’s, she was usually his director. However, her talents as a classroom teacher were lacking in comparison to her theatrical gifts; control of the grade-three class eluded her. Offstage, out of the fixed glare of the footlights—either in her undisciplined classroom or in the marginally more lawless outside world—Miss Caroline Wurtz was an easily confused creature, bereft of confidence and without an iota of managerial skill.

On school trips, Miss Wurtz could have been a star in one of Emma Oastler’s sleepy-time stories—she was that inept. When she lost control of herself in the bat-cave exhibit at the Royal Ontario Museum, most of the grade-three kids were already suffering from total recall of Emma’s classic horror tale. (That they were then eight-year-olds, not five-year-olds, hardly mattered; the real-life circumstances were frighteningly familiar to the former kindergartners who’d first heard of the bat cave from Emma’s fiction.)

When the announcement on the museum loudspeaker informed them that some of the mammal displays were experiencing a temporary loss of electrical power, the children knew this was only the first chapter. “Don’t panic,” the voice on the loudspeaker said, while Miss Wurtz dissolved into sobs. “The power will be restored in no time.” The ultraviolet lights in the bat habitat were still on; in fact, they were the only lights that were on, which was exactly the case in Emma’s story.

In Emma’s version, inexplicably, the defenseless children had no recourse but to crawl into the bat cave and sleep with the bats. Emma advised them to be aware of a crucial difference between the alleged “sucking habits” of the vampire bat and those of the giant fruit bat. The kids had to keep their eyes tightly closed at all times, or the ultraviolet light would somehow blind them; and while they slept, or only pretended to sleep, the children were told to pay close attention to the exact location of the hot, moist breath they would certainly feel before long.

If they felt the breath against their throats, that indicated the vampire; the kids were instructed to swat the bat away and protect their throats with both hands. (In Emma’s own words: “Just go nuts.”) If, however, the aforementioned hot, moist breath was detected in the area of their navels—well, that was the area of interest of the despicable giant fruit bat. It would heat the children’s stomachs with its breath before licking the salt out of their belly buttons with its raspy tongue; while this sensation might be unpleasant, the children’s injuries would be slight. In the case of a fruit bat, the kids were to lie still. In the first place, the giant fruit bat was too big to swat away—and, according to Emma, fruit bats only became truly dangerous when they were startled.

“But what would a startled fruit bat do?” Jack remembered Jimmy Bacon asking.

“Better not tell him, Emma,” Charlotte Barford said.

The conclusion to Emma’s tale of the kindergartners’ abandonment in the bat habitat was nerve-wracking. When you consider that most of the children were too frightened to fall asleep, they surely knew that Emma Oastler and Wendy Holton and Charlotte Barford were breathing on them—not the bats. Nevertheless, the kids responded as instructed. The kindergartners having their navels breathed on kept still. In the many retellings of the tale, Jack learned to distinguish the not-so-subtle differences between Charlotte’s and Wendy’s and Emma’s tongues. Their tongues were not raspy; indeed, discounting future nightmares, the children’s injuries were slight. And they responded with appropriate zeal to the neck-breathing tactics of the vampire bat—in short, the kids went nuts, covering their throats and screaming while they swatted away.

“Time to wake up, Jack,” Emma (or Charlotte or Wendy) always said. But he never went to sleep.

Charlotte Barford was a big girl, a grade-six virtual woman in the mold of Emma Oastler. Wendy Holton, on the other hand, was a feral-looking waif. If you overlooked the evidence of puberty-related troubles in the dark circles under Wendy’s eyes—and her swollen, bitten lips—she could have passed for nine. Her smaller size and childlike physique didn’t diminish Wendy’s navel-licking capacity; her fruit-bat imitation was more aggressive than Emma’s, more invasive than Charlotte’s. (In keeping with her melon-size knees, Charlotte Barford’s tongue was too broad and thick to fit in Jack’s navel—even the tip.)

Did Miss Sinclair ever return to her kindergarten class and find the children refreshed from their naps? Did she mistake how alert they looked for their being well rested? The kids were relieved, of course, and no doubt looked it; that they’d survived another of Emma Oastler’s sleepy-time tales, both the not-falling-asleep part and the always creative manner in which they were woken up, gave them thankful expressions.

Another classic among Emma’s nap-time stories, and a close rival to her tale of the kindergartners’ abandonment in the bat-cave exhibit at the Royal Ontario Museum, was her saga of the squeezed child. It was a tale with three different endings, but it began, as Emma’s stories always did: “You’ve had a bad day, and you’re very tired.”

Jack napped between Gordon and Caroline French, brother-and-sister twins who had to be separated because they despised each other. Another set of twins in Miss Sinclair’s kindergarten class, Heather and Patsy Booth, were identical girls who couldn’t bear to be separated. When one of them was sick, the other one stayed home to grieve—or perhaps to wait her turn to be sick as well. When the Booth twins napped, they overlapped their rubber mats and wrapped themselves in the same blanket—possibly to simulate their former occupancy of the same uterus.

Both sets of twins became agitated, but in different ways, during the telling of the squeezed-child tale. The identical Booth girls sucked their shared blanket; they emitted a wet humming sound, which in turn upset Jimmy Bacon, who commenced to moan. The agitation of Gordon and Caroline French, the boy-girl twins on either side of Jack, was more physical in nature and came in unexpected bursts of frenzied, seemingly pointless activity. Under their separate blankets, the French twins thumped their heels on their rubber mats, their stiff legs drumming out of sync; as startling as this was, it was more disturbing when they stopped. The French twins stopped kicking so abruptly, it was as if they’d died of a shared disease—in spite of their enforced separation from each other.

The three possible conclusions to Emma Oastler’s squeezed-child story had the kindergartners enthralled. “For three of you,” Emma always said, “your bad day just got worse.” Sudden heel-thumping from the French twins, which was quickly followed by their as-sudden deaths; identical blanket-sucking sounds intermingled with humming from the Booth twins; dire moaning from Jimmy Bacon. “One of you is spending the night with your divorced dad,” Emma went on. “He has just passed out from too much sex.” (Jack hated this part.)

Maureen Yap, a nervous girl whose father was Chinese, once interrupted Emma by asking: “What is too much sex?”

“Nothing you’ll ever have,” Emma answered dismissively.

Another time, when Jack asked Emma the same question, Emma said: “You’ll know soon enough, Jack.”

Jack shuddered under his blanket. He was relying on his flawed understanding of his mom’s conversation in Amsterdam with Saskia and Els. If you looked sexy, Els had said, men thought you could give them good advice. Sex, therefore, was related to advice-giving; like advice, Jack guessed, sex could be good or bad. If the divorced dad in Emma Oastler’s story had passed out from too much sex, Jack suspected this was the worst kind.

“Your dad has had bad girlfriends before,” Emma continued, “but this one is just a kid. A skinny, tough kid,” Emma added. “She’s as tough as a stick, her fists are as hard as stones, and she hates you. You get in her way. She could have even more sex with your dad if you weren’t around. After your dad passes out, she grinds her fists against your temples—you think she’s going to crush your head!”

The French twins were flutter-kicking, as if on cue; more blanket-sucking, humming, and moaning. “Meanwhile,” Emma always said, “one of you has a single mother who’s passed out, too.” (Jack really hated this part.)

“Too much sex again!” Maureen Yap usually cried.

“Bad sex?” Jack sometimes asked.

“A bad boyfriend,” Emma informed the kindergartners. “One of the biggest bad boyfriends in the world. When your mother passes out, he comes and lies on top of you—he covers your face with his bare stomach.”

“How do you breathe?” Grant Porter, a moron, always asked.

“That’s the problem,” Emma usually answered. “Maybe you can’t.” Unprecedented, out-of-sync heel-drumming from the French twins; soggy-blanket noises from the Booth twins; moans, approximating suffocation, from Jimmy Bacon.

“But what about your mother who has a girlfriend?” Emma asked. (Jack hated this part most of all.) “She has bigger breasts than all your mothers. She has harder breasts than all your dads’ youngest girlfriends. She has bionic breasts,” Emma said. “Like they have bones inside them—they’re that big and hard.” The very idea of breasts with bones inside them would, years later, still wake Jack Burns from a sound sleep—not that any of the kindergartners slept a wink during the squeezed-child saga. “Which of these poor kids are you?” Emma asked every time.

“I don’t wanna be anybody!” Maureen Yap predictably cried.

“I especially don’t want to be trying to breathe with the bad boyfriend’s big belly on my face,” Grant Porter usually made a point of saying.

“Not the breasts with bones!” James Turner, another moron, always yelled.

Sometimes Jack mustered the courage to say: “I think I like the tough, skinny girlfriend’s fists of stone the least.” But Emma Oastler and Wendy Holton and Charlotte Barford had already made their selections. With his eyes tightly closed, Jack could nonetheless sense them moving into their chosen positions.

The divorced dad’s skinny, tough girlfriend with the fists of stone—well, that was Wendy Holton. She squeezed your temples between her knees. Her knees were as small and hard as baseballs. She could give Jack a headache in less than a minute—and the view up her skirt, when he dared to look, was disappointingly dark and unclear.

The unthinkable mother’s girlfriend with the bionic breasts, the breasts with bones inside them—that was Charlotte Barford with her melon-size knees. No breasts ever felt like knees—not before there were implants, anyway. As for the view up Charlotte’s skirt, Jack never looked; the imagined consequences of her catching him looking were too intense.

And the mom’s bad boyfriend, the one who spread his bare belly on your face and made you fight for your last breath—that was Emma Oastler, of course. Jack first located her belly button with his nose; he found a little room to breathe there. Once, when he explored her navel with his tongue, Emma said: “Boy, do you ever not know what you’re doing.”

It was only slightly less scary at the actual bat-cave exhibit. While Miss Caroline Wurtz was losing her mind, the grade-three children could at least rest assured that only vampire bats and giant fruit bats might approach them. No divorced dads’ bad girlfriends—no single moms’ bad boyfriends or girlfriends—were hanging out in the bat habitat! Compared to these sexual predators of the recently divorced, what did the kids have to fear from mere bats?

As for those grade-three children who’d not attended kindergarten at St. Hilda’s, they were initially unfrightened by the power failure in some of the mammal displays at the Royal Ontario Museum; they’d had no previous experience in the bat-cave exhibit to be frightened of. But the former kindergartners among them were frightened enough that their terror was infectious.

That Miss Wurtz was also afraid was at first unsurprising—she had a history of coming unglued in the grade-three classroom. However, in the bat-cave exhibit, Miss Wurtz could not call upon The Gray Ghost for help. In the environs of the junior school, Miss Wurtz was routinely rescued by the supernaturally sudden appearances of Mrs. McQuat. Not in the Royal Ontario Museum with Jack and his fellow third graders wailing around her; that they’d instantly closed their eyes further disconcerted Miss Wurtz.

“Open your eyes, children! Don’t go to sleep! Not in here!” Miss Wurtz cried.

Caroline French, with her eyes firmly closed, offered the hysterical teacher some excellent advice: “Don’t startle the fruit bats, Miss Wurtz—they’re only dangerous if they’re startled.”

“Open your eyes, Caroline!” Miss Wurtz shrieked.

“If the hot, moist breath is at your throat, that’s another matter,” Caroline French went on.

“The what at my throat?” Miss Wurtz asked, her hands on her neck.

Jack’s feelings for Miss Wurtz were deeply conflicted. He was embarrassed for her that she had no mastery of stage presence in a real-life crisis, but he believed she was beautiful. He secretly loved her. “She means a vampire bat,” Jack tried to explain to Miss Wurtz, although Caroline French detested being interrupted. (Her brother interrupted her frequently.)

“You’ll just frighten Miss Wurtz, Jack,” Caroline said crossly. “Miss Wurtz—if the hot, moist breathing is at your throat, go nuts. Just swat it away.”

“Swat what away?” Miss Wurtz wailed.

“But if you feel the breaths on your belly button, remain calm,” Gordon French said, in seeming contradiction of his hostile twin sister.

“Just don’t move,” Jack added.

“Nothing’s breathing on my belly button!” Miss Wurtz screamed.

“You see, Jack?” Caroline French said. “You’ve made it worse, haven’t you?”

“Don’t panic,” the voice on the loudspeaker repeated. “The power will be restored in no time.”

“I forget why we have to crawl inside the bat cave,” Jimmy Bacon said. (None of them could remember that part of Emma Oastler’s story.)

“Nobody’s crawling inside the bat cave!” Miss Wurtz raved. “All of you open your eyes!” Jack thought of telling her that the ultraviolet lights would blind them somehow, but she seemed too upset for more bad news.

“I feel a fruit bat,” Jack whispered, without moving, but it was Maureen Yap; she had dropped to her knees and was hyperventilating in close proximity to his navel.

“Stop that!” Miss Wurtz shouted. Jimmy Bacon was moaning while he rubbed his head against her hip. Miss Wurtz may not have meant to grab Jimmy by the throat, but Jimmy reacted in the vampire-bat fashion; he went nuts, screaming and swatting away. Miss Caroline Wurtz screamed, too. (And to think she believed so adamantly in “measured restraint” onstage!)

That was Jack’s first school trip at St. Hilda’s. Like much of his junior-school experience, it would have seemed slight without the necessary preparations for the journey ahead, which had been provided for him in kindergarten by Emma Oastler—the nap-time storyteller who had appointed herself his personal girl guide.

Oh, what a lucky boy Jack was! Safe among the girls, without a doubt.

9. Not Old Enough

When Jack started grade one, Emma Oastler and her companions had moved on to the middle school—they were in grade seven. Less fearsome girls became the grade-six guides of the junior school; Jack wouldn’t remember them. Sometimes a whole school day, but rarely two in a row, would pass without his seeing Emma, who fiercely promised him that she would always keep in touch. And Jack’s occasional sightings of Wendy Holton and Charlotte Barford were usually from a safe distance. (Fists-of-Stone Holton, as he still thought of Wendy. Breasts-with-Bones-in-Them Barford, as he would forever remember Charlotte and her melon-size knees.)

Miss Wong, Jack’s grade-one teacher, had been born in the Bahamas during a hurricane. Nothing noticeably like a tropical storm had remained alive in her, although her habit of apologizing for everything might have begun with the hurricane. She would never acknowledge by name the particular storm she had been born in, which might have led the grade-one children to suspect that the hurricane still flickered somewhere in her subconscious. No trace of a storm animated her listless body or gave the slightest urgency to her voice. “I am sorry to inform you, children, that the foremost difference between kindergarten and grade one is that we don’t nap,” Miss Wong announced on opening day.

Naturally, her apology was greeted by collective sighs of relief, and some spontaneous expressions of gratitude—heel-thumping from the French twins, identical blanket-sucking sounds from the Booth girls, heartfelt moaning from Jimmy Bacon. That the grade-one response to her no-nap announcement did not inspire a storm of curiosity from “Miss Bahamas,” as the children called Miss Wong behind her back, was further indication of the lifelessness of their new teacher.

During junior-school chapel service, which was held once a week in lieu of the daily assembly in the Great Hall, Maureen Yap whispered to Jack: “Don’t you kind of miss Emma Oastler and her sleepy-time stories?” There was an instant lump in Jack’s throat; he could neither sing nor make conversation with The Yap, as the kids called Maureen. “I know how you feel,” The Yap went on. “But what was the worst of it? What do you miss most?”

“All of it,” Jack managed to reply.

“We all miss it, Jack,” Caroline French said.

“We all miss all of it,” her irritating twin, Gordon, corrected her.

“Shove it, Gordon,” Caroline said.

“I kind of miss the moaning,” Jimmy Bacon admitted. The Booth girls, though blanketless, made their identical blanket-sucking sounds.

Did the grade-one children crave stories of divorced dads, passed out from too much sex? Did they long to be defenseless, yet again, in the bat-cave exhibit at the Royal Ontario Museum? Did they miss the single-mom stories, or the overlarge and oversexed boyfriends and girlfriends? Or was it Emma Oastler they missed? Emma and her friends on the verge of puberty, or in puberty’s throes—Wendy Fists-of-Stone Holton and Charlotte Breasts-with-Bones-in-Them Barford.

There was a new girl in grade one, Lucinda Fleming. She was afflicted with what Miss Wong called “silent rage,” which took the form of the girl physically hurting herself. When Miss Wong introduced Lucinda’s affliction to the class, she spoke of her as if she weren’t there.

“We must keep an eye on Lucinda,” Miss Wong told the class. Lucinda calmly received their stares. “If you see her with a sharp or dangerous-looking object, you should not hesitate to speak to me. If she looks as if she is trying to go off by herself somewhere—well, that could be dangerous for her, too. Forgive me if I’m wrong, but isn’t that what we should do, Lucinda?” Miss Wong asked the silent girl.

“It’s okay with me,” Lucinda said, smiling serenely. She was tall and thin with pale-blue eyes and a habit of rubbing a strand of her ghostly, white-blond hair against her teeth—as if her hair were dental floss. She wore it in a massive ponytail.

Caroline French inquired if this habit was harmful to Lucinda’s hair or teeth. Caroline’s point was that teeth-and-hair rubbing was probably an early indication of the silent rage, a precursor to more troubling behavior.

“I’m sorry to disagree, but I don’t think so, Caroline,” Miss Wong replied. “You’re not trying to hurt yourself with your hair or your teeth, are you, Lucinda?” Miss Wong asked.

“Not now,” Lucinda mumbled. She had a strand of hair in her mouth when she spoke.

“It doesn’t look dangerous to me,” Maureen Yap said. (The Yap occasionally sucked her hair.)

“Yeah, but it’s gross,” said Heather Booth.

Patsy, Heather’s identical twin, said, “Yeah.”

Jack thought it was probably a good thing that Lucinda Fleming was a new girl and had not attended kindergarten at St. Hilda’s. Who knows how Emma Oastler might have affected Lucinda’s proclivity to silent rage? Between mouthfuls of hair, Lucinda told Jack that her mother had been impregnated by an alien; she said her father was from outer space. Although he was only six, Jack surmised that Lucinda’s mom was divorced. Emma Oastler’s saga of the squeezed child, no matter which ending, would have given Lucinda Fleming a rage to top all her rages.

Jack Burns avoided what was called “the quad,” even in the spring, when the cherry trees were in bloom. The ground-floor rooms for music practice faced the courtyard; you could overhear the piano lessons from the quad. Jack occasionally imagined that his dad was still teaching someone in one of those rooms. He hated to hear that music.

And the white, round chandeliers in the dining room reminded him of blank globes—of the earth strangely countryless, without discernible borders, not even indications of land and sea. Like the world where his father had gone missing; William Burns might as well have come from outer space.

Jack looked carefully for evidence of Lucinda Fleming’s silent rage for the longest time, never seeing it. He wondered if he would recognize the symptoms—if he’d had a rage of his own here or there, but had somehow not known what it was. Who were the authorities on rage? (Not Miss Wong, who’d clearly managed to lose contact with the hurricane inside her.)

Jack wasn’t used to seeing so little of his mother; he left for school before she got up and was asleep before she came home. As for rage, what Alice had of it might have been expressed in the pain-inflicting needles with which she marked for life so many people—mainly men.

Mrs. Wicksteed, who did Jack’s necktie so patiently but absentmindedly, stuck to her be-nice-twice philosophy without ever imparting to the boy what he should do if he were pressed to be nice a third time. That he was instructed to be creative struck Jack as a nonspecific form of advice; no silent rage, or rage of any kind, was in evidence there. And Lottie, despite having lost a child, had left what amounted to her rage on Prince Edward Island—or so she implied to Jack.

“I’m not an angry person anymore, Jack,” Lottie said, when he asked her what she knew about rage in general—and the silent kind, in particular. “The best thing I can tell you is not to give in to it,” Lottie said.

Jack would later imagine that Lottie was one of those women, neither young nor old, whose sexuality had been fleeting; only small traces of her remaining desire were visible, in the way you might catch her looking at herself in profile in a mirror. Glimpses of Lottie’s former attractiveness were apparent to Jack only in her most unguarded moments—when he had a nightmare and roused her from a sound sleep, or when she woke him up for school in the morning before she’d taken the time to attend to herself.

Short of asking Lucinda Fleming to talk to him about her silent rage, which would have been far too simple and straightforward a solution for any six-year-old boy to conceive of, Jack worked up his courage and asked Emma Oastler instead. (If Emma wasn’t an authority on rage, who was?) But Jack was afraid of Emma; her cohorts struck him as somewhat safer places to start. That was why he worked up his courage to ask Emma by asking Wendy Holton and Charlotte Barford first. He began with Wendy, only because she was the smaller of the two.

The junior school got a half-hour head start for lunch. How fitting that it was under the blank globes of the dining-hall chandeliers, those unmarked worlds, where Jack spoke to Wendy. How well (and for how long!) he would remember her haunted eyes, her chewed lips, her unbrushed, dirty-blond hair—not forgetting her scraped knees, as hard as fists of stone.

“What rage was that, Jack?”

“Silent.”

“What about it, you little creep?”

“Well, what is it, exactly—what is silent rage?” he asked.

“You’re not eating the mystery meat, are you?” Wendy asked, viewing his plate with disapproval.

“No, I would never eat that,” Jack answered. He separated the gray meat from the beige potatoes with his fork.

“You wanna see a little rage, Jack?”

“Yes, I guess so,” he replied cautiously—never taking his eyes off her. Wendy had an unsettling habit of cracking her knuckles by pressing them into her underdeveloped breasts.

“You wanna meet me in the washroom?” Wendy asked.

“The girls’ washroom?”

“I’m not getting caught with you in the boys’ washroom, you dork.” Jack wanted to think it over, but it was hard to think clearly with Wendy standing over him at his table. The word dork itself unsettled him; it seemed so out of place at a mostly all-girls’ school.

“Forgive me for intruding, but aren’t you having any lunch, Wendy?” Miss Wong asked.

“I’d rather die,” Wendy told her.

“Well, I’m certainly sorry to hear that!” Miss Wong said.

“You wanna follow me, or are you chicken?” Wendy whispered in Jack’s ear. He could feel one of her hard, bruised knees against his ribs.

“Okay,” he answered.

Officially, Jack needed Miss Wong’s permission to leave the dining hall, but Miss Wong was typically in an overapologetic mood (having blamed herself for attempting to force lunch on Wendy Holton, when Wendy would rather die). “Miss Wong—” he started to say.

“Yes, of course, Jack,” she blurted out. “I’m so sorry if I’ve made you feel self-conscious, or that I may have delayed your leaving the table for whatever obvious good reason you have for leaving. Heavens! Don’t let me hold you up another second!”

“I’ll be right back,” was all he managed to say.

“I’m sure you will be, Jack,” Miss Wong said. Perhaps the faint hurricane inside her had been overcome by her contrition.

In the girls’ washroom nearest the dining hall, Wendy Holton took Jack into a stall and stood him on the toilet seat. She just grabbed him in the armpits and lifted him up. Standing on the toilet seat, he was eye-to-eye with her; so he wouldn’t slip, Wendy held him by the hips.

“You want to feel rage, inner rage, Jack?”

“I said silent, silent rage.”

“Same difference, penis breath,” Wendy said.

Now there was a concept that would stay with Jack Burns for many years—penis breath! What a deeply disturbing concept it was.

“Feel this,” Wendy said. She took his hands and placed them on her breasts—on her no breasts, to be more precise.

“Feel what?” he asked.

“Don’t be a dork, Jack—you know what they are.”

“This is rage?” the boy asked. By no stretch of his imagination could he have called what his small hands held breasts.

“I’m the only girl in grade seven who doesn’t have them!” Wendy exclaimed, in a smoldering fury. Well, this was rage without a doubt.

“Oh.”

“That’s all you can say?” she asked.

“I’m sorry,” Jack quickly said. (How to apologize was all he had learned from Miss Wong.)

“Jack, you’re just not old enough,” Wendy declared. She left him standing precariously on the toilet seat. “When I knock on the door from the hall three times, you’ll know it’s safe to come out,” she told him. “Rage,” Wendy said, almost as an afterthought.

“Silent rage,” Jack repeated, for clarity’s sake. He saw that he should approach Charlotte Barford a little differently on this subject. But how?

When Wendy knocked on the washroom door three times, Jack exited into the hall. Miss Caroline Wurtz looked surprised to see him; there was no one else in the corridor. “Jack Burns,” Miss Wurtz said perfectly, as always. “It disappoints me to see you using the girls’ washroom.” Jack was disappointed, too, and said so, which seemed to instill in Miss Wurtz the spirit of forgiveness; she liked it when you said you understood how she felt, but her recovery from being disappointed was not always so swift.

Jack had higher expectations for what he might learn from Charlotte Barford. Charlotte at least had breasts, he’d observed. Whatever the source of her rage, it was not an underdeveloped bosom. Unfortunately, he hadn’t fully prepared how he wanted to approach Charlotte Barford before Charlotte approached him.

Once a week, after lunch, Jack sang in the primary choir. They performed mostly in those special services—Canadian Thanksgiving, Christmas, Remembrance Day. They did a bang-up Gaudeamus at Easter.

Come, ye faithful, raise the strain

Of triumphant gladness!

Jack avoided all eye contact with the organist. He’d already met a lifetime of organists; even though the organist at St. Hilda’s was a woman, she still reminded him of his talented dad.

The day Jack ran into Charlotte Barford in the corridor, he was humming either “Fairest Lord Jesus” or “Joyful, Joyful, We Adore Thee”—similar adorations. Jack was passing the same girls’ washroom where Wendy Holton had forced him to feel her no breasts while imagining her rage—he would remember that washroom to his dying day—when Charlotte Barford opened the washroom door. With her hands still wet and smelling of disinfectant from that awful liquid soap, Charlotte pulled him back into the washroom.

“What rage, Jack?” she asked, pinning him to a sink with one of her big, bare knees. There it was, in the pit of his stomach—a so-called breast with bones in it!

“The silent, inner kind—rage that doesn’t go away,” Jack guessed.

“It’s what you don’t know, what people won’t tell you, what you have to wait to find out for yourself,” Charlotte said, driving her knee a little deeper. “All the stuff that makes you angry, Jack.”

“But I don’t know if I am angry,” the boy said.

“Sure you are,” Charlotte said. “Your dad is a total doink. He’s made you and your mom virtual charity cases. Everyone’s betting on you, Jack.”

“On me? What’s the bet?”

“That you’re gonna be a womanizer, like your father.”

“What’s a womanizer?” Jack asked.

“You’ll know soon enough, squirrel dink,” she said. “By the way, you’re not touching my breasts,” Charlotte whispered. Biting his earlobe, she added: “Not yet.”

Jack knew the exit routine. He waited in the washroom until Charlotte knocked three times on the door from the hall. He was surprised, this time, that Miss Wurtz wasn’t passing by in the corridor at that very moment—there was only Charlotte Barford, walking away. Her hips had the same involuntary roll to them that he remembered of Ingrid Moe’s full-stride departure from the Hotel Bristol, although Charlotte’s skirt was much too short for Oslo in the winter.

There was a lot he didn’t know—not just what a womanizer was, but what were charity cases? And now, in addition to penis breath and doink, there was squirrel dink to ponder.

Jack could not imagine that this was “proper” material for his next necktie-tying conversation with Mrs. Wicksteed—not in her early-morning curlers and avocado oil, fortified only by her first cup of tea—nor did these issues strike the boy as suitable to raise with Lottie. Her earlier hardships, her undiscussed limp and the life she’d left behind on Prince Edward Island, did not predispose Lottie to stressful dialogue of any kind. And of course he knew what his mother’s response would be. “We’ll discuss this when you’re old enough,” his mom was fond of saying. Certain subjects were in the same category as getting your first tattoo, for which (according to Alice) you also had to be old enough.

Well, Jack knew someone who was old enough. When he was adrift in grade one, under the apologetic supervision of the weatherless Miss Wong, Emma Oastler was in grade seven, thirteen going on twenty-one. No topics were off-limits for conversation with Emma. There was only the problem of how pissed-off she was. (Jack knew Emma would be furious with him for speaking to Wendy and Charlotte first.)

Don’t misunderstand the outlaw corridors and washroom thuggery—namely, the older girls’ behavior outside the classroom. St. Hilda’s was a good school, and an especially rigorous one—academically. Perhaps the demands of the classroom created an urgency to act up among the older girls; they needed to express themselves in opposition to the correct diction and letter-perfect enunciation, of which Miss Wurtz was not the only champion among the generally excellent faculty at the school. The girls needed a language of their own—corridor-speak, or washroom grammar. That was why there was a lot of “Lemme-see” stuff—all the “I’m gonna, dontcha-wanna, gimme-that-thing-now” crap—which was the way the older girls talked among themselves, or to Jack. If they ever spoke in this fashion in their respective classrooms, the faculty—not only Miss Wurtz—would have instantly reprimanded them.

Not so Peewee, Mrs. Wicksteed’s Jamaican driver. Peewee was in no position to criticize how Emma Oastler spoke to Jack in the backseat of the Lincoln Town Car. To begin with, both Peewee and Jack were surprised the first time Emma slid into the backseat. It was a cold, rainy afternoon. Emma lived in Forest Hill; she usually walked to and from school. After school—in both her middle- and her senior-school years—Emma normally hung out in a restaurant and coffee shop at the corner of Spadina and Lonsdale with a bunch of her older-girl friends. Not this day, and it wasn’t the cold or the rain.

“You need help with your homework, Jack,” Emma announced. (The boy was in grade one. He wouldn’t have much homework before grade two, and he wouldn’t really need help with it before grades three and four.)

“Where are we taking the girl, mon?” Peewee asked Jack.

“Take me home with him,” Emma told the driver. “We’ve got a shitload of work to do—haven’t we, Jack?”

“She sounds like she’s the boss, mon,” Peewee said. Jack couldn’t argue with that. Emma had slumped down in the backseat, pulling him down beside her.

“I’m gonna give you a valuable tip, Jack,” she whispered. “I’m sure there will come a day when you’ll find it useful to remember this.”

“Remember what?” he whispered back.

“If you can’t see the driver’s eyes in the rearview mirror,” Emma whispered, “that means the driver can’t see you.”

“Oh.” At that moment, Jack couldn’t see Peewee’s eyes.

“We have such a lot of ground to cover,” Emma went on. “What’s important for you to remember is this: if there’s anything you don’t understand, you ask me. Wendy Holton is a twisted little bitch—never ask Wendy! Charlotte Barford is a one-speed blow job waiting to happen. You’re putting your life and your doink in her hands every time you talk to Charlotte! Remember: if there’s anything new that occurs to you, tell me first.”

“Like what?” the boy asked.

“You’ll know,” she told him. “Like when you first feel that you want to touch a girl. When the feeling is un-fucking-stoppable, tell me.”

“Touch a girl where?”

“You’ll know,” Emma repeated.

“Oh.” Jack wondered if his wanting to touch Emma’s mustache was necessary to confess, since he’d already done it.

“Do you feel like touching me, Jack?” Emma asked. “Go on—you can tell me.”

His head didn’t come up to her shoulder, not even slumped down in the backseat; there was the suddenly strong attraction to lay his head on her chest, exactly between her throat and her emerging breasts. But her mustache was still the most appealing thing about her, and he knew she was sensitive to his touching it.

“Okay, so that’s established,” Emma said. “So you don’t feel like touching me, not yet.” Jack was sad the opportunity had been missed, and he must have looked it. “Don’t be sad, Jack,” Emma whispered. “It’s gonna happen.”

“What’s going to happen?”

“You’re gonna be like your dad—we’re all counting on it. You’re gonna open your share of doors, Jack.”

“What doors?” When Emma didn’t answer him, the boy assumed that he had hit upon another item in the not-old-enough category. “What’s a womanizer?” he asked, imagining he had changed the subject.

