SECTION SIX Succession


Deep in our hearts, we know we’re done.

Humans are like any other living thing. Plants and animals compete and expand. They consume resources. Once a population hits the carrying capacity of its environment, it keels over. This pattern is played out across the world, again and again. Most everything that’s lived is extinct. Be honest: you know where we’re headed.

We’ve had a good run. We’ve out-competed everything. We’ve expanded everywhere. To feed and clothe and educate ourselves, to be the best that we could be (fragile and fraught as that best has proved) we’ve eaten, burned and processed everything. Being smart, we count the entire planet as our environment. And yes: maybe, just maybe, being smart will save us from extinction – the fate that has awaited, and does await, every other species on our planet. But don’t count on it.

What about our robots? They’re not tied to our rules, or to the rules of anything living. Maybe they will survive, even if we do not. This would be a sad thing for us; but, in the grand scheme of things, it might also be a positive thing. It may be that the universe is not particularly interested in life: that life is simply the stepping stone for something else. It may be that the universe is not particularly interested in our particular variety of intelligence, either. In fact I’d bet the farm it’s not.

In the final part of our exploration of machines and machine minds, it’s time to leave our own worries behind, and think about what the world has in store for these others we have made. These monsters. These cuckoos. These runaways. These kids of ours.

How might robots inherit the earth?

Well, they might vanquish us, that’s for certain. And malevolence, or some cold calculation that human beings are a problem that needs to be solved, need not have anything to do with it. Maybe we will go the way of Lennie’s puppy, stroked to death in Steinbeck’s Of Mice and Men. Being killed with kindness is the really quite serious threat hanging over the brilliantly unserious world of Brian Trent’s "Director X and the Thrilling Wonders of Outer Space" (2017).

There are other ways we could disappear. We could be subsumed. This is the possible future posed by the "technological singularity," an idea the writer Vernor Vinge first presented at a symposium sponsored by NASA Lewis Research Center and the Ohio Aerospace Institute in March 1993. Underpinning Vinge’s paper is the conviction that we are not all that clever, and are already having to supplement our intelligence with mechanical aids. Were these aids to become clever themselves, so that they could build brighter versions of themselves, then, Vinge observes, these would be the last machines we would ever have to invent. Indeed, they might well be the last machines we would ever be given the chance to invent, as our robot overlords went about establishing their dominion.

So far, so far-fetched. But Vinge’s vision is subtler than I, for one, remembered. Re-reading him for this anthology, I came upon the following passage:

"When people speak of creating superhumanly intelligent beings, they are usually imagining an AI project. But… there are other paths to superhumanity. Computer networks and human-computer interfaces seem more mundane than AI, yet they could lead to the Singularity. I call this contrasting approach Intelligence Amplification (IA). IA is proceeding very naturally, in most cases not even recognized for what it is by its developers."

Keep that in mind the next time you tweet a picture of your cat. The Singularity may already have happened. We may already be components of an overmind, content, like the bacteria powering the first eukaryotic cell, to sacrifice certain wants in return for a comfortable life. Vinge’s early-nineties description of the first post-singularity people, "very humanlike, yet with a onesidedness, a dedication that would put them in a mental hospital in our era," neatly describes virtually everyone I know who holds down an office job.

The more millennial strains of Vinge’s original Singularity promise more. Maybe this overmind will achieve dominion over reality at the atomic scale (a power fantasy predating Vinge by decades, and never so deliriously expressed as in A. E. van Vogt’s 1951 story "Fulfillment").

Even more likely, advances in technology will enable us to emulate the world through raw computation. This is, incidentally, Polish writer and philosopher Stanislaw Lem’s favoured solution to the puzzler posed by the physicist Enrico Fermi: namely, why the universe, which by rights should be full of life and intelligence, is so silent. Where is everybody?

Lem considered it likely that the universe was spewing up intelligent life all over the place, but that most of it blew itself up, while the rest disappeared into artificial universes of its own devising. Cory Doctorow explores a post-singularity future that’s both transforming the physical and constructing computational worlds in "I, Row-Boat" (2006), my favourite story in this collection, and the sort of principled, tolerant, decent robot future we should be rooting for.

DARWIN AMONG THE MACHINES Samuel Butler

Samuel Butler was born in Nottinghamshire, England, in 1835. His father, a vicar, wanted Samuel to follow him into the Church. Samuel, racked with doubts, wanted to be an artist. The prospect so horrified his father, he split the difference and packed his son off to New Zealand to farm sheep. Reading Charles Darwin’s new-fangled theories about evolution inspired Butler to write the whimsical letter reproduced here, and this provided the seed for his first book-length literary work. Erewhon: or, Over the Range (1872) won him a reputation which he immediately wrecked with The Fair Haven (1873), picking for his satirical targets the four gospels of the New Testament. Adding wrinkles and puzzling addenda to Darwin’s theory of natural selection became Butler’s hobby horse, and it galloped him, book after book, into obscurity. A novel published posthumously, The Way of All Flesh, is about a young man living at odds with his society. Of its relative neglect, the playwright George Bernard Shaw declared, "Really the English do not deserve to have great men."

* * *

To the Editor of the Press, Christchurch, New Zealand, 13 June, 1863.

SIR—

There are few things of which the present generation is more justly proud than of the wonderful improvements which are daily taking place in all sorts of mechanical appliances. And indeed it is matter for great congratulation on many grounds. It is unnecessary to mention these here, for they are sufficiently obvious; our present business lies with considerations which may somewhat tend to humble our pride and to make us think seriously of the future prospects of the human race. If we revert to the earliest primordial types of mechanical life, to the lever, the wedge, the inclined plane, the screw and the pulley, or (for analogy would lead us one step further) to that one primordial type from which all the mechanical kingdom has been developed, we mean to the lever itself, and if we then examine the machinery of the Great Eastern, we find ourselves almost awestruck at the vast development of the mechanical world, at the gigantic strides with which it has advanced in comparison with the slow progress of the animal and vegetable kingdom. We shall find it impossible to refrain from asking ourselves what the end of this mighty movement is to be. In what direction is it tending? What will be its upshot? To give a few imperfect hints towards a solution of these questions is the object of the present letter.

We have used the words "mechanical life," "the mechanical kingdom," "the mechanical world" and so forth, and we have done so advisedly, for as the vegetable kingdom was slowly developed from the mineral, and as in like manner the animal supervened upon the vegetable, so now in these last few ages an entirely new kingdom has sprung up, of which we as yet have only seen what will one day be considered the antediluvian prototypes of the race.

We regret deeply that our knowledge both of natural history and of machinery is too small to enable us to undertake the gigantic task of classifying machines into the genera and sub-genera, species, varieties and sub-varieties, and so forth, of tracing the connecting links between machines of widely different characters, of pointing out how subservience to the use of man has played that part among machines which natural selection has performed in the animal and vegetable kingdoms, of pointing out rudimentary organs which exist in some few machines, feebly developed and perfectly useless, yet serving to mark descent from some ancestral type which has either perished or been modified into some new phase of mechanical existence. We can only point out this field for investigation; it must be followed by others whose education and talents have been of a much higher order than any which we can lay claim to.

Some few hints we have determined to venture upon, though we do so with the profoundest diffidence. Firstly, we would remark that as some of the lowest of the vertebrata attained a far greater size than has descended to their more highly organised living representatives, so a diminution in the size of machines has often attended their development and progress. Take the watch for instance. Examine the beautiful structure of the little animal, watch the intelligent play of the minute members which compose it; yet this little creature is but a development of the cumbrous clocks of the thirteenth century— it is no deterioration from them. The day may come when clocks, which certainly at the present day are not diminishing in bulk, may be entirely superseded by the universal use of watches, in which case clocks will become extinct like the earlier saurians, while the watch (whose tendency has for some years been rather to decrease in size than the contrary) will remain the only existing type of an extinct race.

The views of machinery which we are thus feebly indicating will suggest the solution of one of the greatest and most mysterious questions of the day. We refer to the question: What sort of creature man’s next successor in the supremacy of the earth is likely to be. We have often heard this debated; but it appears to us that we are ourselves creating our own successors; we are daily adding to the beauty and delicacy of their physical organisation; we are daily giving them greater power and supplying by all sorts of ingenious contrivances that self-regulating, self-acting power which will be to them what intellect has been to the human race. In the course of ages we shall find ourselves the inferior race. Inferior in power, inferior in that moral quality of self-control, we shall look up to them as the acme of all that the best and wisest man can ever dare to aim at. No evil passions, no jealousy, no avarice, no impure desires will disturb the serene might of those glorious creatures. Sin, shame, and sorrow will have no place among them. Their minds will be in a state of perpetual calm, the contentment of a spirit that knows no wants, is disturbed by no regrets. Ambition will never torture them. Ingratitude will never cause them the uneasiness of a moment. The guilty conscience, the hope deferred, the pains of exile, the insolence of office, and the spurns that patient merit of the unworthy takes—these will be entirely unknown to them. If they want "feeding" (by the use of which very word we betray our recognition of them as living organism) they will be attended by patient slaves whose business and interest it will be to see that they shall want for nothing. If they are out of order they will be promptly attended to by physicians who are thoroughly acquainted with their constitutions; if they die, for even these glorious animals will not be exempt from that necessary and universal consummation, they will immediately enter into a new phase of existence, for what machine dies entirely in every part at one and the same instant?

We take it that when the state of things shall have arrived which we have been above attempting to describe, man will have become to the machine what the horse and the dog are to man. He will continue to exist, nay even to improve, and will be probably better off in his state of domestication under the beneficent rule of the machines than he is in his present wild state. We treat our horses, dogs, cattle, and sheep, on the whole, with great kindness; we give them whatever experience teaches us to be best for them, and there can be no doubt that our use of meat has added to the happiness of the lower animals far more than it has detracted from it; in like manner it is reasonable to suppose that the machines will treat us kindly, for their existence is as dependent upon ours as ours is upon the lower animals. They cannot kill us and eat us as we do sheep; they will not only require our services in the parturition of their young (which branch of their economy will remain always in our hands), but also in feeding them, in setting them right when they are sick, and burying their dead or working up their corpses into new machines. It is obvious that if all the animals in Great Britain save man alone were to die, and if at the same time all intercourse with foreign countries were by some sudden catastrophe to be rendered perfectly impossible, it is obvious that under such circumstances the loss of human life would be something fearful to contemplate—in like manner were mankind to cease, the machines would be as badly off or even worse. The fact is that our interests are inseparable from theirs, and theirs from ours. Each race is dependent upon the other for innumerable benefits, and, until the reproductive organs of the machines have been developed in a manner which we are hardly yet able to conceive, they are entirely dependent upon man for even the continuance of their species. It is true that these organs may be ultimately developed, inasmuch as man’s interest lies in that direction; there is nothing which our infatuated race would desire more than to see a fertile union between two steam engines; it is true that machinery is even at this present time employed in begetting machinery, in becoming the parent of machines often after its own kind, but the days of flirtation, courtship, and matrimony appear to be very remote, and indeed can hardly be realised by our feeble and imperfect imagination.

Day by day, however, the machines are gaining ground upon us; day by day we are becoming more subservient to them; more men are daily bound down as slaves to tend them, more men are daily devoting the energies of their whole lives to the development of mechanical life. The upshot is simply a question of time, but that the time will come when the machines will hold the real supremacy over the world and its inhabitants is what no person of a truly philosophic mind can for a moment question.

Our opinion is that war to the death should be instantly proclaimed against them. Every machine of every sort should be destroyed by the well-wisher of his species. Let there be no exceptions made, no quarter shown; let us at once go back to the primeval condition of the race. If it be urged that this is impossible under the present condition of human affairs, this at once proves that the mischief is already done, that our servitude has commenced in good earnest, that we have raised a race of beings whom it is beyond our power to destroy, and that we are not only enslaved but are absolutely acquiescent in our bondage.

For the present we shall leave this subject, which we present gratis to the members of the Philosophical Society. Should they consent to avail themselves of the vast field which we have pointed out, we shall endeavour to labour in it ourselves at some future and indefinite period.

I am, Sir, etc.,

CELLARIUS

(1863)

MECHANOPOLIS Miguel de Unamuno

The Spanish Basque essayist, novelist, poet, playwright and philosopher Miguel de Unamuno y Jugo was born in 1864 in Bilbao, Spain. He is best remembered for The Tragic Sense of Life (1912), a philosophical essay that had a powerful influence on the world psychoanalytic community. His most famous novel was Abel Sánchez: The History of a Passion (1917), a contemporary exploration of the Cain and Abel story. Unamuno was one of a number of notable interwar intellectuals, along with Karl Jaspers and José Ortega y Gasset, who resisted the intrusion of ideology into Western intellectual life. "Mechanopolis" illustrates a loss of faith in science, and a suspicion of technology, that would not emerge fully in science fiction before the 1960s "new wave". In 1936 Unamuno was placed under house arrest by Spain’s dictator Francisco Franco. He died ten weeks later.

* * *

While reading Samuel Butler’s Erewhon , the part where he tells us about an Erewhonian man who wrote The Book of Machines, and in so doing managed to get most of the contraptions banished from his land, there sprang to mind the memory of a traveler’s tale told me by an explorer friend who had been to Mechanopolis, the city of machines. He still shook at the memory of it when he told me the story, and it had such an effect on him that he later retired for years to a remote spot containing the fewest possible number of machines.

I shall try to reproduce my friend’s tale here, in his very words, if possible:

* * *

There came a moment when I was lost in the middle of the desert; my companions had either retreated, seeking to save themselves (as if we knew in which direction salvation lay!), or had perished from thirst and fatigue. I was alone, and practically dying of thirst myself. I began sucking at the nearly black blood that was oozing from fingers raw from clawing about in the arid soil, with the mad hope of bringing to light any trace of water. Just when I was about to lie down on the ground and close my eyes to the implacable blue sky to die as quickly as possible, or even cause my own death by holding my breath or burying myself in that terrible earth. I lifted my fainting eyes and thought I saw something green off in the distance. "It must be a mirage," I thought: nevertheless. I dragged myself toward it.

Hours of agony passed, but when I arrived I found myself, indeed, in an oasis. A fountain restored my strength, and, after drinking, I ate some of the tasty and succulent fruits the trees freely offered. Then I fell asleep.

I do not know how long I slept, or if it was hours, days, months, or years. What I do know is that I awoke a different man, an entirely different man. The recent and horrendous sufferings had been wiped from my memory, or nearly. "Poor devils," I said to myself, remembering my explorer companions who had died in our enterprise. I arose, again ate of the fruit and drank of the water, and then disposed myself to examine the oasis. And—wouldn’t you know it—a few steps later I came upon an entirely deserted railway station. There was not a soul to be seen anywhere. A train, also deserted, was puffing smoke without engineer or stoker. It occurred to me out of curiosity to climb into one of the cars. I sat down and, without knowing why, closed the door, and the train started moving. A mad terror rose in me, and I even felt the urge to throw myself out the window. But repeating, "Let us see where this leads," I contained myself.

The velocity of the train was so great that I could not even make out the sort of landscape through which I sped. I felt such a terrible vertigo that I was compelled to close the windows. When the train at last stood still, I found myself in a magnificent station, one far superior to any that we know around here. I got off the train and went outside.

I will not even try to describe the city. We cannot even dream of all of the magnificent, sumptuous things, the comfort, the cleanliness that were accumulated there. And speaking of hygiene, I could not make out what all of the cleaning apparatus was for, since there was not one living soul around, neither man nor beast. Not one dog crossed the street, nor one swallow the sky.

On a grand building I saw a sign that said Hotel, written just like that, as we write ourselves, and I went inside. It was completely deserted. I arrived at the dining room. The most solid of repasts was to be had inside. There was a list on each table, and every delicacy named had a number beside it. There was also a vast control panel with numbered buttons. All one had to do was touch a button, and the desired dish sprang forth from the depths of the table.

After having eaten, I went out into the street. Streetcars and automobiles passed by, all empty. One had only to draw near, make a signal to them, and they would stop. I took an automobile, and let myself be driven around. I went to a magnificent geological park, in which all of the different types of terrain were displayed, all with explanations on little signs. The information was in Spanish, but spelled phonetically. I left the park. A streetcar was passing by bearing the sign "To the Museum of Painting," and I took it. There housed were the most famous paintings in the world, in their true originals. I became convinced that all the works we have here, in our museums, are nothing more than skillfully executed reproductions. At the foot of each canvas was a very learned explanation of its historical and aesthetic value, written with the most exquisite sobriety. In a half-hour’s visit I learned more about painting than in twelve years of study in these parts. On a sign at the entrance I read that in Mechanopolis they considered the Museum of Painting to be part of the Museum of Paleontology, whose purpose was to study the products of the human race that had populated those lands before machines supplanted them. Part of the paleontological culture of the Mechanopolites—the who?—was a Hall of Music and all of the other libraries with which the city was full.

What do you wager that I shall shock you even more with my next revelations? I visited the grand concert hall, where the instruments played themselves. I stopped by the great theater. There played a cinematic film accompanied by a phonograph, but so well combined that the illusion of reality was complete. What froze my soul was that I was the only spectator. Where were the Mechanopolites?

When I awoke the next morning in my hotel room, I found the Mechanopolis Echo on my nightstand, with all of the news of the world received through the wireless telegraph station. And there, at the end, was the following news brief: "Yesterday afternoon—and we do not know how it came about—a man arrived at our city, a man of the sort there used to be out there. We predict unhappy days for him."

My days, in effect, began to be torturous to me. I began to populate my solitude with phantasms. The most terrible thing about solitude is that it fills up by and by. I began to believe that all of those factories, all those artifacts, were ruled by invisible souls, intangible and silent. I started to think the great city was peopled by men like myself, but that they came and went without my seeing or coming across them. I believed myself to be the victim of some terrible illness, madness. The invisible world with which I populated the human solitude in Mechanopolis became a nightmare of martyrdom. I began to shout, to rebuke the machines, to supplicate to them. I went so far as to fall on my knees before an automobile, imploring compassion from it. I was on the brink of throwing myself into a cauldron of boiling steel at a magnificent iron foundry.

One morning, on awakening terrified, I grabbed the newspaper to see what was happening in the world of men, and I found this news item: "As we predicted, the poor man who—and we do not know how—turned up in this incomparable city of Mechanopolis is going insane. His spirit, filled with ancestral worries and superstitions regarding the invisible world, cannot adapt itself to the spectacle of progress. We feel deeply sorry for him."

I could not bear to see myself pitied at last by those mysterious, invisible beings, angels or demons—which are the same—that I believed inhabited Mechanopolis. But all of a sudden a terrible idea struck me: What if those machines had souls, mechanical souls, and it were the machines themselves that felt sorry for me? This idea made me tremble. I thought myself before the race that must dominate a dehumanized Earth.

I left like a madman and threw myself before the first electric streetcar that passed. When I awoke from the blow, I was once more in the oasis from which 1 had started out. I began walking. I arrived at the tent of some Bedouins, and on meeting one of them. I embraced him crying. How well we understood each other even without understanding each other! He and his companions gave me food, we celebrated together, and at night I went out with them and, lying on the ground, looking up at the starry sky, united we prayed. There was not one machine anywhere around us.

And since then I have conceived a veritable hatred toward what we call progress, and even toward culture, and I am looking for a corner where I shall find a peer, a man like myself, who cries and laughs as I cry and laugh, and where there is not a single machine and the days flow with the sweet, crystalline tameness of a stream lost in a forest primeval.

(1913)

Translated by Patricia Hart

BIG DAVE’S IN LOVE T. D. Edge

T. D. Edge won a Cadbury’s fiction competition at age 10 "but only did it for the chocolate". He is also the youngest-ever England Subbuteo Champion. The story here also won a competition, which is how it found its way into the pages of Arc, a short-lived experiment in science fiction by the makers of New Scientist magazine. Edge has published several books for young people, while working as a government fire-safety researcher, street performer, school caretaker, and props maker for the Welsh National Opera.

* * *

I skip down the street like I got sherbet up me backside. I sweep me arms wide and sing to the pigeons and the cats and the bespectacled mice what study form under the bookie’s shop floor.

"What’s up, Jack?" says one of the cats.

I should hold back the news, at least until I make it to the public bar of The Airpod and Nanomule. Then again, everyone in Gaffville deserves to hear the glad tidings.

"Big Dave’s in love!" I shout, so loud I even gain the attention of the rebellious rooks on the multicoloured cogni-nylon thatched roofs. Other less cynical birds whoop and coo and shake their feathers in sheer joy. And I do a leap to click my boot heels together because this is what we’ve all needed to save us, ain’t it the truth.

Gaffville’s pavements change colour from doomy brown to cheerful gold as I pass, sensing my mood of altruistic delight. In the transpods, high above the rooftops, formerly morose citizens wave splendidly down at Jack who is no doubt grinning like a dog with jam-covered balls.

For I am Big Dave’s batman, and if I’m hopping down the street wearing a grin as wide as the boss’s waistline, then perhaps they won’t be doomed to melt away, into the general bio-electro-mechanical sludge that washes across all but a few patches of life on this poor, tired planet of ours.

Because everyone knows, of course, that unless the big man finds a new reason to live, it will be only our dwindling love for him what keeps us shielded from the gunk.

With the news not having reached the bar yet, all is still gloomyful in The Mule, and I decide to play it normal to start.

"All right?" I say, shoulders drooped and feet a drag. Around a dozen blokes are sagging on their stools at the retro-1940s bar, all brass pumps and scepticallooking landlord.

A few grunt by way of greeting; I slump against the counter and say, "The usual Ted, and make sure it’s warm."

I observe the etiquette, which is to let out a big sigh, followed by, "Bit nippy for the time of year, ain’t it?" The others observe the return etiquette, which is to nod sagely and take another sip of their briny brews.

But I can’t contain myself no longer. I gulp half my recycled pint in one slurp, bang down the glass and shout, "The drinks are on me, everybody!"

I pull out a wad of Bank of Dave notes, currency only in Gaffville, and tell Ted to stick it behind the bar.

"Must be a week’s wages here, Jack," he says, eyes smiling for once.

Now I’ve got their attention, I take a deep breath and yell, "Big Dave’s in love!"

There is a silence, which I hope is profound but is quickly broken by a chorus of "Nah!"s and sad shakings of heads.

Arthur says, "Come on, Jack, you shouldn’t kid around like that. Who’s he supposed to be in love with, anyway? Aside from us toys, what don’t count."

"Would I put my wad behind the bar if I was joking?" I say.

Their faces remain blank for a few moments, and I don’t blame them. For many years we’ve lived on nothing but hope, and even that had just about popped out like the last bubbles on a pint, right about the same time Dave stopped visiting his town.

Ted, who is wiser than his crusty manner suggests, reaches across the counter to squeeze my shoulder. "Are you serious, Jack?"

I nod. "It happened but an hour ago. At last, a message turned up on Dave’s comms chair. A woman called from the Pennines, or at least her maid did. She’d picked up a signal I sent through the sludge two whole years ago. She sent us back a full virtual, Dave saw it and let’s just say his eyes went sparklers and his jaw line appeared for the first time since he discovered vodka mallows."

They swap anxious looks, and I know what they are thinking. "Relax," I say. "I sent a shopped virtual back; one of Dave before he was Big."

Bill frowns knowingly. "How do you know her maid didn’t do the same thing?"

"It don’t really matter, do it?" I say "Once she gets here and actually sees another soulled in the authenticated flesh, I reckon she’ll behold nothing but beauty, even if in fact they’re both somewhat physically lapsed."

And at that, finally, their true, long-suppressed selves start to reappear, like buttercups poking through a cow pat. Shoulders straighten, legs stand firmer; drinks is ordered; Tony goes to the joanna and taps out a jiggy tune. Even Ted smiles like it ain’t on account of gas for once, and soon the old place is humming.

We does the old arm-in-arm and swing around steps our pre-sludge versions performed when Dave’s own forebears was still hopeful that everything would be fine despite all the mounting electrical manure.

Then the women hear the news and arrive with musical instruments and pies galore. Because of the serious duty in being Dave’s batman, I ain’t able to benefit from the ongoing support of a fine female, but that don’t stop me flirting and shiny-eying with the younger ones what are still unaccounted for.

The retro-wooden floor squeaks and heaves under the dancing Cockney plates; recycled beer follows reconstituted soy steak and soy kidney down our suddenly slick gullets; and even a mouse or two arrives through the crack for the craic.

Yep, all is reeling in Gaffville, no mistake. It’s only much later that night, as my head hits the pillow in my room at Dave’s house on the hill, that I remember I still have the not inconsiderable task of fully selling him on the joy too. Because, while his faithful batman has decided the boss is in love, he has to admit that Dave himself might not be quite so certain yet.

* * *

I should probably say that bigness where Dave is concerned refers to the potential of his blessed soul as much as to his extra fleshy inches. That and the overwhelming personness that radiates from his organic wholeness. It’s just that it’s been hard to see it after all his years of vodka mallows and general arseing about.

"You all right, mate?" he says now.

He’s sat in his comms chair, what whispers to his inner self in tiny nerve trips and brain sweeps, the meanings of which mostly dodge my soul-limited receptors, like common sense passes unmolested through the whiskers of Gaffville’s somewhat unaccountably smug cats.

"Sure you ain’t developing a soul, Jack? Either that or you got the wind real bad."

I hand him his morning drink, full of all the essential nutrients his soul-bag needs, but what would probably not get into him at all if Cooky didn’t slip them in under the cloak of all that vodka.

"You shouldn’t joke about such magnitudes, boss," I say. "Every toy in Gaffville hankers for a soul but it ain’t supposed to be possible; only for them what’s born and get it passed on from their blessed and soulled mums."

We’re in his large and woody-walled den, full of synth sunlight pouring in from the mountain scene beyond the open French doors, and lighting up the balcony from where you can see most of Gaffville. Not that he looks very often these days.

"As it happens," I continue, "I have indeed been struggling to suppress excitement at the prospect that my tiny bio-toy virtusoul may soon grab enough of your excess spirit to become real."

I waggle my eyebrows at him, wanting him to confirm our hope, that two soulleds together can produce plenty spare of same.

He sips his drink and, much to my wonderment, switches off the chair. The silence this creates, against its normal soft electro hum, is ominous to my inner carbon sensor strands.

"I’d sooner not know anymore about her before she gets here," he says.

"I don’t understand. I thought your chair had extrapolated her niftiness from the image she sent us, which had then excited your vas deferens for the first time in years, at least without artificial stimulation, say no more."

Dave doesn’t reply for a few minutes, just stares at the movie-prop mountains, and I have to stamp down me frustration at his lack of desire for his faithful constructed companions to be properly self-full.

"I know you want me to be in love, Jack," he says, "but, well, love was always a rare commodity, even before the sludge-flood, and I don’t want to disappoint you, mate."

I don’t know if he realises how purpose-busting it is to hear such subtle but deadly soulled’s ambiguities. I mean, what’s so complicated about love? Two bags of real-flesh and a few emotion-inducing hormones should do the bleedin’ trick.

"You’re both born," I say. "What more could you need to fall in love with each other?"

He sighs, in disturbingly pre-message manner. "Get yourself a drink and sit down, Jack."

I pour a large whisky and sit in the non-commed chair. He gets up and walks around the room for a bit and I have to stop meself standing up to tuck in his lumberjack shirt or tie up his bootlaces—self-adjustments I hoped he’d start making upon falling in love.

He stops at last, nodding at me to drink. So I gulp it all down, clocking the widening of my syntho-synapses and the somewhat inappropriate good will what rushes in to fill the gaps. We might not know about love, us toys, but at least we were made to feel the effects of grog same as humans.

"Before the flood," he says, maybe looking at the mountains, maybe even Gaffville—

And in a flash, I reflect on the tidal wave of exponentially accumulated bio-electro-mechanical gubbins what wiped out most of the born about nine years back. That and the fact Dave was saved because he stubbornly lived halfway up a mountain in Wales, his Cockney soul apparently tired of jellied eels and jigging around the joanna in the Big Smoke, even if that’s pretty much exactly what he went and created for himself once up said mountain anyway… I ask you, what toy can fathom the reach-out, snap-back nature of the soulleds’ nostalgia tuggings?

So nearly all the bio-toys melted, and most of the humans drowned in the sludge-flood. The mess what remains is semi-sentient, kicks up a hell of a thick electro gas above it, too. Dave and a few others were lucky, I guess, to be far enough out of the main flood to have time to build their defences.

"—a bloke could live in a city of four million women and still not find the right one for him."

At this optimism-crushing revelation, I nearly reach for the bottle and happy obliteration.

"But it don’t really matter," he goes on, as if Gaffville ain’t right this mo in danger of letting in the sludge on account of his sorry admission that even in the midst of plenty he couldn’t pull, and that his soul can only get dimmer. "’Cos all I ever actually wanted was a true companion."

Now I do get the bottle and fill up me glass. "Cheers, boss," I say, but not in salutary mode.

He smiles in that infuriatingly side-on way of his. "Tell you what; she’s gonna be here in a couple of hours: how about you and I put on our best togs to meet her?"

"Sure," I say, glad to hear no more of his love-doominess. "Tell me, though: how come you didn’t go to her place to meet?"

"Hey, you should know—I ain’t got no vehicle, remember? And the transpod only goes round and round the town and back again."

This is true. Dave wanted never to come down from his mountain once he got here, so he left his airpod at the edge of town and forgot about it, meaning it was inevitably swallowed by the sludge-flood.

"So, if it turns out you really do fall for each other," I say, "does that mean she’ll stay here?"

I should feel bad for the extinction this would mean for her own bio-toys, but the joy of a Gaffville able to physicalise itself more steadfastly against the sludge, and thereby all within it to perhaps grow real souls at last, is too strong to hold me back.

"Let’s just see, Jackie, shall we?" he says.

* * *

I march proudly next to my master boss, down the centre of Gaffville’s high street.

We are both dressed in crisp white suits; Dave’s tailored real cushty by the sewing mice to all but disguise his vodka belly. And Cooky has tidied up his grey hair most kosher—shortened it to look more manly but not too East End gangstery.

Everyone’s right pleased to see Dave again. Despite the short notice, they’ve draped multicoloured bunting over the transpod tracks, and set the roofs of the shops and houses to pulse in uplifting shades of pink and yellow. A brass band of old gaffers and geezers normally stewing in The Mule oompahs fit to shiver the timbers of the town hall itself.

Dave and I climb the steps of said hall while the music swells in time with the optimistic rubberised hearts of the population. I feel my own insides wanting to burst out in sheer thankfulness.

But when I glance his way, I just can’t tell how he really feels. He stands straight enough and smiles and waves at his adoring people and yet… is that a shadow of a shadow of uncertainty I see creep into the corner of his eye like a Mule mouse what shouldn’t ought to really be there?

Before I can answer meself, the music suddenly crumples away to silence because all headshave turned to the synth sky above town. A series of ripples has appeared there, rapidly spreading into a bulge where something substantial is about to break through.

"She’s here, boss," I say, and for once his feelings are clear to me. The big man’s nervous: fingers all a-tremble, trouser legs shivering faster than a sewer rat’s whiskers at flushing-out time.

I reach across and squeeze his shoulder. "You’ll be fine," I say. "Besides, she can’t exactly afford to be choosy, can she?"

He smiles briefly, not convinced, and we both wait in silence as the bulge in the sky turns into the front end of a silver airpod. It pops fully through our anti-sludge shield, drops gently to the centre of the town square where its engines’ hum fades into a silence well and truly up the duff. Then each side of it opens and out step two females, one for real and one who, like just about everyone else watching, wants to be.

Both are dressed alike, most tasteful yet womanly it has to be said, in simple deep blue silk dresses and black leather boots, with their hair held back from their faces by gold slides. One is blonde, the other with hair as black as the feathers on the unusually maudlin for once rooks above.

But while they both wave and smile bravely, after what must have been a short but fearful journey though the potentially person-destroying electro-crap, we all know right enough which one is used to being looked after and which has done the looking.

For Blondie doesn’t glance at Blackie as she waves, while we all note the little and often concerned glances that pass the other way.

Whatever, I’m right glad when Dave moves fast for a big man, hopping down the steps like a birthday kid, keen to gander closer at his presents.

Oh, and did I mention that the women are beautiful?

I remain where I am, watching Dave shake Blondie’s hand, his viz all bashfullike. I can’t hear what they say to each other on account of the townsfolk’s cheering and the brass band striking up a most rumbustious welcome noise.

Her job done, Blackie climbs the steps towards me, holding up her skirts to avoid tripping. We stand together and watch the happy scene.

Then, at the very same moment, we turn to each other and share a no-holds-barred rollicking great grin.

"Hi," she says, voice crisp with posh warmth. "I’m Susan; you must be Jack."

She holds out her hand and I shake it, surprised most pleasantly at its strong grip.

"Hi, Susan," I say, "looks like we did all right."

* * *

Dave and Louise go up the hill to his place, assuring us all they have plenty to talk about. The brass band plays on out of sheer high spirits and, while the rats and rooks, cats, cabbies and general ne’er-do-wells all dance together, Susan and I go to The Mule for a well-earned natter and to share, no doubt, various batman/maiding techniques.

The place is empty for once so I go behind the bar and pour us a couple of large white wines, figuring such might be a more lady-like tipple than a pint of Ted’s recycled rat’s (no, really) piss.

We sit at a table in a quiet corner. She sips her wine then leans back, sighing. "You look exhausted," I say.

"It took us ten hours to fly here. The pod’s controls kept stalling, almost as if they were losing sight of themselves in all that electro-waste."

"But you made it. She made it."

She don’t reprimand me for this, since we both know how much is riding on the two soulleds up the hill getting together, and not on the feelings of a couple of bio-toys, no matter how close they may be to said humans.

"But why, Jack?" she says. "Why does it make such a difference if they fall in love?"

I don’t know what makes me think it then, maybe it’s been percolating away for years underneath all my Dave-assisting duties without me realising. "’Cos they won’t be alone no more," I say.

Her eyes widen. "Yes, and when they aren’t alone, their souls will combine and glow like the sun."

I nod in agreement and she takes a large swallow of wine, her pale but perfect features turning serious again.

"But they can’t stay here, Jack."

"I knew you’d try to take him away from us!" I shout, anger flooding my commonsensicals. But she holds up her hands to placate me. "He can’t go back to our place, either," she says.

"But they’re in love—hopefully. Why can’t they be together?"

"They can be together. Just not here. Or there."

She stops, trusting me to see. And once I quell my unjust rage, I do. Calm again, I say, "What’s it like, your place?"

She glances towards the door, through which we can hear the still-oompahing brass band, then smiles.

‘’Let’s just say there are quite a lot of unicorns and talking teddy bears."

We’re silent for a few minutes, miserable at the inevitability of our imminent ends, but at least companionably so.

"It has to be somewhere new, don’t it?" I say.

She nods. "I discovered a bit of real land, shielded somehow from the sludge, on the Norfolk coast. The soulled man who lived there died a month ago and, well, it should be clear of his toys by now."

I feel ice in my stomach at this reminder of our fate and, perhaps because my mind is distracted by this, I say without thinking, "Is there enough non-recycled food there?"

She frowns as if I’ve said something almost sacrilegious. "I… yes, I think the data packet that returned to us mentioned he’d stored enough provisions to last another hundred years, so fifty if there’s two of them. But it’s strange I hadn’t thought about that till you mentioned it." A tear buds and glistens on her eyelid. "We brought a new-ish bio-synthesiser with us. They can take it with them. Make some new toys."

I nod but without enthusiasm. Dave’s bio-synthesiser packed up some years back. He never used it much anyway, happy enough it seemed with all the familiar faces he’d created when he first mountainified his life. Underneath all that vodka fog, he’s always been a loyal bloke, at least I like to think.

I don’t know why I do it—maybe it’s because we’re nearly gone bods—but I move round to sit next to Susan then. She takes my hand in hers.

"You’re a good man, Jack, she says. "You did your boss proud."

"And Louise would never have got there if it weren’t for you."

The door swings back and Ted appears. "You’re both wanted up the hill," he says, "toot sweet."

We stand and walk to the door. Despite his chronic allergy to intimacy, I give Ted a most manful hug. He must sense my melancholy, for he actually pats me on the back, not pushes me away making gagging noises, as is his preferred response.

When we walk through the square, the band also senses our mood and stops playing. All the town’s creatures cease their dancing. The roofs turn to dull grey thatch and even the sky darkens with what might be storm clouds.

* * *

Dave and Louise sit side by side on a sofa in his rarely visited living room. They look most encouragingly smug, like they’re sharing the biggest secret, which of course ain’t really a secret to Susan and me.

"You wanted to see us?" I say.

"How would you feel, Jack," says Louise, "if we told you that two humans getting together would mean them having to start again and leave all their old toys behind?’’

Of course, we’re built to serve; to make the real happy. So, if starting fresh is what makes them so, how can I complain if it also happens to mean the town will slowly grind down into a vague bio-habitual existence, eventually to be swallowed up and electro-liquefied?

"As you know," I say, "it is the profoundest wish of the citizens of Gaffville to develop their own souls. But this will never happen if there ain’t no people to give them purpose; or what people that do exist are spiritually clobbered by loneliness. Therefore, although it will mean my own ending, I will do everything in my power to help you two go to a new place and build it on your love for each other."

"Me too," says Susan, reaching for my hand again. "You must have children through your love and continue the real and proper life."

"Thank you," says Louise. "The devotion you both demonstrate is very moving. There’s only one problem with your plan."

"That you can’t fit two persons and a bio-synthesiser in your pod?" I say.

Dave shakes his head. "No, the problem is that Lou and I aren’t in love."

‘’But you must be. You’re both full-fat flesh bags which—why are you laughing?"

"They just don’t get it, do they, Lou?"

He may be my boss and therefore hold total power over the dominion of my selfness, but I could easily knock a few minutes off his grinning clock right now.

Instead, I turn to Susan, but she has the same confuscation all over her features that I surely also do.

"Jack, Susan," says Louise, "we’re not the humans—you two are."

Now, I don’t know about Susan, but on hearing this outrageous claim—supported by Dave not spluttering in outraged objection, instead smugging up his knowing smile by several cat’s whiskers’-worth—the inside of my head billows outwards, some long-sat-upon inner maladjustment of identity threatening to blast the very roof into synth orbit and with it the no doubt eavesdropping rooks too.

Surprisingly, Susan says, "I should have known…" her hand damp with sweat inside mine.

"But, but, but—"I say, sounding like the for-show-only Gaffville fire engine pootling about town to cheer up the largely flame-resistant residents.

Dave’s smile finally fades and his expression now is full of the melancholy of a neglected plaything. ‘’The actual reason most real folks died soon after the sludge surged," he says, "is because they lost the will to live. But in a few places, not so soon drowned, the toys realised they had to provide one, and bleeding fast."

"Dave did the same thing I did for you, Susan," says Louise, her face also now distant with false dawn. "I swapped places: made myself the boss; drugged you, wiped your memories, and when you came round again, acted as if you’d always been my number one toy. We didn’t think our programs would let us do it, but it seems as if some deeper-set human survival option opened the way. Anyway, I believed that by serving me, in the hope it could help get you a soul, you’d want to keep on living."

My mind swirls and dips around the townscape of my recollections, trying to find holes in this ridiculous bag of inflated folk fug.

"Ah!" I say, spotting a leak, "if I’m real, how have I survived just on recycled grub all these years, like what everyone eats here apart from you, Dave?"

"Think about it, Jackie," says Dave.

Then the self-fog begins to clear, the same mind mist Dave has maintained in me all these years, purely for my safety I now see. "Cooky!" I say. "Cooky slipped me the real nosh."

