Winesburg, Ohio

Left with but a small income, Virginia Richmond had settled down to a retired life in the village and to the raising of her son. Although she had been deeply moved by the death of the husband and father, she did not at all believe the stories concerning him that ran about after his death. To her mind, the sensitive, boyish man whom all had instinctively loved, was but an unfortunate, a being too fine for everyday life. "You'll be hearing all sorts of stories, but you are not to believe what you hear," she said to her son. "He was a good man, full of tenderness for everyone, and should not have tried to be a man of affairs. No matter how much I were to plan and dream of your future, I could not imagine anything better for you than that you turn out as good a man as your father."

Several years after the death of her husband, Virginia Richmond had become alarmed at the growing demands upon her income and had set herself to the task of increasing it. She had learned stenography and through the influence of her husband's friends got the position of court stenographer at the county seat. There she went by train each morning during the sessions of the court, and when no court sat, spent her days working among the rosebushes in her garden. She was a tall, straight figure of a woman with a plain face and a great mass of brown hair.

In the relationship between Seth Richmond and his mother, there was a quality that even at eighteen had begun to color all of his traffic with men. An almost unhealthy respect for the youth kept the mother for the most part silent in his presence. When she did speak sharply to him he had only to look steadily into her eyes to see dawning there the puzzled look he had already noticed in the eyes of others when he looked at them.

The truth was that the son thought with remarkable clearness and the mother did not. She expected from all people certain conventional reactions to life. A boy was your son, you scolded him and he trembled and looked at the floor. When you had scolded enough he wept and all was forgiven. After the weeping and when he had gone to bed, you crept into his room and kissed him.

Virginia Richmond could not understand why her son did not do these things. After the severest reprimand, he did not tremble and look at the floor but instead looked steadily at her, causing uneasy doubts to invade her mind. As for creeping into his room-after Seth had passed his fifteenth year, she would have been half afraid to do anything of the kind.

Once when he was a boy of sixteen, Seth in company with two other boys ran away from home. The three boys climbed into the open door of an empty freight car and rode some forty miles to a town where a fair was being held. One of the boys had a bottle filled with a combination of whiskey and blackberry wine, and the three sat with legs dangling out of the car door drinking from the bottle. Seth's two companions sang and waved their hands to idlers about the stations of the towns through which the train passed. They planned raids upon the baskets of farmers who had come with their families to the fair. "We will five like kings and won't have to spend a penny to see the fair and horse races," they declared boastfully.

After the disappearance of Seth, Virginia Richmond walked up and down the floor of her home filled with vague alarms. Although on the next day she discovered, through an inquiry made by the town marshal, on what adventure the boys had gone, she could not quiet herself. All through the night she lay awake hearing the clock tick and telling herself that Seth, like his father, would come to a sudden and violent end. So determined was she that the boy should this time feel the weight of her wrath that, although she would not allow the marshal to interfere with his adventure, she got out a pencil and paper and wrote down a series of sharp, stinging reproofs she intended to pour out upon him. The reproofs she committed to memory, going about the garden and saying them aloud like an actor memorizing his part.

And when, at the end of the week, Seth returned, a little weary and with coal soot in his ears and about his eyes, she again found herself unable to reprove him. Walking into the house he hung his cap on a nail by the kitchen door and stood looking steadily at her. "I wanted to turn back within an hour after we had started," he explained. "I didn't know what to do. I knew you would be bothered, but I knew also that if I didn't go on I would be ashamed of myself. I went through with the thing for my own good. It was uncomfortable, sleeping on wet straw, and two drunken Negr—s came and slept with us. When I stole a lunch basket out of a farmer's wagon I couldn't help thinking of his children going all day without food. I was sick of the whole affair, but I was determined to stick it out until the other boys were ready to come back."

"I'm glad you did stick it out," replied the mother, half resentfully, and kissing him upon the forehead pretended to busy herself with the work about the house.

On a summer evening Seth Richmond went to the New Willard House to visit his friend, George Willard. It had rained during the afternoon, but as he walked through Main Street, the sky had partially cleared and a golden glow lit up the west. Going around a corner, he turned in at the door of the hotel and began to climb the stairway leading up to his friend's room. In the hotel office the proprietor and two traveling men were engaged in a discussion of politics.

On the stairway Seth stopped and listened to the voices of the men below. They were excited and talked rapidly. Tom Willard was berating the traveling men. "I am a Democrat but your talk makes me sick," he said. "You don't understand McKinley. McKinley and Mark Hanna are friends. It is impossible perhaps for your mind to grasp that. If anyone tells you that a friendship can be deeper and bigger and more worth while than dollars and cents, or even more worth while than state politics, you snicker and laugh."

The landlord was interrupted by one of the guests, a tall, grey-mustached man who worked for a wholesale grocery house. "Do you think that I've lived in Cleveland all these years without knowing Mark Hanna?" he demanded. "Your talk is piffle. Hanna is after money and nothing else. This McKinley is his tool. He has McKinley bluffed and don't you forget it."

The young man on the stairs did not linger to hear the rest of the discussion, but went on up the stairway and into the little dark hall. Something in the voices of the men talking in the hotel office started a chain of thoughts in his mind. He was lonely and had begun to think that loneliness was a part of his character, something that would always stay with him. Stepping into a side hall he stood by a window that looked into an alleyway. At the back of his shop stood Abner Groff, the town baker. His tiny bloodshot eyes looked up and down the alleyway. In his shop someone called the baker, who pretended not to hear. The baker had an empty milk bottle in his hand and an angry sullen look in his eyes.

In Winesburg, Seth Richmond was called the "deep one." "He's like his father," men said as he went through the streets. "He'll break out some of these days. You wait and see."

The talk of the town and the respect with which men and boys instinctively greeted him, as all men greet silent people, had affected Seth Richmond's outlook on life and on himself. He, like most boys, was deeper than boys are given credit for being, but he was not what the men of the town, and even his mother, thought him to be. No great underlying purpose lay back of his habitual silence, and he had no definite plan for his life. When the boys with whom he associated were noisy and quarrelsome, he stood quietly at one side. With calm eyes he watched the gesticulating lively figures of his companions. He wasn't particularly interested in what was going on, and sometimes wondered if he would ever be particularly interested in anything. Now, as he stood in the half-darkness by the window watching the baker, he wished that he himself might become thoroughly stirred by something, even by the fits of sullen anger for which Baker Groff was noted. "It would be better for me if I could become excited and wrangle about politics like windy old Tom Willard," he thought, as he left the window and went again along the hallway to the room occupied by his friend, George Willard.

George Willard was older than Seth Richmond, but in the rather odd friendship between the two, it was he who was forever courting and the younger boy who was being courted. The paper on which George worked had one policy. It strove to mention by name in each issue, as many as possible of the inhabitants of the village. Like an excited dog, George Willard ran here and there, noting on his pad of paper who had gone on business to the county seat or had returned from a visit to a neighboring village. All day he wrote little facts upon the pad. "A. P. Wringlet had received a shipment of straw hats. Ed Byerbaum and Tom Marshall were in Cleveland Friday. Uncle Tom Sinnings is building a new barn on his place on the Valley Road."

The idea that George Willard would some day become a writer had given him a place of distinction in Winesburg, and to Seth Richmond he talked continually of the matter, "It's the easiest of all lives to live," he declared, becoming excited and boastful. "Here and there you go and there is no one to boss you. Though you are in India or in the South Seas in a boat, you have but to write and there you are. Wait till I get my name up and then see what fun I shall have."

In George Willard's room, which had a window looking down into an alleyway and one that looked across railroad tracks to Biff Carter's Lunch Room facing the railroad station, Seth Richmond sat in a chair and looked at the floor. George Willard, who had been sitting for an hour idly playing with a lead pencil, greeted him effusively. "I've been trying to write a love story," he explained, laughing nervously. Lighting a pipe he began walking up and down the room. "I know what I'm going to do. I'm going to fall in love. I've been sitting here and thinking it over and I'm going to do it."

As though embarrassed by his declaration, George went to a window and turning his back to his friend leaned out. "I know who I'm going to fall in love with," he said sharply. "It's Helen White. She is the only girl in town with any 'get-up' to her."

Struck with a new idea, young Willard turned and walked toward his visitor. "Look here," he said. "You know Helen White better than I do. I want you to tell her what I said. You just get to talking to her and say that I'm in love with her. See what she says to that. See how she takes it, and then you come and tell me."

Seth Richmond arose and went toward the door. The words of his comrade irritated him unbearably. "Well, good-bye," he said briefly.

George was amazed. Running forward he stood in the darkness trying to look into Seth's face. "What's the matter? What are you going to do? You stay here and let's talk," he urged.

A wave of resentment directed against his friend, the men of the town who were, he thought, perpetually talking of nothing, and most of all, against his own habit of silence, made Seth half desperate. "Aw, speak to her yourself," he burst forth and then, going quickly through the door, slammed it sharply in his friend's face. "I'm going to find Helen White and talk to her, but not about him," he muttered.

Seth went down the stairway and out at the front door of the hotel muttering with wrath. Crossing a little dusty street and climbing a low iron railing, he went to sit upon the grass in the station yard. George Willard he thought a profound fool, and he wished that he had said so more vigorously. Although his acquaintanceship with Helen White, the banker's daughter, was outwardly but casual, she was often the subject of his thoughts and he felt that she was something private and personal to himself. "The busy fool with his love stories," he muttered, staring back over his shoulder at George Willard's room, "why d—s he never tire of his eternal talking."

It was berry harvest time in Winesburg and upon the station platform men and boys loaded the boxes of red, fragrant berries into two express cars that stood upon the siding. A June moon was in the sky, although in the west a storm threatened, and no street lamps were lighted. In the dim light the figures of the men standing upon the express truck and pitching the boxes in at the doors of the cars were but dimly discernible. Upon the iron railing that protected the station lawn sat other men. Pipes were lighted. Village jokes went back and forth. Away in the distance a train whistled and the men loading the boxes into the cars worked with renewed activity.

Seth arose from his place on the grass and went silently past the men perched upon the railing and into Main Street. He had come to a resolution. "I'll get out of here," he told himself. "What good am I here? I'm going to some city and go to work. I'll tell mother about it tomorrow."

Seth Richmond went slowly along Main Street, past Wacker's Cigar Store and the Town Hall, and into Buckeye Street. He was depressed by the thought that he was not a part of the life in his own town, but the depression did not cut deeply as he did not think of himself as at fault. In the heavy shadows of a big tree before Doctor Welling's house, he stopped and stood watching half-witted Turk Smollet, who was pushing a wheelbarrow in the road. The old man with his absurdly boyish mind had a dozen long boards on the wheelbarrow, and, as he hurried along the road, balanced the load with extreme nicety. "Easy there, Turk! Steady now, old boy!" the old man shouted to himself, and laughed so that the load of boards rocked dangerously.

Seth knew Turk Smollet, the half dangerous old wood chopper whose peculiarities added so much of color to the life of the village. He knew that when Turk got into Main Street he would become the center of a whirlwind of cries and comments, that in truth the old man was going far out of his way in order to pass through Main Street and exhibit his skill in wheeling the boards. "If George Willard were here, he'd have something to say," thought Seth. "George belongs to this town. He'd shout at Turk and Turk would shout at him. They'd both be secretly pleased by what they had said. It's different with me. I don't belong. I'll not make a fuss about it, but I'm going to get out of here."

Seth stumbled forward through the half-darkness, feeling himself an outcast in his own town. He began to pity himself, but a sense of the absurdity of his thoughts made him smile. In the end he decided that he was simply old beyond his years and not at all a subject for self-pity. "I'm made to go to work. I may be able to make a place for myself by steady working, and I might as well be at it," he decided.

Seth went to the house of Banker White and stood in the darkness by the front door. On the door hung a heavy brass knocker, an innovation introduced into the village by Helen White's mother, who had also organized a women's club for the study of p—try. Seth raised the knocker and let it fall. Its heavy clatter sounded like a report from distant guns. "How awkward and foolish I am," he thought. "If Mrs. White comes to the door, I won't know what to say."

It was Helen White who came to the door and found Seth standing at the edge of the porch. Blushing with pleasure, she stepped forward, closing the door softly. "I'm going to get out of town. I don't know what I'll do, but I'm going to get out of here and go to work. I think I'll go to Columbus," he said. "Perhaps I'll get into the State University down there. Anyway, I'm going. I'll tell mother tonight." He hesitated and looked doubtfully about. "Perhaps you wouldn't mind coming to walk with me?"

Seth and Helen walked through the streets beneath the trees. Heavy clouds had drifted across the face of the moon, and before them in the deep twilight went a man with a short ladder upon his shoulder. Hurrying forward, the man stopped at the street crossing and, putting the ladder against the wooden lamp-post, lighted the village lights so that their way was half lighted, half darkened, by the lamps and by the deepening shadows cast by the low-branched trees. In the tops of the trees the wind began to play, disturbing the sleeping birds so that they flew about calling plaintively. In the lighted space before one of the lamps, two bats wheeled and circled, pursuing the gathering swarm of night flies.

Since Seth had been a boy in knee trousers there had been a half expressed intimacy between him and the maiden who now for the first time walked beside him. For a time she had been beset with a madness for writing notes which she addressed to Seth. He had found them concealed in his books at school and one had been given him by a child met in the street, while several had been delivered through the village post office.

The notes had been written in a round, boyish hand and had reflected a mind inflamed by novel reading. Seth had not answered them, although he had been moved and flattered by some of the sentences scrawled in pencil upon the stationery of the banker's wife. Putting them into the pocket of his coat, he went through the street or stood by the fence in the school yard with something burning at his side. He thought it fine that he should be thus selected as the favorite of the richest and most attractive girl in town.

Helen and Seth stopped by a fence near where a low dark building faced the street. The building had once been a factory for the making of barrel staves but was now vacant. Across the street upon the porch of a house a man and woman talked of their childhood, their voices coming dearly across to the half-embarrassed youth and maiden. There was the sound of scraping chairs and the man and woman came down the gravel path to a wooden gate. Standing outside the gate, the man leaned over and kissed the woman. "For old times' sake," he said and, turning, walked rapidly away along the sidewalk.

"That's Belle Turner," whispered Helen, and put her hand boldly into Seth's hand. "I didn't know she had a fellow. I thought she was too old for that." Seth laughed uneasily. The hand of the girl was warm and a strange, dizzy feeling crept over him. Into his mind came a desire to tell her something he had been determined not to tell. "George Willard's in love with you," he said, and in spite of his agitation his voice was low and quiet. "He's writing a story, and he wants to be in love. He wants to know how it feels. He wanted me to tell you and see what you said."

Again Helen and Seth walked in silence. They came to the garden surrounding the old Richmond place and going through a gap in the hedge sat on a wooden bench beneath a bush.

On the street as he walked beside the girl new and daring thoughts had come into Seth Richmond's mind. He began to regret his decision to get out of town. "It would be something new and altogether delightful to remain and walk often through the streets with Helen White," he thought. In imagination he saw himself putting his arm about her waist and feeling her arms clasped tightly about his neck. One of those odd combinations of events and places made him connect the idea of love-making with this girl and a spot he had visited some days before. He had gone on an errand to the house of a farmer who lived on a hillside beyond the Fair Ground and had returned by a path through a field. At the foot of the hill below the farmer's house Seth had stopped beneath a sycamore tree and looked about him. A soft humming noise had greeted his ears. For a moment he had thought the tree must be the home of a swarm of bees.

And then, looking down, Seth had seen the bees everywhere all about him in the long grass. He stood in a mass of weeds that grew waist-high in the field that ran away from the hillside. The weeds were abloom with tiny purple blossoms and gave forth an overpowering fragrance. Upon the weeds the bees were gathered in armies, singing as they worked.

Seth imagined himself lying on a summer evening, buried deep among the weeds beneath the tree. Beside him, in the scene built in his fancy, lay Helen White, her hand lying in his hand. A peculiar reluctance kept him from kissing her lips, but he felt he might have done that if he wished. Instead, he lay perfectly still, looking at her and listening to the army of bees that sang the sustained masterful song of labor above his head.

On the bench in the garden Seth stirred uneasily. Releasing the hand of the girl, he thrust his hands into his trouser pockets. A desire to impress the mind of his companion with the importance of the resolution he had made came over him and he nodded his head toward the house. "Mother'll make a fuss, I suppose," he whispered. "She hasn't thought at all about what I'm going to do in life. She thinks I'm going to stay on here forever just being a boy."

Seth's voice became charged with boyish earnestness. "You see, I've got to strike out. I've got to get to work. It's what I'm good for."

Helen White was impressed. She nodded her head and a feeling of admiration swept over her. "This is as it should be," she thought. "This boy is not a boy at all, but a strong, purposeful man." Certain vague desires that had been invading her body were swept away and she sat up very straight on the bench. The thunder continued to rumble and flashes of heat lightning lit up the eastern sky. The garden that had been so mysterious and vast, a place that with Seth beside her might have become the background for strange and wonderful adventures, now seemed no more than an ordinary Winesburg back yard, quite definite and limited in its outlines.

"What will you do up there?" she whispered.

Seth turned half around on the bench, striving to see her face in the darkness. He thought her infinitely more sensible and straightforward than George Willard, and was glad he had come away from his friend. A feeling of impatience with the town that had been in his mind returned, and he tried to tell her of it. "Everyone talks and talks," he began. "I'm sick of it. I'll do something, get into some kind of work where talk don't count. Maybe I'll just be a mechanic in a shop. I don't know. I guess I don't care much. I just want to work and keep quiet. That's all I've got in my mind."

Seth arose from the bench and put out his hand. He did not want to bring the meeting to an end but could not think of anything more to say. "It's the last time we'll see each other," he whispered.

A wave of sentiment swept over Helen. Putting her hand upon Seth's shoulder, she started to draw his face down toward her own upturned face. The act was one of pure affection and cutting regret that some vague adventure that had been present in the spirit of the night would now never be realized. "I think I'd better be going along," she said, letting her hand fall heavily to her side. A thought came to her. "Don't you go with me; I want to be alone," she said. "You go and talk with your mother. You'd better do that now."

Seth hesitated and, as he stood waiting, the girl turned and ran away through the hedge. A desire to run after her came to him, but he only stood staring, perplexed and puzzled by her action as he had been perplexed and puzzled by all of the life of the town out of which she had come. Walking slowly toward the house, he stopped in the shadow of a large tree and looked at his mother sitting by a lighted window busily sewing. The feeling of loneliness that had visited him earlier in the evening returned and colored his thoughts of the adventure through which he had just passed. "Huh!" he exclaimed, turning and staring in the direction taken by Helen White. "That's how things'll turn out. She'll be like the rest. I suppose she'll begin now to look at me in a funny way." He looked at the ground and pondered this thought. "She'll be embarrassed and feel strange when I'm around," he whispered to himself. "That's how it'll be. That's how everything'll turn out. When it comes to loving someone, it won't never be me. It'll be someone else-some fool-someone who talks a lot-someone like that George Willard."