“Someone who can’t ever have enough women, honey pie—someone who wants one woman after another, with no rest in between.”

Well, that wouldn’t be me, Jack thought. In the sea of girls in which he found himself, he couldn’t imagine wanting more. In the St. Hilda’s chapel, in the stained glass behind the altar, four women—saints, Jack assumed—were attending to Jesus. At St. Hilda’s, even Jesus was surrounded by women. There were women everywhere!

“What are charity cases?” he asked Emma.

“At the moment, that would be you and your mom, Jack.”

“But what does it mean?”

“You’re dependent on Mrs. Wicksteed’s money, Jack. No tattoo artist makes enough money to send a kid to St. Hilda’s.”

“Here we are, miss,” Peewee said, as if Emma were the sole passenger in the limo. Peewee pulled the Town Car to the curb at the corner of Spadina and Lowther, where Lottie was standing with most of her weight on one foot.

“Looks like The Limp is waiting for you, baby cakes,” Emma whispered in Jack’s ear.

“Why, hello, Emma—my, how you’ve grown!” Lottie managed to say.

“We’ve got no time to chat, Lottie,” Emma said. “Jack is having trouble understanding a few important things. I’m here to help him.”

“My goodness,” Lottie said, limping after them. Emma, with her long strides, led Jack to the door.

“I trust The Wickweed is napping, Jack,” Emma whispered. “We’ll have to be quiet—there’s no need to wake her up.”

Jack had not heard Mrs. Wicksteed called The Wickweed before, but Emma Oastler’s authority was unquestionable. She even knew the back staircase from the kitchen, leading to Jack’s and Alice’s rooms.

Later it was easy enough to understand: Emma Oastler’s man-hating monster of a divorced mother was a friend of Mrs. Wicksteed’s divorced daughter—hence their shared perception of Jack and his mom as Mrs. Wicksteed’s rent-free boarders. Emma’s mom and Mrs. Wicksteed’s daughter were Old Girls, too; they had graduated from St. Hilda’s in the same class. (They were not much older than Alice.)

Calling downstairs to Lottie, who was aimlessly limping around in the kitchen, Emma said: “If we need anything, like tea or something, we’ll come get it. Don’t trouble yourself to climb the stairs, Lottie. Try giving your limp a rest!”

In Jack’s room, Emma began by pulling back his bedcovers and examining his sheets. Seemingly disappointed, she put the covers loosely back in place. “Listen to me, Jack—here’s what’ll happen, but not for a while. One morning, you’re gonna wake up and find a mess in your sheets.”

“What mess?”

“You’ll know.”

“Oh.”

Emma had moved on—through the bathroom, to his mother’s room—leaving him to reflect upon the mystery mess.

Alice’s room smelled like pot, although Jack never saw her smoke a joint in there; in all likelihood, the marijuana clung to her clothes. He knew she took a toke or two at the Chinaman’s, because he could occasionally smell it in her hair.

Emma Oastler inhaled appreciatively, giving Jack a secretive look. She seemed to be conducting a survey of the clothes in his mom’s closet. She held up a sweater and examined herself in the closet-door mirror, imagining how the sweater might fit her; she held one of Alice’s skirts at her hips.

“She’s kind of a hippie, your mom—isn’t she, Jack?”

Jack had not thought of his mom as a hippie before, but she was kind of a hippie. At that time, especially to the uniformed girls at St. Hilda’s and the ever-increasing legion of their divorced mothers, Alice was most certainly a hippie. (A hippie was probably the best you could say about an unwed mother who was also a tattoo artist.)

Jack Burns would learn later that it was no big deal—how a woman could look at an unfamiliar chest of drawers and know, at a glance, which drawer another woman would use for her underwear. Emma was only thirteen, but she knew. She opened Alice’s underwear drawer on her first try. Emma held up a bra to her developing breasts; the bra was too big, but even Jack could tell that one day it wouldn’t be. For no reason that he could discern, his penis was as stiff as a pencil—but it was only about the size of his mother’s pinkie, and his mom had small hands.

“Show me your hard-on, honey pie,” Emma said; she was still holding up Alice’s bra.

“My what?”

“You’ve got a boner, Jack—for Christ’s sake, lemme see it.”

He knew what a boner was. His mom, that old hippie, called it a woody. Whatever you called it, Jack showed Emma Oastler his penis in his mother’s bedroom. What probably made it worse was that Lottie was limping around in the kitchen below them, just as old Mrs. Wicksteed was waking up from her afternoon nap, and Emma gave his hard-on a close but disappointed look. “Jeez, Jack—I don’t think you’ll be ready for quite a while.”

“Ready for what?”

“You’ll know,” she said again.

“The kettle’s boiling!” Lottie cried from the kitchen.

“Then shut it off!” Emma hollered downstairs. “Jeez,” Emma said again, to Jack, “you better keep an eye on that thing, and tell me when it squirts.”

“When I pee?”

“You’re gonna know when it’s not pee, Jack.”

“Oh.”

“The point is, tell me everything,” Emma said. She took his penis in her hand. He was anxious, remembering how she’d bent his index finger. “Don’t tell your mom—you’ll just freak her out. And don’t tell Lottie—you’ll make her limp worse.”

“Why does Lottie limp?” Jack asked. Emma Oastler was such an authority, he assumed she would know. Alas, she did.

“She had an epidural go haywire,” Emma explained. “The baby died anyway. It was a real bad deal.”

So you could get a limp from a childbirth that went awry! Naturally, Jack thought an epidural was a part of the body, a female part. In the manner in which he’d assumed his mom’s C-section referred to an area of the hospital in Halifax where Jack was born, so he believed that Lottie had lost her epidural in childbirth. Jack must have imagined that an epidural was somehow crucial to the female anatomy; possibly it prevented limps. Years later, when he couldn’t find epidural in the index of Gray’s Anatomy, Jack would be reminded of his C-section mistake. (That his mother had never had a Cesarean would be an even bigger discovery.)

“Tea’s brewing!” Lottie called to Jack and Emma from the kitchen. Only when he was older would it occur to him that Lottie knew Emma was a menacing girl.

“Have a wet dream for me, little guy,” Emma said to Jack’s penis. She was such a good friend; she gently helped his penis find its proper place, back inside his pants, and she was especially careful how she zipped up his fly.

“Do penises have dreams?” Jack asked.

“Just remember to tell me when your little guy has one,” Emma said.

10. His Audience of One

Jack’s grade-two teacher, Mr. Malcolm—at that time, one of only two male teachers at St. Hilda’s—was inseparable from his wife, whom he daily brought to school for dire reasons. She was blind and wheelchair-bound, and it seemed to soothe her to hear Mr. Malcolm speak. He was an excellent teacher, patient and kind. Everyone liked Mr. Malcolm, but the entire grade-two class felt sorry for him; his blind and wheelchair-bound wife was a horror. In a school where so many of the older girls were outwardly cruel and inwardly self-destructive, which was not infrequently blamed on their parents’ tumultuous divorces, the grade-two kids prayed, every day, that Mr. Malcolm would divorce his wife. Had he murdered her, the class would have forgiven him; if he’d killed her in front of them, they might have applauded.

But Mr. Malcolm was ever the peacemaker, and his shaving choices were ahead of their time. Growing bald, he had shaved his head—not all that common in the early 1970s—and, even less common, he preferred varying lengths of stubble to an actual beard or to being clean-shaven. Back then it was a credit to St. Hilda’s that they accepted Mr. Malcolm’s shaved head and his stubbled face; not unlike the grade-two children, the administrators of the school had decided not to cause Mr. Malcolm any further harm. The blind wife in the wheelchair made everyone take pity on him.

In the grade-two classroom, the children worked diligently to please him. Mr. Malcolm never had to discipline them; they disciplined themselves. They would do nothing to upset him. Life had already been unfair enough to Mr. Malcolm.

Emma Oastler’s assessment of the tragedy was colored by her own intimacy with human cruelty, but in her view of the Malcolms as a couple, Emma was probably not wrong. Mrs. Malcolm, whose name was Jane, fell off a roof at a church picnic. She was high school age at the time, a pretty and popular girl—suddenly paralyzed from the waist down. According to Emma, Mr. Malcolm had been a somewhat younger admirer of Jane’s. He fell in love with her when she was paralyzed, chiefly because she was more available.

“He must have been the kind of uncool guy she would never have dated before the accident,” Emma said. “But after she fell off the roof, Wheelchair Jane didn’t have a lotta choices.” Yet if Mr. Malcolm was her choice, even if he was her only choice, Jane Malcolm couldn’t have been luckier.

The blindness was another story; that happened to her later, when she’d been married for many years. Jane Malcolm suffered from early-onset macular degeneration. As Mr. Malcolm explained to the grade-two class, his wife had lost her central vision. She could see light, she could make out movement, and she still had some peripheral vision. At the extreme periphery, however, Mrs. Malcolm experienced a loss of color, too.

The loss of her mind was another matter; there was nothing Mr. Malcolm could say to protect the kids, or himself, from that. Thus periphery and peripheral were the so-called vocabulary challenges for opening day in grade two—every day, there would be two more. As for crazed or delusional or paranoid, they were never words on the grade-two vocabulary list. But Wheelchair Jane was all those things; she’d been pushed past the edge of reason.

When Mrs. Malcolm would grind her teeth, or suddenly crash her wheelchair into Patsy Booth’s desk, head-on, Jack often looked at Lucinda Fleming—half expecting that Jane Malcolm’s visible rage might trigger a silent-rage episode in Lucinda. It was insanity to assault the Booth twins separately. Whenever Mrs. Malcolm attacked Patsy’s desk in her wheelchair, Patsy’s twin, Heather, also screamed.

On occasion, Mrs. Malcolm would snap her head from side to side as if to rid herself of her peripheral vision. Maybe she thought total blindness would be preferable. And when one of the second graders would raise a hand in response to one of Mr. Malcolm’s questions, blind Jane would assume a head-on-her-knees position in her wheelchair—as if a man wielding a knife had appeared in front of her and she’d ducked to prevent him from slashing her throat. These dramatic moments of Mrs. Malcolm becoming unhinged made grade two a most attentive class; while the children listened carefully to Mr. Malcolm’s every word, they kept their eyes firmly fixed on her.

For not more than three or four seconds, not more than twice a week, the tired-looking Mr. Malcolm would be at a loss for words; thereupon, Wheelchair Jane would start her journey of repeated collisions. She sailed forth up an aisle—the wheelchair glancing off the kids’ desks as she rushed past, skinning her knuckles.

While Mr. Malcolm ran to the nurse’s office, to fetch either the nurse or (for more minor injuries) a first-aid kit, Mrs. Malcolm would be left in the kids’ tentative care. Someone held the wheelchair from behind so she couldn’t careen out of control; the rest of the class stood petrified around her, just out of her reach. They were instructed to not let her get out of the wheelchair, although it’s doubtful that seven-year-olds could have stopped her. Fortunately, she never tried to escape; she flailed about, crying out the children’s names, which she’d memorized in the first week of school.

“Maureen Yap!” Mrs. Malcolm would holler.

“Here, ma’am!” Maureen would holler back, and Mrs. Malcolm would turn her blind eyes in The Yap’s direction.

“Jimmy Bacon!” Mrs. Malcolm would scream.

Jimmy would moan. There was nothing wrong with Wheelchair Jane’s hearing; she looked without seeing in Jimmy’s direction upon hearing him moan.

“Jack Burns!” she shouted one day.

“I’m right here, Mrs. Malcolm,” Jack said. Even in grade two, his diction and enunciation were far in advance of his years.

“Your father was well spoken, too,” Mrs. Malcolm announced. “Your father is evil,” she added. “Don’t let Satan put a curse on you to be like him.”

“No, Mrs. Malcolm, I won’t.” Jack may have answered her with the utmost confidence, but within the mostly all-girls’ world of St. Hilda’s, it was clear to him that he was fighting overwhelming odds. The Big Bet, which Emma Oastler spoke of with a reverence usually reserved for her favorite novels and movies, heavily favored the suspected potency of William’s genes. If womanizing could be passed from father to son, it most certainly would be passed to Jack. In the eyes of almost everyone at St. Hilda’s, even in what amounted to the severely limited peripheral vision of Mrs. Malcolm, Jack Burns was his father’s son—or about to be.

“You can’t blame anyone for being interested, Jack,” Emma said philosophically. “It’s exciting stuff—to see how you’ll turn out.” Clearly Mrs. Malcolm had taken a genetic interest in how Jack would turn out, too.

But the worst thing about Jane Malcolm was how she behaved when her husband returned to the grade-two classroom—with either the school nurse or the first-aid kit. “Here I am—I’m back, Jane!” he always announced.

“Did you hear that, children?” Mrs. Malcolm would begin. “He’s come back! He’s never gone for long and he always comes back!”

“Please, Jane,” Mr. Malcolm would say.

“Mr. Malcolm likes taking care of me,” Wheelchair Jane told the class. “He does everything for me—all the things I can’t do myself.”

“Now, now, Jane, please,” Mr. Malcolm would say, but she wouldn’t let him take her skinned knuckles in his hands. Slowly, at first, but with ever-quickening strikes, she slapped his face.

“Mr. Malcolm loves doing everything for me!” she cried. “He feeds me, he dresses me, he washes me—”

“Jane, darling—” Mr. Malcolm tried to say.

“He wipes me!” Mrs. Malcolm screamed; that was always the end of it, before she resorted to whimpers and moans.

Jimmy Bacon would commence to moan with her, which was soon followed by the remarkable blanket-sucking sounds that the Booth twins were capable of making—even without blankets. Heel-thumping from the French twins never lagged far behind. And Jack would steal a look at Lucinda Fleming, who was usually looking at him. Her serene smile betrayed nothing of the mysterious rage inside her. Do you wanna see it? her smile seemed to say. Well, I’m gonna show you, her smile promised—but not yet.

It was a not-yet world Jack lived in, from kindergarten through grade two. Pitying Mr. Malcolm was an education in itself. But more memorably, and more lastingly, Jack’s education was as much in Emma Oastler’s hands as it was in Mr. Malcolm’s.

On rainy days, or whenever it was snowing, Emma slid into the backseat of the Lincoln Town Car and instructed Peewee as follows: “Just drive us around, Peewee. No peeking in the backseat. Keep your eyes on the road.”

“That okay with you, mon?” Peewee always asked Jack.

“Yes, that would be fine, Peewee. Thank you for asking,” the boy replied.

“You’re the boss, miss,” Peewee would say.

Scrunched down low in the backseat, Jack and Emma chewed gum nonstop—their breath minty or fruity, depending on the flavor. Emma would let Jack undo her braid, but she would never let him weave it back together. With her braid undone, Emma had enough hair for both of them to hide their faces under its spell. “If you get your gum stuck in my hair, honey pie, I’m gonna kill you,” she often said—but once, when Jack was laughing about something, Emma suddenly sounded like his mother. “Don’t laugh when you’re chewing gum—you could choke.”

There was the puzzling moment when they checked on her training bra, as Emma disparagingly called it. From what Jack could tell, the instructions the bra had given to her breasts were already working. At least her breasts were getting bigger. Wasn’t that the point?

Speaking of growing, his penis had made no discernible progress. “How’s the little guy?” Emma would invariably ask, and Jack would dutifully show her. “What are you thinking about, little guy?” Emma asked his penis once.

If penises could dream, Jack didn’t know why he was surprised to hear that they could think as well, but the little guy had demonstrated no trace of a thought process—not yet.

After grade two, Jack’s sightings of Mr. Malcolm were limited mainly to the boys’ washroom, where the teacher occasionally went to weep. But Jack most frequently caught Mr. Malcolm in the act of examining his facial stubble—as if the shadow of his beard-in-progress or his mustache-in-the-making were his principal (maybe his only) vanity.

Sightings of Mrs. Malcolm were also rare. Usually not more than twice a day, one of the girls’ washrooms would be posted with an OUT OF ORDER sign, which meant that Mr. Malcolm was attending to Wheelchair Jane. The girls were instructed to respect their privacy.

Once Jack heard the unmistakable sound of Mrs. Malcolm slapping her husband in the washroom. The boy tried to hurry in the hall, to outrun the sound, but he could never outdistance Mr. Malcolm’s pathetic “Now, now, Jane,” which was quickly followed by his “Jane, darling—” upon which some commonplace clamor in the corridor drowned out the repeated melodrama. (Several grade-six girls were passing; naturally, they sounded like several dozen.)

In Jack’s remaining two years at St. Hilda’s, there were many times when he missed Mr. Malcolm, but he did not miss being a witness to the grade-two teacher’s perpetual abuse. From then on, when Jack saw people in wheelchairs, he felt no less pity for them—no less than before he met Mrs. Malcolm. Jack just felt more pity for the people attending to them.

The little guy and Jack were eight years old when they started grade three. Even before his penis demonstrated its capacity for having dreams and ideas entirely of its own devising, the little guy and Jack had begun to live parallel (if not altogether separate) lives.

That Miss Caroline Wurtz had a “perishable” beauty was enhanced by her being petite. Certainly she was smaller than any of the grade-three mothers. And Miss Wurtz wore a perfume that encouraged the grade-three boys to invent problems with their math. Miss Wurtz would correct a boy’s math by leaning over his desk, where he could inhale her perfume while taking a closer and most desirable look at the fetching birthmark on her right collarbone and the small, fishhook-shaped scar on the same side of her throat.

Both the birthmark and the scar seemed to inflame themselves whenever Miss Wurtz was upset. In the ultraviolet light of the bat-cave exhibit, Jack vividly remembered her scar; it was pulsating like a neon strobe. How she got it was in the category of Jack’s imagination close to Tattoo Peter’s missing leg and Lottie’s limp, although the latter subject was further complicated by the boy’s mistaken assumption that an epidural was a vital part of the female anatomy.

That Charlotte Brontë was Miss Wurtz’s favorite writer, and Jane Eyre her bible, was known to everyone in the junior school; an annual dramatization of the novel was their principal cultural contribution to the middle and senior grades. The older girls might have been more capable of acting out such ambitious material—not only Jane’s indomitable spirit but also Rochester’s blindness and religious transformation—yet Miss Wurtz had claimed Jane Eyre as junior-school property, and in both grades three and four, Jack was awarded the role of Rochester.

What other boy in the junior school could have memorized the lines? “Dread remorse when you are tempted to err, Miss Eyre: remorse is the poison of life.” Jack delivered that line as if he knew what it meant.

In grade three, the first year Jack played Rochester, the grade-six girl who played Jane was Connie Turnbull. Her brooding, rejected presence made her a good choice for an orphan. When she said, “ ‘It is in vain to say human beings ought to be satisfied with tranquillity,’ ” you believed her. (Connie Turnbull would never be a tranquil soul.)

Of course it was ludicrous when it was necessary for Jack-as-Rochester to take Connie-as-Jane in his arms and cry: “ ‘Never, never was anything at once so frail and so indomitable.’ ” He only came up to her, and everyone else’s, breasts. “ ‘I could bend her with my finger and thumb!’ ” Jack cried, to the accompanying laughter and disbelief of the audience.

Connie Turnbull looked at him, as if to say: “Just try it, penis breath!” But it wasn’t only his memorization skills and his diction and enunciation that made Jack so captivating as an actor. Miss Wurtz had taught him to take command of the stage.

“How?” he asked her.

“You have an audience of one, Jack,” Miss Wurtz told the boy. “Your job is to touch one heart.”

“Whose?”

“Whose heart do you want it to be?” Miss Wurtz asked.

“My mom’s?”

“I think you can touch her heart anytime, Jack.”

Whose heart could old Rochester touch, anyway? Wasn’t it Jane who touched one’s heart? But that wasn’t what Miss Wurtz meant. She meant who would want to watch Jack but remain unseen; who was the likeliest stranger in the audience, whose interest was only in Jack? Who wanted to be impressed by Jack while sparing himself the boy’s scrutiny?

Jack’s audience of one was his father, of course. From the moment he imagined William, Jack could command every inch of the stage; he was on-camera for the rest of his life. Jack would learn later that an actor’s job was not complicated, but it had two parts. Whoever you were, you made the audience love you; then you broke their hearts.

Once Jack could imagine his father in the shadows of every audience, he could perform anything. “Think about it, Jack,” Miss Wurtz urged him. “Just one heart. Whose is it?”

“My dad’s?”

“What a good place to begin!” she told the boy, both her birthmark and her scar inflaming themselves. “Let’s see how that works.” It worked, all right—even in the case of Jack’s miniature Rochester to Connie Turnbull’s bigger, stronger Jane. It worked from the start.

When Rochester says, “Jane! You think me, I daresay, an irreligious dog—” well, Jack had them all. It was ridiculous, but he had Connie Turnbull, too. When she took his hand and kissed it, her lips were parted; she made contact with her teeth and her tongue.

“Nice job, Jack,” she whispered in his ear. Connie continued to hold his hand for the duration of the applause. He could feel Emma Oastler hating Connie Turnbull; from the unseen audience, Emma’s jealousy swept onstage like a draft.

But what Jack liked best about the Rochester role was the opportunity to be blind. Doubtless he was drawing on the collision-course lunacy of Mrs. Malcolm, but playing blind afforded Jack another opportunity. When he tripped and fell in rehearsals, it was Miss Wurtz who rushed to his aid. (Her ministrations to his injuries, which were entirely feigned, were why he tripped and fell.)

His penis’s first thoughtful reaction was not to Connie Turnbull French-kissing his hand—God, no. The little guy’s first idea of his own was clearly in response to Miss Caroline Wurtz. The older-woman thing, which had begun in Oslo with Ingrid Moe, would haunt Jack Burns all his life.

Miss Wurtz’s hands were not much bigger than a grade-three girl’s, and when she comforted a child—sometimes, when she just spoke to him or her—she would rest one of her hands on the child’s shoulder, where he or she could feel her fingers tremble as lightly as the movements of a small, agitated bird. It was as if her hand, or all of Miss Wurtz, were about to take flight. Not one of the grade-three children would have been surprised if, one day, Miss Wurtz had simply flown away. She was that delicate; she was as fragile as a woman made of feathers. (Hence “perishable,” in another sense.)

But Miss Wurtz could not manage the grade-three classroom. The kids were no more badly behaved than other third graders, although Roland Simpson would later, as a teenager, spend time in a reform school and ultimately wind up in jail. And Jimmy Bacon’s penchant for moaning was only a small part of his wretchedness—Jimmy was no joy to be with on a regular basis. He once dressed as a ghost for the grade-three Halloween party and wore nothing, not even underwear, under a bedsheet with holes cut out of it for his eyes. Jimmy was so badly frightened by one of The Gray Ghost’s sudden appearances—Mrs. McQuat was the grade-four teacher—that he pooed in his sheet.

But Miss Wurtz was so delicate that she might not have been able to manage a kindergarten, or her own children. Did her strength emerge only onstage? Alice’s theory about Miss Wurtz was intuitive but unkind. “Caroline looks like she never got over somebody. Poor thing.”

Jack Burns took from Miss Wurtz a lifelong lesson: life was not a stage; life was improv. Miss Wurtz had no tolerance for improvisation; the children learned their lines, speaking them exactly as they were written. That Jack was born with superior memorization skills was a considerable advantage in the theater; that Miss Wurtz encouraged Jack to imagine his audience of one was a gift both she and his missing father gave him. But Jack was as attentive a student of Miss Wurtz’s failure in the classroom as he was of her instructions for success onstage. It was evident to him that one could not succeed as a player in life without developing improvisational skills. Yes, you needed to know your lines. But on some occasions, you also had to be able to make your lines up. For what she could teach him, but primarily for what she had failed to master herself, Miss Wurtz captured Jack’s attention; not surprisingly, she would live in his memory (and remain a part of his life) longer than any of the third-grade girls.

Jack often dreamed of kissing Caroline Wurtz, at which moments she was never dressed as a schoolteacher. In his dreams, Miss Wurtz wore the kind of old-fashioned underwear Jack had first seen in Lottie’s mail-order catalogs. For reasons that were disturbingly unclear to him, this type of underwear was advertised for teens and unmarried women. (Why women wore a different kind of underwear after they were married was, and would remain, a mystery to Jack.)

As for Miss Wurtz’s real attire, in the classroom, she occasionally wore a cream-colored blouse you could almost see through, but—because it was cold in the grade-three room—she more often dressed in sweaters, which fit her well. Jack’s mother said they were cashmere sweaters, which meant that Miss Wurtz was buying her clothes with something more than a St. Hilda’s faculty salary.

“The Wurtz has gotta have a boyfriend,” Emma said. “A rich one, or at least one with good taste—that would be my guess.”

Jack had repeatedly denied Emma’s accusation that Connie Turnbull gave him a boner every time she French-kissed his hand—or that when he-as-Rochester took Connie-as-Jane in his arms, with his head buried in her breasts, there was any response from the little guy. It hadn’t yet occurred to Emma that Jack had a hard-on every minute he spent in close proximity to Caroline Wurtz, whether or not he was in her actual company or she were in various stages of undress in his dreams.

As for The Wurtz, as Emma called her, having a rich boyfriend or one with good taste—or even an ex-boyfriend—Jack didn’t want such a character to exist, lest he invade the boy’s dreams of Miss Wurtz in her mail-order corsets and girdles and bras.

Jack didn’t dream about the grade-three girls at all, not even Lucinda Fleming, who’d managed—for more than two years—to keep her silent rage well hidden. And if, in his dreams, Miss Wurtz had the faintest trace of a mustache on her extremely narrow upper lip—well, that was Emma Oastler’s doing. He couldn’t control his attraction to Emma’s upper lip, especially in his dreams. More and more, when the little guy came alive, he did so not at Jack’s bidding but independently.

“Any news, Jack?” Emma would whisper in the backseat of the limo, as Peewee drove them around and around Forest Hill.

“Not yet,” Jack answered. (He had guessed, correctly, that this was the safest thing to say.)

At night, after Lottie had put him to bed, Jack often went into his mother’s room and climbed into her bed and fell asleep there. Given their different schedules, his mom was almost never there. She would come home and crawl into bed long after he’d fallen asleep. Sometimes, in her half-sleep, she would throw one of her legs over Jack, which always woke him up. There was the smell of cigarette smoke and pot in her hair, and the gasoline-like tang of white wine on her breath. Occasionally they would both be awake and lie whispering in the semidarkness. Jack didn’t know why they whispered; it wasn’t because Lottie or Mrs. Wicksteed could hear them.

“How are you, Jack?”

“I’m fine. How are you?”

“We’re becoming like strangers,” Alice whispered one time. Jack was disappointed that his mother hadn’t seen him act, and he said so. “Oh, I’ve seen you act!” Alice said.

Jack meant in Jane Eyre, or in Miss Wurtz’s other exercises in dramatization. While The Wurtz loved the stage, she preferred adapting novels. It would occur to Jack only later that, by choosing to dramatize novels, Miss Wurtz controlled every aspect of every performance. There was no playwright to give the children the wrong directions. Miss Wurtz adapted her favorite novels for the theater her way. If, as actors, they were instructed to take command of the stage, The Wurtz was absolutely in charge of every action they undertook—of every word they uttered.

Later Jack would realize what wonderful things Miss Wurtz left out of her adaptations. She was in charge of censorship as well. When The Wurtz adapted Tess of the d’Urbervilles, she made much more of the “Maiden” chapter than she made of “Maiden No More.” More disturbing, she cast Jack as Tess.

“Nobody blamed Tess as she blamed herself,” the dramatization began. (Miss Wurtz, with her perfect diction and enunciation, was a big fan of voice-over.) Jack was, without a doubt, a good choice to play “a mere vessel of emotion untinctured by experience.”

But even in a dress—a white gown, no less—and even as a milkmaid, the boy could take command of the stage. “ ‘Phases of her childhood lurked in her aspect still,’ ” Miss Wurtz read to the audience, while Angel Clare failed to ask Jack-as-Tess to dance. What a wimp Angel was! Jimmy Bacon, that miserable moaner who pooed in a sheet, was the perfect choice to play him.

“ ‘… for all her bouncing handsome womanliness,’ ” Miss Wurtz fatalistically intoned, “ ‘you could sometimes see her twelfth year in her cheeks, or her ninth sparkle from her eyes; and even her fifth would flit over the curves of her mouth now and then.’ ”

All the while, Jack-as-Tess had nothing to do. He stood onstage, radiating sexless innocence. He was prouder of his role as Rochester, but even as Tess, he had his moments—sexless innocence not least, if not best, among them. What Tess says to d’Urberville, for example (d’Urberville, that pig, was played by the thuggish Charlotte Barford, whom The Wurtz wisely borrowed from the middle school): “ ‘Did it never strike your mind that what every woman says some women may feel?’ ” (Charlotte Barford looked as if she-as-he had thoroughly enjoyed seducing him-as-her.)

When Jack buried his dead baby in the churchyard, he could hear the older girls in the audience—they were already crying. And the tale of Tess’s undoing had only begun! Jack spoke Hardy’s narration as if it were dialogue over the baby’s grave. “ ‘… in that shabby corner of God’s allotment where He lets the nettles grow,’ ” Jack began, while the older girls in the audience imagined that this could be their predicament, which Miss Wurtz, if not Thomas Hardy, had cleverly intended, “ ‘… and where all unbaptized infants, notorious drunkards, suicides, and others of the conjecturally damned are laid,’ ” Jack-as-Tess carried on, stimulated by the weeping older girls. (No fan of improvisation, Miss Wurtz had not permitted Jack to skip the “conjecturally,” though he’d repeatedly flubbed the word in rehearsals.)

When Jack said, “ ‘But you would not dance with me,’ ” to that wimp Jimmy-Bacon-as-Angel-Clare, the hearts of the older girls in the audience were wrenched anew. “ ‘O, I hope that is of no ill-omen for us now!’ ” Jack-as-Tess told Jimmy-as-Angel, while the girls wept afresh—because, with Hardy, what wasn’t an ill omen? The girls knew Tess was doomed, as unalterably as Miss Wurtz wanted them to know it.

That was The Wurtz’s message to the girls. Be careful! Anyone can get pregnant! Every man who isn’t a wimp, like Jimmy-Bacon-as-Angel, is a pig, like Charlotte-Barford-as-d’Urberville. And Jack-Burns-as-Tess got Miss Wurtz’s message across. Caroline Wurtz’s junior-school dramatizations amounted to moral instructions to the middle- and senior-school girls.

Jack was in grade three. A dramatization of Tess of the d’Urbervilles was incomprehensible to him. But the message of the story wasn’t for Jack. At St. Hilda’s, the most important messages were delivered to the older girls. Jack was just an actor. Miss Wurtz knew he could handle the lines, even if he didn’t understand them. And in case a total idiot (among the older girls) might have missed the point, all the dramatizations were of novels wherein women were put to the test.

When Jack played Hester Prynne in The Wurtz’s adaptation of The Scarlet Letter, he couldn’t persuade his mom to come see him as an eight-year-old adulteress with the letter A on his-as-her chest. “I hate that story,” Alice whispered to her son in the semidarkness of her bedroom. “It’s so unfair. I’ll ask Caroline to take some pictures. I’ll look at photographs, Jack, but I don’t want to see that story dramatized.”

Miss Wurtz shrewdly recognized in Wendy Holton’s preternaturally thin, cruel body—in her unyielding knees, her fists-of-stone hardness—a perfect likeness to the obsessed and vengeful Roger Chillingworth. Once again, in casting, The Wurtz robbed the middle school of one of Jack’s former tormentors.

