(after Mozart)
MERCY (entering the Bull's Eye Chamber through a door, stage right)
All is not lost yet;
We can still hope.
(Antoinette enters stage left, humming to herself, the red velvet bag containing her missal over one arm.)
But here is the Queen; a golden opportunity.
I'll pretend not to see her.
(Aside, loudly)
If only she would come, that pearl of virtue,
Whose charms the King cannot resist.
ANTOINETTE (aside, holding back)
He's talking about me.
MERCY (aside, to himself)
After all, in this strange land
She's the best one can hope for.
Style means everything.
ANTOINETTE (aside)
A spiteful tongue! Lucky for him
He has my mother's blessing.
MERCY
Bravo! Such discretion!
And those modest eyes,
That demure expression,
Those…
ANTOINETTE (aside)
Enough is enough.
(Both spring into motion, meeting at the door to the King's Bedchamber)
MERCY (executing a deep, satiric bow)
After you,
Your Royal Highness.
ANTOINETTE (executing a low, satiric curtsy)
No, I insist,
Most worthy sir.
MERCY
No, you go first, pray.
ANTOINETTE
No, no, after you.
MERCY AND ANTOINETTE (together)
Your words can sway the King;
Mine are like millet seed.
MERCY
Expectant mother, first.
ANTOINETTE
First, brilliant statesman.
MERCY
Austria's pride and joy.
ANTOINETTE
The toast of France.
MERCY
Your comeliness.
ANTOINETTE
Your wine cellars.
MERCY
Your dramatic gifts.
ANTOINETTE
Your lies.
MERCY (aside)
I'll die of apoplexy
If I stay here one minute longer.
ANTOINETTE
Duplicitous old sodomite.
If only my mother knew…
(Exit Mercy in a fury.)