Tandy

Until she was seven years old she lived in an old unpainted house on an unused road that led off Trunion Pike. Her father gave her but little attention and her mother was dead. The father spent his time talking and thinking of religion. He proclaimed himself an agnostic and was so absorbed in destroying the ideas of God that had crept into the minds of his neighbors that he never saw God manifesting himself in the little child that, half forgotten, lived here and there on the bounty of her dead mother's relatives.

A stranger came to Winesburg and saw in the child what the father did not see. He was a tall, redhaired young man who was almost always drunk. Sometimes he sat in a chair before the New Willard House with Tom Hard, the father. As Tom talked, declaring there could be no God, the stranger smiled and winked at the bystanders. He and Tom became friends and were much together.

The stranger was the son of a rich merchant of Cleveland and had come to Winesburg on a mission. He wanted to cure himself of the habit of drink, and thought that by escaping from his city associates and living in a rural community he would have a better chance in the struggle with the appetite that was destroying him.

His sojourn in Winesburg was not a success. The dullness of the passing hours led to his drinking harder than ever. But he did succeed in doing something. He gave a name rich with meaning to Tom Hard's daughter.

One evening when he was recovering from a long debauch the stranger came reeling along the main street of the town. Tom Hard sat in a chair before the New Willard House with his daughter, then a child of five, on his knees. Beside him on the board sidewalk sat young George Willard. The stranger dropped into a chair beside them. His body shook and when he tried to talk his voice trembled.

It was late evening and darkness lay over the town and over the railroad that ran along the foot of a little incline before the hotel. Somewhere in the distance, off to the west, there was a prolonged blast from the whistle of a passenger engine. A dog that had been sleeping in the roadway arose and barked. The stranger began to babble and made a prophecy concerning the child that lay in the arms of the agnostic.

"I came here to quit drinking," he said, and tears began to run down his cheeks. He did not look at Tom Hard, but leaned forward and stared into the darkness as though seeing a vision. "I ran away to the country to be cured, but I am not cured. There is a reason." He turned to look at the child who sat up very straight on her father's knee and returned the look.

The stranger touched Tom Hard on the arm. "Drink is not the only thing to which I am addicted," he said. "There is something else. I am a lover and have not found my thing to love. That is a big point if you know enough to realize what I mean. It makes my destruction inevitable, you see. There are few who understand that."

The stranger became silent and seemed overcome with sadness, but another blast from the whistle of the passenger engine aroused him. "I have not lost faith. I proclaim that. I have only been brought to the place where I know my faith will not be realized," he declared hoarsely. He looked hard at the child and began to address her, paying no more attention to the father. "There is a woman coming," he said, and his voice was now sharp and earnest. "I have missed her, you see. She did not come in my time. You may be the woman. It would be like fate to let me stand in her presence once, on such an evening as this, when I have destroyed myself with drink and she is as yet only a child."

The shoulders of the stranger shook violently, and when he tried to roll a cigarette the paper fell from his trembling fingers. He grew angry and scolded. "They think it's easy to be a woman, to be loved, but I know better," he declared. Again he turned to the child. "I understand," he cried. "Perhaps of all men I alone understand."

His glance again wandered away to the darkened street. "I know about her, although she has never crossed my path," he said softly. "I know about her struggles and her defeats. It is because of her defeats that she is to me the lovely one. Out of her defeats has been born a new quality in woman. I have a name for it. I call it Tandy. I made up the name when I was a true dreamer and before my body became vile. It is the quality of being strong to be loved. It is something men need from women and that they do not get."

The stranger arose and stood before Tom Hard. His body rocked back and forth and he seemed about to fall, but instead he dropped to his knees on the sidewalk and raised the hands of the little girl to his drunken lips. He kissed them ecstatically. "Be Tandy, little one," he pleaded. "Dare to be strong and courageous. That is the road. Venture anything. Be brave enough to dare to be loved. Be something more than man or woman. Be Tandy."

The stranger arose and staggered off down the street. A day or two later he got aboard a train and returned to his home in Cleveland. On the summer evening, after the talk before the hotel, Tom Hard took the girl child to the house of a relative where she had been invited to spend the night. As he went along in the darkness under the trees he forgot the babbling voice of the stranger and his mind returned to the making of arguments by which he might destroy men's faith in God. He spoke his daughter's name and she began to weep.

"I don't want to be called that," she declared. "I want to be called Tandy-Tandy Hard." The child wept so bitterly that Tom Hard was touched and tried to comfort her. He stopped beneath a tree and, taking her into his arms, began to caress her. "Be good, now," he said sharply; but she would not be quieted. With childish abandon she gave herself over to grief, her voice breaking the evening stillness of the street. "I want to be Tandy. I want to be Tandy. I want to be Tandy Hard," she cried, shaking her head and sobbing as though her young strength were not enough to bear the vision the words of the drunkard had brought to her.

The Strength Of God

The Reverend Curtis Hartman was pastor of the Presbyterian Church of Winesburg, and had been in that position ten years. He was forty years old, and by his nature very silent and reticent. To preach, standing in the pulpit before the people, was always a hardship for him and from Wednesday morning until Saturday evening he thought of nothing but the two sermons that must be preached on Sunday. Early on Sunday morning he went into a little room called a study in the bell tower of the church and prayed. In his prayers there was one note that always predominated. "Give me strength and courage for Thy work, O Lord!" he pleaded, kneeling on the bare floor and bowing his head in the presence of the task that lay before him.

The Reverend Hartman was a tall man with a brown beard. His wife, a stout, nervous woman, was the daughter of a manufacturer of underwear at Cleveland, Ohio. The minister himself was rather a favorite in the town. The elders of the church liked him because he was quiet and unpretentious and Mrs. White, the banker's wife, thought him scholarly and refined.

The Presbyterian Church held itself somewhat aloof from the other churches of Winesburg. It was larger and more imposing and its minister was better paid. He even had a carriage of his own and on summer evenings sometimes drove about town with his wife. Through Main Street and up and down Buckeye Street he went, bowing gravely to the people, while his wife, afire with secret pride, looked at him out of the corners of her eyes and worried lest the horse become frightened and run away.

For a good many years after he came to Winesburg things went well with Curtis Hartman. He was not one to arouse keen enthusiasm among the worshippers in his church but on the other hand he made no enemies. In reality he was much in earnest and sometimes suffered prolonged periods of remorse because he could not go crying the word of God in the highways and byways of the town. He wondered if the flame of the spirit really burned in him and dreamed of a day when a strong sweet new current of power would come like a great wind into his voice and his soul and the people would tremble before the spirit of God made manifest in him. "I am a poor stick and that will never really happen to me," he mused dejectedly, and then a patient smile lit up his features. "Oh well, I suppose I'm doing well enough," he added philosophically.

The room in the bell tower of the church, where on Sunday mornings the minister prayed for an increase in him of the power of God, had but one window. It was long and narrow and swung outward on a hinge like a door. On the window, made of little leaded panes, was a design showing the Christ laying his hand upon the head of a child. One Sunday morning in the summer as he sat by his desk in the room with a large Bible opened before him, and the sheets of his sermon scattered about, the minister was shocked to see, in the upper room of the house next door, a woman lying in her bed and smoking a cigarette while she read a book. Curtis Hartman went on tipt— to the window and closed it softly. He was horror stricken at the thought of a woman smoking and trembled also to think that his eyes, just raised from the pages of the book of God, had looked upon the bare shoulders and white throat of a woman. With his brain in a whirl he went down into the pulpit and preached a long sermon without once thinking of his gestures or his voice. The sermon attracted unusual attention because of its power and clearness. "I wonder if she is listening, if my voice is carrying a message into her soul," he thought and began to hope that on future Sunday mornings he might be able to say words that would touch and awaken the woman apparently far gone in secret sin.

The house next door to the Presbyterian Church, through the windows of which the minister had seen the sight that had so upset him, was occupied by two women. Aunt Elizabeth Swift, a grey competent-looking widow with money in the Winesburg National Bank, lived there with her daughter Kate Swift, a school teacher. The school teacher was thirty years old and had a neat trim-looking figure. She had few friends and bore a reputation of having a sharp tongue. When he began to think about her, Curtis Hartman remembered that she had been to Europe and had lived for two years in New York City. "Perhaps after all her smoking means nothing," he thought. He began to remember that when he was a student in college and occasionally read novels, good although somewhat worldly women, had smoked through the pages of a book that had once fallen into his hands. With a rush of new determination he worked on his sermons all through the week and forgot, in his zeal to reach the ears and the soul of this new listener, both his embarrassment in the pulpit and the necessity of prayer in the study on Sunday mornings.

Reverend Hartman's experience with women had been somewhat limited. He was the son of a wagon maker from Muncie, Indiana, and had worked his way through college. The daughter of the underwear manufacturer had boarded in a house where he lived during his school days and he had married her after a formal and prolonged courtship, carried on for the most part by the girl herself. On his marriage day the underwear manufacturer had given his daughter five thousand dollars and he promised to leave her at least twice that amount in his will. The minister had thought himself fortunate in marriage and had never permitted himself to think of other women. He did not want to think of other women. What he wanted was to do the work of God quietly and earnestly.

In the soul of the minister a struggle awoke. From wanting to reach the ears of Kate Swift, and through his sermons to delve into her soul, he began to want also to look again at the figure lying white and quiet in the bed. On a Sunday morning when he could not sleep because of his thoughts he arose and went to walk in the streets. When he had gone along Main Street almost to the old Richmond place he stopped and picking up a stone rushed off to the room in the bell tower. With the stone he broke out a corner of the window and then locked the door and sat down at the desk before the open Bible to wait. When the shade of the window to Kate Swift's room was raised he could see, through the hole, directly into her bed, but she was not there. She also had arisen and had gone for a walk and the hand that raised the shade was the hand of Aunt Elizabeth Swift.

The minister almost wept with joy at this deliverance from the carnal desire to "peep" and went back to his own house praising God. In an ill moment he forgot, however, to stop the hole in the window. The piece of glass broken out at the corner of the window just nipped off the bare heel of the boy standing motionless and looking with rapt eyes into the face of the Christ.

Curtis Hartman forgot his sermon on that Sunday morning. He talked to his congregation and in his talk said that it was a mistake for people to think of their minister as a man set aside and intended by nature to lead a blameless life. "Out of my own experience I know that we, who are the ministers of God's word, are beset by the same temptations that assail you," he declared. "I have been tempted and have surrendered to temptation. It is only the hand of God, placed beneath my head, that has raised me up. As he has raised me so also will he raise you. Do not despair. In your hour of sin raise your eyes to the skies and you will be again and again saved."

Resolutely the minister put the thoughts of the woman in the bed out of his mind and began to be something like a lover in the presence of his wife. One evening when they drove out together he turned the horse out of Buckeye Street and in the darkness on Gospel Hill, above Waterworks Pond, put his arm about Sarah Hartman's waist. When he had eaten breakfast in the morning and was ready to retire to his study at the back of his house he went around the table and kissed his wife on the cheek. When thoughts of Kate Swift came into his head, he smiled and raised his eyes to the skies. "Intercede for me, Master," he muttered, "keep me in the narrow path intent on Thy work."

And now began the real struggle in the soul of the brown-bearded minister. By chance he discovered that Kate Swift was in the habit of lying in her bed in the evenings and reading a book. A lamp stood on a table by the side of the bed and the light streamed down upon her white shoulders and bare throat. On the evening when he made the discovery the minister sat at the desk in the dusty room from nine until after eleven and when her light was put out stumbled out of the church to spend two more hours walking and praying in the streets. He did not want to kiss the shoulders and the throat of Kate Swift and had not allowed his mind to dwell on such thoughts. He did not know what he wanted. "I am God's child and he must save me from myself," he cried, in the darkness under the trees as he wandered in the streets. By a tree he stood and looked at the sky that was covered with hurrying clouds. He began to talk to God intimately and closely. "Please, Father, do not forget me. Give me power to go tomorrow and repair the hole in the window. Lift my eyes again to the skies. Stay with me, Thy servant, in his hour of need."

Up and down through the silent streets walked the minister and for days and weeks his soul was troubled. He could not understand the temptation that had come to him nor could he fathom the reason for its coming. In a way he began to blame God, saying to himself that he had tried to keep his feet in the true path and had not run about seeking sin. "Through my days as a young man and all through my life here I have gone quietly about my work," he declared. "Why now should I be tempted? What have I done that this burden should be laid on me?"

Three times during the early fall and winter of that year Curtis Hartman crept out of his house to the room in the bell tower to sit in the darkness looking at the figure of Kate Swift lying in her bed and later went to walk and pray in the streets. He could not understand himself. For weeks he would go along scarcely thinking of the school teacher and telling himself that he had conquered the carnal desire to look at her body. And then something would happen. As he sat in the study of his own house, hard at work on a sermon, he would become nervous and begin to walk up and down the room. "I will go out into the streets," he told himself and even as he let himself in at the church door he persistently denied to himself the cause of his being there. "I will not repair the hole in the window and I will train myself to come here at night and sit in the presence of this woman without raising my eyes. I will not be defeated in this thing. The Lord has devised this temptation as a test of my soul and I will grope my way out of darkness into the light of righteousness."

One night in January when it was bitter cold and snow lay deep on the streets of Winesburg Curtis Hartman paid his last visit to the room in the bell tower of the church. It was past nine o'clock when he left his own house and he set out so hurriedly that he forgot to put on his oversh—s. In Main Street no one was abroad but Hop Higgins the night watchman and in the whole town no one was awake but the watchman and young George Willard, who sat in the office of the Winesburg Eagle trying to write a story. Along the street to the church went the minister, plowing through the drifts and thinking that this time he would utterly give way to sin. "I want to look at the woman and to think of kissing her shoulders and I am going to let myself think what I choose," he declared bitterly and tears came into his eyes. He began to think that he would get out of the ministry and try some other way of life. "I shall go to some city and get into business," he declared. "If my nature is such that I cannot resist sin, I shall give myself over to sin. At least I shall not be a hypocrite, preaching the word of God with my mind thinking of the shoulders and neck of a woman who d—s not belong to me."

It was cold in the room of the bell tower of the church on that January night and almost as soon as he came into the room Curtis Hartman knew that if he stayed he would be ill. His feet were wet from tramping in the snow and there was no fire. In the room in the house next door Kate Swift had not yet appeared. With grim determination the man sat down to wait. Sitting in the chair and gripping the edge of the desk on which lay the Bible he stared into the darkness thinking the blackest thoughts of his life. He thought of his wife and for the moment almost hated her. "She has always been ashamed of passion and has cheated me," he thought. "Man has a right to expect living passion and beauty in a woman. He has no right to forget that he is an animal and in me there is something that is Greek. I will throw off the woman of my bosom and seek other women. I will besiege this school teacher. I will fly in the face of all men and if I am a creature of carnal lusts I will live then for my lusts."

The distracted man trembled from head to foot, partly from cold, partly from the struggle in which he was engaged. Hours passed and a fever assailed his body. His throat began to hurt and his teeth chattered. His feet on the study floor felt like two cakes of ice. Still he would not give up. "I will see this woman and will think the thoughts I have never dared to think," he told himself, gripping the edge of the desk and waiting.

Curtis Hartman came near dying from the effects of that night of waiting in the church, and also he found in the thing that happened what he took to be the way of life for him. On other evenings when he had waited he had not been able to see, through the little hole in the glass, any part of the school teacher's room except that occupied by her bed. In the darkness he had waited until the woman suddenly appeared sitting in the bed in her white nightrobe. When the light was turned up she propped herself up among the pillows and read a book. Sometimes she smoked one of the cigarettes. Only her bare shoulders and throat were visible.

On the January night, after he had come near dying with cold and after his mind had two or three times actually slipped away into an odd land of fantasy so that he had by an exercise of will power to force himself back into consciousness, Kate Swift appeared. In the room next door a lamp was lighted and the waiting man stared into an empty bed. Then upon the bed before his eyes a naked woman threw herself. Lying face downward she wept and beat with her fists upon the pillow. With a final outburst of weeping she half arose, and in the presence of the man who had waited to look and not to think thoughts the woman of sin began to pray. In the lamplight her figure, slim and strong, looked like the figure of the boy in the presence of the Christ on the leaded window.

Curtis Hartman never remembered how he got out of the church. With a cry he arose, dragging the heavy desk along the floor. The Bible fell, making a great clatter in the silence. When the light in the house next door went out he stumbled down the stairway and into the street. Along the street he went and ran in at the door of the Winesburg Eagle. To George Willard, who was tramping up and down in the office undergoing a struggle of his own, he began to talk half incoherently. "The ways of God are beyond human understanding," he cried, running in quickly and closing the door. He began to advance upon the young man, his eyes glowing and his voice ringing with fervor. "I have found the light," he cried. "After ten years in this town, God has manifested himself to me in the body of a woman." His voice dropped and he began to whisper. "I did not understand," he said. "What I took to be a trial of my soul was only a preparation for a new and more beautiful fervor of the spirit. God has appeared to me in the person of Kate Swift, the school teacher, kneeling naked on a bed. Do you know Kate Swift? Although she may not be aware of it, she is an instrument of God, bearing the message of truth."

Reverend Curtis Hartman turned and ran out of the office. At the door he stopped, and after looking up and down the deserted street, turned again to George Willard. "I am delivered. Have no fear." He held up a bleeding fist for the young man to see. "I smashed the glass of the window," he cried. "Now it will have to be wholly replaced. The strength of God was in me and I broke it with my fist."

The Teacher

Snow lay deep in the streets of Winesburg. It had begun to snow about ten o'clock in the morning and a wind sprang up and blew the snow in clouds along Main Street. The frozen mud roads that led into town were fairly smooth and in places ice covered the mud. "There will be good sleighing," said Will Henderson, standing by the bar in Ed Griffith's saloon. Out of the saloon he went and met Sylvester West the druggist stumbling along in the kind of heavy oversh—s called arctics. "Snow will bring the people into town on Saturday," said the druggist. The two men stopped and discussed their affairs. Will Henderson, who had on a light overcoat and no oversh—s, kicked the heel of his left foot with the t— of the right. "Snow will be good for the wheat," observed the druggist sagely.

Young George Willard, who had nothing to do, was glad because he did not feel like working that day. The weekly paper had been printed and taken to the post office Wednesday evening and the snow began to fall on Thursday. At eight o'clock, after the morning train had passed, he put a pair of skates in his pocket and went up to Waterworks Pond but did not go skating. Past the pond and along a path that followed Wine Creek he went until he came to a grove of beech trees. There he built a fire against the side of a log and sat down at the end of the log to think. When the snow began to fall and the wind to blow he hurried about getting fuel for the fire.