The Reverend Dimmesdale was lamentably miscast, although in choosing Lucinda Fleming, who was a head taller than Jack was in grade three, Miss Wurtz might have been hoping that Lucinda’s silent rage would select a pivotal moment of Dimmesdale’s guilt in which to erupt onstage and frighten the bejesus out of them all. Perhaps when Dimmesdale cries to Hester: “May God forgive us both! We are not, Hester, the worst sinners in the world. There is one worse than even the polluted priest!” That might have worked, had Lucinda Fleming simply lost it at that moment—had she begun to bash her head against the footlights or made some woeful, demented effort to strangle herself in the stage curtains.

But Lucinda kept her rage to herself. She may have been as tortured as the Reverend Dimmesdale, but she seemed to be saving her long-anticipated explosion for an offstage moment. Jack was convinced it was something she was saving just for him. But being onstage with Lucinda-as-Dimmesdale was better than being backstage with Wendy-as-Chillingworth, because—once she was out of Miss Wurtz’s sight—Wendy held Jack personally responsible for her being cast as Chillingworth in the first place. (Admittedly, it was a thankless part.) Therefore, The Scarlet Letter was a bruising production for Jack. Wendy punched him or kneed him in the ribs whenever she could get away with it.

“My goodness,” Alice whispered to her son in the semidarkness. (She could tell he was sore just by touching him.) When she turned on the light, she said: “What are those Puritans doing to you, Jack? Are you wearing the letter A, or are they hitting you with it?”

His mother wouldn’t come see him throw himself under a train in Miss Wurtz’s rendition of Anna Karenina, either. (“I’ll ask Caroline to take more pictures, Jack.”) There was no end to the wronged women in Caroline Wurtz’s instructive repertoire. And how brilliant was The Wurtz’s choice of Emma Oastler for the role of Count Vronsky? Emma even had the requisite mustache for the part!

After school—in Jack’s room, or just hanging out in the backseat of the Town Car while Peewee stole a look at Emma’s legs—Emma controlled their topics of conversation, as before. Jack could not take command of that stage, where he and Emma were engaged in an improvisational performance of the kind he needed to learn vastly more about.

“This is perfect, Jack—we’re having a love affair!”

“We are?”

“Onstage, I mean.”

“But what are we having here?” he asked—meaning the backseat of the Town Car, where he lay pinned, with one of Emma’s heavy legs thrown over him, much in the impulsive, half-asleep manner that his mom occasionally threw a leg over him; or on the bed in his room, where Emma told Lottie she was helping Jack with his homework and not to bother them.

“He’s fallen behind, Lottie. I can help him catch up, if I can just get him to listen to me.”

How could he not listen to her? In the first place, she simply overpowered him on the backseat or on his bed. And she knew he couldn’t resist her mustache; she would brush her silky upper lip against him. She ran her mustache over the back of his hand while she imitated Connie Turnbull’s French kiss, which she did a better job of than Connie; or against his cheek, or even (after she’d untucked his shirt) over his bare belly, pausing to give special consideration to his navel. “Do you ever wash this thing, Jack? It’s got lint in it, you know.”

It was all prelude—whether she was pretending she was Count Vronsky and Jack was Anna, or whether she was herself, Emma Oastler, who would never be a minor character, not in Jack’s life. Everything led up to the “end line,” as Miss Wurtz was fond of saying. “Hit your end line so that your audience of one remembers it, Jack. Say your end line so that no one can forget it, okay?”

“How’s the little guy doing? What’s he up to, Jack?” Emma always got around to asking.

It was a crucial time—they were in rehearsals for Anna Karenina but had not yet been subjected to Miss Wurtz’s plans for Sense and Sensibility. Emma and Jack were doing “homework” on his bed. Lottie could be heard banging around below them in the kitchen. To Emma’s question regarding what his penis was up to, Jack answered as he often did: “Not much.”

“Let’s have a look, baby cakes.” He showed her. He heard such sorrow in Emma’s sigh, or maybe he’d been thinking too much about Anna and the train. He didn’t want to go on disappointing Emma forever.

“Sometimes it dreams,” Jack began.

“Dreams what? Who’s in the dreams, Jack?”

“You are,” he answered. (This seemed safer to admit than the Miss Wurtz part.)

“What am I doing in the dreams, Jack?”

“It’s mainly your mustache,” he admitted.

“You little pervert, you squirrel dink, Jack—”

“And Miss Wurtz is wearing just her underwear,” he blurted out.

“I’m with The Wurtz? Jesus, Jack!”

“It’s more like Miss Wurtz is alone, with your mustache,” Jack confessed. “And the underwear.”

“Whose underwear?” Emma asked.

He sneaked along the upstairs hall to Lottie’s room and brought Emma the latest edition of Lottie’s mail-order catalog. “You dork, Jack—I wouldn’t be caught dead in this stuff. I’ll show you some underwear!”

He had seen her previous training bra—her present bra was only a little bigger. But when Emma removed the bra, there was a more noticeable shape and substance to her breasts than before; and when she took her panties off and held them against the pleats of her skirt, the lace that rimmed the waistband was a new experience for Jack and the little guy.

“It moved,” Emma said.

“What moved?”

“You know what, Jack.” They both looked at the little guy, who was not as little as before. Emma leaned over his penis. “Miss Wurtz,” she said. “Shut your eyes, Jack.” Of course he did as he was told. “Caroline Wurtz,” Emma whispered to his penis. “I’m gonna bring you some real underwear, little guy.” Even with his eyes closed, Jack knew that the little guy liked this idea.

“I think we’re finally getting somewhere, Jack.”

“Can I undo your braid, Emma?”

“Now?”

“Yes.” She allowed him to do this, never taking her eyes from his penis. Her hair fell all around his hips; he felt it touch his thighs. “It’s working, baby cakes,” Emma reported. “You had the right idea.”

“Kettle’s boiling!” Lottie called from the kitchen.

“Let me be sure I understand you,” Emma said, ignoring Lottie. “It’s basically The Wurtz with my mustache and Lottie’s underwear.”

“Not Lottie’s—it’s the underwear from her catalog.” (The thought of Miss Wurtz in Lottie’s underwear was unappealing.)

“Whose hair?” Emma asked.

“Yours, I think. It’s long hair, anyway.”

“Good,” Emma said. He couldn’t see her; her hair, now undone, completely hid her face. “We seem to be zeroing in on a few priorities.”

“Zeroing in on what?”

“Clearly you have a hair thing, honey pie. And the usual older-woman thing.”

“Oh.” (Nothing about his older-woman thing, not to mention his mustache-and-braid fixation, felt the least bit usual to Jack.)

“Oh, my God, now we’re really getting somewhere!” Emma announced; she threw back her hair. Jack had a hard-on like he’d never seen before. If the little guy had stood up any taller, he would have cast a shadow all the way to Jack’s belly button—lint and all.

“Jesus, Jack—what are you gonna do with it?”

Jack was at a loss. “Do I have to do something with it?” he asked.

Emma hugged him to her bare breasts; his enlarged penis brushed against her scratchy wool skirt. Jack shifted slightly in the big girl’s embrace, until the little guy was more comfortably touching Emma’s bare thigh. “Oh, Jack,” Emma told the boy, “that’s the sweetest thing to say—you’re just too cute for words. No, of course you don’t have to do anything with it! One day you’ll know what you want to do with it! That’s gonna be some day.”

He touched one of her breasts with his hand; she held his face more tightly there. The next thing was the little guy’s idea, entirely. Emma and Jack were sitting on his bed, hip to hip—they were hugging each other—but his penis had somehow not lost contact with her thigh. And if Jack could feel her thigh, Emma must have been able to feel his penis. He was eight; she was fifteen. When Jack swung one of his legs over her far hip, he found himself lying on top of her with the little guy in her lap—now touching both her thighs.

“Do you know what you’re doing, Jack?” Emma asked. (Of course he didn’t.) Her gum was a mint flavor. Jack could feel her breath on the top of his head. “Maybe the little guy knows,” she said, answering herself. Jack’s arms could not reach around her hips, but he held her there—his right hand touching the lace waistband of her panties, which Emma had spread on top of her skirt. “Show me what the little guy knows, baby cakes.” Her tone of voice indicated that she was teasing him—the baby cakes was an affectionate appellation, but faintly mocking in the way Emma usually said it.

“I don’t know what the little guy knows,” he admitted, just as the little guy and Jack made an astonishing discovery. There was hair between Emma Oastler’s thighs!

The instant the tip of his penis touched this hairy place, Jack thought that Emma was going to kill him. She scissored her legs around his waist and rolled him over onto his back. The little guy was all bunched up in her itchy wool skirt. Emma had some difficulty finding it with her hand, with which Jack feared she might yank it completely off—but she didn’t. She just held his penis a little too roughly.

“What was that?” he asked. He was more afraid of the hair he had felt than he was of the way Emma held him.

“I’m not showing you, honey pie. It would be child molestation.”

“It would be what?”

“It would freak you out,” Emma said. Jack could believe it. He had no desire to see the hairy place. What Jack, or the little guy, strangely wanted was to be there. (Jack was actually afraid of what it might look like.)

“I don’t want to see it,” he said quickly.

Emma relaxed her scissors-hold around his waist; she held his penis a little more gently. “You got a hair thing, all right,” she told him.

“The tea is going to get too strong!” Lottie hollered from the kitchen.

“Then take out the tea bags or the stupid tea ball!” Emma shouted back.

“It’s getting cold, too!” Lottie called to them.

When Emma pulled her panties back on, she turned her back on Jack; conversely, she put on her bra and buttoned up her shirt while she faced him. It was clear that the little guy had touched a private place, but why was there hair there?

“How’s the homework going?” Lottie cried. She was verging on the kind of hysteria that implied to Jack she was reliving the horror of her haywire epidural.

“What kind of life does Lottie have?” Emma asked Jack, but she was looking at his penis. The little guy was returning to normal size before their very eyes. “You gotta watch this guy every second, Jack—it’s like having your own little miracle. Or not-so-little miracle,” Emma added. “Oh, cute! Look! It’s like it’s going away!”

“Maybe it’s sad,” the boy said.

“Remember that line, Jack. One day you can use it.” He couldn’t imagine under what circumstances an admission of his penis’s sadness would be of any possible use. Miss Wurtz knew a lot about lines. Somehow Jack sensed she would disapprove of this one—too improvisational, maybe.

In a week’s time, Emma would bring him one of her divorced mom’s bras—a black one. It was more like half a bra, Jack observed, with hard wire rims under the cups, which were small but surprisingly aggressive-looking. It was what they called a “push-up” bra, Emma explained. (It was about as assertive as a bra could be—or so Jack imagined.) “What’s it want to push your breasts up for?” he asked.

“My mom has small boobs,” Emma said. “She’s trying to make more out of them.” But the bra was curious for another reason: it smelled strongly of perfume, and only slightly less powerfully of sweat. Emma had snitched it from the laundry—it wasn’t clean. “But that’s better, isn’t it?” she asked.

“Why?”

“Because you can smell her!” Emma declared.

“But I don’t know your mom. Why would I want to smell her?”

“Just try it, baby cakes. You never know what the little guy might like.” Boy, was that the truth! (Too bad it would take years for Jack to find that out.)

It would be a while, too, before someone told him that the Chinaman’s tattoo shop on the northwest corner of Dundas and Jarvis was never open late at night. The basement tattoo parlor, which you entered from the sidewalk on Dundas, usually closed in the late afternoon. Jack would forget who told him. Maybe it was some old ink addict, a collector, in one of those tattoo shops on Queen Street—around the time his mom opened her own shop there.

Queen Street in the seventies would never have supported the likes of Daughter Alice—it was a greasers’ hangout, full of anti-hippie, whisky-drinking, white-T-shirt people. Whoever told Jack was possibly one of them, but it sounded true. The Chinaman’s unnamed shop was closed at night, or maybe it stayed open a little longer on Friday and Saturday evenings—though never past eight or nine.

So where was she—out late, almost every night, in Jack’s years at St. Hilda’s? He hadn’t a clue. It was only with hindsight, which is never to be wholly trusted, that Jack concluded his mother might have been trying to break her possessive attachment to her son. As he grew older, he looked more and more like his dad; maybe the more Jack resembled William, the more Alice sought to distance herself from the boy.

That Emma Oastler brought him her mother’s push-up bra may have had something to do with it. It was inevitable that Alice would find it. Jack slept with the stupid bra every night—he even took it into his mom’s bed on those nights he slept with her. And it was one of those nights when she threw a leg over Jack and woke him up. This night, something woke her up, too. The mystery bra was mashed between them; Alice must have felt the hard wire rims under the cups. She sat up in bed and turned on the light.

“What’s this, Jack?” she asked, holding up the stinking bra. The way she looked at her son—well, he would never forget it. It was as if she’d discovered Emma’s mother in the bed between them; it was as if she’d caught Jack in flagrante delicto, the little guy in intimate contact with that hairy, private place.

“It’s a push-up bra,” he explained.

“I know what it is—I mean whose.” Alice sniffed the bra and made a face. She pulled back the covers and stared at the little guy, who was protruding, at attention, from the boy’s pajamas. “Start talking, Jack.”

“It belongs to Emma Oastler’s mom—Emma stole it and gave it to me. I don’t know why.”

“I know why,” Alice said. Jack started to cry. His mom’s visible disgust was withering; the little guy was looking withered, too.

“Stop sniveling—don’t snivel,” Alice said. He needed to blow his nose. His mom handed him the bra, but Jack hesitated. “Go on—blow!” she ordered. “I’m going to wash it before I give it back to her, anyway.”

“Oh.”

“You can start anytime, Jack. The whole story. What games are you playing with Emma? You better begin there.”

He told her everything—well, maybe not everything. Possibly not the part about Emma baring her breasts; probably not every time Emma asked to have a look at the little guy; certainly not the part about his penis making actual contact with Emma’s hairy, private place. But his mother must have had a pretty good idea of what was going on. “She’s fifteen, Jack—you’re eight. I’ll have a little talk with Mrs. Oastler.”

“Is Emma going to get in trouble?”

“I sincerely hope so,” Alice said.

“Am I in trouble?” he asked.

What a look she gave him! Jack hadn’t known what she meant when she’d said they were “becoming like strangers.” Now he knew. His mom looked at him as if he were a stranger. “You’re going to be in trouble soon enough,” was all she said.

11. His Father Inside Him

Compared to the drama unfolding between Jack and Emma, and what lay ahead between Alice and Mrs. Oastler, the inability of Miss Wurtz to manage her grade-three classroom was minor; yet there was drama there as well, however improvisational.

Lucinda Fleming, whom Jack couldn’t see over, sat at the desk in front of his. She would routinely and deliberately whip his face with her huge ponytail, which hung halfway down her back and was as thick as a broom. In exasperation, Jack would respond by grabbing it with both his hands and pulling it. He could barely manage to pin the back of her head to the top of his desk. Jack found he could restrain her there by pressing his chin against her forehead, but it hurt. Nothing appeared to hurt Lucinda, except her alleged proclivity to hurt herself, which Jack was beginning to doubt. Maybe Lucinda had despised playing Dimmesdale to Jack-as-Hester, or she hated being a head taller than he was; possibly she believed that by whipping Jack with her ponytail, she could make him grow.

Caroline Wurtz never saw Lucinda lash out at Jack with her broom of hair. Miss Wurtz only became aware of the situation after he’d pinned Lucinda’s head to his desk. “Please, Jack,” Miss Wurtz would say. “Don’t disappoint me.”

In his dreams, when The Wurtz would say “Don’t disappoint me,” her tone of voice was deeply seductive. Not so in the grade-three classroom. In reality, disappointing Miss Wurtz was a bad idea—she did not handle it well. Yet the grade-three children often disappointed her deliberately. They resented what a well-organized tyrant she was in her other capacity, as their drama teacher; that she couldn’t maintain order in the classroom was a weakness they exploited.

Gordon French once released his pet hamster into his hostile twin’s hair. From Caroline’s reaction, one might have guessed that the hamster was rabid and bit her. But all the stupid hamster did was race around and around her head, as if it were running on its incessant wheel. Miss Wurtz, perhaps fearful that the hamster would be harmed, began to cry. Crying was the last resort of her disappointment, and she resorted to it with tiresome frequency. “Oh, I never thought I’d be this disappointed!” she would wail. “Oh, my feelings are hurt more than I can say!” But when Miss Wurtz began to cry, the kids stopped paying attention to what she said. They were concentrating on what they knew would happen next, for which there was no preparing themselves. The Gray Ghost’s sudden appearances, even when they were anticipated, were always startling.

There was only one door to the grade-three classroom, and despite her reputedly supernatural powers, Mrs. McQuat could not pass through walls; yet even though the children saw the doorknob turning, they could not protect themselves from the shock. Sometimes the door would swing open, but no one would be there. They would hear The Gray Ghost’s labored breathing from the hall, while Jimmy Bacon moaned and the two sets of twins sounded their predictable alarms. At other times, Mrs. McQuat seemed to leap inside the classroom before the doorknob so much as twitched. Only Roland Simpson, the class’s future criminal, purposely closed his eyes. (Roland liked being startled.)

According to Mrs. Wicksteed, The Gray Ghost had lost a lung in the war. What war and which lung were unknown to Jack. Mrs. McQuat had been a combat nurse, and she’d been gassed. Hence her labored breathing; The Gray Ghost was always out of breath. Gassed where and with what were also a mystery to Jack.

The third graders could have written Mrs. McQuat’s dialogue for her. Upon her unpreventable sudden appearance, The Gray Ghost would address the class as if she were a character in a dramatization Caroline Wurtz had scripted. In her cold-as-the-grave, out-of-breath voice, Mrs. McQuat would ask: “Which of you … made Miss Wurtz … cry?”

Without hesitation, the children identified the guilty party. They would betray anyone when asked that terrifying question. At that moment, they had no friends, no loyalties. Because here is the dark heart of what they believed: if Mrs. McQuat had been gassed and lost a lung, wasn’t it possible that she had died? Who could say for certain that she wasn’t a ghost? Her skin, her hair, her clothes—gray on gray on gray. And why were her hands so cold? Why did no one ever see her arrive at school, or leave? Why was she always so suddenly there?

Jack would long remember The Gray Ghost asking Gordon French: “You put … a what … in your sister’s … hair?”

Gordon answered: “Just a hamster, a friendly one!”

“It felt like a small dog, Gordon,” Caroline said. Gordon knew the drill. He stood like a soldier in the aisle beside his desk, immobilized by his foreknowledge of what he was about to endure.

“I hope … you didn’t … hurt the hamster … Caroline,” Mrs. McQuat said, granting Gordon brief reprieve.

“It’s no fun having one in your hair,” Caroline replied.

“Where is the hamster?” Miss Wurtz suddenly cried. (That her first name was also Caroline was confusing.)

“Please find … the hamster … Caroline,” The Gray Ghost said. But before Caroline French could begin to look, Miss Wurtz dropped to all fours and crawled under Caroline’s desk. “Not you … dear,” Mrs. McQuat said reprovingly. All the children had joined Miss Wurtz on the floor.

“What’s its name, Gordon?” Maureen Yap asked.

The Gray Ghost was not letting Gordon off so easily. “You’ll come with me … Gordon,” Mrs. McQuat said. “Pray your hamster isn’t lost … for it will surely die, if it’s lost.”

The kids watched Gordon leave the classroom with The Gray Ghost. Everyone knew that Mrs. McQuat was taking Gordon to the chapel. Often it was empty. But even if one of the choirs was practicing, she took the offending child to the chapel and left him or her there. The child had to kneel on the stone floor in the center aisle next to one of the middle rows of pews and face backward, away from the altar. “You have … turned your back on God,” The Gray Ghost would tell the child. “You better hope … He isn’t looking.”

As Gordon would recount, it was a bad feeling to have turned his back on God and not know if He was looking. After a few minutes, Gordon felt sure that someone was behind him—in the vicinity of the altar or the pulpit. Perhaps one of the four women attending to Jesus—saints, now ghosts themselves—had stepped out of the stained glass and was about to touch him with her icy hand.

The grade-three class was interrupted in this fashion so frequently that they often couldn’t remember who’d been banished to the chapel and had turned his or her back on God. Mrs. McQuat never brought you back from the chapel—she just took you there. (Roland Simpson virtually lived in the chapel with his back turned to God.) Time would pass, and someone—often The Yap—would ask: “Miss Wurtz, shouldn’t someone check to see if Gordon is all right in the chapel?”

“Oh, my goodness!” Miss Wurtz would cry. “How could I have forgotten!” And someone would be sent to release Gordon (or Roland) from the certifiably lonely terror of kneeling in the chapel backward. It felt wrong to be looking the wrong way in church, like you were really asking for trouble.

But the third graders were well prepared for fourth grade; Mrs. McQuat, of course, was the teacher for grade four. The only fourth graders who were ever in need of being disciplined in the chapel were new students who’d not had the pleasure of witnessing The Wurtz’s emotional meltdowns. The Gray Ghost had no trouble managing her classroom; it was Miss Wurtz’s class that repeatedly called upon Mrs. McQuat’s ghostly skills.

The third graders continued to get in trouble, and they often ended up in the chapel facing backward, because—despite their fear of The Gray Ghost—there was something irresistible about how The Wurtz fell apart. The kids both loved the way she cried and hated her for it, because—even in grade three—they understood that it was Miss Wurtz’s weakness that brought Mrs. McQuat’s punishment upon them. (Miss Wurtz’s weakness was not infrequently on display in Jack’s dreams of her in Mrs. Oastler’s push-up bra—which were not thwarted by Alice returning the bra to Mrs. Oastler.)

Gratefully, Jack never dreamed about The Gray Ghost. In his young mind, this gave further credibility to the theory that Mrs. McQuat was dead. She was, however, very much alive in the grade-three classroom, where her sudden appearances became as commonplace as The Wurtz bursting into tears. Hence, when Jimmy Bacon exposed himself to Maureen Yap—when he raised his ghost-sheet to demonstrate that, indeed, he wore no underwear beneath his Halloween costume—Miss Wurtz’s feelings were again hurt more than she could say. (She bitterly expressed how she never thought she’d be so completely disappointed.) And when The Gray Ghost left Jimmy in the chapel facing the wrong way, Jimmy pooed in his bedsheet like the frightened ghost he was. If Mrs. McQuat’s sudden appearance had started Jimmy pooing, his overwhelming conviction that Jesus had disappeared from the stained glass above the altar finished the job.

“A poor costume choice, Jimmy,” was all The Wurtz would say about the beshitted sheet.

No matter how many times Lucinda Fleming provoked Jack with her ponytail and he pinned her head to the top of his desk, it was never that dispute between them that reduced Caroline Wurtz to tears. In all their fights, Lucinda and Jack stopped short of causing Miss Wurtz’s sobs. They may have been foolish enough to imagine that they would be spared The Gray Ghost’s sudden appearance.

But Lucinda was led by her ear to the chapel over another issue: she erased the answers on Roland Simpson’s math test while Roland was turning his back on God in the chapel. (All the other kids were surprised that Lucinda had bothered; in all probability, the answers on Roland’s math test were wrong.)

Mrs. McQuat took Jack to the chapel only once, but memorably. He drove Miss Wurtz to tears not by grabbing Lucinda Fleming’s ponytail and pinning her head to his desk, but by kissing her. It was Miss Wurtz Jack imagined kissing, of course, but he kissed Lucinda Fleming on the back of her neck instead.

Only one person could have prompted him to do such a repugnant thing—Emma Oastler. Emma was angry at Jack for “ratting” on her to his mother, although the return of Mrs. Oastler’s bra hardly amounted to a day of reckoning for Emma. Emma’s mom was unmoved by Alice’s assertion that Emma had “molested” Jack. In Mrs. Oastler’s opinion, it was not possible for a woman or a girl to molest a man or a boy; whatever games Emma had played with Jack, he’d probably liked them, Mrs. Oastler maintained. But Emma was disciplined in some minor fashion. She was “grounded,” she told Jack; she was to come directly home from school for a month.

“No more cuddling in the backseat, baby cakes. No more making the little guy stand at attention.”

“It’s only for a month,” Jack reminded her.

“I don’t suppose there’s anyone in grade three who turns you on,” Emma inquired. “I mean besides The Wurtz.”

Jack made the mistake of complaining about Lucinda Fleming—how she tortured him with her ponytail, but he was always the one who got in trouble. In her present mood, Emma probably liked the idea of getting Jack in trouble.

“Lucinda wants you to kiss her, Jack.”

“She does?”

“She doesn’t know it, but she does.”

“She’s bigger than I am,” he pointed out.

“Just kiss Lucinda, Jack—it’ll make her your slave.”

“I don’t want a slave!”

“You don’t know it, but you do,” Emma told him. “Just imagine you’re kissing The Wurtz.”

The discovery, that same week, of Gordon’s dead hamster in the chalk box should have forewarned Jack. Talk about an ill omen! But he didn’t heed it. If, for what seemed the longest time, he didn’t dare to kiss Lucinda Fleming, he also couldn’t dispel the idea of doing it. Sitting behind her, watching her swish her whip of a ponytail back and forth—well, suffice it to say her neck was often exposed. And one day, when Miss Wurtz was writing the new vocabulary words on the blackboard, Jack stood on tiptoe and leaned across his desk and—lifting her ponytail—kissed Lucinda Fleming on the back of her neck.

There was no response from the little guy—another ill omen, this one not lost on Jack. And what bullshit it was—that the children were ever told to be on their guard for Lucinda’s so-called silent rage. There was nothing silent about it! Lucinda never made a sound when Jack pulled her ponytail or pinned her head to the top of his desk, but when he kissed her, you would have thought she’d been bitten by the avenging ghost of Gordon’s dead hamster. (Not even in Jack’s wildest dreams had Miss Wurtz, in a variety of bras and restraining devices, once responded to his kisses with half of Lucinda’s demented energy.)

Lucinda Fleming screamed until she was red in the face. She lay in the aisle beside her desk and kicked her legs and flailed her arms and thrashed her head and ponytail back and forth, as if she were being devoured by rats. This was a challenge well beyond The Wurtz’s limited capacity. She must have thought that Lucinda was warming up for a suicide attempt. “Oh, Lucinda, who has disappointed you so?” Miss Wurtz cried—or some such idiotic utterance, because The Wurtz always said something amazingly inappropriate. Maybe the kids couldn’t resist misbehaving just to see what she would say.

In crafting dramatizations from her beloved novels, Miss Wurtz had an ear for the best lines—many of which she robbed for her own voice-over. In introducing Jack-as-Elinor in Sense and Sensibility, she set him-as-her up perfectly. (Jack was the reasonable sister.) Miss Wurtz said of Elinor, in voice-over: “ ‘She had an excellent heart; her disposition was affectionate, and her feelings were strong; but she knew how to govern them: it was a knowledge which her mother had yet to learn, and which one of her sisters had resolved never to be taught.’ ”

Alas, in Jack’s grade-four year, Miss Wurtz would cast him as the immoderate sister, Marianne, whom he detested. It was the meddlesome mother, Mrs. Dashwood, whom he wanted to play, but Miss Wurtz, who conveniently overlooked the fact that she’d cast Jack as blind Rochester, maiden-no-more Tess, A-on-her-breast Hester, and under-the-train Anna, said that he didn’t look old enough to be a woman who’d had three daughters.

Though Miss Wurtz seemed at a loss about what to say when something spontaneously just happened, she always spoke with authority, her diction and enunciation perfect, even if what she said revealed a total misunderstanding of the situation. This the children found very confusing.

Hence, when Lucinda Fleming suddenly went stiff as a board and began to bang the back of her head on the floor, Miss Wurtz asked the class: “Which of you thoughtless children has caused Lucinda such anguish and pain?”

“What?” Maureen Yap asked.

“Lucinda is peeing!” Caroline French observed.

Indeed, Lucinda lay in a spreading puddle—her skirt stained a darker gray. In a doomed effort to keep time with the floor-thumping of Lucinda’s head, the French twins began the all-too-recognizable patter of their heels; they were not unlike the rhythm section of a band in need of practice. The anticipated blanket-sucking sounds of the Booth twins were ominously replaced by their identical imitations of gagging. They were more like blanket-strangulation sounds; yet, as accompaniment to the spectacle of Lucinda Fleming methodically banging her head in a pool of her own urine, the sounds were more suitable than anything Miss Wurtz had to say.

“Lucinda is having one of her bad moments, children,” Miss Wurtz needlessly informed the grade-three class. “What might we do to make her feel better?” Jimmy Bacon, of course, moaned.

Jack wanted to help, but how? “I just kissed her,” he tried to explain.

“You what?” Miss Wurtz said.

“On the neck.”

Jack saw the eyes roll up in Lucinda Fleming’s head; she appeared to be passing to another world. Lucinda emitted a strangling sound of her own—as if she meant to comfort the Booth twins, long separated from their kindergarten blankets. Even Roland Simpson, destined for reform school and ultimately jail, was instantly afraid and (for the moment) law-abiding. And if Jimmy Bacon had been wearing his bedsheet—well, there’s no need to spell it out.

Caroline French suddenly looked like a girl with a hundred hamsters rushing through her hair. Those utter boneheads Grant Porter and James Turner and Gordon French—in fact, all the boys in the class, Roland Simpson and Jimmy Bacon included—were absolutely disgusted with Jack. He had kissed Lucinda Fleming, evidently a mentally retarded girl. (Now there was a disgrace to live down!) Perhaps fearful of never being kissed, The Yap began to cry—although nowhere near as noticeably as The Wurtz.

Had Lucinda Fleming swallowed her tongue? Was that the reason for the choking sound she was making? “Now she’s bleeding!” Caroline French cried. Indeed, Lucinda was bleeding in the area of her mouth. But it was not her tongue—she had bitten through her lower lip.

“She’s eating herself!” Maureen Yap screamed.

“Oh, Jack, this disappoints me more than I can say,” Miss Wurtz sobbed. By the commotion she made, you would have thought he’d gotten Lucinda pregnant. Clearly his time in the chapel was nigh. This was what could come from kissing: the urine, the blood, the impressive pantomime of rigor mortis—and to think he’d kissed only her neck!

That was when Jimmy Bacon fainted. The Gray Ghost’s sudden appearance was so spectacular, Jimmy must have been too frightened to poo. None of the children had seen her coming. Suddenly Mrs. McQuat was kneeling over Lucinda. The Gray Ghost pried Lucinda’s teeth apart, thereby rescuing her mangled lower lip. Mrs. McQuat then stuck a book in Lucinda’s mouth. “Bite that … Lucinda,” The Gray Ghost said. “You’ve done enough to your lip … already.”

Jack would remember the book. Unfortunately, his memorization skills couldn’t always distinguish between the trivial and the important, although Edna Mae Burnham’s Piano Course: Book Two, which he’d often seen on Lucinda’s desk, was not exactly trivial to Jack Burns. He assumed it was a book his dad had used. Jack was sure William had taught from that very book—he’d probably assigned it to someone, back in those days when he was fooling around with two girls at St. Hilda’s. Possibly one (or both) of the girls had been an Edna Mae Burnham reader!

It was all too much for The Yap, beginning with the kissing. Maureen fainted, less spectacularly than Jimmy. It might have been that The Gray Ghost’s sudden appearance, especially her kneeling over Lucinda, made it appear to Maureen that Mrs. McQuat was the Angel of Death. But of course The Gray Ghost would know how to attend to someone who’d bitten through her lip. (If she’d been a combat nurse, in whichever war, surely she’d seen more blood than that.)

Miss Wurtz, naturally, could not stop crying—thus the inevitable ensued. “Which of you,” Mrs. McQuat began in her breathless way, “made Miss Wurtz … cry?”

“I did,” Jack answered. Everyone seemed astonished that he had answered for himself—that simply wasn’t done. Only The Gray Ghost looked unsurprised that he’d spoken up. “I’m sorry,” he added, but Mrs. McQuat turned her attention elsewhere.