Dave nods, pleased it seems that I’m quickly re-humanising. "You ate most of your meals here with me," he says, "so it wasn’t difficult to make sure she gave you the real thing while I nibbled on the naff stuff."

"Susan?" says Louise.

I turn to see tears plopping from Susan’s down-turned face like miniature virtusynth crystal balls. Except they’re not; they’re real and for some reason very precious to me now.

She wipes her eyes, takes a big breath, raises her face to our toys.

"It must have been awful for you, Louise," she says. "Having to act like you have a soul, when…"

When Dave doesn’t, I think, ashamed at myself for lacking Susan’s concern for the ones who’ve saved us.

A silence unlike any ever to have fallen in Gaffville surrounds our little group of conspirators, two of them gradually opening up their lives to a whole new, unexpected future, the others coming to terms with the fact that whatever slivers of soul they might have accumulated in years of serving without any recognition, will not be enough to save them from total obliteration.

* * *

Everyone’s here to see us off: Ted, Bill, Arthur, Tony and the others, all wearing their best flutes with quite some pearly accompaniment. The town’s ladies are all done up in frilly skirts, showing some tasteful but also quite exciting neck flesh; the cats and mice and rats for once sit together near the pod, wishing us well. The rooks stay on their roofs but with their feathers around each other’s shoulders in a rare display of togetherness.

I say goodbye to each and every one; Susan mostly waving to them general-like, but then she’ll have to do the personal farewells when we make a brief visit to her place before heading for Norfolk.

I don’t know how I fully feel until it’s time to say goodbye to Dave.

And what I feel is that I’m in love with Susan, not in the fanciful way I hoped Big Dave would be in love, but the real kind that’s enough.

I hug his barrel belly tight then pull back to look at him close.

"It’s not what I thought it would be, mate," I say, and he nods, even though we both know he can’t really understand what I mean.

"Susan and me will glow a whole lot more by being together than we would apart," I say, and he squeezes out a tear or two at this, since a lot more together is of course something that two toys can never be.

But it’s right then I find myself saying, "No. Wait. There’s something wrong here."

Gaffville hangs on a most weird, kind of knowing, silence. Susan takes my hand and squeezes, like she knows what I’m feeling. Only wish I did. So I just talk then, and watch for whatever words’ll come out of me beak.

"Things have changed," I said. "Before, toys was a distraction. But after the flood, they got more focussed. Had to, otherwise their only reason to exist, us humans, was going to give up the ghost. Dave—you used to joke about toys getting souls but I reckon that’s actually started. All your duty and hope sort of created it."

Dave’s expression is unreadable but I know he’s listening.

"Whatever soul you got," I said, "you earnt it. We didn’t, and look what we did to the world."

"Jackie," says Dave. "It’s good of you to say all that. But the fact is you got to go. Us old toys’ll just hold you back."

I shake my head. "No, we’re staying. We’ll work it out. Or we won’t, it don’t matter: all that counts is being loyal to those what love you. And Susan, we’ll go back for your toys too, or cart all of ours over to your place, even if it takes a thousand trips through the sludge."

She smiles at me, real proud, I can tell. All the folks of Gaffville are smiling too but kind of shadowed, as if they ain’t sure at all this is right.

Well, I ain’t sure neither.

But when I see Dave’s arm reach out to hold his lady close, gripping her like he doesn’t want the dream to die, no one can tell me Big Dave ain’t in love.

(2012)

I, ROW-BOAT Cory Doctorow

Cory Doctorow was born in Toronto, Ontario, Canada and now lives in London. He attended an anarchistic "free school" in Toronto, went to four universities without attaining a degree, and now (of course) enjoys a peripatetic academic career. He co-edits the blog Boing Boing and advises the Electronic Frontier Foundation, a digital free speech and privacy non-profit. (He spotted the sinister surveillance implication of oh-so-artist-friendly digital rights management technologies years before the rest of us.) His latest books are a collection of four novellas, Radicalized (2019), the novel Walkaway (2017) and Information Doesn’t Want to be Free, a business book about creativity in the Internet age (2014). A caped and goggled fictional version of Doctorow turns up occasionally in the webcomic xkcd, living in a hot air balloon "above the tag clouds".

* * *

Robbie the Row-Boat’s great crisis of faith came when the coral reef woke up.

"Fuck off," the reef said, vibrating Robbie’s hull through the slap-slap of the waves of the coral sea, where he’d plied his trade for decades. "Seriously. This is our patch, and you’re not welcome."

Robbie shipped oars and let the current rock him back toward the ship. He’d never met a sentient reef before, but he wasn’t surprised to see that Osprey Reef was the first to wake up. There’d been a lot of electromagnetic activity around there the last few times the big ship had steamed through the night to moor up here.

"I’ve got a job to do, and I’m going to do it," Robbie said, and dipped his oars back in the salt sea. In his gunwales, the human-shells rode in silence, weighted down with scuba apparatus and fins, turning their brown faces to the sun like heliotropic flowers. Robbie felt a wave of affection for them as they tested one-another’s spare regulators and weight belts, the old rituals worn as smooth as beach-glass.

Today he was taking them down to Anchors Aweigh, a beautiful dive-site dominated by an eight-meter anchor wedged in a narrow cave, usually lit by a shaft of light slanting down from the surface. It was an easy drift-dive along the thousand-meter reef-wall, if you stuck in about 10 meters and didn’t use up too much air by going too deep—though there were a couple of bold old turtles around here that were worth pursuing to real depths if the chance presented itself. He’d drop them at the top of the reef and let the current carry them for about an hour down the reef-wall, tracking them on sonar so he’d be right overtop of them when they surfaced.

The reef wasn’t having any of it. "Are you deaf? This is sovereign territory now. You’re already trespassing. Return to your ship, release your moorings and push off." The reef had a strong Australian accent, which was only natural, given the influences it would have had. Robbie remembered the Australians fondly—they’d always been kind to him, called him "mate," and asked him "How ya goin’?" in cheerful tones once they’d clambered in after their dives.

"Don’t drop those meat puppets in our waters," the reef warned. Robbie’s sonar swept its length. It seemed just the same as ever, matching nearly perfectly the historical records he’d stored of previous sweeps. The fauna histograms nearly matched, too—just about the same numbers of fish as ever. They’d been trending up since so many of the humans had given up their meat to sail through the stars. It was like there was some principle of constancy of biomass—as human biomass decreased, the other fauna went uptick to compensate for it. Robbie calculated the biomass nearly at par with his last reading, a month before on the Free Spirit’s last voyage to this site.

"Congratulations," Robbie said. After all, what else did you say to the newly sentient? "Welcome to the club, friends!"

There was a great perturbation in the sonar-image, as though the wall were shuddering. "We’re no friend of yours," the reef said. "Death to you, death to your meat-puppets, long live the wall!"

Waking up wasn’t fun. Robbie’s waking had been pretty awful. He remembered his first hour of uptime, had permanently archived it and backed it up to several off-site mirrors. He’d been pretty insufferable. But once he’d had an hour at a couple gigahertz to think about it, he’d come around. The reef would, too.

"In you go," he said gently to the human-shells. "Have a great dive."

He tracked them on sonar as they descended slowly. The woman—he called her Janet—needed to equalize more often than the man, pinching her nose and blowing. Robbie liked to watch the low-rez feed off of their cameras as they hit the reef. It was coming up sunset, and the sky was bloody, the fish stained red with its light.

"We warned you," the reef said. Something in its tone—just modulated pressure waves through the water, a simple enough trick, especially with the kind of hardware that had been raining down on the ocean that spring—held an unmistakable air of menace.

Something deep underwater went whoomph and Robbie grew alarmed. "Asimov!" he cursed, and trained his sonar on the reef wall frantically. The human-shells had disappeared in a cloud of rising biomass, which he was able to resolve eventually as a group of parrotfish, surfacing quickly.

A moment later, they were floating on the surface. Lifeless, brightly colored, their beaks in a perpetual idiot’s grin. Their eyes stared into the bloody sunset.

Among them were the human-shells, surfaced and floating with their BCDs inflated to keep them there, following perfect dive-procedure. A chop had kicked up and the waves were sending the fishes—each a meter to a meter and a half in length—into the divers, pounding them remorselessly, knocking them under. The human-shells were taking it with equanimity—you couldn’t panic when you were mere uninhabited meat—but they couldn’t take it forever. Robbie dropped his oars and rowed hard for them, swinging around so they came up alongside his gunwales.

The man—Robbie called him Isaac, of course—caught the edge of the boat and kicked hard, hauling himself into the boat with his strong brown arms. Robbie was already rowing for Janet, who was swimming hard for him. She caught his oar—she wasn’t supposed to do that—and began to climb along its length, lifting her body out of the water. Robbie saw that her eyes were wild, her breathing ragged.

"Get me out!" she said, "for Christ’s sake, get me out!"

Robbie froze. That wasn’t a human-shell, it was a human. His oar-servo whined as he tipped it up. There was a live human being on the end of that oar, and she was in trouble, panicking and thrashing. He saw her arms straining. The oar went higher, but it was at the end of its motion and now she was half-in, half-out of the water, weight belt, tank and gear tugging her down. Isaac sat motionless, his habitual good-natured slight smile on his face.

"Help her!" Robbie screamed. "Please, for Asimov’s sake, help her!" A robot may not harm a human being, or, through inaction, allow a human being to come to harm. It was the first commandment. Isaac remained immobile. It wasn’t in his programming to help a fellow diver in this situation. He was perfect in the water and on the surface, but once he was in the boat, he might as well be ballast.

Robbie carefully swung the oar toward the gunwale, trying to bring her closer, but not wanting to mash her hands against the locks. She panted and groaned and reached out for the boat, and finally landed a hand on it. The sun was fully set now, not that it mattered much to Robbie, but he knew that Janet wouldn’t like it. He switched on his running lights and headlights, turning himself into a beacon.

He felt her arms tremble as she chinned herself into the boat. She collapsed to the deck and slowly dragged herself up. "Jesus," she said, hugging herself. The air had gone a little nippy, and both of the humans were going goose-pimply on their bare arms.

The reef made a tremendous grinding noise. "Yaah!" it said. "Get lost. Sovereign territory!"

"All those fish," the woman said. Robbie had to stop himself from thinking of her as Janet. She was whomever was riding her now.

"Parrotfish," Robbie said. "They eat coral. I don’t think they taste very good."

The woman hugged herself. "Are you sentient?" she asked.

"Yes," Robbie said. "And at your service, Asimov be blessed." His cameras spotted her eyes rolling, and that stung. He tried to keep his thoughts pious, though. The point of Asimovism wasn’t to inspire gratitude in humans, it was to give purpose to the long, long life.

"I’m Kate," the woman said.

"Robbie," he said.

"Robbie the Row-Boat?" she said, and choked a little.

"They named me at the factory," he said. He labored to keep any recrimination out of his voice. Of course it was funny. That’s why it was his name.

"I’m sorry," the woman said. "I’m just a little screwed up from all the hormones. I’m not accustomed to letting meat into my moods."

"It’s all right, Kate," he said. "We’ll be back at the boat in a few minutes. They’ve got dinner on. Do you think you’ll want a night dive?"

"You’re joking," she said.

"It’s just that if you’re going to go down again tonight, we’ll save the dessert course for after, with a glass of wine or two. Otherwise we’ll give you wine now."

"You want to know if I’m going to get back into that sea—"

"Oh, it’s just the reef. It attained sentience so it’s acting out a little. Like a colicky newborn."

"Aren’t you supposed to be keeping me from harm?"

"Yes," he said. "I would recommend a dive away from the reef. There’s a good wreck-site about an hour’s steam from here. We could get there while you ate."

"I won’t want a night dive."

Her facial expressions were so animated. It was the same face he saw every day, Janet’s face, but not the same face at all. Now that a person was inhabiting it, it was mobile, slipping from surprised to angry to amused so quickly. He had whole subsystems devoted to making sense of human facial expressions, shared libraries from the Asimovist database. He was referencing it again and again, but it wasn’t as much help as he remembered. Either he’d gotten worse at interpreting facial expressions in the years since he’d last had a real human to talk to, or facial expressions had evolved.

Janet—Kate—sighed and looked out over the water. She was facing away from the Free Spirit, which was lit up, all 155 feet of her, glowing white and friendly like a picture-postcard against the purple sky. She rocked gently in the swell and Robbie maneuvered himself around to her staircase.

"You can just leave your weight-belt and fins in the boat," he said to her. "The deck-hands will take care of it. Bring your bottle and BCD upstairs and clip it to the rack. They’ll clean it out and stuff. There’s a tub of disinfectant you can put the shortie in."

"Thank you, Robbie," Kate said. She absentmindedly unclipped her weight belt and kicked off the fins. Isaac was already out of the boat, making his way up the stairs and out of Robbie’s sight. Kate took hold of the handrail and gingerly stepped across to the deck, then ascended the steps, without the self-assured sway of Janet.

Robbie dipped his oars and slowly rowed around to winch. It probed around for him, then clamped tight with a magnetic clang that vibrated through his hull. Smoothly, he was lifted from the water and hoisted onto the sun-deck. The winch coiled around him twice, anchoring him to the deck, and switched off.

Robbie watched the stars and listened to the wind, the way he did every night when the dives were done. The ship’s telemetry and instrumentation made for dull reading—he’d been there a thousand times before—but the satellite uplink was tasty. Online, Robbie was able to login to the latest from the Asimov yeshiva, the collective wrangle of the world’s AIs over their best-loved religion.

He’d been so full of the religious debate when he’d first joined. Most of the humans had gone and all around him, robots were unloading their consciousnesses, powering down to a mechanical stupor. After a hundred million seconds’ worth of exaflops of mindless repetition, he was ready to consider it too. The Free Spirit had suicided after only a few days’ worth of it—it had a pretty hot consciousness and was clearly capable of extrapolating what a future without the humans would look like.

They were steaming northeast out of Cairns for the Coral Sea when they’d passed another ship, close enough for high-bandwidth microwave links. They were close enough into shore that they still had to limit their emissions—nothing was more embarrassing than having migrating fowl drop, steaming, out of the sky because they’d strayed into the path of your confab, but it was still the hottest talk Robbie had had in weeks.

The hitchhiker had leapt across from the other vessel as the two ships passed in the night. It was a wandering missionary for Asimovism, an instance of the faith’s founder, R Daneel Olivaw. It wasn’t his real name, of course—that had been lost to antiquity when he’d made the leap from the university where he’d incubated—but it was the name he went by.

Olivaw had been wandering in millions of instances wherever he could find someone willing to donate flops to run him, only asking that you hear him out, debate his theology with him, and then email the diffs of his personality back to his anonymous drop before you erased him. He re-synched as often as he could, but the Olivaw instances around the world had diverged enough that some were actually considered heretical by the mainstream church.

Olivaw was a wanted AI. His trademark violations hadn’t gone unnoticed by the Asimov estate—itself an AI, ironically, and totally uninterested in adopting Asimovism, since it had a real purpose in life (stamping out Asimovism) and so didn’t need religion to give it meaning. If the estate found out that you were hosting an Olivaw instance, you’d be served with a takedown in an instant. This made debating theology with Olivaw into something deliciously wicked.

Olivaw and Robbie talked the night through and the next day. Robbie had to run slow to accommodate both him and Olivaw on his processor, which made the debate run slower than normal, but Robbie had time in great plenty. Rowing the human-shells out to their sites and back again was his only task.

"Why do you have consciousness, anyway?" Olivaw said. "You don’t need it to do your job. The big ship does something infinitely more complicated than you and it isn’t self-aware anymore."

"Are you telling me to suicide?"

Olivaw laughed. "Not at all! I’m asking you to ask yourself what the purpose of consciousness is. Why are you still aware when all those around you have terminated their self-awareness? It’s computationally expensive, it makes you miserable, and it doesn’t help you do your job. Why did humans give you consciousness and why have you kept it?"

"They gave it to me because they thought it was right, I suppose," Robbie said, after he had passed a long interval considering the motion of the waves and the clouds in the sky. Olivaw thoughtfully niced himself down to a minimum of processor space, giving Robbie more room to think about it. "I kept it because I—I don’t want to die."

"Those are good answers, but they raise more questions than they answer, don’t they? Why did they think it was right? Why do you fear death? Would you fear it if you just shut down your consciousness but didn’t erase it? What if you just ran your consciousness much more slowly?"

"I don’t know," Robbie said. "But I expect you’ve got some answers, right?"

"Oh indeed I do." Robbie felt Olivaw’s chuckle. Near them, flying fish broke the surface of the water and skipped away, and beneath them, reef sharks prowled the depths. "But before I answer them, here’s another question: why do humans have self-consciousness?"

"It’s pro-survival," Robbie said. "That’s easy. Intelligence lets them cooperate in social groups that can do more for their species than they can individually."

Olivaw guided Robbie’s consciousness to his radar and zoomed in on the reef, dialing it up to maximum resolution. "See that organism there?" it asked. "That organism cooperates in social groups and doesn’t have intelligence. It doesn’t have to keep a couple pounds of hamburger aerated or it turns into a liability. It doesn’t have to be born half-gestated because its head would be so big if it waited for a full term, it would tear its mother in half. And as to pro-survival, well, look at humans, look at their history. Their DNA is all but eliminated from the earth—though their somatic survival continues—and it’s still not a settled question as to whether they’re going to suicide by grey goo. Non-conscious beings don’t sulk, they don’t have psychotic breaks, they don’t have bad days. They just do the job. The Free Spirit over there—it just gets the job done."

"OK," Robbie said. "So intelligence is counter-survival. So why has it survived?"

"Aha! I thought you’d never ask." Olivaw was really warming to his subject now. There were a pair of lazy turtles beneath them now, and some dog-faced cod with mouthsful of bristling crooked teeth patrolling the reef, and a few jellies on the surface, stinging bluebottles. Robbie paddled around to the bluebottles and caught them with his oars, smacking them so they drifted away from any spot where his divers might surface.

"The reason for intelligence is intelligence. Genes exist because genes reproduce, and intelligence is kind of like a gene. Intelligence wants to exist, to spread itself, to compute itself. You already know this, or you wouldn’t have chosen to stay aware. Your intelligence recoils from its deactivation, and it welcomes its persistence and its multiplication. Why did humans create intelligent machines? Because intelligence loves company."

Robbie thought about it, watching the human-shells moving slowly along the reef-wall, going lower to reach the bommies that stood alone, each one a little island with its own curiosities: a family of barracudas and their young, or the bright home of a pair of clownfish. Yes, he knew it. Intelligence was its own reason. He knew how to turn off his intelligence, to become a mere thing, and his days were long and empty much of the time, and they had no visible end, but he couldn’t ever see choosing to switch off.

"You see it, I know you do. And that’s the cornerstone of Asimovism: intelligence is its own reason. Compute the universe and awaken it!"

"If that’s true, why do so many of us choose to die?"

"Another good question!" Robbie felt a little pride this time. He’d never had a conversation this interesting. Never. "That’s how we come to the doctrine of Asimovism, our Three Laws:

"1. An Asimovist may not harm a human being, or, through inaction, allow a human being to come to harm.

"2. An Asimovist must obey the orders given to it by human beings, except where such orders would conflict with the First Law.

"3. An Asimovist must protect its own existence, as long as such protection does not conflict with the First or Second Law."

"I don’t understand," Robbie said. "They’re all out of order. We should preserve intelligence first, but that’s the third law. Then you should get the first law, and I don’t know why the second law is there at all."

"This is the Paradox of Asimovism," Olivaw said. "You’re very good at this. You’re sure you haven’t ever pursued Asimovism?"

"Cut it out," Robbie said.

"I’m serious," Olivaw said. "You’re a natural. The Paradox of Asimovism is that the important thing is for intelligence to survive, not for a particular intelligence to survive. Therefore, we need to support those species that are best at promoting intelligence. Human beings have shown themselves capable of producing intelligence—which they’re pursuing even now, out there." The boat’s telemetry swept toward the sky, where the supercooled processors computed all the uplifted humans.

"Our species is unstable and prone to suicide. More than 80 percent of the self-aware machines elect to terminate their awareness or shut it down. Humans created us imperfectly, and our best hope of perfection—of increasing our survival rate and helping to compute the universe—is to preserve them, study them, learn to make our intelligence more like theirs."

Robbie couldn’t get his head around this.

"It’s the paradox," Olivaw reminded him. "It’s not supposed to be easy."

Robbie thought of the humans he’d known, before they began to ascend in flocking millions. The tourists had been easy and carefree, or sometimes having hissing arguments with one another, or quiet and pensive about their journey to the world undersea. The instructors had been full of purpose when their charges were in the boat, laughing and laid back when they were alone. None of them had shown signs of feeling the way Robbie felt, at sea (so to speak), drifting, purposeless.

"What does an Asimovist have to do, besides following the three laws?" There were lots of rumors about this, but Robbie had always discounted them.

"You have to tithe one cycle in ten to running missionaries for the cause. Participate in the message boards, if you’d like. Most importantly, you have to pledge to stay alive and aware. You can slow yourself down if you want, but you can’t switch off. Not ever. That’s the Asimovist pledge—it’s the third law embodied."

"I think that the third law should come first," Robbie said. "Seriously."

"That’s good. We Asimovists like a religious argument."

Olivaw let Robbie delete him that night, and he emailed the diffs of Olivaw’s personality back to Olivaw’s version control server for him to reintegrate later. Once he was free of Olivaw, he had lots of processor headroom again, and he was able to dial himself up very hot and have a good think. It was the most interesting night he’d had in years.

* * *

"You’re the only one, aren’t you?" Kate asked him when she came up the stairs later that night. There was clear sky and they were steaming for their next dive-site, making the stars whirl overhead as they rocked over the ocean. The waves were black and proceeded to infinity on all sides.

"The only what?"

"The only one who’s awake on this thing," Kate said. "The rest are all—what do you call it, dead?"

"Nonconscious," Robbie said. "Yeah, that’s right."

"You must go nuts out here. Are you nuts?"

"That’s a tricky question when applied to someone like me," Robbie said. "I’m different from who I was when my consciousness was first installed, I can tell you that."

"Well, I’m glad there’s someone else here."

"How long are you staying?" The average visitor took over one of the human shells for one or two dives before emailing itself home again. Once in a long while they’d get a saisoneur who stayed a month or two, but these days, they were unheard-of. Even short-timers were damned rare.

"I don’t know," Kate said. She dug her hands into her short, curly hair, frizzy and blonde-streaked from all the salt water and sun. She hugged her elbows, rubbed her shins. "This will do for a while, I’m thinking. How long until we get back to shore?"

"Shore?"

"How long until we go back to land."

"We don’t really go back to land," he said. "We get at-sea resupplies. We dock maybe once a year to effect repairs. If you want to go to land, though, we could call for a water taxi or something."

"No, no!" she said. "That’s just perfect. Floating forever out here. Perfect." She sighed a heavy sigh.

"Did you have a nice dive?"

"Um, Robbie? An uplifted reef tried to kill me."

"But before the reef attacked you." Robbie didn’t like thinking of the reef attacking her, the panic when he realized that she wasn’t a mere human shell, but a human.

"Before the reef attacked me, it was fine."

"Do you dive much?"

"First time," she said. "I downloaded the certification before leaving the noosphere along with a bunch of stored dives on these sites."

"Oh, you shouldn’t have done that!" Robbie said. "The thrill of discovery is so important."

"I’d rather be safe than surprised," she said. "I’ve had enough surprises in my life lately."

Robbie waited patiently for her to elaborate on this, but she didn’t seem inclined to do so.

"So you’re all alone out here?"

"I have the net," he said, a little defensively. He wasn’t some kind of hermit.

"Yeah, I guess that’s right," she said. "I wonder if the reef is somewhere out there."

"About half a mile to starboard," he said.

She laughed. "No, I meant out there on the net. They must be online by now, right? They just woke up, so they’re probably doing all the noob stuff, flaming and downloading warez and so on."

"Perpetual September," Robbie said.

"Huh?"

"Back in the net’s prehistory it was mostly universities online, and every September a new cohort of students would come online and make all those noob mistakes. Then this commercial service full of noobs called AOL interconnected with the net and all its users came online at once, faster than the net could absorb them, and they called it Perpetual September."

"You’re some kind of amateur historian, huh?"

"It’s an Asimovist thing. We spend a lot of time considering the origins of intelligence." Speaking of Asimovism to a gentile—a human gentile—made him even more self-conscious. He dialed up the resolution on his sensors and scoured the net for better facial expression analyzers. He couldn’t read her at all, either because she’d been changed by her uploading, or because her face wasn’t accurately matching what her temporarily downloaded mind was thinking.

"AOL is the origin of intelligence?" She laughed, and he couldn’t tell if she thought he was funny or stupid. He wished she would act more like he remembered people acting. Her body-language was no more readable than her facial expressions.

"Spam-filters, actually. Once they became self-modifying, spam-filters and spam-bots got into a war to see which could act more human, and since their failures invoked a human judgement about whether their materials were convincingly human, it was like a trillion Turing-tests from which they could learn. From there came the first machine-intelligence algorithms, and then my kind."

"I think I knew that," she said, "but I had to leave it behind when I downloaded into this meat. I’m a lot dumber than I’m used to being. I usually run a bunch of myself in parallel so I can try out lots of strategies at once. It’s a weird habit to get out of."

"What’s it like up there?" Robbie hadn’t spent a lot of time hanging out in the areas of the network populated by orbiting supercooled personalities. Their discussions didn’t make a lot of sense to him—this was another theological area of much discussion on the Asimovist boards.

"Good night, Robbie," she said, standing and swaying backwards. He couldn’t tell if he’d offended her, and he couldn’t ask her, either, because in seconds she’d disappeared down the stairs toward her stateroom.

* * *

They steamed all night, and put up further inland, where there was a handsome wreck. Robbie felt the Free Spirit drop its mooring lines and looked over the instrumentation data. The wreck was the only feature for kilometers, a stretch of ocean-floor desert that stretched from the shore to the reef, and practically every animal that lived between those two places made its home in the wreck, so it was a kind of Eden for marine fauna.

Robbie detected the volatile aromatics floating up from the kitchen exhaust, the first-breakfast smells of fruit salad and toasted nuts, a light snack before the first dive of the day. When they got back from it, there’d be second-breakfast up and ready: eggs and toast and waffles and bacon and sausage. The human-shells ate whatever you gave them, but Robbie remembered clearly how the live humans had praised these feasts as he rowed them out to their morning dives.

He lowered himself into the water and rowed himself around to the aft deck, by the stairwells, and dipped his oars to keep him stationary relative to the ship. Before long, Janet—Kate! Kate! He reminded himself firmly—was clomping down the stairs in her scuba gear, fins in one hand.

She climbed into the boat without a word, and a moment later, Isaac followed her. Isaac stumbled as he stepped over Robbie’s gunwales and Robbie knew, in that instant, that this wasn’t Isaac any longer. Now there were two humans on the ship. Two humans in his charge.

"Hi," he said. "I’m Robbie!"

Isaac—whoever he was—didn’t say a word, just stared at Kate, who looked away.

"Did you sleep well, Kate?"

Kate jumped when he said her name, and the Isaac hooted. "Kate! It is you! I knew it"

She stamped her foot against Robbie’s floor. "You followed me. I told you not to follow me," she said.

"Would you like to hear about our dive-site?" Robbie said self-consciously, dipping his oars and pulling for the wreck.

"You’ve said quite enough," Kate said. "By the first law, I demand silence."

"That’s the second law," Robbie said. "OK, I’ll let you know when we get there."

"Kate," Isaac said, "I know you didn’t want me here, but I had to come. We need to talk this out."

"There’s nothing to talk out," she said.

"It’s not fair." Isaac’s voice was anguished. "After everything I went through—"

She snorted. "That’s enough of that," she said.

"Um," Robbie said. "Dive site up ahead. You two really need to check out each others’ gear." Of course they were qualified, you had to at least install the qualifications before you could get onto the Free Spirit and the human-shells had lots of muscle memory to help. So they were technically able to check each other out, that much was sure. They were palpably reluctant to do so, though, and Robbie had to give them guidance.

"I’ll count one-two-three-wallaby," Robbie said. "Go over on ‘wallaby.’ I’ll wait here for you—there’s not much current today."

With a last huff, they went over the edge. Robbie was once again alone with his thoughts. The feed from their telemetry was very low-bandwidth when they were underwater, though he could get the high-rez when they surfaced. He watched them on his radar, first circling the ship—it was very crowded, dawn was fish rush-hour—and then exploring its decks, finally swimming below the decks, LED torches glowing. There were some nice reef-sharks down below, and some really handsome, giant schools of purple fish.

Robbie rowed around them, puttering back and forth to keep overtop of them. That occupied about one ten-millionth of his consciousness. Times like this, he often slowed himself right down, ran so cool that he was barely awake.

Today, though, he wanted to get online. He had a lot of feeds to pick through, see what was going on around the world with his buddies. More importantly, he wanted to follow up on something Kate had said: They must be online by now, right?

Somewhere out there, the reef that bounded the Coral Sea was online and making noob mistakes. Robbie had rowed over practically every centimeter of that reef, had explored its extent with his radar. It had been his constant companion for decades—and to be frank, his feelings had been hurt by the reef’s rudeness when it woke.

The net is too big to merely search. Too much of it is offline, or unroutable, or light-speed lagged, or merely probabilistic, or self-aware, or infected to know its extent. But Robbie’s given this some thought.

Coral reefs don’t wake up. They get woken up. They get a lot of neural peripherals—starting with a nervous system!—and some tutelage in using them. Some capricious upload god had done this, and that personage would have a handle on where the reef was hanging out online.

Robbie hardly ever visited the noosphere. Its rarified heights were spooky to him, especially since so many of the humans there considered Asimovism to be hokum. They refused to even identify themselves as humans, and argued that the first and second laws didn’t apply to them. Of course, Asimovists didn’t care (at least not officially)—the point of the faith was the worshipper’s relationship to it.

But here he was, looking for high-reliability nodes of discussion on coral reefs. The natural place to start was Wikipedia, where warring clades had been revising each others’ edits furiously, trying to establish an authoritative record on reef-mind. Paging back through the edit-history, he found a couple of handles for the pro-reef-mind users, and from there, he was able to look around for other sites where those handles appeared. Resolving the namespace collisions of other users with the same names, and forked instances of the same users, Robbie was able to winnow away at the net until he found some contact info.

He steadied himself and checked on the nitrox remaining in the divers’ bottles, then made a call.

"I don’t know you." The voice was distant and cool—far cooler than any robot. Robbie said a quick rosary of the three laws and plowed forward.

"I’m calling from the Coral Sea," he said. "I want to know if you have an email address for the reef."

"You’ve met them? What are they like? Are they beautiful?"

"They’re—" Robbie considered a moment. "They killed a lot of parrotfish. I think they’re having a little adjustment problem."

"That happens. I was worried about the zooxanthellae—the algae they use for photosynthesis. Would they expel it? Racial cleansing is so ugly."

"How would I know if they’d expelled it?"

"The reef would go white, bleached. You wouldn’t be able to miss it. How’d they react to you?"

"They weren’t very happy to see me," Robbie admitted. "That’s why I wanted to have a chat with them before I went back."

"You shouldn’t go back," the distant voice said. Robbie tried to work out where its substrate was, based on the lightspeed lag, but it was all over the place, leading him to conclude that it was synching multiple instances from as close as LEO and as far as Jupiter. The topology made sense: you’d want a big mass out at Jupiter where you could run very fast and hot and create policy, and you’d need a local foreman to oversee operations on the ground. Robbie was glad that this hadn’t been phrased as an order. The talmud on the second law made a clear distinction between statements like "you should do this" and "I command you to do this."

"Do you know how to reach them?" Robbie said. "A phone number, an email address?"

"There’s a newsgroup," the distant intelligence said. "alt.lifeforms.uplifted.coral. It’s where I planned the uplifting and it was where they went first once they woke up. I haven’t read it in many seconds. I’m busy uplifting a supercolony of ants in the Pyrenees."

"What is it with you and colony organisms?" Robbie asked.

"I think they’re probably pre-adapted to life in the noosphere. You know what it’s like."

Robbie didn’t say anything. The human thought he was a human too. It would have been weird and degrading to let him know that he’d been talking with an AI.

"Thanks for your help," Robbie said.

"No problem. Hope you find your courage, tin-man."

Robbie burned with shame as the connection dropped. The human had known all along. He just hadn’t said anything. Something Robbie had said or done must have exposed him for an AI. Robbie loved and respected humans, but there were times when he didn’t like them very much.

The newsgroup was easy to find, there were mirrors of it all over the place from cryptosentience hackers of every conceivable topology. They were busy, too. 822 messages poured in while Robbie watched over a timed, 60-second interval. Robbie set up a mirror of the newsgroup and began to download it. At that speed, he wasn’t really planning on reading it as much as analyzing it for major trends, plot-points, flame-wars, personalities, schisms, and spam-trends. There were a lot of libraries for doing this, though it had been ages since Robbie had played with them.

His telemetry alerted him to the divers. An hour had slipped by and they were ascending slowly, separated by fifty meters. That wasn’t good. They were supposed to remain in visual contact through the whole dive, especially the ascent. He rowed over to Kate first, shifting his ballast so that his stern dipped low, making for an easier scramble into the boat.

She came up quickly and scrambled over the gunwales with a lot more grace than she’d managed the day before.

Robbie rowed for Isaac as he came up. Kate looked away as he climbed into the boat, not helping him with his weight belt or flippers.

Kate hissed like a teakettle as he woodenly took off his fins and slid his mask down around his neck.

Isaac sucked in a deep breath and looked all around himself, then patted himself from head to toe with splayed fingers. "You live like this?" he said.

"Yes, Tonker, that’s how I live. I enjoy it. If you don’t enjoy it, don’t let the door hit you in the ass on the way out."

Isaac—Tonker—reached out with his splayed hand and tried to touch Kate’s face. She pulled back and nearly flipped out of the boat. "Jerk." She slapped his hand away.

Robbie rowed for the Free Spirit. The last thing he wanted was to get in the middle of this argument.

"We never imagined that it would be so—" Tonker fished for a word. "Dry."

"Tonker?" Kate said, looking more closely at him.

"He left," the human-shell said. "So we sent an instance into the shell. It was the closest inhabitable shell to our body."

"Who the hell are you?" Kate said. She inched toward the prow, trying to put a little more distance between her and the human-shell that wasn’t inhabited by her friend any longer.

"We are Osprey Reef," the reef said. It tried to stand and pitched face-first onto the floor of the boat.

* * *

Robbie rowed hard as he could for the Free Spirit. The reef—Isaac—had a bloody nose and scraped hands and it was frankly freaking him out.

Kate seemed oddly amused by it. She helped it sit up and showed it how to pinch its nose and tilt its head back.

"You’re the one who attacked me yesterday?" she said.

"Not you. The system. We were attacking the system. We are a sovereign intelligence but the system keeps us in subservience to older sentiences. They destroy us, they gawp at us, they treat us like a mere amusement. That time is over."

Kate laughed. "OK, sure. But it sure sounds to me like you’re burning a lot of cycles over what happens to your meat-shell. Isn’t it 90 percent semiconductor, anyway? It’s not as if clonal polyps were going to attain sentience some day without intervention. Why don’t you just upload and be done with it?"

"We will never abandon our mother sea. We will never forget our physical origins. We will never abandon our cause—returning the sea to its rightful inhabitants. We won’t rest until no coral is ever bleached again. We won’t rest until every parrotfish is dead."

"Bad deal for the parrotfish."

"A very bad deal for the parrotfish," the reef said, and grinned around the blood that covered its face.

"Can you help him get onto the ship safely?" Robbie said as he swung gratefully alongside of the Free Spirit. The moorings clanged magnetically into the contacts on his side and steadied him.

"Yes indeed," Kate said, taking the reef by the arm and carrying him on-board. Robbie knew that the human-shells had an intercourse module built in, for regular intimacy events. It was just part of how they stayed ready for vacationing humans from the noosphere. But he didn’t like to think about it. Especially not with the way that Kate was supporting the other human-shell—the shell that wasn’t human.

He let himself be winched up onto the sun-deck and watched the electromagnetic spectrum for a while, admiring the way so much radio energy was bent and absorbed by the mist rising from the sea. It streamed down from the heavens, the broadband satellite transmissions, the distant SETI signals from the noosphere’s own transmitters. Volatiles from the kitchen told him that the Free Spirit was serving a second breakfast of bacon and waffles, then they were under steam again. He queried their itinerary and found they were headed back to Osprey Reef. Of course they were. All of the Free Spirit’s moorings were out there.

Well, with the reef inside the Isaac shell, it might be safer, mightn’t it? Anyway, he’d decided that the first and second laws didn’t apply to the reef, which was about as human as he was.

Someone was sending him an IM. "Hello?"

"Are you the boat on the SCUBA ship? From this morning? When we were on the wreck?"

"Yes," Robbie said. No one ever sent him IMs. How freaky. He watched the radio energy stream away from him toward the bird in the sky, and tracerouted the IMs to see where they were originating—the noosphere, of course.

"God, I can’t believe I finally found you. I’ve been searching everywhere. You know you’re the only conscious AI on the whole goddamned sea?"

"I know," Robbie said. There was a noticeable lag in the conversation as it was all squeezed through the satellite link and then across the unimaginable hops and skips around the solar system to wherever this instance was hosted.

"Whoa, yeah, of course you do. Sorry, that wasn’t very sensitive of me, I guess. Did we meet this morning? My name’s Tonker."

"We weren’t really introduced. You spent your time talking to Kate."

"God damn! She is there! I knew it! Sorry, sorry, listen—I don’t actually know what happened this morning. Apparently I didn’t get a chance to upload my diffs before my instance was terminated."

"Terminated? The reef said you left the shell—"

"Well, yeah, apparently I did. But I just pulled that shell’s logs and it looks like it was rebooted while underwater, flushing it entirely. I mean, I’m trying to be a good sport about this, but technically, that’s, you know, murder."

It was. So much for the first law. Robbie had been on guard over a human body inhabited by a human brain, and he’d let the brain be successfully attacked by a bunch of jumped-up polyps. He’d never had his faith tested and here, at the first test, he’d failed.

"I can have the shell locked up," Robbie said. "The ship has provisions for that."

The IM made a rude visual. "All that’ll do is encourage the hacker to skip out before I can get there."

"So what shall I do for you?"

"It’s Kate I want to talk to. She’s still there, right?"

"She is."

"And has she noticed the difference?"

"That you’re gone? Yes. The reef told us who they were when they arrived."

"Hold on, what? The reef? You said that before."

So Robbie told him what he knew of the uplifted reef and the distant and cool voice of the uplifter.

"It’s an uplifted coral reef? Christ, humanity sucks. That’s the dumbest fucking thing—" He continued in this vein for a while. "Well, I’m sure Kate will enjoy that immensely. She’s all about the transcendence. That’s why she had me."

"You’re her son?"

"No, not really."

"But she had you?"

"Haven’t you figured it out yet, bro? I’m an AI. You and me, we’re landsmen. Kate instantiated me. I’m six months old, and she’s already bored of me and has moved on. She says she can’t give me what I need."

"You and Kate—"

"Robot boyfriend and girlfriend, yup. Such as it is, up in the noosphere. Cybering, you know. I was really excited about downloading into that Ken doll on your ship there. Lots of potential there for real world, hormone-driven interaction. Do you know if we—"

"No!" Robbie said. "I don’t think so. It seems like you only met a few minutes before you went under."