The young reporter was thinking of Kate Swift, who had once been his school teacher. On the evening before he had gone to her house to get a book she wanted him to read and had been alone with her for an hour. For the fourth or fifth time the woman had talked to him with great earnestness and he could not make out what she meant by her talk. He began to believe she must be in love with him and the thought was both pleasing and annoying.

Up from the log he sprang and began to pile sticks on the fire. Looking about to be sure he was alone he talked aloud pretending he was in the presence of the woman, "Oh, you're just letting on, you know you are," he declared. "I am going to find out about you. You wait and see."

The young man got up and went back along the path toward town leaving the fire blazing in the wood. As he went through the streets the skates clanked in his pocket. In his own room in the New Willard House he built a fire in the stove and lay down on top of the bed. He began to have lustful thoughts and pulling down the shade of the window closed his eyes and turned his face to the wall. He took a pillow into his arms and embraced it thinking first of the school teacher, who by her words had stirred something within him, and later of Helen White, the slim daughter of the town banker, with whom he had been for a long time half in love.

By nine o'clock of that evening snow lay deep in the streets and the weather had become bitter cold. It was difficult to walk about. The stores were dark and the people had crawled away to their houses. The evening train from Cleveland was very late but nobody was interested in its arrival. By ten o'clock all but four of the eighteen hundred citizens of the town were in bed.

Hop Higgins, the night watchman, was partially awake. He was lame and carried a heavy stick. On dark nights he carried a lantern. Between nine and ten o'clock he went his rounds. Up and down Main Street he stumbled through the drifts trying the doors of the stores. Then he went into alleyways and tried the back doors. Finding all tight he hurried around the corner to the New Willard House and beat on the door. Through the rest of the night he intended to stay by the stove. "You go to bed. I'll keep the stove going," he said to the boy who slept on a cot in the hotel office.

Hop Higgins sat down by the stove and took off his sh—s. When the boy had gone to sleep he began to think of his own affairs. He intended to paint his house in the spring and sat by the stove calculating the cost of paint and labor. That led him into other calculations. The night watchman was sixty years old and wanted to retire. He had been a soldier in the Civil War and drew a small pension. He hoped to find some new method of making a living and aspired to become a professional breeder of ferrets. Already he had four of the strangely shaped savage little creatures, that are used by sportsmen in the pursuit of rabbits, in the cellar of his house. "Now I have one male and three females," he mused. "If I am lucky by spring I shall have twelve or fifteen. In another year I shall be able to begin advertising ferrets for sale in the sporting papers."

The nightwatchman settled into his chair and his mind became a blank. He did not sleep. By years of practice he had trained himself to sit for hours through the long nights neither asleep nor awake. In the morning he was almost as refreshed as though he had slept.

With Hop Higgins safely stowed away in the chair behind the stove only three people were awake in Winesburg. George Willard was in the office of the Eagle pretending to be at work on the writing of a story but in reality continuing the mood of the morning by the fire in the wood. In the bell tower of the Presbyterian Church the Reverend Curtis Hartman was sitting in the darkness preparing himself for a revelation from God, and Kate Swift, the school teacher, was leaving her house for a walk in the storm.

It was past ten o'clock when Kate Swift set out and the walk was unpremeditated. It was as though the man and the boy, by thinking of her, had driven her forth into the wintry streets. Aunt Elizabeth Swift had gone to the county seat concerning some business in connection with mortgages in which she had money invested and would not be back until the next day. By a huge stove, called a base burner, in the living room of the house sat the daughter reading a book. Suddenly she sprang to her feet and, snatching a cloak from a rack by the front door, ran out of the house.

At the age of thirty Kate Swift was not known in Winesburg as a pretty woman. Her complexion was not good and her face was covered with blotches that indicated ill health. Alone in the night in the winter streets she was lovely. Her back was straight, her shoulders square, and her features were as the features of a tiny goddess on a pedestal in a garden in the dim light of a summer evening.

During the afternoon the school teacher had been to see Doctor Welling concerning her health. The doctor had scolded her and had declared she was in danger of losing her hearing. It was foolish for Kate Swift to be abroad in the storm, foolish and perhaps dangerous.

The woman in the streets did not remember the words of the doctor and would not have turned back had she remembered. She was very cold but after walking for five minutes no longer minded the cold. First she went to the end of her own street and then across a pair of hay scales set in the ground before a feed barn and into Trunion Pike. Along Trunion Pike she went to Ned Winters' barn and turning east followed a street of low frame houses that led over Gospel Hill and into Sucker Road that ran down a shallow valley past Ike Smead's chicken farm to Waterworks Pond. As she went along, the bold, excited mood that had driven her out of doors passed and then returned again.

There was something biting and forbidding in the character of Kate Swift. Everyone felt it. In the schoolroom she was silent, cold, and stern, and yet in an odd way very close to her pupils. Once in a long while something seemed to have come over her and she was happy. All of the children in the schoolroom felt the effect of her happiness. For a time they did not work but sat back in their chairs and looked at her.

With hands clasped behind her back the school teacher walked up and down in the schoolroom and talked very rapidly. It did not seem to matter what subject came into her mind. Once she talked to the children of Charles Lamb and made up strange, intimate little stories concerning the life of the dead writer. The stories were told with the air of one who had lived in a house with Charles Lamb and knew all the secrets of his private life. The children were somewhat confused, thinking Charles Lamb must be someone who had once lived in Winesburg.

On another occasion the teacher talked to the children of Benvenuto Cellini. That time they laughed. What a bragging, blustering, brave, lovable fellow she made of the old artist! Concerning him also she invented anecdotes. There was one of a German music teacher who had a room above Cellini's lodgings in the city of Milan that made the boys guffaw. Sugars McNutts, a fat boy with red cheeks, laughed so hard that he became dizzy and fell off his seat and Kate Swift laughed with him. Then suddenly she became again cold and stern.

On the winter night when she walked through the deserted snow-covered streets, a crisis had come into the life of the school teacher. Although no one in Winesburg would have suspected it, her life had been very adventurous. It was still adventurous. Day by day as she worked in the schoolroom or walked in the streets, grief, hope, and desire fought within her. Behind a cold exterior the most extraordinary events transpired in her mind. The people of the town thought of her as a confirmed old maid and because she spoke sharply and went her own way thought her lacking in all the human feeling that did so much to make and mar their own lives. In reality she was the most eagerly passionate soul among them, and more than once, in the five years since she had come back from her travels to settle in Winesburg and become a school teacher, had been compelled to go out of the house and walk half through the night fighting out some battle raging within. Once on a night when it rained she had stayed out six hours and when she came home had a quarrel with Aunt Elizabeth Swift. "I am glad you're not a man," said the mother sharply. "More than once I've waited for your father to come home, not knowing what new mess he had got into. I've had my share of uncertainty and you cannot blame me if I do not want to see the worst side of him reproduced in you."

* * *

Kate Swift's mind was ablaze with thoughts of George Willard. In something he had written as a school boy she thought she had recognized the spark of genius and wanted to blow on the spark. One day in the summer she had gone to the Eagle office and finding the boy unoccupied had taken him out Main Street to the Fair Ground, where the two sat on a grassy bank and talked. The school teacher tried to bring home to the mind of the boy some conception of the difficulties he would have to face as a writer. "You will have to know life," she declared, and her voice trembled with earnestness. She took hold of George Willard's shoulders and turned him about so that she could look into his eyes. A passer-by might have thought them about to embrace. "If you are to become a writer you'll have to stop fooling with words," she explained. "It would be better to give up the notion of writing until you are better prepared. Now it's time to be living. I don't want to frighten you, but I would like to make you understand the import of what you think of attempting. You must not become a mere peddler of words. The thing to learn is to know what people are thinking about, not what they say."

On the evening before that stormy Thursday night when the Reverend Curtis Hartman sat in the bell tower of the church waiting to look at her body, young Willard had gone to visit the teacher and to borrow a book. It was then the thing happened that confused and puzzled the boy. He had the book under his arm and was preparing to depart. Again Kate Swift talked with great earnestness. Night was coming on and the light in the room grew dim. As he turned to go she spoke his name softly and with an impulsive movement took hold of his hand. Because the reporter was rapidly becoming a man something of his man's appeal, combined with the winsomeness of the boy, stirred the heart of the lonely woman. A passionate desire to have him understand the import of life, to learn to interpret it truly and honestly, swept over her. Leaning forward, her lips brushed his cheek. At the same moment he for the first time became aware of the marked beauty of her features. They were both embarrassed, and to relieve her feeling she became harsh and domineering. "What's the use? It will be ten years before you begin to understand what I mean when I talk to you," she cried passionately.

* * *

On the night of the storm and while the minister sat in the church waiting for her, Kate Swift went to the office of the Winesburg Eagle, intending to have another talk with the boy. After the long walk in the snow she was cold, lonely, and tired. As she came through Main Street she saw the fight from the printshop window shining on the snow and on an impulse opened the door and went in. For an hour she sat by the stove in the office talking of life. She talked with passionate earnestness. The impulse that had driven her out into the snow poured itself out into talk. She became inspired as she sometimes did in the presence of the children in school. A great eagerness to open the door of life to the boy, who had been her pupil and who she thought might possess a talent for the understanding of life, had possession of her. So strong was her passion that it became something physical. Again her hands took hold of his shoulders and she turned him about. In the dim light her eyes blazed. She arose and laughed, not sharply as was customary with her, but in a queer, hesitating way. "I must be going," she said. "In a moment, if I stay, I'll be wanting to kiss you."

In the newspaper office a confusion arose. Kate Swift turned and walked to the door. She was a teacher but she was also a woman. As she looked at George Willard, the passionate desire to be loved by a man, that had a thousand times before swept like a storm over her body, took possession of her. In the lamplight George Willard looked no longer a boy, but a man ready to play the part of a man.

The school teacher let George Willard take her into his arms. In the warm little office the air became suddenly heavy and the strength went out of her body. Leaning against a low counter by the door she waited. When he came and put a hand on her shoulder she turned and let her body fall heavily against him. For George Willard the confusion was immediately increased. For a moment he held the body of the woman tightly against his body and then it stiffened. Two sharp little fists began to beat on his face. When the school teacher had run away and left him alone, he walked up and down the office swearing furiously.

It was into this confusion that the Reverend Curtis Hartman protruded himself. When he came in George Willard thought the town had gone mad. Shaking a bleeding fist in the air, the minister proclaimed the woman George had only a moment before held in his arms an instrument of God bearing a message of truth.

* * *

George blew out the lamp by the window and locking the door of the printshop went home. Through the hotel office, past Hop Higgins lost in his dream of the raising of ferrets, he went and up into his own room. The fire in the stove had gone out and he undressed in the cold. When he got into bed the sheets were like blankets of dry snow.

George Willard rolled about in the bed on which had lain in the afternoon hugging the pillow and thinking thoughts of Kate Swift. The words of the minister, who he thought had gone suddenly insane, rang in his ears. His eyes stared about the room. The resentment, natural to the baffled male, passed and he tried to understand what had happened. He could not make it out. Over and over he turned the matter in his mind. Hours passed and he began to think it must be time for another day to come. At four o'clock he pulled the covers up about his neck and tried to sleep. When he became drowsy and closed his eyes, he raised a hand and with it groped about in the darkness. "I have missed something. I have missed something Kate Swift was trying to tell me," he muttered sleepily. Then he slept and in all Winesburg he was the last soul on that winter night to go to sleep.

Loneliness

He was the son of Mrs. Al Robinson who once owned a farm on a side road leading off Trunion Pike, east of Winesburg and two miles beyond the town limits. The farmhouse was painted brown and the blinds to all of the windows facing the road were kept closed. In the road before the house a flock of chickens, accompanied by two guinea hens, lay in the deep dust. Enoch lived in the house with his mother in those days and when he was a young boy went to school at the Winesburg High School. Old citizens remembered him as a quiet, smiling youth inclined to silence. He walked in the middle of the road when he came into town and sometimes read a book. Drivers of teams had to shout and swear to make him realize where he was so that he would turn out of the beaten track and let them pass.

When he was twenty-one years old Enoch went to New York City and was a city man for fifteen years. He studied French and went to an art school, hoping to develop a faculty he had for drawing. In his own mind he planned to go to Paris and to finish his art education among the masters there, but that never turned out.

Nothing ever turned out for Enoch Robinson. He could draw well enough and he had many odd delicate thoughts hidden away in his brain that might have expressed themselves through the brush of a painter, but he was always a child and that was a handicap to his worldly development. He never grew up and of course he couldn't understand people and he couldn't make people understand him. The child in him kept bumping against things, against actualities like money and sex and opinions. Once he was hit by a street car and thrown against an iron post. That made him lame. It was one of the many things that kept things from turning out for Enoch Robinson.

In New York City, when he first went there to live and before he became confused and disconcerted by the facts of life, Enoch went about a good deal with young men. He got into a group of other young artists, both men and women, and in the evenings they sometimes came to visit him in his room. Once he got drunk and was taken to a police station where a police magistrate frightened him horribly, and once he tried to have an affair with a woman of the town met on the sidewalk before his lodging house. The woman and Enoch walked together three blocks and then the young man grew afraid and ran away. The woman had been drinking and the incident amused her. She leaned against the wall of a building and laughed so heartily that another man stopped and laughed with her. The two went away together, still laughing, and Enoch crept off to his room trembling and vexed.

The room in which young Robinson lived in New York faced Washington Square and was long and narrow like a hallway. It is important to get that fixed in your mind. The story of Enoch is in fact the story of a room almost more than it is the story of a man.

And so into the room in the evening came young Enoch's friends. There was nothing particularly striking about them except that they were artists of the kind that talk. Everyone knows of the talking artists. Throughout all of the known history of the world they have gathered in rooms and talked. They talk of art and are passionately, almost feverishly, in earnest about it. They think it matters much more than it d—s.

And so these people gathered and smoked cigarettes and talked and Enoch Robinson, the boy from the farm near Winesburg, was there. He stayed in a corner and for the most part said nothing. How his big blue childlike eyes stared about! On the walls were pictures he had made, crude things, half finished. His friends talked of these. Leaning back in their chairs, they talked and talked with their heads rocking from side to side. Words were said about line and values and composition, lots of words, such as are always being said.

Enoch wanted to talk too but he didn't know how. He was too excited to talk coherently. When he tried he sputtered and stammered and his voice sounded strange and squeaky to him. That made him stop talking. He knew what he wanted to say, but he knew also that he could never by any possibility say it. When a picture he had painted was under discussion, he wanted to burst out with something like this: "You don't get the point," he wanted to explain; "the picture you see d—sn't consist of the things you see and say words about. There is something else, something you don't see at all, something you aren't intended to see. Look at this one over here, by the door here, where the light from the window falls on it. The dark spot by the road that you might not notice at all is, you see, the beginning of everything. There is a clump of elders there such as used to grow beside the road before our house back in Winesburg, Ohio, and in among the elders there is something hidden. It is a woman, that's what it is. She has been thrown from a horse and the horse has run away out of sight. Do you not see how the old man who drives a cart looks anxiously about? That is Thad Grayback who has a farm up the road. He is taking corn to Winesburg to be ground into meal at Comstock's mill. He knows there is something in the elders, something hidden away, and yet he d—sn't quite know.

"It's a woman you see, that's what it is! It's a woman and, oh, she is lovely! She is hurt and is suffering but she makes no sound. Don't you see how it is? She lies quite still, white and still, and the beauty comes out from her and spreads over everything. It is in the sky back there and all around everywhere. I didn't try to paint the woman, of course. She is too beautiful to be painted. How dull to talk of composition and such things! Why do you not look at the sky and then run away as I used to do when I was a boy back there in Winesburg, Ohio?"

That is the kind of thing young Enoch Robinson trembled to say to the guests who came into his room when he was a young fellow in New York City, but he always ended by saying nothing. Then he began to doubt his own mind. He was afraid the things he felt were not getting expressed in the pictures he painted. In a half indignant mood he stopped inviting people into his room and presently got into the habit of locking the door. He began to think that enough people had visited him, that he did not need people any more. With quick imagination he began to invent his own people to whom he could really talk and to whom he explained the things he had been unable to explain to living people. His room began to be inhabited by the spirits of men and women among whom he went, in his turn saying words. It was as though everyone Enoch Robinson had ever seen had left with him some essence of himself, something he could mould and change to suit his own fancy, something that understood all about such things as the wounded woman behind the elders in the pictures.

The mild, blue-eyed young Ohio boy was a complete egotist, as all children are egotists. He did not want friends for the quite simple reason that no child wants friends. He wanted most of all the people of his own mind, people with whom he could really talk, people he could harangue and scold by the hour, servants, you see, to his fancy. Among these people he was always self-confident and bold. They might talk, to be sure, and even have opinions of their own, but always he talked last and best. He was like a writer busy among the figures of his brain, a kind of tiny blue-eyed king he was, in a six-dollar room facing Washington Square in the city of New York.

Then Enoch Robinson got married. He began to get lonely and to want to touch actual flesh-and-bone people with his hands. Days passed when his room seemed empty. Lust visited his body and desire grew in his mind. At night strange fevers, burning within, kept him awake. He married a girl who sat in a chair next to his own in the art school and went to live in an apartment house in Brooklyn. Two children were born to the woman he married, and Enoch got a job in a place where illustrations are made for advertisements.

That began another phase of Enoch's life. He began to play at a new game. For a while he was very proud of himself in the role of producing citizen of the world. He dismissed the essence of things and played with realities. In the fall he voted at an election and he had a newspaper thrown on his porch each morning. When in the evening he came home from work he got off a streetcar and walked sedately along behind some business man, striving to look very substantial and important. As a payer of taxes he thought he should post himself on how things are run. "I'm getting to be of some moment, a real part of things, of the state and the city and all that," he told himself with an amusing miniature air of dignity. Once, coming home from Philadelphia, he had a discussion with a man met on a train. Enoch talked about the advisability of the government's owning and operating the railroads and the man gave him a cigar. It was Enoch's notion that such a move on the part of the government would be a good thing, and he grew quite excited as he talked. Later he remembered his own words with pleasure. "I gave him something to think about, that fellow," he muttered to himself as he climbed the stairs to his Brooklyn apartment.

To be sure, Enoch's marriage did not turn out. He himself brought it to an end. He began to feel choked and walled in by the life in the apartment, and to feel toward his wife and even toward his children as he had felt concerning the friends who once came to visit him. He began to tell little lies about business engagements that would give him freedom to walk alone in the street at night and, the chance offering, he secretly re-rented the room facing Washington Square. Then Mrs. Al Robinson died on the farm near Winesburg, and he got eight thousand dollars from the bank that acted as trustee of her estate. That took Enoch out of the world of men altogether. He gave the money to his wife and told her he could not live in the apartment any more. She cried and was angry and threatened, but he only stared at her and went his own way. In reality the wife did not care much. She thought Enoch slightly insane and was a little afraid of him. When it was quite sure that he would never come back, she took the two children and went to a village in Connecticut where she had lived as a girl. In the end she married a man who bought and sold real estate and was contented enough.