Lucinda Fleming was on her feet, albeit unsteadily, blood oozing from her gashed lip; her shirt and tie were soaked. And then there was the urine—Lucinda didn’t seem to notice it. The unnatural serenity of her smile was intact, as before.

“You need … stitches … Lucinda,” The Gray Ghost was saying. “Take her to … the nurse’s office … Caroline.” Miss Wurtz once more thought that Mrs. McQuat meant her, but Caroline French understood that she was the designated helper. “Not you … dear,” The Gray Ghost told Miss Wurtz. “This is your class … you stay.”

The Booth twins were instructed to accompany Maureen Yap to the nurse’s office as well. Not entirely revived from her swoon, Maureen looked dizzy. Jimmy Bacon wasn’t completely recovered from his fainting spell, either. He was down on all fours, as if he were still searching for Gordon’s deceased hamster. Grant Porter and James Turner were assigned the task of taking Jimmy to the nurse. (They were such dolts, Jack doubted that they knew where the nurse’s office was.)

As for Jack, he was surprised by how gently Mrs. McQuat took hold of his ear. Her thumb and index finger, which pinched his earlobe, were ice-cold, but when The Gray Ghost led him from the classroom, he was not in pain. And in the corridor, where she released his ear—her cold hand still steering him by the back of his neck—they struck up quite a cordial conversation, considering the circumstances.

“And what is … Miss Wurtz’s problem … this time?” Mrs. McQuat whispered.

He’d been afraid that the issue of the kiss itself might come up, but he hesitated only a second. To lie to The Gray Ghost was unthinkable. “I kissed Lucinda Fleming,” Jack confessed.

Mrs. McQuat nodded, seemingly unsurprised. “Where?” she whispered.

“On the back of her neck.”

“That’s not … so bad,” The Gray Ghost said. “I expected … much worse.”

There was no one in the chapel, where Jack regarded the prospect of turning his back on God with the greatest trepidation. But Mrs. McQuat steered him into one of the foremost pews. They sat down together, facing the altar. “Don’t you want me to turn around?” Jack asked.

“Not you, Jack.”

“Why not?”

“I think you need to face … the right way,” The Gray Ghost said. “Don’t you ever turn your back on God, Jack … in your case, I’m sure … He’s looking.”

“He is?”

“Definitely.”

“Oh.”

“You’re … only eight, Jack. You’re … already kissing girls at eight!”

“It was just on the neck.”

“What you did was nothing … but you saw … the consequences.” (Urination, bleeding, rigor mortis, stitches!)

“What should I do, Mrs. McQuat?”

“Pray,” she said. “You should be … facing the right way for prayers.”

“Pray what?”

“That you can … control your urges,” The Gray Ghost said.

“Control my what?”

“Pray for the strength to … restrain yourself, Jack.”

“From kissing?”

“From … worse than that, Jack.”

From his father inside him, Mrs. McQuat might as well have said. When she’d added, “Pray for the strength to … restrain yourself,” she hadn’t been able to look him in the eye—she was staring at his lap! She meant the little guy, and all that he might be up to. Whatever was worse than kissing, Jack prayed for the strength to resist it. He prayed and prayed.

“Excuse me for … interrupting your prayers, Jack, but I have … a question.”

“Go ahead,” he said.

“Have you ever done … worse than kiss a girl?”

“What would be worse?”

“Something … more than kissing … perhaps.”

Jack prayed that The Gray Ghost would forgive him if he told her. “I slept with Mrs. Oastler’s bra.”

“Emma Oastler? She gave you … her bra?”

“Not Emma’s—it was her mom’s bra.”

“But Emma … gave it to you?”

“Yes. My mom took it back.”

“Mercy!” Mrs. McQuat said.

“It was a push-up bra,” he explained further.

“Go back … to your prayers, Jack.”

In her ghostly way, she left—genuflecting in the aisle and making the sign of the cross. In her kindness to him, Jack couldn’t help but feel that she was more alive than he first thought; yet the message Mrs. McQuat had left with him was as chilling as an admonition from the grave.

God was watching Jack Burns. If Jack turned his back on God, He would see. And if God was looking so closely at him, this was because He was certain Jack would err. (The Gray Ghost seemed fairly certain of this herself.) Whether the fault lay with his father inside him, or with the independence of mind and imagination already exhibited by the little guy, Jack seemed as predestined for sexual transgression as Emma Oastler had predicted.

He prayed and prayed. His knees were sore, his back was aching. Moments later, he recognized the smell of chewing gum in the pew behind him—this time, it was a fruity flavor. “What are you doing, baby cakes?” Emma whispered.

Jack didn’t dare turn around. “Praying,” he answered. “What’s it look like I’m doing?”

“I heard you kissed her, Jack. It took four stitches to close her lip! Boy, have we got our homework cut out for us! You can’t kiss a girl like she’s a steak!”

“She bit herself,” he explained, to no avail.

“Passion of the moment, eh?” Emma asked.

“I’m praying,” Jack said, still not turning around.

“Prayers won’t help you, honey pie. Homework will.”

Thus did Emma Oastler distract him from his prayers. If Emma hadn’t found him in the chapel, he might have followed The Gray Ghost’s instructions to the letter. And if he’d successfully prayed for the strength to restrain himself, which of course meant restraining the little guy, too—well, who knows what Jack Burns might have been spared, or what he might have spared others?

12. Not Just Another Rose of Jericho

Years later, Lucinda Fleming would still include Jack among the bored recipients of her Christmas letter. He didn’t know why. He never kissed her again. He hadn’t kept in touch.

Emma Oastler’s theory was that Jack’s third-grade kiss on Lucinda’s neck was her first and best—possibly her last. But given the sheer number of children Lucinda Fleming would have—they were mentioned by name, together with their ages, in those repetitive Christmas letters—Jack would be inclined to refute Emma’s theory. Spellbound as he was by Lucinda’s prodigious childbearing, Jack could conclude only that her husband had been kissing her—even happily. And in all likelihood, the husband who had spent the better part of his life kissing Lucinda Fleming had not caused her to bite through her lower lip and pee all over herself.

Looking back, Jack wouldn’t miss Lucinda—or the rage she saved seemingly just for him. It was The Gray Ghost he would miss. Mrs. McQuat had done her best to help him not become like his father. It wasn’t her fault that Jack didn’t pray hard enough, or that he lacked the strength to control what The Gray Ghost called his “urges”; that he turned his back on God was more Jack’s failure than Mrs. McQuat’s or his dad’s.

He had a ton of homework in grade four. Emma genuinely helped him with it. Jack’s other homework, his sexual education, remained Emma’s responsibility; she was tireless in her role as his self-appointed initiator.

As his grade-four teacher, Mrs. McQuat stayed after school two days a week to help Jack with his math. He actually concentrated on the math; with The Gray Ghost, there were no distractions, no conflicting desires to breathe her in. He never dreamed about Mrs. McQuat in anyone’s underwear. In fact, Jack should have thanked her for the sympathy she showed him—not only for what she said to him in the chapel, but the degree to which she tried to counteract the command Caroline Wurtz took of the boy whenever she turned him loose onstage. (Or turned him not-so-loose, as was more often the case with Jack’s performances under The Wurtz’s uptight direction.)

He was cast as Adam in Miss Wurtz’s cloying rendition of Adam Bede. THEY KISS EACH OTHER WITH A DEEP JOY, the stage directions read. Overlooking the disastrous results of the Lucinda Fleming kiss, which afforded no joy of any kind, Jack devoted himself to the task. Given that The Wurtz had cast Heather Booth as Dinah, the kiss was indeed a daunting one. Not only did Heather make her disturbing blanket-sucking sounds when he kissed her, but her twin, Patsy, made identical sucking sounds backstage.

Miss Wurtz had cast Patsy as Hetty, the woman who betrays Adam. And what a god-awful misinterpretation of Adam Bede it turned out to be! Jack-as-Adam eventually marries the identical twin of the woman who cheats on him! (George Eliot must have rolled around in her grave over such a liberty as that!)

And The Wurtz was overfond of the passage at the end of Chapter 54. Following her own inclinations, as ever, Miss Wurtz gave the passage to Jack as dialogue, even though it is actually George Eliot’s narration. Looking into Heather Booth’s love-struck eyes as he delivered his weighty lines didn’t help. “ ‘What greater thing is there for two human souls, than to feel that they are joined for life—to strengthen each other in all labour, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?’ ” Jack-as-Adam asked Heather-as-Dinah, while she persisted in making barely audible sucking sounds in the back of her throat—as if his kiss had made her ill and she were readying herself to vomit.

“Jack,” Mrs. McQuat said, when she saw his performance, “you must take everything Miss Wurtz says with a grain of salt.”

“A what?”

“It’s an expression—‘with a grain of salt’ means not to take someone or something too seriously.”

“Oh.”

“I wouldn’t agree that there is no greater thing for two so-called human souls than to be joined for life. Frankly, I can’t think of a comparable horror.”

Jack would conclude that Mrs. McQuat was unhappily married—or else, if her husband had died and she was a widow who still called herself Mrs., The Gray Ghost and the late Mr. McQuat had not enjoyed many silent unspeakable memories at the moment of their last parting.

Naturally, he took no end of shit from Emma Oastler for kissing Heather Booth WITH A DEEP JOY in front of the older girls. “Did you use your tongue?” Emma asked him. “It looked like you French-kissed her.”

“Used my tongue how?”

“We’ll get to that, honey pie—the homework is piling up. All the math you’re doing is causing you to fall behind.”

“Behind in what?”

“It sounded like you were gagging her, you dork.”

But the Booth twins had made those terrible blanket-sucking sounds since kindergarten—Emma should have remembered that. (Emma’s sleepy-time stories were the probable origin of the twins making those awful sounds!)

“Just wait till you get to Middlemarch, Jack,” The Gray Ghost consoled him. “It’s not only a better novel than Adam Bede; Miss Wurtz has not yet found a way to trivialize it.”

Thus, in grade four, did he encounter in Mrs. McQuat a necessary dose of perspective. He would regret that she wasn’t his mentor for his remaining years in school, but Jack was indeed fortunate to have her as his teacher in his last year at St. Hilda’s.

Perspective is hard to come by. Caroline Wurtz was one of those readers who ransacked a novel for extractable truths, moral lessons, and pithy witticisms—with little concern for the wreck of the novel she left in her wake. Without The Gray Ghost’s prescription of a grain of salt, who knows for how long Jack might have misled himself into thinking that he’d actually read Jane Eyre or Tess of the d’Urbervilles—or The Scarlet Letter, Anna Karenina, Sense and Sensibility, Adam Bede, and Middlemarch. By grade four, he had not read these wonderful books—he’d only acted in Miss Wurtz’s purposeful plundering of them.

Of course Jack was familiar with the bulletin boards at St. Hilda’s, where praise of women was rampant; there among the usual announcements was some humorless observation of Emerson’s. (“A sufficient measure of civilization is the influence of good women.”) And before Jack was cast as Dorothea in Miss Wurtz’s dramatization of Middlemarch, he had seen George Eliot quoted among a variety of bulletin-board announcements. At the time, of course, Jack thought George Eliot was a man. Possibly a man-hating one, at least on the evidence of a most popular bulletin-board assertion of Mr. Eliot’s—or so Jack believed. (“A man’s mind—what there is of it—has always the advantage of being masculine—as the smallest birch-tree is of a higher kind than the most soaring palm—and even his ignorance is of a sounder quality.”) What does that mean? he used to wonder.

As Dorothea, “with all her eagerness to know the truths of life,” Jack radiated (under Miss Wurtz’s direction) “very childlike ideas about marriage.” No kidding—he was a child!

“ ‘Pride helps us,’ ” Jack-as-Dorothea prattled, “ ‘and pride is not a bad thing when it only urges us to hide our own hurts—not to hurt others.’ ” (Once again, this was not written as Dorothea’s dialogue, or anyone else’s, in the novel.)

To Miss Wurtz’s assessment of his talents onstage—namely, that there were no boundaries to his “possibilities” as an actor—Mrs. McQuat countered with her own little scrap of truthfulness she had found in the pages of Middlemarch. “ ‘In fact, the world is full of hopeful analogies and handsome dubious eggs called possibilities,’ ” The Gray Ghost whispered.

“George Eliot?” Jack asked. “Middlemarch?”

“You bet,” Mrs. McQuat replied. “There’s more in that book than dramatic homilies, Jack.”

To Miss Wurtz’s prediction that he would one day be a great actor—if, and only if, he dedicated himself to a precision of character of the demanding kind The Wurtz so rigorously taught—The Gray Ghost offered another undramatized observation from Middlemarch. “ ‘Among all forms of mistake, prophecy is the most gratuitous.’ ”

“The most what?”

“What I’m saying, Jack, is that you must play a more active role in your future than Miss Wurtz.”

“Oh.”

“Don’t you see what’s wrong with The Wurtz, baby cakes?” Emma Oastler asked.

“What’s wrong with her?”

“Obviously The Wurtz is unfulfilled, Jack,” Emma said. “I must have been wrong about her having a boyfriend. Maybe someone in her family bought her nice clothes. You don’t imagine she has a sex life, or ever had one, do you?” Only in his dreams, Jack hoped. He had to admit, if not to Emma, that it was confusing—namely, how much he was learning from Miss Wurtz, which stood in contrast to how obviously flawed she was.

Like Caroline Wurtz roaming randomly in a novel, Jack searched the St. Hilda’s bulletin boards for gems of uplifting advice; unlike Miss Wurtz at large in a novel, he found little that was useful there. Kahlil Gibran was a favorite of the older girls in those years. Jack brought one of Gibran’s baffling recommendations to The Gray Ghost for a translation.

Let there be spaces in your togetherness,

And let the winds of the heavens dance between you.

“What does that mean?” Jack asked Mrs. McQuat.

“Poppycock, hogwash, bunk,” The Gray Ghost said.

“What?”

“It doesn’t mean anything at all, Jack.”

“Oh.” Mrs. McQuat had taken the quotation from him. He watched her crumple it in her cold hand. “Shouldn’t I put it back on the bulletin board?” he asked.

“Let’s see if Mr. Gibran can find his way back to the bulletin board all by himself,” The Gray Ghost said.

Jack trusted her. He dared to ask her things he was afraid to ask anyone else. There were a growing number of things he wouldn’t ask his mother; her distancing herself from him was a warning, but of what Jack wasn’t sure. He had tired of the when-you’re-old-enough answer, no matter what the reason for her aloofness.

Lottie was Lottie. As much as she had mattered to him once—maybe most of all when he’d been in those North Sea ports and had missed her—now that he was older, Lottie didn’t hold him chest-to-chest to compare their beating hearts. At his age, that was a game Jack preferred to play with Emma. (As Emma put it: “You can tell that the most interesting part of Lottie’s life is over.”)

And Mrs. Wicksteed was old and growing older; when she warmed her increasingly uncooperative fingers over her tea, her fingers would dip in and out of the tea, with which she occasionally sprinkled Jack’s shirt and tie. She’d become an expert at doing a necktie during the years of her late husband’s arthritis. “Now I have his affliction, Jack,” Mrs. Wicksteed told the boy. “I ask you. Does that seem fair?”

The fairness question was one that had occurred to Jack in other areas. “It’s not fair that I should turn out to be like my father,” he said frankly to Mrs. McQuat. (He was in a phase of being slightly less than frank with Emma on this subject.) “Do you think it’s fair?” Jack asked The Gray Ghost. He could see she’d really been a combat nurse—notwithstanding what truth, or lack thereof, resided in the story of her having one lung because she’d been gassed. “Do you think I’m going to turn out like him, Mrs. McQuat?”

“Let’s take a walk, Jack.”

He could tell they were headed for the chapel. “Am I being punished?” he asked.

“Not at all! We’re just going where we can think.”

They sat together in one of the foremost pews, facing in the right direction. It was a minor distraction that a grade-three boy was kneeling in the center aisle with his back turned on God. Although The Gray Ghost had positioned him there—however long ago—she seemed surprised to see him in the aisle, but she quickly ignored him.

“If you turn out to be like your father, Jack, don’t blame your father.”

“Why not?”

“Barring acts of God, you’re only a victim if you choose to be one,” The Gray Ghost said. From the look of the frightened third grader kneeling in the center aisle, he clearly thought that Mrs. McQuat was describing him.

Thank goodness Jack never asked Emma Oastler his next question, which he addressed to Mrs. McQuat in the chapel. “Is it an act of God if you have sex on your mind every minute?”

“Mercy!” The Gray Ghost said, taking her eyes from the altar to look at him. “Are you serious?”

“Every minute,” he repeated. “It’s all I dream about, too.”

“Jack, have you talked to your mother about this?” Mrs. McQuat asked.

“She’ll just say I’m not old enough to talk about it.”

“But it seems that you are old enough to be thinking and dreaming about little else!”

“Maybe it will be better in an all-boys’ school,” Jack said. He knew that an all-boys’ school was his mother’s next plan for him. Just up the road from St. Hilda’s—within easy walking distance, in fact—was Upper Canada College. (The UCC boys were always sniffing around the older of the St. Hilda’s girls.) And it was no surprise that Mrs. Wicksteed “knew someone” at Upper Canada College, or that Jack would have good recommendations from his teachers at St. Hilda’s—at least academically. He’d already been to UCC for an interview. Coming from the gray-and-maroon standard at St. Hilda’s, he thought there was entirely too much blue in the school colors at Upper Canada—their regimental-striped ties were navy blue and white. If you played a varsity sport, the first-team ties (as they were called) were a solid-blue-knit variety—navy blue with square bottoms. Alice had found it ominous that the jocks were singled out and idolized in this fashion. In Jack’s interview, his mother freely offered that her son was not athletic.

“How do you know?” Jack asked her. (He’d never had the opportunity to try!)

“Trust me, Jack. You’re not.” But he trusted his mother less and less.

“Which all-boys’ school are you thinking of?” The Gray Ghost asked him.

“Upper Canada College, my mom says.”

“I’ll have a word with your mother, Jack. Those UCC boys will eat you alive.”

Given his respect for Mrs. McQuat, this was not an encouraging concept. Jack expressed his concern to Emma. “Eat me alive why? Eat me how?”

“It’s hard to imagine that you’re a jock, Jack.”

“So?”

“So they’ll eat you alive, so what? The sport of life is gonna be your sport, baby cakes.”

“The sport of—”

“Shut up and kiss me, honey pie,” Emma said. They were scrunched down in the backseat of the Town Car again. It was a fairly recent development that Emma could give Jack a boner in a matter of seconds—or not, depending on the little guy’s unpredictable response. Emma was in grade ten, sixteen going on thirty or forty, and—to her considerable rage—she had newly acquired braces. Jack was a little afraid of kissing her. “Not like that!” Emma instructed him. “Am I a baby bird? Are you feeding me some kind of worm?”

“It’s my tongue,” he told her.

“I know what it is, Jack. I’m addressing the more important subject of how it feels.”

“It feels like a worm?”

“Like you’re trying to choke me.”

She cradled his head in her lap and looked down at him with impatient affection. Every year, Emma got bigger and stronger. At the same time, Jack felt he was barely growing. But he had a boner, and Emma always knew when he had one. “That little guy is like a coming attraction, honey pie.”

“A what?”

“At the movies, a coming attraction—”

“Oh.”

“You’re soon to be all over the place, Jack. That’s what I’m saying.”

“This girl is just jerking your wire, mon,” Peewee said.

“Just shut up and drive, mon,” Emma said to Peewee. He was, as Jack was, in her thrall.

Jack would wonder, after his mom had returned the push-up bra to Mrs. Oastler, what possibly could have transpired between the two mothers that had led to him being left alone with Emma again. And Jack and Emma were alone a lot; they were even alone, for an hour or more at a time, in Emma’s house. Whether Emma’s mom was at home or not, they were left alone there—no Lottie banging around in the kitchen below them, screaming some nonsense about tea.

The Oastler house in Forest Hill was a three-story mansion bequeathed to Mrs. Oastler by her ex-husband; the alimony settlement had made Emma and her mother rich. Women who scored big in their divorces were treated with immeasurable scorn in the Toronto tabloids, but Mrs. Oastler would have said it was as good a way to get rich as any.

Emma’s mom was a small, compact woman—as her push-up bra would suggest. As Emma’s mustache would imply, her mother was surprisingly hairy—at least for a woman, and a small woman at that. Emma’s mom would have had a more discernible mustache than her daughter, but (according to Emma) Mrs. Oastler frequently had her upper lip waxed. She would not have been rash to consider waxing her arms as well, but the only other visible preventative measure taken against her hairiness was that she had her sleek black hair cut as short as a boy’s in an elfish pixie. Despite her prettiness, which was petite in nature, Jack thought that Mrs. Oastler looked a little like a man.

“Yes, but an attractive one,” Alice said to her son. She thought that Emma’s mother was “very good-looking,” and that it was a pity Emma “took after” her father.

Jack never met Emma’s dad. After every winter break from St. Hilda’s, Emma returned to school with a tan. Her father had taken her to the West Indies, or Mexico; that was virtually the only time they spent together. Emma also spent a month of every summer at a cottage in Georgian Bay, but most of that time she was in the care of a nanny or a housekeeper—her dad came to the cottage only on weekends. Emma never spoke of him.

That Mrs. Oastler thought Emma was too young to have her mustache waxed was a source of contention between mother and daughter. “It’s hardly noticeable,” Emma’s mom would tell her. “Besides, at your age, what does it matter?” And there were other issues between them, as one might expect of a divorced woman raising a “difficult” only child—a sixteen-year-old daughter who was physically bigger and stronger than her mother, and still growing.

Mrs. Oastler also thought that Emma was too young to have a tattoo—an intolerable hypocrisy, in Emma’s opinion, because her mom had recently been tattooed by Daughter Alice. This was news to Jack, but so was almost everything Emma told him. “What’s her tattoo? A tattoo where?” he asked.

Well, what a surprise! Emma’s mom had been tattooed to conceal a scar. “She had a Cesarean,” Emma said. That old business again, Jack thought. “It’s a scar from her C-section,” Emma told him. And to think he’d once believed this was the ward for difficult births in a hospital in Halifax! “She had a bikini cut,” Emma explained.

“A what?”

“A horizontal incision, not the vertical kind.”

“I still don’t get it,” Jack said.

This necessitated a trip to Mrs. Oastler’s bedroom. (Emma’s mother was out.) There Emma showed Jack a pair of her mom’s panties—black bikini briefs, no doubt a fetching match to the push-up bra. Mrs. Oastler’s scar was called a bikini cut because the incision was below the panty line of the briefs.

“Oh. And what’s the tattoo?”

“A stupid rose.”

Jack thought not. He was pretty sure he knew what kind of rose it was, in which case it would have been too big to be completely concealed under the panty line of Mrs. Oastler’s bikini briefs. “A Rose of Jericho?” he asked Emma.

It was, for once, her turn to be uninformed. “A Rose of what?”

This was not the easiest thing for a nine-year-old to explain. Jack made a fist. “It’s about this big, maybe a little bigger,” he began.

“Yes, it is,” Emma said. “Go on, Jack.”

“It’s a flower with the petals of another flower hidden inside it.”

“What other flower?”

There were so many words he’d heard and remembered—not that he understood them. Labia was one, vagina another—they were like flowers, weren’t they? And the other flower hidden in a Rose of Jericho was like the petals, or the labia, a woman had—a vagina concealed in a rose. Jack couldn’t imagine what a mess he made of this explanation to Emma, but of course Emma knew what he was trying to say.

“You must be kidding, Jack.”

“You have to know what you’re looking for in order to see it,” the boy said.

“Don’t tell me you know what a vagina looks like, honey pie.”

“Not an actual one,” Jack admitted. But he had seen a Rose of Jericho—many, in fact. He had examined the petals of that flower. He’d spotted “the lips” within the rose, as Ladies’ Man Madsen had called them—the oh-so-peculiar-but-discernible something that made a Rose of Jericho not quite like any other rose. “Maybe you haven’t looked closely enough,” he said to Emma, who seemed not herself—she was paralyzed with disbelief. “I mean at the tattoo.”

Emma took Jack by the hand and led him back to her bedroom. In her other hand, Emma was still holding her mom’s bikini briefs; it was as if Jack Burns were destined to bear to his grave the burden of a life-changing relationship with Mrs. Oastler’s underwear.

Emma’s bedroom was everything you would expect of that passage from childhood through puberty to concupiscence. The neglected teddy bears and other stuffed animals occupied positions of no particular importance on the king-size bed; there was a poster from a Beatles concert, and one from a Robert Redford movie. (It might have been Jeremiah Johnson, because Redford had a beard.) And everywhere, on the floor, on the bed—in one case, as if strangling a teddy bear—Emma’s bras and panties were flagrantly displayed. The underwear of a woman-in-progress, which Emma clearly was, indicated (albeit not to Jack) that Emma was in more of a hurry on her journey to womanhood than most girls her age.

In comparison, Jack was in no hurry on his journey to becoming a young man. He just happened to have met Emma Oastler, who knew his father’s story; despite the seven years between them, Emma was eager to see him catch up to her. “So you know what a vagina looks like,” Emma was saying, as she lay down among her discarded panties and bras and teddy bears.

“I know what one looks like in a Rose of Jericho,” Jack replied. She’d not let go of his hand. He had no choice but to lie down on the bed beside her.

“So a vagina is familiar to you—the labia, the whole business,” Emma was saying, as she lifted her short pleated skirt and wriggled out of her panties. Her mom’s bikini briefs could never have accommodated Emma’s hips. Consistent with the general sloppiness of dress (and undress) of the older girls at St. Hilda’s, Emma didn’t bother to take her panties entirely off; she kicked one leg free but left her panties dangling on one ankle, where their whiteness stood in contrast to her gray kneesocks, which were typically pushed down below midcalf, as if the socks were also indications of Emma’s preference for half-dress (or half-undress).

“You have big feet,” Jack observed.

“Forget the feet, Jack. You’re looking at your first vagina, and you’re telling me you’re not surprised?” The hair was again a surprise—though not nearly so much as when he’d first felt it, unseen. But the rest of the business—well, he was prepared for it to be complicated. The intricate folds (“the lips,” as Ladies’ Man Madsen had called them) were of a certain healthiness of pink that no tattoo pigment could imitate; yet this ornate door, for a vagina was clearly an opening, was recognizable from his mom’s Rose of Jericho, of which Jack had seen a hundred. Having seen Emma’s, he would have no trouble (in the future) finding that other flower in the rose, but for how many nine-year-old boys is it no big deal to see your first actual vagina? “Cat got your tongue, Jack?” Emma said.

“The hair’s different—there’s no hair on the tattoo,” he told her.

“You’re saying only the hair is special? You’re saying you’ve seen the rest of it?”

“It’s a Rose of Jericho,” Jack said. “I would recognize it anywhere.”

“It’s a vagina, honey pie!”

“But it’s also a Rose of Jericho,” he insisted. “You just need to take a closer look at your mom’s—at her tattoo, I mean.”

“Maybe the little guy has more of an interest in the real thing than you do, Jack.” Alas, the little guy did not look interested enough to merit Emma’s approval. “Jesus, baby cakes, I think there’s something wrong.” At nine going on ten, Jack simply wasn’t old enough. The unpredictability of his penis—aroused one minute, indifferent the next—wasn’t half as disappointing to him as it was to Emma. “Kiss me,” Emma demanded. “That sometimes works.”

Not this time. Jack would have admitted that the kiss was more aggressive than usual on Emma’s part, and that—notwithstanding how she’d criticized him for inserting his tongue in her mouth and wiggling it like a worm—the probing use she made of her tongue was beginning to get the little guy’s attention. But at the very moment his pinkie of a penis demonstrated a growing interest, which Emma might have called “promising,” he snagged his lower lip on a loose wire in Emma’s newly acquired braces. Before either of them noticed, Jack had bled all over Emma and himself—and her bed, several stuffed animals, and the aforementioned bra. (The one that appeared to be strangling a teddy bear.)

There was blood everywhere; more alarming, Emma and Jack were still attached. While Emma searched her messy bedroom for a hand mirror, they were clumsily—in Jack’s case, painfully—linked. His lower lip was hooked to her wired teeth. And the hand mirror, when Emma finally found it, offered a confusingly reversed view. They were caught in the act of failing to disengage his lip from her braces when Emma’s mom came home and skillfully, in a matter of seconds, separated them. “Maybe you should get your upper lip waxed, Emma,” Mrs. Oastler said.

Did he need stitches? Jack wanted to know. There was every bit as much blood as when Lucinda Fleming had attempted to eat herself. Dangerous kissing was not new to Jack Burns!

“It’s just a puncture wound,” Emma’s mom said, pinching his lower lip between her thumb and index finger. She didn’t seem to mind the blood. Jack recognized her perfume from his many nights with her push-up bra. Mrs. Oastler, the instant he remembered her stolen bra, spotted her black bikini briefs on Emma’s bloodstained bed. “I wish you’d play these games with your own underwear, Emma,” Mrs. Oastler said. By the evidence of Emma’s white panties with the lace waistband, which were still wrapped around Emma’s left ankle and draped over her left foot, it was clear that Emma and Jack had been playing a game with her underwear as well. But Mrs. Oastler took more of an interest in recovering her black bikini briefs. “You’re evidently a precocious boy, Jack,” Emma’s mom said.

“Jack knows all about tattoos,” Emma told her. “He knows all about yours, anyway.”

“Really? Is that true, Jack?” Mrs. Oastler asked.

“If it’s a Rose of Jericho, I know something about it,” he said.

“Go on—show him,” Emma told her mom.

“I’m sure Jack doesn’t need to see another Rose of Jericho. I’ll bet he’s already seen his share,” Mrs. Oastler said.

“Well, I’d like to take a closer look at it myself,” Emma told her mother. “Now that I know what it is.”

“Maybe later, Emma,” Mrs. Oastler said. “We can’t send Jack home all covered with blood.”

“You’ve got a vagina above your vagina, and you won’t let me get a butterfly on my ankle!” Emma screamed.

“Ankles hurt,” Jack offered. “Tattoos hurt where there’s nothing but bone.”

“It seems that Jack does know all about tattoos, Emma. You should listen to Jack.”

“I just want a butterfly!” Emma screamed.

“Here’s what we’re going to do, Jack,” Mrs. Oastler said, ignoring her daughter. “I’m going to take you to my bathroom, where you can wash up. Emma can wash up in her bathroom.” Emma’s mom took Jack’s hand and led him down the familiar path to her bedroom, which was connected to a large bathroom with wall-to-wall mirrors. In her other hand, Mrs. Oastler carried her black bikini briefs, which she twirled around and around her index finger. In the slight breeze made by her swinging panties, Jack became more aware of her perfume than before.

She removed his bloodstained shirt and tie and filled her bathroom sink with warm water; with a wet washcloth, she wiped his face and neck, being careful to gently pat his punctured lip, which was still bleeding, if only a little. While Jack washed the blood from his hands in the sink, Mrs. Oastler rubbed his shoulders with her cool, silky hands. There wasn’t any blood on Jack’s shoulders, but Emma’s mom seemed almost as comfortable touching him as her daughter was. “You’re going to be a strong boy, Jack—not very big, but strong.”

“Do you think so?” he asked.

“I know so,” Mrs. Oastler said. “I can tell.”

“Oh.” He realized why her hands felt so cool and silky. She was rubbing his back and shoulders with her black bikini briefs.

“You’re obviously very mature for your age,” Emma’s mom continued, “whereas Emma, although she’s a big girl, is somewhat immature in other areas. She’s not at all at ease with boys her own age, for example.”