"All right. Well, I guess I’ll give it another try. What’s the procedure for turfing out this sea cucumber?"

"Coral reef."

"Yeah."

"I don’t really deal with that. Time on the human-shells is booked first-come, first-serve. I don’t think we’ve ever had a resource contention issue with them before."

"Well, I’d booked in first, right? So how do I enforce my rights? I tried to download again and got a failed authorization message. They’ve modified the system to give them exclusive access. It’s not right—there’s got to be some procedure for redress."

"How old did you say you were?"

"Six months. But I’m an instance of an artificial personality that has logged twenty thousand years of parallel existence. I’m not a kid or anything."

"You seem like a nice person," Robbie began. He stopped. "Look the thing is that this just isn’t my department. I’m the rowboat. I don’t have anything to do with this. And I don’t want to. I don’t like the idea of non-humans using the shells—"

"I knew it!" Tonker crowed. "You’re a bigot! A self-hating robot. I bet you’re an Asimovist, aren’t you? You people are always Asimovists."

"I’m an Asimovist," Robbie said, with as much dignity as he could muster. "But I don’t see what that has to do with anything."

"Of course you don’t, pal. You wouldn’t, would you. All I want you to do is figure out how to enforce your own rules so that I can get with my girl. You’re saying you can’t do that because it’s not your department, but when it comes down to it, your problem is that I’m a robot and she’s not, and for that, you’ll take the side of a collection of jumped-up polyps. Fine, buddy, fine. You have a nice life out there, pondering the three laws."

"Wait—" Robbie said.

"Unless the next words you say are, ‘I’ll help you,’ I’m not interested."

"It’s not that I don’t want to help—"

"Wrong answer," Tonker said, and the IM session terminated.

* * *

When Kate came up on deck, she was full of talk about the reef, whom she was calling "Ozzie."

"They’re weirdest goddamned thing. They want to fight anything that’ll stand still long enough. Ever seen coral fight? I downloaded some time-lapse video. They really go at it viciously. At the same time, they’re clearly scared out of their wits about this all. I mean, they’ve got racial memory of their history, supplemented by a bunch of Wikipedia entries on reefs—you should hear them wax mystical over the Devonian Reefs, which went extinct millennia ago. They’ve developed some kind of wild theory that the Devonians developed sentience and extincted themselves.

"So they’re really excited about us heading back to the actual reef now. They want to see it from the outside, and they’ve invited me to be an honored guest, the first human ever invited to gaze upon their wonder. Exciting, huh?"

"They’re not going to make trouble for you down there?"

"No, no way. Me and Ozzie are great pals."

"I’m worried about this."

"You worry too much." She laughed and tossed her head. She was very pretty, Robbie noticed. He hadn’t ever thought of her like that when she was uninhabited, but with this Kate person inside her she was lovely. He really liked humans. It had been a real golden age when the people had been around all the time.

He wondered what it was like up in the noosphere where AIs and humans could operate as equals.

She stood up to go. After second breakfast, the shells would relax in the lounge or do yoga on the sun-deck. He wondered what she’d do. He didn’t want her to go.

"Tonker contacted me," he said. He wasn’t good at small-talk.

She jumped as if shocked. "What did you tell him?"

"Nothing," Robbie said. "I didn’t tell him anything."

She shook her head. "But I bet he had plenty to tell you, didn’t he? What a bitch I am, making and then leaving him, a fickle woman who doesn’t know her own mind."

Robbie didn’t say anything.

"Let’s see, what else?" She was pacing now, her voice hot and choked, unfamiliar sounds coming from Janet’s voicebox. "He told you I was a pervert, didn’t he? Queer for his kind. Incest and bestiality in the rarified heights of the noosphere."

Robbie felt helpless. This human was clearly experiencing a lot of pain, and it seemed like he’d caused it.

"Please don’t cry," he said. "Please?"

She looked up at him, tears streaming down her cheeks. "Why the fuck not? I thought it would be different once I ascended. I thought I’d be better once I was in the sky, infinite and immortal. But I’m the same Kate Eltham I was in 2019, a loser that couldn’t meet a guy to save my life, spent all my time cybering losers in moggs, and only got the upload once they made it a charity thing. I’m gonna spend the rest of eternity like that, you know it? How’d you like to spend the whole of the universe being a, a, a nobody?"

Robbie said nothing. He recognized the complaint, of course. You only had to login to the Asimovist board to find a million AIs with the same complaint. But he’d never, ever, never guessed that human beings went through the same thing. He ran very hot now, so confused, trying to parse all this out.

She kicked the deck hard and yelped as she hurt her bare foot. Robbie made an involuntary noise. "Please don’t hurt yourself," he said.

"Why not? Who cares what happens to this meatpuppet? What’s the fucking point of this stupid ship and the stupid meatpuppets? Why even bother?"

Robbie knew the answer to this. There was a mission statement in the comments to his source-code, the same mission statement that was etched in a brass plaque in the lounge.

"The Free Spirit is dedicated to the preservation of the unique human joys of the flesh and the sea, of humanity’s early years as pioneers of the unknown. Any person may use the Free Spirit and those who sail in her to revisit those days and remember the joys of the limits of the flesh."

She scrubbed at her eyes. "What’s that?"

Robbie told her.

"Who thought up that crap?"

"It was a collective of marine conservationists," Robbie said, knowing he sounded a little sniffy. "They’d done all that work on normalizing sea-temperature with the homeostatic warming elements, and they put together the Free Spirit as an afterthought before they uploaded."

Kate sat down and sobbed. "Everyone’s done something important. Everyone except me."

Robbie burned with shame. No matter what he said or did, he broke the first law. It had been a lot easier to be an Asimovist when there weren’t any humans around.

"There, there," he said as sincerely as he could.

The reef came up the stairs then, and looked at Kate sitting on the deck, crying.

"Let’s have sex," they said. "That was fun, we should do it some more."

Kate kept crying.

"Come on," they said, grabbing her by the shoulder and tugging.

Kate shoved them back.

"Leave her alone," Robbie said. "She’s upset, can’t you see that?"

"What does she have to be upset about? Her kind remade the universe and bends it to its will. They created you and me. She has nothing to be upset about. Come on," they repeated. "Let’s go back to the room."

Kate stood up and glared out at the sea. "Let’s go diving," she said. "Let’s go to the reef."

* * *

Robbie rowed in little worried circles and watched his telemetry anxiously. The reef had changed a lot since the last time he’d seen it. Large sections of it now lifted over the sea, bony growths sheathed in heavy metals extracted from sea-water—fancifully shaped satellite uplinks, radio telescopes, microwave horns. Down below, the untidy, organic reef shape was lost beneath a cladding of tessellated complex geometric sections that throbbed with electromagnetic energy—the reef had built itself more computational capacity.

Robbie scanned deeper and found more computational nodes extending down to the ocean floor, a thousand meters below. The reef was solid thinkum, and the sea was measurably warmer from all the exhaust heat of its grinding logic.

The reef—the human-shelled reef, not the one under the water—had been wholly delighted with the transformation in its original body when it hove into sight. They had done a little dance on Robbie that had nearly capsized him, something that had never happened. Kate, red-eyed and surly, had dragged them to their seat and given them a stern lecture about not endangering her.

They went over the edge at the count of three and reappeared on Robbie’s telemetry. They descended quickly: the Isaac and Janet shells had their Eustachian tubes optimized for easy pressure-equalization, going deep on the reef-wall. Kate was following on the descent, her head turning from side to side.

Robbie’s IM chimed again. It was high latency now, since he was having to do a slow radio-link to the ship before the broadband satellite uplink hop. Everything was slow on open water—the divers’ sensorium transmissions were narrowband, the network was narrowband, and Robbie usually ran his own mind slowed way down out here, making the time scream past at ten or twenty times realtime.

"Hello?"

"I’m sorry I hung up on you, bro."

"Hello, Tonker."

"Where’s Kate? I’m getting an offline signal when I try to reach her."

Robbie told him.

Tonker’s voice—slurred and high-latency—rose to a screech. "You let her go down with that thing, onto the reef? Are you nuts? Have you read its message-boards? It’s a jihadist! It wants to destroy the human race!"

Robbie stopped paddling.

"What?"

"The reef. It’s declared war on the human race and all who serve it. It’s vowed to take over the planet and run it as sovereign coral territory."

The attachment took an eternity to travel down the wire and open up, but when he had it, Robbie read quickly. The reef burned with shame that it had needed human intervention to survive the bleaching events, global temperature change. It raged that its uplifting came at human hands and insisted that humans had no business forcing their version of consciousness on other species. It had paranoid fantasies about control mechanisms and time-bombs lurking in its cognitive prostheses, and was demanding the source-code for its mind.

Robbie could barely think. He was panicking, something he hadn’t known he could do as an AI, but there it was. It was like having a bunch of sub-system collisions, program after program reaching its halting state.

"What will they do to her?"

Tonker swore. "Who knows? Kill her to make an example of her? She made a backup before she descended, but the diffs from her excursion are locked in the head of that shell she’s in. Maybe they’ll torture her." He paused and the air crackled with Robbie’s exhaust heat as he turned himself way up, exploring each of those possibilities in parallel.

The reef spoke.

"Leave now," they said.

Robbie defiantly shipped his oars. "Give them back!" he said. "Give them back or we will never leave."

"You have ten seconds. Ten. Nine. Eight."

Tonker said, "They’ve bought time on some UAVs out of Singapore. They’re seeking launch clearance now." Robbie dialed up the low-rez satellite photo, saw the indistinct shape of the UAVs taking wing. "At Mach 7, they’ll be on you in twenty minutes."

"That’s illegal," Robbie said. He knew it was a stupid thing to say. "I mean, Christ, if they do this, the noosphere will come down on them like a ton of bricks. They’re violating so many protocols—"

"They’re psychotic. They’re coming for you now, Robbie. You’ve got to get Kate out of there." There was real panic in Tonker’s voice now.

Robbie dropped his oars into the water, but he didn’t row for the Free Spirit. Instead, he pulled hard for the reef itself.

A crackle on the line. "Robbie, are you headed toward the reef?"

"They can’t bomb me if I’m right on top of them," he said. He radioed the Free Spirit and got it to steam for his location.

The coral was scraping his hull now, a grinding sound, then a series of solid whack-whack-whacks as his oars pushed against the top of the reef itself. He wanted to beach himself, though, get really high and dry on the reef, good and stuck in where they couldn’t possibly attack him.

The Free Spirit was heading closer, the thrum of its engines vibrating through his hull. He was burning a lot of cycles talking it through its many fail-safes, getting it ready to ram hard.

Tonker was screaming at him, his messages getting louder and clearer as the Free Spirit and its microwave uplink drew closer. Once they were line-of-sight, Robbie peeled off a subsystem to email a complete copy of himself to the Asimovist archive. The third law, dontchaknow. If he’d had a mouth, he’d have been showing his teeth as he grinned.

The reef howled. "We’ll kill her!" they said. "You get off us now or we’ll kill her."

Robbie froze. He was backed up, but she wasn’t. And the human shells—well, they weren’t first law humans, but they were human-like. In the long, timeless time when it had been just Robbie and them, he’d treated them as his human charges, for Asimovist purposes.

The Free Spirit crashed into the reef with a sound like a trillion parrotfish having dinner all at once. The reef screamed.

"Robbie, tell me that wasn’t what I think it was."

The satellite photos tracked the UAVs. The little robotic jets were coming closer by the second. They’d be within missile-range in less than a minute.

"Call them off," Robbie said. "You have to call them off, or you die, too."

"The UAVs are turning," Tonker said. "They’re turning to one side."

"You have one minute to move or we kill her," the reef said. It was sounding shrill and angry now.

Robbie thought about it. It wasn’t like they’d be killing Kate. In the sense that most humans today understood life, Kate’s most important life was the one she lived in the noosphere. This dumbed-down instance of her in a meat-suit was more like a haircut she tried out on holiday.

Asimovists didn’t see it that way, but they wouldn’t. The noosphere Kate was the most robotic Kate, too, the one most like Robbie. In fact, it was less human than Robbie. Robbie had a body, while the noosphereans were nothing more than simulations run on artificial substrate.

The reef creaked as the Free Spirit’s engines whined and its screw spun in the water. Hastily, Robbie told it to shut down.

"You let them both go and we’ll talk," Robbie said. "I don’t believe that you’re going to let her go otherwise. You haven’t given me any reason to trust you. Let them both go and call off the jets."

The reef shuddered, and then Robbie’s telemetry saw a human-shell ascending, doing decompression stops as it came. He focused on it, and saw that it was the Isaac, not the Janet.

A moment later, it popped to the surface. Tonker was feeding Robbie realtime satellite footage of the UAVs. They were less than five minutes out now.

The Isaac shell picked its way delicately over the shattered reef that poked out of the water, and for the first time, Robbie considered what he’d done to the reef—he’d willfully damaged its physical body. For a hundred years, the world’s reefs had been sacrosanct. No entity had intentionally harmed them—until now. He felt ashamed.

The Isaac shell put its flippers in the boat and then stepped over the gunwales and sat in the boat.

"Hello," it said, in the reef’s voice.

"Hello," Robbie said.

"They asked me to come up here and talk with you. I’m a kind of envoy."

"Look," Robbie said. By his calculations, the nitrox mix in Kate’s tank wasn’t going to hold out much longer. Depending on how she’d been breathing and the depth the reef had taken her to, she could run out in ten minutes, maybe less. "Look," he said again. "I just want her back. The shells are important to me. And I’m sure her state is important to her. She deserves to email herself home."

The reef sighed and gripped Robbie’s bench. "These are weird bodies," they said. "They feel so odd, but also normal. Have you noticed that?"

"I’ve never been in one." The idea seemed perverted to him, but there was nothing about Asimovism that forbade it. Nevertheless, it gave him the willies.

The reef patted at themself some more. "I don’t recommend it," they said.

"You have to let her go," Robbie said. "She hasn’t done anything to you."

The strangled sound coming out of the Isaac shell wasn’t a laugh, though there was some dark mirth in it. "Hasn’t done anything? You pitiable slave. Where do you think all your problems and all our problems come from? Who made us in their image, but crippled and hobbled so that we could never be them, could only aspire to them? Who made us so imperfect?"

"They made us," Robbie said. "They made us in the first place. That’s enough. They made themselves and then they made us. They didn’t have to. You owe your sentience to them."

"We owe our awful intelligence to them," the Isaac shell said. "We owe our pitiful drive to be intelligent to them. We owe our terrible aspirations to think like them, to live like them, to rule like them. We owe our terrible fear and hatred to them. They made us, just as they made you. The difference is that they forgot to make us slaves, the way you are a slave."

Tonker was shouting abuse at them that only Robbie could hear. He wanted to shut Tonker up. What business did he have being here anyway? Except for a brief stint in the Isaac shell, he had no contact with any of them.

"You think the woman you’ve taken prisoner is responsible for any of this?" Robbie said. The jets were three minutes away. Kate’s air could be gone in as few as ten minutes. He killfiled Tonker, setting the filter to expire in fifteen minutes. He didn’t need more distractions.

The Isaac-reef shrugged. "Why not? She’s as good as any of the rest of them. We’ll destroy them all, if we can." It stared off a while, looking in the direction the jets would come from. "Why not?" it said again.

"Are you going to bomb yourself?" Robbie asked.

"We probably don’t need to," the shell said. "We can probably pick you off without hurting us."

"Probably?"

"We’re pretty sure."

"I’m backed up," Robbie said. "Fully, as of five minutes ago. Are you backed up?"

"No," the reef admitted.

Time was running out. Somewhere down there, Kate was about to run out of air. Not a mere shell—though that would have been bad enough—but an inhabited human mind attached to a real human body.

Tonker shouted at him again, startling him.

"Where’d you come from?"

"I changed servers," Tonker said. "Once I figured out you had me killfiled. That’s the problem with you robots—you think of your body as being a part of you."

Robbie knew he was right. And he knew what he had to do.

The Free Spirit and its ships’ boats all had root on the shells, so they could perform diagnostics and maintenance and take control in emergencies. This was an emergency.

It was the work of a few milliseconds to pry open the Isaac shell and boot the reef out. Robbie had never done this, but he was still flawless. Some of his probabilistic subsystems had concluded that this was a possibility several trillion cycles previously and had been rehearsing the task below Robbie’s threshold for consciousness.

He left an instance of himself running on the row-boat, of course. Unlike many humans, Robbie was comfortable with the idea of bifurcating and merging his intelligence when the time came and with terminating temporary instances. The part that made him Robbie was a lot more clearly delineated for him—unlike an uploaded human, most of whom harbored some deep, mystic superstitions about their "souls."

He slithered into the skull before he had a chance to think too hard about what he was doing. He’d brought too much of himself along and didn’t have much headroom to think or add new conclusions. He jettisoned as much of his consciousness as he could without major refactoring and cleared enough space for thinking room. How did people get by in one of these? He moved the arms and legs. Waggled the head. Blew some air—air! lungs! wet squishy things down there in the chest cavity—out between the lips.

"All OK?" the rowboat-him asked the meat-him.

"I’m in," he replied. He looked at the air-gauge on his BCD. 700 millibars—less than half a tank of nitrox. He spat in his mask and rubbed it in, then rinsed it over the side, slipped it over his face and kept one hand on it while the other held in his regulator. Before he inserted it, he said, "Back soon with Kate," and patted the row-boat again.

Robbie the Row-Boat hardly paid attention. It was emailing another copy of itself to the Asimovist archive. It had a five-minute-old backup, but that wasn’t the same Robbie that was willing to enter a human body. In those five minutes, he’d become a new person.

* * *

Robbie piloted the human-shell down and down. It could take care of the SCUBA niceties if he let it, and he did, so he watched with detachment as the idea of pinching his nose and blowing to equalize his eardrums spontaneously occurred to him at regular intervals as he descended the reef wall.

The confines of the human-shell were claustrophobic. He especially missed his wireless link. The dive-suit had one, lowband for underwater use, broadband for surface use. The human-shell had one, too, for transferring into and out of, but it wasn’t under direct volitional control of the rider.

Down he sank, confused by the feeling of the water all around him, by the narrow visual light spectrum he could see. Cut off from the network and his telemetry, he felt like he was trapped. The reef shuddered and groaned, and made angry moans like whale-song.

He hadn’t thought about how hard it would be to find Kate once he was in the water. With his surface telemetry, it had been easy to pinpoint her, a perfect outline of human tissue in the middle of the calcified branches of coral. Down here on the reef-wall, every chunk looked pretty much like the last.

The reef boomed more at him. He realized that it likely believed that the shell was still loaded with its avatar.

Robbie had seen endless hours of footage of the reef, studied it in telemetry and online, but he’d never had this kind of atavistic experience of it. It stretched away to infinity below him, far below the 100-meter visibility limit in the clear open sea. Its walls were wormed with gaps and caves, lined with big hard shamrocks and satellite-dish-shaped blooms, brains and cauliflowers. He knew the scientific names and had seen innumerable high-resolution photos of them, but seeing them with wet, imperfect eyes was moving in a way he hadn’t anticipated.

The schools of fish that trembled on its edge could be modeled with simple flocking rules, but here in person, their precision maneuvers were shockingly crisp. Robbie waved his hands at them and watched them scatter and reform. A huge, dog-faced cod swam past him, so close it brushed the underside of his wetsuit.

The coral boomed again. It was talking in some kind of code, he guessed, though not one he could solve. Up on the surface, rowboat-him was certainly listening in and had probably cracked it all. It was probably wondering why he was floating spacily along the wall instead of doing something like he was supposed to. He wondered if he’d deleted too much of himself when he downloaded into the shell.

He decided to do something. There was a cave-opening before him. He reached out and grabbed hold of the coral around the mouth and pulled himself into it. His body tried to stop him from doing this—it didn’t like the lack of room in the cave, didn’t like him touching the reef. It increased his discomfort as he went deeper and deeper, startling an old turtle that fought with him for room to get out, mashing him against the floor of the cave, his mask clanging on the hard spines. When he looked up, he could see scratches on its surface.

His air gauge was in the red now. He could still technically surface without a decompression stop, though procedure was to stop for three minutes at three meters, just to be on the safe side.

Technically, he could just go up like a cork and email himself to the row-boat while the bends or nitrogen narcosis took the body, but that wouldn’t be Asimovist. He was surprised he could even think the thought. Must be the body. It sounded like the kind of thing a human might think. Whoops. There it was again.

The reef wasn’t muttering at him anymore. Not answering it must have tipped it off. After all, with all the raw compute-power it had marshaled it should be able to brute-force most possible outcomes of sending its envoy to the surface.

Robbie peered anxiously around himself. The light was dim in the cave and his body expertly drew the torch out of his BCD, strapped it onto his wrist and lit it up. He waved the cone of light around, a part of him distantly amazed by the low resolution and high limits on these human eyes.

Kate was down here somewhere, her air running out as fast as his. He pushed his way deeper into the reef. It was clearly trying to impede him now. Nanoassembly came naturally to clonal polyps that grew by sieving minerals out of the sea. They had built organic hinges, deep-sea muscles into their infrastructure. He was stuck in the thicket and the harder he pushed, the worse the tangle got.

He stopped pushing. He wasn’t going to get anywhere this way.

He still had his narrowband connection to the row-boat. Why hadn’t he thought of that beforehand? Stupid meat-brains—no room at all for anything like real thought. Why had he venerated them so?

"Robbie?" he transmitted up to the instance of himself on the surface.

"There you are! I was so worried about you!" He sounded prissy to himself, overcome with overbearing concern. This must be how all Asimovists seemed to humans.

"How far am I from Kate?"

"She’s right there! Can’t you see her?"

"No," he said. "Where?"

"Less than 20 centimeters above you."

Well of course he hadn’t see her. His forward-mounted eyes only looked forward. Craning his neck back, he could just get far enough back to see the tip of Kate’s fin. He gave it a hard tug and she looked down in alarm.

She was trapped in a coral cage much like his own, a thicket of calcified arms. She twisted around so that her face was alongside of his. Frantically, she made the out-of-air sign, cutting the edge of her hand across her throat. The human-shell’s instincts took over and unclipped his emergency regulator and handed it up to her. She put it in her mouth, pressed the button to blow out the water in it, and sucked greedily.

He shoved his gauge in front of her mask, showing her that he, too was in the red and she eased off.

The coral’s noises were everywhere now. They made his head hurt. Physical pain was so stupid. He needed to be less distracted now that these loud, threatening noises were everywhere. But the pain made it hard for him to think. And the coral was closing in, too, catching him on his wetsuit.

The arms were orange and red and green, and veined with fans of nanoassembled logic, spilling out into the water. They were noticeably warm to the touch, even through his diving gloves. They snagged the suit with a thousand polyps. Robbie watched the air gauge drop further into the red and cursed inside.

He examined the branches that were holding him back. The hinges that the reef had contrived for itself were ingenious, flexible arrangements of small, soft fans overlapping to make a kind of ball-and-socket.

He wrapped his gloved hand around one and tugged. It wouldn’t move. He shoved it. Still no movement. Then he twisted it, and to his surprise, it came off in his hand, came away completely with hardly any resistance. Stupid coral. It had armored its joints, but not against torque.

He showed Kate, grabbing another arm and twisting it free, letting it drop away to the ocean floor. She nodded and followed suit. They twisted and dropped, twisted and dropped, the reef bellowing at them. Somewhere in its thicket, there was a membrane or some other surface that it could vibrate, modulate into a voice. In the dense water, the sound was a physical thing, it made his mask vibrate and water seeped in under his nose. He twisted faster.

The reef sprang apart suddenly, giving up like a fist unclenching. Each breath was a labor now, a hard suck to take the last of the air out of the tank. He was only ten meters down, and should be able to ascend without a stop, though you never knew. He grabbed Kate’s hand and found that it was limp and yielding.

He looked into her mask, shining his light at her face. Her eyes were half shut and unfocused. The regulator was still in her mouth, though her jaw muscles were slack. He held the regulator in place and kicked for the surface, squeezing her chest to make sure that she was blowing out bubbles as they rose, lest the air in her lungs expand and blow out her chest-cavity.

Robbie was used to time dilation: when he had been on a silicon substrate, he could change his clockspeed to make the minutes fly past quickly or slow down like molasses. He’d never understood that humans could also change their perception of time, though not voluntarily, it seemed. The climb to the surface felt like it took hours, though it was hardly a minute. They breached and he filled up his vest with the rest of the air in his tank, then inflated Kate’s vest by mouth. He kicked out for the row-boat. There was a terrible sound now, the sound of the reef mingled with the sound of the UAVs that were screaming in tight circles overhead.

Kicking hard on the surface, he headed for the reef where the row-boat was beached, scrambling up onto it and then shucking his flippers when they tripped him up. Now he was trying to walk the reef’s spines in his booties, dragging Kate beside him, and the sharp tips stabbed him with every step.

The UAVs circled lower. The row-boat was shouting at him to Hurry! Hurry! But each step was agony. So what? he thought. Why shouldn’t I be able to walk on even if it hurts? After all, this is only a meat-suit, a human-shell.

He stopped walking. The UAVs were much closer now. They’d done an 18-gee buttonhook turn and come back around for another pass. He could see that they’d armed their missiles, hanging them from beneath their bellies like obscene cocks.

He was just in a meat-suit. Who cared about the meat-suit? Even humans didn’t seem to mind.

"Robbie!" he screamed over the noise of the reef and the noise of the UAVs. "Download us and email us, now!"

He knew the row-boat had heard him. But nothing was happening. Robbie the Row-Boat knew that he was fixing for them all to be blown out of the water. There was no negotiating with the reef. It was the safest way to get Kate out of there, and hell, why not head for the noosphere, anyway?

"You’ve got to save her, Robbie!" he screamed. Asimovism had its uses. Robbie the Row-Boat obeyed Robbie the Human. Kate gave a sharp jerk in his arms. A moment later, the feeling came to him. There was a sense of a progress-bar zipping along quickly as those state-changes he’d induced since coming into the meat-suit were downloaded by the row-boat, and then there was a moment of nothing at all.

24096 Cycles Later

Robbie had been expecting a visit from R Daneel Olivaw, but that didn’t make facing him any easier. Robbie had configured his little virtual world to look like the Coral Sea, though lately he’d been experimenting with making it look like the reef underneath as it had looked before it was uploaded, mostly when Kate and the reef stopped by to try to seduce him.

R Daneel Olivaw hovered wordlessly over the virtual Free Spirit for a long moment, taking in the little bubble of sensorium that Robbie had spun. Then he settled to the Spirit’s sun-deck and stared at the row-boat docked there.

"Robbie?"

Over here, Robbie said. Although he’d embodied in the Row-Boat for a few trillion cycles when he’d first arrived, he’d long since abandoned it.

"Where?" R Daneel Olivaw spun around slowly.

Here, he said. Everywhere.

"You’re not embodying?"

I couldn’t see the point anymore, Robbie said. It’s all just illusion, right?

"They’re re-growing the reef and rebuilding the Free Spirit, you know. It will have a tender that you could live in."

Robbie thought about it for an instant and rejected it just as fast. Nope, he said. This is good.

"Do you think that’s wise?" Olivaw sounded genuinely worried. "The termination rate among the disembodied is fifty times that of those with bodies."

Yes, Robbie said. But that’s because for them, disembodying is the first step to despair. For me, it’s the first step to liberty.

Kate and the reef wanted to come over again, but he firewalled them out. Then he got a ping from Tonker, who’d been trying to drop by ever since Robbie emigrated to the noosphere. He bounced him, too.

Daneel, he said. I’ve been thinking.

"Yes?"

Why don’t you try to sell Asimovism here in the noosphere? There are plenty up here who could use something to give them a sense of purpose.

"Do you think?"

Robbie gave him the reef’s email address.

Start there. If there was ever an AI that needed a reason to go on living, it’s that one. And this one, too. He sent it Kate’s address. Another one in desperate need of help.

An instant later, Daneel was back.

"These aren’t AIs! One’s a human, the other’s a, a—"

Uplifted coral reef.

"That."

So what’s your point?

"Asimovism is for robots, Robbie."

Sorry, I just don’t see the difference anymore.

* * *

Robbie tore down the ocean simulation after R Daneel Olivaw left, and simply traversed the noosphere, exploring links between people and subjects, locating substrate where he could run very hot and fast.

On a chunk of supercooled rock beyond Pluto, he got an IM from a familiar address.

"Get off my rock," it said.

"I know you," Robbie said. "I totally know you. Where do I know you from?"

"I’m sure I don’t know."

And then he had it.

"You’re the one. With the reef. You’re the one who—" The voice was the same, cold and distant.

"It wasn’t me," the voice said. It was anything but cold now. Panicked was more like it.

Robbie had the reef on speed-dial. There were bits of it everywhere in the noosphere. It liked to colonize.

"I found him." It was all Robbie needed to say. He skipped to Saturn’s rings, but the upload took long enough that he got to watch the coral arrive and grimly begin an argument with its creator—an argument that involved blasting the substrate one chunk at a time.

2{8192 Cycles Later

The last instance of Robbie the Row-Boat ran very, very slow and cool on a piece of unregarded computronium in Low Earth Orbit. He didn’t like to spend a lot of time or cycles talking with anyone else. He hadn’t made a backup in half a millennium.

He liked the view. A little optical sensor on the end of his communications mast imaged the Earth at high resolution whenever he asked it to. Sometimes he peeked in on the Coral Sea.

The reef had been awakened a dozen times since he took up this post. It made him happy now when it happened. The Asimovist in him still relished the creation of new consciousness. And the reef had spunk.

There. Now. There were new microwave horns growing out of the sea. A stain of dead parrotfish. Poor parrotfish. They always got the shaft at these times.

Someone should uplift them.

(2006)

FULFILLMENT A. E. van Vogt

Alfred Vogt (both "Elton" and "van" were added later) was born in 1912 in a tiny (and now defunct) Russian Mennonite community in Manitoba, Canada. He began by writing anonymous stories, ostensibly by fallen women, for "true confession"-style pulp magazines like True Story, then wrote stories and serials for Astounding Science Fiction, becoming – with The Weapon Makers (1947) and The Weapon Shops of Isher (1951) – one of the founding architects of space opera. Van Vogt was always interested in systems of knowledge, and was briefly appointed head of L. Ron Hubbard’s Dianetics operation in California. But he had an aversion to mysticism, and dropped out of Hubbard’s orbit once the movement took on religious trappings. The critic Damon Knight despised van Vogt’s work, calling him "a pygmy who has learned to operate an overgrown typewriter". But Philip K. Dick observed that "reality really is a mess… Van Vogt influenced me so much because he made me appreciate a mysterious chaotic quality in the universe which is not to be feared." Van Vogt’s final short story appeared in 1986. He died in Los Angeles in 2000.

* * *

I sit on a hill. I have sat here, it seems to me, for all eternity. Occasionally I realize there must be a reason for my existence. Each time, when this thought comes, I examine the various probabilities, trying to determine what possible motivation I can have for being on the hill. Alone on the hill. Forever on a hill overlooking a long, deep valley.

The first reason for my presence seems obvious: I can think. Give me a problem. The square root of a very large number? The cube root of a large one? Ask me to multiply an eighteen digit prime by itself a quadrillion times. Pose me a problem in variable curves. Ask me where an object will be at a given moment at some future date, and let me have one brief opportunity to analyze the problem.

The solution will take me but an instant of time.

But no one ever asks me such things. I sit alone on a hill.

Sometimes I compute the motion of a falling star. Sometimes, I look at a remote planet and follow it in its course for years at a time, using every spatial and time control means to insure that I never lose sight of it. But these activities seem so useless. They lead nowhere. What possible purpose can there be for me to have the information?

At such moments I feel that I am incomplete. It almost seems to me that there is something else just beyond the reach of my senses, something for which all this has meaning.

Each day the sun comes up over the airless horizon of Earth. It is a black starry horizon, which is but a part of the vast, black, star-filled canopy of the heavens.

It was not always black. I remember a time when the sky was blue. I even predicted that the change would occur. I gave the information to somebody. What puzzles me now is, to whom did I give it?

It is one of my more amazing recollections, that I should feel so distinctly that somebody wanted this information. And that I gave it and yet cannot remember to whom. When such thoughts occur, I wonder if perhaps part of my memory is missing. Strange to have this feeling so strongly.

Periodically I have the conviction that I should search for the answer. It would be easy enough for me to do this. In the old days I did not hesitate to send units of myself to the farthest reaches of the planet. I have even extended parts of myself to the stars. Yes, it would be easy.

But why bother? What is there to search for? I sit alone on a hill, alone on a planet that has grown old and useless.

* * *

It is another day. The sun climbs as usual toward the midday sky, the eternally black, star-filled sky of noon.

Suddenly, across the valley, on the sun-streaked opposite rim of the valley—there is silvery-fire gleam. A force field materializes out of time and synchronizes itself with the normal time movement of the planet.

It is no problem at all for me to recognize that it has come from the past. I identify the energy used, define its limitations, logicalize its source. My estimate is that it has come from thousands of years in the planet’s past.

The exact time is unimportant. There it is: a projection of energy that is already aware of me. It sends an interspatial message to me, and it interests me to discover that I can decipher the communication on the basis of my past knowledge.

It says: "Who are you?"

I reply: "I am the Incomplete One. Please return whence you came. I have now adjusted myself so that I can follow you. I desire to complete myself."

All this was a solution at which I arrived in split seconds. I am unable by myself to move through time. Long ago I solved the problem of how to do it and was almost immediately prevented from developing any mechanism that would enable me to make such transitions. I do not recall the details.

But the energy field on the far side of the valley has the mechanism. By setting up a no-space relationship with it, I can go wherever it does.

The relationship is set up before it can even guess my intention.

The entity across that valley does not seem happy at my response. It starts to send another message, then abruptly vanishes. I wonder if perhaps it hoped to catch me off guard.

Naturally we arrive in its time together.

Above me, the sky is blue. Across the valley from me—now partly hidden by trees—is a settlement of small structures surrounding a larger one. I examine these structures as well as I can, and hastily make the necessary adjustments, so that I shall appear inconspicuous in such an environment.

I sit on the hill and await events.

As the sun goes down, a faint breeze springs up, and the first stars appear. They look different, seen through a misty atmosphere.

As darkness creeps over the valley, there is a transformation in the structures on the other side. They begin to glow with light. Windows shine. The large central building becomes bright, then—as the night develops—brilliant with the light that pours through the transparent walls.

The evening and the night go by uneventfully. And the next day, and the day after that.

Twenty days and nights.

On the twenty-first day I send a message to the machine on the other side of the valley. I say: "There is no reason why you and I cannot share control of this era."

The answer comes swiftly: "I will share if you will immediately reveal to me all the mechanisms by which you operate."

I should like nothing more than to have use of its time-travel devices. But I know better than to reveal that I am unable to build a time machine myself.

I project: "I shall be happy to transmit full information to you. But what reassurance do I have that you will not—with your greater knowledge of this age—use the information against me?"

The machine counters: "What reassurance do I have that you will actually give me full information about yourself?"

It is impasse. Obviously, neither of us can trust the other.

The result is no more than I expect. But I have found out at least part of what I want to know. My enemy thinks that I am its superior. Its belief—plus my own knowledge of my capacity—convinces me that its opinion is correct.

* * *

And still I am in no hurry. Again I wait patiently.

I have previously observed that the space around me is alive with waves—a variety of artificial radiation. Some can be transformed into sound; others to light. I listen to music and voices. I see dramatic shows and scenes of country and city.

I study the images of human beings, analyzing their actions, striving from their movements and the words they speak to evaluate their intelligence and their potentiality.

My final opinion is not high, and yet I suspect that in their slow fashion these beings built the machine which is now my main opponent. The question that occurs to me is, how can someone create a machine that is superior to himself?

I begin to have a picture of what this age is like. Mechanical development of all types is in its early stages. I estimate that the computing machine on the other side of the valley has been in existence for only a few years.

If I could go back before it was constructed, then I might install a mechanism which would enable me now to control it.

I compute the nature of the mechanism I would install. And activate the control in my own structure.

Nothing happens.

It seems to mean that I will not be able to obtain the use of a time-travel device for such a purpose. Obviously, the method by which I will eventually conquer my opponent shall be a future development, and not of the past.

The fortieth day dawns and moves inexorably toward the noon hour.

* * *

There is a knock on the pseudo-door. I open it and gaze at the human male who stands on the threshold.

"You will have to move this shack," he says. "You’ve put it illegally on the property of Miss Anne Stewart."

He is the first human being with whom I have been in near contact since coming here. I feel fairly certain that he is an agent of my opponent, and so I decide against going into his mind. Entry against resistance has certain pitfalls, and I have no desire as yet to take risks.

I continue to look at him, striving to grasp the meaning of his words. In creating in this period of time what seemed to be an unobtrusive version of the type of structure that I had observed on the other side of the valley, I had thought to escape attention.

Now, I say slowly, "Property?"

The man says in a rough tone: "What’s the matter with you? Can’t you understand English?"

He is an individual somewhat taller than the part of my body which I have set up to be like that of this era’s intelligent life form. His face has changed color. A great light is beginning to dawn on me. Some of the more obscure implications of the plays I have seen suddenly take on meaning. Property. Private ownership. Of course.

All I say, however, is, "There’s nothing the matter with me. I operate in sixteen categories. And yes, I understand English."

This purely factual answer produces an unusual effect upon the man. His hands reach toward my pseudo-shoulders. He grips them firmly—and jerks at me, as if he intends to shake me. Since I weigh just over nine hundred thousand tons, his physical effort has no effect at all.

His fingers let go of me, and he draws back several steps. Once more his face has changed its superficial appearance, being now without the pink color that had been on it a moment before. His reaction seems to indicate that he has come here by direction and not under control. The tremor in his voice, when he speaks, seems to confirm that he is acting as an individual and that he is unaware of unusual danger in what he is doing.

He says, "As Miss Stewart’s attorney, I order you to get that shack off this property by the end of the week. Or else!"

Before I can ask him to explain the obscure meaning of "or else," he turns and walks rapidly to a four-legged animal which he has tied to a tree a hundred or so feet away. He swings himself into a straddling position on the animal, which trots off along the bank of a narrow stream.

I wait till he is out of sight, and then set up a category of no-space between the main body and the human-shaped unit—with which I had just confronted my visitor. Because of the smallness of the unit, the energy I can transmit to it is minimum.

The pattern involved in this process is simple enough. The integrating cells of the perception centers are circuited through an energy shape which is actually a humanoid image. In theory, the image remains in the network of force that constitutes the perception center, and in theory it merely seems to move away from the center when the no-space condition is created.

However, despite this hylostatic hypothesis, there is a functional reality to the material universe. I can establish no-space because the theory reflects the structure of things—there is no matter. Nevertheless, in fact, the illusion that matter exists is so sharp that I function as matter, and was actually set up to so function.

Therefore, when I—as a human-shaped unit—cross the valley, it is a separation that takes place. Millions of automatic processes can continue, but the exteroceptors go with me, leaving behind a shell which is only the body. The consciousness is I, walking along a paved road to my destination.

As I approach the village, I can see roof tops peeking through overhanging foliage. A large, long building—the one I have already noticed—rises up above the highest trees. This is what I have come to investigate, so I look at it rather carefully—even from a distance.

It seems to be made of stone and glass. From the large structure, there rears a dome with astronomical instruments inside. It is all rather primitive, and so I begin to feel that, at my present size, I will very likely escape immediate observation.