And so Enoch Robinson stayed in the New York room among the people of his fancy, playing with them, talking to them, happy as a child is happy. They were an odd lot, Enoch's people. They were made, I suppose, out of real people he had seen and who had for some obscure reason made an appeal to him. There was a woman with a sword in her hand, an old man with a long white beard who went about followed by a dog, a young girl whose stockings were always coming down and hanging over her sh— tops. There must have been two dozen of the shadow people, invented by the child-mind of Enoch Robinson, who lived in the room with him.

And Enoch was happy. Into the room he went and locked the door. With an absurd air of importance he talked aloud, giving instructions, making comments on life. He was happy and satisfied to go on making his living in the advertising place until something happened. Of course something did happen. That is why he went back to live in Winesburg and why we know about him. The thing that happened was a woman. It would be that way. He was too happy. Something had to come into his world. Something had to drive him out of the New York room to live out his life an obscure, jerky little figure, bobbing up and down on the streets of an Ohio town at evening when the sun was going down behind the roof of Wesley Moyer's livery barn.

About the thing that happened. Enoch told George Willard about it one night. He wanted to talk to someone, and he chose the young newspaper reporter because the two happened to be thrown together at a time when the younger man was in a mood to understand.

Youthful sadness, young man's sadness, the sadness of a growing boy in a village at the year's end, opened the lips of the old man. The sadness was in the heart of George Willard and was without meaning, but it appealed to Enoch Robinson.

It rained on the evening when the two met and talked, a drizzly wet October rain. The fruition of the year had come and the night should have been fine with a moon in the sky and the crisp sharp promise of frost in the air, but it wasn't that way. It rained and little puddles of water shone under the street lamps on Main Street. In the woods in the darkness beyond the Fair Ground water dripped from the black trees. Beneath the trees wet leaves were pasted against tree roots that protruded from the ground. In gardens back of houses in Winesburg dry shriveled potato vines lay sprawling on the ground. Men who had finished the evening meal and who had planned to go uptown to talk the evening away with other men at the back of some store changed their minds. George Willard tramped about in the rain and was glad that it rained. He felt that way. He was like Enoch Robinson on the evenings when the old man came down out of his room and wandered alone in the streets. He was like that only that George Willard had become a tall young man and did not think it manly to weep and carry on. For a month his mother had been very ill and that had something to do with his sadness, but not much. He thought about himself and to the young that always brings sadness.

Enoch Robinson and George Willard met beneath a wooden awning that extended out over the sidewalk before Voight's wagon shop on Maumee Street just off the main street of Winesburg. They went together from there through the rain-washed streets to the older man's room on the third floor of the Heffner Block. The young reporter went willingly enough. Enoch Robinson asked him to go after the two had talked for ten minutes. The boy was a little afraid but had never been more curious in his life. A hundred times he had heard the old man spoken of as a little off his head and he thought himself rather brave and manly to go at all. From the very beginning, in the street in the rain, the old man talked in a queer way, trying to tell the story of the room in Washington Square and of his life in the room. "You'll understand if you try hard enough," he said conclusively. "I have looked at you when you went past me on the street and I think you can understand. It isn't hard. All you have to do is to believe what I say, just listen and believe, that's all there is to it."

It was past eleven o'clock that evening when old Enoch, talking to George Willard in the room in the Heffner Block, came to the vital thing, the story of the woman and of what drove him out of the city to live out his life alone and defeated in Winesburg. He sat on a cot by the window with his head in his hand and George Willard was in a chair by a table. A kerosene lamp sat on the table and the room, although almost bare of furniture, was scrupulously clean. As the man talked George Willard began to feel that he would like to get out of the chair and sit on the cot also. He wanted to put his arms about the little old man. In the half darkness the man talked and the boy listened, filled with sadness.

"She got to coming in there after there hadn't been anyone in the room for years," said Enoch Robinson. "She saw me in the hallway of the house and we got acquainted. I don't know just what she did in her own room. I never went there. I think she was a musician and played a violin. Every now and then she came and knocked at the door and I opened it. In she came and sat down beside me, just sat and looked about and said nothing. Anyway, she said nothing that mattered."

The old man arose from the cot and moved about the room. The overcoat he wore was wet from the rain and drops of water kept falling with a soft thump on the floor. When he again sat upon the cot George Willard got out of the chair and sat beside him.

"I had a feeling about her. She sat there in the room with me and she was too big for the room. I felt that she was driving everything else away. We just talked of little things, but I couldn't sit still. I wanted to touch her with my fingers and to kiss her. Her hands were so strong and her face was so good and she looked at me all the time."

The trembling voice of the old man became silent and his body shook as from a chill. "I was afraid," he whispered. "I was terribly afraid. I didn't want to let her come in when she knocked at the door but I couldn't sit still. 'No, no,' I said to myself, but I got up and opened the door just the same. She was so grown up, you see. She was a woman. I thought she would be bigger than I was there in that room."

Enoch Robinson stared at George Willard, his childlike blue eyes shining in the lamplight. Again he shivered. "I wanted her and all the time I didn't want her," he explained. "Then I began to tell her about my people, about everything that meant anything to me. I tried to keep quiet, to keep myself to myself, but I couldn't. I felt just as I did about opening the door. Sometimes I ached to have her go away and never come back any more."

The old man sprang to his feet and his voice shook with excitement. "One night something happened. I became mad to make her understand me and to know what a big thing I was in that room. I wanted her to see how important I was. I told her over and over. When she tried to go away, I ran and locked the door. I followed her about. I talked and talked and then all of a sudden things went to smash. A look came into her eyes and I knew she did understand. Maybe she had understood all the time. I was furious. I couldn't stand it. I wanted her to understand but, don't you see, I couldn't let her understand. I felt that then she would know everything, that I would be submerged, drowned out, you see. That's how it is. I don't know why."

The old man dropped into a chair by the lamp and the boy listened, filled with awe. "Go away, boy," said the man. "Don't stay here with me any more. I thought it might be a good thing to tell you but it isn't. I don't want to talk any more. Go away."

George Willard shook his head and a note of command came into his voice. "Don't stop now. Tell me the rest of it," he commanded sharply. "What happened? Tell me the rest of the story."

Enoch Robinson sprang to his feet and ran to the window that looked down into the deserted main street of Winesburg. George Willard followed. By the window the two stood, the tall awkward boy-man and the little wrinkled man-boy. The childish, eager voice carried forward the tale. "I swore at her," he explained. "I said vile words. I ordered her to go away and not to come back. Oh, I said terrible things. At first she pretended not to understand but I kept at it. I screamed and stamped on the floor. I made the house ring with my curses. I didn't want ever to see her again and I knew, after some of the things I said, that I never would see her again."

The old man's voice broke and he shook his head. "Things went to smash," he said quietly and sadly. "Out she went through the door and all the life there had been in the room followed her out. She took all of my people away. They all went out through the door after her. That's the way it was."

George Willard turned and went out of Enoch Robinson's room. In the darkness by the window, as he went through the door, he could hear the thin old voice whimpering and complaining. "I'm alone, all alone here," said the voice. "It was warm and friendly in my room but now I'm all alone."

An Awakening

Belle Carpenter had a dark skin, grey eyes, and thick lips. She was tall and strong. When black thoughts visited her she grew angry and wished she were a man and could fight someone with her fists. She worked in the millinery shop kept by Mrs. Kate McHugh and during the day sat trimming hats by a window at the rear of the store. She was the daughter of Henry Carpenter, bookkeeper in the First National Bank of Winesburg, and lived with him in a gloomy old house far out at the end of Buckeye Street. The house was surrounded by pine trees and there was no grass beneath the trees. A rusty tin eaves-trough had slipped from its fastenings at the back of the house and when the wind blew it beat against the roof of a small shed, making a dismal drumming noise that sometimes persisted all through the night.

When she was a young girl Henry Carpenter made life almost unbearable for Belle, but as she emerged from girlhood into womanhood he lost his power over her. The bookkeeper's life was made up of innumerable little pettinesses. When he went to the bank in the morning he stepped into a closet and put on a black alpaca coat that had become shabby with age. At night when he returned to his home he donned another black alpaca coat. Every evening he pressed the clothes worn in the streets. He had invented an arrangement of boards for the purpose. The trousers to his street suit were placed between the boards and the boards were clamped together with heavy screws. In the morning he wiped the boards with a damp cloth and stood them upright behind the dining room door. If they were moved during the day he was speechless with anger and did not recover his equilibrium for a week.

The bank cashier was a little bully and was afraid of his daughter. She, he realized, knew the story of his brutal treatment of her mother and hated him for it. One day she went home at noon and carried a handful of soft mud, taken from the road, into the house. With the mud she smeared the face of the boards used for the pressing of trousers and then went back to her work feeling relieved and happy.

Belle Carpenter occasionally walked out in the evening with George Willard. Secretly she loved another man, but her love affair, about which no one knew, caused her much anxiety. She was in love with Ed Handby, bartender in Ed Griffith's Saloon, and went about with the young reporter as a kind of relief to her feelings. She did not think that her station in life would permit her to be seen in the company of the bartender and walked about under the trees with George Willard and let him kiss her to relieve a longing that was very insistent in her nature. She felt that she could keep the younger man within bounds. About Ed Handby she was somewhat uncertain.

Handby, the bartender, was a tall, broad-shouldered man of thirty who lived in a room upstairs above Griffith's saloon. His fists were large and his eyes unusually small, but his voice, as though striving to conceal the power back of his fists, was soft and quiet.

At twenty-five the bartender had inherited a large farm from an uncle in Indiana. When sold, the farm brought in eight thousand dollars, which Ed spent in six months. Going to Sandusky, on Lake Erie, he began an orgy of dissipation, the story of which afterward filled his home town with awe. Here and there he went throwing the money about, driving carriages through the streets, giving wine parties to crowds of men and women, playing cards for high stakes and keeping mistresses whose wardrobes cost him hundreds of dollars. One night at a resort called Cedar Point, he got into a fight and ran amuck like a wild thing. With his fist he broke a large mirror in the wash room of a hotel and later went about smashing windows and breaking chairs in dance halls for the joy of hearing the glass rattle on the floor and seeing the terror in the eyes of clerks who had come from Sandusky to spend the evening at the resort with their sweethearts.

The affair between Ed Handby and Belle Carpenter on the surface amounted to nothing. He had succeeded in spending but one evening in her company. On that evening he hired a horse and buggy at Wesley Moyer's livery barn and took her for a drive. The conviction that she was the woman his nature demanded and that he must get her settled upon him and he told her of his desires. The bartender was ready to marry and to begin trying to earn money for the support of his wife, but so simple was his nature that he found it difficult to explain his intentions. His body ached with physical longing and with his body he expressed himself. Taking the milliner into his arms and holding her tightly in spite of her struggles, he kissed her until she became helpless. Then he brought her back to town and let her out of the buggy. "When I get hold of you again I'll not let you go. You can't play with me," he declared as he turned to drive away. Then, jumping out of the buggy, he gripped her shoulders with his strong hands. "I'll keep you for good the next time," he said. "You might as well make up your mind to that. It's you and me for it and I'm going to have you before I get through."

One night in January when there was a new moon George Willard, who was in Ed Handby's mind the only obstacle to his getting Belle Carpenter, went for a walk. Early that evening George went into Ransom Surbeck's pool room with Seth Richmond and Art Wilson, son of the town butcher. Seth Richmond stood with his back against the wall and remained silent, but George Willard talked. The pool room was filled with Winesburg boys and they talked of women. The young reporter got into that vein. He said that women should look out for themselves, that the fellow who went out with a girl was not responsible for what happened. As he talked he looked about, eager for attention. He held the floor for five minutes and then Art Wilson began to talk. Art was learning the barber's trade in Cal Prouse's shop and already began to consider himself an authority in such matters as baseball, horse racing, drinking, and going about with women. He began to tell of a night when he with two men from Winesburg went into a house of prostitution at the county seat. The butcher's son held a cigar in the side of his mouth and as he talked spat on the floor. "The women in the place couldn't embarrass me although they tried hard enough," he boasted. "One of the girls in the house tried to get fresh, but I fooled her. As soon as she began to talk I went and sat in her lap. Everyone in the room laughed when I kissed her. I taught her to let me alone."

George Willard went out of the pool room and into Main Street. For days the weather had been bitter cold with a high wind blowing down on the town from Lake Erie, eighteen miles to the north, but on that night the wind had died away and a new moon made the night unusually lovely. Without thinking where he was going or what he wanted to do, George went out of Main Street and began walking in dimly lighted streets filled with frame houses.

Out of doors under the black sky filled with stars he forgot his companions of the pool room. Because it was dark and he was alone he began to talk aloud. In a spirit of play he reeled along the street imitating a drunken man and then imagined himself a soldier clad in shining boots that reached to the knees and wearing a sword that jingled as he walked. As a soldier he pictured himself as an inspector, passing before a long line of men who stood at attention. He began to examine the accoutrements of the men. Before a tree he stopped and began to scold. "Your pack is not in order," he said sharply. "How many times will I have to speak of this matter? Everything must be in order here. We have a difficult task before us and no difficult task can be done without order."

Hypnotized by his own words, the young man stumbled along the board sidewalk saying more words. "There is a law for armies and for men too," he muttered, lost in reflection. "The law begins with little things and spreads out until it covers everything. In every little thing there must be order, in the place where men work, in their clothes, in their thoughts. I myself must be orderly. I must learn that law. I must get myself into touch with something orderly and big that swings through the night like a star. In my little way I must begin to learn something, to give and swing and work with life, with the law."

George Willard stopped by a picket fence near a street lamp and his body began to tremble. He had never before thought such thoughts as had just come into his head and he wondered where they had come from. For the moment it seemed to him that some voice outside of himself had been talking as he walked. He was amazed and delighted with his own mind and when he walked on again spoke of the matter with fervor. "To come out of Ransom Surbeck's pool room and think things like that," he whispered. "It is better to be alone. If I talked like Art Wilson the boys would understand me but they wouldn't understand what I've been thinking down here."

In Winesburg, as in all Ohio towns of twenty years ago, there was a section in which lived day laborers. As the time of factories had not yet come, the laborers worked in the fields or were section hands on the railroads. They worked twelve hours a day and received one dollar for the long day of toil. The houses in which they lived were small cheaply constructed wooden affairs with a garden at the back. The more comfortable among them kept cows and perhaps a pig, housed in a little shed at the rear of the garden.

With his head filled with resounding thoughts, George Willard walked into such a street on the clear January night. The street was dimly lighted and in places there was no sidewalk. In the scene that lay about him there was something that excited his already aroused fancy. For a year he had been devoting all of his odd moments to the reading of books and now some tale he had read concerning life in old world towns of the middle ages came sharply back to his mind so that he stumbled forward with the curious feeling of one revisiting a place that had been a part of some former existence. On an impulse he turned out of the street and went into a little dark alleyway behind the sheds in which lived the cows and pigs.

For a half hour he stayed in the alleyway, smelling the strong smell of animals too closely housed and letting his mind play with the strange new thoughts that came to him. The very rankness of the smell of manure in the clear sweet air awoke something heady in his brain. The poor little houses lighted by kerosene lamps, the smoke from the chimneys mounting straight up into the clear air, the grunting of pigs, the women clad in cheap calico dresses and washing dishes in the kitchens, the footsteps of men coming out of the houses and going off to the stores and saloons of Main Street, the dogs barking and the children crying-all of these things made him seem, as he lurked in the darkness, oddly detached and apart from all life.

The excited young man, unable to bear the weight of his own thoughts, began to move cautiously along the alleyway. A dog attacked him and had to be driven away with stones, and a man appeared at the door of one of the houses and swore at the dog. George went into a vacant lot and throwing back his head looked up at the sky. He felt unutterably big and remade by the simple experience through which he had been passing and in a kind of fervor of emotion put up his hands, thrusting them into the darkness above his head and muttering words. The desire to say words overcame him and he said words without meaning, rolling them over on his tongue and saying them because they were brave words, full of meaning. "Death," he muttered, "night, the sea, fear, loveliness."

George Willard came out of the vacant lot and stood again on the sidewalk facing the houses. He felt that all of the people in the little street must be brothers and sisters to him and he wished he had the courage to call them out of their houses and to shake their hands. "If there were only a woman here I would take hold of her hand and we would run until we were both tired out," he thought. "That would make me feel better." With the thought of a woman in his mind he walked out of the street and went toward the house where Belle Carpenter lived. He thought she would understand his mood and that he could achieve in her presence a position he had long been wanting to achieve. In the past when he had been with her and had kissed her lips he had come away filled with anger at himself. He had felt like one being used for some obscure purpose and had not enjoyed the feeling. Now he thought he had suddenly become too big to be used.

When George got to Belle Carpenter's house there had already been a visitor there before him. Ed Handby had come to the door and calling Belle out of the house had tried to talk to her. He had wanted to ask the woman to come away with him and to be his wife, but when she came and stood by the door he lost his self-assurance and became sullen. "You stay away from that kid," he growled, thinking of George Willard, and then, not knowing what else to say, turned to go away. "If I catch you together I will break your bones and his too," he added. The bartender had come to woo, not to threaten, and was angry with himself because of his failure.

When her lover had departed Belle went indoors and ran hurriedly upstairs. From a window at the upper part of the house she saw Ed Handby cross the street and sit down on a horse block before the house of a neighbor. In the dim light the man sat motionless holding his head in his hands. She was made happy by the sight, and when George Willard came to the door she greeted him effusively and hurriedly put on her hat. She thought that, as she walked through the streets with young Willard, Ed Handby would follow and she wanted to make him suffer.

For an hour Belle Carpenter and the young reporter walked about under the trees in the sweet night air. George Willard was full of big words. The sense of power that had come to him during the hour in the darkness in the alleyway remained with him and he talked boldly, swaggering along and swinging his arms about. He wanted to make Belle Carpenter realize that he was aware of his former weakness and that he had changed. "You'll find me different," he declared, thrusting his hands into his pockets and looking boldly into her eyes. "I don't know why but it is so. You've got to take me for a man or let me alone. That's how it is."

Up and down the quiet streets under the new moon went the woman and the boy. When George had finished talking they turned down a side street and went across a bridge into a path that ran up the side of a hill. The hill began at Waterworks Pond and climbed upward to the Winesburg Fair Grounds. On the hillside grew dense bushes and small trees and among the bushes were little open spaces carpeted with long grass, now stiff and frozen.