“Oh,” Jack said again. He was drying his hands with a towel while Mrs. Oastler continued rubbing his back and shoulders with her panties. In the mirror, he could see her intense, serious face, framed by her pixie haircut.

“As for you, Jack, you seem quite comfortable around older girls and women.” He felt somewhat less comfortable when Emma’s mom ran her silky underwear over the back of his neck and placed her panties on his head, like a hat—like a curiously misshapen beret. His ears protruded from her bikini briefs, where her thighs would normally be. “What on earth will we tell your mom about your lip?” she asked. Before Jack could think of an answer, Mrs. Oastler said: “I get the feeling Alice isn’t quite ready for the idea of you kissing a sixteen-year-old.”

So his mom was “Alice” to Mrs. Oastler, which was only a mild surprise. He should have known. A Rose of Jericho is a fairly lengthy procedure, several hours under the best circumstances—and in this case, on such an intimate area of the body. Jack could easily imagine his mom and Mrs. Oastler having quite the conversation. Lying face-up on a bed or a table, for hours at a time, having a Rose of Jericho tattooed a few inches above your vagina—well, what subjects wouldn’t you feel free to discuss? People became fast friends in less than half the time it took to tattoo a Rose of Jericho. Alice had spent hours staring at Mrs. Oastler’s pubes; in such a situation, how could they not get to know each other? But while Alice had apparently gone along with Mrs. Oastler regarding Jack and Emma’s behavior, that he had cut his lip in a kissing accident might just nip Alice’s friendship with Mrs. Oastler in the bud. In any case, it made perfect sense to Jack not to tell his mother how he’d hurt himself kissing Emma.

“You could say it was a staple, Jack. I was trying to separate two pages of paper that had been stapled together, and you tried to help me. You opened the staple with your teeth.”

“Why would I use my teeth?” he asked.

“Because you’re a kid,” Mrs. Oastler said. She patted her bikini briefs, which Jack still wore as a hat; then she plucked her panties off his head and threw them across the bathroom into an open laundry hamper. It was a good shot. She had a kind of athletic grace, boyish in nature. “I’ll find you a T-shirt, something to wear home. Tell your mom I’m sending your shirt and tie to the dry cleaner’s.”

“Okay,” he said.

Emma’s mom was in her bedroom, opening a drawer. Jack kept looking at himself, bare-chested, in her bathroom mirror above the sink—as if he expected to start growing in some observable fashion. Mrs. Oastler came back with a T-shirt. It was all black, like her bikini briefs, and with the sleeves for the upper arms cut short and tight, the way women liked them. Emma’s mom was so small, her T-shirt was only a little loose on Jack. “It’s one of mine, of course. Emma’s clothes,” she added, disapprovingly, “would be too big.”

His lower lip had finally stopped bleeding, but it was swollen and you could see the pinprick where the wire from Emma’s braces had stabbed him. Mrs. Oastler gently rubbed some lip gloss over the wound. Emma walked into the bathroom while her mom was doing this. “You look like a girl in that T-shirt, Jack,” Emma said.

“Well, Jack’s pretty enough to be a girl, isn’t he?” Mrs. Oastler asked. There was a noticeable measure of shame in Emma’s resentful expression and slouched posture, as if she’d taken her mother’s point to heart. (Jack may have been pretty enough to be a girl, but—in her mom’s estimation—Emma wasn’t.) “We’re telling Jack’s mother that he cut himself on a staple. He was trying to open a staple with his teeth, silly boy.”

“I want to see the fucking Rose of Jericho,” Emma said. “I want Jack to see it, too.”

Without a word, Mrs. Oastler, who wore a tight-fitting pair of black jeans with a silver belt, untucked her long-sleeved cotton turtleneck, which was also black. She unbuckled the belt and wriggled the jeans over her slim hips. Jack could see only the top half of the Rose of Jericho above the panty line of her black bikini briefs. She hooked her thumbs under the waistband of her panties, but before she slid them down, she said: “This, Jack, would be in the category of needlessly upsetting your mom—maybe even worse than kissing a sixteen-year-old, if you know what I mean.”

“Oh,” he said, as she pulled her bikini briefs down.

There it was. (Not the Rose of Jericho. Jack didn’t need to waste a second of his time looking at another one. His mom was a pro; he assumed that Daughter Alice’s Rose of Jericho was the same every time.) While Emma saw, with a gasp, the unmistakable other flower within the rose, Jack took a long, careful look at the real thing—his second sighting of an actual vagina in one day. Emma’s pubic hair was as unruly as she was, but Mrs. Oastler’s pubes were neatly trimmed. And if Jack ever doubted Emma’s authority—that he had an older-woman thing, as she put it—he didn’t doubt it now. If Emma’s vagina had left the little guy largely unimpressed, what was Jack to make of the quantum leap the little guy made in response to Emma’s mom? “That’s disgusting!” Emma said. (She meant the tattoo.)

“It’s a Rose of Jericho, like any other,” Jack insisted. “My mom does a good one.”

While he went on staring at her vagina, Mrs. Oastler rumpled his hair and said: “You bet she does, Jack—you bet she does.”

Emma suddenly hit him so hard that he took a short flight across the bathroom tiles and landed in the vicinity of the laundry hamper. Jack instinctively put a finger to his lower lip, to be sure he wasn’t bleeding again. “You weren’t looking at the tattoo, baby cakes.”

“Boys will be boys, Emma,” Mrs. Oastler told her daughter. “Be nice to Jack. Please don’t make him bleed again.”

Emma yanked him to his feet by grabbing hold of her mom’s skimpy T-shirt. In one of the bathroom’s many mirrors, Jack caught a glimpse of Mrs. Oastler pulling up her bikini briefs and wriggling her hips back into her jeans. “What’s the little guy think of my mom’s Rose of Jericho?” Emma asked Jack in her vaguely threatening way.

Mrs. Oastler, of course, didn’t realize that Emma was referring to Jack’s penis. She probably assumed that her daughter was being disparaging about the boy’s smaller size. “Don’t bully him, Emma,” Mrs. Oastler said. “It’s unbecoming.”

As Jack was leaving, he found it confusing that both Emma and her mom kissed him good-bye—Mrs. Oastler on his cheek, Emma on his undamaged upper lip. In the category of unnecessarily upsetting his mother, Jack was determined he would make no mention of his confusion to her—nor would he tell her about the rest of his eventful day at the Oastler mansion in Forest Hill.

Jack went to bed that night in Mrs. Oastler’s black T-shirt, although Lottie said she liked him better in his own pajamas. Lottie wrapped an ice cube in a washcloth and held it to his lower lip while she said her prayers over him. “May the Lord protect you, Jack, and may He keep you from harming others,” Lottie always began. Jack thought the latter was a ridiculous concern. Why would he ever harm others? “May the Lord keep Mrs. Wicksteed alive a little longer,” Lottie went on. “May I please be permitted to die in Toronto, and never go back to Prince Edward Island.”

“Amen,” Jack usually tried to say at this point, hoping that would be the end of it.

But Lottie wasn’t finished. “Please, Lord, deliver Alice from her inclinations—”

“Her what?”

“You know what, Jack—her tendencies,” Lottie told him. “Her choice of friends.”

“Oh.”

“May God keep your mother from hurting herself, not to put too fine a point on it,” Lottie continued. “And may the Lord bless the ground you walk on, Jack Burns, so that you are ever mindful of temptation. May you become the very model of what a man should be, Jack—not what most men are.”

“Amen,” he said again.

“That’s for me to say and for you to say after me,” Lottie always told him.

“Oh, right.”

“Thank you, Mrs. Wicksteed,” Lottie whispered, at the end—almost as if Mrs. Wicksteed were God and Lottie had been addressing Her from the beginning. “Amen.”

“Amen.”

She took the ice cube in the washcloth away from his lip, which was numb. But Jack was wide awake, and as soon as Lottie left, he went to his mother’s room and got into her bed, where he eventually fell asleep. (Jack had many vivid memories of his two-vagina day; it was impossible to fall asleep right away.)

It was his mom’s leg across his body that woke him; it was the T-shirt that woke her. Alice turned on the light to have a better look. “Why are you wearing Leslie’s shirt, Jack? Is Emma stealing her mom’s T-shirts now?”

So Mrs. Oastler was “Leslie”—another mild surprise. Even the T-shirt was more familiar to his mom than Jack had thought. He carefully explained that Mrs. Oastler had given him her T-shirt to wear because his clothes were all bloody—they’d been sent off to the dry cleaner’s—and any shirt of Emma’s would have been too big. Jack showed his mom his puffy lower lip, where he had poked himself with a staple he’d tried to undo with his teeth.

“I thought you were smarter than that,” Alice said.

Jack very slowly, and even more carefully, said that he understood his mom had tattooed Mrs. Oastler—it sounded like a Rose of Jericho from Emma’s description, he unconvincingly explained—but the tattoo was in such a private place that Emma’s mom wouldn’t show it to him.

“I’m surprised she didn’t show you,” Alice said.

“I don’t need to see another Rose of Jericho,” Jack went on. (Even to himself, he sounded too cavalier.) “What’s so special about hers?”

“Just the place, Jack—it’s in a special place.”

“Oh.” He must have moved his eyes away from hers. His mom was such a good liar, she was tough to lie to.

“Not every woman shaves her pubic hair in quite that way,” his mother said.

“Her what?”

“The hair is called pubic hair, Jack.”

“Oh.”

“You don’t have any yet, but you will.”

“Do you shave your pubic hair that way?” Jack asked his mom.

“That’s not your business, young man,” she told him, but he could see she was crying. He didn’t say anything. “Leslie—Mrs. Oastler, to you—is a very … independent woman,” Alice started to say, as if she were beginning to read out loud from a long book. “She’s been through a divorce, a bad time, but she’s very … rich. She’s determined to seize control of everything that happens to her. She’s a very … forceful woman.”

“She’s kind of small—smaller than Emma, anyway,” Jack interjected. (He had no idea what his mother was struggling to say.)

“You want to be careful around Mrs. Oastler, Jack.”

“I’m pretty careful around Emma,” he ventured.

“Yes, you should be careful around Emma, too,” Alice said, “but you want to be more careful around Emma’s mom.”

“Okay.”

“It’s all right that she showed you,” his mother said. “I’m sure you didn’t ask to see it.”

“Emma asked her to show me,” he said.

“Now tell me about your lip.”

Jack was learning that adults were better at concealing things than kids were, and he was increasingly aware that his mom knew a lot she wasn’t telling him. Mrs. Wicksteed’s health, for example: Jack knew she had arthritis because he could see it for himself, and because Mrs. Wicksteed had told him. But no one told him she had cancer, not until the day she didn’t get up in time to do his tie—and then Lottie told him, not his mother. (Maybe his mom had been too busy; it might have been the same week she’d been tattooing Mrs. Oastler.)

Suddenly there was no one in the house who knew how to do a necktie, except Mrs. Wicksteed, who was dying! “Is she dying of arthritis?” Jack asked Lottie.

“No, dear. She has cancer.”

“Oh.” So that was why Lottie prayed every night for the Lord to keep Mrs. Wicksteed alive a little longer.

Peewee did Jack’s tie that morning. He was a limo driver; he did his own tie every morning. He tied Jack’s in a very matter-of-fact fashion, not making half the fuss that Mrs. Wicksteed had—even before her arthritis. “Mrs. Wicksteed is dying, Peewee.”

“That’s too bad, mon. What’s the lady with the limp going to do then?” So that was why Lottie prayed to be permitted to die in Toronto. Everyone, including Peewee, knew that Lottie didn’t want to go back to Prince Edward Island.

Maybe everyone had a Rose of Jericho hidden somewhere, Jack thought. Perhaps it wasn’t always the kind of tattoo you could see, but another kind—like a free tattoo. No less a mark for life, just one not visible on the skin.

13. Not Your Usual Mail-Order Bride

Out of concern for Mrs. Wicksteed, Jack asked Miss Wurtz if he could be excused from Jane Eyre rehearsals the rest of that week; after all, he’d played Rochester before. (He could do the part blind, so to speak.) But Connie-Turnbull-as-Jane had been replaced with Caroline French. Jack had never embraced a girl his own height. Caroline’s hair got in his mouth, which he found disagreeable. In the throes of that passionate moment when Jack-as-Rochester tells Caroline-as-Jane that she must think him an “irreligious dog,” Caroline nervously thumped her heels. Backstage, Jack could imagine her dim-witted twin, Gordon, thumping his heels, too. And when Caroline-as-Jane first took Jack-as-Rochester’s hand and mashed it to her lips, Jack was overcome with revulsion—both Caroline’s hand and her mouth were sticky.

It wasn’t only because Mrs. Wicksteed was dying that he wanted to miss a week of rehearsals; Miss Wurtz was reduced to tears all that week. Jack’s mom told him that Mrs. Wicksteed had helped Miss Wurtz out of a “tight spot” before. Whether the so-called tight spot had been the source of The Wurtz’s tastefully expensive clothes—the boyfriend Emma no longer believed in—Jack never learned. He was permitted to miss rehearsals. Caroline French was forced to imagine him in her sticky embrace.

His availability was of little use to Mrs. Wicksteed, who was hospitalized and enduring a battery of tests. Lottie assured Jack that he didn’t want to see the old lady that way. Jack’s mother, though she told him almost nothing of what she was feeling, was noticeably distraught. If, upon Mrs. Wicksteed’s death, Lottie would soon be on a boat back to Prince Edward Island, Alice confided to Jack in the semidarkness of her bedroom that they would be out on the street. Jack inquired if, in lieu of the street, there might be room for them in the Chinaman’s tattoo parlor. “We’re not sleeping in the needles again,” was all his mother would say.

Was their enemy Mrs. Wicksteed’s divorced daughter? She had never cared for their status as her mother’s rent-free boarders. But wasn’t she alleged to be Mrs. Oastler’s friend? Hadn’t she and Leslie Oastler attended St. Hilda’s together? Now that Leslie and Alice were friends, Jack suggested that maybe Mrs. Oastler would speak to Mrs. Wicksteed’s daughter on their behalf. All Alice said was that Mrs. Wicksteed’s daughter and Leslie Oastler weren’t the best of friends anymore.

It was only natural that Jack turned to The Gray Ghost for guidance in this troubling time, but Mrs. McQuat knew something she wasn’t telling him. Her strongest recommendation was that they pray together in the chapel, which meant only that they prayed together more. And when he asked The Gray Ghost if she’d been successful in persuading his mother that he would be “eaten alive” by those boys at Upper Canada College, Mrs. McQuat’s answer was out of character. It was not like a former combat nurse to be evasive. “Maybe UCC … wouldn’t have been … so bad, Jack.”

What did the “wouldn’t have been” mean? “Excuse me, Mrs. McQuat—” Jack started to say.

“You’re a bit … young to be a boarder … Jack … but there are schools—mostly in the States—where boarding is … the norm.”

“The what?”

They were in the second pew, to the left of the center aisle—the altar bathed in a golden light, the stained-glass saints administering to Jesus. What a lucky guy, to have four women fussing over him! Mrs. McQuat put her cold hand on Jack’s far shoulder and pulled him against her. She put her dry lips to his temple and gave him the faintest trace of a kiss. (“She gives him a paper kiss,” Jack would read in a screenplay, years later, and remember this moment in the chapel.)

“For a boy in your … situation, Jack … maybe a little … independence is the best thing.”

“A little what?”

“Talk to your mother, Jack.”

But having tried to open that door without success, he talked to Emma Oastler instead. Emma was giving him a tour of her mother’s mansion in Forest Hill. They were checking out the guest bedrooms—the guest “wing,” as Mrs. Oastler called it. There were three bedrooms, each with its own bathroom; it was a wing, all right. “Honestly,” Emma was saying, “I can’t understand why you and your mom don’t just move in here. I think it’s stupid to send you away.”

“Away where?”

“Talk to your mom. It’s her idea. She thinks you and I are a bad combination. She doesn’t want you going through puberty in the same house with me.”

“Going through what?”

“It’s not like we’d have to sleep in the same bedroom,” Emma said, pushing him down on the biggest of the guest-room beds. “Your mom and mine have the prevailing St. Hilda’s mentality. Girls get to see boys until the boys are nine-year-olds—then the boys disappear!”

“Disappear where?”

Emma was engaged in one of her periodic checks on the progress of his penis, which seemed to render her melancholic. She’d pulled down his pants and underwear and was lying with her heavy head on his bare thigh. “I have a new theory,” Emma said, as if she were speaking exclusively to the little guy. “Maybe you are old enough. Maybe it’s me who’s not old enough—I mean I’m not old enough for you.”

“Disappear where?” Jack asked her again. “Where am I being sent away?”

“It’s an all-boys’ school in Maine, baby cakes. I hear it’s kind of remote.”

“Kind of what?”

“Possibly the little guy likes even older women than I first supposed,” Emma was saying. His penis lay still and small in the palm of her hand. Jack was being sent to Maine, but the little guy didn’t care. “I’ve talked to a couple of girls in grade thirteen, and one in grade twelve. They know everything about penises,” Emma went on. “Maybe they can help.”

“Help what?”

“The problem is that they’re boarders. We can’t get you into their residence unless you’re a girl, honey pie.”

Jack should have seen it coming. How hard was it for him to be a girl? He was pretty enough, as Mrs. Oastler had observed—and in his many onstage performances at St. Hilda’s, he’d been a woman more often than he’d been a man.

Much against Miss Wurtz’s wishes, he’d recently been cast as a woman in the senior-school production of A Mail-Order Bride in the Northwest Territories—a nineteenth-century melodrama that The Wurtz despised. Jack was the pathetic child bride. Because of the play’s subject matter—it was annually performed for the senior school exclusively—he’d needed his mother’s permission to accept the part. Alice, in her fashion, had acquiesced. She’d never read the play. Not growing up in Canada, Alice hadn’t been subjected to A Mail-Order Bride in the Northwest Territories in her girlhood—as almost every Canadian woman of Alice’s generation had. (As almost every Canadian girl of Emma’s generation would be.)

In those days—at St. Hilda’s, especially—the senior girls were fed a steady diet of Canadian literature. Miss Wurtz was outraged that many novels of international stature—the classics, which she adored—were popularly replaced by Can Lit, as it was called. Canada had many wonderful writers, Miss Wurtz declared—on those occasions when she was not raving about the so-called classics. (Robertson Davies, Alice Munro, and Margaret Atwood were her favorites.) Years later, as if she were still arguing with Jack about A Mail-Order Bride in the Northwest Territories, Miss Wurtz would write him and tell him to read Alice Munro’s “A Wilderness Station”—a terrific story about a mail-order bride. The Wurtz didn’t want Jack to assume that the subject matter of mail-order brides had prejudiced her against the annual senior-school play.

Abigail Cooke, the playwright, who’d been an unhappily married woman in the Northwest Territories, was certainly not among Canada’s better writers. (She was no Alice Munro.) That Abigail Cooke’s A Mail-Order Bride in the Northwest Territories was required reading in the senior school at St. Hilda’s was, in Miss Wurtz’s view, “an abomination”; that the play was performed every year was, in her well-enunciated words, “a theatrical travesty.” The play was published by a small, obscure press that specialized in scholastic books. (Miss Wurtz, with uncharacteristic vulgarity, once referred to the Canadian publisher as Beaver Penis Press; she immediately apologized to Jack for the word penis.) The play, Miss Wurtz assured Jack, was beneath his talents as an actor; it was nothing short of an invitation to humiliate himself before an audience of older girls.

Much to Jack’s relief, The Gray Ghost offered him her grain-of-salt perspective. It was a dreadful play, Mrs. McQuat agreed—“the fantasies of an amateur writer and certifiable hysteric.” In 1882, Abigail Cooke had murdered her allegedly abusive husband and then shot herself; her play, which was discovered in her attic, was published posthumously in the 1950s. There were those St. Hilda’s Old Girls, Mrs. Wicksteed among them, who thought of the author as a feminist ahead of her time.

Mrs. McQuat advised Jack that the only interesting role was the one he’d been offered—the mail-order bride. The Gray Ghost believed it was an opportunity for Jack to express himself “more freely,” by which Mrs. McQuat meant that Miss Wurtz would not be the director. In the senior school, the maven of the dramatic arts—and the only other male teacher at St. Hilda’s besides Mr. Malcolm—was the mercurial Mr. Ramsey. He was what in those days they called “a confirmed bachelor.” Only five feet, two inches tall, with a spade-shaped blond beard and long blond hair—like a child Viking—Mr. Ramsey was head and shoulders shorter than many of the girls in the senior school, and (in some cases) ten or fifteen pounds lighter. His voice was as high-pitched as a girl’s, and his enthusiasm on the girls’ behalf was both shrill and a model of constancy. Mr. Ramsey was an unrestrained advocate of young women, and the older girls at St. Hilda’s loved him.

In an all-boys’ environment, or even in a coeducational school, Mr. Ramsey would have been taunted and mistreated; that he was obviously a homosexual was of no concern at St. Hilda’s. If a student had been so crude as to call him a “fairy” or a “fag,” or any of the common pejoratives boys use to bully other boys, the senior-school girls would have beaten the culprit to a pulp—and rightly so.

Notwithstanding Mr. Ramsey’s embarrassing fondness for A Mail-Order Bride in the Northwest Territories, he was a refreshing presence for Jack—his first truly creative (as opposed to restraining) director.

“Is it the Jack Burns? We don’t deserve to be this lucky!” Mr. Ramsey cried, with open arms, at the first rehearsal. “Look at him!” Mr. Ramsey commanded the older girls, who had been looking at Jack for some time; they didn’t need Mr. Ramsey’s encouragement. “Is this not a child bride born to break our hearts? Is this not the precious innocence and flawless beauty that, in darker days, led so many a mail-order bride to her brutal fate?”

Jack was familiar with “fate”—he’d already played Tess. A Mail-Order Bride in the Northwest Territories was hardly a tale of the same literary magnitude; yet the heroine of the play was, as Mr. Ramsey correctly observed, a reliable heartbreaker for an audience of pubescent (and often hysterical) girls.

In the rugged Northwest Territories, where men are men and women are scarce, a pioneer community of fur trappers and ice fishermen sends a sizable amount of money, “for traveling expenses,” to a mail-order service called Brides Back East. The poor brides are chosen from among unadoptable orphans in Quebec; many of them don’t speak English. Some of the girls, at the time they set out for the Northwest Territories to meet their mail-order husbands, are prepubescent. The play is set in the 1860s; it’s a long, hard trip from Quebec to the Northwest Territories. It is presumed that most of the girls will be old enough for marriage, or more than old enough, by the time they arrive. Besides, the fur trappers and ice fishermen aren’t asking for older girls. The play’s principal fur trapper, Jack’s future husband, Mr. Halliday, says, in sending for his mail-order bride: “I want a wife on the younger side. You got that?”

In the play, four young girls make their way west in the company of a cruel chaperone, Madame Auber, who sells one of the girls to a blacksmith in Manitoba and another to a cattle rancher in Alberta. Both of these unfortunate brides speak only French. Madame Auber, though French herself, has nothing but contempt for them. Of the two girls who make it to the Northwest Territories, one, Sarah, a bilingual stutterer, loses her virginity to her mail-order husband on a dog sled; thereafter, she wanders off in the snow and freezes to death in a blizzard.

Jack plays the other one who makes it, Darlin’ Jenny, who successfully prays for the delay of her first period—her “menses,” as they are called throughout the play. She is aware that when she starts bleeding, she’ll be old enough to be Mr. Halliday’s bride—at least in Halliday’s crude opinion. Thus, aided only by prayer, Jenny wills herself not to start. It was this plot point that required Alice’s permission for her son to accept the role and necessitated Jack’s perplexing visit to the nurse’s office, where the school nurse, the young Miss Bell, informed him of “the facts of life”—but only the facts that pertained to girls, menstruation foremost among them.

Having seen his first two vaginas in a single day, Jack was not surprised to learn that such a complicated place of business was given to periodic bleeding, but imagine the consternation this caused him when he mistakenly thought that this was the long-awaited event Emma Oastler expected to find evidence of in his bedsheets. To Jack’s knowledge, his penis had not yet “squirted”; it alarmed him to imagine that Emma had meant he would squirt blood.

Jack’s confusion understandably upset the school nurse. Miss Bell had talked to many girls about their first periods; while she was awkward in discussing menstruation with a nine-year-old boy, she was at least prepared to do so. But the area of male nocturnal emissions was way off Miss Bell’s map. She was aghast that Jack could confuse a wet dream with menstrual bleeding, but she was at a loss to explain the difference to him. “In all probability, Jack, you won’t even know the first time you ejaculate in your sleep.”

“The first time I what?”

Miss Bell was young and earnest. Jack left the school nurse’s office knowing more than he needed to know about menstruation. As for the specter of his first wet dream, he was in terror. A nocturnal emission sounded like something one might encounter at the bat-cave exhibit in the Royal Ontario Museum. If, in all probability—as Miss Bell had said—Jack wouldn’t even know the first time he ejaculated in his sleep, this meant to the boy that he might bleed to death without ever waking up!

In the play, the most impressive hulk among the grade-thirteen girls, Virginia Jarvis, was cast as Jack’s mail-order husband, Mr. Halliday. Ginny Jarvis looked like a fur trapper. She was both big and womanly—in the manner of Emma Oastler and Charlotte Barford, but Ginny was older. She had a more developed mustache on her upper lip than Emma had, and Mrs. Oastler’s push-up bra could never have contained her. Prior to Jack’s first rehearsal, Emma informed him that Ginny Jarvis was one of the two grade-thirteen girls who knew everything about penises; the other one was Ginny’s best friend, Penny Hamilton, who was cast as the evil chaperone, Madame Auber. (Penny had lived for a time in Montreal and did a killer French accent, of the kind everyone in Toronto found very funny.)

As for the grade-twelve girl who, according to Emma, also knew everything about penises—the third boarder—that was Penny’s younger sister, Bonnie. Penny Hamilton was a good-looking girl, and she knew it. Bonnie Hamilton had been in an automobile accident; innumerable surgeries had failed to correct her limp. (It was worse than Lottie’s.) Something permanently twisted in her pelvis caused Bonnie Hamilton to lead with her left foot while dragging her right leg behind her, like a sack. Jack did not find her limp unattractive, but Bonnie did.

Bonnie Hamilton wasn’t in A Mail-Order Bride in the Northwest Territories; she refused to be in any plays, because of her limp. But Jack thought Bonnie was more beautiful than Penny. During rehearsals for A Mail-Order Bride in the Northwest Territories, he saw Bonnie only when she was sitting down. She was the prompter. In a folding metal chair, with the script open in her lap, Bonnie held a pencil ready to make note of the errors. Naturally, she didn’t limp when she was sitting down.

In the first rehearsal, when Ginny-Jarvis-as-Mr.-Halliday asked Jack-as-Darlin’-Jenny if she’d “started bleedin’ yet,” the sheer coarseness of the moment evoked an awkward, embarrassed silence from the rest of the cast. “I know, I know—it’s an unforgivable question, but that’s the point,” Mr. Ramsey said.

Jack answered in character; he already knew his lines. Bonnie Hamilton didn’t need to prompt him. “What do you mean?” Jenny screams at Halliday. “Why should I be bleedin’?” But Jenny knows exactly what Halliday means.

Halliday grows impatient. He can’t believe how long it’s taking for his child bride to become a woman. One evening, when Jack-as-Jenny is singing a nostalgic song on a porch swing, Ginny-as-Halliday assaults her. Clever girl that she is, Jenny has stolen Madame Auber’s pistol—a prop Mr. Ramsey borrowed from the Upper Canada College boys’ track team. It was a starting gun that fired blanks. At the end of Act Two, Jack-as-Jenny shoots Ginny-as-Halliday with the starting gun. He-as-she fires two very loud blanks into her-as-his chest, and Ginny Jarvis—a star on the St. Hilda’s field-hockey team—falls on the stage with an athletic thud.

Act Three is Jenny’s trial for Halliday’s murder. Her defense is that she was only a child when she was forced to marry the fur trapper, and that she is still a virgin. The “miracle”—namely, that Jenny hasn’t yet begun her menses—is disputed by the prosecution. Jenny refuses to be examined by the community’s only doctor, because he’s a man. The few women in the community—only two women are on the jury—are tolerant of her refusal. (They despise the male doctor.)

Jenny’s fate appears to be in the hands of a female physician who has been summoned from Yellowknife. But before the lady doctor arrives, Jenny is saved by another miracle of her own making—once again, the power of prayer. While testifying about shooting Mr. Halliday, Jenny suddenly stands, screams, and begins to bleed. A prop more creative than the UCC track team’s starting gun is employed for the bleeding. Jack wears a plastic bag filled with water and red food coloring under his dress. His wrists are bound together at his waist. When he stands, he clutches his lower abdomen as if in pain—bursting the bag of colored water, which soaks his dress and hands blood-red.

Darlin’ Jenny’s piercing scream indicates to the jury that this must be her first period. She has been telling the truth. She is innocent. Trial over! But Jack was able to practice bursting the plastic bag—at the time, filled with just water—only once before the first performance. He thought that more practice might have helped.

Meanwhile, backstage, after the dress rehearsal, Emma Oastler, Penny and Bonnie Hamilton, and Ginny Jarvis stealthily dressed Jack in a school uniform they had scrounged from one of the bigger grade-six girls—a short gray skirt and knee-highs. Since Jack already had makeup on—a little rouge, some stage lipstick, which showed redder than it was in the footlights—it was only necessary to adjust the wig he wore as Darlin’ Jenny. Flanked by Penny Hamilton and Emma, with Ginny Jarvis leading the way and Bonnie Hamilton (accompanied, as always, by her limp) taking a rearguard position, Jack-as-a-girl marched straightaway to the older girls’ residence. In the after-school hours, their entrance from the second floor of the junior school was unobserved.

The Hamilton sisters shared a room. Ginny Jarvis occupied the room across the hall from them. There were no locks on the residence doors, but the matron was not inclined to check on the girls until after supper—when they had to be accounted for and were supposed to be studying. Jack was invited to lie down on a bed. He must have looked anxious, because Emma bent over him and whispered in his ear: “Don’t worry, honey pie, I won’t let anyone touch you.” But Jack was in the presence of girls who were older than Emma; he was frightened.

“Which one of us do you like looking at the best, Jack?” Ginny Jarvis asked. By the indifferent way she raised the question, Ginny seemed resigned to the fact that she wouldn’t be the boy’s first choice. Penny Hamilton was staring at him with an intimidating self-confidence. Bonnie Hamilton wouldn’t look at him; she stood at some distance from the bed, her left foot forward.

“I think Bonnie is beautiful,” Jack said.

“You see?” Ginny asked the assembled girls. “There’s no predicting what turns on men or boys.” Jack could tell he’d made Penny angry by not choosing her, which under the circumstances made him more anxious than before. “Get closer to him, Bonnie,” Ginny directed. “Let him see more of you.”

Bonnie lurched forward, left foot first. Jack was afraid she was going to fall on him, but she dropped to her knees beside him—catching her balance with both hands on his chest. She still wouldn’t look at him. She knelt next to him, putting her hands on her thighs and staring at her lap; ever the prompter, it was as if she were waiting for someone to flub a line. Jack was suddenly shy about looking at her, because Bonnie wouldn’t look at him. He could feel Ginny Jarvis lift his skirt and pull down his underpants. At least he assumed it was Ginny—Penny Hamilton seemed too peeved with him to take an interest. No one touched him. “It’s little, all right,” Penny said, when Ginny had exposed him.

“We’ll see about that,” Ginny replied.

“What’s happening?” Jack asked Emma.

“Nothing, baby cakes. Don’t you worry.”

“Less than nothing,” Penny Hamilton said.