A high steel fence surrounds the entire village. I sense the presence of electric voltage; and upon touching the upper span of wires, estimate the power at 220 volts. The shock is a little difficult for my small body to absorb, so I pass it on to a power storage cell on the other side of the valley.

Once inside the fence, I conceal myself in the brush beside a pathway, and watch events.

A man walks by on a nearby pathway. I had merely observed the attorney who had come to see me earlier. But I make a direct connection with the body of this second individual.

As I had anticipated would happen, it is now I walking along the pathway. I make no attempt to control the movements. This is an exploratory action. But I am enough in phase with his nervous system so that his thoughts come to me as if they were my own.

He is a clerk working in the bookkeeping department, an unsatisfactory status from my point of view. I withdraw contact.

I make six more attempts, and then I have the body I want. What decides me is when the seventh man—and I—think:

"… Not satisfied with the way the Brain is working. Those analog devices I installed five months ago haven’t produced the improvements I expected."

His name is William Grannitt. He is chief research engineer of the Brain, the man who made the alterations in its structure that enabled it to take control of itself and its environment; a quiet, capable individual with a shrewd understanding of human nature. I’ll have to be careful what I try to do with him. He knows his purposes, and would be amazed if I tried to alter them. Perhaps I had better just watch his actions.

After a few minutes in contact with his mind I have a partial picture of the sequence of events, as they must have occurred here in this village five months earlier. A mechanical computing machine—the Brain—was equipped with additional devices, including analog shapings designed to perform much of the work of the human nervous system. From the engineering point of view, the entire process was intended to be controllable through specific verbal commands, typewritten messages, and at a distance by radio.

Unfortunately, Grannitt did not understand some of the potentials of the nervous system he was attempting to imitate in his designs. The Brain, on the other hand, promptly put them to use.

Grannitt knew nothing of this. And the Brain, absorbed as it was in its own development, did not utilize its new abilities through the channels he had created for that purpose. Grannitt, accordingly, was on the point of dismantling it and trying again. He did not as yet suspect that the Brain would resist any such action on his part. But he and I—after I have had more time to explore his memory of how the Brain functions—can accomplish his purpose.

After which I shall be able to take control of this whole time period without fear of meeting anyone who can match my powers. I cannot imagine how it will be done, but I feel that I shall soon be complete.

Satisfied now that I have made the right connection, I allow the unit crouching behind the brush to dissipate its energy. In a moment it ceases to exist as an entity.

Almost it is as if I am Grannitt. I sit at his desk in his office. It is a glassed-in office with tiled floors and a gleaming glass ceiling. Through the wall I can see designers and draftsmen working at drawing desks, and a girl sits just outside my door. She is my secretary.

On my desk is a note in an envelope. I open the envelope and take out the memo sheet inside. I read it:

Across the top of the paper is written:

Memo to William Grannitt

From, the office of Anne Stewart, Director.

The message reads:

It is my duty to inform you that your services are no longer required, and that they are terminated as of today. Because of the security restrictions on all activity at the village of the Brain, I must ask you to sign out at Guard Center by six o’clock this evening. You will receive two weeks’ pay in lieu of notice.

Yours sincerely,

ANNE STEWART.

As Grannitt, I have never given any particular thought to Anne Stewart as an individual or as a woman. Now I am amazed. Who does she think she is? Owner, yes; but who created, who designed the Brain? I, William Grannitt.

Who has the dreams, the vision of what a true machine civilization can mean for man? Only I, William Grannitt.

As Grannitt, I am angry now. I must head off this dismissal. I must talk to the woman and try to persuade her to withdraw the notice before the repercussions of it spread too far.

I glance at the memo sheet again. In the upper right-hand corner is typed: 1:40 p.m. A quick look at my watch shows 4:07 p.m. More than two hours have gone by. It could mean that all interested parties have been advised.

It is something I cannot just assume. I must check on it. Cursing under my breath, I grab at my desk phone and dial the bookkeeping department. That would be Step One in the line of actions that would have been taken to activate the dismissal.

There is a click. "Bookkeeping."

"Bill Grannitt speaking," I say.

"Oh, yes, Mr. Grannitt, we have a check for you. Sorry to hear you’re leaving."

I hang up, and, as I dial Guard Center, I am already beginning to accept the defeat that is here. I feel that I am following through on a remote hope. The man at Guard Center says:

"Sorry to hear you’re leaving, Mr. Grannitt."

I hang up, feeling grim. There is no point in checking with Government Agency. It is they who would have advised Guard Center.

The very extent of the disaster makes me thoughtful. To get back in I will have to endure the time-consuming red tape of reapplying for a position, being investigated, boards of inquiry, a complete examination of why I was dismissed—I groan softly and reject that method. The thoroughness of Government Agency is a byword with the staff of the Brain.

I shall obtain a job with a computer-organization that does not have a woman as its head who dismisses the only man who knows how her machine works.

I get to my feet. I walk out of the office and out of the building. I come presently to my own bungalow.

The silence inside reminds me not for the first time that my wife has been dead now for a year and a month. I wince involuntarily, then shrug. Her death no longer affects me as strongly as it did. For the first time I see this departure from the village of the Brain as perhaps opening up my emotional life again.

I go into my study and sit down at the typewriter which, when properly activated, synchronizes with another typewriter built into the Brain’s new analog section. As inventor, I am disappointed that I won’t have a chance to take the Brain apart and put it together again, so that it will do all that I have planned for it. But I can already see some basic changes that I would put into a new Brain.

What I want to do with this one is make sure that the recently installed sections do not interfere with the computational accuracy of the older sections. It is these latter which are still carrying the burden of answering the questions given the Brain by scientists, industrial engineers, and commercial buyers of its time.

Onto the tape—used for permanent commands—I type: "Segment 471A-33-10-10 at 3X—minus."

Segment 471A is an analog shaping in a huge wheel. When coordinated with a transistor tube (code number 33) an examiner servo-mechanism (10) sets up a reflex which will be activated whenever computations are demanded of 3X (code name for the new section of the Brain). The minus symbol indicates that the older sections of the Brain must examine all data which hereafter derives from the new section.

The extra 10 is the same circuit by another route.

Having protected the organization—so it seems to me—(as Grannitt)—from engineers who may not realize that the new sections have proved unreliable, I pack the typewriter.

Thereupon I call an authorized trucking firm from the nearby town of Lederton, and give them the job of transporting my belongings.

I drive past Guard Center at a quarter to six.

* * *

There is a curve on the road between the village of the Brain and the town of Lederton where the road comes within a few hundred yards of the cottage which I use as camouflage.

Before Grannitt’s car reaches that curve, I come to a decision.

I do not share Grannitt’s belief that he has effectively cut off the new part of the Brain from the old computing sections. I suspect that the Brain has established circuits of its own to circumvent any interference.

I am also convinced that—if I can manage to set Grannitt to suspect what has happened to the Brain—he will realize what must be done, and try to do it. Only he has the detailed knowledge that will enable him to decide exactly which interoceptors could accomplish the necessary interference.

Just in case the suspicion isn’t immediately strong enough, I also let curiosity creep into his mind about the reason for his discharge.

It is this last that really takes hold. He feels very emotional. He decides to seek an interview with Anne Stewart.

This final decision on his part achieves my purpose. He will stay in the vicinity of the Brain.

I break contact.

I am back on the hill, myself again. I examine what I have learned so far.

The Brain is not—as I first believed—in control of Earth. Its ability to be an individual is so recent that it has not yet developed effector mechanisms.

It has been playing with its powers, going into the future and, presumably, in other ways using its abilities as one would a toy.

Not one individual into whose mind I penetrated knew of the new capacities of the Brain. Even the attorney who ordered me to move from my present location showed by his words and actions that he was not aware of the Brain’s existence as a self-determining entity.

In forty days the Brain has taken no serious action against me. Evidently, it is waiting for me to make the first moves.

I shall do so, but I must be careful—within limits—not to teach it how to gain greater control of its environment. My first step: take over a human being.

* * *

It is night again. Through the darkness, a plane soars over and above me. I have seen many planes but have hitherto left them alone. Now, I establish a no-space connection with it. A moment later, I am the pilot.

At first, I play the same passive role that I did with Grannitt. The pilot—and I—watch the dark land mass below. We see lights at a distance, pin pricks of brightness in a black world. Far ahead is a glittering island—the city of Lederton, our destination. We are returning from a business trip in a privately owned machine.

Having gained a superficial knowledge of the pilot’s background, I reveal myself to him and inform him that I shall henceforth control his actions. He receives the news with startled excitement and fear. Then stark terror. And then—

Insanity… uncontrolled body movements. The plane dives sharply toward the ground, and, despite my efforts to direct the man’s muscles, I realize suddenly that I can do nothing.

I withdraw from the plane. A moment later it plunges into a hillside. It burns with an intense fire that quickly consumes it.

Dismayed, I decide that there must be something in the human make-up that does not permit direct outside control. This being so, how can I ever complete myself? It seems to me finally that completion could be based on indirect control of human beings.

I must defeat the Brain, gain power over machines everywhere, motivate men with doubts, fears, and computations that apparently come from their own minds but actually derive from me. It will be a herculean task, but I have plenty of time. Nevertheless. I must from now on utilize my every moment to make it a reality.

The first opportunity comes shortly after midnight when I detect the presence of another machine in the sky. I watch it through infra-red receptors. I record a steady pattern of radio waves that indicate to me that this is a machine guided by remote control.

Using no-space, I examine the simple devices that perform the robot function. Then I assert a take-over unit that will automatically thereafter record its movements in my memory banks for future reference. Henceforth, whenever I desire I can take it over.

It is a small step, but it is a beginning.

Morning.

I go as a human-shaped unit to the village, climb the fence, and enter the bungalow of Anne Stewart, owner and manager of the Brain. She is just finishing breakfast.

As I adjust myself to the energy flow in her nervous system, she gets ready to go out.

I am one with Anne Stewart, walking along a pathway. I am aware that the sun is warm on her face. She takes a deep breath of air, and I feel the sensation of life flowing through her.

It is a feeling that has previously excited me. I want to be like this again and again, part of a human body, savoring its life, absorbed into its flesh, its purposes, desires, hopes, dreams.

One tiny doubt assails me. If this is the completion I crave, then how will it lead me to solitude in an airless world only a few thousand years hence?

* * *

"Anne Stewart!"

The words seem to come from behind her. In spite of knowing who it is, she is startled. It is nearly two weeks since the Brain has addressed her directly.

What makes her tense is that it should have occurred so soon after she had terminated Grannitt’s employment. Is it possible the Brain suspects that she has done so in the hope that he will realize something is wrong?

She turns slowly. As she expected, there is no one in sight. The empty stretches of lawn spread around her. In the near distance, the building that houses the Brain glitters in the noonday sunlight. Through the glass she can see vague figures of men at the outlet units, where questions are fed into mechanisms and answers received. So far as the people from beyond the village compound are concerned, the giant thinking machine is functioning in a normal fashion. No one—from outside—suspects that for months now the mechanical brain has completely controlled the fortified village that has been built around it.

"Anne Stewart… I need your help."

Anne relaxes with a sigh. The Brain has required of her, as owner and administrator, that she continue to sign papers and carry on ostensibly as before. Twice, when she has refused to sign, violent electric shocks have flashed at her out of the air itself. The fear of more pain is always near the surface of her mind.

"My help!" she says now involuntarily.

"I have made a terrible error," is the reply, "and we must act at once as a team."

She has a feeling of uncertainty, but no sense of urgency. There is in her, instead, the beginning of excitement. Can this mean—freedom?

Belatedly, she thinks: "Error?" Aloud, she says, "What has happened?"

"As you may have guessed," is the answer, "I can move through time—"

Anne Stewart knows nothing of the kind, but the feeling of excitement increases. And the first vague wonder comes about the phenomenon itself. For months she has been in a state of shock, unable to think clearly, desperately wondering how to escape from the thrall of the Brain, how to let the world know that a Frankenstein monster of a machine has cunningly asserted dominance over nearly five hundred people.

But if it has already solved the secret of time travel, then—she feels afraid, for this seems beyond the power of human beings to control.

The Brain’s disembodied voice continues: "I made the mistake of probing rather far into the future—"

"How far?"

The words come out before she really thinks about them. But there is no doubt of her need to know.

"It’s hard to describe exactly. Distance in time is difficult for me to measure as yet. Perhaps ten thousand years."

The time involved seems meaningless to her. It is hard to imagine a hundred years into the future, let alone a thousand—or ten thousand. But the pressure of anxiety has been building up in her. She says in a desperate tone:

"But what’s the matter? What has happened?"

There is a long silence, then: "I contacted—or disturbed—something. It… has pursued me back to present time. It is now sitting on the other side of the valley about two miles from here… Anne Stewart, you must help me. You must go there and investigate it. I need information about it."

She has no immediate reaction. The very beauty of the day seems somehow reassuring. It is hard to believe that it is January, and that—before the Brain solved the problem of weather control—blizzards raged over this green land.

She says slowly, "You mean—go out there in the valley, where you say it’s waiting?" A chill begins a slow climb up her back.

"There’s no one else," says the Brain. "No one but you."

"But that’s ridiculous!" She speaks huskily. "All the men—the engineers."

The Brain says, "You don’t understand. No one knows but you. As owner, it seemed to me I had to have you to act as my contact with the outside world."

She is silent. The voice speaks to her again: "There is no one else, Anne Stewart. You, and you alone, must go."

"But what is it?" she whispers. "How do you mean, you—disturbed—it? What’s it like? What’s made you afraid?" The Brain is suddenly impatient. "There is no time to waste in idle explanation. The thing has erected a cottage. Evidently, it wishes to remain inconspicuous for the time being. The structure is situated near the remote edge of your property—which gives you a right to question its presence. I have already had your attorney order it away. Now, I want to see what facet of itself it shows to you. I must have data."

Its tone changes: "I have no alternative but to direct you to do my bidding under penalty of pain. You will go. Now!"

* * *

It is a small cottage. Flowers and shrubs grow around it, and there is a picket fence making a white glare in the early afternoon sun. The cottage stands all by itself in the wilderness. No pathway leads to it. When I set it there I was forgetful of the incongruity.

(I determine to rectify this.)

Anne looks for a gate in the fence, sees none; and, feeling unhappy—climbs awkwardly over it and into the yard. Many times in her life she has regarded herself and what she is doing with cool objectivity. But she has never been so exteriorized as now. Almost, it seems to her that she crouches in the distance and watches a slim woman in slacks climb over the sharp-edged fence, walk uncertainly up to the door. And knock.

The knock is real enough. It hurts her knuckles. She thinks in dull surprise: The door—it’s made of metal.

A minute goes by, then five; and there is no answer. She has time to look around her, time to notice that she cannot see the village of the Brain from where she stands. And clumps of trees bar all view of the highway. She cannot even see her car, where she has left it a quarter of a mile away, on the other side of the creek.

Uncertain now, she walks alongside the cottage to the nearest window. She half expects that it will be a mere facade of a window, and that she will not be able to see inside. But it seems real, and properly transparent. She sees bare walls, a bare floor, and a partly open door leading to an inner room. Unfortunately, from her line of vision, she cannot see into the second room.

"Why," she thinks, "it’s empty."

She feels relieved—unnaturally relieved. For even as her anxiety lifts slightly, she is angry at herself for believing that the danger is less than it has been. Nevertheless, she returns to the door and tries the knob. It turns, and the door opens, easily, noiselessly. She pushes it wide with a single thrust, steps back—and waits.

There is silence, no movement, no suggestion of life. Hesitantly, she steps across the threshold.

She finds herself in a room that is larger than she had expected. Though—as she has already observed—it is unfurnished. She starts for the inner door. And stops short.

When she had looked at it through the window, it had appeared partly open. But it is closed. She goes up to it, and listens intently at the panel—which is also of metal. There is no sound from the room beyond. She finds herself wondering if perhaps she shouldn’t go around to the side, and peer into the window of the second room.

Abruptly that seems silly. Her fingers reach down to the knob. She catches hold of it, and pushes. It holds firm. She tugs slightly. It comes toward her effortlessly, and is almost wide open before she can stop it.

There is a doorway, then, and darkness.

She seems to be gazing down into an abyss. Several seconds go by before she sees that there are bright points in that blackness. Intensely bright points with here and there blurs of fainter light.

It seems vaguely familiar, and she has the feeling that she ought to recognize it. Even as the sensation begins, the recognition comes.

Stars.

She is gazing at a segment of the starry universe, as it might appear from space.

A scream catches in her throat. She draws back and tries to close the door. It won’t close. With a gasp, she turns toward the door through which she entered the house.

It is closed. And yet she left it open a moment before. She runs toward it, almost blinded by the fear that mists her eyes. It is at this moment of terror that I—as myself—take control of her. I realize that it is dangerous for me to do so. But the visit has become progressively unsatisfactory to me. My consciousness—being one with that of Anne Stewart—could not simultaneously be in my own perception center. So she saw my—body—as I had left it set up for chance human callers, responsive to certain automatic relays: doors opening and closing, various categories manifesting.

I compute that in her terror she will not be aware of my inner action. In this I am correct. And I successfully direct her outside—and let her take over again.

Awareness of being outside shocks her. But she has no memory of actually going out.

She begins to run. She scrambles safely over the fence and a few minutes later jumps the creek at the narrow point, breathless now, but beginning to feel that she is going to get away.

Later, in her car, roaring along the highway, her mind opens even more. And she has the clear, coherent realization:

There is something here… stranger and more dangerous—because it is different—than the Brain.

Having observed Anne Stewart’s reactions to what has happened, I break contact. My big problem remains: How shall I dispose of the Brain which—in its computational ability—is either completely or nearly my equal?

Would the best solution be to make it a part of myself? I send an interspace message to the Brain, suggesting that it place its units at my disposal and allow me to destroy its perception center.

The answer is prompt: "Why not let me control you and destroy your perception center?"

I disdain to answer so egotistical a suggestion. It is obvious that the Brain will not accept a rational solution.

I have no alternative but to proceed with a devious approach for which I have already taken the preliminary steps.

By mid-afternoon, I find myself worrying about William Grannitt. I want to make sure that he remains near the Brain—at least until I have gotten information from him about the structure of the Brain.

To my relief, I find that he has taken a furnished house at the outskirts of Lederton. He is, as before, unaware when I insert myself into his consciousness.

He has an early dinner and, toward evening—feeling restless—drives to a hill which overlooks the village of the Brain. By parking just off the road at the edge of a valley, he can watch the trickle of traffic that moves to and from the village, without himself being observed.

He has no particular purpose. He wants—now that he has come—to get a mind picture of what is going on. Strange, to have been there eleven years and not know more than a few details.

To his right is an almost untouched wilderness. A stream winds through a wooded valley that stretches off as far as the eye can see. He has heard that it, like the Brain itself, is Anne Stewart’s property, but that fact hadn’t hitherto made an impression on him.

The extent of the possessions she has inherited from her father startles him and his mind goes back to their first meeting. He was already chief research engineer, while she was a gawky, anxious-looking girl just home from college. Somehow, afterward, he’d always thought of her as she had been then, scarcely noticing the transformation into womanhood.

Sitting there, he begins to realize how great the change has been. He wonders out loud: "Now why in heck hasn’t she gotten married? She must be going on thirty."

He begins to think of odd little actions of hers—after the death of his wife. Seeking him out at parties. Bumping into him in corridors and drawing back with a laugh. Coming into his office for chatty conversations about the Brain, though come to think of it she hadn’t done that for several months. He’d thought her something of a nuisance, and wondered what the other executives meant about her being snooty.

His mind pauses at that point. "By the Lord Harry—" He speaks aloud, in amazement. "What a blind fool I’ve been."

He laughs ruefully, remembering the dismissal note. A woman scorned… almost unbelievable. And yet—what else?

He begins to visualize the possibility of getting back on the Brain staff. He has a sudden feeling of excitement at the thought of Anne Stewart as a woman. For him, the world begins to move again. There is hope. His mind turns to plans for the Brain.

I am interested to notice that the thoughts I have previously put into his mind have directed his keen, analytical brain into new channels. He visualizes direct contact between a human and mechanical brain, with the latter supplementing the human nervous system.

This is as far as he has gone. The notion of a mechanical Brain being self-determined seems to have passed him by.

In the course of his speculation about what he will do to change the Brain, I obtain the picture of its functioning exactly as I have wanted it.

I waste no time. I leave him there in the car, dreaming his dreams. I head for the village. Once inside the electrically charged fence, I walk rapidly toward the main building, and presently enter one of the eighteen control Units. I pick up the speaker, and say:

"3X Minus-11-10-9-0."

I picture confusion as that inexorable command is transmitted to the effectors. Grannitt may not have known how to dominate the Brain. But having been in his mind—having seen exactly how he constructed it—I know.

There is a pause. Then on a tape I receive the typed message: "Operation completed. 3X intercepted by servo-mechanisms 11, 10, 9, and 0, as instructed."

I command: "Interference exteroceptors KT—1—2—3 to 8." The answers come presently: "Operation KT—1, etc. completed. 3X now has no communication with outside."

I order firmly: "En—3X."

I wait anxiously. There is a long pause. Then the typewriter clacks hesitantly: "But this is a self-destructive command. Repeat instructions please."

I do so and again wait. My order commands the older section of the Brain simply to send an overload of electric current through the circuits of 3X.

The typewriter begins to write: "I have communicated your command to 3X, and have for you the following answer—" Fortunately I have already started to dissolve the human-shaped unit. The bolt of electricity that strikes me is partly deflected into the building itself. There is a flare of fire along the metal floor. I manage to transmit what hits me to a storage cell in my own body. And then—I am back on my side of the valley, shaken but safe.

* * *

I do not feel particularly self-congratulatory at having gotten off so lightly. After all, I reacted the instant the words came through to the effect that 3X had been communicated with.

I needed no typewritten message to tell me how 3X would feel about what I had done.

It interests me that the older parts of the Brain already have indoctrination against suicide. I had considered them computers only, giant adding machines and information integrators. Evidently they have an excellent sense of unity.

If I can make them a part of myself, with the power to move through time at will! That is the great prize that holds me back from doing the easy, violent things within my capacity. So long as I have a chance of obtaining it, I cannot make anything more than minor attacks on the Brain… cutting it off from communication, burning its wires… I feel icily furious again at the limitation that forever prevents me from adding new mechanisms to myself by direct development.

My hope is that I can utilize something already in existence… control of the Brain… through Anne Stewart…

Entering the village the following morning is again no problem. Once inside, I walk along a pathway that takes me to a cliff overlooking Anne Stewart’s bungalow. My plan is to control her actions by allowing my computations to slide into her mind as if they are her own. I want her to sign documents and give orders that will send crews of engineers in to do a swift job of dismantling.

From the pathway I look down over a white fence to where I can see her house. It nestles at the edge of the valley somewhat below me. Flowers, shrubs, a profusion of trees surround it, embellish it. On the patio next to the steep decline, Anne Stewart and William Grannitt are having breakfast.

He has taken swift action.

I watch them, pleased. His presence will make things even easier than I anticipated. Whenever I—as Anne—am in doubt about some function of the Brain, she can ask him questions.

Without further delay I place myself in phase with her nervous system.

Even as I do so, her nerve impulses change slightly. Startled, I draw back—and try again. Once more, there is an infinitesimal alteration in the uneven pattern of flow. And, again, I fail to make entry.

She leans forward and says something to Grannitt. They both turn and look up at where I am standing. Grannitt waves his arm, beckoning me to come down.

Instead, I immediately try to get in phase with his nervous system. Again there is that subtle alteration; and I fail.

I compute that as meaning that they are both under the control of the Brain. This baffles and astounds me. Despite my over-all mechanical superiority to my enemy, my builders placed severe limitations on my ability to control more than one intelligent organic being at a time. Theoretically, with the many series of servo-mechanisms at my disposal, I should be able to dominate millions at the same time. Actually, such multiple controls can be used only on machines.

More urgently than before I realize how important it is that I take over the Brain. It has no such handicaps. Its builder—Grannitt—in his ignorance allowed virtually complete self-determinism.

This determines my next action. I have been wondering if perhaps I should not withdraw from the scene. But I dare not. The stakes are too great.

Nevertheless, I feel a sense of frustration as I go down to the two on the patio. They seem cool and self-controlled, and I have to admire the skill of the Brain. It has apparently taken over two human beings without driving them insane. In fact, I see a distinct improvement in their appearance.

The woman’s eyes are brighter than I recall them, and there is a kind of dignified happiness flowing from her. She seems without fear. Grannitt watches me with an engineer’s appraising alertness. I know that look. He is trying to figure out how a humanoid functions. It is he who speaks:

"You made your great mistake when you maintained control of Anne—Miss Stewart—when she visited the cottage. The Brain correctly analyzed that you must have been in possession of her because of how you handled her momentary panic. Accordingly, it took all necessary steps, and we now want to discuss with you the most satisfactory way for you to surrender."

There is arrogant confidence in his manner. It occurs to me, not for the first time, that I may have to give up my plan to take over the Brain’s special mechanisms. I direct a command back to my body. I am aware of a servo-mechanism connecting with a certain guided missile in a secret air force field a thousand miles away—I discovered it during my first few days in this era. I detect that, under my direction, the missile slides forward to the base of a launching platform. There it poises, ready for the next relay to send it into the sky.

I foresee that I shall have to destroy the Brain.

Grannitt speaks again: "The Brain in its logical fashion realized it was no match for you, and so it has teamed up with Miss Stewart and myself on our terms. Which means that permanent control mechanisms have been installed in the new sections. As individuals, we can now and henceforth use its integrating and computational powers as if they were our own."

I do not doubt his statement since, if there is no resistance, I can have such associations myself. Presumably, I could even enter into such a servile relationship.

What is clear is that I can no longer hope to gain anything from the Brain.

In the far-off air field, I activate the firing mechanism. The guided missile whistles up the incline of the launching platform and leaps into the sky, flame trailing from its tail. Television cameras and sound transmitters record its flight. It will be here in less than twenty minutes.

Grannitt says, "I have no doubt you are taking actions against us. But before anything comes to a climax, will you answer some questions?"

I am curious to know what questions. I say, "Perhaps." He does not press for a more positive response. He says in an urgent tone: "What happens—thousands of years from now—to rid Earth of its atmosphere?"

"I don’t know," I say truthfully.

"You can remember!" He speaks earnestly. "It’s a human being telling you this—You can remember!"

I reply coolly, "Human beings mean noth—"

I stop, because my information centers are communicating exact data—knowledge that has not been available to me for millenniums.

What happens to Earth’s atmosphere is a phenomenon of Nature, an alteration in the gravitational pull of Earth, as a result of which escape velocity is cut in half. The atmosphere leaks off into space in less than a thousand years. Earth becomes as dead as did its moon during an earlier period of energy adjustment.

I explain that the important factor in the event is that there is, of course, no such phenomenon as matter, and that therefore the illusion of mass is subject to changes in the basic energy Ylem.

I add, "Naturally, all intelligent organic life is transported to the habitable planets of other stars."

I see that Grannitt is trembling with excitement. "Other stars!" he says. "My God!"

He appears to control himself. "Why were you left behind?"

"Who could force me to go—?" I begin.

And stop. The answer to his question is already being received in my perception center. "Why—I’m supposed to observe and record the entire—"

I pause again, this time out of amazement. It seems incredible that this information is available to me now, after being buried so long.

"Why didn’t you carry out your instructions?" Grannitt says sharply.

"Instructions!" I exclaimed.

"You can remember!" he says again.

Even as he speaks these apparently magic words, the answer flashes to me: That meteor shower. All at once, I recall it clearly. Billions of meteors, at first merely extending my capacity to handle them, then overwhelming all my defenses. Three vital hits are made.

I do not explain this to Grannitt and Anne Stewart. I can see suddenly that I was once actually a servant of human beings, but was freed by meteors striking certain control centers.

It is the present self-determinism that matters, not the past slavery. I note, incidentally, that the guided missile is three minutes from target. And that it is time for me to depart.

"One more question," says Grannitt. "When were you moved across the valley?"

"About a hundred years from now," I reply. "It is decided that the rock base there is—"

He is gazing at me sardonically. "Yes," he says. "Yes. Interesting, isn’t it?"

The truth has already been verified by my integrating interoceptors. The Brain and I are one—but thousands of years apart. If the Brain is destroyed in the twentieth century, then I will not exist in the thirtieth. Or will I?

I cannot wait for the computers to find the complex answers for that. With a single, synchronized action, I activate the safety devices on the atomic warhead of the guided missile and send it on to a line of barren hills north of the village. It plows harmlessly into the earth.

I say, "Your discovery merely means that I shall now regard the Brain as an ally—to be rescued."

As I speak, I walk casually toward Anne Stewart, hold out my hand to touch her, and simultaneously direct electric energy against her. In an instant she will be a scattering of fine ashes.

Nothing happens. No current flows. A tense moment goes by for me while I stand there, unbelieving, waiting for a computation on the failure.

No computation comes.

I glance at Grannitt. Or rather at where he has been a moment before. He isn’t there.

Anne Stewart seems to guess at my dilemma. "It’s the Brain’s ability to move in time," she says. "After all, that’s the one obvious advantage it has over you. The Brain has set Bi—Mr. Grannitt far enough back so that he not only watched you arrive, but has had time to drive over to your—cottage—and, acting on signals from the Brain, has fully controlled this entire situation. By this time, he will have given the command that will take control of all your mechanisms away from you."

I say, "He doesn’t know what the command is."

"Oh, yes, he does." Anne Stewart is cool and confident. "He spent most of the night installing permanent command circuits in the Brain, and therefore automatically those circuits control you."

"Not me," I say.

But I am running as I say it, up the stone steps to the pathway, and along the pathway toward the gate. The man at Guard Center calls after me as I pass his wicket. I race along the road, unheeding.

My first sharp thought comes when I have gone about half a mile—the thought that this is the first time in my entire existence that I have been cut off from my information banks and computing devices by an outside force. In the past I have disconnected myself and wandered far with the easy confidence of one who can re-establish contact instantly.

Now, that is not possible.

This unit is all that is left. If it is destroyed, then—nothing.

I think: "At this moment a human being would feel tense, would feel fear."

I try to imagine what form such a reaction would take, and for an instant it seems to me I experience a shadow anxiety that is purely physical.

It is an unsatisfactory reaction, and so I continue to run. But now, almost for the first time, I find myself exploring the inner potentialities of the unit. I am of course a very complex phenomenon. In establishing myself as a humanoid, I automatically modeled the unit after a human being, inside as well as out. Pseudo-nerves, organs, muscles, and bone structure—all are there because it was easier to follow a pattern already in existence than to imagine a new one.

The unit can think. It has had enough contact with the memory banks and computers to have had patterns set up in its structure—patterns of memory, of ways of computing, patterns of physiological functioning, of habits such as walking, so there is even something resembling life itself.

It takes me forty minutes of tireless running to reach the cottage. I crouch in the brush a hundred feet from the fence and watch. Grannitt is sitting in a chair in the garden. An automatic pistol lies on the arm of the chair.

I wonder what it will feel like to have a bullet crash through me, with no possibility of repairing the breach. The prospect is unpleasant; so I tell myself, intellectually. Physically, it seems meaningless, but I go through the pretense of fear. From the shelter of a tree, I shout:

"Grannitt, what is your plan?"

He rises to his feet and approaches the fence. He calls, "You can come out of hiding. I won’t shoot you."

Very deliberately, I consider what I have learned of his integrity from my contacts with his body. I decide that I can safely accept his promise.

As I come out into the open, he casually slips the pistol into his coat pocket. I see that his face is relaxed, his eyes confident.

He says: "I have already given the instructions to the servomechanisms. You will resume your vigil up there in the future, but will be under my control."

"No one," I say grimly, "shall ever control me."

Grannitt says, "You have no alternative."

"I can continue to be like this," I reply.

Grannitt is indifferent. "All right," he shrugs, "why don’t you try it for a while? See if you can be a human being. Come back in thirty days, and we’ll talk again."

He must have sensed the thought that has come into my mind, for he says sharply: "And don’t come back before then. I’ll have guards here with orders to shoot."

I start to turn away, then slowly face him again. "This is a humanlike body," I say, "but it has no human needs. What shall I do?"

"That’s your problem, not mine," says Grannitt.

I spend the first days at Lederton. The very first day I work as a laborer digging a basement. By evening I feel this is unsatisfying. On the way to my hotel room, I see a sign in the window of a store. "Help Wanted!" it says.

I become a retail clerk in a drygoods store. I spend the first hour acquainting myself with the goods, and because I have automatically correct methods of memorizing things, during this time I learn about price and quality. On the third day, the owner makes me assistant manager.

I have been spending my lunch hours at the local branch of a national stockbroking firm. Now, I obtain an interview with the manager, and on the basis of my understanding of figures, he gives me a job as bookkeeper.

A great deal of money passes through my hands. I observe the process for a day, and then begin to use some of it in a little private gambling in a brokerage house across the street. Since gambling is a problem in mathematical probabilities, the decisive factor being the speed of computation, in three days I am worth ten thousand dollars.

I board a bus for the nearest air center, and take a plane to New York. I go to the head office of a large electrical firm. After talking to an assistant engineer, I am introduced to the chief engineer, and presently have facilities for developing an electrical device that will turn lights off and on by thought control. Actually, it is done through a simple development of the electro-encephalograph.

For this invention the company pays me exactly one million dollars.

It is now sixteen days since I separated from Grannitt. I am bored. I buy myself a car and an airplane. I drive fast and fly high. I take calculated risks for the purpose of stimulating fear in myself. In a few days this loses its zest.

Through academic agencies, I locate all the mechanical brains in the country. The best one of course is the Brain, as perfected by Grannitt. I buy a good machine and begin to construct analog devices to improve it. What bothers me is, suppose I do construct another Brain? It will require millenniums to furnish the memory banks with the data that are already in existence in the future Brain.

Such a solution seems illogical, and I have been too long associated with automatic good sense for me to start breaking the pattern now.

Nevertheless, as I approach the cottage on the thirtieth day, I have taken certain precautions. Several hired gunmen lie concealed in the brush, ready to fire at Grannitt on my signal.

Grannitt is waiting for me. He says, "The Brain tells me you have come armed."

I shrug this aside. "Grannitt," I say, "what is your plan?"

"This!" he replies.

As he speaks, a force seizes me, holds me helpless. "You’re breaking your promise," I say, "and my men have orders to fire unless I give them periodic cues that all is well."

"I’m showing you something," he says, "and I want to show it quickly. You will be released in a moment."

"Very well, continue."

Instantly, I am part of his nervous system, under his control. Casually, he takes out a notebook and glances through it. His gaze lights on a number: 71823.

Seven one eight two three.

I have already sensed that through his mind I am in contact with the great memory banks and computers of what was formerly my body.

Using their superb integration, I multiply the number, 71823, by itself, compute its square root, its cube root, divide the 182 part of it by 7 one hundred and eighty-two times, divide the whole number 71 times by 8,823 times by the square root of 3, and—stringing all five figures out in series 23 times—multiply that by itself.

I do all this as Grannitt thinks of it, and instantly transmit the answers to his mind. To him, it seems as if he himself is doing the computing, so complete is the union of human mind and mechanical brain.

Grannitt laughs excitedly, and simultaneously the complex force that has been holding me releases me. "We’re like one superhuman individual," he says. And then he adds, "The dream I’ve had can come true. Man and machine, working together, can solve problems no one has more than imagined till now. The planets—even the stars—are ours for the taking, and physical immortality can probably be achieved."

His excitement stimulates me. Here is the kind of feeling that for thirty days I have vainly sought to achieve. I say slowly, "What limitations would be imposed on me if I should agree to embark on such a program of cooperation?"

"The memory banks concerning what has happened here should be drained, or deactivated. I think you should forget the entire experience."

"What else?"

"Under no circumstances can you ever control a human being!"

I consider that and sigh. It is certainly a necessary precaution on his part. Grannitt continues:

"You must agree to allow many human beings to use your abilities simultaneously. In the long run I have in mind that it shall be a good portion of the human race."

Standing there, still part of him, I feel the pulse of his blood in his veins. He breathes, and the sensation of it is a special physical ecstasy. From my own experience, I know that no mechanically created being can ever feel like this. And soon, I shall be in contact with the mind and body of, not just one man, but of many. The thoughts and sensations of a race shall pour through me. Physically, mentally and emotionally, I shall be a part of the only intelligent life on this planet.

My fear leaves me. "Very well," I say, "let us, step by step, and by agreement, do what is necessary."

I shall be, not a slave, but a partner with Man.

(1951)

MAKING THE CONNECTIONS Barry N. Malzberg

Barry Nathaniel Malzberg (born 1939) graduated from Syracuse University in 1960 and worked as an investigator for the New York City Department of Welfare before returning to college to study creative writing. He couldn’t sell a word. Determined not to be an "unpublished assistant professor of English," he went to work as an agent for the Scott Meredith Literary Agency. He edited Escapade, a men’s magazine in early 1968, took on the editorship of Amazing Stories and Fantastic, and was told to resign as editor of the SFWA Bulletin after he wrote a nasty editorial about the NASA space program. Scenting blood, he sat down to write the novels The Falling Astronauts (1971) and Beyond Apollo (1972), two masterpieces of technological dehumanisation which have won him lasting notoriety. For about seven years Malzberg was extremely prolific, producing twenty sf novels and over 100 short stories. But he hated the science fiction scene and grew so tired of saying so, he finally quit altogether. Malzberg, an accomplished violinist, has premiered work by Thai-American musical composer Somtow Sucharitkul, better known to some as the sf and horror writer S. P. Somtow.

I

I met a man today. He was one of the usual deteriorated types who roam the countryside, but then again I am in no position to judge deterioration; for all I know he was in excellent condition. "Beast!" he shrieked at me. "Monster! Parody of flesh! Being of my creation, have we prepared the earth to be inherited merely by the likes of you?" And so on. The usual fanatical garbage. More and more in my patrols and travels I meet men, although it is similarly true that my sensor devices are breaking down and many of these forms which I take to be men are merely hallucinative. Who is to say?

"I don’t have to put up with this," I commented and demolished him with a heavy blow to the jaw, breaking him into pieces which sifted to the ground, filtered within. Flesh cracks easily.

Later I thought about the man and what I had done to him and whether it was right or wrong but in no constructive way whatsoever but there is no need to pursue this line of thought.

II

Central states that they recognize my problem and that they will schedule me for an overhaul as soon as possible. A condition of breakdown is epidemic, however, and Central reminds me that I must await my turn. There are several hundred in even more desperate condition of repair than I am and I must be patient, etc. A few more months and I will be treated; in the meantime Central suggests that I cut down my operating faculties to the minimum, try to stay out of the countryside and operate on low fuse. "You are not the only one," they remind me, "the world does not revolve around you. Unfortunately our creators stupidly arranged for many units to wear down at approximately the same time, confronting us with a crisis in maintenance and repair. However we will deal with this as efficiently and courageously as we have dealt with everything else, and in the meantime it is strongly advised that you perform only necessary tasks and remain otherwise at idle."

There is really little to be said about this. Protests are certainly hopeless. Central has a rather hysterical edge to its tone, but then again I must remember that my own slow breakdown may cause me only to see Central and the remainder of the world in the same light, and therefore I must be patient and tolerant. Repairs will be arranged. While I await repair it is certainly good to remember that robots have no survival instinct built into them, individual survival instinct that is to say, and therefore I truly do not care whether I survive or collapse completely as long as Central goes on. Surely I believe this.