As he walked behind the woman up the hill George Willard's heart began to beat rapidly and his shoulders straightened. Suddenly he decided that Belle Carpenter was about to surrender herself to him. The new force that had manifested itself in him had, he felt, been at work upon her and had led to her conquest. The thought made him half drunk with the sense of masculine power. Although he had been annoyed that as they walked about she had not seemed to be listening to his words, the fact that she had accompanied him to this place took all his doubts away. "It is different. Everything has become different," he thought and taking hold of her shoulder turned her about and stood looking at her, his eyes shining with pride.

Belle Carpenter did not resist. When he kissed her upon the lips she leaned heavily against him and looked over his shoulder into the darkness. In her whole attitude there was a suggestion of waiting. Again, as in the alleyway, George Willard's mind ran off into words and, holding the woman tightly he whispered the words into the still night. "Lust," he whispered, "lust and night and women."

George Willard did not understand what happened to him that night on the hillside. Later, when he got to his own room, he wanted to weep and then grew half insane with anger and hate. He hated Belle Carpenter and was sure that all his life he would continue to hate her. On the hillside he had led the woman to one of the little open spaces among the bushes and had dropped to his knees beside her. As in the vacant lot, by the laborers' houses, he had put up his hands in gratitude for the new power in himself and was waiting for the woman to speak when Ed Handby appeared.

The bartender did not want to beat the boy, who he thought had tried to take his woman away. He knew that beating was unnecessary, that he had power within himself to accomplish his purpose without using his fists. Gripping George by the shoulder and pulling him to his feet, he held him with one hand while he looked at Belle Carpenter seated on the grass. Then with a quick wide movement of his arm he sent the younger man sprawling away into the bushes and began to bully the woman, who had risen to her feet. "You're no good," he said roughly. "I've half a mind not to bother with you. I'd let you alone if I didn't want you so much."

On his hands and knees in the bushes George Willard stared at the scene before him and tried hard to think. He prepared to spring at the man who had humiliated him. To be beaten seemed to be infinitely better than to be thus hurled ignominiously aside.

Three times the young reporter sprang at Ed Handby and each time the bartender, catching him by the shoulder, hurled him back into the bushes. The older man seemed prepared to keep the exercise going indefinitely but George Willard's head struck the root of a tree and he lay still. Then Ed Handby took Belle Carpenter by the arm and marched her away.

George heard the man and woman making their way through the bushes. As he crept down the hillside his heart was sick within him. He hated himself and he hated the fate that had brought about his humiliation. When his mind went back to the hour alone in the alleyway he was puzzled and stopping in the darkness listened, hoping to hear again the voice outside himself that had so short a time before put new courage into his heart. When his way homeward led him again into the street of frame houses he could not bear the sight and began to run, wanting to get quickly out of the neighborhood that now seemed to him utterly squalid and commonplace.

"Queer"

From his seat on a box in the rough board shed that stuck like a burr on the rear of Cowley & Son's store in Winesburg, Elmer Cowley, the junior member of the firm, could see through a dirty window into the printshop of the Winesburg Eagle. Elmer was putting new sh—laces in his sh—s. They did not go in readily and he had to take the sh—s off. With the sh—s in his hand he sat looking at a large hole in the heel of one of his stockings. Then looking quickly up he saw George Willard, the only newspaper reporter in Winesburg, standing at the back door of the Eagle printshop and staring absentmindedly about. "Well, well, what next!" exclaimed the young man with the sh—s in his hand, jumping to his feet and creeping away from the window.

A flush crept into Elmer Cowley's face and his hands began to tremble. In Cowley & Son's store a Jewish traveling salesman stood by the counter talking to his father. He imagined the reporter could hear what was being said and the thought made him furious. With one of the sh—s still held in his hand he stood in a corner of the shed and stamped with a stockinged foot upon the board floor.

Cowley & Son's store did not face the main street of Winesburg. The front was on Maumee Street and beyond it was Voight's wagon shop and a shed for the sheltering of farmers' horses. Beside the store an alleyway ran behind the main street stores and all day drays and delivery wagons, intent on bringing in and taking out goods, passed up and down. The store itself was indescribable. Will Henderson once said of it that it sold everything and nothing. In the window facing Maumee Street stood a chunk of coal as large as an apple barrel, to indicate that orders for coal were taken, and beside the black mass of the coal stood three combs of honey grown brown and dirty in their wooden frames.

The honey had stood in the store window for six months. It was for sale as were also the coat hangers, patent suspender buttons, cans of roof paint, bottles of rheumatism cure, and a substitute for coffee that companioned the honey in its patient willingness to serve the public.

Ebenezer Cowley, the man who stood in the store listening to the eager patter of words that fell from the lips of the traveling man, was tall and lean and looked unwashed. On his scrawny neck was a large wen partially covered by a grey beard. He wore a long Prince Albert coat. The coat had been purchased to serve as a wedding garment. Before he became a merchant Ebenezer was a farmer and after his marriage he wore the Prince Albert coat to church on Sundays and on Saturday afternoons when he came into town to trade. When he sold the farm to become a merchant he wore the coat constantly. It had become brown with age and was covered with grease spots, but in it Ebenezer always felt dressed up and ready for the day in town.

As a merchant Ebenezer was not happily placed in life and he had not been happily placed as a farmer. Still he existed. His family, consisting of a daughter named Mabel and the son, lived with him in rooms above the store and it did not cost them much to live. His troubles were not financial. His unhappiness as a merchant lay in the fact that when a traveling man with wares to be sold came in at the front door he was afraid. Behind the counter he stood shaking his head. He was afraid, first that he would stubbornly refuse to buy and thus lose the opportunity to sell again; second that he would not be stubborn enough and would in a moment of weakness buy what could not be sold.

In the store on the morning when Elmer Cowley saw George Willard standing and apparently listening at the back door of the Eagle printshop, a situation had arisen that always stirred the son's wrath. The traveling man talked and Ebenezer listened, his whole figure expressing uncertainty. "You see how quickly it is done," said the traveling man, who had for sale a small flat metal substitute for collar buttons. With one hand he quickly unfastened a collar from his shirt and then fastened it on again. He assumed a flattering wheedling tone. "I tell you what, men have come to the end of all this fooling with collar buttons and you are the man to make money out of the change that is coming. I am offering you the exclusive agency for this town. Take twenty dozen of these fasteners and I'll not visit any other store. I'll leave the field to you."

The traveling man leaned over the counter and tapped with his finger on Ebenezer's breast. "It's an opportunity and I want you to take it," he urged. "A friend of mine told me about you. 'See that man Cowley,' he said. 'He's a live one.'"

The traveling man paused and waited. Taking a book from his pocket he began writing out the order. Still holding the sh— in his hand Elmer Cowley went through the store, past the two absorbed men, to a glass showcase near the front door. He took a cheap revolver from the case and began to wave it about. "You get out of here!" he shrieked. "We don't want any collar fasteners here." An idea came to him. "Mind, I'm not making any threat," he added. "I don't say I'll shoot. Maybe I just took this gun out of the case to look at it. But you better get out. Yes sir, I'll say that. You better grab up your things and get out."

The young storekeeper's voice rose to a scream and going behind the counter he began to advance upon the two men. "We're through being fools here!" he cried. "We ain't going to buy any more stuff until we begin to sell. We ain't going to keep on being queer and have folks staring and listening. You get out of here!"

The traveling man left. Raking the samples of collar fasteners off the counter into a black leather bag, he ran. He was a small man and very bow-legged and he ran awkwardly. The black bag caught against the door and he stumbled and fell. "Crazy, that's what he is-crazy!" he sputtered as he arose from the sidewalk and hurried away.

In the store Elmer Cowley and his father stared at each other. Now that the immediate object of his wrath had fled, the younger man was embarrassed. "Well, I meant it. I think we've been queer long enough," he declared, going to the showcase and replacing the revolver. Sitting on a barrel he pulled on and fastened the sh— he had been holding in his hand. He was waiting for some word of understanding from his father but when Ebenezer spoke his words only served to reawaken the wrath in the son and the young man ran out of the store without replying. Scratching his grey beard with his long dirty fingers, the merchant looked at his son with the same wavering uncertain stare with which he had confronted the traveling man. "I'll be starched," he said softly. "Well, well, I'll be washed and ironed and starched!"

Elmer Cowley went out of Winesburg and along a country road that paralleled the railroad track. He did not know where he was going or what he was going to do. In the shelter of a deep cut where the road, after turning sharply to the right, dipped under the tracks he stopped and the passion that had been the cause of his outburst in the store began to again find expression. "I will not be queer-one to be looked at and listened to," he declared aloud. "I'll be like other people. I'll show that George Willard. He'll find out. I'll show him!"

The distraught young man stood in the middle of the road and glared back at the town. He did not know the reporter George Willard and had no special feeling concerning the tall boy who ran about town gathering the town news. The reporter had merely come, by his presence in the office and in the printshop of the Winesburg Eagle, to stand for something in the young merchant's mind. He thought the boy who passed and repassed Cowley & Son's store and who stopped to talk to people in the street must be thinking of him and perhaps laughing at him. George Willard, he felt, belonged to the town, typified the town, represented in his person the spirit of the town. Elmer Cowley could not have believed that George Willard had also his days of unhappiness, that vague hungers and secret unnamable desires visited also his mind. Did he not represent public opinion and had not the public opinion of Winesburg condemned the Cowleys to queerness? Did he not walk whistling and laughing through Main Street? Might not one by striking his person strike also the greater enemy-the thing that smiled and went its own way-the judgment of Winesburg?

Elmer Cowley was extraordinarily tall and his arms were long and powerful. His hair, his eyebrows, and the downy beard that had begun to grow upon his chin, were pale almost to whiteness. His teeth protruded from between his lips and his eyes were blue with the colorless blueness of the marbles called "aggies" that the boys of Winesburg carried in their pockets. Elmer had lived in Winesburg for a year and had made no friends. He was, he felt, one condemned to go through life without friends and he hated the thought.

Sullenly the tall young man tramped along the road with his hands stuffed into his trouser pockets. The day was cold with a raw wind, but presently the sun began to shine and the road became soft and muddy. The tops of the ridges of frozen mud that formed the road began to melt and the mud clung to Elmer's sh—s. His feet became cold. When he had gone several miles he turned off the road, crossed a field and entered a wood. In the wood he gathered sticks to build a fire, by which he sat trying to warm himself, miserable in body and in mind.

For two hours he sat on the log by the fire and then, arising and creeping cautiously through a mass of underbrush, he went to a fence and looked across fields to a small farmhouse surrounded by low sheds. A smile came to his lips and he began making motions with his long arms to a man who was husking corn in one of the fields.

In his hour of misery the young merchant had returned to the farm where he had lived through boyhood and where there was another human being to whom he felt he could explain himself. The man on the farm was a half-witted old fellow named Mook. He had once been employed by Ebenezer Cowley and had stayed on the farm when it was sold. The old man lived in one of the unpainted sheds back of the farmhouse and puttered about all day in the fields.

Mook the half-wit lived happily. With childlike faith he believed in the intelligence of the animals that lived in the sheds with him, and when he was lonely held long conversations with the cows, the pigs, and even with the chickens that ran about the barnyard. He it was who had put the expression regarding being "laundered" into the mouth of his former employer. When excited or surprised by anything he smiled vaguely and muttered: "I'll be washed and ironed. Well, well, I'll be washed and ironed and starched."

When the half-witted old man left his husking of corn and came into the wood to meet Elmer Cowley, he was neither surprised nor especially interested in the sudden appearance of the young man. His feet also were cold and he sat on the log by the fire, grateful for the warmth and apparently indifferent to what Elmer had to say.

Elmer talked earnestly and with great freedom, walking up and down and waving his arms about. "You don't understand what's the matter with me so of course you don't care," he declared. "With me it's different. Look how it has always been with me. Father is queer and mother was queer, too. Even the clothes mother used to wear were not like other people's clothes, and look at that coat in which father g—s about there in town, thinking he's dressed up, too. Why don't he get a new one? It wouldn't cost much. I'll tell you why. Father d—sn't know and when mother was alive she didn't know either. Mabel is different. She knows but she won't say anything. I will, though. I'm not going to be stared at any longer. Why look here, Mook, father d—sn't know that his store there in town is just a queer jumble, that he'll never sell the stuff he buys. He knows nothing about it. Sometimes he's a little worried that trade d—sn't come and then he g—s and buys something else. In the evenings he sits by the fire upstairs and says trade will come after a while. He isn't worried. He's queer. He d—sn't know enough to be worried."

The excited young man became more excited. "He don't know but I know," he shouted, stopping to gaze down into the dumb, unresponsive face of the half-wit. "I know too well. I can't stand it. When we lived out here it was different. I worked and at night I went to bed and slept. I wasn't always seeing people and thinking as I am now. In the evening, there in town, I go to the post office or to the depot to see the train come in, and no one says anything to me. Everyone stands around and laughs and they talk but they say nothing to me. Then I feel so queer that I can't talk either. I go away. I don't say anything. I can't."

The fury of the young man became uncontrollable. "I won't stand it," he yelled, looking up at the bare branches of the trees. "I'm not made to stand it."

Maddened by the dull face of the man on the log by the fire, Elmer turned and glared at him as he had glared back along the road at the town of Winesburg. "Go on back to work," he screamed. "What good d—s it do me to talk to you?" A thought came to him and his voice dropped. "I'm a coward too, eh?" he muttered. "Do you know why I came clear out here afoot? I had to tell someone and you were the only one I could tell. I hunted out another queer one, you see. I ran away, that's what I did. I couldn't stand up to someone like that George Willard. I had to come to you. I ought to tell him and I will."

Again his voice arose to a shout and his arms flew about. "I will tell him. I won't be queer. I don't care what they think. I won't stand it."

Elmer Cowley ran out of the woods leaving the half-wit sitting on the log before the fire. Presently the old man arose and climbing over the fence went back to his work in the corn. "I'll be washed and ironed and starched," he declared. "Well, well, I'll be washed and ironed." Mook was interested. He went along a lane to a field where two cows stood nibbling at a straw stack. "Elmer was here," he said to the cows. "Elmer is crazy. You better get behind the stack where he don't see you. He'll hurt someone yet, Elmer will."

At eight o'clock that evening Elmer Cowley put his head in at the front door of the office of the Winesburg Eagle where George Willard sat writing. His cap was pulled down over his eyes and a sullen determined look was on his face. "You come on outside with me," he said, stepping in and closing the door. He kept his hand on the knob as though prepared to resist anyone else coming in. "You just come along outside. I want to see you."

George Willard and Elmer Cowley walked through the main street of Winesburg. The night was cold and George Willard had on a new overcoat and looked very spruce and dressed up. He thrust his hands into the overcoat pockets and looked inquiringly at his companion. He had long been wanting to make friends with the young merchant and find out what was in his mind. Now he thought he saw a chance and was delighted. "I wonder what he's up to? Perhaps he thinks he has a piece of news for the paper. It can't be a fire because I haven't heard the fire bell and there isn't anyone running," he thought.

In the main street of Winesburg, on the cold November evening, but few citizens appeared and these hurried along bent on getting to the stove at the back of some store. The windows of the stores were frosted and the wind rattled the tin sign that hung over the entrance to the stairway leading to Doctor Welling's office. Before Hern's Grocery a basket of apples and a rack filled with new brooms stood on the sidewalk. Elmer Cowley stopped and stood facing George Willard. He tried to talk and his arms began to pump up and down. His face worked spasmodically. He seemed about to shout. "Oh, you go on back," he cried. "Don't stay out here with me. I ain't got anything to tell you. I don't want to see you at all."

For three hours the distracted young merchant wandered through the resident streets of Winesburg blind with anger, brought on by his failure to declare his determination not to be queer. Bitterly the sense of defeat settled upon him and he wanted to weep. After the hours of futile sputtering at nothingness that had occupied the afternoon and his failure in the presence of the young reporter, he thought he could see no hope of a future for himself.

And then a new idea dawned for him. In the darkness that surrounded him he began to see a light. Going to the now darkened store, where Cowley & Son had for over a year waited vainly for trade to come, he crept stealthily in and felt about in a barrel that stood by the stove at the rear. In the barrel beneath shavings lay a tin box containing Cowley & Son's cash. Every evening Ebenezer Cowley put the box in the barrel when he closed the store and went upstairs to bed. "They wouldn't never think of a careless place like that," he told himself, thinking of robbers.

Elmer took twenty dollars, two ten-dollar bills, from the little roll containing perhaps four hundred dollars, the cash left from the sale of the farm. Then replacing the box beneath the shavings he went quietly out at the front door and walked again in the streets.

The idea that he thought might put an end to all of his unhappiness was very simple. "I will get out of here, run away from home," he told himself. He knew that a local freight train passed through Winesburg at midnight and went on to Cleveland, where it arrived at dawn. He would steal a ride on the local and when he got to Cleveland would lose himself in the crowds there. He would get work in some shop and become friends with the other workmen and would be indistinguishable. Then he could talk and laugh. He would no longer be queer and would make friends. Life would begin to have warmth and meaning for him as it had for others.

The tall awkward young man, striding through the streets, laughed at himself because he had been angry and had been half afraid of George Willard. He decided he would have his talk with the young reporter before he left town, that he would tell him about things, perhaps challenge him, challenge all of Winesburg through him.

Aglow with new confidence Elmer went to the office of the New Willard House and pounded on the door. A sleep-eyed boy slept on a cot in the office. He received no salary but was fed at the hotel table and bore with pride the title of "night clerk." Before the boy Elmer was bold, insistent. "You 'wake him up," he commanded. "You tell him to come down by the depot. I got to see him and I'm going away on the local. Tell him to dress and come on down. I ain't got much time."

The midnight local had finished its work in Winesburg and the trainsmen were coupling cars, swinging lanterns and preparing to resume their flight east. George Willard, rubbing his eyes and again wearing the new overcoat, ran down to the station platform afire with curiosity. "Well, here I am. What do you want? You've got something to tell me, eh?" he said.

Elmer tried to explain. He wet his lips with his tongue and looked at the train that had begun to groan and get under way. "Well, you see," he began, and then lost control of his tongue. "I'll be washed and ironed. I'll be washed and ironed and starched," he muttered half incoherently.

Elmer Cowley danced with fury beside the groaning train in the darkness on the station platform. Lights leaped into the air and bobbed up and down before his eyes. Taking the two ten-dollar bills from his pocket he thrust them into George Willard's hand. "Take them," he cried. "I don't want them. Give them to father. I stole them." With a snarl of rage he turned and his long arms began to flay the air. Like one struggling for release from hands that held him he struck out, hitting George Willard blow after blow on the breast, the neck, the mouth. The young reporter rolled over on the platform half unconscious, stunned by the terrific force of the blows. Springing aboard the passing train and running over the tops of cars, Elmer sprang down to a flat car and lying on his face looked back, trying to see the fallen man in the darkness. Pride surged up in him. "I showed him," he cried. "I guess I showed him. I ain't so queer. I guess I showed him I ain't so queer."