“He’s frightened. This isn’t right,” Bonnie Hamilton said. “He’s too young—he’s just a kid!” She leaned over Jack. When Bonnie looked at him, it was in the same way that she scrutinized the text in her capacity as prompter—as if his face were the only true map of the unfolding story and Bonnie Hamilton was the absolute authority on what he might be feeling.

Bonnie’s limp compelled Jack to look at her and imagine her accident. It was his first understanding that physical attraction, even sexual desire, was stimulated by more than the perfection of a body or the beauty of a face. He was drawn to Bonnie’s past, to everything traumatic that had happened to her before he met her. Her crippling accident drew Jack to her. This was worse than what Emma had correctly identified as his older-woman thing. He was attracted to how Bonnie had been damaged; that she’d been hurt made her more desirable. The thought was so troubling to Jack that he began to cry.

“I’ve had it with penises,” Ginny Jarvis was saying.

“Maybe it’s asleep or something,” Penny Hamilton suggested.

“Don’t let them frighten you, Jack,” Bonnie Hamilton said.

It surprised him that she was the one who looked stricken with fear, as if she were a prisoner in the passenger seat and saw the fast-approaching collision seconds before the driver could react to it. Bonnie pinched her lower lip with her teeth and stared at Jack as if she were transfixed—as if he were the upcoming accident and, even though she saw him coming, she couldn’t turn away. “What’s wrong?” he asked her. “What do you see?” Bonnie’s eyes welled up with tears.

“Don’t cry on the kid, Bonnie—you’re the one who’s frightening him,” Penny Hamilton said.

“Something’s working,” Ginny Jarvis observed. “Maybe it’s the crying.”

“Keep crying. See if I care,” Penny told her sister.

“If Jack is frightened, we should stop,” Emma said.

“I think Bonnie’s frightened,” Penny said with a laugh.

“If Bonnie is frightened, we should stop,” Jack said—not that he was aware of what they had started. Bonnie Hamilton looked terrified to him. He felt increasingly afraid of whatever was frightening her.

“This is a frightened little boy!” Bonnie Hamilton cried.

“I’m here, baby cakes,” Emma said. She leaned over Jack and kissed him on the mouth. He wouldn’t remember if she used her tongue; his fixation was with her upper lip. It must have been her mustache that made Jack hold his breath.

“Keep kissing him, Emma,” Ginny Jarvis said.

“Something’s definitely happening,” Penny Hamilton more closely observed.

It wasn’t that he couldn’t breathe; he’d simply stopped. He saw a multitude of streaming stars, the speckled glow of northern lights—the aurora borealis, that radiant emission beloved by all Canadians. “Better let him breathe, Emma,” he heard Bonnie Hamilton say.

“Whoa! Look out!” Ginny Jarvis cried. His ejaculation caught Penny Hamilton as she was taking a closer look—too close, as it turned out. (And to think that no one had touched him!)

“You got her smack between the eyes, honey pie,” Emma told him later. “I’m so proud of you! I felt responsible that you were afraid. Never again are those girls getting anywhere near you, Jack. I’m taking better care of you from now on.”

At the time, Bonnie Hamilton’s eyes were locked onto Jack’s; she couldn’t stop staring at the boy. “What do you see?” she asked him. “Jack, what is it?”

“You’re the most beautiful of all the girls,” he told her, still gasping for breath.

“He’s delirious—he doesn’t know what he’s saying,” Emma said cruelly, but Bonnie didn’t seem to hear her; she just went on looking at Jack. Her sister, Penny, was furiously wiping her forehead with a wad of tissues. Naturally, Jack asked to see the blood.

“The what, baby cakes?”

“He must think he’s Darlin’ Jenny!” Ginny Jarvis said. “Boys are truly sick.”

Emma Oastler took him by the hand. They left the older girls’ residence—traipsing through the junior school the way they’d come. They went to the theater, where Jack dressed in his own clothes backstage. He wanted to practice bursting the blood bag, but Mr. Ramsey had gone home for the day.

Jack and Emma found Peewee sleeping in the Town Car. They went to the house on the corner of Lowther and Spadina, because Lottie was spending most of her time at the hospital, where she said Mrs. Wicksteed was “at death’s door,” and Alice was either at the Chinaman’s or with Mrs. Oastler. Jack was touched that Emma had stood up for him, and that she’d promised to keep the older girls away from him, but for how much longer? Wasn’t he being sent to Maine for his fifth-grade year? (Who would keep the older boys away?)

Also troubling was Emma’s discovery that she, upon entering grade eleven, would become a boarder. Why? Jack wondered. Emma lived at home. She could walk to school! “My mom doesn’t want me around,” was all Emma would say. She was even more sullen than usual at the prospect of being a boarder.

They were in Jack’s bedroom, where Emma was examining the little guy. “No signs of wear and tear,” she said. “I don’t suppose you remember what you were thinking.” Jack could barely remember not breathing, but he was wondering—after his near-death ejaculation—if Mrs. Wicksteed would see that radiant emission of northern lights when she passed away. He was also struggling to articulate to Emma exactly what had attracted him to Bonnie Hamilton—not just the limp but her overall aura of damage, of having been hurt. Jack couldn’t quite express it, nor could he convey to Emma how Bonnie had looked at him—how he’d recognized that she was smitten, although Bonnie herself might not have known it.

Jack even tried to talk about it with The Gray Ghost—without letting on to her that he’d had a near-death ejaculation in the older girls’ residence, of course. “This was one of the older girls?” Mrs. McQuat asked. “And she looked at you how?”

“Like she couldn’t look away, like she couldn’t help herself,” he said.

“Tell me who this was, Jack.”

“Bonnie Hamilton.”

“She’s in grade twelve!”

“I told you she was older.”

“Jack, when an older girl looks at you like that, you just look away.”

“What if I can’t look away or help myself, either?”

“Mercy!” Mrs. McQuat exclaimed. Thinking she was changing the subject, she asked: “How’s it going with the mail-order-bride business?”

“The blood is the tricky part,” he said.

“There’s blood this year, actual blood?”

“It’s red food coloring with water—it’s just a prop.”

“A prop! I think I like blood better when I have to imagine it. Maybe I should have a word with Mr. Ramsey.” But if The Gray Ghost ever had a word with Mr. Ramsey, nothing of their conversation was reflected in the premiere performance of A Mail-Order Bride in the Northwest Territories. On Saturday night, the St. Hilda’s theater was packed. To Jack’s surprise, not only was The Wurtz in attendance, but The Gray Ghost sat in the front row beside her. Maybe Mrs. McQuat believed that her encouraging presence would serve to mitigate Miss Wurtz’s scathing condemnation of the play.

More surprising still, and also occupying front-row seats, Alice had come with Mrs. Oastler and Emma. (Lottie, Jack knew, was maintaining her vigil at Mrs. Wicksteed’s deathbed—otherwise Lottie would have been at the theater, too.) And most surprising of all, Peewee was there! He must have overheard Emma and Jack talking about the play in the backseat of the Town Car. A strikingly beautiful black woman was with him. Peewee had a wife or girlfriend! Whoever she was, Peewee’s date seemed stunningly overdressed among the divorced moms and dads who were the usual audience for a senior-school play at St. Hilda’s. Mrs. Peewee wore a flowery dress with a plunging neckline; from Jack’s backstage perspective, her hat resembled a stuffed parrot.

It was a most impressive audience, especially by the junior-school standards Jack was familiar with from Miss Wurtz’s dramatizations. But some of the cast suffered from stage fright. Penny-Hamilton-as-Madame-Auber, whose French accent was such a hit with Torontonians, had a fit getting into her evil-chaperone costume. (In retrospect, Jack would like to think that Penny was distracted from the task of dressing herself by her memory of his jism nailing her in the forehead.)

Sandra Stewart, a grade-nine girl who was small for her age, played Sarah, the bilingual stutterer—who ended up freezing to death after losing her virginity on a dog sled. Sandra threw up backstage, which prompted Mr. Ramsey to say: “It’s just butterflies.”

Ginny-Jarvis-as-Mr.-Halliday, sweating in her fur-trapper costume, said: “That looks like worse than butterflies.” (Naturally, Jack thought that Mr. Ramsey and Ginny were referring to the contents of Sandra’s vomit.)

For the first two acts of the play, Jack kept stealing looks at Bonnie Hamilton, whose eyes not once met his. Jack caught only a few backstage glimpses of the audience. Peewee seemed to be enjoying himself. Mrs. Peewee had removed the stuffed parrot from her head. The Wurtz spent much of the evening scowling and muttering to Mrs. McQuat. The Gray Ghost was in character, unreadable most of the time. Mrs. Oastler looked bored—she had no doubt seen better theater in her sophisticated life. Emma fidgeted in her seat; she’d been to most of the rehearsals and was interested only in what would happen with the blood.

When Jack-as-Darlin’-Jenny shot Ginny-as-Halliday twice with the starting gun, Peewee jumped to his feet and pumped both fists in the air. (Miss Wurtz, knowing the shots were coming, had covered her ears.) Alice, who hadn’t read the play and had only the dimmest idea of its heavy-handed subject, looked growingly appalled. When the gun went off, she flinched as if she’d been shot.

The curtain fell at the end of Act Two; the houselights came up and revealed more of the audience. But from backstage, Jack’s attention lingered on the first row. Peewee was still excited about the shooting. Emma was chewing gum. Miss Wurtz appeared to be delivering a lengthy critique of the play, and no doubt the entire subject of menstruation, to a taciturn Mrs. McQuat. Alice and Mrs. Oastler were holding hands.

Why were they holding hands? Jack wondered. He knew that this was fairly common among Dutch women and other Europeans, but he’d not seen any Canadian women holding hands—some of the girls at St. Hilda’s excluded. Young women or girls occasionally held hands, but not women the age of Alice and Leslie Oastler. Furthermore, Emma’s mom had kicked off her shoes. With one bare foot, smaller than Emma’s, she was stroking Alice’s bare calf. Jack looked uncomprehendingly upon this curious behavior. He had not yet made the leap, which Emma would make before him, regarding why his mother and Mrs. Oastler wanted to live alone in such a big house; that Emma and Jack were a “bad combination” was only part of the reason.

Mr. Ramsey interrupted Jack’s scrutiny of the audience from backstage—it was time for him to tie the blood bag around the boy’s waist, and for Jack to put his trial dress on. Maybe Jack was supposed to resemble Joan of Arc, although (despite getting his first period onstage) he would fare better than poor Joan. The dress was a sackcloth sheath, as beige as a potato. The blood, Mr. Ramsey assured him, would be most vivid against such a neutral background. The clamminess of the plastic bag, which flopped against Jack’s bare abdomen, was at first disconcerting under the dress. While it wasn’t a very big bag, Mr. Ramsey worried that it might make Jack-as-Jenny look pregnant. Mr. Ramsey loosened the knot at the top of the bag to release any excess air. This may have precipitated the slow leak, which Jack didn’t notice until he sat down in the witness box to give his testimony. He thought he was sweating. But the trickle down one leg was blood, or water with red food coloring—not sweat. Given Jack’s near-death ejaculation, he first feared that his penis was bleeding. When he realized that the bag of colored water was leaking, he wondered if there would be sufficient blood left in the bag for the all-important bursting scene.

After the performance, Mr. Ramsey would praise what he called Jack’s “preparation” for the standing, screaming, bleeding extravaganza—the way the boy squirmed in the witness chair as if, unbeknownst to him, his first period was already starting. But it was!

Jenny faltered in her testimony, a hesitation Mr. Ramsey later termed “brilliant”—but one that caused the faithful prompter, Bonnie Hamilton, to look up from her lap and regard Jack-as-Jenny with the utmost concern. (Jack could read his as-yet-unspoken lines on her lips.) He could see that the audience was growing anxious; he hoped that no one in the audience could see the trickle of blood. But Peewee saw it. The poor man was not a regular theatergoer; he’d come out of fondness for Jack. Peewee knew nothing of props—the gun had taken him totally by surprise. And now he saw that Jack was bleeding—the strain of the moment, or something hemorrhoidal, or a stab wound inflicted by one of the older girls backstage? Jack was only a couple of lines away from his big moment when Peewee rose from his seat and pointed at the boy. “Jack, you are bleeding, mon!” he cried.

It was everything The Wurtz feared—it was improv. Jack spontaneously decided to edit his remaining testimony, which made Bonnie Hamilton gasp. But he was already bleeding. Wasn’t the blood, and his reaction to it, his best witness? Jack jumped to his feet and struck the leaking bag of colored water with both fists. The bag had lost more blood than he’d realized; it was not full enough to burst easily. Darlin’ Jenny struck herself in the lower abdomen again and again. The last time, she hit herself a little too hard; Jack-as-Jenny doubled over at the force of the blow. The bag burst with the sound of a tendon snapping, the blood exploding under the potato-colored dress.

“Jack, you are making it worse, mon!” Peewee cried.

But Jack was at that moment in his performance when his audience of one took over completely. He screamed and screamed. He raised his bound wrists above his head, his hands dripping blood; the blood dripped on his face. What was meant to represent a first and long-withheld period suddenly looked like a terminal hemorrhage. Someone on the jury (one of the two women) was supposed to say that this clearly had to be Jenny’s first experience with menstruation, but Jack-as-Jenny didn’t hear the line. The audience couldn’t have heard it, either. Even Bonnie, the prompter, had stopped prompting. Jack was wailing like a banshee.

He was being sent away, to Maine! He had managed to ejaculate not only because he was drawn to Bonnie Hamilton’s pain, but also because of his enduring infatuation with Emma Oastler’s mustache—and holding his breath while kissing Emma had almost killed him! Mrs. Wicksteed lay dying. Lottie was taking the boat back to Prince Edward Island. Jack’s world was changing, once again. He couldn’t stop screaming. Jack-as-Jenny bled enough for a young woman having her first five periods!

Miss Wurtz had on her enraptured face an expression of stunned enlightenment; in her literary snobbery, she’d underestimated both Jack’s improvisational powers and the theatrical potential of A Mail-Order Bride in the Northwest Territories. The entire cast was frozen. Backstage, Sandra Stewart vomited again. (Ginny Jarvis, now the murdered Mr. Halliday, said this was all Jack’s doing.)

Emma had stopped chewing her gum with her mouth open. Even Mrs. Oastler seemed impressed by all the blood and screaming. Mrs. Peewee was clutching her hat as if she were strangling the parrot. Jack barely noticed that Peewee had rushed onstage to attend to him. He just went on screaming and bleeding. Jack was only distracted from his audience of one when he looked at his mother.

It had not been an easy time for Alice lately. She had recently caught Jack under the covers trying to sneak a look at the scar from her C-section. In the semidarkness of her bedroom, Jack couldn’t see it. He explained that he was curious as to whether she had a bikini cut, like Leslie Oastler, or if her incision had been the vertical kind.

“It’s private, Jack—it’s not your business!” his mom cried. But why had she been so upset about it?

In the front row at the St. Hilda’s theater, maybe Alice was remembering that awkward moment—or the passing of Mrs. Wicksteed, or losing Lottie. (Or the future—moving in with Mrs. Oastler, among other things.)

Even as he went on screaming and bleeding onstage, Jack realized that his mom, like Peewee, was not much of a theatergoer. She may have thought she’d seen him “act” before, but this was nothing she’d been prepared for. Her mouth was as open as Emma’s, her hands were fists pressed against her temples, her knees were clamped as tightly together as if she were the one who was hemorrhaging. And because Jack was screaming, he couldn’t hear her crying. He saw the tears flow down her cheeks. She cried and cried, without restraint; she was hysterical. Jack saw Leslie Oastler trying to comfort her. Emma had stopped looking at Jack and was staring at Alice instead.

“I’m all right,” Jack said to Peewee, who had picked him up and was shouting for a doctor. “It’s a play, Peewee!”

“Mon, you have bled enough for both of us!” Peewee said; but Jack was transfixed by his mother.

“Oh, Jackie, Jackie!” she was crying. “I’m sorry, Jack—I’m so sorry!”

“I’m okay, Mom,” he tried to tell her, but she didn’t hear him. There was now the applause to contend with—it had swelled to a standing ovation. (Even The Wurtz was applauding.) The entire cast was onstage with Peewee and Jack. It was time for their bows, but Peewee wouldn’t put Jack down.

“It’s just water with red food coloring, Peewee,” Jack whispered in the big man’s ear. “It was a prop. I’m not bleeding.”

“Shit, mon,” Peewee said, “what am I supposed to do with you then?”

“Try bowing,” the boy told him. Still holding Jack-as-Jenny in his arms, Peewee bowed.

On Monday, Mr. Ramsey would inquire if he could ask Peewee to be there for the remaining performances, but it was not an experience Peewee wanted to repeat. (Years later, Peewee told Jack that he never got over it.)

Jack saw that The Gray Ghost had magically materialized at his mother’s side. Faithful combat nurse that she was, Mrs. McQuat was doing her best to calm Alice down, but not even The Gray Ghost was effective. Alice’s sobs were lost in the uproar, but Jack could still see her stricken face. He could read her lips—his name, over and over again, and she kept repeating that she was sorry.

Jack had meant to ask her if they were to become Mrs. Oastler’s rent-free boarders—and, on the subject of “free,” had his mom given Emma’s mom a free tattoo? But seeing his mom so dissolved by his performance as Darlin’ Jenny, Jack knew better than to ask. Without fully understanding his mother’s relationship with Leslie Oastler, he guessed that nothing in this world (nothing that mattered) was ever free.

Despite the applause, Jack would have begun to scream again—had not the curtain come down and he found himself backstage, still in Peewee’s arms. Peewee had only momentarily viewed the falling curtain as another unscripted calamity. Once the sea of girls had surrounded them, Peewee calmed himself and congratulated Jack on his performance. He finally put the boy down.

“Jack Burns!” Mr. Ramsey was calling. “Every mail-order bride in the world is in your debt!” Jack saw that Mr. Ramsey had a camera; he was taking a picture of Jack-as-Jenny.

“You can shoot me anytime, Jack,” Ginny Jarvis said too loudly in his ear.

Penny Hamilton, who overheard her—and whose unfortunate forehead had been in the way of his near-death ejaculation—said: “Yeah, Jack, the odds are that you’re not shooting blanks.”

“What?”

“Leave him alone,” Emma Oastler said. She’d managed to make her way backstage and had thrown a protective arm around him.

Also backstage was the haunted face that would stalk Jack’s future. Bonnie Hamilton was looking at him from a distance, as if her heart couldn’t bear coming any closer. She had stopped prompting, but he could still read her trembling lips.

“You see?” Jack whispered in Emma’s ear. “You see how Bonnie’s looking at me—that’s what I mean.”

But in the clamor of the moment, Emma didn’t hear him—or else she was too preoccupied, fending off the older girls. “You know what, baby cakes?” Emma was saying. “It might not be the world’s worst idea that you’re going to an all-boys’ school in Maine.”

“Why?”

There was his makeup to remove, and the stage lipstick—not to mention all the blood. The director, Mr. Ramsey, the child Viking, could not stop bouncing on the balls of his feet. “Just when I was beginning to think that Abigail Cooke might be a pinch dated,” he was saying to Miss Wurtz, who’d come (with tears in her eyes) to offer her congratulations.

Emma’s old friends Wendy Holton and Charlotte Barford had come backstage to join them. “If I ever had a period like that, I think I’d die,” Wendy told Jack. Charlotte Barford kept eyeing him as if he were a neglected hors d’oeuvre.

Somehow, despite his considerable size—not to mention his last-minute contribution to the production—Peewee had managed to slip away. In the happy chaos following the successful opening night, Jack allowed his mother’s visible distress to drift to the back of his mind. But if he ever had a conscience at St. Hilda’s, her name was Mrs. McQuat. Not to be outdone by Jack’s success, The Gray Ghost staged a characteristic sudden appearance that took the boy’s breath away. If he’d had any blood left in him, he would have started bleeding afresh. If his throat weren’t raw from screaming, he would have screamed again—only louder.

Jack was going home with Emma. “Our first sleepover, honey pie!” Emma had declared. She’d left the backstage area to go find her mom, who was waiting with Alice. Jack was, albeit briefly, still backstage but miraculously alone. Even his beloved prompter had slipped away, her limp for once unnoticed.

That was when The Gray Ghost appeared at his side—her cold hands taking Jack by both wrists, exactly where they’d been bound together. “Good show, Jack,” Mrs. McQuat breathed on him. “But you have work to do. I don’t mean … onstage,” she whispered.

“What work?” he asked.

“Look after your mother, Jack. You’ll blame yourself … if you don’t.”

“Oh.” (Look after her how? he wanted to ask. Look after her why?) But The Gray Ghost, who was almost always in character, had disappeared.

As he would discover again, later in his life, Jack found that it can be a dark and lonely place backstage—after the audience and the rest of the cast have gone. In no way was Jack Burns a mail-order bride, but that pivotal and blood-soaked performance in Mr. Ramsey’s histrionic production had launched him.

14. Mrs. Machado

Boys, as a rule, did not attend their class reunions at St. Hilda’s. You can’t really have a class reunion if you don’t graduate, and the St. Hilda’s boys left the school at the end of grade four—without ceremony.

Lucinda Fleming was a tireless organizer of her class reunions at St. Hilda’s—Jack’s graduating class, had he been a girl. Maureen Yap, whose married name would remain a mystery, attended the reunions regularly—even in her nonreunion years. The Booth twins were regulars as well; they were always together. But Lucinda’s Christmas letters never mentioned the twins’ identical blanket-sucking sounds. (Jack would wonder if the Booths still made them.)

Caroline French was a no-show at the reunions. If Caroline still thumped her heels on occasion, she was doing it alone. Her adversarial twin, Gordon, was killed in a boating accident—not long after he left St. Hilda’s, when Jack was still in school elsewhere. As Jack would discover, it’s remarkable how you can miss people you barely knew—even those people you never especially liked.

Jack’s last day of school, in the spring of 1975, was marked by the unusual occasion of both Emma Oastler and Mrs. McQuat accompanying him to the Lincoln Town Car, which Peewee had dutifully parked with the motor running at the Rosseter Road entrance. It had been Mrs. Wicksteed’s dying wish that Peewee continue to be Jack’s driver for the duration of the boy’s time at St. Hilda’s.

Emma and Jack slipped into the backseat of the Town Car as if their lives were not about to change. Peewee was in tears. His life was about to change—actually, upon Mrs. Wicksteed’s death, and Lottie’s abrupt departure for Prince Edward Island, it already had. The Gray Ghost leaned in the open window, her cool hand brushing Jack’s cheek like a touch of winter in the burgeoning spring. “You may … write to me, Jack,” Mrs. McQuat said. “In fact, I … recommend that you do so.”

“Yes, Mrs. McQuat,” the boy said. Peewee was still sobbing when the Town Car pulled away.

“You better write to me, too, baby cakes,” Emma was saying.

“You just watch your ass, mon,” Peewee blubbered. “You better grow eyes in the back of your head, just to keep watching your ass!”

Jack sat in the backseat, not talking—much as he had on the way to and from Mrs. Wicksteed’s funeral. All the while, his mother kept saying that the summer ahead would be “no vacation.” She said she was dedicating herself to the task of getting Jack ready to go away to school. “You have to learn how to deal with boys, Jack.”

Alice, whose estimation of her son’s lack of athletic prowess was exaggerated but largely true, sought the services of four men she had tattooed to instruct Jack in the manly art of self-defense. What form of self-defense he chose was up to him, his mom said.

Three of the tattooed men were Russians—one from Ukraine and two from Belarus. They were wrestlers. The fourth man was a Thai kickboxer, an ex-champion—the former Mr. Bangkok, whose fighting name was Krung. Mr. Bangkok and the wrestler from Ukraine—his name was Shevchenko, but Alice called him “Chenko”—were both older men, and bald. Krung had chevron-shaped blades tattooed on both cheeks, and Chenko had a snarling wolf tattooed on his bald pate. (When Chenko bowed to an opponent, there was the unfriendly wolf.)

“A Ukrainian tattoo, I guess,” Alice told Jack, with evident distaste. Krung’s facial blades were “a Thai thing,” Alice said. Both men had broken hearts tattooed on their chests. Daughter Alice’s work—no one had to tell Jack that.

The grungy old gym on Bathurst Street was marginally more frequented by kickboxers than by wrestlers. Blacks and Asians were the principal clientele, but there were a few Portuguese and Italians. The two boys from Belarus were young taxi drivers who’d been born in Minsk—“Minskies,” Chenko called them. Boris Ginkevich and Pavel Markevich were sparsely tattooed, but they were serious wrestlers and Chenko was their coach and trainer.

Boris and Pavel had tattoos where some wrestlers like them—high on the back between the shoulder blades, so that they are visible above a wrestler’s singlet. Boris had the Chinese character for luck, which Jack recognized as one of his mom’s newer tattoos. Pavel had a tattoo of a surgical instrument (a tenaculum) between his shoulder blades—a slender, sharp-pointed hook with a handle. As Pavel explained to Jack, a tenaculum was mainly used for grasping and holding arteries.

The walls of the old gym were brightened by some of Daughter Alice’s and the Chinaman’s flash—one of the few places in Toronto where the Chinaman’s tattoo parlor was advertised. Even the weight-training mirrors were outlined with Alice’s broken hearts, and her Man’s Ruin was on display in the men’s locker room, but the gym’s decor was dominated by Chinese characters and symbols. Jack recognized the character for longevity, and the five bats signifying the so-called five fortunes. And there was the Chinaman’s signature scepter, the short sword symbolizing “everything as you wish.”

Jack had told his mom that it was his favorite of the Chinaman’s tattoos—she said, “Forget about it.” The boy also liked the finger-shaped citron known as Buddha’s Hand, which either Alice or the Chinaman had tattooed on Krung’s thigh.

In the old gym, too, there were the Chinese characters for deer and the lucky number six—and the peony symbol, and a Chinese vase, and the carp leaping over the dragon’s gate. The so-called dragon’s gate is a waterfall, and the carp leaps upstream, over the waterfall; by so doing, it becomes a dragon. This was a full-back tattoo—it took days, sometimes weeks. Alice said that some people with full-back tattoos felt cold, but Tattoo Ole had argued with her on this point. Ole claimed that only people with full-body tattoos felt cold, and not all of them did. (According to Alice, most full-bodies felt cold.)

There was also a moon goddess in the Bathurst Street gym, and the so-called queen mother of the west—in Taoist legend, she has the power to confer immortality. And the Chinese character for double happiness, which Alice refused to tattoo on anyone; it was synonymous with marriage, which she no longer believed in.

The old gym itself had once been a rug store. The large display windows, which faced the Bathurst Street sidewalk, attracted the more curious of passersby. In the neighborhood, the former Mr. Bangkok’s kickboxing classes were famous. Krung, despite the chevrons emblazoned on his cheeks and the Buddha’s Hand on one thigh, was a popular teacher. There were kickboxing classes for all levels. Jack was enrolled in a beginner class, of course; given the boy’s age and size, his only feasible sparring partners were women.

His mother had put him in Mr. Bangkok’s able hands (more to the point, his able feet) so that Jack might learn to defend himself from bullies, which boys of a certain age—especially in an all-boys’ school—are reputed to be. But Jack once more found himself in a situation where his most dangerous adversaries were older women. When the boy asked a Jamaican lady with a big bottom if she was acquainted with his friend Peewee, she said: “You keep your peewee to yourself, mon.” Jack was relieved that she was too big to be his sparring partner.

He was paired instead with a Portuguese woman in her forties, Mrs. Machado, who informed him that her grown children had moved away, leaving her unprotected from the random assaults of her ex-husband. According to Mrs. Machado, she was forced to keep changing the locks on her apartment. Her ex-husband still held her accountable for her wifely duties, even though she was no longer his wife. Because he repeatedly returned to her apartment, either to force sex upon her or beat her up, Mrs. Machado was learning to fight.

For not dissimilar motives, the women in Krung’s beginner class were particularly interested in mastering the high-groin kick. (In Jack’s case, this meant that Mrs. Machado kicked him in the area of his chest and throat.) In the opinion of the former Mr. Bangkok, the high-groin kick was “impure”; yet Jack and the women in Krung’s beginner class had reasons beyond the purity of kickboxing for mastering a high-groin maneuver. If he was going to be bullied by older boys, Jack was not opposed to learning a high-groin kick.

Mrs. Machado was a challenging sparring partner. A short, heavyset woman with coarse, glossy black hair and pendulous, low-slung breasts, she blocked most of the boy’s kicks with her ample thighs, or by turning sideways to him and receiving his kicks with her wide hips. And as short as she was, Jack was shorter. He was four feet, eight inches tall and weighed seventy-five pounds. Mrs. Machado was five feet two and weighed one-fifty. She could kick a lot harder than he could.

“You’d be better off wrestling her,” Chenko advised Jack. “You just don’t want to end up underneath her.”

Chenko respected Krung and the more skilled kickboxers in the gym, but he had contempt for the women in Krung’s beginner class—Mrs. Machado included. She was a hard kicker, but she wasn’t very agile. In Chenko’s opinion, Mrs. Machado could never defend herself from her ex-husband by kicking him. She would have to cripple him with the first kick; if she missed her mark, the fight would be over. Chenko thought that Mrs. Machado would be better off learning to wrestle.

As for Jack’s eventual self-defense, Chenko believed that the boy would have scant success defending himself—either kickboxing or wrestling—until he grew a few more inches and put on another fifty or seventy-five pounds. “I don’t see that your mom is getting her money’s worth yet,” Chenko told Jack—this was when Jack and Mrs. Machado had been kicking each other for about a week.

But wasn’t it Mrs. Oastler’s money? (She was getting her money’s worth, Jack suspected.) Leslie Oastler would drive him to the gym on Bathurst Street before his mother was out of bed in the morning. Jack was there all day. He kickboxed with Mrs. Machado, he hopped on one foot for five minutes at a time, he stretched and stretched—the objective being to kick consistently above your height at shoulder level without losing your balance.

Jack rolled out the mats with Chenko, and disinfected them, and wiped them dry. He brought clean towels, fresh water bottles, and oranges cut into quarters to the kickboxers and the wrestlers. When the Minskies came in the midafternoon, Jack sat at matside with Chenko and watched Boris and Pavel pummel each other. They were both about Mrs. Machado’s weight, but lean—two very tough taxi drivers in their late twenties or early thirties. Chenko had the worst cauliflower ears, but Boris and Pavel had similar no-necks with little more than scar tissue for eyebrows, and the Minskies’ ears were unmatched lumps of dough—barely more recognizable (as ears) than Chenko’s.

The wrestling Jack learned was rudimentary—much of it defensive. A Russian arm-tie and front headlock, a three-quarter nelson and a cross-face cradle. On top, Boris had a mean cross-body ride; from the feet, Pavel had a good duck-under, a better arm-drag, and an outstanding ankle-pick. Chenko was a high-crotch man, but Boris and Pavel preferred an outside single-leg. Chenko liked the lateral drop, but only if your opponent was close to your height. There was no one Jack’s height in the Bathurst Street gym. In wrestling, he had no actual opponent—he just drilled the moves repeatedly with Chenko, Pavel, and Boris.

Occasionally, after Mrs. Machado had landed her best high-groin kicks in the area of Jack’s chest and throat—especially when she’d knocked his wind out—he could persuade her to “roll around” with him on the wrestling mat. She was the wrong height for the lateral drop, but Jack could ankle-pick her all day, which Mrs. Machado found frustrating—and when he managed to get her down on the mat, he could keep her down with a cross-body ride. She couldn’t get away from him.