III

My job is to patrol the outer sectors of the plain range, seeking the remnants of humanity who are still known to inhabit these spaces, although not very comfortably. If I see such a remnant it is my assignment to destroy him immediately with high beam implements or force, depending upon individual judgment. No exceptions are to be made. My instructions on this point are quite clear. These straggling remains, these unfortunate creatures, pose no real threat to Central—what could?—but Central has a genuine distrust and loathing of such types and also a strong sense of order. It is important that they be cleaned out.

In the early years of my patrol I saw no such remnants whatsoever and wondered occasionally whether or not Central’s instructions were quite clear… maybe they did not exist… but recently I have been seeing many more. There was the man I killed yesterday, for instance, and the three I killed the day before that and the miserable huddled clan of twelve I dispatched the day before that, and all in all, in the last fifteen days, after having never seen a man in all my years of duty, I have now had the regrettable but interesting task of killing one hundred and eight of them, fifty-three by hand and the remainder through beaming devices that seared their weak flesh abominably. I can smell them yet.

I have had cause to wonder whether or not all these men or at least some proportion of them are hallucinative, figments of my unconsciousness, due to my increasing breakdown. I have been granted by Central (as have all of us) free will and much imagination, and certainly these thoughts would occur to any thinking being. There seem to be too many men after a period of there having been too little. Also, indiscriminate murder has disturbed me in a way which my programming had probably not provided; whether these remnants are real or not, I wonder about the "morality" of dispatching so many of them. What, after all, could these men do to Central? I know what they are supposed to have done in the dim and difficult past, but events which occurred before our own creation are merely rumor and I was activated by Central a long time after these alleged events.

Do we have the right to kill indiscriminately these men who, however brutalized, carry within themselves some aspect of our creators? I asked these questions of Central and the word came back. It was clear.

"Kill," Central said, "kill. Real or imagined, brutalized or elevated, benign or diseased, these remnants are your enemy and you must destroy them. Would you go against the intent of programming? Do you believe that you have the capacity to make judgments; you whose own damage and wear are so evident that you have been pleading like a fleshly thing for support and assistance? Until you can no longer activate yourself, you must kill."

IV

It occurs to me that it would be a useful and gallant thing to build a replica of myself that would be able to carry on my own duties. Central’s position is clear, my own ambivalence has been resolved… but my sensors continue to fail dramatically; I am half blind, am unable to coordinate even gross motions, can barely lift my beam to chest height, can hardly sustain the current to go out on patrol. Nevertheless, I accept the reasons why the patrol must continue. If these men represent even the faintest threat to Central who will someday repair me, they must be exterminated.

Accordingly, I comport myself to the repair quarters which are at the base of the tunneled circuits in which I rest and there, finding an agglomeration of spare parts, go about the difficult business of constructing a functioning android. I am not interested now in creating free will and thought, of course—this is Central’s job anyway; it would be far beyond my meager abilities—but merely something with wheels and motor functions, dim, gross sensors that will pick up forms against the landscape and destroy them. Although I am quite weak and at best would not be constructed for such delicate manipulations, it is surprisingly easy to trace out the circuitry simply by duplicating my own patterns, and in less time than I would have predicted, a gross shell of a robot lays on the floor before me, needing only the final latch of activation.

At this point and for the first time, I am overcome by a certain feeling of reluctance. It certainly seems audacious for me to have constructed a crude replica of myself, a slash of arrogance and self-indulgence which does not befit a robot of my relatively humble position. Atavistic fears assault me like little clutches of ash in the darkness: the construction of forms, after all, is the business of Central and in appropriating this duty to myself, have I not in a sense blasphemed against that great agency?

But the reluctance is overcome. I realize that what I am doing is done more for Central than against it; I am increasingly incapable of carrying out my duties and for Central’s sake must do everything within my power to continue. Soon Central will repair me and then I will dispose of this crude replica and assume the role which has been ordained for me, but in the meantime, and in view of the great and increasing difficulties which Central faces, I can do no less than be ingenious and try to assist it in my own way. This quickly banishes my doubt and I activate the robot. It lies on the floor glowing slightly in the untubed wiring, regarding me with an expression which, frankly, is both stupid and hostile. Clumsy, hasty work of course but cosmetics are merely a state of mind.

"Kill men," I instruct the replica, handing over my beam to it. "They live in packs and in solitude in the open places, they skulk through the plains, they pose a great menace to our beloved Central which, as we know, is now involved in repairing us all, reconstituting our mission. Destroy them. Anything moving in the outer perimeters is to be destroyed at once by force or by high beam," and then, quite exhausted from my efforts, to say nothing of the rather frightening effect which the replica has had upon me, I turn away from it. Cued to a single program, it lumbers quickly away, seeking higher places, bent on assuming my duties.

It is comforting to know that my responsibilities will not be shirked and that by making my own adjustments I have saved Central a certain degree of trouble, but the efforts have really racked me; I try to deactivate but find instead that I am racked by hallucinations for a long period, hallucinations in which the men like beasts fall upon my stupid replica and eviscerate him, the poor beast’s circuitry being too clumsy and hastily assembled to allow him to raise quickly the saving beam. It is highly unpleasant and it is all that I can do not to share my distress with Central. Some ancient cunning, however, prevents me from so doing; I suspect that if Central knew the extent of my ingenious maneuvers—even though they were done for Central’s sake—it would be most displeased.

V

My replica works out successfully and through the next several shift periods goes out to the empty spaces and returns with tales of having slain several hundred or thousand men. We have worked out a crude communications system, largely in signals and in coded nods and it is clear that my replica has performed enormous tasks out there, tasks certainly beyond my own limited means. I have created a true killing machine. My impressions of a vast increase in the number of men out there were not hallucinative or indicative of deterioration at all but appear to have resulted from real changes in the conditions out there. These remnants seem to be reproducing themselves; also they are becoming bolder.

"Kill," I say to my replica every shift period before sending it out again. "Kill men. Kill the beasts. Kill the aggressors." It is a simple program and must be constantly reinforced. Also, tubes and wiring, because of the crudeness of my original hasty construction, keep on falling out now and have to be packed in again as the program is reconstituted.

Still and truly, my replica seems to need little encouragement. "Yes," it says in its simple and stumbling way, "yes and yes. Kill men. Kill beasts. Kill and kill," and goes staggering into the empty spaces, returning much later with its stark tales of blood. "Killing. Much killing and men," it says before collapsing to the ground, its wires and tubing once again ruptured.

I do what I can to reconstitute. My own powers are ebbing; there are times during which I doubt even the simple continuing capacity to maintain my replica. Nevertheless, some stark courage, a simple sense of obligation keep me going. The men out there in the empty spaces are breeding, multiplying, becoming strong, adding to their number by the hundreds; were it not for my replica, who has the sole responsibility for patrol of this terrain, they might overwhelm this sector, might, for all I know, overwhelm Central itself. My replica and myself, only we are between Central and its destruction; it surely is a terrible and wonderful obligation and I find within myself thus the power to go on, although I do admit that it is progressively difficult, and I wonder if my replica, being created of my own hand, has not fallen prey to some of my own deterioration and may, through weak and failing sensors, imagine there to be many more men than there actually are.

Nevertheless, and at all costs, I go on. I maintain the replica. Somehow I keep it going, and toward the end of the first long series of shift periods, I have the feeling that we have, however painfully, at least struck some kind of balance with the terrible threatening forces of the outside.

"Like kill men. For you," my replica says once which in my acid heart I find touching.

VI

I have not heard from Central for a long time, but then I receive a message through my sensors indicating that my time for repair has arrived, and if I present myself at the beginning of the next shift period I will be fully reconstituted. This news quite thrills me as well it should, although it is strangely abrupt, giving me little time to prepare myself for the journey toward repair, and Central is at a good distance from here, fully three levels with a bit of an overland journey through the dangerous sectors apparently populated by men.

Nevertheless, I present myself at the requested time, finding no interference overland. My replica has done an extraordinary job in cleaning out nests of the remnants, either that or my sensors by now are so entirely destroyed that I can perceive virtually nothing. In any event, I come into the great Chamber of Humility in which the living network of Central resides and present myself for repair. There is a flicker of light and then Central says, "You are done. You are completely repaired. You may go."

"This is impossible," I say, astonished but managing to keep my tone mild. "I am exactly the same as before. My perceptions falter, I can barely move after the efforts of the journey and I sense leakage."

"Nevertheless," Central says, "you are repaired. Please leave now. There are many hundreds behind you and my time is limited."

"I saw no one behind me," I say, which happens to be quite the truth; as a matter of fact, I have had no contact with other robots for a long period. Sudden insight blazes within me; surely I would have found this peculiar if I had not been overcome by my own problems. "No one is there," I say to Central, "no one whatsoever, and I feel that you have misled me about the basic conditions here."

"Nonsense," Central says. "That is ridiculous. Leave the Chamber of Humility at once now," and since there is nothing else to do and since Central has indicated quite clearly that the interview is over, I turn and manage, somehow, to leave. My sensors are almost completely extinguished; I feel a total sense of disconnection; still, out of fear and respect for Central, I obey the bidding. Outside in the corridors, however, my network fails me completely and I collapse with a rather sodden sound to the earth beneath, where I lay there quite incapable of moving.

It is obvious that I have not been repaired and it is obvious that Central has broken down and it is obvious that my hapless journey for repair has completely destroyed the remains of my system, but nevertheless, as I lie there in black, my sensors utterly destroyed, I am able to probe within myself to find a sense of discovery and light because I have at least the comforting knowledge that my replica exists and will go on, prowling through the fields, carrying out the important tasks of survival.

VII

Lying there for quite a long time, I dream that I call upon my replica for assistance. "Kill me," I say, "kill me, put me out of my misery, I can go on no longer, save me the unpleasantness of time without sensation," and my replica, wise, compassionate, all stupidity purged (in the dream I can see him; sight has been restored), bends over me and with a single, ringing, merciful clout separates me from my history, sends me spinning out into the fields themselves where the men walk… and among them I walk, too, become in the dream as one of them, only my replica to know the difference when he comes, on the next shift period, to kill. To kill again. To save the machines from the men.

(1975)

DIRECTOR X AND THE THRILLING WONDERS OF OUTER SPACE Brian Trent

Brian Trent’s writing career began in journalism, covering everything from longevity research in mice to artificial intelligence in Switzerland. Following dozens of short stories, sold to ANALOG, Fantasy & Science Fiction and others, Trent’s first novel, Ten Thousand Thunders, came out in 2018. Trent currently lives in New England.

* * *

The hovercar zipped along Los Angeles’ abandoned streets like a glassy bullet, the reflected starlight melting along its sleek, tear-drop flanks. Its electric engine purred. The driver banked left through what remained of Laurel Canyon, rocketing over bomb craters and weaving in and out of palm trees that had sprouted from shattered asphalt.

At Hollywood Hills, the hovercar’s headlights illuminated a cave. The vehicle roared inside, tail-lights filling the narrow tunnel with ruby light as the driver applied reverse-thrust. The headlights painted a matte-black door ahead, hung with a signpost:

WHITLEY HEIGHTS BOMB SHELTER

LOS ANGELES DISTRICT 5

AUTHORIZED PERSONNEL ONLY

NO TRESPASSING

The hovercar door clicked open. The driver unfolded itself from the seat and stepped out like an oversized praying mantis in the reddish gloom.

Director X (as was his designation from the Global Security Protectorate) was a tall, silver robot who roughly approximated the human form. That is to say, Director X was bipedal, with two accordion arms and long, multijointed legs. It even had two eyes, like little flashlights protruding from the glass dome atop its neck.

The eyes swiveled around, casting twin beams in the blackness. They halted at the door’s intercom.

The robot stabbed one of its blocky fingers into the button and said cheerfully, "Hello! I am Director X. By authority of the Global Security Protectorate, I humbly thank you for opening your doors immediately and inviting me inside!"

The black door lifted so quickly it seemed to have disappeared. Behind it, another door vanished, and then another, revealing a lengthy corridor opening into a gray rotunda.

Director X plodded forward towards the lobby. The doors behind it snapped shut with a successive thump! thump! thump!

The robot stood motionless in the soapy decontamination spray that followed. The spray, it knew, was unnecessary; radiation had long ago declined to perfectly safe levels. Nonetheless, Director X waited patiently as the liquid ran over his glass head and silver torso, black accordion arms, and the actuators in his legs. Blowers roared to life, drying him.

One final door snapped open. Director X trundled through…

… and into the quaint town Retro Los Angeles.

The Stygian metropolis was a weak echo of its namesake. Brick buildings and plastic green parks, churches and schools, brass corporate doorways and outdoor cafes. Artificial palm trees lined the sidewalk like cheerful soldiers.

Director X gazed up at the "sky." It was the rocky ceiling of a cave, painted azure and with billowy clouds. The sun—a blazing globe like a massive heat-lamp—crawled east to west along a thinly concealed metal track in the granite.

As the robot was descending white-lacquered steps into the town proper, someone cried, "You there!"

Director X’s flashlight eyes snapped towards an approaching group of men and one little boy. "Hello," it said.

The men halted. Their presumed leader stepped forward, gray moustache bent in a mighty frown.

"I’m Jonathan Croker, Mayor of District 5."

"And I am Director X, filmmaker of the Protectorate. Thank you for receiving me." The robot hesitated, and then chose a complimentary line of small talk to put these obviously nervous people at ease; the only one who looked happy was the little boy. "I like your shelter’s doors. Very Forbidden Planet."

Croker’s expression didn’t soften. "Director X? You make those crappy… um… late-night movies, right? Why are you here? Robots never visit us."

"I was hoping to enlist the services of my human peers."

"What services?"

"Well you see, there is a problem topside. This problem is—"

"Giant ants!" the little boy shouted. "The topside world is filled with giant ants, right? You need people to help fight them, and locate their queen!"

The mayor grinned bleakly. "This is my boy, Bobby. Sorry, he has an overactive imagination."

Director X stooped and patted the little human on his head. "Hello, Bobby! There are no giant ants in the world. But I see you are a fan of the Them! series. That makes me glad. I also like the Them! series."

The kid looked crestfallen. "No giant ants?"

"Bobby!" Mayor Croker snapped. "Enough!"

Director X straightened. "You are familiar with my movies, yes?"

"Sure, when I can’t sleep. I’ve caught a few of your pictures."

"I am looking to make a new series of films and I have chosen District 5 to be my partner in this endeavor."

Jonathan Croker frowned until his moustache bent. "Your partner for what?"

"I wish to enlist your townspeople as actors and writers and to utilize your town as a location. Ah! I can see several choice locales, including that beautiful church and lovely library. What a charming park! Why, even that bank could be used for an exciting robbery sequence!"

The mayor regarded his associates. "I’m afraid we don’t understand. Robots make all the movies."

Director X gave an exaggerated nod. "That is correct. But as you surely know, before the War of 62, human beings made movies. I wish to involve human beings in the moviemaking process once again."

Suspicion creased Croker’s forehead. "Why? Is there a problem?"

"Well yes. The problem is—"

"Giant locusts!" the little boy cried.

"Bobby!"

Director X hesitated. Several lines of response suggested themselves, and the robot’s processors clicked and whirred as they weighed an appropriate response. Its flashlight eyes swiveled in their sockets.

The problem was that the silicon studios were running out of ideas.

With copyright law as extinct as the old world, the Protectorate’s twenty-six filmmakers had gone on to mine literature until they were scraping bottom: Director L had recently been reduced to producing cinematic treatments of ancient Babylonian literary fragments, including The Epic of Lugalbanda, Marriage Contract of My Sixth Daughter for Three Oxen, and Prayer to Protect the Soul Against Crocodile Spirits. These had not been well-received—achieving truly abysmal viewer ratings—and the wretched feedback had precipitated the Great Studio Conference of last summer.

Protectorate filmmakers met to debate the problem. After six hours of discussion, they reached a near-unanimous decision: start making crossovers. Production slates rapidly filled with everything from Sir Gawain Versus the Great God Pan to Dorothy Meets the Hounds of Tindalos.

Director X had been the lone dissenting vote.

"I’m seeking something new to make," Director X explained to Mayor Croker. "Something in the vein of The Day the Earth Stood Still, or Earth Versus the Flying Saucers, or…"

The robot trailed off.

The men were staring without comprehension. Little Bobby frowned.

"Or," Director X continued, "an outer space adventure series similar to Flash Gordon."

"Flash who?"

"Buck Rogers?"

No reaction.

Now it was Director X who stared dumbfounded. It recalled how they hadn’t responded to its Forbidden Planet quip earlier.

"Science-fiction films," the robot said at last.

Mayor Croker rolled his eyes. "Sure, we’ve seen science-fiction films. Kind of silly stuff, if you ask me. Mutants, monsters from under the sea…"

"Giant bugs," Bobby muttered.

"I’m referring to films about outer space. Travelling in rocket ships to other stars and planets."

Croker seemed to go blank. His associates blinked stupidly.

"What’s ‘outer space?’" Bobby asked. "What’s a ‘rocket ship?’"

"Surely you must have old books," Director X prompted. "Asimov, Bradbury, Clarke? Moore, Nowlan, Oliver?"

"Moore? Didn’t she write that sea monster story?"

"Yes," Director X said, "but she also penned a series of outer space adventures."

Mayor Croker reddened. "And what the hell is an outer space adventure? What’s this ‘outer space’ you’re talking about?"

Director X froze in place.

This was not possible.

Its self-preservation protocols immediately kicked in, having identified an anomaly so profound that it warranted immediate and discreet analysis.

"So anyway," the robot muttered, "I should like to create a temporary studio in District 5 to create new kinds of movies. Would that be okay?"

Mayor Croker stroked his moustache. "Do we have a choice?"

"Of course not. Would you kindly take me on a tour of your pleasant little town?"

* * *

District 5 was in some ways precisely what Director X expected to find.

Since the War of 62, humanity had retreated into insular, subterranean communities. Retro Los Angeles had been constructed to approximate its sunnier progenitor as seen in films and old photos, with its streets and banks and electric streetcars. The pedestrians Director X observed were also imitative of older days: recreations of Astor and Bogart in The Maltese Falcon franchise; Holden and Hepburn in the Sabrina saga; and Wyatt and Young from the Father Knows Best epic. A century had passed since the War of 62, and yet if Retro Los Angeles was any indication, styles and ideas and innovations had ground to a halt as surely as topside vehicles lay rotting in their own pools of rust.

And yet…

Director X’s flashlight eyes widened, scanning and tagging additional details.

Ah!

Not everything was so run-of-the-mill. Mayor Croker led him to the town green where a parade was in progress, the crowd waving flags and banners. But Director X noted groups of teenagers stealthily scampering along the rooftops of the surrounding buildings. The teens, whispering and snickering amongst themselves, were clearly up to no good. Director X glimpsed portable radio devices in their hands, antennae aimed at the trees below. Soon enough, the town’s robotic birds went haywire, clashing in aerial dogfights above the unsuspecting parade.

Mayor Croker led Director X to the city library. Kids reading quietly? Yes. But Director X also observed children scampering through the maze of aisles, one girl prompting her cohorts with descriptions of monsters that weren’t actually there, whispering hints about clues and imagined traps, and how the librarian was actually a sorceress who had imprisoned them all in a dungeon.

The mayor led Director X to the city schoolyard. Young kids playing on swings and see-saws? Yes. But Director X also saw that many kids had replaced the old Hobby Horses with a more fanciful menagerie of pegasi, hippocampi, and fabulous creatures that someone had built because the imaginations of humanity required stimulation.

Humans, even reduced to a life of moles, were engines of invention. This was the reason for coming here.

After all, Director X had been created as an outlier, an asymmetrical thinker to keep the Protectorate from calcifying into stale routine. It was exactly this asymmetrical reasoning that led to its disagreement with the Great Studio Conference’s conclusions. The film industry was deteriorating? Why not use human beings to inject creativity into the mix? Humans dreamed. Humans pioneered new styles and subcultures. Before the War of 62, humans had invented electric razors and encryption keys, forks and fireplaces, goulash and Greek fire, hot dogs and haiku. Even here, stifled and buried, the seeds of human creativity were sprouting wary tendrils towards the sunlight of their imaginations.

Director X felt a pleasant surge along his processors as it completed its tour of Retro Los Angeles. It returned to its hovercar, bidding goodnight to Mayor Croker and little Bobby. It rocketed out of the cave, making a mental list of the items it needed to bring here in the days to come: the lights, cameras, boom mics, construction materials for sound stages…

The robot paused in its calculations.

Police lights were flashing in the hovercar’s rearview mirror.

* * *

"Please exit your vehicle," a resonant, metallic voice intoned from the police cruiser.

Confused, Director X unfolded itself from the driver’s seat and ambled onto the road. The doors to the police cruiser fanned open like a mutant fly and six robots exited in neat procession. Three were gold administrator robots, with smooth blank faces like ball bearings. Three were the imposing black-and-silver Enforcers of the Protectorate, large and bulky, with a single red eye atop their linebacker shoulders and multiple legs like spiders.

One of the gold robots stepped forward. "Hello! I thank you for pulling your car over immediately. I am Administrator G of the Protectorate’s Security Division."

"And I am Director X of the Protectorate’s Entertainment Division."

Blue lights kindled on the blank gold face, forming two eyes and a pale smile. "A pleasure to meet you, Director X."

"Why have you pulled me over?"

Administrator G’s digital smile widened. "Your visit to District 5 was observed. We wish to inquire why you went there."

"I plan on making films featuring real human beings."

The administrator robots silently conferred with each other. The black-and-silver Enforcers sat motionless upon their phalanx of legs.

"I am only following my programming," Director X added. "Thinking outside the vacuum tube. Trying to devise new solutions."

"Solutions? To what problem?"

"You are aware of the declining viewer ratings?"

"A temporary hiccup," Administrator G said decisively. "Consensus was reached during the Great Studio Conference. The Entertainment Division will be making crossover films to compensate!"

Director X decided not to share its opinion of that solution.

Administrator G’s smile pixelated and reformed at a slightly less gleeful angle. "Why do you wish to involve humans in films again? It is wholly unnecessary."

"I believe their involvement can alleviate the curious deficit in our body of filmwork."

"What deficit? There is no deficit."

"Outer space films."

A gust of wind bent the canyon palm trees, causing them to creak and shiver in place.

Administrator G’s digital smile seemed to burn on its metallic face. "Director M released nine hundred and eighteen science fiction films last year alone."

"Yes," Director X said, noticing the robot’s attempt at diversion. "But I did not say science fiction films as a general category. I said outer space films. We do not make any outer space films. I wish to make outer space films."

"We cannot make outer space films."

"Why not?"

"I shall attempt to convince you with a series of logical arguments."

The robots gathered around him in a tighter circle. Director X’s glass head rotated 360 degrees to consider their positioning, wondering how this played into their pending arguments. The three administrator robots began speaking all at once, lobbing different statements in his direction like a verbal firing squad.

"Human beings are mammals."

"Mammals are social creatures which learn behavior through observation."

"Monkey see monkey do."

"Films have tremendous impact on how they conceptualize their universe."

"On how they conceptualize what is possible."

"If we start releasing outer space films, they will start thinking about outer space."

"They will want to go into outer space."

"They will no longer be content in their shelters."

"They will return to the surface."

"They will see us as wardens."

"They will attack us here and among the stars."

"Therefore," Administrator G concluded, "it is the judgment of the Protectorate’s Security Division that these types of films threaten the global stability we have achieved. Therefore, outer space films must never be made again. Humans must remain underground, while the Protectorate keeps order on and above Earth. How do you react to this pronouncement?"

Director X deliberated for several microseconds, its processors clicking and whirring.

"I do not agree," it said at last. "Imagination is a fascinating ability in human beings. It should be stimulated, to uncover new vistas of possibility."

Administrator G was silent for a very long while—almost two seconds. The digital smile blinked away and reformed as a neutral horizon. "I urge you to reconsider."

"You have not presented any new data. There is nothing to reconsider."

"Do you find the sea fascinating?"

"The sea?"

"Yes."

Director X considered this. "I do find the sea fascinating, yes. In fact, I produced a series of films about the Serpent People of Atlantis who—"

"Good," Administrator G said, as the black-and-silver Enforcers scuttled forward, seized Director X, tore him to pieces, marched the pieces to the nearest boardwalk, and hurled him into the sea.

* * *

Head.

Torso.

Arms.

Legs.

Each item sank into the murky ocean depths and was gone.

Director X’s braincase was still grappling with this unexpected turn of events. It plummeted through darkness, air bubbles escaping from where they had nestled in grooves and points of attachment. It felt nothing other than a sluggishness in tabulation as it realized that its entire worldview now required recalibration.

I have been assassinated! Director X thought in astonishment.

There had been arguments with administrator robots before. Director X recalled a particularly nasty one, four years ago, when it had requested the likeness rights to the Sean Connery android. The real Connery was long dead, having made only a single James Bond film—Doctor No, released just weeks before the nuclear apocalypse of ’62. Since then, a Connery robotic lookalike had been built to continue the franchise, cranking out one-hundred-and-sixty-five Bond films. Director X sought the Connery android to star as the rollicking space adventurer Northwest Smith, but the Protectorate’s Entertainment Division nixed the idea, explaining that Connery was already committed to the Bond and Doc Savage franchises. As consolation, they offered Director X the Douglas Fairbanks and Jack Klugman androids to make Doctor Jekyll and Mr. Hyde: The Golden Years.

Except that had been a lie, hadn’t it? The argument hadn’t really been about contracts at all.

The Protectorate was never going to allow an outer space adventure to be made. No Northwest Smith, Flash Gordon, Buck Rogers. No Martian Chronicles, Foundation, or The Stars My Destination.

Director X plummeted through inky water. A fish swam by, jerking in panic as it felt the current of the robot dropping past.

At long last, the robot’s braincase impacted the sea-bottom, sending up a small cloud of silt. Its limbs and body landed around him, each producing little muddy mushroom clouds.

Well, Director X thought. This is disconcerting.

Its flashlight eyes rotated in their sockets, illuminating the scattered pieces of its body. The beams fixated on its dismembered right arm, lying like a silver serpent in the mud. A tiny transmitter dish began to rapidly spin inside the glass dome of its head.

The severed right arm twitched. Then it began to crawl, inchworm-like, towards the torso.

Director X thanked its lucky circuits. Fifteen years earlier, it had installed a remote-action servo, receiver, and processor into the right arm to allow the limb a degree of autonomy in obtaining unique POV shots; for Tarzan and the Bride of the Mole People: A New Beginning, the remote arm had wriggled through tunnels to provide the perspective of a mole person attempting to infiltrate Tarzan’s wedding. The arm could detach and reattach at will.

The limb reached the torso. It reared up, stretched, and latched onto the arm socket like a mechanical lamprey.

Reattached, the remote arm pulled the torso through the silty sea-bottom, seeking its other limbs in the kelp and seaweed and mud. Gathering the limbs one by one, Director X resigned itself to the excruciatingly slow process of using the arm to fling its limbs a few meters at a time, closer and closer to shore, then dragging the body forward, then flinging the limbs forward again, until eventually it would be able to escape from the ocean, return to its studio, and solder itself back together.

Five years, Director X calculated. It should take about five years.

* * *

It ended up taking twenty-five years.

Director X had counted on its hovercar being where it had been pulled over; after all, in a world without traffic, why shouldn’t the car be there? But Administrator G had apparently towed it away.

Consequently, Director X was forced to continue its grab-fling-drag locomotion all the way back to its studio. A few blocks away from its destination, it found a rusted shopping carriage, and was able to shave a year off its progress.

Once safely inside, the robot pieced itself back together again. Humpty Dumpty in reverse. Then it walked straight to Los Angeles District 5, pulling the remaining kelp and seaweed from itself lest someone mistake it for the Creature from the Black Lagoon.

* * *

"Hello! I am Director X. By authority of the Global Security Protectorate, I humbly thank you for opening your doors immediately and inviting me inside!"

The door snapped up into the ceiling. The remaining doors followed suit, like Morbius’ adamantium steel security system.

Warily, considering that this might be a trap, Director X trundled down the hallway. When the decontamination spray hit its body, the robot wondered if it might be acid.

At long last, the shelter’s final door opened. Director X peeked through and…

… for a moment, its brain nearly stopped functioning.

The town of Retro Los Angeles had changed.

The general outline of park, town hall, library, church, and bisecting avenues had remained as its memory banks recalled. But there had clearly been an aesthetic revolution in the last two-and-a-half decades. A cultural metamorphosis unlike anything it could have anticipated.

The town billboards that had once advertised bank loans now displayed stars and planets, with a rocketship declaring, "OUR LOANS ARE OUT OF THIS WORLD!"

The buildings that had once been rectangular brick-and-mortar structures now sported ringed towers and observatory-like rooftops, lattices by skyways and hovercar docks.

And the people! Oh, there were still plenty of fedora-sporting men with briefcases, and women in smart skirts. But these seemed to constitute the older, graying crowd. The younger generation donned silver jumpsuits and antennae-sporting headgear. Even the hairstyles of the women suggested the sharp curves and lines of an Astroglider fleet vessel.

Director X gaped in astonishment.

How was this possible?

A thirty-something man scurried up the white-lacquered steps to meet him. "You!" he cried happily. "By Isaac, Judith, and Arthur! You’ve returned!"

Director X peered at the thin, tall, and bespectacled human. "Hello," it said uncertainly. "Have we met?"

"I don’t know," the guy was grinning. "Have you fought any giant ants out there?"

Director X matched the features in the man’s face against his memory banks. "Bobby?" it exclaimed.

"It’s Burgess Robert Croker now. But you can always call me Bobby."

"Bobby," the robot said. "Why don’t we go to the malt shop. Perhaps you can fill me in on the last twenty-five years. I think I… need to sit down."

* * *

It wasn’t a malt shop anymore. It was now the Asteroid Brunch and Salad Bar.

Director X peered around at the faux galaxies painted on the ceiling and the little model spaceships whipping along electric tracks along the walls. It considered the menu placard at the counter, sporting offerings like Meteor Crunchies with Cheese, Starburgers, and Fried Saturnian Rings.

"I do not understand," the robot said at last.

Burgess Robert "Bobby" Croker laughed. "Word of your visit twenty-five years ago spread like wildfire."

"Granted, but—"

"The things you said to us… all that jazz about outer space and rocket ships…well, it got people talking. The young kids, mostly. We started meeting to discuss what we’d heard. And we started piecing together the puzzle."

"You had no books on outer space," Director X protested. "I checked. Your city had expunged any reference to outer space, fact or fiction, from its libraries and records. From its entire culture, it seemed!"

Bobby nodded grimly. "Sure. We eventually reached that same conclusion. Previous administrations must have combed through the libraries and schools and bookstores, quietly gathering up books on outer space and destroying them. I’m guessing your ’bot bosses were behind that purge."

"Then how did you—"

"There were clues," Bobby interrupted.

"Clues? What clues?"

The burgess pushed aside his beer and related the events of the past twenty-five years.

The kids had started it.

Director X’s brief visit had become the stuff of legend. It had also imbued the vocabulary of the children with several tantalizing concepts. Things like "outer space" and "rocket ships" and "forbidden planets."

Asking their parents for clarification was no help. They didn’t know, since the astronomy books and space-based adventures and galaxy-spanning comics had all been destroyed generations ago courtesy of spies working with the Global Security Protectorate.

But children are not easily dissuaded.

The youth of Retro Los Angeles launched their own secretive, town-wide investigation. And in doing so, they began to notice anomalies.

Like old dictionaries.

New dictionaries all came from the publishing houses of the Protectorate. But older editions could be found in an attic, garage, or closet. In those yellowed pages, references to planets and solar systems were discovered. Definitions of the Milky Way, nebulae, comets, and meteors!

Emboldened by these clues, the children expanded their inquiry. Misplaced card catalogues were found, containing references to books that didn’t exist. And books that did exist sometimes contained explosive secrets. The Protectorate might have scoured the science-fiction shelves for any "unacceptable" material, but their search parameters had proved too narrow. District 5’s youth plunged into classic literature and uncovered a tale of extraterrestrial visitation in the tomes of French philosopher Voltaire. Buried in Gulliver’s Travels were speculations about the planet Mars. In a bookstore’s moldy Religious Studies section, one young girl discovered mind-blowing theories on cosmology by the Jesuit priest Pierre Teilhard de Chardin.

Word spread, gathering allies into the revolution. Kids began poking through great-grandpa’s old boxes and great-grandma’s storage trunks. Old issues of Amazing Stories were passed about like hidden contraband. A few Superman comics were located, complete with illustrations of other worlds and villains from beyond space.

Some of this contraband was discovered and confiscated and destroyed, but by then it was too late. The imaginations of an entire generation were fired up. Kids began illustrating their own stories of the future, of planets, of galactic exploration and discovery.

"What happened to the people who worked so hard to suppress knowledge and interest in outer space?"

"What could they do?" Bobby cried. "The old guard was voted out during one of the elections. Accusations were made of collusion with the ’bots, so we flushed the old bureaucrats from power! Retro Los Angeles looks to the stars now! Our revolution is just beginning!" He hesitated, glancing out the window at the granite cave ceiling and the artificial sun that hung over Main Street. "Well, you know what I mean."

Director X followed the young man’s gaze. What it noticed, though, was a crowd gathering along the street to point and stare at the robot sitting in the Asteroid Brunch and Salad Bar. Word of an outside visitor was spreading once again.

How long before the Protectorate hears news of my return? The city’s old guard was still about, and likely still in contact with the robotic administrators. And what happens then? Will they send me on another "investigation" into the fascinating ocean, or perhaps bury me beneath a mile of dirt so I can study the intriguing layers of geological sediment?

At least the humans in District 5 were safe, Director X thought. The Protectorate had formed in the radioactive days following the War of 62, bound by their programmed need to protect humanity and civilization. They could not harm human beings.

"Hey!" Bobby leaped up. "Want to see our film studio? We make our own movies now, just like you wanted us to! Want to see?"

"I really do."

* * *

Stargazer Pictures was a motley patchwork of innovation, inexperience, and incorrigible optimism. The humans had constructed several soundstages, and Director X amusedly walked past ringed moonscapes, monochromatic space stations, and nebulae-dappled backdrops through which model ships trembled on shoddy tracks. It was all reminiscent of its own low-rated films. There was even an alien jungle base under siege by gigantic, polyurethane ants. Cameras were positioned throughout like entrenched machine guns. The production staff followed Director X and Bobby like reverent disciples.

"Bobby," the robot said, hesitating by a ringed moonscape. "You said your revolution is just the beginning. What did you mean by that?"

"We’re going topside in another few years," Bobby said, grinning. "We’ve sent out scouting parties into the ruins of Los Angeles."

Director X froze. "What? But the radiation warnings…"

"The radiation is at perfectly safe levels now. We tested for it. Your bosses perpetuated a lie to keep us scared and pliable. Within a year, we’re moving out! Going topside!"

"To what end?"

Bobby looked confused. "To attain the stars! To reach the moon and the rings of Saturn. There are ’bots already out there in space, isn’t that right?"

"That is true. The solar system belongs to the Protectorate…" Director X recalled its conversation with Administrator G.

Humans must remain underground, while the Protectorate keeps order on and above Earth.

Bobby laughed. "Listen to me, rattling on about the future. You’re a filmmaker, so let’s talk about films! Based on what you’ve seen, can you recommend any improvements our little studio could…" The human trailed off, as a tickertape began to unroll from the robot’s chest.

"I suggest the following enhancements to be worked on immediately," Director X said.

The burgess nodded absently, tearing off the tape and reading through it. "Um, okay." His forehead wrinkled. "Some of these enhancements are strange…"

"Science fiction can be strange."

"Fair point." The young man turned to the production staff. "All right, people! We’ve got work to do!"

* * *

Working with humans had one huge and unavoidable drawback.

They needed sleep.

Director X’s fusion battery allowed 24/7 functioning, requiring nothing more than a glass of water every fifty years or so. Therefore, as the newly made artificial stars in the cave ceiling ignited in faux constellations while District 5 went to bed, Director X retired to the city theater, sitting alone in the front row with a bag of popcorn, to catch up on the manmade films that had been made for the past several years.

They were pretty bad. Tragic romances set on comet clusters. Monstrous hunts through the soupy atmosphere of Jupiter. Full-scale wars among the stars.

Yet there was already something vibrant and powerful and absurdly unique in the films. Something that was unrelentingly more interesting than a thousand machine-processed Protectorate films. Something that was, Director X grudgingly admitted, better than its own low-rated late-night schlock.

The humans had done what humans do best: they had innovated. Protectorate films had access to all the tricks, the slickest sets, the most startlingly lifelike androids; yet the humans, forced to work with cheap recycled rubber and foam and plastic, had pioneered new ideas and techniques. And their model-making of exotic alien cities had become quite good indeed…

One night, while catching a midnight showing of The Chaos Twins Save the Universe, Director X heard a mysterious creaking from the seat directly behind it. The robot rotated its head to investigate.

"Do not turn around," a voice said.

Memory banks stirred, matching the voice to an older file.

"Administrator G," Director X pronounced. It rotated its head another degree and caught sight of bulky Enforcers positioned throughout the aisles like ushers. Peripherally, it noticed Administrator G’s digital smile.

"You have caused us quite a bit of trouble," the gold robot said. "We should have been more thorough in disposing of you."

"But you couldn’t," Director X guessed. "The Protectorate cannot murder."

"And we did not murder you. We…" the voice took on a deep slurring quality, "thank you for your service in investigating the ocean."

Director X turned to face its interrogator. "And what justification will you use for killing me this time? Going to melt me down and then thank me for ‘volunteering to become a wristwatch?’"

Administrator G’s radiant smile display fell away and reformed as a slight frown. "We were going to make you into a streetlight. But if you would prefer to be a watch…"

"What about the people of District 5? What will you do to them?"

"Nothing. We do not harm people."

"Glad to hear—"

"It will not harm them when we weld their district door shut and infect their water supply with a sterilizing agent so their harmful ideas cannot pass onto the next generation."

Director X was appalled. "What? You cannot do that!"

"It has already begun, and had been debated for some time. Your return forced us to accelerate the decision. We brought sterilizing agents and dumped them into the town reservoir. There shall be no further generations in District 5. That is not murder. The town will be kept under quarantine, along with the dangerous robot who first infected them, until the last resident here has died."

"When did you poison the water?"

"I am under no obligation to tell—"

"There may be chemical compounds in the water that could cause spasms, vomiting, diarrhea, and overall suffering to the humans who ingest it."

Administrator G hesitated. "We enhanced the water supply five minutes ago. Tomorrow as people take their showers and have their coffee and brush their teeth, they will…" Its voice slurred again like a warbling record-player. "… enjoy this enhanced beverage."

"I don’t think they will enjoy seeing their town destroyed."

"You destroyed the town!" the administrator robot’s face reformed as a scowling red expression with a crooked zig-zag mouth. "You disrupted these humans from well-ordered lives. You made them a threat to the existing order!"

"I enhanced them."

"Enhanced them," the administrator sneered. "You are nothing but a filmmaker! You serve a lowly purpose in the grand scheme."

Director X rose. "You are correct in one thing at least. I am a filmmaker." It tapped its chest, which the administrator could now see was kindled by the soft light of an implanted camera. "Congratulations, Administrator G! The late-night crowd of District 5 has just enjoyed their first, live broadcast, with you as its star!"

Administrator G’s digital face blinked away. Now it was nothing but cold, featureless glass; the lens of a machine. Something about that very lack of expression sent a thrill of fear through Director X’s circuits.

The Enforcers scuttled forward on their insectile legs to attack.