The Untold Lie

Ray Pearson and Hal Winters were farm hands employed on a farm three miles north of Winesburg. On Saturday afternoons they came into town and wandered about through the streets with other fellows from the country.

Ray was a quiet, rather nervous man of perhaps fifty with a brown beard and shoulders rounded by too much and too hard labor. In his nature he was as unlike Hal Winters as two men can be unlike.

Ray was an altogether serious man and had a little sharp-featured wife who had also a sharp voice. The two, with half a dozen thin-legged children, lived in a tumble-down frame house beside a creek at the back end of the Wills farm where Ray was employed.

Hal Winters, his fellow employee, was a young fellow. He was not of the Ned Winters family, who were very respectable people in Winesburg, but was one of the three sons of the old man called Windpeter Winters who had a sawmill near Unionville, six miles away, and who was looked upon by everyone in Winesburg as a confirmed old reprobate.

People from the part of Northern Ohio in which Winesburg lies will remember old Windpeter by his unusual and tragic death. He got drunk one evening in town and started to drive home to Unionville along the railroad tracks. Henry Brattenburg, the butcher, who lived out that way, stopped him at the edge of the town and told him he was sure to meet the down train but Windpeter slashed at him with his whip and drove on. When the train struck and killed him and his two horses a farmer and his wife who were driving home along a nearby road saw the accident. They said that old Windpeter stood up on the seat of his wagon, raving and swearing at the onrushing locomotive, and that he fairly screamed with delight when the team, maddened by his incessant slashing at them, rushed straight ahead to certain death. Boys like young George Willard and Seth Richmond will remember the incident quite vividly because, although everyone in our town said that the old man would go straight to hell and that the community was better off without him, they had a secret conviction that he knew what he was doing and admired his foolish courage. Most boys have seasons of wishing they could die gloriously instead of just being grocery clerks and going on with their humdrum lives.

But this is not the story of Windpeter Winters nor yet of his son Hal who worked on the Wills farm with Ray Pearson. It is Ray's story. It will, however, be necessary to talk a little of young Hal so that you will get into the spirit of it.

Hal was a bad one. Everyone said that. There were three of the Winters boys in that family, John, Hal, and Edward, all broad-shouldered big fellows like old Windpeter himself and all fighters and woman-chasers and generally all-around bad ones.

Hal was the worst of the lot and always up to some devilment. He once stole a load of boards from his father's mill and sold them in Winesburg. With the money he bought himself a suit of cheap, flashy clothes. Then he got drunk and when his father came raving into town to find him, they met and fought with their fists on Main Street and were arrested and put into jail together.

Hal went to work on the Wills farm because there was a country school teacher out that way who had taken his fancy. He was only twenty-two then but had already been in two or three of what were spoken of in Winesburg as "women scrapes." Everyone who heard of his infatuation for the school teacher was sure it would turn out badly. "He'll only get her into trouble, you'll see," was the word that went around.

And so these two men, Ray and Hal, were at work in a field on a day in the late October. They were husking corn and occasionally something was said and they laughed. Then came silence. Ray, who was the more sensitive and always minded things more, had chapped hands and they hurt. He put them into his coat pockets and looked away across the fields. He was in a sad, distracted mood and was affected by the beauty of the country. If you knew the Winesburg country in the fall and how the low hills are all splashed with yellows and reds you would understand his feeling. He began to think of the time, long ago when he was a young fellow living with his father, then a baker in Winesburg, and how on such days he had wandered away into the woods to gather nuts, hunt rabbits, or just to loaf about and smoke his pipe. His marriage had come about through one of his days of wandering. He had induced a girl who waited on trade in his father's shop to go with him and something had happened. He was thinking of that afternoon and how it had affected his whole life when a spirit of protest awoke in him. He had forgotten about Hal and muttered words. "Tricked by Gad, that's what I was, tricked by life and made a fool of," he said in a low voice.

As though understanding his thoughts, Hal Winters spoke up. "Well, has it been worth while? What about it, eh? What about marriage and all that?" he asked and then laughed. Hal tried to keep on laughing but he too was in an earnest mood. He began to talk earnestly. "Has a fellow got to do it?" he asked. "Has he got to be harnessed up and driven through life like a horse?"

Hal didn't wait for an answer but sprang to his feet and began to walk back and forth between the corn shocks. He was getting more and more excited. Bending down suddenly he picked up an ear of the yellow corn and threw it at the fence. "I've got Nell Gunther in trouble," he said. "I'm telling you, but you keep your mouth shut."

Ray Pearson arose and stood staring. He was almost a foot shorter than Hal, and when the younger man came and put his two hands on the older man's shoulders they made a picture. There they stood in the big empty field with the quiet corn shocks standing in rows behind them and the red and yellow hills in the distance, and from being just two indifferent workmen they had become all alive to each other. Hal sensed it and because that was his way he laughed. "Well, old daddy," he said awkwardly, "come on, advise me. I've got Nell in trouble. Perhaps you've been in the same fix yourself. I know what everyone would say is the right thing to do, but what do you say? Shall I marry and settle down? Shall I put myself into the harness to be worn out like an old horse? You know me, Ray. There can't anyone break me but I can break myself. Shall I do it or shall I tell Nell to go to the devil? Come on, you tell me. Whatever you say, Ray, I'll do."

Ray couldn't answer. He shook Hal's hands loose and turning walked straight away toward the barn. He was a sensitive man and there were tears in his eyes. He knew there was only one thing to say to Hal Winters, son of old Windpeter Winters, only one thing that all his own training and all the beliefs of the people he knew would approve, but for his life he couldn't say what he knew he should say.

At half-past four that afternoon Ray was puttering about the barnyard when his wife came up the lane along the creek and called him. After the talk with Hal he hadn't returned to the cornfield but worked about the barn. He had already done the evening chores and had seen Hal, dressed and ready for a roistering night in town, come out of the farmhouse and go into the road. Along the path to his own house he trudged behind his wife, looking at the ground and thinking. He couldn't make out what was wrong. Every time he raised his eyes and saw the beauty of the country in the failing light he wanted to do something he had never done before, shout or scream or hit his wife with his fists or something equally unexpected and terrifying. Along the path he went scratching his head and trying to make it out. He looked hard at his wife's back but she seemed all right.

She only wanted him to go into town for groceries and as soon as she had told him what she wanted began to scold. "You're always puttering," she said. "Now I want you to hustle. There isn't anything in the house for supper and you've got to get to town and back in a hurry."

Ray went into his own house and took an overcoat from a hook back of the door. It was torn about the pockets and the collar was shiny. His wife went into the bedroom and presently came out with a soiled cloth in one hand and three silver dollars in the other. Somewhere in the house a child wept bitterly and a dog that had been sleeping by the stove arose and yawned. Again the wife scolded. "The children will cry and cry. Why are you always puttering?" she asked.

Ray went out of the house and climbed the fence into a field. It was just growing dark and the scene that lay before him was lovely. All the low hills were washed with color and even the little clusters of bushes in the corners of the fences were alive with beauty. The whole world seemed to Ray Pearson to have become alive with something just as he and Hal had suddenly become alive when they stood in the corn field stating into each other's eyes.

The beauty of the country about Winesburg was too much for Ray on that fall evening. That is all there was to it. He could not stand it. Of a sudden he forgot all about being a quiet old farm hand and throwing off the torn overcoat began to run across the field. As he ran he shouted a protest against his life, against all life, against everything that makes life ugly. "There was no promise made," he cried into the empty spaces that lay about him. "I didn't promise my Minnie anything and Hal hasn't made any promise to Nell. I know he hasn't. She went into the woods with him because she wanted to go. What he wanted she wanted. Why should I pay? Why should Hal pay? Why should anyone pay? I don't want Hal to become old and worn out. I'll tell him. I won't let it go on. I'll catch Hal before he gets to town and I'll tell him."

Ray ran clumsily and once he stumbled and fell down. "I must catch Hal and tell him," he kept thinking, and although his breath came in gasps he kept running harder and harder. As he ran he thought of things that hadn't come into his mind for years-how at the time he married he had planned to go west to his uncle in Portland, Oregon-how he hadn't wanted to be a farm hand, but had thought when he got out West he would go to sea and be a sailor or get a job on a ranch and ride a horse into Western towns, shouting and laughing and waking the people in the houses with his wild cries. Then as he ran he remembered his children and in fancy felt their hands clutching at him. All of his thoughts of himself were involved with the thoughts of Hal and he thought the children were clutching at the younger man also. "They are the accidents of life, Hal," he cried. "They are not mine or yours. I had nothing to do with them."

Darkness began to spread over the fields as Ray Pearson ran on and on. His breath came in little sobs. When he came to the fence at the edge of the road and confronted Hal Winters, all dressed up and smoking a pipe as he walked jauntily along, he could not have told what he thought or what he wanted.

Ray Pearson lost his nerve and this is really the end of the story of what happened to him. It was almost dark when he got to the fence and he put his hands on the top bar and stood staring. Hal Winters jumped a ditch and coming up close to Ray put his hands into his pockets and laughed. He seemed to have lost his own sense of what had happened in the corn field and when he put up a strong hand and took hold of the lapel of Ray's coat he shook the old man as he might have shaken a dog that had misbehaved.

"You came to tell me, eh?" he said. "Well, never mind telling me anything. I'm not a coward and I've already made up my mind." He laughed again and jumped back across the ditch. "Nell ain't no fool," he said. "She didn't ask me to marry her. I want to marry her. I want to settle down and have kids."

Ray Pearson also laughed. He felt like laughing at himself and all the world.

As the form of Hal Winters disappeared in the dusk that lay over the road that led to Winesburg, he turned and walked slowly back across the fields to where he had left his torn overcoat. As he went some memory of pleasant evenings spent with the thin-legged children in the tumble-down house by the creek must have come into his mind, for he muttered words. "It's just as well. Whatever I told him would have been a lie," he said softly, and then his form also disappeared into the darkness of the fields.

Drink

Tom Foster came to Winesburg from Cincinnati when he was still young and could get many new impressions. His grandmother had been raised on a farm near the town and as a young girl had gone to school there when Winesburg was a village of twelve or fifteen houses clustered about a general store on the Trunion Pike.

What a life the old woman had led since she went away from the frontier settlement and what a strong, capable little old thing she was! She had been in Kansas, in Canada, and in New York City, traveling about with her husband, a mechanic, before he died. Later she went to stay with her daughter, who had also married a mechanic and lived in Covington, Kentucky, across the river from Cincinnati.

Then began the hard years for Tom Foster's grandmother. First her son-in-law was killed by a policeman during a strike and then Tom's mother became an invalid and died also. The grandmother had saved a little money, but it was swept away by the illness of the daughter and by the cost of the two funerals. She became a half worn-out old woman worker and lived with the grandson above a junk shop on a side street in Cincinnati. For five years she scrubbed the floors in an office building and then got a place as dish washer in a restaurant. Her hands were all twisted out of shape. When she took hold of a mop or a broom handle the hands looked like the dried stems of an old creeping vine clinging to a tree.

The old woman came back to Winesburg as soon as she got the chance. One evening as she was coming home from work she found a pocket-book containing thirty-seven dollars, and that opened the way. The trip was a great adventure for the boy. It was past seven o'clock at night when the grandmother came home with the pocket-book held tightly in her old hands and she was so excited she could scarcely speak. She insisted on leaving Cincinnati that night, saying that if they stayed until morning the owner of the money would be sure to find them out and make trouble. Tom, who was then sixteen years old, had to go trudging off to the station with the old woman, bearing all of their earthly belongings done up in a worn-out blanket and slung across his back. By his side walked the grandmother urging him forward. Her toothless old mouth twitched nervously, and when Tom grew weary and wanted to put the pack down at a street crossing, she snatched it up and if he had not prevented would have slung it across her own back. When they got into the train and it had run out of the city she was as delighted as a girl and talked as the boy had never heard her talk before.

All through the night as the train rattled along, the grandmother told Tom tales of Winesburg and of how he would enjoy his life working in the fields and shooting wild things in the woods there. She could not believe that the tiny village of fifty years before had grown into a thriving town in her absence, and in the morning when the train came to Winesburg did not want to get off. "It isn't what I thought. It may be hard for you here," she said, and then the train went on its way and the two stood confused, not knowing where to turn, in the presence of Albert Longworth, the Winesburg baggage master.

But Tom Foster did get along all right. He was one to get along anywhere. Mrs. White, the banker's wife, employed his grandmother to work in the kitchen and he got a place as stable boy in the banker's new brick barn.

In Winesburg servants were hard to get. The woman who wanted help in her housework employed a "hired girl" who insisted on sitting at the table with the family. Mrs. White was sick of hired girls and snatched at the chance to get hold of the old city woman. She furnished a room for the boy Tom upstairs in the barn. "He can mow the lawn and run errands when the horses do not need attention," she explained to her husband.

Tom Foster was rather small for his age and had a large head covered with stiff black hair that stood straight up. The hair emphasized the bigness of his head. His voice was the softest thing imaginable, and he was himself so gentle and quiet that he slipped into the life of the town without attracting the least bit of attention.

One could not help wondering where Tom Foster got his gentleness. In Cincinnati he had lived in a neighborhood where gangs of tough boys prowled through the streets, and all through his early formative years he ran about with tough boys. For a while he was a messenger for a telegraph company and delivered messages in a neighborhood sprinkled with houses of prostitution. The women in the houses knew and loved Tom Foster and the tough boys in the gangs loved him also.

He never asserted himself. That was one thing that helped him escape. In an odd way he stood in the shadow of the wall of life, was meant to stand in the shadow. He saw the men and women in the houses of lust, sensed their casual and horrible love affairs, saw boys fighting and listened to their tales of thieving and drunkenness, unmoved and strangely unaffected.

Once Tom did steal. That was while he still lived in the city. The grandmother was ill at the time and he himself was out of work. There was nothing to eat in the house, and so he went into a harness shop on a side street and stole a dollar and seventy-five cents out of the cash drawer.

The harness shop was run by an old man with a long mustache. He saw the boy lurking about and thought nothing of it. When he went out into the street to talk to a teamster Tom opened the cash drawer and taking the money walked away. Later he was caught and his grandmother settled the matter by offering to come twice a week for a month and scrub the shop. The boy was ashamed, but he was rather glad, too. "It is all right to be ashamed and makes me understand new things," he said to the grandmother, who didn't know what the boy was talking about but loved him so much that it didn't matter whether she understood or not.

For a year Tom Foster lived in the banker's stable and then lost his place there. He didn't take very good care of the horses and he was a constant source of irritation to the banker's wife. She told him to mow the lawn and he forgot. Then she sent him to the store or to the post office and he did not come back but joined a group of men and boys and spent the whole afternoon with them, standing about, listening and occasionally, when addressed, saying a few words. As in the city in the houses of prostitution and with the rowdy boys running through the streets at night, so in Winesburg among its citizens he had always the power to be a part of and yet distinctly apart from the life about him.

After Tom lost his place at Banker White's he did not live with his grandmother, although often in the evening she came to visit him. He rented a room at the rear of a little frame building belonging to old Rufus Whiting. The building was on Duane Street, just off Main Street, and had been used for years as a law office by the old man, who had become too feeble and forgetful for the practice of his profession but did not realize his inefficiency. He liked Tom and let him have the room for a dollar a month. In the late afternoon when the lawyer had gone home the boy had the place to himself and spent hours lying on the floor by the stove and thinking of things. In the evening the grandmother came and sat in the lawyer's chair to smoke a pipe while Tom remained silent, as he always, did in the presence of everyone.

Often the old woman talked with great vigor. Sometimes she was angry about some happening at the banker's house and scolded away for hours. Out of her own earnings she bought a mop and regularly scrubbed the lawyer's office. Then when the place was spotlessly clean and smelled clean she lighted her clay pipe and she and Tom had a smoke together. "When you get ready to die then I will die also," she said to the boy lying on the floor beside her chair.

Tom Foster enjoyed life in Winesburg. He did odd jobs, such as cutting wood for kitchen stoves and mowing the grass before houses. In late May and early June he picked strawberries in the fields. He had time to loaf and he enjoyed loafing. Banker White had given him a cast-off coat which was too large for him, but his grandmother cut it down, and he had also an overcoat, got at the same place, that was lined with fur. The fur was worn away in spots, but the coat was warm and in the winter Tom slept in it. He thought his method of getting along good enough and was happy and satisfied with the way life in Winesburg had turned out for him.

The most absurd little things made Tom Foster happy. That, I suppose, was why people loved him. In Hern's Grocery they would be roasting coffee on Friday afternoon, preparatory to the Saturday rush of trade, and the rich odor invaded lower Main Street. Tom Foster appeared and sat on a box at the rear of the store. For an hour he did not move but sat perfectly still, filling his being with the spicy odor that made him half drunk with happiness. "I like it," he said gently. "It makes me think of things far away, places and things like that."

One night Tom Foster got drunk. That came about in a curious way. He never had been drunk before, and indeed in all his life had never taken a drink of anything intoxicating, but he felt he needed to be drunk that one time and so went and did it.

In Cincinnati, when he lived there, Tom had found out many things, things about ugliness and crime and lust. Indeed, he knew more of these things than anyone else in Winesburg. The matter of sex in particular had presented itself to him in a quite horrible way and had made a deep impression on his mind. He thought, after what he had seen of the women standing before the squalid houses on cold nights and the look he had seen in the eyes of the men who stopped to talk to them, that he would put sex altogether out of his own life. One of the women of the neighborhood tempted him once and he went into a room with her. He never forgot the smell of the room nor the greedy look that came into the eyes of the woman. It sickened him and in a very terrible way left a scar on his soul. He had always before thought of women as quite innocent things, much like his grandmother, but after that one experience in the room he dismissed women from his mind. So gentle was his nature that he could not hate anything and not being able to understand he decided to forget.

And Tom did forget until he came to Winesburg. After he had lived there for two years something began to stir in him. On all sides he saw youth making love and he was himself a youth. Before he knew what had happened he was in love also. He fell in love with Helen White, daughter of the man for whom he had worked, and found himself thinking of her at night.

That was a problem for Tom and he settled it in his own way. He let himself think of Helen White whenever her figure came into his mind and only concerned himself with the manner of his thoughts. He had a fight, a quiet determined little fight of his own, to keep his desires in the channel where he thought they belonged, but on the whole he was victorious.

And then came the spring night when he got drunk. Tom was wild on that night. He was like an innocent young buck of the forest that has eaten of some maddening weed. The thing began, ran its course, and was ended in one night, and you may be sure that no one in Winesburg was any the worse for Tom's outbreak.

