Go, Ghost, Go

At this university upon a hill,

I meet a tenured professor

Who’s strangely thrilled

To list all of the oppressors—

Past, present, and future — who have killed,

Are killing, and will kill the indigenous.

O, he names the standard suspects—

Rich, white, and unjust—

And I, a red man, think he’s correct,

But why does he have to be so humorless?

And how can he, a white man, fondly speak

Of the Ghost Dance, the strange and cruel

Ceremony

That, if performed well, would have doomed

All white men to hell, destroyed their colonies,

And brought every dead Indian back to life?

The professor says, “Brown people

From all brown tribes

Will burn skyscrapers and steeples.

They’ll speak Spanish and carry guns and knives.

Sherman, can’t you see that immigration

Is the new and improved Ghost Dance?”

All I can do is laugh and laugh

And say, “Damn, you’ve got some imagination.

You should write a screenplay about this shit—

About some fictional city,

Grown fat and pale and pretty,

That’s destroyed by a Chicano apocalypse.”

The professor doesn’t speak. He shakes his head

And assaults me with his pity.

I wonder how he can believe

In a ceremony that requires his death.

I think that he thinks he’s the new Jesus.

He’s eager to get on that cross

And pay the ultimate cost

Because he’s addicted to the indigenous.

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