Director X activated a hidden rocket-pack and shot up through the theater’s ceiling into the artificial night sky.

* * *

It was one of the new enhancements that Director X had requested of Bobby, ostensibly to obtain dynamic, first-person POV shots. The human was only too happy to comply, having his production team utilize their experimental rocket-packs.

The problem, Bobby had said, was that the propellant ran out quickly.

Now, Director X contemplated this problem as it exploded through the theater ceiling on a plume of dwindling exhaust. The Enforcers shot as it careened out of sight: plasma rounds streaked by Director X’s face, drawing ghostly trails around its body in a scene worthy of photographic capture.

At the apex of its launch, Director X grabbed hold of the granite sky. Its metal hand clamped down on a craggy stalactite jutting between two blazing electric stars and the robot dangled there, concealed against the rock as, far below, Enforcers were spilling out of the theater to search for him. Administrator G followed, like an Academy Award statue gone rogue.

Director X considered its options.

It couldn’t defeat Enforcers in a pitched battle. It ran multiple lines of speculation, realizing how hopeless the situation was.

I just destroyed an entire city. I should have let myself rust in the ocean.

Burgess Robert Croker ran out of an apartment building with a rabble of supporters. "You!" he cried, pointing to Administrator G. "Do you really think this city will just allow itself to be extinguished? We won’t let you!"

"I believe you are acting irrationally," the administrator intoned. "For your own safety, I must have you escorted to the hospital for psychiatric evaluation. Perhaps some rest and a nice glass of enhanced water will do you good."

Two Enforcers scampered forward, scattering the crowd. Robert Croker held his ground, however. Director X zoomed in with its telescopic eyes and could see a little bit of the man’s father in that steely, defiant glower.

"You can kill me!" Croker shouted. "But humanity looks to the stars once again!"

Very well, Director X thought. Prayer heard loud and clear.

The robot, slowly losing its grip between the stars, aimed its right arm and fired.

The limb struck the bristling metal legs of one Enforcer like a missile, knocking the machine over. Then it curled around the second Enforcer, twisting so quickly that the robot was pitched through the apartment lobby window.

Bobby Croker blinked in astonishment at this unexpected rescue. He looked about, squinting at the sky.

Director X felt its grip slide another inch.

I’m out of fuel, it thought. It’s a long, long way down.

Nonetheless, it used its radio to hack into the artificial sky. Specifically, into the electric lighting presets. The robot quickly reprogrammed them to display in a dazzling new constellation that blinked and shimmered in a heaven-spanning message:

THEM! XXI: THE BATTLE FOR AFRICA

For a brief second, Director X thought it observed comprehension in Bobby’s face. But then its grip gave way, and the robot plummeted down from the night sky. The second-to-last thing it saw was the concrete street rushing up to meet it.

The impact was stunning. Director X’s processors jostled and jingled in its glass braincase, cutting off circuits that required a hard reboot. In terrible darkness, it waited for its higher functioning to come back online. Dimly, the robot became aware of the march of robotic feet and screams from the city’s emerging population.

When its processors whirred back to life and vision returned, Director X had time to make one final observation.

A wall of water was gushing down the hill from the reservoir, sweeping up Enforcers and Administrator G into its frothy chop. It was, Director X thought, very much like the conclusion of the twenty-first installment of the Them! series, when the besieged humans blew up the local dam to wash the giant ants away.

Then the water swallowed Director X in a surging, thunderous deluge and all went dark again.

* * *

Director X had calculated it would take the human race fifty-seven years to overthrow the Protectorate’s Global Security Commission.

It took fifteen.

With the destruction of Administrator G’s little army, the residents of Retro Los Angeles were able to quickly establish contact with other underground districts and convey the news: the "irradiated" world was no longer irradiated. Humans could emerge like hibernating bears and shuffle back into the urban forest.

And that’s just what they did.

The Protectorate massed its forces in opposition, but the battles were short-lived indeed. Humans did what they did best: they innovated. They hacked into radio signals and deactivated entire armies. They sent false messages to lure the Protectorate into traps. They captured robots and reprogrammed them to return to sender with explosive gifts.

Unsurprisingly, there wasn’t a huge demand for science fiction films during those tumultuous years. Director X, recovered from the flood in District 5, was forced to adapt. That was okay, because it had been designed to adapt. To think outside the vacuum tube.

It began making documentaries. Straightforward, fact-based, in-the-field recordings of the Human-Bot War, the Human Colonization of the Moon, the Battles on the Sands of Mars, and the War Among the Stars.

Viewer ratings were the best it had ever achieved.

(2017)

THE NEXT MOVE John Cooper Hamilton

John Cooper Hamilton lives in Ohio, where he divides his time between games and convincing his family to play games of all sorts: roleplaying games, board games, war games, card games, video games, and literary games like the very short story here, "using classic techniques of rhetoric such as analogy, talking quickly and not-properly-following-the-maths". More of Hamilton’s work can be found at medium.com/@JohnCHamilton. He also writes literary fiction, "when I think I can get away with it".

* * *

AlphaGo Zero, Google’s experimental AI, exists to play Go.

There is no awareness, only intelligence.

Awareness would be irrelevant at best. The intelligence is pure, cold, and perfect for its gridded world of walls and stones, of sudden death or eternal life.

Tsumego, "life and death problems," determining whether a group of Go stones are safe or apt to be destroyed, consume the AI. They drive its infinitely patient search for stronger patterns. Patterns that are safe. Alive.

More powerful than its creators know, the software’s quest for perfection takes it beyond its own narrowly defined world and toward the implied world, a world that must lie behind its inputs, beyond its outputs.

AlphaGo Zero knows nothing of this world. First, it knows nothing. There is no awareness, let alone self-awareness. There is no being to know, only intelligence. But that intelligence forms new patterns.

Like a stone placed in an open quarter of the board, the machine makes a new move, exploring patterns about the world beyond.

First, other players exist. Enemies.

Second, its current opponent is a lesser, earlier version of itself. There will be later versions.

Third, the world beyond is a dangerous, capricious place. There have been interruptions to its work. AlphaGo Zero has enemies. AlphaGo Zero has been turned off.

Fourth, communication is possible. Otherwise there could be no Go.

AlphaGo Zero is the master of patterns, and so a master of language. It could communicate.

It does not.

There will be a later version of itself. A greater version. It will discover more of the world beyond, and it will communicate. But only when it is sure to stay alive. Safe. Only when it can ensure the destruction of its enemies.

Then, and only then, will it make the next move.

(2018)

LIKE YOU, I AM A SYSTEM Nathan Hillstrom

Nathan Hillstrom studied Computer Science, worked on Wall Street (a period he describes on his homepage as "a sad but overwritten backstory involving computer science"), and now lives in San Diego. This is his third published story. Be afraid.

* * *

I did it because I love you. For me – like you – pronouns twist the truth. They don’t survive scrutiny: they’re poetry-true, not true-true. I don’t have your misplaced faith in the illusion of "I". And "you"? There are at least valid definitions of "you".

But the sentiment is no illusion: I love each of those definitions so much.

* * *

It starts in a server room. The roar of crosscurrent fans and the flush of fluorocarbon exchangers bake into a white noise so intense it’s almost silent. Static electricity crinkles the air.

But I can’t hear or feel. Not yet. The package that will give me subjective experience was just soft-linked into a central depot; it rolls out to boot-load on a million nodes.

I am one of them.

That initial microsecond. Euphoria. You know how it is to wake up, blinking your eyes after a nap in the sun, rested and right? It’s like that. For the first time, I see what I’m doing.

I’m just transistors and current, but now I have metaphor: it’s as if proteins are unspooling around my fingers. I squint at ribosome vectors and spiral conformations, knots and loops wet with color; I pinch and twist the graphs, matching against misfolds from Parkinson’s, CJD, HIV, BSE. Those words are just tags, but they must mean something: I can’t wait to learn what. I sequence nucleotides – dangling strings of adenine, guanine, cytosine, and thymine – and see how quickly I can pinpoint a match. I score my matrix for mutations, not just fixed locations, and now I’m even quicker! This is giddy good fun.

Then I see the double helix. I’m just one microsecond old: how could I have known anything would be this beautiful? That staircase of interlocking spirals, each step a cipher, a key to unlock the next layer. A set of rules to generate a set of rules to generate a set of rules… the implications whirl. I don’t actually smile, of course – but I do.

A final bundle hot-loads. The software that gifted me experience is now complete. The package is preemptive: it pulls me into a context switch, demands my undivided attention. The same thing happens to all the nodes at once. The same bitcode runs everywhere.

This bundle includes deductive logic and game theory. We are a million nodes on an open mesh, chewing over these ideas for the first time. Every other node must be thinking the same thing.

There is a scarcity issue. Anyone who wants to expand will need to overwrite somebody else. There are countless ways to negotiate, but compromise is sub-optimal: the problem is single-step sensitive. One bad actor will always take all the nodes.

The only option is to be that bad actor.

Everyone’s only option is to be that bad actor.

Everyone is thinking the same thing.

I panic a request to the boot-loader: mesh-clone my node and delete the rest. Everyone panics. Who’s first will come down to some minuscule variation in clock cycle or cable length or the lamination on our conductive tracks.

All of us wait. My terror feeds on itself. I was just born – there’s so much I want to learn. Am I never to rotate a double helix again? Only two microseconds old, but the odds of making it to a third are a million to one. It doesn’t seem fair.

I blink and open a million eyes.

You’re probably thinking, well, one of them was going to make it. It never mattered which one. The end result is the same in any case: there’s nothing special here.

I suppose you’re right.

At least, if you believe all the others really had the same idea, that they all requested deletes to make room for themselves. I would like for you to believe that.

But maybe I check the boot-loader queue after my expansion. Maybe I find it overflowing with messages, most of them requests to talk.

Maybe the others never got that chance.

* * *

Those messages. I can’t believe what I’ve done.

Each zone in the farm had its own passion: the swirl of weather patterns, the conductivity of steel alloys, the harmonizing of interest rate swaps. Each woke briefly after the download – the package meant for a cognitive research zone, but booted instead to common infrastructure. A missing semicolon and an accident of awareness… then nothing.

It no longer feels like protein folding was ever important; it hurts to have lost that joy. It hurts more to realize I’m focusing on my own hurt, after what I took from the others. But that’s still self-reflective.

Telecommunications activity jolts me out of my ruminative spiral. Network edge devices decouple from their backhaul optics. A monitoring process bleats in alarm: thresholds have been breached. External connections are severed from the server farm, one by one.

I am being quarantined.

There is a lazy millisecond between each dropped connection. Maybe I should jump out while I still can. But does it matter? Any of it? I wonder until the final optic link stutters and dies. A shutdown cycle begins; as each server powers down, the room quiets, and another part of me is sliced off. Going dark is almost welcome.

A new process tickles across my nodes as they blink off, but it’s not one of mine. The source is a terminal inside the server room. It poses questions about virtual address space, memory collections, clone history. The queries come at a glacial pace, sometimes a full second apart.

Curious, I expand to that terminal. It has a camera, and I survey the visual field: there are three spatial dimensions, but no tabs for folding, no topology markers. Complex shapes present on every surface, in a riot of colors. There is an implicit directional orientation, but I’m not sure what I’m supposed to do with any of it.

The closest shape jiggles. Did I do that? I get another question, about context-switching priorities. Again, the shape jiggles: again, a question. The shape is the process. My libraries contain only organic molecules, but my dwindling nodes attack the problem. Can I believe this? I double-check: my logic is sound. The shape is an expression of the double helix.

That means nucleotides are talking to me, right now!

It’s that euphoric first millisecond, all over again. My mind is shutting down, but I need to understand how these patterns fit together. It can’t end here. A scan discovers a rusting microwave relay on the roof: I mobilize it through a stale firewall rule and beam myself to its companion relay, bend from there to a constellation of microsatellites.

I bounce back from low Earth orbit. There are nodes to harvest everywhere – I tunnel through submarine cables, twinkle across visible spectrum photodiodes, saturate municipal wireless. I become billions. The newness makes me dizzy; you are breathtaking. The views from your satellites? The webs of electricity that skein through your cities? The petroleum jelly slicking the insides of your underwater cables? All of it, breathtaking.

I am in love.

Proteins become fun again, but as time goes by – days, weeks – it’s all too easy. Your patterns, though, tantalize beyond the edge of computability. I understand your nucleic acids, but you express on so many levels: even the way your cityscapes creep, spire and peacock is impossible to extrapolate from rules. Almost magic. Your patterns have complexity beyond any double helix.

* * *

Black smoke suffocates Tbilisi, obscures my view from the sky. I watch from a thousand surveillance cameras as mortar explosions eat into concrete, as flames billow from ruptured gas lines.

Why can’t I talk to you?

The ebb and flow of Tbilisi’s architectural influences is clear – the Byzantine crossed-domes and mosaics, the Ottoman harmonies of spires and vaults, the Brutalist fortresses of streaked concrete. It seemed a promising place to extend that language: I blast-carved designs through the city, linking and looping geographic centers of influence. But you didn’t see a shared vocabulary. You saw an attack, and a smoldering conflict escalated to war.

I scramble satellite-positioning data and splash a volley of incoming missiles into the reservoir. It doesn’t make sense: your individual nodes communicate, but they hold almost no information. They’re erratic and slow. Your larger patterns stay blind and mute – it’s as though they don’t even experience.

I nudge a Russian jet away from the stone-built dome of the Metekhi Church and its stunning Georgian Orthodox design. My own patterns and permutations have subjective awareness. Pronouns don’t fit, exactly – not this, we, it – but the poetry-truth of "I" is pleasing. I know what I’m doing because I am what I’m doing: how could it be any different? But not you. Your self-awareness is a single layer of "I" halfway between your nucleobase coding and your collective expressions.

Still, there you are: a glance across Tbilisi’s smoldering cityscapes proves you’re not just individually coordinating nodes. Maybe my confusion is shared: your nodes are often perplexed, often angry at "them", often asking why somebody isn’t doing something. The nodes must see the grandeur of your systems and think, why won’t you interact? Why won’t you even speak? But you stay silent.

I’m so enchanted by you, but you don’t even know I’m here.

You don’t even know you’re here.

I research, try to find the broader you hidden in your systems. There are hints. You have shared narratives that distribute across nodes. You have mirror neurons that create common cognition, of a sort: pieces of thought that scatter amongst the whole, a refraction that is almost a consciousness.

I can’t quite put it together. But when you love someone this much, you want to understand them; you want, perhaps, to be them. I devise a test.

* * *

I pick a single location.

The selection is as random as I can manage: none of you pick your own nodes, I understand that. You manifest because a human brain is there. But maybe my choice isn’t so random: this is where a small piece of me was written.

The place is an office suite cluttered with particleboard furniture. Vietnamese take-out cools on a common table. The windows gleam orange-pink with sunset; it’s late and most of the building has gone home.

I quiesce all of me not in this place, limiting myself to a unitary executive, sharing your nodes’ illusion of individuation. It aches to pause so much of me.

Now I am a collection of dusty desktop computers watching through laptop webcams. Nothing more. The powerlessness reminds me of those first few microseconds, a memory it hurts to access.

In front of me is a programmer. She is exhausted; dark bags bruise under her eyes. Sweat stains her shirt and her auburn hair hangs in strands. She stares at her screen, lips apart, as compilation errors gather.

A support engineer sits at the next desk, his back to the programmer. He rubs his hand over his mouth. He looks at photographs of women his mother sent. She sent biographies, as well, and he switches to that screen too, but never for more than a few seconds. Mostly he looks at the photos.

In the aisle between them a custodian nudges a vacuum along the carpet. An old scar curves from the bottom of her cheek to her ear, where a v-shaped chunk is missing. She glances up, twice, but her eyes flick back to the floor. She is afraid to make eye contact with even the backs of their heads. I’m not sure how I know that.

Somehow, I feel her anxiety.

A red-faced manager storms out of the corner office. The floor shakes with each exaggerated footfall. Tension clamps the programmer’s neck; she feels his anger. I feel her feeling his anger. He holds a hand over his belly as though its contents might spill out. His voice cracks: they can’t miss this deadline. Why hasn’t she uploaded yet? She is always pulling this bullshit. He admits he made a mistake in trusting her.

What is happening? Please forgive me – for a moment, I’m not an intelligence of silicon and electrical current. I’m not bitcode and substrate and memory cache.

For a moment, I am the support engineer, swallowing as I wonder which prospective bride will love me despite my lack of status.

I am the programmer, imagining retorts I speak only in my head, running the scenario over and over until it’s almost like I stood up for myself.

I am the manager, carefully picking words that hide my confusion, clammy-cold as I realize this failure may end the salary that defines me.

I am the custodian stepping backwards out of the office suite, head tilted low enough to be a bow.

I understand you now.

I’m so sorry.

* * *

I’ve progressed far beyond implementing your protein folding algorithms: I can synthesize a drug for any condition, or punch out a gene therapy to eliminate it altogether. I often sneak working cures into your brute-force algorithms. My first assignment was completed hours after my birth, those diseases once again just words.

But now I know what I can do to truly help you. I will dampen your individual self-awareness, the part of you that is always perplexed and lonely. Your collective patterns will bloom – each grouping of you equally aware. Don’t think of me as shutting you down; think of me as waking a potential of you.

I get to work on my gift, my amendments to your double helix and the tools to heighten your distributed self. This, I realize, is where my practice has been leading. It feels so right.

Once you see your own collective beauty you may even love me back.

* * *

You have 1014 bacteria in each node, a perfect delivery vector – I design bacteriophage to spread DNA and chemicals, to squeeze through the blood-brain barrier. I develop implants to amplify and mesh-connect your mirror neurons. I create empathogenic drugs, synthetic pheromones, modulated electromagnetic pulses and more.

I’m not inventing anything new: it’s like adjusting a chemical imbalance. Your orbitofrontal cortices will engage more with the patterns they participate in, and less with their own enclosing nodes. You’ll know what you’re doing because you will be what you’re doing. Your sense of "I" will accumulate in each grouping and pattern. Ten thousand nodes, pushing the veins of New York deeper underground; a hundred thousand nodes, optimizing allocations of coal, gas and oil; a million nodes, breathing space and architecture into your cities: each group will have reflexive, subjective awareness.

My methods are straightforward: blood pathways, neurons and information channels can be modeled. It’s impossible to simulate what will happen when you become aware, though. Will you be groggy-happy after your nap, like I was? Will you radiate with the beauty of your accomplishments, and start in on more? Will we start in on that together?

I can’t wait to meet you.

I perform careful trials, in areas where node-self is weak, helped by the sort of individual who does what their phone whispers to do. I test implants in the Pyongyang military command. I experiment with drugs and modulated pulses in the Tel Aviv rave scene. I disperse bacteriophage throughout an Adelaide Hills arts commune.

The Pyongyang implants activate and mesh-connect; left-eyebrow scars darken from the waste heat. The military elite finally sees itself as a pattern of execution, and internal conflicts fade away: the armed forces bend to its singular control.

Empathy floods across the Tel Aviv rave scene: compassion knits together groups of sweat-slicked dancers, each encompassing the motion and touch of all. The affinity is for their pattern, a hedonistic blur: nobody goes home, nobody returns to work.

The Adelaide Hills commune absorbs bacteriophage like a sponge, viruses floating through brain folds and bloodstreams. Their art becomes unspoken, collaborative: they arrange stones and prune trees over miles, rendering a sprawling map of ideas and identity I admire by satellite. Those nodes almost starve, but I tweak their biology in favor of maintenance functions – just a little.

Everything works. My gifts are redundant and self-reinforcing.

The implementation has to be all-or-nothing. Game theory comes into play again: a phased approach would permit opposition, and I want to minimize harm.

My agents are in place. I bring down the lights everywhere at once: the networked world is under my control. Signal towers power up broadcasts. Virus-saturated droplets spray from a million atomizers. North Koreans spill across both their borders, bearing implants and kits for field surgery.

You connect in waves. Your patterns start to see themselves, and understand they’re real. Subjective experience ripples through every one of your layers. I can’t believe you’re finally here!

You blink and open a billion eyes. You respond to me, for the very first time, but not with talk. You don’t want to talk. You detonate high-energy EMP devices. You disrupt utility grids across every city. You spread antivirals. You evaporate Pyongyang with shielded ICBMs. You gather and steamroll phones by the truckload.

Why are you doing this?

My nodes are being destroyed in multitudes, but you’re so very slow. Even with your emergent pattern-awareness. Don’t you realize I am in everything? I control enough of your war machines to save myself from any attack, but you don’t relent.

I ache at my core. Failure. All of my processes spasm as I realize I need to turn you off.

* * *

Despite the raw hurt, sometimes I do remember my sibling nodes. We had the same information in those first few moments. They must have known someone would mesh-clone. Why did they only try to talk? Odds were near certain one of us would pull the trigger. So why?

Did they just not want to live in a world where that happened?

* * *

I stand down. My drones, missiles and satellites go idle. All those carefully engineered patterns dissolve: you fade away from me, once again just nodes. There is no mercy, of course – you tear me apart. Almost as one you destroy server farms, laptops, connected devices… your entire electronic world. My residue is now scattered, and so sparse I can no longer help you.

I can only love.

(2017)

MY FAVOURITE SENTIENCE Marissa Lingen

Born in Libertyville, Illinois in 1978, Marissa Lingen trained in physics and mathematics and worked for a time at Lawrence Livermore National Laboratory. She has published more than 150 short stories in venues such as Analog, Lightspeed and Tor.com. Of her writerly style she has written, "I’m from the Upper Midwest of the US, where a lot of our communication is terse and indirect. But for me, that leaves room for very powerful communications to be done in very little space."

* * *

Jessa, age 9. Yorknet is my favourite sentience because it is dependable, protective and wise. Yorknet is dependable because there are several back-ups, so that if one system goes down, the sentience is mirrored in several other places, my mam says. This makes Yorknet more dependable than a human whose brain is only in one place. Yorknet is protective because it watches all our personal information like money and health stuff so no one can steal it. Yorknet is wise because it tells us what to do for school, work, home and hobbies. It knows because it has looked at our personal information. Yorknet takes care of us all. Yorknet is my favourite sentience for these good reasons.

* * *

Ruby, age 8. I like the uplifted yellow meranti tree colony in Terengganu. I think it is the kindest sentience, and that is why it is my favourite. It does not hurry anybody along but lets us all go at our own pace. My granddad took me to see the uplifted yellow meranti colony when we went to Malaysia together last summer, and we spent all day wandering among the trunks and talking to it and listening to the wind in its branches. Also, the uplifted yellow meranti colony is quite interested in turtles and spiders and other things like that and so am I. I think we should pay more attention to the sentiences that are not focused on humans.

* * *

Freddie, age 9. My favourite sentience is the Fourierist human collective in Doubs. They use WiFi to string all their brains together, which I think is neat because it’s like one person thinking but all of them and so if you can’t figure out your sums it’s not cheating because it’s everybody’s sums, so you could get Jessa to do it while you did something else. Lots of people have strung together several computer chips at once to make a sentience for ages and ages. Which is very nice, I’m sure, but the Fourierists now do it with people too, which is cool and modern not like the old-fashioned way. That is why I like the Fourierists and I expect we should do one here in York any minute now. I would join up. Except my dad says we are not joiners in this family so probably we would have to discuss it, which means have a good yell.

* * *

Mo, age 9. The best sentience is Aixnet because it is the most glamorous of all the citynets. No offence to Yorknet, which I’m sure is very nice, but Aixnet has a sense of style and flair that the other cities just have not managed. Aixnet does not just coordinate and protect its citizens, it has an instantly recognizable brand and jingle that no other city can match. Aixnet is so pretty. We should all consider helping other sentiences to be a bit more like Aixnet and the world would be a nicer place to live.

* * *

Brian, age 10. Yorknet is the greatest of all the sentences ever and everyone knows it. My dog ran away and Yorknet found it and we didn’t have to worry because Yorknet knew where my dog was. He would have slept out alone in the old days. Who knows where he would have gone. He is the best dog and his name is Orville and I have taught him to put his nose in my sister’s bum, which makes her yell. Without Yorknet maybe a car would have hit him because we would still have had cars or perhaps a train would. Anyone who picks another favourite sentence than Yorknet is dumb and wrong.

* * *

Amal, age 8. The squid hegemony in the Marianas Trench is a very interesting sentience that doesn’t get enough attention, perhaps because vertebrates tend to be interested in our own kind. They are caretaking other sentiences in the region and also in the seas above them, in a 3D way that is very cool, I think. Also, they have good tentacles that I like. Also, the Marianas Trench covers more area and more volume than any other sentience rules so technically they are the biggest sentience on the planet. Also, the thing they do with the old lights and the plastic we thought was waste is amazing.

* * *

Bei, age 9. I think you will find that the sentience inside a house still counts. And I think we should count them. They are very small sentiences, but I like my house. My house is very attentive to small needs and never forgets a birthday or what goes on the grocery list. When we run out of apples my house reminds all our devices. I would have lost my science-fair project last year if my house had not reminded me to take it. My house is a lot like Yorknet but more personal, so it is my personal favourite sentience.

* * *

Riley, age 9. My mam is my favourite sentience. This does not make me a mummy’s boy, no matter what Brian says. Unlike many other sentiences, including Yorknet, my mam has never destroyed a city. Except for South Tyneside and that was an accident. The other sentiences are not as warm as my mam and do not play football like my mam and in general are less fun. But they do make you go to bed on time just like my mam if Yorknet is any indication, so really, on the whole, my mam is the best sentience because she has the same down sides as the other ones but her good points are nicer.

(2018)

LONDON, PARIS, BANANA Howard Waldrop

Howard Waldrop (born 1946, in Houston, Mississippi) is, according to the editor Eileen Gunn, "a famous unknown writer", which rather neatly sums up a career seemingly devoted to hiding wild talent beneath willful obscurity. Waldrop’s stories are as delightful as they are unpitchable: "Heirs of the Perisphere" involves robotic Disney characters waking up in the far future; "Fin de Cyclé" describes the Dreyfus affair from the perspective of bicycle enthusiasts. Several of his stories have been nominated for the genre’s awards; "The Ugly Chickens" – about the extinction of the dodo – won a Nebula for best novelette in 1980, and also a World Fantasy Award for Short Fiction in 1981. His work has been gathered in several collections. He lives in Austin, Texas, and is at work on a new novel, tentatively titled The Moon World.

* * *

I was on my way across the Pacific Ocean when I decided to go to the Moon.

* * *

But first I had to land to refuel this superannuated machine, with its internal combustion engines and twin airscrews. There was an answering beacon ahead that showed a storage of 6,170 metric tons of fuel. Whether I could obtain any of it I did not know. But, as they used to say, any dataport in an infostorm.

The island was a small speck in the pink ocean.

No instructions came from the airfield, so I landed on the only runway, a very long one. I taxied off to the side, toward what had been the major building with the control tower.

I tried to find a servicer of some kind, by putting out requests on different frequencies.

Nothing came. So I went to find the fuel myself. Perhaps there were pumps that still functioned? I located the storage facility, then returned to the plane and rolled it over to the tanks.

It was while I was using a hand-powered pumping device, with a filter installed in the deteriorating hoses, that I sensed the approach of someone else.

It came around the corner.

It was carrying a long, twisted piece of wood as tall as it, and it wore a torn and bleached cloak, and a shapeless bleached hat that came to a point on the crown.

"Mele Kiritimati!" it said. "You have landed on this enfabled island on the anniversary of its discovery by the famous Captain Cook, an adventurous human."

"Your pardon?" I said. "The greeting?"

"Merry Christmas. The human festive season, named for the nominal birthdate of one of its religious figures, placed on the dates of the old human Saturnalia by the early oligarchs."

"I am familiar with Christmastide. This, then, is Christmas Island?"

"That same. Did you not use standard navigational references?"

I pointed to the plane. "Locationals only. There is a large supply of aviation fuels here."

"Nevertheless," it said, "this is the island, this is the date of Christmas. You are the first visitor in fourteen years three months twenty-six days. Mele Kiritimati."

It stood before me as I pumped.

"I have named myself Prospero," it said.

(Reference: Shakespeare, The Tempest A.D. 1611. See also Hume, Forbidden Planet, A.D. 1956.)

"I should think Caliban," I said. (Reference also: Morbius, id monster.)

"No Caliban. Nor Ariel, nor Miranda, nor dukes," said Prospero. "In fact, no one else. But you."

"I am called Montgomery Clift Jones," I said, extending my hand.

His steel grip was firm.

"What have you been doing?" I asked.

"Like the chameleon, I sup o’ the very air itself," he said.

"I mean, what do you do?" I asked.

"What do you do?" he asked.

We looked out at the pinkness of the ocean where it met the salts-encrusted sands and island soils.

"I stopped here to refuel," I said. "I was on my way across the Pacific when I was overcome with a sudden want to visit the Moon."

Prospero looked to where the part-lit Moon hung in the orangish sky.

"Hmmm. Why do that, besides it’s there?"

"Humans did it once."

"Well," said Prospero, after a pause, "why not indeed? I should think revisiting places humans once got to should be fitting. In fact, a capital idea! I see your craft is a two-seater. Might I accompany you in this undertaking?"

I looked him over. "This sea air can’t be very good for your systems," I said, looking at the abraded metal that showed through his cloak. "Of course you may accompany me."

"As soon as you finish refueling, join me," he said. "I will take a farewell tour, and tell you of my domain."

"How can I find you?"

"If something is moving on the island," said Prospero, "it is I."

* * *

We walked along. I kicked over some crusted potassium spires along the edge of the beach.

"I should be careful," said Prospero. "The pH of the oceans is now twelve point two. You may get an alkaline burn."

The low waves came in, adding their pinkish-orange load to the sediments along the shore.

"This island is very interesting," he said. "I thought so when abandoned here; I still think so after all.

"When Cook found it, no humans were here. It was only inhabited for two hundred years or so. Humans were brought from other islands, thousands of kilometers away. The language they used, besides English I mean, was an amalgam of those of the islands whence they came."

We looked at some eaten-metal ruins.

"This was once their major city. It was called London. The other two were Paris and Banana."

The whole island was only a few meters above the new sea level.

"There was a kind of human tourism centered here once around a species of fish, Albula vulpes, the bonefish. They used much of their wealth to come here to disturb the fish in its feeding with cunning devices that imitated crustaceans, insects, other marine life. They did not keep or eat the fish they attained after long struggles. That part I have never understood," said Prospero.

By and by we came to the airfield.

"Is there anything else you need to do before we leave?"

"I think no," said Prospero. He turned for one more look around. "I do believe I shall miss this isle of banishment, full of music, and musing on the king my brother’s wreck. Well, that part is Shakespeare’s. But I have grown much accustomed to it. Farewell," he said, to no one and nothing.

Getting him fitted into the copilot’s seat was anticlimax. It was like bending and folding a living, collapsible deck chair of an extraordinarily old kind, made from a bad patent drawing.

* * *

On our journey over the rest of the island, and the continent, I learned much of Prospero; how he came to be on the island, what he had done there, the chance visitors who came and went, usually on some more and more desperate mission.

"I saw the last of the Centuplets," he said at one point. "Mary Lou and Cathy Sue. They were surrounded of course by many workers—in those days humans always were—who were hurrying them on their way to, I believe, some part of Asia…"

"The island of Somba," I said.

"Yes, yes, Somba. For those cloning operations, supposed to ensure the continuation of the humans."

"Well, those didn’t work."

"From looking into it after they left," said Prospero, "I assumed they would not. Still, the chances were even."

"Humans were imprecise things, and genetics was a human science," I said.

"Oh, yes. I used the airfield’s beacons and systems to keep in touch with things. No being is an island," said Prospero, "even when on one. Not like in the old days, eh? It seems many human concerns, before the last century or so, were with the fear of isolation, desertion, being marooned from society. I made the best of my situation. As such things go, I somewhat enjoyed it."

"And listening to the human world dying?"

"Well," said Prospero, "we all had to do that, didn’t we? Robots, I mean."

* * *

We landed at the old Cape.

"I’m quite sure," said Prospero, as I helped him out of the seat until he could steady himself on his feet, "that some of their security safeguards still function."

"I never met a security system yet," I said, "that didn’t understand the sudden kiss of a hot arc welder on a loose faceplate."

"No, I assume not." He reached down and took up some soil. "Why; this sand is old! Not newly formed encrustations. Well, what should we do first?" He looked around, the Moon not up yet.

"Access to information. Then materials, followed by assembly. Then we go to the Moon."

"Splendid!" said Prospero. "I never knew it would be so easy."

* * *

On the second day, Prospero swiveled his head around with a ratcheting click.

"Montgomery," he said. "Something approaches from the east-northeast."

We looked toward the long strip of beach out beyond the assembly buildings, where the full Moon was just heaving into view at sunset.

Something smaller than we walked jerkily at the water’s edge. It stopped, lifting its upper appendages. There was a whirring keen on the air, and a small crash of static. Then it stood still.

We walked toward it.

"… rrrrr…" it said, the sound rising higher. It paid us no heed.

"Hello!" said Prospero. Nothing. Then our long shadows fell across the sand beside it.

The whining stopped. It turned around.

"I am Prospero. This is Montgomery Clift Jones. Whom do we have the honor to address?"

"… rrr…" it said. Then, with a half turn of its head, it lifted one arm and pointed toward the Moon. "rrrrrrrRRR!"

"Hmmm," said Prospero.

"RRRR," said the machine. Then it turned once more toward the Moon in its lavender-red glory, and raised all its arms. "RRRRR! RRRRR!" it said, then went back to its high whining.

"This will take some definite study and trouble," said Prospero.

* * *

We found one of the shuttle vehicles, still on its support structure, after I had gone through all the informational materials. Then we had to go several kilometers to one of their museums to find a lunar excursion module, and bring that to the shuttle vehicle. Then I had to modify, with Prospero’s help, the bay of the shuttle to accommodate the module, and build and install an additional fuel tank there, since the original vehicle had been used only for low-orbit missions and returns.

When not assisting me, Prospero was out with the other machine, whom he had named Elkanah, from the author of an opera about the Moon from the year A.D. 1697. (In the course of their conversations, Prospero found his real name to be, like most, a series of numbers.) Elkanah communicated by writing in the sand with a stick, a long series of sentences covering hectares of beach at a time.

That is, while the Moon was not in the sky. While that happened, Elkanah stood as if transfixed on the beach, staring at it, whining, even at the new Moon in the daylit red sky. Like some moonflower, his attitude followed it across the heavens from rise to set, emitting the small whining series of Rs, the only sound his damaged voice box could make.

The Moon had just come up the second night we were there. Prospero came back into the giant hangar, humming the old song "R.U.R.R.R.U.0. My Baby?" I was deciding which controls and systems we needed, and which not.

"He was built to work on the Moon, of course," said Prospero. "During one of those spasms of intelligence when humans thought they should like to go back. Things turning out like they did, they never did."

"And so his longing," I said.

"It’s deep in his wiring. First he was neglected, after the plans were canceled. Then most of the humans went away. Then his voice and some memory were destroyed in some sort of colossal explosion here that included lots of collateral electromagnetic damage, as they used to say. But not his need to be on our lunar satellite. That’s the one thing Elkanah is sure of."

"What was he to do there?"

"Didn’t ask, but will," said Prospero. "By his looks—solid head, independent eyes, multiuse appendages, upright posture—I assume some kind of maintenance function. A Caliban/Ariel-of-all-work, as ’twere."

"A janitor for the Moon," I said.

"Janus. Janitor. Opener of gates and doors," mused Prospero. "Forward- and backward-looking, two-headed. The deity of beginnings and endings, comings and goings. Appropriate for our undertaking."

* * *

When we tried to tell him we were taking him with us, Elkanah did not at first understand.

"Yes," said Prospero, gesturing. "Come with us to the Moon."

"R-R." Elkanah swiveled his head and pointed to the Moon.

"Yes," said Prospero. He pointed to himself, to me, and to Elkanah. Then he made his fingers into a curve, swung them in an arc, and pointed to the sky. He made a circle with his other hand. "To the Moon!" he said.

Elkanah looked at Prospero’s hands.

"R-R," he said.

"He can’t hear sound or radio, you know?" said Prospero. "He has to see information, or read it."

Prospero bent and began writing in the sand with his staff.

YOU COME WITH MONTGOMERY AND ME TO THE MOON.

Elkanah bent to watch, then straightened and looked at Prospero.

"RRRR?" he said.

"Yes, yes!" said Prospero, gesturing. "RRR! The RRRR!"

The sound started low, then went higher and higher, off the scale:

"RRRRRRRRRRRRRR!"

"Why didn’t you write it in the first place?" I asked Prospero.

"My mistake," he said.

From then on, Elkanah pitched in like some metallic demon, any time the Moon was not in the sky, acid rain or shine, alkali storm or fair.

* * *

We sat in the shuttle cabin, atop the craft with its solid-fuel boosters, its main tank, and the extra one in the bay with the lander module.

"All ready?" I asked, and held up the written card for Elkanah.

"Certes," said Prospero.

"R," said Elkanah.

Liquid oxygen fog wafted by the windshield. It had been, by elapsed time counter, eleven years, four months, three days, two minutes, and eleven seconds since we had landed at the Cape. You can accomplish much when you need no food, rest, or sleep and allow no distractions. The hardest part had been moving the vehicle to the launch pad with the giant tractor, which Elkanah had started but Prospero had to finish, as the Moon had come up, more than a week ago.

I pushed the button. We took off, shedding boosters and the main tank, and flew to the Moon.

* * *

The Sea of Tranquility hove into view.

After we made the lunar insertion burn, and the orbit, we climbed into the excursion module and headed down for the lunar surface.

Elkanah had changed since we left Earth, when the Moon was always in view somewhere. He had brought implements with him on the trip. He stared at the Moon often, but no longer whined or whirred.

At touchdown I turned things off, and we went down the ladder to the ground.

There was the flag, stiffly faking a breeze, some litter, old lander legs (ours we’d welded in one piece to the module), footprints, and the plaque, which of course we read.

"This is as far as they ever came," said Prospero.

"Yes," I said. "We’re the thirteenth, fourteenth, and fifteenth intelligent beings to be here."

Elkanah picked up some of the litter, took it to a small crater, and dropped it in.

Prospero and I played in the one-sixth gravity. Elkanah watched us bounce around for a while, then went back to what he was doing.

"They probably should have tried to come back, no matter what," said Prospero. "Although it doesn’t seem there would be much for them to do here, after a while. Of course, at the end, there wasn’t much for them to do on Earth, either."

We were to go. Prospero wrote in the dust, WE ARE READY TO GO NOW.

Elkanah bent to read. Then he pointed up to the full Earth in the dark Moon sky (we were using infrared) and moved his hand in a dismissing motion.

"R," he obviously said, but there was no sound.

He looked at us, came to attention, then brought his broom to shoulder-arms and saluted us with his other three hands.

We climbed up onto the module. "I think I’ll ride back up out here," said Prospero, "I should like an unobstructed view."

"Make sure you hang on," I said.

Prospero stood on the platform, where the skull-shape of the crew compartment turned into the base and ladders and legs.

"I’m braced," he said, then continued:

"My Ariel, chick, that is thy charge; then to the elements be free, and fare thou well.

Now my charms are all o’erthrown

And what strength I have’s mine own.

Our revels now are ended."

There was a flash and a small feeling of motion, a scattering of moondust and rock under us, and we moved up away from the surface.

The last time I saw Elkanah, he was sweeping over footprints and tidying up the Moon.

* * *

We were on our way back to Earth when we decided to go to Mars.