In the first place, the night was one to make a sensitive nature drunk. The trees along the residence streets of the town were all newly clothed in soft green leaves, in the gardens behind the houses men were puttering about in vegetable gardens, and in the air there was a hush, a waiting kind of silence very stirring to the blood.

Tom left his room on Duane Street just as the young night began to make itself felt. First he walked through the streets, going softly and quietly along, thinking thoughts that he tried to put into words. He said that Helen White was a flame dancing in the air and that he was a little tree without leaves standing out sharply against the sky. Then he said that she was a wind, a strong terrible wind, coming out of the darkness of a stormy sea and that he was a boat left on the shore of the sea by a fisherman.

That idea pleased the boy and he sauntered along playing with it. He went into Main Street and sat on the curbing before Wacker's tobacco store. For an hour he lingered about listening to the talk of men, but it did not interest him much and he slipped away. Then he decided to get drunk and went into Willy's saloon and bought a bottle of whiskey. Putting the bottle into his pocket, he walked out of town, wanting to be alone to think more thoughts and to drink the whiskey.

Tom got drunk sitting on a bank of new grass beside the road about a mile north of town. Before him was a white road and at his back an apple orchard in full bloom. He took a drink out of the bottle and then lay down on the grass. He thought of mornings in Winesburg and of how the stones in the graveled driveway by Banker White's house were wet with dew and glistened in the morning light. He thought of the nights in the barn when it rained and he lay awake hearing the drumming of the raindrops and smelling the warm smell of horses and of hay. Then he thought of a storm that had gone roaring through Winesburg several days before and, his mind going back, he relived the night he had spent on the train with his grandmother when the two were coming from Cincinnati. Sharply he remembered how strange it had seemed to sit quietly in the coach and to feel the power of the engine hurling the train along through the night.

Tom got drunk in a very short time. He kept taking drinks from the bottle as the thoughts visited him and when his head began to reel got up and walked along the road going away from Winesburg. There was a bridge on the road that ran out of Winesburg north to Lake Erie and the drunken boy made his way along the road to the bridge. There he sat down. He tried to drink again, but when he had taken the cork out of the bottle he became ill and put it quickly back. His head was rocking back and forth and so he sat on the stone approach to the bridge and sighed. His head seemed to be flying about like a pinwheel and then projecting itself off into space and his arms and legs flopped helplessly about.

At eleven o'clock Tom got back into town. George Willard found him wandering about and took him into the Eagle printshop. Then he became afraid that the drunken boy would make a mess on the floor and helped him into the alleyway.

The reporter was confused by Tom Foster. The drunken boy talked of Helen White and said he had been with her on the shore of a sea and had made love to her. George had seen Helen White walking in the street with her father during the evening and decided that Tom was out of his head. A sentiment concerning Helen White that lurked in his own heart flamed up and he became angry. "Now you quit that," he said. "I won't let Helen White's name be dragged into this. I won't let that happen." He began shaking Tom's shoulder, trying to make him understand. "You quit it," he said again.

For three hours the two young men, thus strangely thrown together, stayed in the printshop. When he had a little recovered George took Tom for a walk. They went into the country and sat on a log near the edge of a wood. Something in the still night drew them together and when the drunken boy's head began to clear they talked.

"It was good to be drunk," Tom Foster said. "It taught me something. I won't have to do it again. I will think more dearly after this. You see how it is."

George Willard did not see, but his anger concerning Helen White passed and he felt drawn toward the pale, shaken boy as he had never before been drawn toward anyone. With motherly solicitude, he insisted that Tom get to his feet and walk about. Again they went back to the printshop and sat in silence in the darkness.

The reporter could not get the purpose of Tom Foster's action straightened out in his mind. When Tom spoke again of Helen White he again grew angry and began to scold. "You quit that," he said sharply. "You haven't been with her. What makes you say you have? What makes you keep saying such things? Now you quit it, do you hear?"

Tom was hurt. He couldn't quarrel with George Willard because he was incapable of quarreling, so he got up to go away. When George Willard was insistent he put out his hand, laying it on the older boy's arm, and tried to explain.

"Well," he said softly, "I don't know how it was. I was happy. You see how that was. Helen White made me happy and the night did too. I wanted to suffer, to be hurt somehow. I thought that was what I should do. I wanted to suffer, you see, because everyone suffers and d—s wrong. I thought of a lot of things to do, but they wouldn't work. They all hurt someone else."

Tom Foster's voice arose, and for once in his life he became almost excited. "It was like making love, that's what I mean," he explained. "Don't you see how it is? It hurt me to do what I did and made everything strange. That's why I did it. I'm glad, too. It taught me something, that's it, that's what I wanted. Don't you understand? I wanted to learn things, you see. That's why I did it."

Death

The stairway leading up to Doctor Reefy's office, in the Heffner Block above the Paris Dry Goods store, was but dimly lighted. At the head of the stairway hung a lamp with a dirty chimney that was fastened by a bracket to the wall. The lamp had a tin reflector, brown with rust and covered with dust. The people who went up the stairway followed with their feet the feet of many who had gone before. The soft boards of the stairs had yielded under the pressure of feet and deep hollows marked the way.

At the top of the stairway a turn to the right brought you to the doctor's door. To the left was a dark hallway filled with rubbish. Old chairs, carpenter's horses, step ladders and empty boxes lay in the darkness waiting for shins to be barked. The pile of rubbish belonged to the Paris Dry Goods Company. When a counter or a row of shelves in the store became useless, clerks carried it up the stairway and threw it on the pile.

Doctor Reefy's office was as large as a barn. A stove with a round paunch sat in the middle of the room. Around its base was piled sawdust, held in place by heavy planks nailed to the floor. By the door stood a huge table that had once been a part of the furniture of Herrick's Clothing Store and that had been used for displaying custom-made clothes. It was covered with books, bottles, and surgical instruments. Near the edge of the table lay three or four apples left by John Spaniard, a tree nurseryman who was Doctor Reefy's friend, and who had slipped the apples out of his pocket as he came in at the door.

At middle age Doctor Reefy was tall and awkward. The grey beard he later wore had not yet appeared, but on the upper lip grew a brown mustache. He was not a graceful man, as when he grew older, and was much occupied with the problem of disposing of his hands and feet.

On summer afternoons, when she had been married many years and when her son George was a boy of twelve or fourteen, Elizabeth Willard sometimes went up the worn steps to Doctor Reefy's office. Already the woman's naturally tall figure had begun to droop and to drag itself listlessly about. Ostensibly she went to see the doctor because of her health, but on the half dozen occasions when she had been to see him the outcome of the visits did not primarily concern her health. She and the doctor talked of that but they talked most of her life, of their two lives and of the ideas that had come to them as they lived their lives in Winesburg.

In the big empty office the man and the woman sat looking at each other and they were a good deal alike. Their bodies were different, as were also the color of their eyes, the length of their noses, and the circumstances of their existence, but something inside them meant the same thing, wanted the same release, would have left the same impression on the memory of an onlooker. Later, and when he grew older and married a young wife, the doctor often talked to her of the hours spent with the sick woman and expressed a good many things he had been unable to express to Elizabeth. He was almost a p—t in his old age and his notion of what happened took a p—tic turn. "I had come to the time in my life when prayer became necessary and so I invented gods and prayed to them," he said. "I did not say my prayers in words nor did I kneel down but sat perfectly still in my chair. In the late afternoon when it was hot and quiet on Main Street or in the winter when the days were gloomy, the gods came into the office and I thought no one knew about them. Then I found that this woman Elizabeth knew, that she worshipped also the same gods. I have a notion that she came to the office because she thought the gods would be there but she was happy to find herself not alone just the same. It was an experience that cannot be explained, although I suppose it is always happening to men and women in all sorts of places."

* * *

On the summer afternoons when Elizabeth and the doctor sat in the office and talked of their two lives they talked of other lives also. Sometimes the doctor made philosophic epigrams. Then he chuckled with amusement. Now and then after a period of silence, a word was said or a hint given that strangely illuminated the life of the speaker, a wish became a desire, or a dream, half dead, flared suddenly into life. For the most part the words came from the woman and she said them without looking at the man.

Each time she came to see the doctor the hotel keeper's wife talked a little more freely and after an hour or two in his presence went down the stairway into Main Street feeling renewed and strengthened against the dullness of her days. With something approaching a girlhood swing to her body she walked along, but when she had got back to her chair by the window of her room and when darkness had come on and a girl from the hotel dining room brought her dinner on a tray, she let it grow cold. Her thoughts ran away to her girlhood with its passionate longing for adventure and she remembered the arms of men that had held her when adventure was a possible thing for her. Particularly she remembered one who had for a time been her lover and who in the moment of his passion had cried out to her more than a hundred times, saying the same words madly over and over: "You dear! You dear! You lovely dear!" The words, she thought, expressed something she would have liked to have achieved in life.

In her room in the shabby old hotel the sick wife of the hotel keeper began to weep and, putting her hands to her face, rocked back and forth. The words of her one friend, Doctor Reefy, rang in her ears. "Love is like a wind stirring the grass beneath trees on a black night," he had said. "You must not try to make love definite. It is the divine accident of life. If you try to be definite and sure about it and to live beneath the trees, where soft night winds blow, the long hot day of disappointment comes swiftly and the gritty dust from passing wagons gathers upon lips inflamed and made tender by kisses."

Elizabeth Willard could not remember her mother who had died when she was but five years old. Her girlhood had been lived in the most haphazard manner imaginable. Her father was a man who had wanted to be let alone and the affairs of the hotel would not let him alone. He also had lived and died a sick man. Every day he arose with a cheerful face, but by ten o'clock in the morning all the joy had gone out of his heart. When a guest complained of the fare in the hotel dining room or one of the girls who made up the beds got married and went away, he stamped on the floor and swore. At night when he went to bed he thought of his daughter growing up among the stream of people that drifted in and out of the hotel and was overcome with sadness. As the girl grew older and began to walk out in the evening with men he wanted to talk to her, but when he tried was not successful. He always forgot what he wanted to say and spent the time complaining of his own affairs.

In her girlhood and young womanhood Elizabeth had tried to be a real adventurer in life. At eighteen life had so gripped her that she was no longer a virgin but, although she had a half dozen lovers before she married Tom Willard, she had never entered upon an adventure prompted by desire alone. Like all the women in the world, she wanted a real lover. Always there was something she sought blindly, passionately, some hidden wonder in life. The tall beautiful girl with the swinging stride who had walked under the trees with men was forever putting out her hand into the darkness and trying to get hold of some other hand. In all the babble of words that fell from the lips of the men with whom she adventured she was trying to find what would be for her the true word.

Elizabeth had married Tom Willard, a clerk in her father's hotel, because he was at hand and wanted to marry at the time when the determination to marry came to her. For a while, like most young girls, she thought marriage would change the face of life. If there was in her mind a doubt of the outcome of the marriage with Tom she brushed it aside. Her father was ill and near death at the time and she was perplexed because of the meaningless outcome of an affair in which she had just been involved. Other girls of her age in Winesburg were marrying men she had always known, grocery clerks or young farmers. In the evening they walked in Main Street with their husbands and when she passed they smiled happily. She began to think that the fact of marriage might be full of some hidden significance. Young wives with whom she talked spoke softly and shyly. "It changes things to have a man of your own," they said.

On the evening before her marriage the perplexed girl had a talk with her father. Later she wondered if the hours alone with the sick man had not led to her decision to marry. The father talked of his life and advised the daughter to avoid being led into another such muddle. He abused Tom Willard, and that led Elizabeth to come to the clerk's defense. The sick man became excited and tried to get out of bed. When she would not let him walk about he began to complain. "I've never been let alone," he said. "Although I've worked hard I've not made the hotel pay. Even now I owe money at the bank. You'll find that out when I'm gone."

The voice of the sick man became tense with earnestness. Being unable to arise, he put out his hand and pulled the girl's head down beside his own. "There's a way out," he whispered. "Don't marry Tom Willard or anyone else here in Winesburg. There is eight hundred dollars in a tin box in my trunk. Take it and go away."

Again the sick man's voice became querulous. "You've got to promise," he declared. "If you won't promise not to marry, give me your word that you'll never tell Tom about the money. It is mine and if I give it to you I've the right to make that demand. Hide it away. It is to make up to you for my failure as a father. Some time it may prove to be a door, a great open door to you. Come now, I tell you I'm about to die, give me your promise."

* * *

In Doctor Reefy's office, Elizabeth, a tired gaunt old woman at forty-one, sat in a chair near the stove and looked at the floor. By a small desk near the window sat the doctor. His hands played with a lead pencil that lay on the desk. Elizabeth talked of her life as a married woman. She became impersonal and forgot her husband, only using him as a lay figure to give point to her tale. "And then I was married and it did not turn out at all," she said bitterly. "As soon as I had gone into it I began to be afraid. Perhaps I knew too much before and then perhaps I found out too much during my first night with him. I don't remember.

"What a fool I was. When father gave me the money and tried to talk me out of the thought of marriage, I would not listen. I thought of what the girls who were married had said of it and I wanted marriage also. It wasn't Tom I wanted, it was marriage. When father went to sleep I leaned out of the window and thought of the life I had led. I didn't want to be a bad woman. The town was full of stories about me. I even began to be afraid Tom would change his mind."

The woman's voice began to quiver with excitement. To Doctor Reefy, who without realizing what was happening had begun to love her, there came an odd illusion. He thought that as she talked the woman's body was changing, that she was becoming younger, straighter, stronger. When he could not shake off the illusion his mind gave it a professional twist. "It is good for both her body and her mind, this talking," he muttered.

The woman began telling of an incident that had happened one afternoon a few months after her marriage. Her voice became steadier. "In the late afternoon I went for a drive alone," she said. "I had a buggy and a little grey pony I kept in Moyer's Livery. Tom was painting and repapering rooms in the hotel. He wanted money and I was trying to make up my mind to tell him about the eight hundred dollars father had given to me. I couldn't decide to do it. I didn't like him well enough. There was always paint on his hands and face during those days and he smelled of paint. He was trying to fix up the old hotel, and make it new and smart."

The excited woman sat up very straight in her chair and made a quick girlish movement with her hand as she told of the drive alone on the spring afternoon. "It was cloudy and a storm threatened," she said. "Black clouds made the green of the trees and the grass stand out so that the colors hurt my eyes. I went out Trunion Pike a mile or more and then turned into a side road. The little horse went quickly along up hill and down. I was impatient. Thoughts came and I wanted to get away from my thoughts. I began to beat the horse. The black clouds settled down and it began to rain. I wanted to go at a terrible speed, to drive on and on forever. I wanted to get out of town, out of my clothes, out of my marriage, out of my body, out of everything. I almost killed the horse, making him run, and when he could not run any more I got out of the buggy and ran afoot into the darkness until I fell and hurt my side. I wanted to run away from everything but I wanted to run towards something too. Don't you see, dear, how it was?"

Elizabeth sprang out of the chair and began to walk about in the office. She walked as Doctor Reefy thought he had never seen anyone walk before. To her whole body there was a swing, a rhythm that intoxicated him. When she came and knelt on the floor beside his chair he took her into his arms and began to kiss her passionately. "I cried all the way home," she said, as she tried to continue the story of her wild ride, but he did not listen. "You dear! You lovely dear! Oh you lovely dear!" he muttered and thought he held in his arms not the tired-out woman of forty-one but a lovely and innocent girl who had been able by some miracle to project herself out of the husk of the body of the tired-out woman.

Doctor Reefy did not see the woman he had held in his arms again until after her death. On the summer afternoon in the office when he was on the point of becoming her lover a half grotesque little incident brought his love-making quickly to an end. As the man and woman held each other tightly heavy feet came tramping up the office stairs. The two sprang to their feet and stood listening and trembling. The noise on the stairs was made by a clerk from the Paris Dry Goods Company. With a loud bang he threw an empty box on the pile of rubbish in the hallway and then went heavily down the stairs. Elizabeth followed him almost immediately. The thing that had come to life in her as she talked to her one friend died suddenly. She was hysterical, as was also Doctor Reefy, and did not want to continue the talk. Along the street she went with the blood still singing in her body, but when she turned out of Main Street and saw ahead the lights of the New Willard House, she began to tremble and her knees shook so that for a moment she thought she would fall in the street.

The sick woman spent the last few months of her life hungering for death. Along the road of death she went, seeking, hungering. She personified the figure of death and made him now a strong black-haired youth running over hills, now a stem quiet man marked and scarred by the business of living. In the darkness of her room she put out her hand, thrusting it from under the covers of her bed, and she thought that death like a living thing put out his hand to her. "Be patient, lover," she whispered. "Keep yourself young and beautiful and be patient."

On the evening when disease laid its heavy hand upon her and defeated her plans for telling her son George of the eight hundred dollars hidden away, she got out of bed and crept half across the room pleading with death for another hour of life. "Wait, dear! The boy! The boy! The boy!" she pleaded as she tried with all of her strength to fight off the arms of the lover she had wanted so earnestly.

* * *

Elizabeth died one day in March in the year when her son George became eighteen, and the young man had but little sense of the meaning of her death. Only time could give him that. For a month he had seen her lying white and still and speechless in her bed, and then one afternoon the doctor stopped him in the hallway and said a few words.

The young man went into his own room and closed the door. He had a queer empty feeling in the region of his stomach. For a moment he sat staring at, the floor and then jumping up went for a walk. Along the station platform he went, and around through residence streets past the high-school building, thinking almost entirely of his own affairs. The notion of death could not get hold of him and he was in fact a little annoyed that his mother had died on that day. He had just received a note from Helen White, the daughter of the town banker, in answer to one from him. "Tonight I could have gone to see her and now it will have to be put off," he thought half angrily.

Elizabeth died on a Friday afternoon at three o'clock. It had been cold and rainy in the morning but in the afternoon the sun came out. Before she died she lay paralyzed for six days unable to speak or move and with only her mind and her eyes alive. For three of the six days she struggled, thinking of her boy, trying to say some few words in regard to his future, and in her eyes there was an appeal so touching that all who saw it kept the memory of the dying woman in their minds for years. Even Tom Willard, who had always half resented his wife, forgot his resentment and the tears ran out of his eyes and lodged in his mustache. The mustache had begun to turn grey and Tom colored it with dye. There was oil in the preparation he used for the purpose and the tears, catching in the mustache and being brushed away by his hand, formed a fine mist-like vapor. In his grief Tom Willard's face looked like the face of a little dog that has been out a long time in bitter weather.

George came home along Main Street at dark on the day of his mother's death and, after going to his own room to brush his hair and clothes, went along the hallway and into the room where the body lay. There was a candle on the dressing table by the door and Doctor Reefy sat in a chair by the bed. The doctor arose and started to go out. He put out his hand as though to greet the younger man and then awkwardly drew it back again. The air of the room was heavy with the presence of the two self-conscious human beings, and the man hurried away.