To be fair, Chenko taught Mrs. Machado a snap-down; when she snapped Jack down on all fours, he couldn’t get away from her. (She would just lie on the boy with her seventy-five-pound weight advantage, breathing heavily.) “Ha!” she would cry, when she got him down—the exact same exclamation Mrs. Machado favored when she landed her best high-groin kicks.

If Jack was making any progress in defending himself, he had no accurate means of testing it. At the end of the day, Emma would relentlessly attack him—on the living-room couch or rug, or in her bedroom or one of the guest bedrooms, two of which Jack and his mom occupied for the summer. Now seventeen, Emma was both taller and heavier than Mrs. Machado. Emma could destroy Jack. Nothing he had learned worked with her, which was a sizable blow to his confidence.

In mid-June, Mrs. Oastler sent Emma to what she described as a weight-management program in California. “The fat farm,” Emma called it. Jack never thought of Emma as fat, but Mrs. Oastler did. Emma’s self-esteem may have been further undermined by Alice’s slim and attractive appearance, although Alice was by no means as small as Leslie Oastler.

It was a two-week weight-loss program—poor Emma—during which time Mrs. Machado was hired to give Jack dinner and be his babysitter until his mom and Mrs. Oastler came home (usually long after Mrs. Machado had put the boy to bed). Thus Jack’s kickboxing sparring partner and occasional wrestling opponent became his nanny—Lottie’s unlikely replacement.

At his appointed bedtime, Mrs. Machado and Jack would spar a little—no full contact, “no finishing the moves,” as Chenko would have said—and Mrs. Machado would put him to bed with the door to the guest-wing hall open, and the light at the far end of the corridor left on. Before he fell asleep, Jack often heard her talking on the telephone. She spoke in Portuguese—he assumed to one or another of her grown children, who had moved “away.” They must have been living somewhere in Toronto; given the length of these conversations, they were surely local calls. Not infrequently, the calls ended with Mrs. Machado in tears.

Jack would fall asleep to the sound of her crying, while she padded barefoot through the beautiful rooms in the downstairs of the Oastler mansion—her feet occasionally squeaking on the hardwood floors as she pivoted sharply on the ball of one foot while raising her kicking foot above shoulder level. At such times, Jack knew that Mrs. Machado was kicking the shit out of her imagined ex-husband—or some other assailant. After all, he was familiar with the exercise—including the sound of the footwork.

On one of the first warm nights of the summer, near the end of June, Mrs. Machado was crying and pivoting and kickboxing loudly enough for Jack to hear her over the ceiling fan. (The Oastler mansion was air-conditioned, but not the guest wing—Jack and his mom had ceiling fans.) For the warm weather, Alice had bought Jack several pairs of what she called “summer pajamas”—namely, his first boxer shorts. They were a little big for him.

The boy got out of bed in a checkered pair of boxers that hung to his knees. Fittingly, the checks were gray and maroon—the familiar St. Hilda’s colors. He followed the light to the far end of the guest-wing hall, and went downstairs to offer what comfort he could to Mrs. Machado. Jack could see her in the front hall, circling the grandfather clock as if the clock were her opponent. When she balanced on her left foot, he was impressed by the perfect, bent-knee position of her kicking leg; her elevated foot was held at a right angle to her ankle, like the flared head of a cobra.

Jack should have said something, or at least cleared his throat, but Mrs. Machado was concentrating so fiercely that he was afraid he might startle her if he spoke. She was also breathing too hard to hear the boy’s descending footsteps on the stairs—her breaths catching on short, choked-back sobs. Tears bathed her face, she was sweating, her black tank top had become untucked from her powder-blue gym shorts, and her heavy, low-slung breasts swayed as she rocked back and forth on her left foot, which Krung called “the pivot foot”—her strenuously maintained point of balance.

Mrs. Machado must have seen Jack’s partial reflection in the glass door of the grandfather clock—a half-naked man, her height or a little taller, sneaking up on her from behind. Jack was still two or three steps upstairs from the front hall when she saw him, which is why Mrs. Machado misjudged his height. (And maybe it was just like her ex-husband to take off most of his clothes before he attacked her.) The sharp squeak of her pivot foot froze Jack on the stairs. Her high-groin kick would have made Mr. Bangkok proud—notwithstanding Krung’s purist disapproval of such kicks. Because Jack was standing on the stairs, Mrs. Machado’s aim was a little lower than he expected; her full-contact kick caught him in the balls. “Ha!” she cried.

Jack crumpled like a pair of boxer shorts with no one inside them. He lay curled in a fetal position in the front hall. His testicles, which he imagined were suddenly the size of grapefruits, felt as if they had risen to the back of his throat. “Oh! Oh! Oh!” Mrs. Machado was crying, still hopping on one foot.

Jack wanted to die, or at least throw up, but neither option for relief was forthcoming. “I am coming queeckly to the rescue with ice, lots of ice!” Mrs. Machado was calling from the kitchen.

She then helped him to his feet and half carried him up the stairs; a plastic bag full of ice cubes dangled from her mouth. “Jack, Jack—my poor dahleen Jack!” Mrs. Machado managed to say through her clenched teeth.

She spread a bath towel on his bed and made him take off his boxers. Having shown the little guy to Emma and her friends, Jack was more anxious about the ice than he was embarrassed. However, Mrs. Machado seemed agitated by how small his penis was. Maybe she’d had daughters. (Or if she’d had sons, perhaps it was long ago when they’d been little boys; maybe Mrs. Machado had forgotten the ridiculous size of their balls and penises.) “Ees eet smaller?” she asked in alarm.

“Smaller than what?”

“Smaller than eet was before I keecked you!”

Jack quickly took a look himself, but everything appeared to be the same. His balls ached, his penis throbbed, and the little guy might have been shrinking at the thought of the ice, which Mrs. Machado packed around Jack’s balls and penis as he lay on his back on the towel. “It’s cold. It hurts more,” he told her.

“Eet will hurt more for just a few meenutes, Jack.”

“Oh. How long do you ice it?”

“Feefteen meenutes.”

That seemed long enough to freeze a penis, Jack was thinking. “Have you ever iced a penis before?” he asked Mrs. Machado.

“Not thees way,” she answered.

His penis was so cold that Jack started to cry. Mrs. Machado lay down beside him and rocked him in her arms. She sang a Portuguese song. In ten minutes, Jack was still shivering, but his teeth had stopped chattering. To make the boy warmer, Mrs. Machado stretched out on top of him; her breasts felt like a sofa cushion wedged between them. “I can feel the ice, too, you know,” Mrs. Machado told him, after a minute or two. “Eet’s not so bad.” The pain had subsided; his balls were numb and he couldn’t feel his penis at all.

After fifteen minutes, Mrs. Machado removed the bag of ice. Jack was afraid to look at himself in case he had disappeared. He listened to Mrs. Machado pouring the ice water and the remaining cubes into the bathroom sink. She came back to the bed and sat beside him. “Eet’s very red,” she observed.

“I have no feeling. I think it died,” Jack told her.

She gently patted the little guy with the towel. “I theenk eet will come back to life,” Mrs. Machado said, holding the towel against his penis. Jack could feel the heat of her hand through the towel. She sat in profile to him. Her coarse, glossy black hair was pulled back from her face in an unruly ponytail—her “fighting hairdo,” Mrs. Machado called it. Jack could see that the skin under her chin and on her throat was loose and sagging, and her breasts drooped to her thick waist. She had never been pretty. But when you’re ten years old and a woman is holding your penis, nothing else matters.

“Ha!” Mrs. Machado said, removing the towel. “Meester Penis has come back to life with beeg plans!” The little guy was unused to being treated with such respect. (Mister Penis was more familiar with expressions of disappointment—even disparagement and reproach.) Clearly flattered by Mrs. Machado’s attention, the little guy had more than recovered from the high-groin kick; Jack’s penis rose to the occasion with the stiffening determination of a war hero. “My goodness, Meester Penis!” Mrs. Machado exclaimed. “Are you just showing off, or ees there something you want?”

Of course there is always something penises want—not that Jack, at age ten, could articulate exactly what his penis wanted. But Mrs. Machado must have been a mind reader. “What ees Meester Penis theenking?” she asked the little guy.

“I don’t know, Mrs. Machado,” Jack answered truthfully.

When the back of his hand brushed her hip, the contact was incidental—but it was no accident that Mrs. Machado pressed her hip against him, pinning Jack’s hand to his side. She reached behind her head and undid her ponytail in one quick motion, her hair hiding her face as she leaned over his penis. The little guy could feel her breath. “I theenk I know what Meester Penis wants,” Mrs. Machado said.

Jack felt the weight of her breasts on his stomach as she slid his penis into her mouth. Looking back, Jack would concede that Mister Penis had been a bit reckless ever since. The corresponding movement of Jack’s hips was involuntary, but his excitement wasn’t entirely pleasurable. (The boy was afraid that Mrs. Machado might swallow him!) “What’s happening?” he asked her.

Perhaps Chenko had been wrong to assume that Mrs. Machado wasn’t very agile, because she shifted her weight and changed her position so suddenly that Jack was unable to respond with any movement of his own. Surely Mrs. Machado was not a magician, but Jack didn’t see her take off her tank top or her bra—and how she managed to remove her powder-blue gym shorts and her panties would remain a mystery to him. He got only a glimpse of the huge hairy place between her legs—that is, huge in comparison to his earlier sightings of Mrs. Oastler’s and Emma’s places of business. And if his mother’s tattoo of a Rose of Jericho was artistically consistent—that is, the flower within the rose was always the same—Jack realized (at the moment Mrs. Machado mounted him) how the real thing was remarkably different in each case. On the irrefutable evidence of these formative examples, it would be Jack Burns’s unfortunate fate to believe that every vagina was unique.

When Mrs. Machado straddled him, holding his hips between her thighs, he asked again but more urgently: “What’s happening?” Jack would have been more frightened (when she guided the little guy inside her) had he not been so familiar with those intricate folds of the flower hidden in a Rose of Jericho. At least he knew where he was going. The boy’s remaining fear was that all of him would somehow slip inside Mrs. Machado—he felt that small.

His hips still suffered the involuntary urge to move, but he couldn’t move with Mrs. Machado’s weight on him. A rivulet of sweat ran between her breasts, which surrounded his face. “What ees happening, my dahleen Jack, ees that Meester Penis ees going to cry.”

“Cry how?” he managed to ask, although his voice was muffled between her breasts.

“Tears of joy, leetle one,” Mrs. Machado said.

Jack was familiar with the expression, but its application to his penis was alarming. “I don’t want Mister Penis to cry,” he said.

“Eet ees happening any meenute, dahleen. Don’t be afraid—eet won’t hurt.”

But Jack was afraid. (Hadn’t Chenko warned him about ending up underneath her?) “I’m scared, Mrs. Machado!” he cried.

“Eet’s almost feeneeshed, Jack.”

He felt something leave him. If he had tried to describe the feeling to The Gray Ghost, she would have told him that he’d lost his soul. Something momentous had departed, but its departure went almost unnoticed—like childhood. Jack would imagine, for years, that this was the moment he turned his back on God—without meaning to. Maybe God had slipped away when Jack wasn’t looking.

“What was that?” he asked Mrs. Machado, who had stopped grinding against him.

“Tears of joy. Eet’s your first time, I theenk.”

Not his first time, in fact. (The first time, Jack’s tears of joy had hit Penny Hamilton in the forehead.) “It’s my second time,” the boy told Mrs. Machado. “But the first time I forgot to breathe. This time was better.”

“Ha!” Mrs. Machado cried. “You can’t keed me, dahleen.”

He didn’t try to persuade her. When a hundred-and-fifty-pound woman is sitting on you, and you weigh only seventy-five pounds, you don’t argue. Besides, Jack was fascinated to watch Mrs. Machado dress herself. She did such a leisurely job of it, especially when you consider how quickly she had undressed. Mrs. Machado continued to sit on him while she put on her bra and tank top; finally she had to get off him when she put on her panties and the powder-blue gym shorts.

There was a wet spot on the bed, which Mrs. Machado wiped away with the towel. She put the towel in the laundry hamper and filled the bathtub only half full, instructing Jack to wash himself—Mister Penis in particular. Jack was aware of a strong, unfamiliar smell, which went away in the bath. What was strange about the smell was that he couldn’t decide if he liked it.

The wet spot was still damp when Jack got back in bed, but Mrs. Machado had fetched a pair of clean boxers, which she told him to put on. He lay down—not on the wet spot, but near enough to it that he could touch it with his hand. The spot was cold, and Jack felt a chill—as if he were kneeling on the stone floor of the chapel with his back turned to God, or maybe one of those women attending to Jesus in the stained glass above the altar had slipped into bed with him.

He knew that the stained-glass woman was a saint, because she was invisible. Mrs. Machado couldn’t see her, but Jack could feel the coldness coming off her unseen body, which was as hard as the stone floor of the chapel and as forbidden to touch as the stained glass above the altar, where she had come from.

“Don’t go,” he whispered to Mrs. Machado.

“Eet’s time to sleep, my dahleen.”

“Please don’t go!” the boy begged her.

Jack was somehow sure that the stained-glass saint was waiting for Mrs. Machado to leave. He didn’t know what plans the saint had for him. He touched the cold, damp spot in the bed again, but he didn’t dare reach beyond it, not knowing what he might feel.

“Tomorrow we’ll wrestle like crazy,” Mrs. Machado was saying. “No more keecking, just wrestling!”

“I’m afraid,” Jack told her.

“Does eet hurt, dahleen?”

“Does what hurt?”

“Meester Penis.”

“No, but it feels different,” he said.

“Eet ees different! Meester Penis has a secret.”

“What secret?”

“What happened to Meester Penis is our secret, dahleen.”

“Oh.”

Had he agreed to share Mrs. Machado’s secret? He felt the saint slip away, or maybe it was Jack himself who slipped away. Had the saint turned back into stained glass? (Or was it Jack’s childhood he felt slip away?)

“Boa noite,” Mrs. Machado whispered in Portuguese.

“What?”

“Good night, leetle one.”

“Good night, Mrs. Machado.”

From the bedroom doorway, she was backlit by the light at the far end of the guest-wing hall. Seeing her squat, thick silhouette made Jack remember Chenko’s observation of Mrs. Machado’s stance as a wrestler—namely, that she stood like a bear on its hind legs, as if Mrs. Machado might have felt more at home on all fours.

From the hall, as if to remind him of their secret, Mrs. Machado whispered one more time: “Boa noite, Meester Penis.”

Jack didn’t sleep well; he had dreams, of course. Was he worried that the stained-glass saint would slip back into his bed while he slept—or more worried that she had turned her back on him, as he feared he had turned his back on God?

Jack was aware that his mother and Mrs. Oastler had come home, not because he woke up when his mom came into his bedroom and kissed him—at least his mom said she came into his room and kissed him, every night—but because the lights in the hall had changed. No longer was there a light on at the far end of the corridor, but the door to his mother’s room was ajar and the light from her bathroom glowed dimly in the hall. The light in Jack’s bathroom was also on, and it cast a thin, bright line of light under the door.

Jack was aware of his wet dream, too, because the cold, damp area of his bed had dried—but near it was a wetter spot, still warm, where the little guy had shed a few more tears of joy. Maybe he’d been dreaming about Mrs. Machado. He wondered if he would tell Emma about his wet dream, which Emma had anticipated for so long. (Jack Burns wondered if he would ever tell anyone about Mrs. Machado.)

He got out of bed and crossed the hall to his mother’s room, but his mom wasn’t there; her bed wasn’t even turned down. Jack went looking for his mother in the dark mansion. Mrs. Machado must have gone home, because the downstairs lights were off. The boy wandered from the guest wing into the hallway that led past Emma’s empty bedroom. There was a flickering light; it came from under Leslie Oastler’s bedroom door.

Maybe Mrs. Oastler and his mom were watching television, Jack was thinking. He knocked on the door, but they didn’t hear him. Or maybe he forgot to knock and just opened the door. The TV was off—it was a candle on the night table that was flickering.

He thought at first that Mrs. Oastler was dead. Her body was arched as if her spine were broken, and her head was hanging off the side of the bed so that her face was turned toward Jack—but her face was upside down. The boy could tell that she didn’t see him. She was naked and her eyes were wide and staring, as if the dim light from the hall had made Jack invisible—or else he was the one who was dead and Mrs. Oastler was looking right through him. Maybe he’d died during his wet dream, Jack imagined. (It would not have surprised him to learn that the experience with Mrs. Machado had killed him—not just the high-groin kick, but all the rest of it.)

Alice sat up suddenly and covered her breasts with both hands. She was naked, too, but Jack had not seen her in the bed until she moved. She sat bolt-upright with Leslie Oastler’s legs wrapped around her. Mrs. Oastler hadn’t moved, but Jack saw that her eyes had regained their focus; he was greatly relieved that she saw him.

“I didn’t die, but I had a dream,” Jack told them.

“Go back to your room, Jack—I’ll be right there,” his mom told him.

Alice was looking for her nightgown, which she found tangled in the sheets at the foot of the bed. Leslie Oastler just lay there naked, staring at Jack. In the candlelight, the rose-red, rose-pink petals of her Rose of Jericho looked like two shades of black—black and blacker.

Jack was in the hall, going back to his room, when he heard Mrs. Oastler say: “You shouldn’t still be sleeping in the same bed with him, Alice—he’s too old.”

“I only do it when he’s had a bad dream,” Alice told her.

“You do it whenever Jack wants to do it,” Mrs. Oastler said.

“I’m sorry, Leslie,” Jack heard his mother say.

The boy lay in his bed, not knowing quite what he should do or say about the wet spot. Maybe nothing. But when his mother got into bed with him, it didn’t take her long to discover it. “Oh, it was that kind of dream,” she said, as if this hardly counted as a nightmare.

“It’s not blood, it’s not pee,” the boy elaborated.

“Of course it isn’t, Jack—it’s semen.”

Jack was thoroughly confused. (He failed to see how a wet dream could have anything to do with sailors!) “I didn’t mean to do it,” he explained. “I don’t even remember doing it.”

“It’s not your fault, Jackie—a boy’s wet dreams just happen.”

“Oh.”

He wanted her to hold him; he wanted to snuggle against her, the way he used to snuggle against her after bad dreams when he was smaller. But when he tried to get closer to her, he unintentionally touched her breasts and she pushed him away. “I think you’re too old to be in bed with me,” she said.

“I’m not too old!” Jack told her. How could he go from being not old enough to being too old in such a hurry? He felt like crying, but he didn’t. His mom must have sensed it.

“Don’t cry, Jack—you’re almost too old to cry,” she said. “When you go away to school, you can’t cry. If you cry, the boys will tease you.”

“Why am I going away to school?” he asked her.

“It’s better for everyone,” his mother said. “Under the circumstances, it’s just better.”

“What circumstances?”

“It’s just better,” she repeated.

“It’s not better for me!” Jack cried. She put her arms around him and let him snuggle against her. It was the way he used to fall asleep when he was four and they were in Europe.

Jack should have told his mom about Mrs. Machado. (If he’d told his mother about Mrs. Machado, maybe Alice would have realized that he was still not old enough—that there was nothing too old about him.) But Jack didn’t tell her. He fell asleep in her arms, like the old days—or almost like the old days. Something about her smell was different; his mother’s face had a funny odor. Jack realized it was the same strong smell he had noticed in his bath. Maybe the odor had come from Mrs. Machado. As before, it was strange not knowing if he liked the smell. Even in his sleep, the smell persisted.

How long had Leslie Oastler been there in Jack’s bedroom with them, just sitting on Alice’s side of the bed? When Jack woke up and saw her, he didn’t know at first that it was Mrs. Oastler. Jack thought it was the stained-glass saint. She’d come back to claim him! (Maybe that was how a woman saint took possession of you, by taking all her clothes off first.)

Leslie Oastler was naked, and she was rubbing Alice on that spot between her shoulder blades where Boris had a tattoo of the Chinese character for luck and Pavel had a tattoo of a tenaculum.

Jack must have woken up only a split second before his mom did. “You should put some clothes on, Leslie,” Alice was saying.

“I had a dream,” Mrs. Oastler replied. “A bad one.”

“Go back to your room, Leslie—I’ll be right there,” Alice said. Jack watched Mrs. Oastler leave his room; she was awfully proud of her body, the boy thought. His mother kissed him on the forehead. There was that smell again; he shut his eyes, still trying to decide if he liked it. His mom kissed him on his eyelids. It was a hard smell to like; nevertheless, he thought he liked it.

“I’m sorry, Jack,” his mom said. He kept his eyes closed and listened to her bare feet padding down the hall after Leslie Oastler.

He couldn’t wait for Emma to get back from the fat farm in California. Surely Emma would help him understand these new and troubling “circumstances”—to use his mother’s word for her relationship with Mrs. Oastler.

With Mrs. Machado as his regular workout partner, Jack’s wrestling noticeably improved—although not as noticeably as hers. She was a feisty competitor—even Chenko was impressed—and she was twice his weight, an advantage he couldn’t overcome. Jack still managed to hold her down with a cross-body ride, but he had trouble taking her down in the first place; she controlled their tie-ups on the feet, to the degree that he couldn’t ankle-pick her anymore. An arm-drag to an outside single-leg was the only offensive takedown he occasionally got on her, and Mrs. Machado was impossible to pin unless he caught her in a cross-face cradle. She was just too strong for him, especially in the area of hand control. But Jack knew he was getting better.

Mrs. Machado knew it, too, and she encouraged him. Two thirds of the points they scored were hers, but she was the one who needed to rest. He wasn’t the one who got tired.

Wrestling was a weight-class sport, Chenko kept reminding him. If or when he ever got the opportunity to wrestle a kid his own size, both Boris and Pavel agreed that Jack would pound him. But there was no one Jack’s size in his life, at least not for the remainder of that summer.

When Emma came home from the fat farm, she’d lost ten pounds—but neither her disposition nor her eating habits had improved. “They just fucking starved me,” was how she put it.

Emma still outweighed Mrs. Machado, whom Emma briefly replaced as Jack’s nanny. Emma was in Toronto less than a week before she had to leave for her father’s cottage in Georgian Bay for all of July. Still, in the few nights they were alone together, Jack could have told Emma about Mrs. Machado. He didn’t. It was upsetting enough that he told her about her mom and his, about discovering them in bed together. What upset Jack most was that Emma was unsurprised. “Well, I’ve seen them do everything but lick each other,” she said with disgust. “It’s no wonder they’re sending you to fucking Maine and making me a goddamn boarder!”

“Lick what?”

“Forget it, Jack. They’re lovers, okay? They like each other in the way girls usually like boys, and vice versa.”

“Oh.”

“I don’t care what they’re doing!” Emma cried. “What pisses me off, baby cakes, is that they won’t talk to us about it. They’re just getting rid of us instead!”

Jack decided that he had a right to be pissed off about the issue of not talking about it, too. It seemed a further injustice that there were photographs of Emma and Jack, often together, all over the Oastler house. Surely these pictures were evidence that they were a family, that Emma and Jack belonged there—yet they were being sent away!

And if Jack’s mother wouldn’t talk to him about her lover, why should he tell his mom about Mrs. Machado? It was Emma he should have talked to about Mrs. Machado—that is, sooner than he did. But before Jack knew it, it was July. Emma was off in Georgian Bay, and Mrs. Machado was once again his sparring-partner nanny.

15. Friends for Life

If what Mrs. Machado did to Jack qualified as “abuse,” why didn’t he feel abused at the time? It wouldn’t be long before Jack had other relationships that he knew were sexual; the things he did and the things that were done to him only then registered as experiences he’d previously had with Mrs. Machado. But at the time it was happening, he had no frame of reference to understand how inappropriate she was with him.

She sometimes physically hurt him, but never intentionally. And he was repulsed by her, but many times—on occasion, simultaneously to being repulsed—Jack was also attracted to her. He was often frightened, too. Or at least Jack didn’t understand what she was doing to him, and why—or what she wanted him to do to her, and how he was supposed to do it.

One thing was certain: she cared for him. He felt it at the time; no later reconstruction of his pliable memory could convince Jack that she didn’t, in her heart, adore him. In fact, however confusingly, Mrs. Machado made him feel loved—at a time when his mother was sending him to Maine!

Interestingly, it was only when Jack asked Mrs. Machado about her children that she was ever short-tempered with him. He presumed that they had simply grown up—that this was why they’d moved “away”—but it was a sore point with her.

It was Mrs. Machado’s fondest hope, or so she said, that Mister Penis would never be taken advantage of. But by whom? By willful girls and venal women?

Jack was an adult when he saw his first psychiatrist, who told him that many women who sexually molest children believe that they are protecting them—that what the rest of us might call abuse is for these women a form of mothering. (“Too weird,” as a girl Jack hadn’t yet met would say.)

What he noticed most of all, at the time, was that he changed overnight from someone who could keep nothing from his mother to someone who was determined to keep everything from her. Even more than he submitted to having sex with Mrs. Machado, he absolutely embraced the secrecy of it—most of all, the idea of keeping Mrs. Machado a secret from his mom.

Alice was so involved with Leslie Oastler, which was a parallel pursuit to Alice distancing herself from Jack, that the boy could have kept anything a secret from her. That Mrs. Machado was obsessed with doing the laundry—not only Jack’s sheets and towels and underwear, and his workout clothes, but also Alice’s and Mrs. Oastler’s laundry—was nothing Alice or Leslie appeared to notice. (If he’d gotten Mrs. Machado pregnant—if he actually could have—it’s doubtful that Alice or Mrs. Oastler would have noticed that!)

When Emma came home from Georgian Bay in August—with her body all tanned, and the dark hair on her arms bleached blond by the sun—Emma noticed that something had changed in him, and not only because her mom and Jack’s were lovers. “What’s wrong with you, baby cakes?” Emma asked. “What’s with all the wrestling? Anyone would think you were fucking Mrs. Machado!”

In retrospect, Jack would wonder why Chenko—or Boris, or Pavel—didn’t suspect something. They certainly observed that many of the women in Krung’s kickboxing classes were inordinately interested in watching him wrestle with Mrs. Machado. And after Emma returned from Georgian Bay, she once again became Jack’s nighttime nanny. Surely Chenko and Boris and Pavel were aware that he regularly left the gym in Mrs. Machado’s company—for an hour or two almost every day, in either the late morning or the early afternoon.

“Thees ees a growing boy, and eet’s August in the ceety! He needs to breathe some fresh air!” Mrs. Machado announced.

They went to her apartment, which was within walking distance on St. Clair—a dirty, dark-brown building, in which Mrs. Machado barely maintained a sparsely furnished walk-up on the third floor. There was a partial view of the ravine that ran behind Sir Winston Churchill Park and the St. Clair reservoir, and in the building’s small courtyard, where the grass had died, were an unused jungle gym and swing set and slide—as if all the children in Mrs. Machado’s apartment building had grown up and moved “away,” and no more children had been born to replace them.

The air was no fresher in Mrs. Machado’s small apartment than in the Bathurst Street gym, and Jack was struck by the absence of family photographs. Well, it was no surprise that pictures of Mrs. Machado’s ex-husband were absent—because he was alleged to assault her periodically. Why would she want a picture of him? But of her two children there were only two photographs—she had one photo of each boy. In the photographs, they were both about Jack’s age, although Mrs. Machado said they were born four years apart and they were “all grown up now.” (She wouldn’t tell Jack their present ages—as if the numbers themselves were unlucky, or she was simply too upset to acknowledge that they were no longer children.)

It was a one-bedroom apartment, to be kind, with only a chest of drawers and a queen-size mattress on the floor of the bedroom. There was a combination kitchen and dining room, with no living room—and not even a hutch or sideboard for dishes. There was little evidence of kitchenware, which suggested to Jack that Mrs. Machado, if she ate at all, ate out. As to how she might have fed her family, when she’d had a family, he had no clue; there wasn’t even a dining-room table, or chairs, and there was only one stool at the strikingly uncluttered kitchen counter.

It looked less like an apartment where Mrs. Machado’s children had grown up than a place where Mrs. Machado had just recently moved in. But they came there only for the purpose of having sex, and to have a quick shower. Jack didn’t think to ask her where her children had slept. Or why she still called herself Mrs. Machado, or why the nameplate by the buzzer in the foyer of the building said M. Machado—as if the Mrs. were, or had permanently become, her first name. (Given her ex-husband’s reported hostility, why was she still a Mrs. at all?)

It was these trysts in her apartment, in the less-than-fresh air of August, that finally took their toll on Jack—not the wrestling. He was tired all the time. Chenko was concerned that he had lost five pounds—his mother’s response was that Jack should drink more milk—and his wet dreams, which had started that summer, suddenly stopped. (How could he have wet dreams when he was getting laid almost every day?)

Jack had other dreams instead—bad ones, as Leslie Oastler might have said. Moreover, he had taken it to heart when his mom told him he was too old to be in bed with her. He knew he wasn’t welcome to crawl into bed with his mother and Mrs. Oastler, and if he could—albeit only occasionally—persuade his mom to get into his bed with him, she wouldn’t stay long. Jack knew that Leslie would come and take her away.

Their “family dinners,” which Emma spoke of with mounting scorn, were an exercise in awkwardness. Alice couldn’t cook, Mrs. Oastler didn’t like to eat, and Emma had put back on the weight she’d lost in California.

“What did you expect would happen to me in Georgian Bay?” Emma asked her mom. “Does anyone lose weight eating barbecue?” For dinner, they usually went to a Thai place or ordered takeout. As Emma put it: “In my mind, it always comes down to Thai or pizza.”

“For God’s sake, Emma,” Mrs. Oastler would say. “Just have a salad.”

It was over one such gastronomical event—takeout pizza and salad—that Alice and Leslie discussed the dilemma of delivering Jack to his new school in Maine. It seemed he had no certain means of getting there, nor was it an easy place to get to. The boy would fly to Boston and take a smaller plane to Portland; from Portland, one had to rent a car and drive, and Alice wasn’t a driver. Mrs. Oastler could drive, but she was ill disposed to go to Maine.

“If Redding were on the coast, I’d consider it,” Leslie said. But Redding, which was the name of the town and the all-boys’ school, was in southwestern Maine—inland Maine, not coastal Maine. (There was, Jack would learn, a difference.)

“For Christ’s sake, I’ve got my driver’s license—I can take him,” Emma said. But Emma, at seventeen, was too young to be permitted to rent a car in Portland—and even Emma agreed that Redding was far too long a drive from Toronto.

Emma was reading a Maine road map in lieu of eating her salad. “Redding is north of Welchville,” she said. “It’s south of Rumford, east of Bethel, west of Livermore Falls. God, it really is nowhere!”

“We could hire Peewee to go with him and be the driver,” Mrs. Oastler proposed.

“Peewee is a Canadian citizen, but he was born in Jamaica,” Alice pointed out. (Were the Americans touchy about foreign-born Canadians seeking entry into the United States?)

“Boris and Pavel could drive me,” Jack suggested. “They’re taxi drivers.” They were also wrestlers, he was thinking. He knew he would be safe with them. But Boris and Pavel were not yet Canadian citizens; they had only recently applied for refugee status.

Chenko couldn’t drive a car, and Krung, who drove wildly, was a scary-looking Thai with chevron-shaped blades tattooed on his cheeks. Given that the war in Vietnam had ended only a few years before, Leslie Oastler and Alice didn’t think that U.S. Customs would look welcomingly upon Mr. Bangkok.

“Maybe Mrs. McQuat would take me,” Jack suggested. His mother stiffened as if she’d been slapped.

“One shouldn’t bother teachers in the summer,” Mrs. Oastler said—mysteriously, it seemed to Jack. He sensed that his mom had other reasons for not considering The Gray Ghost; maybe Mrs. McQuat had made clear her disapproval of his mother’s plans to send Jack away.

