Twist’s office was frustratingly slow to rez. Chas stood impatiently watching as hair sprouted from his bald head and clothes slowly took form on his grey body. Finally his skin morphed into tanned flesh. A ching alerted him to a waiting IM. It was from Doobie.
Doobie: Hey, Chas, when you pick this up, drop me a line and I’ll send you a TP.
Chas responded immediately.
Chas: I’m back, Doobs. TP me now.
An invitation to join Doobie Littlething in Camelot appeared, and he clicked to accept.
He dropped from darkness on to a mosaic-patterned bridge with waterfalls tumbling on either side. Lush, green gardens rezzed all around, and he saw Doobie’s name on his radar. But it took nearly thirty seconds for her to appear. She was wearing a cross-over blue top and tight black pants cut off just above the calf. Her hair was tied back in a ponytail, with a fringe falling loosely across her forehead.
Doobie: Stay in IM, Chas. There are too many people around here. Follow me.
She set off across the bridge on to a wide plaza with an open log fire burning at the far side, and up steps leading toward a vast mansion that overlooked the gardens. Chas followed her on to the stairway.
Chas: What is this place?
Doobie: Oh, it’s a kind of romantic garden and country house. I sometimes bring clients here for a dance before we go back to my place. It’s not always all about sex. One or two like the romance fantasy thrown in as part of the deal.
Chas: So why are you here now?
Doobie: LOLOL. I was with a client, Chas. Dumped him as soon as I got your IM.
Chas: Oh. Okay.
They passed between two suits of armour guarding the entrance to the mansion. Flaming torches burned on either side of the door, and a box on the step offered a free Tux for the discerning dancer. They entered a vast, baronial hall, its walls lined with renaissance portraits. Circular stairs led to an upper level where the floor was made of glass.
Doobie: Click on a slow-dance poseball, and we can dance and talk undisturbed.
Doobie and Chas fell into a close embrace and swayed to the soft, romantic music plumbed into the Camelot sound channel. The entrance hall below them was disconcertingly visible beneath their feet, as if they were floating on air. In any other circumstance, Chas might have been seduced by the moment. But right now, romance was the furthest thing from his mind.
Doobie: When we spoke a short time ago, you said you thought that Janey had left you message.
Chas: She did. Doobs, I know who the killer is. It’s my therapist, Angela Monachino. It was her who got me to come into Second Life in the first place. And both Smitts and Mathews were patients of hers.
Doobie: So she has an AV in here?
Chas: Yes. Angel Catchpole. She appears as a witch. At least, she did in therapy.
Doobie: So it must have been her that transferred the money into your account.
Chas: I guess she must have. Although I can’t think why. Somehow she has got hold of Wicked Wilson’s Super Gun, and she is murdering wealthy clients for their money.
Doobie: That doesn’t make sense, though, Chas. Why would she need to murder them? Enough, surely, just to kill the AV, erase the account, transferring the money to hers.
Chas: Unless the RL victims knew who had killed their SL AVs. Then she would have to cover her tracks.
Doobie: So Janey found out it was her?
Chas: Yes. The idiot must have gone and confronted her. Goddamnit! Why didn’t she wait for me?
Doobie: So Angela killed her and tried to make it look like it was you?
Chas: The problem is going to be proving it, Doobs. There’s no evidence. In fact, all the available evidence points at me. And how am I going to explain the three million plus in my account? Always assuming the mob don’t kill me before I get the chance to explain anything.
Doobie: Shit!
Chas: What?
Doobie:
An IM from my boss at Sinful Seductions. There’s a client asking for me back at the club. I’m in the bad books already because of you. If I don’t go now she’ll sack me.
Chas: Jesus, Doobs, it’s just a job!
Doobie: No, it’s not! It took me ages to get that job. You don’t know how tough the competition for dancing work is in here these days. I’ll go and deal with it, and IM you as soon as I’m free.
She detached herself from the poseball and vanished, leaving Chas dancing solo around the glass floor.
He jumped off his poseball and looked self-consciously about at the dancing couples who all seemed to be glancing in his direction. Had he just been jilted by a lover or offended the girl he was courting? The by-now familiar ching drew his attention to an incoming IM, and his heart very nearly stopped. It was from Angel. He hesitated to open it, feeling a strange cocktail of emotions. Anger, fear, apprehension, murderous intent.
Angel: Hi, Chas. We need to talk.
Chas: I thought you were indisposed due to a family bereavement.
Angel: I didn’t say it was family.
And Chas realised then that she had been talking about Janey, and he felt a surge of anger rise up through him like molten lava. But he resisted the urge to let it erupt. She didn’t know he knew. And he wanted to keep it that way.
Chas: Oh. Right. So what was it you wanted to talk about, Angel?
Angel: Well, I’d rather do it face-to-face, Chas. There are some things I need to discuss with you.
Chas: Where do you want to meet?
Angel: Here at The Blackhouse, Chas. Where you came for your group therapy session. Do you still have the LM?
Chas: Yes.
Angel: Well, TP over. I’ll be waiting for you in the main hall.
Chas stared at the dialogue box and felt tension tighten across his chest. She was going to kill him. What other reason could she have for luring him there? She’d failed to do it as Twist. Now the gloves were off. No more pretending. It would be crazy to go, he knew that. But he needed proof of some kind, some way of implicating his therapist — his extherapist — in the whole Goddamned mess. And at least he still had the element of surprise on his side. She had no reason to suspect that he knew about the Smitts and Mathews connection, or that she had killed Janey.
He went into his Inventory and attached all his weapons HUDS, so that he had an array of defensive and attacking firepower just a click away. He drew a deep breath, opened up his Landmarks folder, and double-clicked on The Blackhouse.