The dead woman's son sat down in a chair and looked at the floor. He again thought of his own affairs and definitely decided he would make a change in his life, that he would leave Winesburg. "I will go to some city. Perhaps I can get a job on some newspaper," he thought, and then his mind turned to the girl with whom he was to have spent this evening and again he was half angry at the turn of events that had prevented his going to her.

In the dimly lighted room with the dead woman the young man began to have thoughts. His mind played with thoughts of life as his mother's mind had played with the thought of death. He closed his eyes and imagined that the red young lips of Helen White touched his own lips. His body trembled and his hands shook. And then something happened. The boy sprang to his feet and stood stiffly. He looked at the figure of the dead woman under the sheets and shame for his thoughts swept over him so that he began to weep. A new notion came into his mind and he turned and looked guiltily about as though afraid he would be observed.

George Willard became possessed of a madness to lift the sheet from the body of his mother and look at her face. The thought that had come into his mind gripped him terribly. He became convinced that not his mother but someone else lay in the bed before him. The conviction was so real that it was almost unbearable. The body under the sheets was long and in death looked young and graceful. To the boy, held by some strange fancy, it was unspeakably lovely. The feeling that the body before him was alive, that in another moment a lovely woman would spring out of the bed and confront him, became so overpowering that he could not bear the suspense. Again and again he put out his hand. Once he touched and half lifted the white sheet that covered her, but his courage failed and he, like Doctor Reefy, turned and went out of the room. In the hallway outside the door he stopped and trembled so that he had to put a hand against the wall to support himself. "That's not my mother. That's not my mother in there," he whispered to himself and again his body shook with fright and uncertainty. When Aunt Elizabeth Swift, who had come to watch over the body, came out of an adjoining room he put his hand into hers and began to sob, shaking his head from side to side, half blind with grief. "My mother is dead," he said, and then forgetting the woman he turned and stared at the door through which he had just come. "The dear, the dear, oh the lovely dear," the boy, urged by some impulse outside himself, muttered aloud.

As for the eight hundred dollars the dead woman had kept hidden so long and that was to give George Willard his start in the city, it lay in the tin box behind the plaster by the foot of his mother's bed. Elizabeth had put it there a week after her marriage, breaking the plaster away with a stick. Then she got one of the workmen her husband was at that time employing about the hotel to mend the wall. "I jammed the corner of the bed against it," she had explained to her husband, unable at the moment to give up her dream of release, the release that after all came to her but twice in her life, in the moments when her lovers Death and Doctor Reefy held her in their arms.

Sophistication

It was early evening of a day in, the late fall and the Winesburg County Fair had brought crowds of country people into town. The day had been clear and the night came on warm and pleasant. On the Trunion Pike, where the road after it left town stretched away between berry fields now covered with dry brown leaves, the dust from passing wagons arose in clouds. Children, curled into little balls, slept on the straw scattered on wagon beds. Their hair was full of dust and their fingers black and sticky. The dust rolled away over the fields and the departing sun set it ablaze with colors.

In the main street of Winesburg crowds filled the stores and the sidewalks. Night came on, horses whinnied, the clerks in the stores ran madly about, children became lost and cried lustily, an American town worked terribly at the task of amusing itself.

Pushing his way through the crowds in Main Street, young George Willard concealed himself in the stairway leading to Doctor Reefy's office and looked at the people. With feverish eyes he watched the faces drifting past under the store lights. Thoughts kept coming into his head and he did not want to think. He stamped impatiently on the wooden steps and looked sharply about. "Well, is she going to stay with him all day? Have I done all this waiting for nothing?" he muttered.

George Willard, the Ohio village boy, was fast growing into manhood and new thoughts had been coming into his mind. All that day, amid the jam of people at the Fair, he had gone about feeling lonely. He was about to leave Winesburg to go away to some city where he hoped to get work on a city newspaper and he felt grown up. The mood that had taken possession of him was a thing known to men and unknown to boys. He felt old and a little tired. Memories awoke in him. To his mind his new sense of maturity set him apart, made of him a half-tragic figure. He wanted someone to understand the feeling that had taken possession of him after his mother's death.

There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun. He shivers and looks eagerly about. The eighteen years he has lived seem but a moment, a breathing space in the long march of humanity. Already he hears death calling. With all his heart he wants to come close to some other human, touch someone with his hands, be touched by the hand of another. If he prefers that the other be a woman, that is because he believes that a woman will be gentle, that she will understand. He wants, most of all, understanding.

When the moment of sophistication came to George Willard his mind turned to Helen White, the Winesburg banker's daughter. Always he had been conscious of the girl growing into womanhood as he grew into manhood. Once on a summer night when he was eighteen, he had walked with her on a country road and in her presence had given way to an impulse to boast, to make himself appear big and significant in her eyes. Now he wanted to see her for another purpose. He wanted to tell her of the new impulses that had come to him. He had tried to make her think of him as a man when he knew nothing of manhood and now he wanted to be with her and to try to make her feel the change he believed had taken place in his nature.

As for Helen White, she also had come to a period of change. What George felt, she in her young woman's way felt also. She was no longer a girl and hungered to reach into the grace and beauty of womanhood. She had come home from Cleveland, where she was attending college, to spend a day at the Fair. She also had begun to have memories. During the day she sat in the grand-stand with a young man, one of the instructors from the college, who was a guest of her mother's. The young man was of a pedantic turn of mind and she felt at once he would not do for her purpose. At the Fair she was glad to be seen in his company as he was well dressed and a stranger. She knew that the fact of his presence would create an impression. During the day she was happy, but when night came on she began to grow restless. She wanted to drive the instructor away, to get out of his presence. While they sat together in the grand-stand and while the eyes of former schoolmates were upon them, she paid so much attention to her escort that he grew interested. "A scholar needs money. I should marry a woman with money," he mused.

Helen White was thinking of George Willard even as he wandered gloomily through the crowds thinking of her. She remembered the summer evening when they had walked together and wanted to walk with him again. She thought that the months she had spent in the city, the going to theaters and the seeing of great crowds wandering in lighted thoroughfares, had changed her profoundly. She wanted him to feel and be conscious of the change in her nature.

The summer evening together that had left its mark on the memory of both the young man and woman had, when looked at quite sensibly, been rather stupidly spent. They had walked out of town along a country road. Then they had stopped by a fence near a field of young corn and George had taken off his coat and let it hang on his arm. "Well, I've stayed here in Winesburg-yes-I've not yet gone away but I'm growing up," he had said. "I've been reading books and I've been thinking. I'm going to try to amount to something in life.

"Well," he explained, "that isn't the point. Perhaps I'd better quit talking."

The confused boy put his hand on the girl's arm. His voice trembled. The two started to walk back along the road toward town. In his desperation George boasted, "I'm going to be a big man, the biggest that ever lived here in Winesburg," he declared. "I want you to do something, I don't know what. Perhaps it is none of my business. I want you to try to be different from other women. You see the point. It's none of my business I tell you. I want you to be a beautiful woman. You see what I want."

The boy's voice failed and in silence the two came back into town and went along the street to Helen White's house. At the gate he tried to say something impressive. Speeches he had thought out came into his head, but they seemed utterly pointless. "I thought-I used to think-I had it in my mind you would marry Seth Richmond. Now I know you won't," was all he could find to say as she went through the gate and toward the door of her house.

On the warm fall evening as he stood in the stairway and looked at the crowd drifting through Main Street, George thought of the talk beside the field of young corn and was ashamed of the figure he had made of himself. In the street the people surged up and down like cattle confined in a pen. Buggies and wagons almost filled the narrow thoroughfare. A band played and small boys raced along the sidewalk, diving between the legs of men. Young men with shining red faces walked awkwardly about with girls on their arms. In a room above one of the stores, where a dance was to be held, the fiddlers tuned their instruments. The broken sounds floated down through an open window and out across the murmur of voices and the loud blare of the horns of the band. The medley of sounds got on young Willard's nerves. Everywhere, on all sides, the sense of crowding, moving life closed in about him. He wanted to run away by himself and think. "If she wants to stay with that fellow she may. Why should I care? What difference d—s it make to me?" he growled and went along Main Street and through Hern's Grocery into a side street.

George felt so utterly lonely and dejected that he wanted to weep but pride made him walk rapidly along, swinging his arms. He came to Wesley Moyer's livery barn and stopped in the shadows to listen to a group of men who talked of a race Wesley's stallion, Tony Tip, had won at the Fair during the afternoon. A crowd had gathered in front of the barn and before the crowd walked Wesley, prancing up and down boasting. He held a whip in his hand and kept tapping the ground. Little puffs of dust arose in the lamplight. "Hell, quit your talking," Wesley exclaimed. "I wasn't afraid, I knew I had 'em beat all the time. I wasn't afraid."

Ordinarily George Willard would have been intensely interested in the boasting of Moyer, the horseman. Now it made him angry. He turned and hurried away along the street. "Old windbag," he sputtered. "Why d—s he want to be bragging? Why don't he shut up?"

George went into a vacant lot and, as he hurried along, fell over a pile of rubbish. A nail protruding from an empty barrel tore his trousers. He sat down on the ground and swore. With a pin he mended the torn place and then arose and went on. "I'll go to Helen White's house, that's what I'll do. I'll walk right in. I'll say that I want to see her. I'll walk right in and sit down, that's what I'll do," he declared, climbing over a fence and beginning to run.

* * *

On the veranda of Banker White's house Helen was restless and distraught. The instructor sat between the mother and daughter. His talk wearied the girl. Although he had also been raised in an Ohio town, the instructor began to put on the airs of the city. He wanted to appear cosmopolitan. "I like the chance you have given me to study the background out of which most of our girls come," he declared. "It was good of you, Mrs. White, to have me down for the day." He turned to Helen and laughed. "Your life is still bound up with the life of this town?" he asked. "There are people here in whom you are interested?" To the girl his voice sounded pompous and heavy.

Helen arose and went into the house. At the door leading to a garden at the back she stopped and stood listening. Her mother began to talk. "There is no one here fit to associate with a girl of Helen's breeding," she said.

Helen ran down a flight of stairs at the back of the house and into the garden. In the darkness she stopped and stood trembling. It seemed to her that the world was full of meaningless people saying words. Afire with eagerness she ran through a garden gate and, turning a corner by the banker's barn, went into a little side street. "George! Where are you, George?" she cried, filled with nervous excitement. She stopped running, and leaned against a tree to laugh hysterically. Along the dark little street came George Willard, still saying words. "I'm going to walk right into her house. I'll go right in and sit down," he declared as he came up to her. He stopped and stared stupidly. "Come on," he said and took hold of her hand. With hanging heads they walked away along the street under the trees. Dry leaves rustled under foot. Now that he had found her George wondered what he had better do and say.

* * *

At the upper end of the Fair Ground, in Winesburg, there is a half decayed old grand-stand. It has never been painted and the boards are all warped out of shape. The Fair Ground stands on top of a low hill rising out of the valley of Wine Creek and from the grand-stand one can see at night, over a cornfield, the lights of the town reflected against the sky.

George and Helen climbed the hill to the Fair Ground, coming by the path past Waterworks Pond. The feeling of loneliness and isolation that had come to the young man in the crowded streets of his town was both broken and intensified by the presence of Helen. What he felt was reflected in her.

In youth there are always two forces fighting in people. The warm unthinking little animal struggles against the thing that reflects and remembers, and the older, the more sophisticated thing had possession of George Willard. Sensing his mood, Helen walked beside him filled with respect. When they got to the grand-stand they climbed up under the roof and sat down on one of the long bench-like seats.

There is something memorable in the experience to be had by going into a fair ground that stands at the edge of a Middle Western town on a night after the annual fair has been held. The sensation is one never to be forgotten. On all sides are ghosts, not of the dead, but of living people. Here, during the day just passed, have come the people pouring in from the town and the country around. Farmers with their wives and children and all the people from the hundreds of little frame houses have gathered within these board walls. Young girls have laughed and men with beards have talked of the affairs of their lives. The place has been filled to overflowing with life. It has itched and squirmed with life and now it is night and the life has all gone away. The silence is almost terrifying. One conceals oneself standing silently beside the trunk of a tree and what there is of a reflective tendency in his nature is intensified. One shudders at the thought of the meaninglessness of life while at the same instant, and if the people of the town are his people, one loves life so intensely that tears come into the eyes.

In the darkness under the roof of the grand-stand, George Willard sat beside Helen White and felt very keenly his own insignificance in the scheme of existence. Now that he had come out of town where the presence of the people stirring about, busy with a multitude of affairs, had been so irritating, the irritation was all gone. The presence of Helen renewed and refreshed him. It was as though her woman's hand was assisting him to make some minute readjustment of the machinery of his life. He began to think of the people in the town where he had always lived with something like reverence. He had reverence for Helen. He wanted to love and to be loved by her, but he did not want at the moment to be confused by her womanhood. In the darkness he took hold of her hand and when she crept close put a hand on her shoulder. A wind began to blow and he shivered. With all his strength he tried to hold and to understand the mood that had come upon him. In that high place in the darkness the two oddly sensitive human atoms held each other tightly and waited. In the mind of each was the same thought. "I have come to this lonely place and here is this other," was the substance of the thing felt.

In Winesburg the crowded day had run itself out into the long night of the late fall. Farm horses jogged away along lonely country roads pulling their portion of weary people. Clerks began to bring samples of goods in off the sidewalks and lock the doors of stores. In the Opera House a crowd had gathered to see a show and further down Main Street the fiddlers, their instruments tuned, sweated and worked to keep the feet of youth flying over a dance floor.

In the darkness in the grand-stand Helen White and George Willard remained silent. Now and then the spell that held them was broken and they turned and tried in the dim light to see into each other's eyes. They kissed but that impulse did not last. At the upper end of the Fair Ground a half dozen men worked over horses that had raced during the afternoon. The men had built a fire and were heating kettles of water. Only their legs could be seen as they passed back and forth in the light. When the wind blew the little flames of the fire danced crazily about.

George and Helen arose and walked away into the darkness. They went along a path past a field of corn that had not yet been cut. The wind whispered among the dry corn blades. For a moment during the walk back into town the spell that held them was broken. When they had come to the crest of Waterworks Hill they stopped by a tree and George again put his hands on the girl's shoulders. She embraced him eagerly and then again they drew quickly back from that impulse. They stopped kissing and stood a little apart. Mutual respect grew big in them. They were both embarrassed and to relieve their embarrassment dropped into the animalism of youth. They laughed and began to pull and haul at each other. In some way chastened and purified by the mood they had been in, they became, not man and woman, not boy and girl, but excited little animals.

It was so they went down the hill. In the darkness they played like two splendid young things in a young world. Once, running swiftly forward, Helen tripped George and he fell. He squirmed and shouted. Shaking with laughter, he roiled down the hill. Helen ran after him. For just a moment she stopped in the darkness. There was no way of knowing what woman's thoughts went through her mind but, when the bottom of the hill was reached and she came up to the boy, she took his arm and walked beside him in dignified silence. For some reason they could not have explained they had both got from their silent evening together the thing needed. Man or boy, woman or girl, they had for a moment taken hold of the thing that makes the mature life of men and women in the modern world possible.

Departure

Young George Willard got out of bed at four in the morning. It was April and the young tree leaves were just coming out of their buds. The trees along the residence streets in Winesburg are maple and the seeds are winged. When the wind blows they whirl crazily about, filling the air and making a carpet underfoot.

George came downstairs into the hotel office carrying a brown leather bag. His trunk was packed for departure. Since two o'clock he had been awake thinking of the journey he was about to take and wondering what he would find at the end of his journey. The boy who slept in the hotel office lay on a cot by the door. His mouth was open and he snored lustily. George crept past the cot and went out into the silent deserted main street. The east was pink with the dawn and long streaks of light climbed into the sky where a few stars still shone.

Beyond the last house on Trunion Pike in Winesburg there is a great stretch of open fields. The fields are owned by farmers who live in town and drive homeward at evening along Trunion Pike in light creaking wagons. In the fields are planted berries and small fruits. In the late afternoon in the hot summers when the road and the fields are covered with dust, a smoky haze lies over the great flat basin of land. To look across it is like looking out across the sea. In the spring when the land is green the effect is somewhat different. The land becomes a wide green billiard table on which tiny human insects toil up and down.

All through his boyhood and young manhood George Willard had been in the habit of walking on Trunion Pike. He had been in the midst of the great open place on winter nights when it was covered with snow and only the moon looked down at him; he had been there in the fall when bleak winds blew and on summer evenings when the air vibrated with the song of insects. On the April morning he wanted to go there again, to walk again in the silence. He did walk to where the road dipped down by a little stream two miles from town and then turned and walked silently back again. When he got to Main Street clerks were sweeping the sidewalks before the stores. "Hey, you George. How d—s it feel to be going away?" they asked.

The westbound train leaves Winesburg at seven forty-five in the morning. Tom Little is conductor. His train runs from Cleveland to where it connects with a great trunk line railroad with terminals in Chicago and New York. Tom has what in railroad circles is called an "easy run." Every evening he returns to his family. In the fall and spring he spends his Sundays fishing in Lake Erie. He has a round red face and small blue eyes. He knows the people in the towns along his railroad better than a city man knows the people who live in his apartment building.

George came down the little incline from the New Willard House at seven o'clock. Tom Willard carried his bag. The son had become taller than the father.

On the station platform everyone shook the young man's hand. More than a dozen people waited about. Then they talked of their own affairs. Even Will Henderson, who was lazy and often slept until nine, had got out of bed. George was embarrassed. Gertrude Wilmot, a tall thin woman of fifty who worked in the Winesburg post office, came along the station platform. She had never before paid any attention to George. Now she stopped and put out her hand. In two words she voiced what everyone felt. "Good luck," she said sharply and then turning went on her way.

When the train came into the station George felt relieved. He scampered hurriedly aboard. Helen White came running along Main Street hoping to have a parting word with him, but he had found a seat and did not see her. When the train started Tom Little punched his ticket, grinned and, although he knew George well and knew on what adventure he was just setting out, made no comment. Tom had seen a thousand George Willards go out of their towns to the city. It was a commonplace enough incident with him. In the smoking car there was a man who had just invited Tom to go on a fishing trip to Sandusky Bay. He wanted to accept the invitation and talk over details.

George glanced up and down the car to be sure no one was looking, then took out his pocket-book and counted his money. His mind was occupied with a desire not to appear green. Almost the last words his father had said to him concerned the matter of his behavior when he got to the city. "Be a sharp one," Tom Willard had said. "Keep your eyes on your money. Be awake. That's the ticket. Don't let anyone think you're a greenhorn."