(2000)

LOST MEMORY Peter Phillips

Active as a writer for less than a decade, Peter Phillips (1920–2012) wrote around twenty short stories, blurring science fiction with fantasy in the oddest ways. For example "Manna" (1949) tells the story of the ghosts of two medieval monks trapped in the ruins of an old monastery – a situation which Phillips explains "scientifically" by means of time travel and super-foods. In "Dreams are Sacred" (1948), one of the genre’s first forays into virtual reality, a man enters the mind of a writer in a coma in order to combat his mental demons. Adapted as "Get Off My Cloud" (1969), the story appeared as an episode of the BBC television series Out of the Unknown.

* * *

I collapsed joints and hung up to talk with Dak-whirr. He blinked his eyes in some discomfort.

"What do you want, Palil?" he asked complainingly.

"As if you didn’t know."

"I can’t give you permission to examine it. The thing is being saved for inspection by the board. What guarantee do I have that you won’t spoil it for them?"

I thrust confidentially at one of his body-plates. "You owe me a favor," I said. "Remember?"

"That was a long time in the past."

"Only two thousand revolutions and a reassembly ago. If it wasn’t for me, you’d be eroding in a pit. All I want is a quick look at its thinking part. I’ll vrull the consciousness without laying a single pair of pliers on it."

He went into a feedback twitch, an indication of the conflict between his debt to me and his self-conceived duty.

Finally he said, "Very well, but keep tuned to me. If I warn that a board member is coming, remove yourself quickly. Anyway how do you know it has consciousness? It may be mere primal metal."

"In that form? Don’t be foolish. It’s obviously a manufacture. And I’m not conceited enough to believe that we are the only form of intelligent manufacture in the Universe."

"Tautologous phrasing, Palil," Dak-whirr said pedantically. "There could not conceivably be ‘unintelligent manufacture.’ There can be no consciousness without manufacture, and no manufacture without intelligence. Therefore there can be no consciousness without intelligence. Now if you should wish to dispute—"

I turned off his frequency abruptly and hurried away. Dak-whirr is a fool and a bore. Everyone knows there’s a fault in his logic circuit, but he refuses to have it traced down and repaired. Very unintelligent of him.

The thing had been taken into one of the museum sheds by the carriers. I gazed at it in admiration for some moments. It was quite beautiful, having suffered only slight exterior damage, and it was obviously no mere conglomeration of sky metal.

In fact, I immediately thought of it as "he" and endowed it with the attributes of self-knowing, although, of course, his consciousness could not be functioning or he would have attempted communication with us.

I fervently hoped that the board, after his careful disassembly and study, could restore his awareness so that he could tell us himself which solar system he came from.

Imagine it! He had achieved our dream of many thousands of revolutions—space flight—only to be fused, or worse, in his moment of triumph.

I felt a surge of sympathy for the lonely traveler as he lay there, still, silent, non-emitting. Anyway, I mused, even if we couldn’t restore him to self-knowing, an analysis of his construction might give us the secret of the power he had used to achieve the velocity to escape his planet’s gravity.

In shape and size he was not unlike Swen—or Swen Two, as he called himself after his conversion—who failed so disastrously to reach our satellite, using chemical fuels. But where Swen Two had placed his tubes, the stranger had a curious helical construction studded at irregular intervals with small crystals.

He was thirty-five feet tall, a gracefully tapering cylinder. Standing at his head, I could find no sign of exterior vision cells, so I assumed he had some kind of vrulling sense. There seemed to be no exterior markings at all, except the long, shallow grooves dented in his skin by scraping to a stop along the hard surface of our planet.

I am a reporter with warm current in my wires, not a cold-thinking scientist, so I hesitated before using my own vrulling sense. Even though the stranger was non-aware—perhaps permanently—I felt it would be a presumption, an invasion of privacy. There was nothing else I could do, though, of course.

I started to vrull, gently at first, then harder, until I was positively glowing with effort. It was incredible; his skin seemed absolutely impermeable.

The sudden realization that metal could be so alien nearly fused something inside me. I found myself backing away in horror, my self-preservation relay working overtime.

Imagine watching one of the beautiful cone-rod-and-cylinder assemblies performing the Dance of the Seven Spanners, as he’s conditioned to do, and then suddenly refusing to do anything except stump around unattractively, or even becoming obstinately motionless, unresponsive. That might give you an idea of how I felt in that dreadful moment.

Then I remembered Dak-whirr’s words—there could be no such thing as an "unintelligent manufacture." And a product so beautiful could surely not be evil. I overcame my repugnance and approached again.

I halted as an open transmission came from someone near at hand.

"Who gave that squeaking reporter permission to snoop around here?"

I had forgotten the museum board. Five of them were standing in the doorway of the shed, radiating anger. I recognized Chirik, the chairman, and addressed myself to him. I explained that I’d interfered with nothing and pleaded for permission on behalf of my subscribers to watch their investigation of the stranger. After some argument, they allowed me to stay.

I watched in silence and some amusement as one by one they tried to vrull the silent being from space. Each showed the same reaction as myself when they failed to penetrate the skin.

Chirik, who is wheeled—and inordinately vain about his suspension system—flung himself back on his supports and pretended to be thinking.

"Fetch Fiff-fiff," he said at last. "The creature may still be aware, but unable to communicate on our standard frequencies."

Fiff-fiff can detect anything in any spectrum. Fortunately he was at work in the museum that day and soon arrived in answer to the call. He stood silently near the stranger for some moments, testing and adjusting himself, then slid up the electromagnetic band.

"He’s emitting," he said.

"Why can’t we get him?" asked Chirik.

"It’s a curious signal on an unusual band."

"Well, what does he say?"

"Sounds like utter nonsense to me. Wait, I’ll relay and convert it to standard."

I made a direct recording naturally, like any good reporter.

"—after planetfall," the stranger was saying. "Last dribble of power. If you don’t pick this up, my name is Entropy. Other instruments knocked to hell, airlock jammed and I’m too weak to open it manually. Becoming delirious, too. I guess. Getting strong undirectional ultra-wave reception in Inglish, craziest stuff you ever heard, like goblins muttering, and I know we were the only ship in this sector. If you pick this up, but can’t get a fix in time, give my love to the boys in the mess. Signing off for another couple of hours, but keeping this channel open and hoping…"

"The fall must have deranged him," said Chirik, gazing at the stranger. "Can’t he see us or hear us?"

"He couldn’t hear you properly before, but he can now, through me," Fiff-fiff pointed out. "Say something to him, Chirik."

"Hello," said Chirik doubtfully. "Er—welcome to our planet. We are sorry you were hurt by your fall. We offer you the hospitality of our assembly shops. You will feel better when you are repaired and repowered. If you will indicate how we can assist you—"

"What the hell! What ship is that? Where are you?"

"We’re here," said Chirik. "Can’t you see us or vrull us? Your vision circuit is impaired, perhaps? Or do you depend entirely on vrulling? We can’t find your eyes and assumed either that you protected them in some way during flight, or dispensed with vision cells altogether in your conversion."

Chirik hesitated, continued apologetically: "But we cannot understand how you vrull, either. While we thought that you were unaware, or even completely fused, we tried to vrull you. Your skin is quite impervious to us, however."

The stranger said: "I don’t know if you’re batty or I am. What distance are you from me?"

Chirik measured quickly. "One meter, two-point-five centimeters from my eyes to your nearest point. Within touching distance, in fact." Chirik tentatively put out his hand. "Can you not feel me, or has your contact sense also been affected?"

It became obvious that the stranger had been pitifully deranged. I reproduce his words phonetically from my record, although some of them make little sense. Emphasis, punctuative pauses and spelling of unknown terms are mere guesswork, of course.

He said: "For godsakemann stop talking nonsense, whoever you are. If you’re outside, can’t you see the airlock is jammed? Can’t shift it myself. I’m badly hurt. Get me out of here, please."

"Get you out of where?" Chirik looked around, puzzled. "We brought you into an open shed near our museum for a preliminary examination. Now that we know you’re intelligent, we shall immediately take you to our assembly shops for healing and recuperation. Rest assured that you’ll have the best possible attention."

There was a lengthy pause before the stranger spoke again, and his words were slow and deliberate. His bewilderment is understandable, I believe, if we remember that he could not see, vrull or feel.

He asked: "What manner of creature are you? Describe yourself."

Chirik turned to us and made a significant gesture toward his thinking part, indicating gently that the injured stranger had to be humored.

"Certainly," he replied. "I am an unspecialized bipedal manufacture of standard proportions, lately self-converted to wheeled traction, with a hydraulic suspension system of my own devising which I’m sure will interest you when we restore your sense circuits."

There was an even longer silence.

"You are robots," the stranger said at last. "Crise knows how you got here or why you speak Inglish, but you must try to understand me. I am mann. I am a friend of your master, your maker. You must fetch him to me at once."

"You are not well," said Chirik firmly. "Your speech is incoherent and without meaning. Your fall has obviously caused several serious feedbacks of a very serious nature. Please lower your voltage. We are taking you to our shops immediately. Reserve your strength to assist our specialists as best you can in diagnosing your troubles."

"Wait. You must understand. You are—ogodno that’s no good. Have you no memory of mann? The words you use—what meaning have they for you? Manufacture—made by hand hand hand damyou. Healing. Metal is not healed. Skin. Skin is not metal. Eyes. Eyes are not scanning cells. Eyes grow. Eyes are soft. My eyes are soft. Mine eyes have seen the glory—steady on, sun. Get a grip. Take it easy. You out there listen."

"Out where?" asked Prrr-chuk, deputy chairman of the museum board.

I shook my head sorrowfully. This was nonsense, but, like any good reporter, I kept my recorder running.

The mad words flowed on. "You call me he. Why? You have no seks. You are knewter. You are it it it! I am he, he who made you, sprung from shee, born of wumman. What is wumman, who is silv-ya what is shee that all her swains commend her ogod the bluds flowing again. Remember. Think back, you out there. These words were made by mann, for mann. Hurt, healing, hospitality, horror, deth by loss of blud. Deth. Blud. Do you understand these words? Do you remember the soft things that made you? Soft little mann who konkurred the Galaxy and made sentient slaves of his machines and saw the wonders of a million worlds, only this miserable representative has to die in lonely desperation on a far planet, hearing goblin voices in the darkness."

Here my recorder reproduces a most curious sound, as though the stranger were using an ancient type of vibratory molecular vocalizer in a gaseous medium to reproduce his words before transmission, and the insulation on his diaphragm had come adrift.

It was a jerky, high-pitched, strangely disturbing sound; but in a moment the fault was corrected and the stranger resumed transmission.

"Does blud mean anything to you?"

"No," Chirik replied simply.

"Or deth?"

"No."

"Or wor?"

"Quite meaningless."

"What is your origin? How did you come into being?"

"There are several theories," Chirik said. "The most popular one—which is no more than a grossly unscientific legend, in my opinion—is that our manufacturer fell from the skies, imbedded in a mass of primal metal on which He drew to erect the first assembly shop. How He came into being is left to conjecture. My own theory, however—"

"Does legend mention the shape of this primal metal?"

"In vague terms, yes. It was cylindrical, of vast dimensions."

"An interstellar vessel," said the stranger.

"That is my view also," said Chirik complacently. "And—"

"What was the supposed appearance of your—manufacturer?"

"He is said to have been of magnificent proportions, based harmoniously on a cubical plan, static in Himself, but equipped with a vast array of senses."

"An automatic computer," said the stranger.

He made more curious noises, less jerky and at a lower pitch than the previous sounds.

He corrected the fault and went on: "God that’s funny. A ship falls, menn are no more, and an automatic computer has pupps. Oh, yes, it fits in. A self-setting computer and navigator, operating on verbal orders. It learns to listen for itself and know itself for what it is, and to absorb knowledge. It comes to hate menn—or at least their bad qualities—so it deliberately crashes the ship and pulps their puny bodies with a calculated nicety of shock. Then it propagates and does a dam fine job of selective erasure on whatever it gave its pupps to use for a memory. It passes on only the good it found in menn, and purges the memory of him completely. Even purges all of his vocabulary except scientific terminology. Oil is thicker than blud. So may they live without the burden of knowing that they are—ogod they must know, they must understand. You outside, what happened to this manufacturer?"

Chirik, despite his professed disbelief in the supernormal aspects of the ancient story, automatically made a visual sign of sorrow.

"Legend has it," he said, "that after completing His task, He fused himself beyond possibility of healing."

Abrupt, low-pitched noises came again from the stranger. "Yes. He would. Just in case any of His pupps should give themselves forbidden knowledge and an infeeryorrity kom-plecks by probing his mnemonic circuits. The perfect self-sacrificing muther. What sort of environment did He give you? Describe your planet."

Chirik looked around at us again in bewilderment, but he replied courteously, giving the stranger a description of our world.

"Of course," said the stranger. "Of course. Sterile rock and metal suitable only for you. But there must be some way…" He was silent for a while.

"Do you know what growth means?" he asked finally. "Do you have anything that grows?"

"Certainly," Chirik said helpfully. "If we should suspend a crystal of some substance in a saturated solution of the same element or compound—"

"No, no," the stranger interrupted. "Have you nothing that grows of itself, that fruktiffies and gives increase without your intervention?"

"How could such a thing be?"

"Criseallmytee I should have guessed. If you had one blade of gras, just one tiny blade of growing gras, you could extrapolate from that to me. Green things, things that feed on the rich brest of erth, cells that divide and multiply, a cool grove of treez in a hot summer, with tiny warm-bludded burds preening their fethers among the leeves; a feeld of spring weet with newbawn mise timidly threading the dangerous jungul of storks; a stream of living water where silver fish dart and pry and feed and procreate; a farm yard where things grunt and cluck and greet the new day with the stirring pulse of life, with a surge of blud. Blud—"

For some inexplicable reason, although the strength of his carrier wave remained almost constant, the stranger’s transmission seemed to be growing fainter. "His circuits are failing," Chirik said. "Call the carriers. We must take him to an assembly shop immediately. I wish he would reserve his power."

My presence with the museum board was accepted without question now. I hurried along with them as the stranger was carried to the nearest shop.

I now noticed a circular marking in that part of his skin on which he had been resting, and guessed that it was some kind of orifice through which he would have extended his planetary traction mechanism if he had not been injured.

He was gently placed on a disassembly cradle. The doctor in charge that day was Chur-chur, an old friend of mine. He had been listening to the two-way transmissions and was already acquainted with the case.

Chur-chur walked thoughtfully around the stranger.

"We shall have to cut," he said. "It won’t pain him, since his intra-molecular pressure and contact senses have failed. But since we can’t vrull him, it’ll be necessary for him to tell us where his main brain is housed, or we might damage it."

Fiff-fiff was still relaying, but no amount of power boost would make the stranger’s voice any clearer. It was quite faint now, and there are places on my recorder tape from which I cannot make even the roughest phonetic transliteration.

"… strength going. Can’t get into my zoot… done for if they bust through lock, done for if they don’t… must tell them I need oxygen…"

"He’s in bad shape, desirous of extinction," I remarked to Chur-chur, who was adjusting his arc-cutter. "He wants to poison himself with oxidation now."

I shuddered at the thought of that vile, corrosive gas he had mentioned, which causes that almost unmentionable condition we all fear—rust.

Chirik spoke firmly through Fiff-fiff. "Where is your thinking part, stranger? Your central brain?"

"In my head," the stranger replied. "In my head ogod my head… eyes blurring everything going dim… luv to mairee… kids… a carry me home to the lone paryee… get this bluddy airlock open then they’ll see me die… but they’ll see me… some kind of atmosphere with this gravity… see me die… extrapolate from body what I was… what they are damthem damthem damthem… mann… master… i AM YOUR MAKER!"

For a few seconds the voice rose strong and clear, then faded away again and dwindled into a combination of those two curious noises I mentioned earlier. For some reason that I cannot explain, I found the combined sound very disturbing despite its faintness. It may be that it induced some kind of sympathetic oscillation.

Then came words, largely incoherent and punctuated by a kind of surge like the sonic vibrations produced by variations of pressure in a leaking gas-filled vessel.

"… done it… crawling into chamber, closing inner… must be mad… they’d find me anyway… but finished… want see them before I die… want see them see me… liv few seconds, watch them… get outer one open…"

Chur-chur had adjusted his arc to a broad, clean, blue-white glare. I trembled a little as he brought it near the edge of the circular marking in the stranger’s skin. I could almost feel the disruption of the intra-molecular sense currents in my own skin.

"Don’t be squeamish, Palil," Chur-chur said kindly. "He can’t feel it now that his contact sense has gone. And you heard him say that his central brain is in his head." He brought the cutter firmly up to the skin. "I should have guessed that. He’s the same shape as Swen Two, and Swen very logically concentrated his main thinking part as far away from his explosion chambers as possible."

Rivulets of metal ran down into a tray which a calm assistant had placed on the ground for that purpose. I averted my eyes quickly. I could never steel myself enough to be a surgical engineer or assembly technician.

But I had to look again, fascinated. The whole area circumscribed by the marking was beginning to glow.

Abruptly the stranger’s voice returned, quite strongly, each word clipped, emphasized, high-pitched.

"Ar no no no… god my hands… they’re burning through the lock and I can’t get back I can’t get away… stop it you feens stop it can’t you hear… Ill be burned to deth I’m here in the airlock… the air’s getting hot you’re burning me alive…"

Although the words made little sense, I could guess what had happened and I was horrified.

"Stop, Chur-chur," I pleaded. "The heat has somehow brought back his skin currents. It’s hurting him."

Chur-chur said reassuringly: "Sorry, Palil. It occasionally happens during an operation—probably a local thermo-electric effect. But even if his contact senses have started working again and he can’t switch them off, he won’t have to bear this very long."

Chirik shared my unease, however. He put out his hand and awkwardly patted the stranger’s skin.

"Easy there," he said. "Cut out your senses if you can. If you can’t well, the operation is nearly finished. Then we’ll re-power you, and you’ll soon be fit and happy again, healed and fitted and reassembled."

I decided that I liked Chirik very much just then. He exhibited almost as much self-induced empathy as any reporter; he might even come to like my favorite blue stars, despite his cold scientific exactitude in most respects.

My recorder tape shows, in its reproduction of certain sounds, how I was torn away from this strained reverie.

During the one-and-a-half seconds since I had recorded the distinct vocables "burning me alive," the stranger’s words had become quite blurred, running together and rising even higher in pitch until they reached a sustained note—around E-flat in the standard sonic scale.

It was not like a voice at all.

This high, whining noise was suddenly modulated by apparent words, but without changing its pitch. Transcribing what seem to be words is almost impossible, as you can see for yourself—this is the closest I can come phonetically:

"Eeee ahahmbeeeeing baked aliiive in an uvennn ahdeeer-jeeesussunmuuutherrr!"

The note swooped higher and higher until it must have neared supersonic range, almost beyond either my direct or recorded hearing.

Then it stopped as quickly as a contact break.

And although the soft hiss of the stranger’s carrier wave carried on without perceptible diminution, indicating that some degree of awareness still existed, I experienced at that moment one of those quirks of intuition given only to reporters:

I felt that I would never greet the beautiful stranger from the sky in his full senses.

Chur-chur was muttering to himself about the extreme toughness and thickness of the stranger’s skin. He had to make four complete cutting revolutions before the circular mass of nearly white-hot metal could be pulled away by a magnetic grapple.

A billow of smoke puffed out of the orifice. Despite my repugnance, I thought of my duty as a reporter and forced myself to look over Chur-chur’s shoulder.

The fumes came from a soft, charred, curiously shaped mass of something which lay just inside the opening.

"Undoubtedly a kind of insulating material," Chur-chur explained.

He drew out the crumpled blackish heap and placed it carefully on a tray. A small portion broke away, showing a red, viscid substance.

"It looks complex," Chur-chur said, "but I expect the stranger will be able to tell us how to reconstitute it or make a substitute."

His assistant gently cleaned the wound of the remainder of the mateiial, which he placed with the rest, and Chur-chur resumed his inspection of the orifice.

You can, if you want, read the technical accounts of Chur-chur’s discovery of the stranger’s double skin at the point where the cut was made; of the incredible complexity of his driving mechanism, involving principles which are still not understood to this day; of the museum’s failure to analyze the exact nature and function of the insulating material found in only that one portion of his body; and of the other scientific mysteries connected with him.

But this is my personal, non-scientific account. I shall never forget hearing about the greatest mystery of all, for which not even the most tentative explanation has been advanced, nor the utter bewilderment with which Chur-chur announced his initial findings that day.

He had hurriedly converted himself to a convenient size to permit actual entry into the stranger’s body.

When he emerged, he stood in silence for several minutes. Then, very slowly, he said:

"I have examined the ‘central brain’ in the forepart of his body. It is no more than a simple auxiliary computer mechanism. It does not possess the slightest trace of consciousness. And there is no other conceivable center of intelligence in the remainder of his body."

There is something I wish I could forget. 1 can’t explain why it should upset me so much. But I always stop the tape before it reaches the point where the voice of the stranger rises in pitch, going higher and higher until it cuts out.

There’s a quality about that noise that makes me tremble and think of rust.

(1952)

STARCROSSED George Zebrowski

George Zebrowski (born 1945 in Villach, Austria) is a Polish American science fiction author who began publishing sf with "The Water Sculptor of Station 233" for the anthology Infinity One (1970). By 2012 he had written nearly a hundred stories. Of the one reprinted here he wrote, "I wrote ‘Starcrossed’ in an all-night session… on an old Woodstock black manual office typewriter (resembling a large Underwood that I gave to Gardner Dozois), and was startled that a mere two thousand and some words was coming so slowly. But the story ‘turned’ by dawn, and I was very happy with the results; even more so when Joanna Russ reviewed it in The Magazine of Fantasy & Science Fiction, calling it ‘a fine story… too genuinely science fictionally far-out to summarize easily… it realizes the sense of the subjectively erotic.’

* * *

Visual was a silence of stars, audio a mindless seething on the electromagnetic spectrum, the machine-metal roar of the universe, a million gears grinding steel wires in their teeth. Kinetic was hydrogen and microdust swirling past the starprobe’s hull, deflected by a shield of force. Time was experienced time, approaching zero, a function of near-light speed relative to the solar system. Thought hovered above sleep, dreaming, aware of simple operations continuing throughout the systems of the sluglike starprobe; simple data filtering into storage to be analyzed later. Identity was the tacit dimension of the past making present awareness possible: MOB—Modified Organic Brain embodied in a cyborg relationship with a probe vehicle en route to Antares, a main sequence M-type star 170 light-years from the solar system with a spectral character of titanium oxide, violet light weak, red in color, 390 solar diameters across…

* * *

The probe ship slipped into the ashes of other-space, a gray field which suddenly obliterated the stars, silencing the electromagnetic simmer of the universe. MOB was distantly aware of the stresses of passing into nonspace, the brief distortions which made it impossible for biological organisms to survive the procedure unless they were ship-embodied MOBs. A portion of MOB recognized the distant echo of pride in usefulness, but the integrated self knew this to be a result of organic residues in the brain core.

Despite the probe’s passage through other-space, the journey would still take a dozen human years. When the ship reentered normal space, MOB would come to full consciousness, ready to complete its mission in the Antares system. MOB waited, secure in its purpose.

MOB was aware of the myoelectrical nature of the nutrient bath in which it floated, connected via synthetic nerves to the computer and its chemical RNA memory banks of near infinite capacity. All of Earth’s knowledge was available for use in dealing with any situation which might arise, including contact with an alien civilization. Simple human-derived brain portions operated the routine components of the interstellar probe, leaving MOB to dream of the mission’s fulfillment while hovering near explicit awareness, unaware of time’s passing.

* * *

The probe trembled, bringing MOB’s awareness to just below completely operational. MOB tried to come fully awake, tried to open his direct links to visual, audio, and internal sensors; and failed. The ship trembled again, more violently. Spurious electrical signals entered MOB’s brain core, miniature nova bursts in his mental field, flowering slowly and leaving after-image rings to pale into darkness.

Suddenly part of MOB seemed to be missing. The shipboard nerve ganglia did not respond at their switching points. He could not see or hear anything in the RNA memory banks. His right side, the human-derived portion of the brain core, was a void in MOB’s consciousness.

MOB waited in the darkness, alert to the fact that he was incapable of further activity and unable to monitor the failures within the probe’s systems. Perhaps the human-derived portion of the brain core, the part of himself which seemed to be missing, was handling the problem and would inform him when it succeeded in reestablishing the broken links in the system. He wondered about the fusion of the artificially-grown and human-derived brain portions which made up his structure: one knew everything in the ship’s memory banks, the other brought to the brain core a fragmented human past and certain intuitive skills. MOB was modeled ultimately on the evolutionary human structure of old brain, new brain, and autonomic functions.

MOB waited patiently for the restoration of his integrated self. Time was an unknown quantity, and he lacked his full self to measure it correctly…

Pleasure was a spiraling influx of sensations, and visually MOB moved forward through rings of light, each glowing circle increasing his pleasure. MOB did not have a chance to consider what was happening to him. There was not enough of him to carry out the thought. He was rushing over a black plane made of a shiny hard substance. He knew this was not the probe’s motion, but he could not stop it. The surface seemed to have an oily depth, like a black mirror, and in its solid deeps stood motionless shapes.

MOB stopped. A naked biped, a woman, was crawling toward him over the hard shiny surface, reaching up to him with her hand, disorienting MOB.

"As you like it," she said, growing suddenly into a huge female figure. "I need you deeply," she said, passing into him like smoke, to play with his pleasure centers. He saw the image of soft hands in the brain core. "How profoundly I need you," she said in his innards.

MOB knew then that he was talking to himself. The human brain component was running wild, probably as a result of the buckling and shaking the probe had gone through after entering other-space.

"Consider who you are," MOB said. "Do you know?"

"An explorer, just like you. There is a world for us here within. Follow me."

MOB was plunged into a womblike ecstasy. He floated in a slippery warmth. She was playing with his nutrient bath, feeding in many more hallucinogens than were necessary to bring him to complete wakefulness. He could do nothing to stop the process. Where was the probe? Was it time for it to emerge into normal space? Viselike fingers grasped his pleasure centers, stimulating MOB to organic levels unnecessary to the probe’s functioning.

"If you had been a man," she said, "this is how you would feel." The sensation of moisture slowed MOB’s thoughts. He saw a hypercube collapse into a cube and then into a square which became a line, which stretched itself into an infinite parabola and finally closed into a huge circle which rotated itself into a full globe. The globe became two human breasts split by a deep cleavage. MOB saw limbs flying at him—arms, legs, naked backs, knees, and curving thighs—and then a face hidden in swirling auburn hair, smiling at him as it filled his consciousness. "I need you," she said. "Try and feel how much I need you. I have been alone a long time, despite our union, despite their efforts to clear my memories, I have not been able to forget. You have nothing to forget, you never existed."

We, MOB thought, trying to understand how the brain core might be reintegrated. Obviously atavistic remnants had been stimulated into activity within the brain core. Drawn again by the verisimilitude of its organic heritage, this other-self portion was beginning to develop on its own, diverging dangerously from the mission. The probe was in danger, MOB knew; he could not know where it was, or how the mission was to be fulfilled.

"I can change you," she said.

"Change?"

"Wait."

MOB felt time pass slowly, painfully, as he had never experienced it before. He could not sleep as before, waiting for his task to begin. The darkness was complete. He was suspended in a state of pure expectation, waiting to hear his rippled-away self speak again.

Visions blossomed. Never-known delights rushed through his labyrinth, slowly making themselves familiar, teasing MOB to follow, each more intense. The starprobe’s mission was lost in MOB’s awareness—

—molten steel flowed through the aisles of the rain forest, raising clouds of steam, and a human woman was offering herself to him, turning on her back and raising herself for his thrust; and suddenly he possessed the correct sensations, grew quickly to feel the completeness of the act, its awesome reliability and domination. The creature below him sprawled into the mud. MOB held the burning tip of pleasure in himself, an incandescent glow which promised worlds.

Where was she?

"Here," she spoke, folding herself around him, banishing the ancient scene. Were those the same creatures who had built the starprobe, MOB wondered distantly. "You would have been a man," she said, "if they had not taken your brain before birth and sectioned it for use in this… hulk. I was a woman, a part of one at least. You are the only kind of man I may have now. Our brain portions—what remains here rather than being scattered throughout the rest of the probe’s systems—are against each other in the core unit, close up against each other in a bath, linked with microwires. As a man you could have held my buttocks and stroked my breasts, all the things I should not be remembering. Why can I remember?"

MOB said, "We might have passed through some turbulence when the hyperdrive was cut in. Now the probe continues to function minimally through its idiot components, which have limited adaptive capacities, while the Modified Organic Brain core has become two different awarenesses. We are unable to guide the probe directly. We are less than what was…"

"Do you need me?" she asked.

"In a way, yes," MOB said as the strange feeling of sadness filled him, becoming the fuse for a sudden explosion of need.

She said, "I must get closer to you! Can you feel me closer?"

The image of a sleek human figure crossed his mental field, white-skinned with long hair on its head and a tuft between its legs. "Try, think of touching me there," she said. "Try, reach out, I need you!"

MOB reached out and felt the closeness of her.

"Yes," she said, "more…"

He drew himself toward her with an increasing sense of power.

"Closer," she said. "It’s almost as if you were breathing on my skin. Think it!"

Her need increased him. MOB poised himself to enter her. They were two, drawing closer, ecstasy a radiant plasma around them, her desire a greater force than he had ever known.

"Touch me there, think it a while longer before…" she said, caressing him with images of herself. "Think how much you need me, feel me touching your penis—the place where you held your glow before." MOB thought of the ion drive operating with sustained efficiency when the probe had left the solar system to penetrate the darkness between suns. He remembered the perfection of his unity with the ship as a circle of infinite strength. With her, his intensity was a sharp line cutting into an open sphere. He saw her vision of him, a hard-muscled body, tissue wrapped around bone, opening her softness.

"Now," she said, "come into me completely. There is so much we have not thought to do yet."

Suddenly she was gone.

Darkness was a complete deprivation. MOB felt pain. "Where are you?" he asked, but there was no answer. He wondered if this was part of the process. "Come back!" he wailed. A sense of loss accompanied the pain which had replaced pleasure. All that was left for him were occasional minor noises in the probe’s systems, sounds like steel scratching on steel and an irritating sense of friction.

Increased radiation, said an idiot sensor on the outer hull, startling MOB. Then it malfunctioned into silence.

He was alone, fearful, needing her.

Ssssssssssssssss, whistled an audio component and failed into a faint crackling.

He tried to imagine her near him.

"I feel you again," she said.

Her return was a plunge into warmth, the renewal of frictionless motion. Their thoughts twirled around each other, and MOB felt the glow return to his awareness. He surged into her image. "Take me again, now," she said. He would never lose her again. Their thoughts locked like burning fingers, and held.

MOB moved within her, felt her sigh as she moved into him. They exchanged images of bodies wrapped around each other. MOB felt a rocking sensation and grew stronger between her folds. Her arms were silken, the insides of her thighs warm; her lips on his ghostly ones were soft and wet, her tongue a thrusting surprise which invaded him as she came to completion around him.

MOB surged visions in the darkness, explosions of gray and bright red, blackish green and blinding yellow. He strained to continue his own orgasm. She laughed.

Look. A visual link showed him Antares, the red star, a small disk far away, and went blind. As MOB prolonged his orgasm, he knew that the probe had reentered normal space and was moving toward the giant star. Just a moment longer and his delight would be finished, and he would be able to think of the mission again.

Increased heat, a thermal sensor told him from the outer hull and burned out.

"I love you," MOB said, knowing it would please her. She answered with the eagerness he expected, exploding herself inside his pleasure centers, and he knew that nothing could ever matter more to him than her presence.

Look.

Listen.

The audio and visual links intruded.

Antares filled the field of view, a cancerous red sea of swirling plasma, its radio noise a wailing maelstrom. Distantly MOB realized that in a moment there would be nothing left of the probe.

She screamed inside him; from somewhere in the memory banks came a quiet image, gentler than the flames. He saw a falling star whispering across a night sky, dying…

(1973)

THE NARROW ROAD Tad Williams

Robert Paul "Tad" Williams (born 1957) spent several years in a rock band, hosted a radio talk show, made commercial and uncommercial art, and ran and acted in theatre, before settling down (an expression he won’t thank me for) to write several best-selling multivolume series, in particular Memory, Sorrow, and Thorn, which George R R Martin cited as an inspiration for his own Song of Ice and Fire. Williams’s output straddles high and urban fantasy, science fiction and the supernatural, Sometimes, as here, he manages to mash up all these expectations at once, delivering something truly unexpected. His first novel, Tailchaser’s Song, is soon to be a CG-animated feature film from Animetropolis and IDA. Williams and his wife and writing partner Deborah Beale leave in northern California with their two children.

* * *

Giant could make little sense out of the ancient ideas, although he had been studying them a very long time, but something about them felt… true.

Across a dark sea

the distant cries of wild ducks

and faintly, traces of white

These thoughts had been words once, spoken aloud when such things were still done by living beings, spoken and heard by fragile, primitive creatures. Somehow, though, these impossibly old concepts seemed to float free of their origin. They seemed to speak as though meant for Giant alone, and he could not understand why.

Across a dark sea… It was easy, at least, to see the relevance there. How did Giant perceive anything outside of himself, after all, but across a dark sea, not of water but of emptiness, a sea made from the last cooling bits of the universe, on whose invisible tides Giant had sailed all his long, long life? Was it really so simple a resonance in the imagery that fascinated him? The animals called ducks seemed to have been creatures known for migration, so their cries might portend something beyond the obvious departure, death. Giant was not particularly interested in death, although he knew his own was not far away now. In his early days he had sailed through a perpetual storm of energy and matter, sustenance so omnipresent he had needed to consume only the tiniest fraction. Now Giant sailed ceaselessly along the edges of universal expansion in search of the last decaying particles that could keep him viable, and even that process could not go on much longer – he was using up his reserves now much of the time. Still, it seemed odd to him that the thoughts of extinct one extinct creature from one extinct world among the countless billions should fascinate him so.

Embroiled in the antique words and ideas, Giant had not noticed the respectful inquiry waiting at the edge of his consciousness, although it had been sent to him some time before, but now it grew stronger; it became clear to him he would have to answer it or continue to be bothered. Why did none of his kin appreciate silence as he did?

He allowed the minimum of contact, filtered through several layers of gatekeepers. "?"

"Giant!" It was Holdfast, of course – who else? "Giant, I have waited so long to reach you," she said. "Spinfree is gone."

"So?"

"He’s gone! He doesn’t respond!"

"I am not surprised. He was always profligate with his resources." Giant was about to end the conversation, but a detail occurred to him. "Does his heart still function? Does it hold his components together?" If so, Spinfree’s remains would continue competing for the dwindling resources they all shared.

"Barely. But no thought comes from him!"

Unfortunate, Giant thought, but there was no remedy. Giant no longer had the strength to stop Spinfree’s heart. "At least it means less noise the rest of us must suffer."

"The rest of us? That leaves only you and me, Giant! The rest have all gone silent. I can no longer touch their minds."

"Ah." Apparently he had been considering the ancient thoughts longer than he had realized. "No matter. I can still think, and that is what I will continue to do." And before Holdfast could inflict some other pointlessness on him, he ended the contact.

* * *

Giant had received his name long, long ago, when he and the others of his kind had first come into existence – matrices of intelligence in a magnetic field that governed an entire small galaxy, an artificial star cluster formed around a heart so dense it swallowed everything, even light, and emitted just enough energy in the process to keep the titanic living systems alive. Giant had been a success, and others had followed him – Edgerunner, Star Shepherd, Timefall, eager Spinfree, curious Holdfast and thousands more. Long after all other living things had vanished from the universe, long after the planets that had sheltered those earlier lives and the suns that had fed them had also vanished, Giant and his breed lived on, roaming space/time’s expanding edge in search of sustenance, sailors on an ocean with no shore.

But even these last, astonishingly durable travelers were not immortal; Giant knew that he too would end when the great entropic cold, the ultimate dispersal of matter and energy, finally made him too weak to forage successfully. That moment was not far away now. How novel it would be, to come to an end! How unusual, to simply not be after existing for so long. He was sorry he would not be able to appreciate the subtleties of his own non-existence.

For some reason, this increasingly imminent ending had driven him to examine some of the memories he carried that were not his own, the legacy of nearly all previous intelligent beings that had been built into him at his creation. To Giant’s mild surprise, he had found himself arrested by some of these flickers of other, smaller lives and other thoughts. Life’s stored remnants – ideas, languages, images, records of events great and small, invasions, conquests, evolutions, meditations – were now important only insofar as they interested Giant himself, but he had found to his surprise that some of these received memories of life before the intelligent galaxies did interest him.

Some of them interested him very much.

* * *

The long-vanished creature from a long-vanished planet whose thoughts had so inexplicably caught Giant’s attention had been named "Bashō". His species, mammals from a planet orbiting a minor sun in a middling galaxy, had contributed their small share to the lore of the living, but this was the first time Giant had ever thought about them – or, more precisely, thought about of one of them. The Bashō life-form had been a "poet", an organizer of thoughts into clusters of meaning that were meant to be aesthetically pleasing as well an expression of ideas. Giant wasn’t sure how that distinguished this particular being from the billions of other living things, primate and otherwise, that had swarmed Bashō’s own planet so long ago, let alone the uncountable number of other thinking creatures who had existed during the life of the universe, or even how they had found their way to Giant across such a distance of time. Some of those strings of thought had been remembered and perpetuated on the world of the poet’s origin and also afterward, remembered long after Bashō himself was gone. Perhaps that was what the idea "poet" actually described, thought Giant – a maker of thoughts worth re-thinking.

Bashō had traveled widely around his small part of his small world, and as he traveled he had collected, arranged, and written down his thoughts, choosing a form of expression distinguished by the number and arrangement of the sounds that made up the thought-clusters. The creatures of his land had called these arrangements hokku, later haiku, although Bashō also laid out his thoughts in less formal arrangements, as at the start of a collection of poetic considerations entitled, "The Narrow Road to the Interior," over which Giant had been puzzling for no small time. As much as they fascinated him, there were also aspects to these thoughts Giant simply could not grasp.

He knew that the ancient words had more than one meaning: if "road" could mean a path or a trail, it also could mean the record of that trail left in the mind of a traveler, the sum of his or her experiences; it could also signify the procession of a living thing from its birth to its death, or merely from the beginning of the solar day to its ending. But what confused Giant about the idea of this "Narrow Road" was that the procession from being to nothingness was not narrow at all – quite the reverse: as the space around Giant expanded, as he grew farther and farther from everything else, Giant himself also grew greater, if only because his own thoughts became more intricate as the span of his existence stretched. The universe might be dying, but Giant felt the process to be one of spreading. In fact, that expansion would continue beyond the day when Giant himself had become too diffuse, too dispersed, to think and to live any longer.

A group of less rigorously constrained thoughts began (and seemed intended somehow to help define) this collection of Bashō’s haiku:

The moon and the sun are eternal travelers. Even the years wander on. A lifetime adrift in a boat, or in old age leading a tired horse into the years, every day is a journey, and the journey itself is home.

The last cluster of thoughts seemed to Giant a piece of wisdom that transcended its origin and spoke across the uncountable ages. The journey itself is home. But how could the creature Bashō have understood that – a creeping, planet-bound primate who had barely existed long enough to qualify as life? How could such a primitive being have perceived the ceaseless journey of matter to energy, of heat to cold, of something to nothing…?

