Viper

48

Stazione dei carabinieri, Castello di Cisterna Sylvia Tomms took a deep breath as the press conference started. Her hands shook a little as she stared into a white wall of light blazing out from above the TV cameras. But she made sure none of her nervousness showed. She was in a stylishly cut black business suit with a long-collared white silk shirt. She knew she looked smart, authoritative and fully in control. She also knew that her performance was vitally important not only for her, but also for the case and for Francesca and her brave and dignified parents. She'd give them all her best.

Photographers shouldered each other for space. Radio journalists held microphones high above their heads, like unlit Olympic torches.

Sylvia, along with Francesca's parents, sat behind a table covered with a white cloth, on a raised rough wooden stage in what was normally the carabinieri's gymnasium. Feedback made everyone jump as a sound engineer adjusted the levels to amplify Sylvia's opening words. 'Buona sera. I am Capitano Sylvia Tomms, the officer in charge of the Francesca Di Lauro inquiry.' Sylvia cleared her throat. 'I am joined by Francesca's parents, Genarro and Bernadetta, who have a very personal statement that they would like to read to you. Before they do that, for those of you who are new to the case, there is a written handout being circulated. It gives details of how, where and when Francesca's remains were discovered in the National Park of Mount Vesuvius.'

Sylvia paused while an assistant from the Press Office handed out single sheets of white paper. Photographers seized on the spare seconds and launched another volley of camera flashes.

'As some of you have reported, one of our forensic experts, Professore Bernardo Sorrentino, has discovered that Francesca may well have been pregnant at the time she was murdered. I say may well because we still have to complete matching DNA tests as a formality.'

Jack watched the conference live on Mediaset from a small TV in the corner of the carabinieri canteen. He thought Sylvia was handling herself well. She looked cool, calm and highly professional. But he was worried about Francesca's parents; they weren't media savvy. It was clearly a stressful and emotional ordeal for them.

Genarro Di Lauro stared into the alien lights and bug-eyes of the TV cameras. A pre-written statement shook noisily in his hands. 'My daughter was a very special woman. She was everything to us – everything.' The words stuck in his throat and his grief welled up so quickly that it took several seconds before he could continue. 'Francesca was a beautiful young woman, full of dreams and laughter. She brought us – and everyone who met her – great joy. She was kind and generous and…' His mind wandered. A flashback of her as a baby – soft arms around his neck, angel face pressed against his cheek. He wiped tears from the corner of his left eye. 'My daughter had the most amazing laugh. It was the laugh of someone who loved life and who filled it with love, the kind of life that would warm you all the way through to your heart. I – I want to…'

He was lost now. Eyes flooded. Memories welled up, so large and vivid that he thought he would suffocate. Birthdays, Christmases, holidays, Sunday mornings, bathtimes, bedtimes, story times – all the sweetness flooded in but burned like acid. He couldn't hold back the pain any more. He covered his face with his hands and sobbed. 'Mi dispiace. I'm sorry – very sorry.'

Public grief is a rare, exotic animal and the big-game hunters of the national press took every shot they could. The high-tech cameras clicked like machine guns, another trophy head for tomorrow's papers.

Bernadetta put her arm protectively around her ex-husband. Her voice sounded only a sentence away from breaking. 'Our daughter is dead. Our baby is dead.'

The camera flashguns intensified. Lenses zoomed and refocused, elbows jostled for space and angle.

'The police think that somewhere, someone might know something that could help them catch her killer. Please – please – if you are that someone, come forward. Help us.'

Bernadetta was done. She buried her face in Genarro's shoulder and sobbed.

Sylvia spoke to someone behind her and a police-woman gently ushered them both offstage.

The journalists almost created a stampede to get their final shots and Sylvia had to virtually shout into the microphone to restore order.

'Bernadetta and Genarro thank you all for your support and help. The printed handouts we gave you have a telephone number for the Murder Incident Room that anyone can ring if they have information. Calls to that number can be anonymous if people wish. Now, are there any further questions?'

A man's hand went up. A TV reporter, late twenties, well groomed, still hoping one day to get his shot at studio anchor. 'Will there be an opportunity to do one-on-one interviews with Francesca's parents?'

'No,' snapped Sylvia, more curtly than she'd intended. 'You saw how painful tonight was for them. Please give them some privacy. No personal interviews. We won't take kindly to anyone who hassles them for interviews. Next question.'

A woman reporter waved her hand and caught Sylvia's eye. 'Can you tell us how Francesca died?'

'Not at the moment. We have detailed forensic reports that we are following up. Right now it would be inappropriate to comment further.'

A middle-aged man waved a notebook. 'Francesca was pregnant when she died – do you know who the father was?'

Sylvia raised the palm of her hand. 'I can't comment on that at the moment.' She was keen to change the subject and saw someone waving at the back, a face she half recognized. 'Yes, at the back. Your question, please.'

'Capitano Tomms, would you say that this killing is connected to the disappearances of Luisa Banotti, Patricia Calvi, Donna Rizzi and Gloria Pirandello – all local women who have gone missing over the last five to eight years?'

The names stopped Sylvia in her tracks.

Inside the carabinieri canteen Jack stood up and immediately left the TV set he'd been watching.

All eyes flitted backwards and forwards between the reporter and the silent carabinieri Capitano. Sylvia's mind was running at frantic speed. How had someone made the connection between Francesca and the other missing women? Was there a leak in her inquiry team?

The well-informed journalist pressed for an answer. 'Capitano, do you deny that all these women are missing and may, like Francesca, have been murdered?'

Sylvia knew she couldn't stall any further. 'I'm sorry. I'm hesitating on my answer because I don't want anyone here to lose focus of the facts – we're hunting for the killer of Francesca Di Lauro, a young woman, a young mother-to-be, murdered in the prime of her life. I don't want to speculate on other random cases, I don't want distractions, I want to concentrate on this one woman's death. I and Francesca's parents need your help. Please remember the faces of Genarro and Bernadetta – let's make sure we catch this man and ensure no other parents suffer like they have. Thank you, everyone. This press conference is over.' As she stepped from the stage she finally nailed the identity of the journalist. She motioned frantically towards Pietro Raimondi. Half the press were suddenly in her way. Squashing towards the exits to file their stories.

Sylvia finally reached Pietro on the other side of some security doors. Before she could say anything, Jack arrived. He was breathless but took the words right out of her mouth.

'That was Creed. The man who just asked those questions wasn't a journalist. It's Luciano Creed.'