Miss Wurtz, Jack knew, spent part of her summer in Edmonton—not that he relished the prospect of The Wurtz delivering him to Redding. (The very journey itself would be dramatized, of that he had little doubt.)

“What about Mrs. Machado?” Alice asked. Only Emma noticed that this caused Jack to lose his appetite.

“I doubt she can drive,” Leslie Oastler said dismissively. “That woman is so stupid—she can’t put the laundry back in the right drawers.”

“Don’t you like the pizza, honey pie?”

“Jack, please finish your milk—even if you’re full. You have to stop losing weight,” Alice said.

“If you don’t want the rest of that pizza, I’ll eat it,” Emma said.

“What about that little faggot, your drama teacher?” Mrs. Oastler asked Jack. “What’s his name?”

“Mr. Ramsey,” Emma answered. “He’s nice—he’s a good guy! Don’t call him a faggot.”

“He is one, dear,” Emma’s mom told her. “I’m sure he’s entirely safe,” Leslie said to Alice. “If he’d so much as touched a boy at St. Hilda’s, someone would have blown the whistle on him.”

“What about not bothering teachers in the summer?” Jack asked.

“Mr. Ramsey wouldn’t mind,” Mrs. Oastler said. “He obviously worships the ground you walk on, Jack.”

“Well, I don’t know—” Alice began.

“You don’t know what, Alice?” Leslie Oastler asked.

“It’s just that he is a homosexual,” Alice replied.

“It’s not guys who are inclined to mess around with Jack,” Emma observed.

“I like Mr. Ramsey—he would be fine,” Jack said.

“If he can see over the steering wheel, baby cakes.”

“I guess it wouldn’t do any harm to ask him,” Alice said. “Maybe Mr. Ramsey wants a tattoo.”

“He’s a teacher, Alice—he makes no money,” Leslie told her. “Mr. Ramsey doesn’t need a free tattoo; he needs money.”

“Well—” Alice said.

When Alice and Mrs. Oastler went out to a movie, Emma was left to do the dishes and put Jack to bed. Emma ate the remaining pizza off everyone’s plate. Jack understood why she was hungry—she hadn’t touched her salad.

“Put on some music, honey pie.”

Emma liked to sing when she was eating. She did her best Bob Dylan imitation with her mouth full. Jack put on the album called Another Side of Bob Dylan—loud, the way Emma liked it—and went upstairs to get ready for bed. Even with the water running in the bathroom sink, when he was brushing his teeth, he could hear Emma singing along with “Motorpsycho Nightmare.” It must have put him in a mood.

When Jack undressed, he had a look at his penis, which was a little red and sore-looking. He thought of putting some moisturizer on it, but he was afraid the moisturizer would sting. He put on a clean pair of “summer pajamas”—his boxer shorts—and lay in bed waiting for Emma to come kiss him good night.

Jack was thinking that he missed saying prayers with Lottie. The only prayer he sometimes said by himself was the one he used to say with his mom, who had stopped saying prayers with him—another feature of his being too old, apparently. Besides, that familiar Scottish prayer seemed inappropriate—given his new life with Mrs. Machado. “The day Thou gavest, Lord, is ended. Thank You for it.” (Most nights, Jack didn’t feel like thanking anyone for the day he’d had.)

As for Lottie, she’d sent the boy a postcard from Prince Edward Island; from the look of the fir trees, the gray rocks, the dark-blue ocean, you wouldn’t know that anything was wrong.

“No, no, no, it ain’t me, babe,” Emma was singing. “It ain’t me you’re lookin’ for, babe.”

Jack was obsessing about Mr. Ramsey taking him to Maine, which also put him in a mood. He was feeling sorry for himself, which is fertile territory for bad dreams. The Bob Dylan album was still playing when he fell asleep. He imagined that his mother and Mrs. Oastler had returned from the movie before Emma had come upstairs to kiss him good night. He was lying there wondering if his mom or Emma would kiss him good night first, but of course it was a dream—he was only dreaming that he was lying in bed, awake.

Bob Dylan was still wailing away, or he was wailing away in Jack’s dream. “Perhaps it’s the color of the sun cut flat/An’ cov’rin’ the crossroads I’m standing at,” Emma sang along with Bob. “Or maybe it’s the weather or something like that,/But mama, you been on my mind.” (There was an understatement!)

Someone came into Jack’s bedroom. He opened his eyes to see if it was Emma or his mother, but it was Leslie Oastler and she was naked. She pulled back the covers and got into bed with him. Given how small she was, there was more room in the bed for her than there ever had been for Mrs. Machado—and Mrs. Oastler smelled better. She made a sound in the back of her throat, a kind of growl—as if she were feral, or as if she might bite. Her long, painted nails scratched Jack’s chest; her nails skittered over his stomach. Her small, fast hand shot inside his boxers. One of her nails nicked his penis; she just happened to scratch him on a spot where the little guy was sore. Jack must have flinched.

“What’s wrong—you don’t like me?” Leslie whispered in his ear. Her small hand closed around his penis. He was paralyzed in Mrs. Oastler’s clinging embrace.

“No, I like you—it’s just that my penis hurts,” Jack tried to say, but the words wouldn’t come. (In dreams, he was always tongue-tied—he could never speak.)

Jack could feel the little guy getting bigger in Leslie’s hand. Mrs. Oastler’s hand is no bigger than my own! he was thinking, while the music played. “It don’t even matter to me where you’re wakin’ up tomorrow,” Emma was singing, “but mama, you’re just on my mind.”

“Where Mister Penis is going, it won’t hurt anymore,” Mrs. Oastler whispered in Jack’s ear.

But how did Leslie know about Mister Penis? the boy wondered—and how did she know his penis hurt, when he couldn’t even talk? “What did you say?” Jack tried to ask her, but he couldn’t hear his own words—only Mrs. Oastler, repeating herself.

Her voice had changed. It was definitely Leslie Oastler’s hard, thin body that was grinding against Jack’s, but her voice was Mrs. Machado’s voice—or a perfect imitation. “Where Meester Penis ees going, eet won’t hurt anymore.” (Jack was surprised she didn’t call him “dahleen.”)

“Please don’t. My penis really hurts. Please stop,” Jack kept trying to say. But if he couldn’t hear himself, how could Mrs. Oastler hear him? (He knew it was pointless to think that his mother might hear him, or that she would come save him if she did.)

If Bob Dylan ever stopped singing, maybe Emma would hear him and come to his rescue, Jack was thinking. He couldn’t hear the music anymore, but this didn’t necessarily mean that Bob had shut up. The way Leslie Oastler was breathing in his ear, Jack couldn’t have heard Bob Dylan if Bob had been singing his brains out in the bedroom.

“You’re forgetting to breathe again, baby cakes,” Jack distinctly heard Emma say. He’d thought it was Mrs. Oastler who was kissing him, but it was Emma! “You can keep kissing me, but you gotta breathe, too.”

“I was dreaming,” he told her.

“You’re telling me! You were pulling your pecker off, honey pie—I’m not surprised it hurts.”

“Oh.”

“Better show me the little guy, Jack,” Emma said. “Let’s see what’s the matter.”

“Nothing’s the matter,” he told her. (He was ashamed to let her see the damage.)

“Jack, it’s me, for Christ’s sake. I’m not going to hurt you.” Both the bathroom light and the lamp on the night table were on. Emma took a good look at Mister Penis. “It’s kind of sore-looking—it’s all chafed!” she said.

“It’s what?”

“Jesus, Jack, you’ve rubbed yourself raw! You gotta leave it alone for a night or two. When did this start?”

“I haven’t been rubbing it,” he told her.

“Don’t bullshit me, baby cakes. You’ve been whacking off so much that the little guy looks positively abused!”

“What’s ‘whacking off’?”

“You clearly know what it is, Jack. You’ve been masturbating.”

“What?”

“You’ve been giving yourself a hand job, Jack!”

“I didn’t do it to myself,” he said.

“Jack, you were doing it to yourself in your dream!” That was when Jack started to cry. He wanted Emma to believe him, but he didn’t know how to tell her. “Don’t cry, honey pie. We’ll make it all better.”

“How?”

“We’ll put some moisturizer on it or something. Don’t worry, Jack. This is what boys do—they beat off. I was wrong to think you were too young to be doing it.”

“I’m not doing it!” Jack insisted. He had to shout because she’d gone across the hall into his mother’s bathroom. She came back with some moisturizer. “Will it sting?” he asked her.

“Not this kind—only the kind with stuff in it stings.”

“What stuff?”

“Chemicals,” Emma said. “Perfume, unnatural shit, other stuff.” She was rubbing the lotion on his penis; it didn’t hurt, but he couldn’t stop crying. “You gotta get hold of yourself, honey pie. Beating off is no big deal.”

“I’m not beating off. It’s Mrs. Machado,” he told her.

Emma let go of the little guy in a hurry. “Mrs. Machado is touching you, Jack?”

“She does lots of things,” Jack said. “She puts Mister Penis inside her.”

“Mister Penis?”

“Mrs. Machado says Meester,” he told Emma.

“She puts you inside her where, baby cakes? In her mouth?” Emma asked, before he could answer her.

“In her mouth, too,” he said.

“Jack, what Mrs. Machado is doing is a crime!”

“A what?”

“It’s wrong, honey pie. I don’t mean you—you haven’t done anything wrong. But she has.”

“Please don’t tell my mom,” the boy said.

Emma put her arms around Jack and hugged him. “Honey pie,” she whispered, “we have to stop Mrs. Machado from doing this. We have to stop her.”

“You can stop her,” Jack suggested. “I bet you could stop her.”

“Yes, I bet I could,” Emma said darkly.

“Don’t go!” he begged her. He held her as tightly as he could. He knew she could hold him much tighter, but Emma went on holding him as before. She rubbed his back, between his shoulders, and she kissed his eyelids, which were still wet from crying, and she kissed his ears.

“I’ve got you, baby cakes. You just go to sleep, Jack. I’m not going anywhere.”

He fell into one of those dreamless sleeps, so deep he almost didn’t wake up for the argument. “He had a nightmare, for Christ’s sake,” Jack heard Emma saying. “I was just holding him until he went to sleep. I fell asleep, too. What do you think I was doing? Fucking him with all my clothes on?”

“You shouldn’t be in bed with Jack, Emma,” Mrs. Oastler was saying. “You were under the covers, not to put too fine a point on it.”

“I think it’s all right. I think Jack is fine,” Alice was saying.

“Oh, you think he’s fine. Well, I’m so fucking relieved to hear that!” Emma shouted.

“Don’t you use that tone of voice with Alice, Emma,” Mrs. Oastler said.

“Jack, are you awake?” Emma asked.

“I guess so,” he said.

“You have any bad dreams, you just let me know,” Emma told him. “You know where to find me.”

“Thank you!” Jack called after her as she was leaving.

“Emma—” Mrs. Oastler started to say.

“Let her go, Leslie,” Alice said. “I can tell that nothing happened.”

“Are you sure you’re okay, Jack?” Leslie asked.

“Sure I’m sure. I’m okay,” he told her. Jack looked at his mom as if she were his audience of one, although he knew that she wasn’t. “Nothing at all has happened,” he told her. Miss Wurtz would have approved of the boy’s enunciation. To Jack’s surprise, the lie was as simple to say as any line he’d ever delivered; for the first time, lying to his mother was actually easy to do.

Jack could hear Mrs. Oastler going down the hall. He heard the door to Emma’s room slam shut long before Leslie got there. He knew that his mom and Mrs. Oastler had made Emma madder than they made him, which was pretty mad—all things considered.

Jack smiled when his mother kissed him good night. He knew which of his smiles his mom liked best, and he gave it to her. He was tired and upset, but somehow he knew he would have a good night’s sleep. Mrs. Machado would meet her match in Emma Oastler—of that Jack had no doubt.

The following morning, Emma woke Jack before her mom was up. (Jack’s mother was never up in the morning; Mrs. Oastler always drove him to the Bathurst Street gym.) The boy usually got up and fixed himself a bowl of cereal or a piece of toast, and he drank a glass of milk and a glass of orange juice—by which time Leslie had come downstairs and made herself some coffee.

Mrs. Oastler was friendly to Jack in the mornings, but she wasn’t talkative. She smoothed the boy’s hair or patted the back of his neck with her hand, and she made him a sandwich for his lunch, which also included an apple and some cookies—especially if Leslie wanted to keep the cookies away from Emma.

But on this mid-August morning, Jack woke up with the ceiling fan going full speed. He saw Emma stuffing a pair of her shorts and socks and a T-shirt into his gym bag, where he carried his wrestling gear. “We’re getting to the gym early today, baby cakes. I’m your new workout partner, from now on. But I want to go over some moves with Wolf-Head before we start.”

“With Chenko?” Jack asked her.

“Yeah, with Wolf-Head,” Emma said.

“But why do we have to be early?” he asked.

“Because I’m a big girl, honey pie. Big girls gotta warm up.”

“Oh.”

There was already a note on the kitchen table when they padded downstairs in their bare feet—they were trying to be as quiet as they could. Emma must have written the note the night before. (“I’m taking Jack to the gym,” or a message to that effect.)

Emma and Jack walked to Forest Hill Village and had breakfast in a coffee shop on Spadina. He had a scone with raisins in it, and his usual glass of milk and glass of orange juice. Emma just had coffee, and a big bite of Jack’s scone.

They cut over to St. Clair and he pointed out the dirty, dark-brown apartment building where Mrs. Machado lived. He was a little afraid of how purposefully Emma kept walking; it wasn’t like her to not say anything. She seemed so angry that Jack thought he should tell her a nice story about Mrs. Machado—something sympathetic. To his shame, he basically liked Mrs. Machado. (He would recognize only later that this was part of the problem.)

“Mrs. Machado has to keep changing the locks on her apartment door, because her ex-husband keeps breaking in,” Jack told Emma.

“Did you see the new locks?” Emma asked.

Now that Jack thought about it, he hadn’t. “I can’t remember seeing any,” he said.

“Maybe there aren’t any new locks, baby cakes.”

It wasn’t the conversation he’d had in mind.

They were at the Bathurst Street gym so early that Krung hadn’t yet arrived. A couple of pretty good kickboxers were going at each other. Chenko was sitting on the rolled-up wrestling mats, drinking his coffee. “Jackie boy!” he said, when he saw Emma. “Did you bring your girlfriend?”

“I’m Jack’s new workout partner,” Emma told him. “Jack’s too young to have a girlfriend.”

Chenko stood up to shake Emma’s hand. The Ukrainian was in his early sixties—a little thick in the waist, but the muscles in his chest and arms were well-defined slabs, and he was very light on his feet for a man who weighed one-eighty or one-ninety and was only five feet ten.

“This is Emma,” Jack said to Chenko, who bowed his head to her when he shook her hand. Emma regarded the snarling wolf on Chenko’s bald pate as if it were a family pet. (Jack had told her all about it.)

“You must be five-eleven, Emma,” Chenko said.

“Five-eleven-and-a-half,” Emma told him. “But I’m still growing.”

Emma and Jack helped Chenko roll out the mats before they went to their respective locker rooms to change into their workout gear. Emma didn’t have any wrestling shoes, just socks. “I’ll find you some wrestling shoes, Emma,” Chenko said. “You’ll slip on the mat in those socks.”

“I don’t slip a whole lot,” Emma told him.

“What does she weigh, do you suppose?” Chenko whispered to Jack—the Ukrainian was finding Emma a pair of shoes—but Emma heard him.

“I weigh one-sixty-five, on a good day,” she answered.

“On a good day,” Chenko repeated, watching her put on the shoes.

“Maybe one-seventy-five today,” Emma said.

“You’re a little out of Jack’s weight class, Emma,” Chenko said.

“I’ll start with you,” Emma told Chenko. “You look big enough.”

“Well—” Chenko started to say, but Emma was out on the mat; she was already circling him.

“I suppose you should start by telling me the rules,” Emma said. “If there are any rules, I guess I should know them.”

“There are some rules, not many,” Chenko began. “You can’t poke your opponent in the eyes.”

“That’s too bad,” Emma said.

Chenko started with a little hand fighting—just grabbing Emma’s wrists and controlling her hands—but she got the idea and peeled his fingers off her wrists, grabbing his hands and wrists instead. “That’s the way,” Chenko said. “You seem to have a feeling for hand control. You just have to remember to grab a whole fistful of fingers at a time, at least three or four. No grabbing a thumb or a pinkie by itself and bending it.”

“Why not?” Emma asked.

“You can break someone’s finger that way,” Chenko told her. “It’s illegal. You have to grab a bunch of fingers.”

“There’s no biting, I suppose,” Emma said. (She sounded disappointed.)

“No, of course not!” Chenko said. “And no pulling hair, no grasping clothes. And no choke holds,” Chenko added.

“Show me a choke hold,” Emma said.

He put her in a front headlock, jerking her head down and holding the back of her neck against his chest with his forearm across her throat. “This is an illegal headlock,” Chenko explained, “because I don’t have your arm, too.” He incorporated one of Emma’s arms in the headlock; this kept Chenko’s forearm off her throat. “You headlock someone, you have to take his arm, too. You can’t wrap your arm around someone’s neck and just choke him.”

“That’s too bad,” Emma repeated.

Chenko showed her a proper stance and a pretty basic knee-pick. He showed her an underhook and a double-underhook, and how you get from a collar tie-up into a front headlock. “With the arm,” Chenko made a point of repeating. He showed Emma a lateral drop; he even let her do a lateral drop on him. (Jack could tell that Chenko landed a little harder than he expected, with all of Emma’s weight on him.) “You’ve got good—” Chenko started to say; then he stopped. He was pointing at the middle of her body.

“Hips?” Emma said.

“Good hips, yes,” Chenko said. “Your hips are the strongest part of your body.”

“I always thought so,” Emma replied.

They were down on the mat—Chenko was showing Emma an arm-bar—when Jack noticed that Mrs. Machado had come out on the mat in her workout gear. She was just stretching, but he could tell she had her eye on Emma. “Who ees the beeg girl, dahleen?” Mrs. Machado asked him.

Jack was as tongue-tied as he was in any dream; he couldn’t speak. Emma was still rolling around on the mat with Chenko. “Mrs. Machado is molesting Jack,” Emma told the Ukrainian. “She made his little penis sore.” Chenko had rolled into a sitting position; he was staring at Jack and Mrs. Machado. Emma was already on her feet and walking toward them.

“Jack, did you tell thees beeg girl our secret?” Mrs. Machado asked.

It was no contest, Chenko would tell Boris and Pavel later. Emma poked Mrs. Machado in the eyes, in both her eyes. Mrs. Machado cried out in pain and covered her face with her hands. Emma grabbed the pinkie on Mrs. Machado’s right hand and bent it back, breaking it. The finger stood up at a right angle from the back of her hand. Mrs. Machado screamed as if she’d been stabbed.

Emma slapped a collar tie-up on Mrs. Machado and snapped her neck forward, putting her into an illegal front headlock—without the arm. Emma dropped her weight on the back of Mrs. Machado’s head; with Emma’s forearm across her throat, Mrs. Machado couldn’t breathe.

Jack realized only then that Krung was there. The former Mr. Bangkok may have noticed the wrestling because Emma and Mrs. Machado had rolled off the mat, but Emma hadn’t let up with her choke hold. Mrs. Machado couldn’t breathe but her legs were still thrashing.

“Who’s the new girl?” Krung asked Chenko.

“She’s a fast learner, isn’t she?” Chenko said. Emma had hit three illegal moves in under ten seconds; it was hard to imagine a faster learner. No wonder she wanted to know the rules!

“Aren’t you going to stop it?” Krung asked the Ukrainian.

“In a minute,” Chenko said. Mrs. Machado was flat on her belly; her legs had almost stopped moving, but one foot was feebly kicking. She didn’t have a high-groin kick left in her.

“I guess this has gone far enough,” Chenko said to Jack. He knelt beside the wrestlers and put a three-quarter nelson on Emma. “You can’t believe how I had to crank on her to get her to let go of that headlock!” he would tell Pavel and Boris that afternoon when he introduced them to Jack’s new workout partner.

Mrs. Machado never said a word. By the time the defeated woman left the Bathurst Street gym, which was as soon as she was able to stand up and walk, her throat was so sore that she couldn’t speak. Emma did the talking. It may have been lost on Mrs. Machado when Emma called her “not exactly mail-order-bride material,” but she understood what Emma meant when Emma called herself “Jack’s only workout partner.” However this registered with Mrs. Machado, both Krung and Chenko were suitably impressed—albeit a trifle afraid for the boy.

Mr. Bangkok tried to interest Emma in a kickboxing class, but Emma said she would stick to the wrestling. “I only like kicking something when it’s on the ground,” she told Krung, who ultimately looked relieved, even grateful, that Emma was committed to the mat.

When Pavel and Boris came to the gym to wrestle that afternoon, Emma rolled around with them, too. Jack needed a break by that time. He had a mat burn on his cheek and a sore shoulder—Chenko had shown Emma a fireman’s carry, which she had a natural feeling for—and Jack was nursing his first cauliflower ear.

When Emma saw that Pavel and Boris had cauliflower ears that were almost as bad as Chenko’s, she insisted that Jack get his cauliflower ear fixed. It was news to Jack that one could fix a cauliflower ear, but although Chenko and the Minskies disapproved of “draining” cauliflower ears, they knew how.

“I’m sorry, baby cakes—this may hurt, but it would be criminal to let you grow up with ears like these poor guys. You’re gonna be too good-looking to ruin your prospects for the future with dog-turd ears.”

Jack could tell that Chenko and Pavel and Boris were offended. Their cauliflower ears were badges of honor, not dog turds! But Emma Oastler had made Jack’s future her business, and she was not to be denied.

A so-called cauliflower ear is caused by fluid; when the ear gets rubbed on the mat, or against your opponent’s face, it bleeds and swells. When the fluid hardens, you have a lump where you used to have an indentation. The trick is not to let the fluid harden. You drain it with a needle and a syringe. Then you take some gauze, dipped in wet plaster, and press it into the contours of the ear. When the plaster hardens, your ear can’t swell—it can’t keep filling with fluid. The original shape of the ear is retained.

“It’s a little uncomfortable,” Chenko forewarned Jack.

“It’s better than a sore penis, honey pie.” (Even the Minskies agreed with Emma about that.) So Jack went home with a gauze plaster on one ear and a mat burn oozing on the opposite cheek.

“Look at your Jackie, Alice,” Leslie Oastler said, when they were eating takeout that night. “Those thugs at the Bathurst Street gym are going to kill him.”

“It’s better than a sore penis,” Jack said.

“Not to mention the language those Russians are teaching him,” Mrs. Oastler said.

“Jack, I’ll ask you to watch your language,” his mother said.

The next night, Emma had a cauliflower ear. Jack and Emma were pretty proud of their matching gauze plasters. He’d caught her in a cross-face cradle, and while he was grinding his right temple against her left ear, she kicked out of the cradle and pinned him with a reverse half nelson.

“You can’t cradle someone who’s built like her, not if you’re built like you,” Chenko told Jack.

True enough, but Jack knew that it was good for him to have a workout partner as tough as Emma Oastler. The wrestling turned out to be good for Emma, too. She lost eight pounds in a week. Jack knew that Boris and Pavel had impressed her—if not their ears, at least their diet. The Minskies were disciplined—not only their workouts, but what they ate. “You could have saved your money by sending me to the Bathurst Street gym instead of the fucking fat farm,” Emma told her mom.

“I’ll ask you to watch your language, too, young lady,” Mrs. Oastler said.

“Penis, penis, penis—” Jack chanted.

“That about covers it,” Leslie Oastler said.

“Go to your room, Jack,” his mom told him.

But Jack didn’t care. He wanted to say, “You’re making Emma be a miserable boarder and you’re sending me to fucking Maine, and you want us to watch our language!” Instead, he said, “Penis, penis, penis,” all the way up the stairs.

“That’s really mature, Jack!” his mother called.

“Don’t be angry with him, Alice—he’s just upset about going away to school,” Jack heard Leslie Oastler say.

“No shit—that’s fucking brilliant,” Emma said.

“Go to your room, Emma,” Mrs. Oastler told her.

“Enjoy washing the dishes!” Emma said as she stomped upstairs. (Emma was usually the dishwasher.)

Emma and Jack were workout partners in more ways than one. They had at last become true friends—in part because their mothers were separating them. With each mat burn, split lip, black eye, or cauliflower ear that they gave each other, Emma and Jack thoroughly convinced Alice and Mrs. Oastler that the contact between them—whatever it was—wasn’t sexual. Jack could get up in the middle of the night and go to Emma’s room and get into bed with her—or she could come to his room and get into bed with him. Their mothers said nothing.

The summer was almost over anyway. What did Alice and Leslie Oastler care if Emma and Jack beat each other up at the Bathurst Street gym all day? (Not that Jack ever “beat up” Emma, but he succeeded with a shot or two.)

“It’s just hormones, in Emma’s case,” Mrs. Oastler said. In Alice’s mind, Jack was still about the business of learning how to defend himself from boys.

In two weeks, Emma had lost twelve pounds—and it was clear that she would lose more. It wasn’t just the workouts; her eating habits had changed. She liked Chenko. “Everything but his ears.” With the exception of their ears, Emma liked Boris and Pavel, too.

When Jack lay next to Emma in her bed, or when she held him in her arms in his, it pained him to ask her who she was going to work out with—he meant after he had gone to Maine.

“Oh, I daresay I’ll find someone else I can beat the shit out of, baby cakes.”

Jack had learned how to kiss her and keep breathing, although the temptation to hold his breath until he fainted was strong. And Emma’s attention to the little guy never wavered; true to her word, his penis had healed. A combination of the moisturizer, which Emma continued to apply to the little guy—long after Jack could discern any visible need for it—and the welcome cessation of Mrs. Machado’s attention to his penis, which evidently had been excessive.

“Do you miss her, Jack?” Emma asked him one night. He had been thinking that he missed some of the things Mrs. Machado did, but not that he missed her. He felt awkward telling Emma about the things he missed. Jack didn’t want her to feel that he was ungrateful to her for saving him from Mrs. Machado. But they were true friends and workout partners. Emma understood him. “It sounds like you were excited but frightened,” Emma said.

“Yes.”

“I shudder to think what kind of trouble the little guy can get into in Maine,” Emma said.

“What do you mean, Emma?”

They were in her room. Emma had a king-size bed, if you didn’t count the stuffed animals. Jack was wearing just his boxers, and Emma was wearing a T-shirt that Pavel or Boris had given her. It was from a wrestling tournament in Tbilisi, but you had to be able to read Georgian to know where it was from; more to Emma’s liking, the T-shirt was faded and torn and it had old bloodstains on it.

“Take off your boxers, honey pie.” Emma was removing her T-shirt under the covers, which created a little chaos among the stuffed animals. “I’m going to show you how not to get in trouble, Jack.” She took his hand and placed it on his penis. “Use your other hand, if you prefer,” Emma told him. “Just do whatever’s comfortable.”

“Comfortable?”

“Just beat off, Jack! You can do that, can’t you?”

“Beat what?”

“Don’t tell me this is your first time, honey pie.”

“It’s my first time,” he admitted.

“Well, take your time—you’ll get the hang of it,” Emma told him. “You can kiss me, or touch me with your other hand. Just do something, Jack—for Christ’s sake!”

Jack was trying. At least he wasn’t frightened. “I think my left hand works better,” he told her, “even though I’m right-handed.”

“It’s not as complicated as a Russian arm-tie,” Emma said. “We don’t have to discuss it.”

He hugged her as hard as he could—she was so strong, so solid. When she kissed him, Jack remembered to breathe—at least at the beginning. “I think it’s working,” he said.

“Try not to make a mess all over the place, baby cakes,” Emma said. “I’m just kidding,” she quickly added.

It was becoming difficult to kiss her and keep breathing—not to mention talk. “What exactly are we doing? What is this?” he asked Emma.

“This is how you survive Maine,” Emma told him.

“But you won’t be there!” he cried.

“You have to imagine me, baby cakes, or I’ll send you pictures.” Oh, that aurora borealis—those northern lights! “Well, if that isn’t ‘all over the place,’ I don’t know what is,” Emma was saying, while Jack practiced breathing again. “Just look at this mess. I never want to hear you say I don’t love you.”

“I love you, Emma,” the boy blurted out.

“You don’t have to make a commitment or anything,” Emma said. “That you’re my best friend is enough of a miracle.”

“I’m going to miss you!” Jack cried.

“Shhh, don’t cry—they’ll hear you. Don’t give them the satisfaction.”

“The what?”

“I’m going to miss you, too, honey pie,” she whispered. She was putting her T-shirt back on—more stuffed animals were getting out of her way, in whatever way they could—when Jack heard his mother in the hall. Emma’s bedroom door was partially open.

“Was that you, Jackie?” his mom was calling. (No doubt he’d been making unusual sounds.)

Both Emma and Jack knew he hadn’t put his boxers back on. He didn’t even know where they were; he hoped they were under the covers. His head was on Emma’s shoulder; one of her arms was thrown loosely around his neck. The “loosely” made it not yet a headlock, but there was no question that they were snuggled together, under the covers, when Alice came into the room.

“I had a dream,” Jack told his mom.

“I see,” she said.

“There’s more room for him to have a bad dream in my bed than in his,” Emma told Alice.

“Yes, I see that there is,” Alice replied.

“It was that dream about the moat,” Jack said. “You remember the littlest soldier.”

“Yes, of course,” Alice said.

“It was that one,” he told her.

“I didn’t know you still had that one,” his mother said.

“All the time,” he lied. “More than usual, lately.”

“I see,” his mom said. “Well, I’m sorry.”

There were stuffed animals scattered everywhere, as if there’d been a massacre. Jack kept hoping his boxers weren’t lying among them. Alice started to leave Emma’s bedroom, but she paused in the doorway to the hall and turned back to face them.

“Thank you for being such a good friend to Jack, Emma,” Alice said.

“We’re gonna be friends for life, Alice,” Emma told her.

“Well, I hope so,” Alice said. “Good night, you two,” she called softly, as she went down the hall.

“Good night, Mom!” Jack called after her.

“Good night!” Emma called. Under the covers, her hand found and held the little guy, who appeared to have fallen asleep.

“How quickly you forget,” Emma whispered to his penis.

Like old times, Jack thought, as he was falling asleep—without ascertaining very clearly what had been good about the aforementioned “old times” and what hadn’t. It was even a comfort to listen to Emma snoring.

Emma had shot a whole roll of photographs of Jack with Chenko in the Bathurst Street gym. Various angles of Chenko’s wolf-head tattoo; Jack sitting cross-legged on the wrestling mat beside the old Ukrainian; Chenko’s arm around Jack’s shoulders in what the boy thought of as a fatherly way.

Jack lay listening to Emma snoring, just visualizing those photographs. Soon he would be in Maine, but he was no longer frightened. As he drifted away, Jack believed there was nothing in Maine that could scare him.

Jack Burns would miss those girls, those so-called older women. Even the ones who had molested him. (Sometimes especially the ones who had molested him!) He would miss Mrs. Machado, too—more than he ever admitted to Emma Oastler.

Jack even missed the girls who never abused him—among them Sandra Stewart, who had played the bilingual stutterer, the vomiter, the mail-order bride who gets fucked on a dog sled and wanders off and freezes to death in the snow, in a histrionic blizzard! How sick was it that he remembered her?

He would miss each one, every major and minor character in his sea of girls. Those girls—those women, at the time—had made him strong. They prepared Jack Burns for the terra firma (and not so firma) of the life ahead, including his life with boys and men. After the sea of girls, what pushovers boys were! After Jack’s older-women experiences, how easy it would be to deal with men!