We were all in SRT's SWAT truck, because it was bigger, newer, and had better toys. Gordon Grundy drove, while Sonny, Rick, Scott, Nacho, Ringo, Happy, and I sat on the benches in the back facing each other with tight, blank expressions, dressed like Gulf War commandos. We sped along the 210 on our way toward Palm Springs, lost in our own thoughts. Too many friends had died or had been injured in the last two weeks.
I thought of Emo, remembering his easy smile, the way he had of looking at you without judgment. I had once seen him in a booking cage telling jokes to a guy he had just busted, both of them doubled over with laughter. He could arrest somebody without making a power trip out of it. He understood human weakness and always seemed to be able to communicate, even with the most hardened criminals. Emo was the kind of cop I had joined up to be.
Before we left Agoura, I had called the hospital and Bridget reported that there was no news. Jo was still in ICU and critical. Bridget sounded like she was beginning to come apart, her voice tight, verging on shrill.
As we rode toward the desert, I was feeling very alone in the crowded state-of-the-art SRT truck. I knew I had been going through a simultaneous process of growth and degeneration. I was slowly exposing the vulnerable parts of myself, taking the chance that the people I cherished the most wouldn't hate me for those weaknesses. While this helped me in my personal life and on the job, I no longer saw the landing lights, unsure of why I was even on the mission or if I would ever find the answers. Then along comes this one moment of moral certainty. Find Vincent Smiley and make the sonofabitch pay. As if his destruction would somehow restore order to my fractured value system.
Jo Brickhouse and I were coming from the same place emotionally. The order we both craved from police work had only produced confusion and disillusionment. But she was lying in a hospital close to death as a result of my bad police work, and I was in this SWAT truck roaring across the desert to avenge a shattered sense of justice, telling myself I was doing this for Jo, a woman I hadn't even liked a few days ago and had badly mis-evaluated, and for Emo, a man I'd admired but hadn't spent that much time with.
Was this just a big, ugly piece of street theater? Was I making a splashy move to convince myself I was still relevant? Could I put an end to my moral slide by stepping on the back of Vincent Smiley's neck and jamming his face in the dirt? Would that restore my values, make my work seem worthwhile again?
Even as I raced toward the Chocolate Mountains to apprehend him, I couldn't forget the look of hatred in that Compton grandmother's eyes. What the hell was I really looking for?
We turned off the interstate past Palm Springs at Indio, traveling south, toward the Salton Sea. Nacho Rosano stood, bracing himself in the jouncing truck, and started going through drawers, passing out communications equipment.
"Since we don't share a frequency, let's all use one of these." He handed each of us a small radio transmitter with an LCD faceplate, and pointed to the small screen. "That's a GPS. If you get lost, it'll tell you where you are, within half a meter." After he showed us how to operate it, I loaded it into my vest.
I had my cell phone on and checked the battery. It was at three-quarters, but there was no signal out here.
It was after 10 p. M. by the time we took State Highway 111 to the Salton Sea Recreation Area, then continued south. After about half an hour Grundy pulled to a stop, set the brake and came back into the rear of the truck. He filled the door to the driver's compartment, his crewcut tickling the ceiling.
"Okay, we're outside of Niland," he said, looking right at me.
I opened the map book. "Go on up Coachella Canal Road to Camp Billy Machen. The Chocolate Mountains are on the left. There should be a parking area at that old camp. There's no more road, so we hike into the mountains from there."
"Okay. Everybody saddle up now," Grundy said. "Smiley had an AK up at Hidden Ranch and he knew how to use it. I don't wanta be climbing out of this truck, hooking our shit together, while this jerk-off is up in the trees somewhere picking us off with three-oh-eights."
Everybody started buckling up vests and chambering weapons. Then Grundy went back up to the front, put the truck in gear, and we were rolling again. Scott and Nacho gave Sonny and me a short course in mountain climbing, showing us the belt harness and how to use the carabiners.
"You're gonna feel like you want to climb using your arms," Scott said. "But that's a huge mistake. Use your legs. Your glutes are much bigger muscles than your biceps. Your glutes won't tire. Most newbies try and pull themselves up. You do that, you'll burn out in less than an hour."
"In a lead climb," Nacho said, "a leader and a second go up first, set the protection, get to the top, tie off, and then bring the rest of the team up. Last up are the belay monkeys; that's you two. We change lead and seconds after each leg of the climb. Each leg is called a pitch. A pitch is a section of the climb that is slightly shorter than the rope. The ropes we use are a hundred meters long."
I remembered Marion Bell saying that some of the climbs in Monument Valley were thirty pitches.
"The first climber, or leader, wedges a piece of protection into the rock halfway up the first pitch," Nacho was saying. "We mostly use SLCDs, which are spring-loading camming devices."
He held one up. It matched the printed picture Smiley left in his garage.
"An SLCD can fit in a crevice and attaches to the rope with carabiners. We can use it for protection or for handholds on sheer cliffs. If somebody falls, the idea is the protection should catch and hold him until the rest of us can reel him back up. If the lead climber sets this thing too far down, then a fall will zipper out the protection and we're all toast. The last man on the climb is called the belayer. He holds the rope steady until the lead climbers make it to the top of the pitch. Once the lead and second have tied everything off and the others are secure up top, we pull the belay monkeys up and start all over again."
Sonny and I glanced at each other. It sounded doable.
We were all rigged and ready to go when the truck pulled into a parking area at the old Camp Billy Machen.
Scott Cook opened the door and we stepped out into the darkness. The temperature was forty degrees and dropping. We were standing in the parking lot feeling exposed under a slim slice of desert moon.
Parked ten feet away, next to a weathered maintenance shed, was Vincent Smiley's black Dodge Ram 2500 pickup. It looked evil and predatory, sitting up high with its Bigfoot suspension on huge, tractor-sized tires. We approached slowly and looked inside. There was an empty box of.308s down in the floor well.
"Looks like he's locked and loaded," Grundy said, pointing at the cartridge box. "Let's decommission this truck."
He and Nacho shinnied under the Dodge and checked the engine compartment for boobie traps. "Looks clear," Grundy shouted, and they both rolled back out.
Scott Cook popped the hood and removed the positive battery cable. "Souvenir," he said and handed it to me.
I put it into my pack.
"Now let's go get this guy," Rick Manos growled.
We all turned and walked through a gate marked "Gas Line Road," and started the long trek across the sandy desert toward the dark brown Chocolate Mountains.