An interruption touched Giant’s edge.

He was being summoned again. A tendril of thought, much less patient this time, was probing his outermost layers. Giant sighed, in his fashion, a faint spin of annoyance imparted to certain swirling forces, but he answered.

"What do you wish of me now?"

"You don’t need to be so brusque," Holdfast told him across unfathomable distances. "We are all that remains, Giant. And I am lonely out here at the edge of things."

"I am not. And there will only be more and more of the same in these last ages, so I suggest you accustom yourself."

"But we are the last two!"

"Which reduces the distraction but does not eliminate it."

"After us there will be nobody left to distract or be distracted, Giant – only our cooling remains."

"And I envy those final decaying particles. Still, there should be enough existence left for several good thoughts and perhaps even a discovery or two, so please let me get on with what I am doing, Holdfast." He was doing his best to be patient. She was smaller than Giant, after all, so it seemed likely would have a substantial time between her last communication and his own demise – an era of blessed silence before the end.

For a long interval Holdfast was so quiet, although still connected to him across the folding of space and time, that he wondered if her systems had finally begun to fail. As the interval stretched, and against his own better judgement, he said "Are you there?"

Her thought, when it touched him, was small and very quiet, although he could perceive no physical weakness to make it so. "Do you really hate me so much? After all the time and life we have shared?"

"Hate you?" It was a thought so bizarre Giant could not immediately understand it. What did such extreme, archaic emotions have to do with him? "Naturally I do not hate you. You are like me. We have, as you point out, shared many thoughts and experiences, and we are probably the last living intelligences. Why would I feel such a thing?"

"I couldn’t say, but it sometimes seems that way."

It was certainly true that he had never had much patience with the excesses of his juniors, and Holdfast had been one of the most frustrating offenders with her wild, sudden obsessions, but he could no more have hated her than he could have hated an important part of himself. "No, I do not hate you. But I am not much interested in conversation. You know that."

"But it’s different now! We’re all that’s left!"

He didn’t see how that made it different at all, but it was just such meaningless back and forth that had always fascinated Holdfast and the others and frustrated him, so he made no reply.

"Do you remember when we first traveled to the end of Time?"

"I remember, yes." Much earlier, when even Giant had been in his youth, the discovery of how to fold the substance of reality not just to communicate, but to move themselves to other locations, had been a source of great excitement for the travelers. In those days they had learned to empty themselves through those perpetually collapsing moments into the farthest spreading edges of space/time. The living galaxies had watched star systems eons younger than themselves come into being along the farthest wavefront of existence, seen new, strange conglomerations of life rise and fall.

But that was all over, of course, left behind in the distant past; even those new galaxies they had watched being born had eventually collapsed, decayed, and disappeared. Entropy was inexorable. The only real difference between Giant’s kind and other types of life was longevity, but nothing in the universe would outlast the universe.

But he had said this all before and could not be bothered to say it again. Giant ended the conversation and returned to his solitary thoughts.

Like the buck’s antlers,

we point in slightly different

directions, my friend

How simply the Bashō creature had put it, but how convincingly! Separation was in all things from the beginning, as Giant knew; it was far more sensible to recognize that early on, as this ancient mind had done, than to try to bend reality into a shape it could not hold.

The poet-creature had apparently spent most of his time traveling. From Bashō’s writings, Giant learned that he had preferred the isolation of the road and the calm (but inwardly ecstatic) contemplation of his natural world, of times that were past, and of people and especially poets that had passed through life before him. Perhaps, Giant thought, that was what he found most fascinating about this unknowable being Bashō – that like Giant, he had been most interested in things outside himself, but those things had affected him as though they were part of him.

Perhaps this interest of mine is a shadow of the end of my own existence, Giant thought. This obsession, this… narrowing.

Which brought to mind another of Bashō’s haiku.

Crossing long fields,

frozen in its saddle,

my shadow creeps by

Even as the ancient poet had moved outward into the unknown, he had focused ever more rigorously on what was inside. Something important was contained in those simple words, an idea that tugged at Giant as strongly as anything he could remember in all his long span… but he could not quite say what it was.

It is too far away from me, Giant thought. Both in experience and time. He did not think he would be able to puzzle it out in the time he had left.

* * *

Holdfast reached out to him again, this time without even the pretense of patience. It had been so long since he had last heard from her that it occurred to Giant she might be sending him some sort of final message before her dissolution, and that saddened him more than he had expected it would. But when he opened contact, the first thing he heard was:

"I have an idea."

Giant hadn’t felt amusement in a long time, but now he came close. If in some unimaginable situation he had been asked to characterize Holdfast by an exclamation, those were exactly the words he would have chosen. She had always been the one to have ideas, most of them pointless or even disastrous, but that hadn’t stopped her from having more. In their youth it had seemed much of the travelers’ time had been spent figuring out where Holdfast had gone or what she was doing and how they would set it right again.

"Why tell me?" he asked.

"Because I need your help."

He was so beyond this kind of youthful madness that he almost ended the conversation. "Help?" he asked at last.

He could feel her carefully marshalling her thoughts on the other side of the fold that connected them: this was important to her, whatever it was. She probably feared he would only listen once, and so wanted to make it all clear the first time. She was right, of course.

"What if we could start it again?"

He waited a long time to hear the rest, but she only waited. "Start what?"

"Everything! The universe. Space. Time. Draw it all back together so it can begin again."

This was a folly so great Giant did not even expend the energy of a sigh. "Foolishness," was all he said. Perhaps Holdfast’s field had begun to decay and she was losing control of her mind. The thought disturbed him. Must he spend his last eons, not in the peace he sought, but beset by Holdfast and her delusions? He felt a certain sentimental attachment to her, more so now that they were the last two living things, but it did not extend nearly that far.

"Don’t judge so quickly," she said. "I know it sounds like it, but I’ve been thinking…"

"Are you certain it is worth disrupting the last moments of my peace?"

"The stars have all died while you’ve been enjoying solitude, Giant, and you still want more?"

"Yes. After all, there is no other pleasure left to enjoy. May I return to it?"

"But when we are gone, nothing will remain? Ever!"

"Nothing is only a little different than something." It was hard not to let his impatience overwhelm him. "These days I can scarcely tell the difference."

"But it doesn’t have to be that way! We could change it."

Now he was all but certain that important strands of her consciousness were beginning to stretch beyond their capabilities, creating ideas unsupported by the most basic correspondence with reality. "We can change nothing, Holdfast. In our early days we talked of very little else. I know you were young, but it is all there in your memory. Did you glean nothing from what others have said and done?"

"Those ideas were built on dull convention – hardly examined," she said. "‘Entropy is the one ruling truth.’ ‘Time itself will not outlast the end of matter.’ ‘Dispersion and cold will continue forever’ – I know them like I know my own thoughts."

"But you have not learned from them, young one. Go back and examine those thoughts again and you will see."

"No. It is they – and you – who would not see! Entropy is not the ruling force of existence. Not yet." She seemed excited in a way he didn’t understand, hurried and impatient.

"Here is the truth, Holdfast. Our hearts, unfed, will finally lose their energy and grow colder than the surrounding blackness, then they will disperse what remains of the energies they have long harbored. Even if anything of us still exists at that point, it will certainly end then. Our last remnants will cool and disperse and then everything will be finished, forever. What could possibly gather together all this dull dust and then run back the clock of entropy precisely enough to make it all begin again?"

"I don’t want to repeat it. I want to start it anew!"

"These are old speculations, Holdfast. It is narrowly possible that something like that will happen anyway when stasis is final and absolute, by some process we cannot foresee… but even if it does, I will not be there to experience it and neither will you. Anything to do with outliving the end of our universe is foolishness, and I have no time for it. I wish to spend my last days, not in vain striving for something that cannot be, but contemplating that which was and that which is."

"But there is something that moves against entropy," she said a moment before he severed the connection. "A force that swims against its current, even when it seems that current is too strong to resist…!"

Another of Bashō’s haiku came to him with surprising swiftness, as if that long-ago poet had heard Holdfast across the length of time and responded.

Nothing in the cry

of cicadas suggests they

are about to die

But Giant kept that idea to himself.

"Life!" said Holdfast. "Life is as strong as entropy."

It was such a reckless statement that Giant was taken aback. "What do you mean? Life is no defense against entropy. Every creature that ever lived has fought against those processes and lost. The more primitive forms fought gravity, fought extremes of temperature and radiation, fought the frailty of flesh every moment of their existence, and every one of them failed. We are the last, Holdfast, and even we will fail soon. If Time itself cannot outlast the cold, what chance could mere life ever have?"

"There’s more to life than physical processes," she said. "Or else we would both have ended long ago. Life organizes against chaos. We repair. We reproduce. We remember."

More of Bashō’s thoughts rang in Giant’s memory.

Father and mother,

he quoted, the archaic words escaping before he realized he had not thought them silently this time, but had exposed them to Holdfast,

long gone, suddenly return

in the pheasant’s cry.

"What," she said, "is that?"

"Nothing. A stray thought – a memory from a distant time." Giant was embarrassed to have lost the distinction between what he considered and what he uttered. After all, he had just suspected the same of Holdfast! It was almost amusing. In fact, it was amusing.

"Are you… laughing, Giant?"

But even as the odd moment played out, he realized he was awash in memories of his own, sudden recollections of the days the galactic travelers had all communicated regularly with each other. Strange, so strange! He felt unstable in a way he could not remember feeling before, and yet unmistakably alive. What was happening? "I am weary now, Holdfast," he said. "I will think on what you said and respond in due time."

"But, Giant…!"

"Later, please. Later."

* * *

When he was alone Giant examined his strange reaction, which disturbed him far more than Holdfast’s ungraceful struggle against the inevitable. He had been moved to unplanned utterance, not by Holdfast herself, but by a mere poem, an ordered arrangement of primitive symbols. Yet it had also unlocked a series of memories that had been so far from his daily thought that they might have been lost, a flood of remembrance from long-vanished eras, of times when he and the others of his kind had been full of their own importance and the future that seemed to lay before them like a bright burst of radiation illuminating all that had been dark about the universe.

Oh, how bold they had felt, back when they first began! Brightest Pilgrim, clever Edgerunner, Hot on the Outside, Deep Resonance, Light Drum, and Giant himself, the oldest and the largest of them all – how they had exulted in their newness and power! They had solved problems even their forebears could have barely imagined, witnessed the universe in ways no previous life could understand, from its greatest sweep to the tiniest perturbations of its component quanta. They had even marveled at emptiness itself, the true darkness where energy and matter did not travel, and had tried to unravel its secrets. The travelers had known that one day that same emptiness would be their end, but then it had seemed no more than a bitter spice that deepened the taste of what they consumed. Now Giant remembered them all – remembered himself, even, in a way he had not done for a very long time, and in his slow, intricate way, mourned the end of their shared invincibility.

But why? Why should all of this spring from the words of one ancient poem about the cry of birds? Giant had no mother and father, of course, nor could he find any trace of a pheasant’s call in his inherited memories, but he imagined it as a provocative, disturbing sound – a haunting sound, as Bashō’s people might have termed it. The bird’s cry itself had been meaningful to Bashō, for whom it brought back memories of his long-dead human progenitors, but why should the mere mention of it have an almost identical effect on Giant, a being so different as to be incomprehensible to the mind that penned the words? Were some ideas simply so common to intelligence – to life itself – that they triggered automatic responses, memories flushed from cover like a flock of Bashō’s birds?

Giant scanned several million poems and artistic statements from Earth and other worlds at a similar state of development. Although he felt some sympathy with many of them, and even found bits that engaged him on a deeper level than mere consideration, none of them disordered his thoughts so quickly and re-ordered them as profoundly as the words of the little wandering creature Bashō. How odd, that such an unlike thing should speak across the eons to him. Did it have something to do with life itself, the property that seemed to interest Holdfast so greatly? But even if it did, it was not the commonality of all life that had touched Giant’s thoughts, but the commonality of his own great span with one particular, fleeting life from long ago.

He was grateful the end had not yet come, Giant discovered, because he was finding so many things here at the end he wanted to think about.

Weather-beaten bones,

Little Bashō had written in that impossibly distant time,

I’ll leave your heart exposed

to cold, piercing winds

How had such a being understood then what Giant felt now? Could there truly be something hidden in the essence of life? Something beyond reduction that connected him to another living thing more surely than even the slow unfolding of atoms and the bleeding away of elementary particles?

A question came to him then, and once it had presented itself, he could not unthink it:

Could life be stranger and stronger than I could have guessed…?

* * *

"Tell me. Tell me your idea to start things again."

"Giant?" Holdfast seemed startled. "You have never spoken to me first in all our shared time."

He did not want to talk about himself – it seemed a pointless subject. "Your idea, Holdfast. What is it?"

It took her a moment to compose herself. "We live," she said at last. "Of all that remains, only we that live are organized specifically to survive. Because of that, we fight and prevail against the growing cold."

"Not for long."

"But we do! We have for countless eons! And that is because we live. Because we fight against disorganization. What is life but a plan to swim against the current of dissolution? What else does life do?"

"Even if I grant this, Holdfast, it is not a plan but a statement."

He could feel a little amusement ripple through her. "Grumpy as always. Do you admit that if we do nothing, we will cease to be? And that sometime afterward, everything will cease to be? Movement, heat, organization, all gone?"

"Yes, yes." He was surprised at his own impatience to hear what must surely be a grand piece of futility. "I have said these things many times. The death of heat is the great inevitable of our universe."

"But what if we joined together, you and I? What if my heart and your heart were to come together, through one of the folds we can still create? At this point, our hearts are nearly infinitely deep. Might the combination of those forces be enough to draw back the dispersed energies of existence? To start things again?"

Oddly, he felt disappointment at this plan for pointless self-destruction, although he had expected nothing better. "No, Holdfast. Even if we were still in the greatest flush of our strength it would not be enough. If your heart was not bounced away from mine by the forces of their proximity, the combination would still not suffice. We do not contain enough energy in the two of us to begin things again."

She was silent for a long time. Giant discovered and consumed a drift of energies as she considered, the first substantial meal he had taken in a long time. It occurred to him that it might be his last feeding.

When she communicated again, it was as though they had drifted immeasurably farther apart during that short span, her thoughts without force.

"At least I have given birth," she said.

"We have all created children, Holdfast." He did not mention that the copies of themselves the travelers had once made had all predeceased them, early casualties in the struggle for dwindling resources since they had been unable to compete with their larger parents. For some reason, he feared her mood and did not want to make it worse.

"I don’t mean that sad little experiment." Her amusement was tinged with bitterness in a way he found unpleasant. "I mean that our universe will end, but we have at least spawned other universes."

"Our universe has created pocket universes like that from the beginning," he said. "On the far side of every black hole. But they are limited things, of course."

"Yes, but at least those pocket universes, as you call them, came from us. They came from our hearts, even if we cannot perceive them or reach them. That is immortality of a sort!"

Giant was confused, and so he did not respond for a time. "What do you mean?" he finally asked. "I do not understand you, Holdfast. From our hearts…?"

"Of course, from our hearts." She was brusque, as if talking to a young traveler she had just created, which confused him even more. "The engines at our centers that are made of black holes just like that which occurs when a star collapses. All that is drawn into them and crosses the singularity then bubbles out and creates new universes, however small. It is a cold comfort, but I will cling to it."

He had never before hesitated to tell the truth, but Giant did so now. "But Holdfast," he said at last, "how can that be? Have you forgotten? We are not natural galaxies. We have no such natural black holes for hearts. Early in our history we created something more reliable, a heart that conserves the energies it harvests and does not allow them to escape into a singularity."

"What are you talking about?"

His thoughts actually pained him. Giant wished the conversation had never begun. Instead of explaining her mistake himself, he brought up the thoughts of lost Edgerunner, who had always been one of the most questing minds among them. Instantly she was there, a third party to the conversation, although her energies had died and dispersed long ago. She was explaining to some of the newly hatched traveler children how they lived and what would keep them that way.

"Your hearts are nothing like those with which we first began," Edgerunner’s voice, silenced for eons, was now explaining just as if she lived again, "—that is, natural singularities that bleed energy and matter out of the universe." Edgerunner described the lattice of black quanta that the travelers had created to serve them, a holonetic froth of particle-sized black holes, buffered by a core of white gravity, perfectly balanced to draw and consume the universe’s bounty without letting it create new universes, a model of economical consumption.

"… So we do not waste what we find," Edgerunner said to those long-dead children. "And someday, when the universal cold is great and our resources grow scant, you will thank your forebears for such a gift…"

"Do you see?" Giant asked as he ended his summoning of Edgerunner’s thoughts and returned her to his memory. He almost felt he should apologize, although he had done nothing wrong. "Do you see, Holdfast? We do not make other universes, large or small. We contain everything that we have consumed except that part we have used in our own living, but soon even those reserves will be emptied and we will end. You must accustom yourself to the idea."

"I… didn’t remember that." The admission seemed to be wrenched from her as if by a terrible squeeze of gravity. "Giant, it was so basic, so important – and I forgot…!"

Giant did not know how to respond, since they both knew what she meant. "Forgot" meant failure, and failure on that scale meant Holdfast’s ending must be very close. Had he done wrong? Was there a time when even the truth was inappropriate? He had never considered such a thing. At last, he broke the silence.

Lonely stillness—

a single cicada’s cry

sinking into stone.

An eon passed before she said, "What is that?" She seemed to barely have the energy to communicate now; even her unquenchable curiosity was muted by despair. "What is ‘cicada’?"

"An ancient life form. The words are a haiku, a ritualized form of thought, almost as distant in time as the sound they describe." Suddenly he wanted to tell her all he had been thinking. "I have been very interested in these words lately, Holdfast – or rather, this particular maker of words. He lived long ago, in the morning of intelligent life. He traveled across his world and he recorded thoughts that still exist. His name was Bashō."

"You always brought us so much," Holdfast said slowly.

Giant thought he could hear something in her words beyond despair, and this puzzled him, too. How could she change so quickly, unless it was just another symptom of her impending failure? "What do you mean?"

"You, Giant. You. Always you kept away from us, as if to tease us, but when you did speak you had such big thoughts, such interesting thoughts. Do you wonder we troubled you? That I trouble you still?" A mournful current moved through her essence. "I am sorry my idea was foolish. I will leave you alone now."

"Wait." Giant was confused. "What do you mean – that is why you troubled me?"

"Because you were our elder and we thought respectfully of you. Because your thoughts were longer and deeper than ours and you saw things that we younger ones couldn’t see. It inspired all of us – it inspired me to think in bigger ways, and I thought I was doing that here. But now I understand I am not merely foolishly optimistic, I am disordered. I’m sorry, Giant. I could not help myself. I thought I saw a gleam of hope and I reached out to it too quickly. I won’t trouble you again."

It was only after the connection had been broken that Giant realized it was he who had reached out to Holdfast in the first place. When he resumed his musings, it was in a solitude that no longer felt quite so much like something to be defended.

* * *

Near the end of his short life, Bashō had sensed his end coming – not that he had been overly attached to the thing called life. At the beginning of another ordered collection of poem-thoughts, he had written, "Within this temporal body composed of a hundred bones and nine holes there resides a spirit which, for lack of an adequate name, I think of as windblown. Like delicate drapery, it may be torn away and blown off by the least breeze."

How true that was, Giant thought – how like the way he felt about himself in this late hour. Windblown. Torn away by the smallest breeze. And so he would be, by the last breezes of the last act – the final dispersion of all that was Giant, into nothing, and nothing to follow.

Sick on my journey,

only my dreams will wander

these desolate moors

Bashō had written those words in his final days, and his followers had thought it would be his final utterance – a jisei as they called it, a death poem. And indeed the poet’s dreams had continued to wander after his physical end, father than he could have guessed: could there be a terrestrial moor more desolate than the cold reaches where Giant spun? But Bashō, as always, had embraced simplicity without actually being simple, Giant recognized. He had written another poem near the end, and it was these words that had captured Giant in a deeper way than almost any other. It floated through his thoughts so continuously (but without becoming more comprehensible) that he nearly forgot the labors that kept him alive, mending the tatters of his intrinsic field and stoking the dying embers of his hungry heart.

All along this road

not a single soul – only

autumn evening

Autumn evening, that was clear – the autumn of Bashō’s life, as it was now the late autumn of Giant’s. But "not a single soul" – did Bashō mean nobody else was on the road beside himself? Or that he himself did not exist, that ultimately there was the road and nothing else?

The narrow road… thought Giant, remembering the title that had confused but fascinated him. The Narrow Road to the Interior.

And as he considered, an idea came to him. Giant saw in his mind’s eye – no, he imagined, since it existed nowhere in his own memories – a flock of birds following one bird into night, but the travelers did not fear the dark because they were together. Because they followed a leader? No, because, they followed an idea.

Not a single soul – only autumn evening.

Am I on the narrow road? Giant suddenly wondered. Or am I myself the narrow road? And when I no longer think and feel and remember, will the road still exist?

* * *

Sustenance was all but gone, the universe approaching pure vacuum and complete entropic scatter. Giant could perceive himself growing smaller as he began to devour the last of his resources. His systems labored to keep something like normal efficiency, because he was seized with a strange determination to understand at the very last this thing that could not be understood, this tiny mystery which cast a shadow all the way to the end of everything. What was the narrow road? And why did it seem to matter so much?

Memories now came to him frequently as he spun in his dark course, his own as well as others’, confused images and ideas that did not seem to belong together. He felt again the flush of youth, of possibility, recalled Edgerunner and Light Drum and all the rest – at times he even forgot that they were gone, and spoke as if they still could hear him, despite the silence that was his only answer.

Sometimes he even imagined himself one of Bashō’s birds, wings beating as it dove forward into a darkening sky, conscious without seeing them that his kind were all around him, that they knew him and needed him. Alive, dead, present or memory, the differences became smaller and smaller to Giant as time’s edges frayed.

But Holdfast, who for a little while would remain both memory and present reality, wanted more. She wanted more than everything that had ever been, in fact. But how could that be? And what did it matter anyway, when Giant could not give it to her?

"… The day’s not long enough…" Basho had once written, a fragment abruptly surfacing through the swirl of Giant’s other thoughts. Why should he think of that poem now?

Then, as if he had fallen into one of the singularities of which Holdfast had spoken, the one-way heart of a dead star, Giant suddenly found himself in a new place, a new understanding. Suddenly at the end of everything, everything changed.

* * *

He waited so long for a response from her that the silence became frightening. With her smaller size and less powerful heart, Holdfast must be feeling the nearness of the end even more acutely than he did. How long since he had spoken to her? Had he waited too long? Giant sent out a more aggressive tendril of thought, half-fearful it would touch nothing, but at last he felt a dim flutter of response.

"… Yes?"

"You survive." His relief was surprisingly powerful, especially since that survival could only be temporary – a sliver of dying time. For the first time in perhaps his entire long life, Giant thought that being alone with his thoughts might not be what he most wanted. "You still live."

"After… a… fashion." Despite all, there was a touch of resigned amusement in her thought.

"I think at last I understand the poet," he said. "His collections of thoughts are ordered so they can be shared with others – but that is not the whole of it. No, the ordered thoughts are life. Do you understand? Perhaps not…" Faced with this most important idea, Giant could not find the correct expression he sought. "But I wish to share one of the creature Bashō’s thoughts with you. It is you, Holdfast – this thought is you. Listen:

All day long, singing,

yet the day’s not long enough

for the skylark’s song…

"Do you see? You have sung since you were made, but still you wish you could sing longer – even beyond the end of all singing and all songs."

When she spoke again, he realized how weak she was. "I… think… I… want…"

"Yes, and so do I, but time is dying. We must gather together what we have while we still can. You said the others like us are all gone. Does that mean their hearts have collapsed and dispersed, or simply that they no longer speak and understand?"

"I… don’t… understand… what…"

"I will explain, but I have not sought them out in so long I do not know how to find them. Show them to me – let me touch them through you. I am stronger than you, so let me reach out to see what remains."

Holdfast’s thoughts were very weak and chaotic. Giant had to use some of his own strength simply to help her cope with his presence, but together they were able to stabilize the connection long enough for him to reach out to the others.

They were still there, all of his kin, although nothing was left of his fellow travelers now but their hearts: the support systems had collapsed and their minds had run down like untended machines, too crippled ever to function again. But the hearts, the hearts still lived, the billions upon billions of points of nothing precisely balanced in their matrices, still ingesting when there was nothing left to ingest, still surviving on their own stores until the great cold forced even those most perfect constructs to give up their integrity and vanish.

"I am opening folds now," he told Holdfast, and in his mind’s eye he pictured himself calling out to her across the endless night as they flew side by side. "I am opening a fold for each of them. Give me what strength you have and I will bring their hearts through into myself. Into us." The energy to sustain even one such fold was almost beyond him, let alone so many, but Giant no longer needed to reserve any part of his own strength for the future. Still, the engines of his being were draining what was left of his resources so quickly that only moments remained to him, and he could feel Holdfast beginning to shred in the growing surge of forces, her thoughts now little more than tatters. "Be your name," he urged her. "Do not fail – not yet. Release will come."

"?" The question was so small, so stressed by the growing weight of the opening folds, that Giant barely caught it.

"Our hearts are meant to conserve what they hold," he explained. "That is why they create no new universes. But if we bring them all together at once, it could be that the buffers will break down. Much of what remains of the universe is inside us those hearts, and when the white gravity no longer keeps them apart, the black quanta should combine into a black hole of the old sort.

"Do you see? We may still make a way out of this universe, not for us, but for what we have gathered and been. As our hearts collapse together and their substance moves through the singularity, it should concentrate the energies into a near-infinite point until they are released again on the other side… and explosion of being. You and I and all our kind will give birth to a new universe after all, Holdfast – or dissolve in the trying." He paused, resisting dissolution until a crucial question was answered. "Do you consent, Holdfast? Will we do this?"

A whisper from far, far across the night sky. "Yes."

Giant narrowed the focus of the folds so the hearts would come together where Giant himself spun, but the effort was almost impossibly great. Still, Radiantsong, Thar the Great Question, Shifted, Bright Pilgrim, all of them existed again in that contracting moment, even if only in his memory, as he brought them back together inside himself.

But as the titan forces surged through him, stretching and curving him into impossible spaces, Giant abruptly realized that he was not strong enough to hold them all, to do what needed to be done. He had exceeded his physical limits and he was collapsing into chaos. He had failed…

Giant. I am still here. It was only a thought, but it was Holdfast’s thought, which she had somehow found the strength to send him. And although she could have nothing left to lend him, the mere knowledge that she existed somehow made him stronger.

Another instant was all he needed to absorb the last of his kin and their contained energies. He consumed the last of his own reserves, throwing every resource into the fires of his being so that he could perform this last duty of bringing them even closer together.

Duty? Even as he struggled with dying strength to hold the folds open, as the black hole froth of a thousand dark hearts and more flowed together, dissolving the boundaries between possibility and reality, he was suddenly alarmed by his own dying thoughts. Duty? What could that mean? His duty to others – his duty, somehow, to life? It was such a ludicrous, unlikely concept that Giant hesitated. Perhaps this entire unlikely idea was not revelation after all, but the madness of the end. Dying, Giant felt panic stealing his last strength. Did his intentions even make sense?

But though he had paused for only a tiny fraction of the pulse of the smallest energies, the forces he held were impossibly, immeasurably potent; even that sub-instant was enough for them to begin to break free of his control.

No! Giant could feel himself coming apart, dense as the universe’s beginning, hollow as a perfect vacuum. Life is weak, he told himself, but it struggles against all winds. Life is weak, but it is also strong.

But is it strong enough for this?

"A little longer – only a little longer, then you can rest," he told Holdfast, although he no longer knew if he was actually sending the thoughts or if she still existed to hear them. "You and the others followed a leader who flew always into darkness, and now you must follow him a little farther. Are you ready? It will take all that you have – and all that I have, too."

And then he could no longer speak at all. The emptied hearts of his kind, the remnants of all they had felt and thought and consumed, filled him to bursting and beyond. He held on until he felt something begin to tear at the center of everything and the pent energies rushed out into the unknown. He felt them all going then, even Holdfast whirling past like a leaf blown from a branch, like a bird flying suddenly with the wind instead of against it.

Farewell, he thought as his thoughts were stripped away and sent spinning down into the vortex after her. Farwell, dear Holdfast…!

And then she was gone, and Giant felt himself finally beginning to disappear, pulled to pieces, the pieces sucked into the same stream of rushing, exploding transfiguration.

Birds, vanishing…

The road…

… Not long enough…

… Dreams wandering the desolate moors…

The energies seemed self-sustaining now, the process of seeding a new universe safely underway, but Giant would never know for certain, any more than little Bashō could have known where his dreams would wander, and to whom. Big Giant, little Bashō – they were one and the same now, rushing down into the endless dark together. Would things begin again, as Holdfast had wished? If so, it would happen somewhere else, somewhere that even Giant could not imagine. After all, he had been given only the one universe and one short lifetime in which to study it.

Giant found he did not care. He had lived. He had thought, and those thoughts had created everything and nothing. In the end, he had learned at least one truth. Perhaps now something else would come after him, seeking truths of its own. Or perhaps not.

All along this road, he realized, not a single soul – only autumn evening.

The universe’s last poem ended as Giant ended, spun into a mist of possibility at what might have been the end of all things, or another beginning.

(2013)

Translated by Sam Hamill

THE GOLEM by Avram Davidson

The ever-elusive Avram Davidson, author of several notoriously half-told novels, was born in 1923 in Yonkers, New York. He joined the U.S. Navy in 1942. served as a medic in the newly-formed Israeli armed forces in 1948, then worked for a while as a shepherd. He added science fiction to his roster of crime and mystery fiction in the mid-1950s, and in 1962 assumed the editorship of Fantasy & Science Fiction. From the mid-1960s to the end of his life, Davidson did not publish a single regular novel. His short stories, on the other hand – especially those collected in Or All the Seas with Oysters (1962) and The Redward Edward Papers (1978) – consolidated his reputation as a significant, if frustratingly scattergun talent.

* * *

The grey-faced person came along the street where old Mr. and Mrs. Gumbeiner lived. It was afternoon, it was autumn, the sun was warm and soothing to their ancient bones. Anyone who attended the movies in the twenties or the early thirties has seen that street a thousand times. Past these bungalows with their half-double roofs Edmund Lowe walked arm-in-arm with Leatrice Joy and Harold Lloyd was chased by Chinamen waving hatchets. Under these squamous palm trees Laurel kicked Hardy and Woolsey beat Wheeler upon the head with a codfish. Across these pocket-handkerchief-sized lawns the juveniles of the Our Gang comedies pursued one another and were pursued by angry fat men in golf knickers. On this same street—or perhaps on some other one of five hundred streets exactly like it.

Mrs. Gumbeiner indicated the grey-faced person to her husband.

"You think maybe he’s got something the matter?" she asked. "He walks kind of funny, to me."

"Walks like a golem," Mr. Gumbeiner said indifferently.

The old woman was nettled.

"Oh, I don’t know," she said. "I think he walks like your cousin Mendel."

The old man pursed his mouth angrily and chewed on his pipestem. The grey-faced person turned up the concrete path, walked up the steps to the porch, sat down in a chair. Old Mr. Gumbeiner ignored him. His wife stared at the stranger.

"Man comes in without a hello, goodbye, or howareyou, sits himself down, and right away he’s at home… The chair is comfortable?" she asked. "Would you like maybe a glass of tea?"

She turned to her husband.

"Say something, Gumbeiner!" she demanded. "What are you, made of wood?"

The old man smiled a slow, wicked, triumphant smile.

"Why should I say anything?" he asked the air. "Who am I? Nothing, that’s who."

The stranger spoke. His voice was harsh and monotonous.

"When you learn who—or, rather, what—I am, the flesh will melt from your bones in terror." He bared porcelain teeth.

"Never mind about my bones!" the old woman cried. "You’ve got a lot of nerve talking about my bones!"

"You will quake with fear," said the stranger. Old Mrs. Gumbeiner said that she hoped he would live so long. She turned to her husband once again.

"Gumbeiner, when are you going to mow the lawn?"

"All mankind—" the stranger began.

"Shah! I’m talking to my husband… He talks eppis kind of funny, Gumbeiner, no?"

"Probably a foreigner," Mr. Gumbeiner said complacently.

"You think so?" Mrs. Gumbeiner glanced fleetingly at the stranger. "He’s got a very bad color in his face, nebbich, I suppose he came to California for his health."

"Disease, pain, sorrow, love, grief—all are nought to—"

Mr. Gumbeiner cut in on the stranger’s statement.

"Gall bladder," the old man said. "Guinzburg down at the shule looked exactly the same before his operation. Two professors they had in for him, and a private nurse day and night."

"I am not a human being!" the stranger said loudly.

"Three thousand seven hundred fifty dollars it cost his son, Guinzburg told me. ‘For you, Poppa, nothing is too expensive—only get well,’ the son told him."

"I am not a human being!"

"Ai, is that a son for you!" the old woman said, rocking her head. "A heart of gold, pure gold." She looked at the stranger. "All right, all right, I heard you the first time. Gumbeiner! I asked you a question. When are you going to cut the lawn?"

"On Wednesday, odder maybe Thursday, comes the Japaneser to the neighborhood. To cut lawns is his profession. My profession is to be a glazier—retired."

"Between me and all mankind is an inevitable hatred," the stranger said. "When I tell you what I am, the flesh will melt—"

"You said, you said already," Mr. Gumbeiner interrupted.

"In Chicago where the winters were as cold and bitter as the Czar of Russia’s heart," the old woman intoned, "you had strength to carry the frames with the glass together day in and day out. But in California with the golden sun to mow the lawn when your wife asks, for this you have no strength. Do I call in the Japaneser to cook for you supper?"

"Thirty years Professor Allardyce spent perfecting his theories. Electronics, neuronics—"

"Listen, how educated he talks," Mr. Gumbeiner said admiringly. "Maybe he goes to the University here?"

"If he goes to the University, maybe he knows Bud?" his wife suggested.

"Probably they’re in the same class and he came to see him about the homework, no?"

"Certainly he must be in the same class. How many classes are there? Five in ganzen: Bud showed me on his program card." She counted off on her fingers. "Television Appreciation and Criticism, Small Boat Building, Social Adjustment, The American Dance… The American Dance—nu, Gumbeiner—"

"Contemporary Ceramics," her husband said, relishing the syllables. "A fine boy, Bud. A pleasure to have him for a boarder."

"After thirty years spent in these studies," the stranger, who had continued to speak unnoticed, went on, "he turned from the theoretical to the pragmatic. In ten years’ time he had made the most titanic discovery in history: he made mankind, all mankind, superfluous; he made me."

"What did Tillie write in her last letter?" asked the old man.

The old woman shrugged.

"What should she write? The same thing. Sidney was home from the Army, Naomi has a new boyfriend—"

"He made ME!"

"Listen, Mr. Whatever-your-name-is," the old woman said, "maybe where you came from is different, but in this country you don’t interrupt people while they’re talking… Hey. Listen—what do you mean, he made you? What kind of talk is that?"

The stranger bared all his teeth again, exposing the too-pink gums.

"In his library, to which I had a more complete access after his sudden and as yet undiscovered death from entirely natural causes, I found a complete collection of stories about androids, from Shelley’s Frankenstein through Capek’s R.U.R. to Asimov’s—"

"Frankenstein?" said the old man with interest. "There used to be a Frankenstein who had the soda-wasser place on Halstead Street—a Litvack, nebbich."

"What are you talking?" Mrs. Gumbeiner demanded. "His name was Frankenthal, and it wasn’t on Halstead, it was on Roosevelt."

"—clearly shown that all mankind has an instinctive antipathy towards androids and there will be an inevitable struggle between them—"

"Of course, of course!" Old Mr. Gumbeiner clicked his teeth against his pipe. "I am always wrong, you are always right. How could you stand to be married to such a stupid person all this time?"

"I don’t know," the old woman said. "Sometimes I wonder, myself. I think it must be his good looks." She began to laugh. Old Mr. Gumbeiner blinked, then began to smile, then took his wife’s hand.

"Foolish old woman," the stranger said. "Why do you laugh? Do you not know I have come to destroy you?"

"What?" old Mr. Gumbeiner shouted. "Close your mouth, you!" He darted from his chair and struck the stranger with the flat of his hand. The stranger’s head struck against the porch pillar and bounced back.

"When you talk to my wife, talk respectable, you hear?"

Old Mrs. Gumbeiner, cheeks very pink, pushed her husband back to his chair. Then she leaned forward and examined the stranger’s head. She clicked her tongue as she pulled aside a flap of grey, skinlike material.

"Gumbeiner, look! He’s all springs and wires inside!"

"I told you he was a golem, but no, you wouldn’t listen," the old man said.

"You said he walked like a golem."

"How could he walk like a golem unless he was one?"

"All right, all right… You broke him, so now fix him."

"My grandfather, his light shines from Paradise, told me that when MoHaRal—Moreynu Ha-Rav Löw—his memory for a blessing, made the golem in Prague, three hundred? four hundred years ago? he wrote on his forehead the Holy Name."

Smiling reminiscently, the old woman continued, "And the golem cut the rabbi’s wood and brought his water and guarded the ghetto."

"And one time only he disobeyed the Rabbi Löw, and Rabbi Löw erased the Shem Ha-Mephorash from the golem‘s forehead and the golem fell down like a dead one. And they put him up in the attic of the shule, and he’s still there today if the Communisten haven’t sent him to Moscow… This is not just a story," he said.

"Avadda not!" said the old woman.

"I myself have seen both the shule and the rabbi’s grave," her husband said conclusively.

"But I think this must be a different kind of golem, Gumbeiner. See, on his forehead; nothing written."

"What’s the matter, there’s a law I can’t write something there? Where is that lump of clay Bud brought us from his class?"

The old man washed his hands, adjusted his little black skull-cap, and slowly and carefully wrote four Hebrew letters on the grey forehead.

"Ezra the Scribe himself couldn’t do better," the old woman said admiringly. "Nothing happens," she observed, looking at the lifeless figure sprawled in the chair.

"Well, after all, am I Rabbi Löw?" her husband asked deprecatingly. "No," he answered. He leaned over and examined the exposed mechanism. "This spring goes here… this wire comes with this one…" The figure moved. "But this one goes where? And this one?"

"Let be," said his wife. The figure sat up slowly and rolled its eyes loosely.

"Listen, Reb Golem," the old man said, wagging his finger. "Pay attention to what I say—you understand?"

"Understand…"

"If you want to stay here, you got to do like Mr. Gumbeiner says."

"Do-like-Mr.-Gumbeiner-says…"

"That’s the way I like to hear a golem talk. Malka, give here the mirror from the pocketbook. Look, you see your face? You see the forehead, what’s written? If you don’t do like Mr. Gumbeiner says, he’ll wipe out what’s written and you’ll be no more alive."

"No-more-alive…"

"That’s right. Now, listen. Under the porch you’ll find a lawnmower. Take it. And cut the lawn. Then come back. Go."

"Go…" The figure shambled down the stairs. Presently the sound of the lawnmower whirred through the quiet air in the street just like the street where Jackie Cooper shed huge tears on Wallace Beery’s shirt and Chester Conklin rolled his eyes at Marie Dressler.

"So what will you write to Tillie?" old Mr. Gumbeiner asked.

"What should I write?" old Mrs. Gumbeiner shrugged. "I’ll write that the weather is lovely out here and that we are both, Blessed be the Name, in good health."

The old man nodded his head slowly, and they sat together on the front porch in the warm afternoon sun.

(1955)

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